#Kameyama Triennale

[eisukeoooka]

今回、亀山トリエンナーレ2024のオープニング10/27にニューヨークを拠点とする学際的なアーティストHratch Arbachさんとサウンドパフォーマンスを行います。世界情勢は戦争が拡大し、ますます不安定になり未だ虐殺を止められない状況下の中、亀山トリエンナーレにてHratchさんの「N0 NAME」のコンセプトに賛同し参加する事になりました。

日本では世界で唯一、核爆弾が投下された広島、長崎、そして日本各地で大空襲が起きて国民が大虐殺にあいましたが、過去、アルメニ��人のジェノサイドは記録にも残らず、実際には1915年に大規模な虐殺が起きたとされます。彼の作品は、集合的記憶、トラウマ、そしてレジリエンス（回復力）を探求し、時間と境界を越えた人間の在り方を描く。Hratchさんは微生物学者であり自分も医療に携わる仕事をしてる中、レジリエンス(回復力)と言うコンセプトに共感し現在、この地球やこの荒んだ世界に今、必要とされる力だと確信する。

This time, we will be performing a sound performance with New York-based interdisciplinary artist Hratch Arbach at the opening of Kameyama Triennale 2024 on October 27th. The world situation is becoming increasingly unstable with the expansion of wars, and massacres have yet to be stopped. In the midst of this, we decided to participate in Kameyama Triennale in support of Hratch's concept of "N0 NAME".

Japan is the only country in the world where nuclear bombs were dropped on Hiroshima and Nagasaki, and there were air raids all over Japan, resulting in massacres of its citizens. In the past, there was an unrecorded large-scale Armenian genocide in 1915. His work explores collective memory, trauma, and resilience, depicting the human condition across time and boundaries. Hratch is a microbiologist who works in the medical field, and he is sympathetic to the concept of resilience, which he believes is a strength that is needed today on this planet and in this devastated world.

1915年に行われたアルメニア人大虐殺では 150万人以上の命が無理やり奪われ、記録にさえ残されてなかった。 2015年以来、ある手が計数を用い、一つ一つ、"カウントダウン"という手法を通し彼らの命を讃えてきた。 2024年10月27日、その手は、山トリエンナールで日本の人々と出会い、私たちそれぞれの魂を包む。

The Armenian genocide counts more than one million five hundred thousand bodies exterminated, never documented Since 2015,a hand has been appropriating numeration to celebrate by countdown, one by one, each of their lives. On 27 October 2024, this hand meets the Japanese people at the Kameyama Triennial, Around each of our souls.

アルメニア人の大虐殺はもっと重要だ 1000万5000人の遺体よりも排除され、資料化されていない。 2015年以来 手は適切な数値を示しているカウントダウンで祝うために、一人ずつ、それぞれの人生。

2024年10月27日 この手は日本人に会う亀山トリエンナーレにて それぞれの魂を抱きしめている。

[souledge1969]

"Module Bath" EISUKE OOOKA" Kameyama Triennale 2022

作品  「 Module Bath  」 作家名　大岡英介 ＿＿＿＿＿＿＿＿＿ 32V型 液晶TV  733mm x 471mm x 173mm  / アクリル水槽  760mm x 459mm x 70 mm 亀山トリエンナーレ2017の映像作品「Yomeiri」続編。（旧加藤家屋敷 若党部屋にて）昭和初期、現代のように恋愛をして結婚できる事は、ほとんどなく父親や長男が娘の相手を決めたそうです。次の世代に引き継ぐために当時、結婚はとても重要だった時代。結婚相手の決定には娘も息子も親の意向に沿うことが当たり前と考えられていました。 亀山藩石川家 家老職加藤家と言う地位にあった加藤家から一般の家庭に嫁に行く事になった娘が苦悩の中、自分の育った実家にて最後の夜に現代的なバスルームにて嫁ぐ苦悩と決意の様子を映像とサウンドにて表現しました。 現代では男女共に非常にセンシティブな世の中になり結婚の概念は様々な国の政治的体制により異なる。日本の昭和初期と現代の結婚の概念は少しづつ変化を遂げて男女や人種を超え愛し合い生きる時代となりつつある。人生を創造し共に生きるパートナーとは他者に決められるのでなく��来の自分が自然に寄り添える者と生きる事ができる時代。いつか世界から偏見や差別が無くなるように祈ります。 音楽   Eisuke oooka  / モデル  Ray nakazawa

