#Kartik Naidu

[kartiknaidu]

Achieving a Spiritually Balanced Life Through Spiritual Therapy

The term psycho-spiritual therapy, also known as spiritual psychotherapy, is a combination of two different aspects: spiritual and psychological. It is a relatively new branch of psychotherapy that has been developed in the last few decades.

Psycho-Spiritual Therapies explicitly protest against the reductive and materialist assumptions of mainstream behavioral and cognitive psychology. It is experiential and focuses on the client's individual experiences and reality. Psycho-Spiritual Therapy is a complex, wide-ranging area of practice that integrates spirituality, psycho-education, mental health, wellness, religion.

Kartik Naidu is one of the best psycho spiritual therapist in India. He has worked with many patients suffering from various psychological disorders like depression and anxiety disorders. He has helped many people to overcome their fears or phobia by taking them out of their comfort zone using hypnotherapy techniques.

In addition to treating mental health issues Kartik Naidu also provides spiritual guidance to his patients so that they can lead a happy life with peace of mind without any disturbances in their lives

KARTIK NAIDU is a psychospiritual therapist with over 15 years of experience in the field. He has worked with individuals from all walks of life, including business executives, politicians, teachers and students. He specializes in treating people suffering from anxiety and depression, but also provides counseling for many other issues such as grief and loss.

Psycho-spiritual therapy is an integrative approach that focuses on the client's individual experiences and reality. It is experiential and focuses on the client's individual experiences and reality. The therapist uses a variety of techniques including meditation, art therapy, visualization exercises and guided imagery to help clients achieve health and balance in their lives.

If you are looking for a psychospiritual therapist in India, then you are at the right place. We have listed all the best psychospiritual therapists in India and we have also given their contact details so that you can contact them directly.

Psycho-Spiritual Therapy is a complex, wide-ranging area of practice that integrates spirituality, psycho-education, mental health and wellbeing with classic psychological therapies. It is experiential and focuses on the client's individual experiences and reality. Kartik Naidu

Psycho-Spiritual Therapy is based on the premise that one's life circumstances are determined by his or her own choices and actions. The therapist helps clients identify their own strengths and resources to help them meet their goals. This approach helps people develop insight into what is driving their behavior and how they can learn to manage their lives more effectively through self-awareness and change management skills. Kartik Naidu

Spiritual Therapists are individuals who have acquired a profound understanding of the human experience and its relationship to the universe. They use a variety of techniques from psychology, psychotherapy, counseling, and philosophy to help clients achieve balance and harmony in their lives. Kartik Naidu

Practitioners focus on helping people understand themselves better so they can live more meaningful lives. Psycho-Spiritual Therapists use many different techniques that include meditation, dream analysis, past life regression therapy, hypnosis and healing arts such as Reiki and Tarot Card reading.

[shankarjaikishanfansassnintl]

51 fascinating facts about Bollywood from the age of Classic Cinema

resented by Chandrakant Pednekar

Perhaps you’ve heard some of these before, perhaps not. We’ve found some really interesting facts about Bollywood since the very beginning, for your nostalgic pleasure.1. THE GOLDEN AGE OF INDIAN CINEMA DAWNED IN 1947 WITH INDIAN INDEPENDENCE. THE PERIOD BETWEEN 1947 AND 1961 IS CALLED ‘THE GOLDEN AGE’ BECAUSE IT USHERED IN NEW IDEAS AND VALUES WITHOUT IGNORING THE BASIC CHARACTERISTICS OF INDIAN CINEMA, A SPLENDID COMBINATION OF THE OLD AND NEW, WHICH ALSO PASSED INTO THE 21ST CENTURY AND HAS CONTINUES TO THIS DAY.2. More and more films began to be made with every passing year. In the process, landmark moments and films began to be created and linked with those years. 1949 was one such revolutionary year that gave rise to several landmark films. The topmost among them being Andaz (1949), the first big-budget love triangle starring Dilip Kumar, Raj Kapoor and Nargis.3. Mahal directed by Kamal Amrohi and released in 1949 was the first suspense thriller made in India. Originally planned with singer/actress Suraiya, the film finally went to Madhubala who became a star with the haunting song ‘Aayega aayega aayega anewala aayega…’, along with its playback singer Lata Mangeshkar. Lata reinforced her position in 1949 with R.K Films – ‘Barsaat’, which revolutionized the world of film music with the entry of the musical duo – Shankar Jaikishan.4. Mohd. Rafi emerged as a prominent male playback singer in 1949 with another Madhubala starrer Dulari with the hit number “Suhani raat dhal chuki…”. The last year of 1940s proved to be a watershed year for film music, as it prominently gave rise to the playback system wherein professional singers sang for the actors on screen who just had to move their lips without worrying about the ‘sur’ and ‘taal’ of the songs.5. Raj Kapoor’s Awara (1951) not only signaled a change in the grammar of film-making but also brought India prominently on the world map. He grabbed the script of Awara from under the nose of the legendary Mehboob Khan and launched it on a big scale. With “Ghar aaya mera pardesi…” shot on a massive set, Awara became the mother of all dream-sequences.6. Bimal Roy started his career in Calcutta and introduced Bengali Literature to Hindi Cinema and transformed the latter in many ways. Greatly influenced by the neo-realist Italian films and other post-war films he saw at India’s first international film festival in 1952, Bimal Roy’s Do Bigha Zameen (1953) remains a landmark film that has influenced several films including Lagaan (2001). One can find echoes of “Hariyala sawan shol bajata aaya…” from Do Bigha Zameen in “Ghanan ghanan ghir aayee…” from Lagaan.7. Debonair Dev Anand used to model himself on the lines of famous Hollywood star, Gregory Peck. During the making of Taxi Driver (1954), Dev Anand proposed marriage to his heroine, Kalpana Kartik. Both walked across to the registrar of marriages during a shooting break. Both signed the register and came back to resume work. Hardly anybody was aware that they were now husband and wife. Kalpana Kartik decided to quit films after marriage but not before doing 2 more films with her husband Dev – House No. 44 (1955) and Nau Do Gyarah (1957).8. Saratchandra’s Devdas has always been a favourite with film makers. The silent version was made in 1927 by Naresh Mitra with Phani Burma in the lead. P.C.Barua made it in 1935 with himself in the Bengali version and with K.L.Saigal in the Hindi version. Bimal Roy directed his version with Dilip Kumar in 1955 while Sanjay Leela Bhansali had his own interpretation of the novel in 2002 with Shahrukh Khan.9. Chandramukhi’s role in Bimal Roy’s Devdas (1955) was rejected by Nargis, Bina Rai and Suraiya. Vyjayanthimala, who finally did the role refused to accept Filmfare’s Best Supporting Actress Award for Devdas, stating that her role was as important as Paro’s. Years later, Reena Roy too, rejected Filmfare’s Best Supporting Actress trophy for Apnapan (1978), citing that her role was leading and not supporting.10. Truly Chaplin in form, content and treatment, Raj Kapoor’s Shree 420 (1955) remains his most socially significant comedy to date. It was a tremendous hit in India and overseas, especially in Russia, Egypt, Middle-East etc. “Ichak dana…” and “Mera joota hai japani…’ were rewritten in the languages of various countries and sung as local songs.11. V. Shantaram’s Do Aankhen Barah Haath (1957) was inspired by the story of an ‘Open Prison’ experiment in Satara. The film portrays a young jail warden, Adinath, who rehabilitates six deadly prisoners released on parole into persons of virtue. During the shooting of the film, V. Shantaram battled with a bull and hurt his eyes and affected his vision. During the period of temporary blindness, he visualized some unseen colours of life which resulted into the making of his colourful Navrang (1959).12. Dilip Kumar initially refused to be part of Naya Daur (1957) but then, his friend Ashok Kumar, who heard and loved the story, convinced him to accept it. Madhubala was the female lead in this movie but when B.R. Chopra decided to shoot the movie in Bhopal, Madhubala’s father, Ataullah Khan, refused to let her go citing personal reasons. Finally, Madhubala had to be replaced with Vyjayantimala who entered a new phase of her career with the super hit – Naya Daur.13. Guru Dutt wanted Dilip Kumar to play the leading role in Pyaasa (1957). The Tragedy King declined because he thought this role was similar to his Devdas (1955). So, Guru Dutt himself decided to play the role. Similarly, Madhubala and Nargis were his first choices for the leading ladies, which were eventually played by Mala Sinha and Waheeda Rehman. Pyaasa went on to become a cult film in the history of Indian cinema.14. Mehboob Khan’s Mother India (1957), was the colour remake of his own Aurat (1940) which featured his wife Sardar Akhtar. Aurat was inspired from Pearl S. Buck’s novel “The Mother”. Nargis got the role of her lifetime in Mother India which fetched her the Best Actress Award at the Karlovy Vary festival. Mother India was nominated for the Oscar as the best foreign film but it lost to Fellini’s Nights of Caberia (1957) by a single vote.15. Kishore Kumar apparently made Chalti Ka Nam Gaadi (1958), hoping it would fail commercially. He wanted to show losses in his income, to avoid paying a huge tax to the authorities. So he made two films – Lukochuri (Bengali) and Chalti Ka Nam Gaadi, and waited eagerly for them to collapse. However, both went on to become box-office successes. Kumar was so disgusted with this that he gifted Chalti Ka Nam Gaadi and all its rights to his secretary Anoop Sharma, who retained the copyright.16. Anari (1959), directed by Hrishikesh Mukherjee, brought together the sublimity of Raj Kapoor’s pairing with the timeless Nutan, celebrating the rich-poor divide