Title "Module Bath"  EISUKE OOOKA ___________ 32V LCD TV 733mm x 471mm x 173mm / Acrylic water tank 760mm x 459mm x 70mm

Sequel to the Kameyama Triennale 2017 video work "Yomeiri". (In the old Kato family residence young party room) Since the early Showa era, it is said that fathers and eldest sons decided who their daughters would marry, as there were few cases of love and marriage like today. At that time, marriage was very important to pass on to the next generation.It was considered natural for both daughters and sons to follow the wishes of their parents when deciding who to marry. Kameyama clan Ishikawa family chief retainer Kato family, who was in the position of Kato family, her daughter, who was going to be married to a general family, was in agony, her last night at her parents' house where she grew up. in a contemporary bathroom I expressed the anguish and determination of her marriage with video and sound.

Today, both men and women are becoming very sensitive, and the concept of marriage differs according to the political system of various countries. The concept of marriage between the early Showa period and the present day in Japan has undergone a gradual change, and we are entering an era in which people love each other and live beyond the boundaries of gender and race. It is an era when you can live with someone who naturally accompanies you, rather than being decided by others as a partner to create and live your life together. I pray that one day prejudice and discrimination will disappear from the world. Sound  Eisuke oooka Model  Ray nakazawa

[eisukeoooka]

Information error ver.4 sound of Night vision “The fake media is costing people of all races.” 2024年４/20.21日 『Art Forest A room』『Art Fest P.A.D. vol.57』の映像インスタレーション制作中。「偽りのメディアには様々な人種の血が犠牲になっている。」今回はカラー(人種)液の点滴とグリッチなカラーテストパターンinformation errorversion 3となます。今年は亀山トリエンナーレ2024とアートフォーラム三重2024までの作品コンセプトは『lnformation error Night vision 』『From information errors to truth』(情報エラーから真実へ) 現在も政治やメディアはエラーばかりだが世界情勢の様々な混乱状態。他国では和平交渉、停戦や和平交渉、兵器供与の停止、虐殺、戦争反対となる大規模なデモをやってるが政府は一切抗議せずに支持。SNSでは反論攻撃されたりするが人からの評価など気にせず遠慮なく、少しでも未来に希望が見える様に自身の作品を通じて表現をしてみます。

Information error ver.4 sound of Night vision "The fake media is costing people of all races." 2024/4/20.21 Currently creating video installations for Art Forest A room'' andArt Fest P.A.D. vol.57''. "The blood of various races is being sacrificed to false media." This time it will be a drip of color (race) fluid and a glitch color test pattern information error version 4. This year, the concepts of the works for Kameyama Triennale 2024 and Art Forum Mie 2024 are lnformation error night vision'' andFrom information errors to truth.'' Politics and the media are full of errors, but there are various turmoil in the world situation. situation. In other countries, large-scale demonstrations are held to protest peace negotiations, cease-fires, peace negotiations, suspension of arms supplies, massacres, and wars, but the government supports them without protesting at all. Although I am often criticized and attacked on social media, I will try to express myself through my works without worrying about people's opinions and hope that there is even a little bit of hope for the future.

[eisukeoooka]

Title "Module Bath  Structure version "  EISUKE OOOKA ___________

32V LCD TV 733mm x 471mm x 173mm / Acrylic water tank 760mm x 459mm x 70mm

youtube  Module Bath  Structure version

Sequel to the Kameyama Triennale 2017 video work "Yomeiri". (In the old Kato family residence young party room) Since the early Showa era, it is said that fathers and eldest sons decided who their daughters would marry, as there were few cases of love and marriage like today. At that time, marriage was very important to pass on to the next generation.It was considered natural for both daughters and sons to follow the wishes of their parents when deciding who to marry. Kameyama clan Ishikawa family chief retainer Kato family, who was in the position of Kato family, her daughter, who was going to be married to a general family, was in agony, her last night at her parents' house where she grew up. in a contemporary bathroom I expressed the anguish and determination of her marriage with video and sound.