through a story that saluted Raj Kapoor’s own Shree 420 (1955). Incidentally, Raj Kapoor’s brother Shashi Kapoor also starred in a film called Anari directed by Asit Sen in 1975. Later, Raj Kapoor’s grand-daughter Karisma Kapoor did another Anari in 1993 with the southern star Venkatesh.17. India’s first CinemaScope film Kaagaz Ke Phool (1959) was directed by Guru Dutt who also played the lead in the film. Apparently, Guru Dutt was so upset by the poor (box office) response to his film, that he thereafter never took credit as ‘Director’ for any of his later films such as Chaudhvin Ka Chand (1960), or Sahib, Bibi aur Ghulam (1962) even though they retain the unmistakable stamp of his direction. Though Kaagaz Ke Phool was a disaster in its time, it was later resurrected as a cult classic.18. Hrishikesh Mukherjee’s Anuradha (1960) was a movie much ahead of its time and featured debutante Leela Naidu in the title role with Balraj Sahani. A relative of the national leader Sarojini Naidu, Leela Naidu, was crowned Femina Miss India in 1954, and was featured in Vogue along with Maharani Gayatri Devi in the list of ‘World’s Ten Most Beautiful Women’. The film’s classical-based music was composed by Sitar maestro Pt. Ravi Shankar.19. K. Asif’s Mughal – E – Azam (1960) was actually planned in the 1940s. The political tensions surrounding India’s partition and independence in 1947 stalled the film’s production. Shortly after The Partition, financer Shiraz Ali migrated to Pakistan, leaving Asif without finance. Subsequently, the film’s lead Chandramohan suffered a heart attack and died in 1949. Ali had previously suggested the name of business tycoon Shapoorji Pallonji for financing the film. Pallonji did not know anything regarding the production of films, but he took a keen interest in the project and agreed to produce it due to his strong interest in Akbar’s history. Thus, began the saga of the magnum opus – Mughal–E–Azam!20. The Song “Pyar kiya to darna kiya…”, from Mughal – E – Azam (1960) has an unusual history to it. Naushad rejected 2 sets of lyrics made by Badayuni. Late in the night, Naushad remembered a folk song from Eastern Uttar Pradesh with the lyrics going as “Prem kiya, kya chori kari hai…”. The song was converted into a ghazal and subsequently recorded. As there was no technology to provide for the reverberation of sound heard in the song, Naushad had Lata Mangeshkar sing the song in a studio bathroom.21. A female-centric movie, based on a Bengali novel by Jarasandha, Bandini (1963) is the last directorial venture of Bimal Roy, a master of realism and regarded by many as his crowning achievement. Bimal Roy persuaded Nutan, who had given a magnificent performance in his Sujata (1959), to come out of her post-nuptial retirement and play the strictly raised, poetry-loving village girl, ‘Kalyani’. He convinced her to do Bandini, which went on to sweep all the top awards then, and is still considered a landmark movie of all time.22. Dosti (1964), a non star-cast film directed by Satyen Bose was made under the Rajshri banner and was biggest surprise hit of the year. The film focuses on the friendship between two boys, one blind and the other a cripple. Despite being released with Sangam, a blockbuster hit, Dosti was amongst the top ten grossers of 1964. It stands as a landmark in the career of Laxmikant-Pyarelal as this won them their first Filmfare Award and also made them popular in the film industry. Incidentally, R. D. Burman has played the harmonica throughout the film, which Ramu (one of the characters) plays throughout the film.23. Initially, Dilip Kumar was approached by Raj Kapoor to play the role of ‘Gopal Verma’ in Sangam (1964). Dilip Kumar agreed to play either one of the two male roles, with the condition that he was given the right to edit the final copy of the film. Since Raj Kapoor could not accept Dilip Kumar’s condition, he then approached Dev Anand for the role. The latter also declined the role citing date problems which ultimately went to Rajendra Kumar. Sangam ranked as the second highest grossing film of the decade.24. Brij Katyal’s script for Jab Jab Phool Khile (1965) was turned down by three top Producers. However, Director Suraj Prakash felt it was a beautiful story and accepted it, which went on to become his greatest hit. To prepare for his role as ‘Raja’, Shashi Kapoor would spend days with the boatmen in Kashmir to study their lifestyle. Sometimes, he would have meals with them. The original climax from the script had Raj beating up the bad guys. However, Suraj Prakash rejected it, and after watching Love in the Afternoon (1957), settled with Rita (Nanda) leaving everything behind to go back to Kashmir with Raja. Incidentally, Jab Jab Phool Khile (1965) got remade 3 decades later as Raja Hindustani (1996).25. B.R. CHOPRA HAD ORIGINALLY PLANNED WAQT (1965) WITH PRITHVIRAJ KAPOOR AND HIS THREE SONS, RAJ KAPOOR, SHAMMI KAPOOR AND SHASHI KAPOOR. EVENTUALLY, ONLY SHASHI KAPOOR WAS CAST, ALONG WITH RAJ KUMAR & SUNIL DUTT AS HIS ELDER BROTHERS, WHILE BALRAJ SAHANI PLAYED THE FATHER. WAQT PIONEERED THE IDEA OF A MULTI-STAR CAST IN INDIAN CINEMA AND RE-INTRODUCED THE LOST AND REUNITE FORMULA, ORIGINALLY MADE POPULAR IN KISMET (1943). WAQT ALSO SHOWCASES SOME OF THE TOP DIALOGUES SPOKEN BY RAAJ KUMAR LIKE “JINKE APNE GHAR SHEESHAY KE HON, WOH DOOSRON PAR PATTHAR NAHI PHENKA KARTE” AND “JAANI, YEH BACHCHON KE KHELNE KI CHEEZ NAHI, HAATH KAT JAYE TOH KHOON NIKAL AATA HAI”.26. Guide (1965) was made in two versions – an English version in collaboration with Pearl S. Buck and directed by Ted Danielewski and the Hindi version directed by Dev Anand’s younger brother Vijay Anand. It had never happened anywhere in the annals of cinema that the same story was filmed twice from two different perspectives with the same actor, one immediately after the other. Another striking feature about Guide is the Song ‘Kaaton se kheench ke ye aanchal…’ which begins from the ‘Antara’ instead of the ‘Mukhda’, a rare innovation unlike most Hindustani compositions.27. Teesri Manzil (1966) produced by Nasir Hussain & directed by Vijay Anand was originally planned with Dev Anand in the lead. Due to some reasons he could not do it & Shammi Kapoor replaced him in the film. However, Shammi Kapoor was not happy with Nasir Hussain’s choice of the music Director, R. D. Burman. He wanted Shankar Jaikishan to score the music but agreed to give Pancham a hearing. A nervous Pancham was ready with all the six tunes. The moment he heard Pancham sing “O Haseena Zulfonwali” and “Aaja Aaja Main Hoon Pyar Tera”, he jumped out of sheer joy & gave his approval for Teesri Manzil that soon revolutionised the world of Hindi Film Music.28. AROUND THE WORLD (1967) WAS INDIA’S FIRST FILM TO BE RELEASED IN 70 MM AND WAS EXTENSIVELY SHOT ALL AROUND THE WORLD. THE MAJOR OF THE FILM WAS SHOT ON A CRUISE SHIP. IT FEATURED RAJ KAPOOR AS AN INDIAN WHO TRAVELED AROUND THE WORLD IN 8 DOLLARS. V.SHANTARAM’S DAUGHTER RAJSHREE PLAYED THE ROMANTIC LEAD IN THE FILM. SHE MET HER FUTURE HUSBAND, AMERICAN STUDENT GREG CHAPMAN IN AMERICA DURING THE SHOOTING OF AROUND THE WORLD AND MARRIED HIM AS PER HINDU MARRIAGE RITUALS THAT LASTED 5 DAYS AND WAS ATTENDED BY 15,000 GUESTS.29. JEWEL THIEF (1967), WILL ALWAYS BE REMEMBERED AS ONE OF THE BEST CRIME THRILLERS OF INDIAN CINEMA. WHILE DEV ANAND AND ASHOK KUMAR VIED WITH EACH OTHER FOR THE TITLE OF JEWEL THIEF, THE GIRLS DID TOO. VYJAYANTHIMALA WAS ROPED IN TO PLAY THE MAIN HEROINE AS SAIRA BANU, THE ORIGINAL CHOICE COULD NOT DO THE FILM BECAUSE OF HER MARRIAGE WITH DILIP KUMAR. THE FILM ALSO FEATURED FOUR BOND GIRL-LIKE ACTRESSES PORTRAYED BY TANUJA, HELEN, FARYAL AND ANJU MAHENDRU. A SEQUEL OF JEWEL THIEF WAS RELEASED IN 1996, NAMED RETURN OF JEWEL THIEF WITH DEV ANAND AND ASHOK KUMAR PLAYING THEIR ORIGINAL ROLES.30. Prime Minister Lal Bahadur Shastri praised his earlier film Shaheed (1965) and enthused Manoj Kumar to make a film on the ‘Jai Jawaan Jai Kissan’ slogan. The slogan helped Manoj Kumar’s official debut as a Director for Upkar (1967), where he believably played both a Jawan and a Kisan. A huge hit, Upkar made Manoj Kumar an authority on screen patriotism. Manoj Kumar started his Mr. Bharat persona and his brand of patriotism & fearless courage with this film. The script for Upkar (1967) was written in less than 24 hours on the train journey between Delhi and Mumbai.31. THE TRAGEDY KING DILIP KUMAR HAD TO TAKE PSYCHIATRIC ADVICE AFTER PLAYING MELANCHOLIC ROLES LIKE DEVDAS (1955). IT WAS SUGGESTED THAT HE PLAY ROLES WITH LIGHTER SHADES AND THE RESULT WAS AZAAD (1955) & KOHINOOR (1960). AN OPPORTUNITY TO PLAY LIGHTER ROLES AGAIN AROSE FOR HIM WITH RAM AUR SHYAM (1967), WHEREIN DILIP KUMAR PLAYED A DOUBLE ROLE. INTERESTINGLY, VYJAYANTHIMALA, WHO WAS TO PLAY ONE OF THE HEROINES, WAS REPLACED WITH WAHEEDA REHMAN. MALA SINHA, WHO WAS APPROACHED FOR THE OTHER LEAD, REJECTED IT PAVING THE WAY FOR MUMTAZ, WHO ROSE TO THE TOP LEAGUE AFTER DOING RAM AUR SHYAM.32. WHILE REHEARSING FOR ‘BABUL KI DUAYEN…’ FROM NEEL KAMAL (1968), RAFI SAAB WAS CONTINUOUSLY CRYING. THE MUSIC DIRECTOR RAVI WAS PUZZLED AND WENT TO MR. HAMID, (MOHD. RAFI’S BROTHER IN LAW AND SECRETARY) & ASKED HIM THE REASON FOR HIS OUTBURST. HAMID SAAB REVEALED THAT JUST A DAY BEFORE, HIS DAUGHTER HAD GOT ENGAGED AND RAFI SAAB BECAME EMOTIONAL AS THE SONG ALSO SUITED THE REAL LIFE SITUATION. THIS INSPIRATIONAL SONG WENT ON TO WIN A NATIONAL AWARD FOR MOHD. RAFI.33. KISHORE KUMAR’S PERFORMANCE IN PADOSAN (1968) WHERE HE BECOMES SUNIL DUTT’S VOICE TO WOO SAIRA BANU WAS A PRECURSOR TO HIS BECOMING A FULL-TIME PLAYBACK SINGER. THE VERY NEXT YEAR, SHAKTI SAMANTA OFFERED HIM TO SING FOR NEWCOMER RAJESH KHANNA IN ARADHANA (1969) AND THE REST IS HISTORY. BEFORE, ARADHANA, KISHORE KUMAR HAD ONLY SUNG FOR HIMSELF AND OCCASIONALLY FOR DEV ANAND, WITH THE EXCEPTION OF PADOSAN, AS THE STORY DEMANDED IT. ARADHANA WAS A MUSICAL BLOCKBUSTER AND KISHORE KUMAR WAS HERE TO STAY, IN THE NEW ROLE OF A PLAYBACK SINGER, RIGHT UNTIL HIS DEATH IN OCTOBER 1987.34. While recording the soundtrack of the film Aradhana (1969), S.D.Burman took ill after composing the two Rafi duets. The responsibility of finishing the soundtrack fell on his son R.D. Burman, who took charge and decided to use Kishore Kumar to record the solos, as Rafi was away on a tour abroad. The sizzling song from Aradhana – “Roop tera mastana…” – made Bollywood history as the first song picturised in one shot without a single cut. Aradhana went on to win Filmfare’s best film award while Sharmila Tagore won her first Best Actress trophy.35. DO RAASTE (1969), A FILM DIRECTED BY RAJ KHOSLA, EMPHASIZES THE SANCTITY OF THE JOINT FAMILY AND THE SUPREMACY OF RELATIONS THAT ARE STRONGER THAN TIES OF BLOOD. RAJESH KHANNA APPEARED UNSHAVEN THROUGHOUT THIS MOVIE BECAUSE HE WAS SIMULTANEOUSLY SHOOTING FOR ITTEFAQ (1969) WHICH REQUIRED HIM TO BE UNSHAVEN. RAJESH KHANNA CREATED HAVOC AT THE BOX OFFICE WITH ARADHANA AND DO RAASTE. WHAT’S MORE IN BOMBAY, THE TWO FILMS HAD THEIR MAIN THEATRES RIGHT ACROSS THE ROAD FROM ONE ANOTHER, ARADHANA AT OPERA HOUSE AND DO RAASTE AT ROXY.36. THE CHARACTER OF ANAND (1970) WAS INSPIRED BY RAJ KAPOOR, WHO USED TO ADDRESS HRISHIKESH MUKHERJEE AS “BABU MOSHAY”. HRISHIDA INFORMED WRITER GULZAR TO OPEN THE MOVIE IN SUCH A WAY THAT THE AUDIENCE KNOWS IN THE FIRST SCENE ITSELF THAT ‘ANAND’ (RAJESH KHANNA) IS DEAD. HE DID NOT WANT THE AUDIENCE TO BE IN A STATE OF SUSPENSE TILL THE END AND KEEP GUESSING WHETHER ‘ANAND’ WILL SURVIVE OR NOT. BY DOING THAT HRISHIKESH MUKHERJEE WANTED TO CONCENTRATE ON HOW ‘ANAND’ WANTS TO LIVE LIFE TO THE FULLEST AND MAKE THE BEST OF THE TIME HE HAS. THE MOVIE WENT ON TO BECOME A ‘SUPER HIT’ AND MADE THE CHARACTER OF ‘ANAND’, IMMORTAL.37. JOHNY MERA NAAM (1970) DIRECTED BY VIJAY ANAND IS CONSIDERED A DEV ANAND CLASSIC. IT ALSO BECAME DREAM-GIRL HEMA MALINI’S FIRST SUPERHIT. THOUGH THE MOVIE DEALT WITH THE SIMPLE “LOST AND FOUND” THEME, WHAT STOOD APART WAS ITS BRILLIANT TREATMENT BY DIRECTOR VIJAY ANAND. VARIOUS TRACKS WERE INTELLIGENTLY INTEGRATED IN THE MOVIE INCLUDING THE TRIPLE ROLES OF COMEDIAN I.S. JOHAR. THE SONG “HUSN KE LAKHON RANG…” PICTURISED ON PADMA KHANNA WAS CONSIDERED SO BOLD THAT IT FACED A LOT OF CENSOR PROBLEMS. THE FILM WENT ON TO BECOME A CULT MOVIE, AND THE HIGHEST GROSSER OF 1970.38. MERA NAAM JOKER (1970) IS THE SECOND HINDI FILM TO HAVE TWO INTERVALS, THE FIRST ONE BEING SANGAM (1964). THE MAGNUM OPUS OF RAJ KAPOOR, MERA NAAM JOKER WAS DIVIDED INTO 3 CHAPTERS, EACH DEPICTING A DIFFERENT PHASE IN A JOKER’S LIFE, PLAYED BY RAJ KAPOOR. SIX YEARS IN THE MAKING, MERA NAAM JOKER TURNED OUT TO BE MUCH AHEAD OF ITS TIME WAS NOT A COMMERCIAL SUCCESS. HOWEVER, IT ACQUIRED CULT STATUS LATER AND IT IS NOW REGARDED AS A LANDMARK FILM OF INDIAN CINEMA.39. FROM ITS OPENING MONTAGE OF A YOUNG VILLAGE GIRL, WATCHING HER INDIFFERENT HUSBAND BRING HOME ANOTHER WIFE, TO THE FINAL MOMENTS, WHEN THE WOMAN IN HER TWILIGHT YEARS, IS TAKEN AWAY BY HER FOSTER-SON AMONGST THE FESTIVITIES OF DURGA PUJA, SHAKTI SAMANTA’S AMAR PREM (1971) IS A GLORIOUS HOMAGE TO WOMANHOOD. A MASTERPIECE DEALING WITH 2 PARALLEL TRACKS, ONE OF THE PLATONIC RELATIONSHIP THAT PUSHPA (SHARMILA TAGORE) SHARES WITH ANAND BABU (RAJESH KHANNA) AND THE OTHER OF PUSHPA’S RELATIONSHIP WITH A MOTHERLESS CHILD, AMAR AND PREM, TOUCHED THE EMOTIONAL CHORDS OF THE AUDIENCE TO THE FULLEST. IT IS STILL REMEMBERED FOR R.D.BURMAN’S MELODIOUS MUSIC AS MUCH AS IT IS REMEMBERED FOR RAJESH KHANNA’S FAMOUS DIALOGUE “PUSHPA, I HATE TEARS”.40. THE STORY FOR HARE RAMA HARE KRISHNA (1971) ACTUALLY CAME TO DEV ANAND’S MIND WHEN HE SAW HIPPIES AND THEIR FALLEN VALUES IN KATHMANDU, NEPAL. HE WANTED TO CAST MUMTAZ AS HIS NEPALI GIRLFRIEND AND ZAHEEDA, HIS CO-STAR OF PREM PUJARI, IN THE SISTER’S ROLE. ZAHEEDA DECLINED AND INSISTED ON PLAYING MUMTAZ’S PART. SHE ULTIMATELY LOST THE ROLE TO SENSUOUS ZEENAT AMAN WHO HIT BIG TIME WITH THIS FILM. THIS MUSICAL FAMILY DRAMA HAS AN ANTI-DRUG MESSAGE AND ALSO DEPICTS PROBLEMS ASSOCIATED WITH WESTERNIZATION SUCH AS DIVORCE AND ALIENATION.41. KAMAL AMROHI’S PAKEEZAH WAS LAUNCHED IN 1958 BUT TOOK 14 YEARS TO COMPLETE. IT WAS LAUNCHED IN BLACK-AND-WHITE, BUT WHEN COLOUR CAME IN VOGUE, AMROHI SCRAPPED THE PORTIONS ALREADY SHOT AND DECIDED TO START AGAIN. LATER, CINEMASCOPE CAME INTO VOGUE, AND AMROHI ACQUIRED A CINEMASCOPE LENS FROM MGM AND SCRAPPED THE PLAIN COLOUR PORTIONS TOO. FINALLY, IT WAS RELEASED IN 1972, JUST A FEW WEEKS BEFORE MEENA KUMARI’S DEATH. THE FILM HAD A SLOW START AT THE BOX-OFFICE BUT WENT ON TO BECOME A MAJOR HIT AS IT TURNED OUT TO BE THE SWAN SONG OF THE LEGENDARY MEENA KUMARI. LATE GHULAM MOHAMMED’S MUSIC IN PAKEEZAH CAUGHT THE FANCY OF THE ENTIRE NATION.42. SEETA AUR GEETA (1972) WAS THE FEMALE VERSION OF RAM AUR SHYAM (1967) BUT WITH A DIFFERENCE. DIRECTOR RAMESH SIPPY HAD HIS OWN UNIQUE INTERPRETATION OF IDENTICAL TWINS WHICH HE PRESENTED TO THE AUDIENCE INTERESTINGLY. INITIALLY, MUMTAZ WAS OFFERED THE DOUBLE ROLES OF ‘SEETA’ AND ‘GEETA’ BUT SHE COULD NOT DO THE FILM. SO IT WAS OFFERED TO HEMA MALINI WHO LAPPED UP THE OPPORTUNITY AND ZOOMED TO THE TOP SPOT WITH ITS GRAND SUCCESS. IT NOT ONLY EARNED HER THE FIRST FILMFARE AWARD BUT TILL DATE REMAINS THE BEST FILM OF HER CAREER.43. BOBBY (1973) A FILM DIRECTED BY RAJ KAPOOR WAS VERY POPULAR AND WIDELY IMITATED. IT ALSO REPRESENTED THE FILM DÉBUT FOR DIMPLE KAPADIA AND THE FIRST LEADING ROLE FOR RAJ KAPOOR’S SON, RISHI KAPOOR. THE MOVIE IS KNOWN TO BE A TREND-SETTER IN ITS OWN RIGHT WHICH INTRODUCED THE GENRE OF TEENAGE ROMANCE WITH A RICH-VS-POOR CLASH AS A BACKDROP. THE FILM BECAME A BLOCKBUSTER AND WAS THE TOP GROSSER OF 1973. INCIDENTALLY, DIMPLE KAPADIA MARRIED SUPERSTAR RAJESH KHANNA BEFORE THE RELEASE OF BOBBY AND WAVED GOOD-BYE TO FILMS FOR ALMOST A DECADE.44. YASH CHOPRA BRANCHED OUT FROM HIS BROTHER B.R. CHOPRA’S PRODUCTION HOUSE, B.R. FILMS TO START HIS OWN COMPANY YASH RAJ FILMS IN 1973 AND LAUNCHED DAAG: A POEM OF LOVE. HE SIGNED THE REIGNING SUPERSTAR RAJESH KHANNA ALONG WITH THE BENGAL TIGERESS- SHARMILA TAGORE AND RAKHEE. A LOVE TRIANGLE WITH A DIFFERENCE DAAG: A POEM OF LOVE SHOWCASED THE INTRICACIES OF HUMAN RELATIONSHIPS WHICH WERE TO BECOME YASH CHOPRA’S FORTE IN SUBSEQUENT FILMS. AN ADAPTATION OF THE NOVEL “THE MAYOR OF CASTERBRIDGE”, THE FILM ALSO HAD INTERESTING SITUATIONS FOR LAXMIKANT- PYARELAL’S SUPERHIT MUSIC.45. JUST AS THE ESTABLISHED FILM-MAKER RAJ KAPOOR ADOPTED A MODERN APPROACH FOR BOBBY (1973), SO ALSO NASIR HUSSAIN, THE MAKER OF MUSICAL LOVE STORIES DID AN ABOUT TURN WITH THE MULTI-STARRER LOST-AND-FOUND DRAMA, YAADON KI BAARAT (1973). DESPITE, ITS ACTION ORIENTED THEME, THIS MOVIE IS STILL REMEMBERED FOR ITS UNFORGETTABLE MUSIC BY R. D. BURMAN, ESPECIALLY THE EVERGREEN ROMANTIC “CHURA LIYA HAI…” WHICH IS STILL THE MOST FAVOURITE SONG OF THE REMIX ARTISTES. THIS MOVIE ALSO FEATURES AAMIR KHAN IN THE TITLE SONG AS THE YOUNGEST KID.46. AMITABH WAS THE FIFTH CHOICE AFTER DEV ANAND, RAJ KUMAR, DHARMENDRA AND RAJESH KHANNA FOR THE LEAD ROLE IN ZANJEER (1973). DEV WANTED THE ACTOR TO BE ALLOWED TO SING A COUPLE OF SONGS AND ASKED PRAKASH TO DIRECT UNDER HIS NAVKETAN BANNER. DHARMENDRA COULD NOT FIT INTO SCHEDULE. RAJESH FEARED THE ROLE MIGHT TELL UPON HIS ROMANTIC IMAGE. IT WAS PRAN WHO SUGGESTED MEHRA TO SEE BOMBAY TO GOA (1972). THE FILM HAD A FIGHT SCENE, AND THE MOMENT PRAKASH SAW THE FIGHT SCENE, HE SCREAMED “MIL GAYA!!”. THE MOVIE CHANGED THE TREND FROM ROMANTIC FILMS TO ACTION FILMS AND PIONEERED AMITABH’S NEW IMAGE OF A BROODING YET EXPLOSIVE PERSON WHO FIGHTS BACK WHEN CORNERED.47. AFTER ZANJEER (1973) WAS DECLARED A HIT, AMITABH AND JAYA GOT MARRIED. BY THE TIME, THE CRITICALLY ACCLAIMED ABHIMAAN (1973) RELEASED, THE REEL-LIFE COUPLE HAD BECOME HUSBAND AND WIFE IN REAL LIFE TOO. ABHIMAAN (1973), DIRECTED BY HRISHIKESH MUKHERJEE WAS ORIGINALLY NAMED AS RAAG RAGINI. ABHIMAAN WAS EVEN POPULAR IN SRI LANKA AND WAS SCREENED CONTINUOUSLY FOR TWO YEARS IN THE SAME MOVIE THEATER, NEW OLYMPIA, COLOMBO.48. THE FILM NAYA DIN NAYI RAAT (1974) WAS KNOWN FOR SANJEEV KUMAR’S NINE-ROLE EPIC PERFORMANCE, WHICH WAS EARLIER PLAYED BY SIVAJI GANESAN IN NAVARATHIRI (1964)(TAMIL) AND BY AKKINENI NAGESWARA RAO IN NAVARATHRI (1966)(TELUGU). THIS FILM HAD ENHANCED SANJEEV KUMAR’S STATUS AND REPUTATION AS AN ACTOR IN HINDI CINEMA. YEARS LATER, KAMAL HAASAN APPEARED IN TEN DISTINCT ROLES IN DASAVATHAARAM (2008), MAKING IT THE FIRST TIME THAT AN ACTOR HAS APPEARED IN SO MANY ROLES IN WORLD CINEMA. A YEAR LATER, THIS RECORD WAS BROKEN BY PRIYANKA CHOPRA, WHEN SHE ESSAYED TWELVE DIFFERENT CHARACTERS IN WHATS’S YOUR RAASHEE? (2009), EACH CHARACTER, REPRESENTATIVE OF A ZODIAC SIGN.49. SHYAM BENEGAL IS RIGHTLY CALLED THE FATHER OF NEW WAVE CINEMA IN THE SEVENTIES. WHILE MRINAL SEN KICK-STARTED THE MOVEMENT IN 1969 WITH BHUVAN SHOME, BENEGAL PUT IT FIRMLY ON TRACKS WITH HIS DIRECTORIAL DEBUT ANKUR (1974). HE TOOK FORWARD THE FEUDAL FABLE OF SATYAJIT RAY’S PATHER PANCHALI (1955) OR BIMAL ROY’S DO BIGHA ZAMEEN (1953) IN HIS OWN STYLE. TILL THIS DAY, SHYAM BENEGAL HAS’NT STOPPED MAKING SOCIALLY RELEVANT FILMS THAT TOUCH A CHORD IN THE HUMAN HEART. SHABANA AZMI MADE HER DEBUT IN ANKUR IN A ROLE ORIGINALLY OFFERED TO VETERAN WAHEEDA REHMAN. HER PERFORMANCE WAS SO MESMERIZING THAT EVEN SATYAJIT RAY COMMENTED, “IN TWO HIGH-PITCHED SCENES SHE PULLS OUT ALL STOPS AND FIRMLY ESTABLISHES HERSELF AS ONE OF OUR FINEST DRAMATIC ACTRESSES.”50. WHILE UPKAR (1967) WAS INSPIRED BY LAL BAHADUR SHASTRI’S SLOGAN “JAI JAWAN JAI KISAN”, MANOJ KUMAR’S ROTI KAPDA AUR MAKAN (1974) WAS INSPIRED BY INDIRA GANDHI’S “GARIBI HATAO” SLOGAN. THE BASIC IDEA FOR THE FILM ALSO STEMMED FROM A RECITAL MANOJ KUMAR HAD HEARD AT A SCHOOL FUNCTION WHILE THE SCENE WHERE HE THROWS HIS DEGREE IN HIS FATHER’S FUNERAL PYRE WAS INSPIRED FROM A NEWSPAPER REPORT IN 1972. MANOJ KUMAR DEFTLY HANDLED THE ENSEMBLE CAST BALANCING THE STRONG SOCIAL UNDERCURRENTS WITH THE NECESSARY COMMERCIAL ELEMENTS. IT CONTINUES TO BE TOPICAL EVEN AFTER 38 YEARS OF ITS RELEASE.51. THE CHARACTER OF GABBAR SINGH IN THIS ACTION ADVENTURE FILM – SHOLAY (1975) WAS MODELED ON A REAL-LIFE DACOIT OF THE SAME NAME WHO MENACED THE VILLAGES AROUND GWALIOR IN THE 1950S. ANY POLICEMAN CAPTURED BY THE REAL GABBAR SINGH, HAD HIS EARS AND NOSE CUT OFF, AND WAS THEN RELEASED AS AN OBJECT LESSON TO OTHER POLICEMEN. INITIALLY, THE PRODUCERS APPROACHED DANNY DENZONGPA FOR THE ROLE OF THE BANDIT CHIEF, BUT HE WAS COMMITTED TO FEROZ KHAN’S DHARMATMA (1975), HENCE CHARACTER ACTOR JAYANT’S SON AMJAD KHAN WAS ROPED IN. HE PREPARED HIMSELF FOR THE PART BY READING A BOOK TITLED ‘ABAR ABHISHAPTA CHAMBAL’, WHICH TOLD OF THE EXPLOITS OF CHAMBAL DACOITS. AMJAD KHAN PLAYED THE ROLE SO CONVINCINGLY THAT HE MADE THE CHARACTER OF GABBAR SINGH IMMORTAL.

[kartiknaidu-blog1]

Find Best Psychologist In Delhi

Introduction:

Depression, anxiety, like mental disorders, couple issues- all problems are very bad for someone's life. If you are facing one of the same issues in your life, we recommend you consult with the best Psychiatrist in Delhi or the best psychologist in Delhi.

About the best psychologist in Delhi:

Are you searching for the Best psychologist in Delhi GUrgaon? You can then go to Kartik Naidu, the great creator of the Mind Engineering program and the founder of Green Aura Holistic. He has specialization in past life regression, cognitive theory, spiritual regression between lives.

This clinical hypnotherapist is a transpersonal coach, holistic healer, and therapist. He has organized many psychological transformational programs to better people's betterment and conducts group sessions, mass training, corporate coaching, leadership mentoring in the physiological programs.

Kartik Naidu, the best psychologist in Delhi, has an excellent career in Real Estate and other businesses. He is a long-term seeker and transformer of lives. He took training of his self-mastery under self - realized masters, wisdom keepers, Himalayan yogis, Hypnotherapists, healers, and elders. People can get treatment like anxiety disorders, depression, OCD, alcohol or smoking addiction, bi-polar, etc.

Services and benefits you will get by consulting the best psychologist in Delhi:

Here, we provide some benefits you can get by consulting the best psychologist in Delhi.

●     Past Life Regression therapy in Delhi and Gurgaon

You can take assistance from the hypnosis to see your past life.

 ●     Regression Therapy in Delhi and Gurgaon

Kartik Naidu and his team offer an essential tool that helps you to return to a former time.

 ●     Spiritual Regression Between Lives

The best psychologist offers spiritual regression between lives.

  ●     Cognitive Therapy in Delhi and Gurgaon

It delivers cognitive therapy to people for an understanding and prime reason for the problem

.

●     Couples Healing & Therapy  in Delhi and Gurgaon

It means both conscious and subconscious work. If someone faces any issue with a partner, he or she can heal the problem.

 ●     Holistic Healing  in Delhi and Gurgaon

This type of service implements such a therapy which considers the entire person.

 ●     Vibration Sound Therapy

It helps you to get relief from the massive sound frequencies.

 ●     Hypnotherapy

In this process, you can control your body while awaking. But you feel this as it is a dream.

 ●     Breathwork

Whether you have a breath issue, then you can take help from the breathwork.

 ●     Smoking Alcohol addiction treatment  in Delhi and Gurgaon

 Many people addicted to alcohol and smoking. If you are also in one of them and want to get relief from this, you can take the addiction treatment. It will help you to recover from smoking and alcohol addiction.

 ●     Anxiety Panic Attack Treatment  in Delhi and Gurgaon

It is an automatic response. In case you have similar disorder, you can take treatment from here.

  ●     Depression and Stress Management  in Delhi and Gurgaon

Depression is the worst thing that can kill a person gradually. To get relief from it, you will get the best service from here.

 ●     OCD Treatment  in Delhi and Gurgaon

OCD stands for Obsessive-Compulsive Disorder. It is instrumental that impacts on people's lives.

 ●     Psychologists and Psychiatrists

You will get the best service from here whenever you need it. It recovers mental illness or such issues related to neurology.

 Who is the best psychiatrist in Delhi

 When someone has a mental disorder like depression or anxiety, they can get the psychiatrist's help. If you have the same, then we recommend you to consult with the best psychiatrist in Delhi. From the best psychiatrist in Delhi, you will get the best service for sure.

 Benefits of taking the help of a psychiatrist

 Whether you don't concentrate on your goal, you should take the help of the best psychiatrist in Delhi. It assists in making significant changes in your life.

 The best Psychiatrist in Delhi helps to get relief from past thinking and difficult challenges.

A psychiatrist also helps to improve the lifestyle of one person.

[lyricsdhamaka-blog]

Bollywood New Movie Songs Lyrics

From LyricsDhamaka you will find all the bollywood movies songs lyrics in Hindi and English both the languages. Below we have listed movies and link for lyrics.

SAAHO

Director : Sujeeth

Producer : Vamsi Krishna Reddy,  Pramod Uppalapati, and Bhushan Kumar

Written by : Sujeeth,  K. G. R. Ashok,  Abbas Dalal, and  Hussain Dalal

Starring : Prabhas and Shraddha Kapoor

Music by : Tanishk Bagchi, Guru Randhawa, Badshah, and Shankar–Ehsaan–Loy

Realesed on : 30th August, 2019

View all songs lyrics on LyricsDhamaka

Mission Mangal

Director : Jagan Shakti

Producer :  Cape of Good Films,  Hope Productions,  Fox Star Studios,  Aruna Bhatia,  Anil Naidu

Written by : R. Balki, Jagan Shakti, Nidhi Singh Dharma, Saketh Kondiparthi

Starring : Akshay Kumar, Vidya Balan, Sonakshi Sinha, Taapsee Pannu, Nithya Menen, Kirti Kulhari, Sharman Joshi, H. G. Dattatreya, Vikram Gokhale

Music by : Amit Trivedi, Tanishk Bagchi

Realesed on : 15th August, 2019

View all songs lyrics on LyricsDhamaka

Batla House

Director : Nikhil Advani

Producer : Bhushan Kumar, Divya Khosla Kumar, Krishan Kumar, Monisha Advani, Madhu Bhojwani, John Abraham

Written by : Ritesh Shah

Starring : John Abraham, Mrunal Thakur

Music by : Rochak Kohli, Tanishk Bagchi, Ankit Tiwari

Realesed on : 15th August, 2019

View all songs lyrics on LyricsDhamaka

Kabir Singh

Director : Sandeep Vanga

Producer : Murad Khetani, Ashwin Varde, Bhushan Kumar, Krishan Kumar

Written by : Sandeep Vanga

Starring : Shahid Kapoor, Kiara Advani

Music by : Mithoon, Amaal Mallik, Vishal Mishra, Sachet–Parampara, Akhil Sachdeva

Realesed on : 21st June, 2019

View all songs lyrics on LyricsDhamaka

Bharat

Director : Ali Abbas Zafar

Producer : Atul Agnihotri, Alvira Khan Agnihotri, Bhushan Kumar, Krishan Kumar

Written by : Ali Abbas Zafar, Varun V. Sharma

Starring : Salman Khan, Katrina Kaif, Disha Patani, Sunil Grover, Jackie Shroff

Music by : Julius Packiam, Vishal–Shekhar

Realesed on : 5th June, 2019

View all songs lyrics on LyricsDhamaka

Student Of the Year 2

Director :  Punit Malhotra

Producer : Karan Johar, Hiroo Yash Johar, Apoorva Mehta, Fox Star Studios

Written by :  Arshad Sayed

Starring : Tiger Shroff, Tara Sutaria, Ananya Panday

Music by :  Vishal–Shekhar,  Salim–Sulaiman

Realesed on : 10th May, 2019

View all songs lyrics on LyricsDhamaka

Kalank

Director : Abhishek Varman

Producer : Karan Johar, Sajid Nadiadwala, Hiroo Yash Johar, Apoorva Mehta

Written by : Hussain Dalal

Starring : Madhuri Dixit, Sonakshi Sinha, Alia Bhatt, Varun Dhawan, Aditya Roy Kapur, Sanjay Dutt

Music by : Pritam, Sanchit Balhara

Realesed on : 17th April, 2019

View all songs lyrics on LyricsDhamaka

Kesari

Director : Anurag Singh

Producer : Karan Johar, Aruna Bhatia, Hiroo Yash Johar, Apoorva Mehta, Sunir Khetarpal

Written by : Anurag Singh, Girish Kohli

Starring : Akshay Kumar

Music by : Tanishk Bagchi, Arko Pravo Mukherjee, Chirantan Bhatt, Jasbir Jassi, Jasleen Royal, Raju Singh

Realesed on : 21st March, 2019

View all songs lyrics on LyricsDhamaka

Luka Chuppi

Director :  Laxman Utekar

Producer :  Dinesh Vijan

Written by : Rohan Shankar

Starring : Kartik Aaryan, Kriti Sanon, Aparshakti Khurana, Pankaj Tripathi

Music by : Tanishk Bagchi, Abhijit Vaghani, Ketan Sodha

Realesed on : 1st March, 2019

View all songs lyrics on LyricsDhamaka

Total Dhamaal

Director : Indra Kumar

Producer : Fox Star Studios, Ajay Devgn FFilms, Ashok Thakeria, Indra Kumar, Sri Adhikari Brothers, Anand Pandit

Written by : Indra Kumar

Starring : Ajay Devgn, Madhuri Dixit, Arshad Warsi, Javed Jaffrey, Anil Kapoor, Riteish Deshmukh, Sanjay Mishra, Johnny Lever

Music by : Gourov-Roshin, Sandeep Shirodkar

Realesed on : 22nd February, 2019

View all songs lyrics on LyricsDhamaka

[bollywoodproduct]

Bollywood Celebrities Birthday on September 19

Bollywood Celebrities Birthday on September 19

Bollywood Celebrities Birthday on September 19 [table id=2101 /] Kalpana Kartik [table id=2239 /] Tahir Hussain [table id=2238 /] Sunil Sikand [table id=2243 /] Lucky Ali [table id=2236 /] Isha Koppikar [table id=2235 /] Vennela Kishore [table id=2237 /] Mehgna Naidu [table id=2241 /] A. M. Turaz [table id=2244 /] Sooraj Santhosh [table id=2242 /] Namitha Pramod [table…

[gaanaliveent]

►Singer - Gurnazar

►Singer / Lyrics / Composer - Gurnazar

►Music - Kartik Dev and Gaurav Dev

►Guitars - Somya Seal

►Percussions - Rishabh Shankar

►Mix & Master - Eric Pillai

🎥Video Credits:

►Director and Choreographer : Mudassar Khan 

►Featuring: Gurnazar and Amyra Dastur

►Supporting actor/ Model : Rajat

►Cinematography: Sukha Kamboj

►Art : Pinky

►Line Production : Neeraj

►MudassarKhanTeam :

1) Alias Kader

2) Govind Kotap

3) Abhishri sen

4) Aman Subhash Naidu

5) Darshan Mandaliya

6) Praveen Acharya 

7) Sunil Verma

►Editor - Gaurav K Mehra

►DI - Onkar Singh

►Post Production Executive: Jayesh Ludhani

►EP- Nilay Pandey

►Additional Costume Stylist - Deepshikha Talvar

►On set Still Photography: Shivangi Kulkarni

🎵Audio on Jjust Music Label Pvt. Ltd.

[pragworld]

“All addictions are rendered powerless in front of kindness and self-forgiveness”, says Kartik Naidu, Transpersonal Therapist and Trainer, Green Aura Holistic

Drug Abuse and Addiction is a recurring condition that compels the urge of the consumption of drugs. It is compulsive and/or difficult to control, despite harmful consequences. The initial phase of drug consumption can be voluntary for some people. The pattern of drug abuse in India has changed over the years. The current scenario is even worse.

Drug addiction can be defined as a progressive condition that compels people to lose control over themselves despite consequences of that use. It can be life-threatening. Addictions is not necessarily based on will-power or one's morality. Addiction is a compelling and complicated disease. People who have an addiction to drugs cannot simply quit even if they are willing to. The drugs change the dynamics of the brain in a way that makes quitting physically and mentally challenging. Treating addiction often necessitates lifelong supervision and therapy.

When asked about the drug abuse and how one can control it, Mr. Kartik Naidu, Transpersonal Therapist and Trainer, Green Aura Holistic, said, "I believe addiction problems happen because of a massive emotional gap amongst people, something that they want to fix through a pleasure reward strategy. Substances give a temporary euphoria and gush of hormones as the dopamine, endorphin, glutamate which make one feel on top of the world for a while but it is temporary and soon the degree of pleasure derived from the same quantity will reduce further soon the pleasure will disappear and all that will be a strange mathematics; if you take it, you will have no pleasure, if you don't take there will be misery and pain.”

He further added, “By making your emotional immunity stronger & healing your traumatic experience is key. All addictions are rendered powerless in front of kindness and self-forgiveness. Self-forgiveness and forgiving others must become a daily practice. If you have addiction problems then it would be only wise to not focus on addiction but to continue the corrective practices. The positive and healing practices will create new neural pathways which will overpower the habits of addiction."

About Green Aura Holistic:

Green Aura is a holistic healing facility which offers complete transformation of Mind Emotions and Body. It was founded by Mr. Kartik Naidu, who is a Transpersonal Therapist & Trainer, a Clinical hypnotherapist and a Holistic Healer. He specializes in Cognitive Therapy, Past Life regression and Spiritual Regression between Lives.

At Green Aura Holistic, we believe that each individual has infinite possibilities within themselves. Once they create an actionable intention to change, we take them through a series of process which enable them to reinvent their mindset and design the life that they desire..

[kartiknaidu]

Top Healer in India - Kartik Naidu

A Renowned Celebrity Spiritual Therapist and a Hands Down, Expert Healer; Kartik Naidu specializes in the unique combination of ancient yogic practices with globally edged scientific research. Kartik Naidu is Top Healer in India.

[shankarjaikishanfansassnintl]

SHANKARJAIKISHAN and their MUSICIANS In their four decade(1949 to 1987)

by

Mukund Marulkar

In their four decade(1949 to 1987) career ShankarJaikishan have worked with innumerable musicians.The names of musicians that appear below are the ones SJ worked with most frequently or over a long stretch of time. ShankarJaikishan got their ORCHESTRA with huge number of Arrangers and Musicians as stated below:-= 1) Total Arrangers= 10 Nos. 2) RHYTHM MUSICIANS= 50 Nos 3) STRING MUSICIANS= 85 Nos 4) CARD MUSICIANS= 17 Nos 5) WIND MUSICIANS= 28 Nos thus Total Arrangers and Musicians= 190 Nos It is amazing that how they were conducting their orchestra at a time and composing eternal songs. Triwar salute to all creators .

They are:- A) Music Arrangers=Ram Singh; Sebastian D"souza; Dattaram Wadkar;Enoch Daniels;Dheeraj Kumar;Uttam Singh;Sunny;Kishor Sharma; Y. S. Mulki and Amar Haldipur. B) Rhythm Players:-- 1) NAAL-= Ambalal;Lala Gangavane 2) VIBROPHONE-= Anil Mohile;Kersi Lord;Farooq;Dheeraj;Salim 3) SIDE RHYTHM-= Jayanti Panchal;Suresh Pardeshi;Suraj;Chandrakant Bhosale;BhagwanRao;Manohar;Ramakant More 4) TABLA-= Samta Prasad;Abdul Karim;Shankarji;Lala Gangavane;Iqbal;Anna Joshi;Lala Ramsingh Pathare;Govind;Sattar;Asar 5) DHOLAK-= Dattaram;Anna Joshi;Ghulam Mohammad;Abdul Karim;Shankarji;Sattar;Punyawan;Pankaj Dube 6) BONGO-CONGO-= Cawas Lord;Kersi Lord;Bujji Lord;Leslie;Ramchand;Prabhakar Mashelkar 7) PATHANI DHOLAK-= Miskin Khan 8) MATKA-= Raambabu;Sardar Balbir Singh 9) DUFF-= Dattaram;Ajit Singh 10) KHANJIRI-= Faiyyaz 11) DRUMS-= Bujji Lord;Leslie Fernandes 12) CHONAK ( An Indian Instrument)-=Ganpatrao Mohite;Haribhai.

C) STRING INSTRUMENT PLAYERS:-= 1) DOUBLE BASS-= Ines;Lui Fernandes 2) VEENA-= Nageshwaram 3) SONG VIOLIN -= Gajanan Karnad;Harishchandra Narwekar;Anil Mohile;Sapre;Prabhakar Jog;Bhosle 4) VIOLIN-=Oscar;S.D.Fernandes;Kishore Singh;Rock Gonsalves;Lobo;Kishore Sharma;Amar Haldipur;Menino;Joe Menezes; Cutinho; Cardoos; Domnic; Albert; John; Suresh Panchal; Victors; Franko; Suresh Wadkar; Arnest; Dorado; Jerry Fernandes; Pereira; Joji Arnest;Ismailbhai; Bahadur Singh;Gyan Verma;Prakash Verma;Ajit Singh;Arvind Malvankar;Laxman More;Sahdeo Parsekar; Anant Jog;Surendra Rao;Nandu Chavathe;Pilo;Irene Arnest 5) SITAAR-=Rais Khan;Ram Ganguly;Dastageer;Acharya; Kartik Kumar; Ashok Bhagatram 6) SANTOOR-=Bapat; Shivkumar Sharma 7) MANDOLIN-= Laxmikant; Parasram; Kishore Desai; David; Ravi Sunderam; Mahendra Bhavsar; Naidu 8) SAROD-= Ali Akbar Khan; Zarin Daruwala 9) BASS GUITAR-= Tony Vaz; D"mello; Lobo 10) ELECTRIC GUITAR-= Dilip Naik;Crasto 11) SPANISH GUITAR-=Boney D"costa;Das;Pinto;Ferrow 12) HAWAIAN GUITAR-= Hazara Singh; Van Shipley 13) CLAY VIOLIN-= Bipin Reshamia; Kalyanji;Charanjit Singh 14) SARANGI-= Pandit Ramnarain; Iqbal 15) SOLOVOX -= Lucila; Pacheloo 16) CELLO-= Albukar; John Gonsalves;Chhota John; Dias; Lui Corea; Lazarus. D)) CORD INSTRUMENT Players:-= 1) ACCORDIAN-=V. Balsara; Goody Seervai;Sumeet Mitra;Revachand;Enoch Daniels;Dheeraj;;Bharat;Arun Paudwal 2) TRANSICORD-=Charanjit Singh 3) HARMONIUM-= V. BAlsara;Bal Parte;Babusingh 4) PIANO= Lucila;Robert Corea;Biju Carvalo;Sunny Batliwala 5) SYTHESIZER-= Arun Paudwal;Kersi Lord;Sumeet Mitra 6) ORGAN-= Bipin Reshamia;Kalyanji;Charanjit Singh.

E) WIND INSTRUMENTS PLAYERS:- !) BAG PIPE-= Not Available 2) SHEHNAI-= Ramlal;Kedareshwar 3) FLUTE-=Pannalal Ghosh;Barve;Hariprasad Chaurasia;Sumant Raj;Tribhuvan 4) TAAR SHEHNAI-= D.M.Tagore(Dukhidada) 5) SAXOPHONE-= Kaka;Ram Singh ;Manohari Singh 6) TRUMPET-= Ram Prasad;Mushraf; George; Chic Chocolate; Nathuram 7) TOTA ( A TYPE OF SHEHNAI)-=Miskin Khan 8) CLARINET-= Ibrahim;Shankar Mirajkar;Devilal Verma;Surve;Dennis Janto;Annappa;Gangaram 9) FRENCH HORN-= George 10) MORCHIN-=Rajamani;Jai Singh Bhoir 11) MOUTH ORGAN-= Milon Gupta.

[acharyainduprakash-astrolog-blog]

Kareena kapoor receives Youth Icon 2018 Award, trolled for outfit

The Jashn – e – Youngistan awards were held, and the occasion was graced by probably the greatest names in Bollywood, as Kareena Kapoor, Tapasee Pannu, Kartik Aaryan, etc. Kareena Kapoor looked beautiful as ever in a white Manish Malhotra saree at the occasion.

She was likewise awarded as the Youth Icon of the Year award and Venkaiah Naidu gave her the honor. Bebo genuinely is an youth icon, and has been setting trends as far back as she stepped into the industry. In any case, this look of Bebo apparently did not sit well with some netizens, who called her ugly and old and mentioned that she should dress as her age. One social media user said that the saree she is wearing is good but, kareena didn't wore it properly.

  Read the full article

[cbtfbetthings-blog]

Dinesh Kartik Well Performed Against New Zealand in ODI

Dinesh Kartik is an Indian cricketer was born on 1 June 1985 in Telugu Naidu family. Kartik was started his national side cricketer from 20004 to present. He is a wicket-keeper and right-hand batsman.Sometime he performs opening batting form in 2007. Kartik is all-rounder player in India national cricket team. From starting India always put best batsman in more capacity to collect runs to India team and try to best his nation. All you need is a bit of guidance and for that we are here with our superior free cricket betting tips.

Dinesh Kartik presently performed very well done against New Zealand team. In this series Kartik collect runs with Shikar Dhawan. Both players gaining side to side task. So, this partnership gainful for India team.

37 runs in India v/s New Zealand First ODI match 22 October, 2017 at the ground Mumbai.

64 runs with not out in India v/s New Zealand Second ODI match 25 October, 2017 at the ground Pune.

First International match was played 5 September 2004 against England, and first test match was played November 2004 against Australia team. Dinesh Kartik is a consistent player in India team than always benefited to form of wicket-keeper and batsman.

Dinesh Kartik can play in 2019 cricket world cup because currently his betting and fielding performance running well so India national selector choose Kartik for give to chance. Dinesh Kartik top scored in test match is 129 runs and one-day inning match 79 runs. Total runs in one-day inning is 1466.

In IPL Dinesh Kartik play towards Delhi Daredevils team from 2008 to 2010 IPL season. Kartik have very inconsistency in his IPL career. After left Delhi Daredevils than joined Kings XI Punjab in the IPL 2011 season. Only one season supported Kings XI Punjab than after joined Mumbai Indians for two IPL seasons that is 2012 and 2013. In 2015 IPl season he joined Royal Challengers Bangalore.

Now, 2016 to present he participated in Gujarat Lions team to develop Lions team and grow up his team strategies to win IPL season 2018. In all IPL seasons Dinesh Kartik well played and his bats and also, wicket-keeping averages. One of the important keys to success is self-confidence and comes with preparation, so prepare yourself to play well with Cricket betting tips.

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