Today, both men and women are becoming very sensitive, and the concept of marriage differs according to the political system of various countries. The concept of marriage between the early Showa period and the present day in Japan has undergone a gradual change, and we are entering an era in which people love each other and live beyond the boundaries of gender and race. It is an era when you can live with someone who naturally accompanies you, rather than being decided by others as a partner to create and live your life together. I pray that one day prejudice and discrimination will disappear from the world. Sound  Eisuke oooka Model  Ray nakazawa

[eisukeoooka]

EISUKE OOOKA Kameyama Triennale 2022 is over.  Thank you for coming.  The video installation of the day after the next day released version 1 of the Module Bath Until we meet again. Title "Module Bath ver.1"  EISUKE OOOKA   youtube ___________ 32V LCD TV 733mm x 471mm x 173mm / Acrylic water tank 760mm x 459mm x 70mm

Sequel to the Kameyama Triennale 2017 video work "Yomeiri". (In the old Kato family residence young party room) Since the early Showa era, it is said that fathers and eldest sons decided who their daughters would marry, as there were few cases of love and marriage like today. At that time, marriage was very important to pass on to the next generation.It was considered natural for both daughters and sons to follow the wishes of their parents when deciding who to marry. Kameyama clan Ishikawa family chief retainer Kato family, who was in the position of Kato family, her daughter, who was going to be married to a general family, was in agony, her last night at her parents' house where she grew up. in a contemporary bathroom I expressed the anguish and determination of her marriage with video and sound.Today, both men and women are becoming very sensitive, and the concept of marriage differs according to the political system of various countries. The concept of marriage between the early Showa period and the present day in Japan has undergone a gradual change, and we are entering an era in which people love each other and live beyond the boundaries of gender and race. It is an era when you can live with someone who naturally accompanies you, rather than being decided by others as a partner to create and live your life together. I pray that one day prejudice and discrimination will disappear from the world. Sound  Eisuke oooka Model  Ray nakazawa

[eisukeoooka]

作品  「 Module Bath  」 作家名　大岡英介 ＿＿＿＿＿＿＿＿＿ 32V型 液晶TV  733mm x 471mm x 173mm  / アクリル水槽  760mm x 459mm x 70 mm 亀山トリエンナーレ2017の映像作品「Yomeiri」続編。（旧加藤家屋敷 若党部屋にて）昭和初期以降、現代のように恋愛をして結婚できる事は、ほとんどなく父親や長男が娘の相手を決めたそうです。次の世代に引き継ぐために当時、結婚はとても重要だった時代。結婚相手の決定には娘も息子も親の意向に沿うことが当たり前と考えられていました。亀山藩石川家 家老職加藤家と言う地位にあった加藤家から一般の家庭に嫁に行く事になった娘が苦悩の中、自分の育った実家にて最後の夜に現代的なバスルームにて嫁ぐ苦悩と決意の様子を映像とサウンドにて表現しました。現代では男女共に非常にセンシティブな世の中になり結婚の概念は様々な国の政治的体制により異なる。日本の昭和初期と現代の結婚の概念は少しづつ変化を遂げて男女や人種を超え愛し合い生きる時代となりつつある。人生を創造し共に生きるパートナーとは他者に決められるのでなく本来の自分が自然に寄り添える者と生きる事ができる時代。 いつか世界から偏見や差別が無くなるように祈ります。 音楽   Eisuke oooka  / モデル  Ray nakazawa

Title “Module Bath”    EISUKE OOOKA   youtube ___________ 32V LCD TV 733mm x 471mm x 173mm / Acrylic water tank 760mm x 459mm x 70mm

Sequel to the Kameyama Triennale 2017 video work “Yomeiri”. (In the old Kato family residence young party room) Since the early Showa era, it is said that fathers and eldest sons decided who their daughters would marry, as there were few cases of love and marriage like today. At that time, marriage was very important to pass on to the next generation.It was considered natural for both daughters and sons to follow the wishes of their parents when deciding who to marry.Kameyama clan Ishikawa family chief retainer Kato family, who was in the position of Kato family, her daughter, who was going to be married to a general family, was in agony, her last night at her parents’ house where she grew up. in a contemporary bathroom. I expressed the anguish and determination of her marriage with video and sound.

Today, both men and women are becoming very sensitive, and the concept of marriage differs according to the political system of various countries. The concept of marriage between the early Showa period and the present day in Japan has undergone a gradual change, and we are entering an era in which people love each other and live beyond the boundaries of gender and race. It is an era when you can live with someone who naturally accompanies you, rather than being decided by others as a partner to create and live your life together. I pray that one day prejudice and discrimination will disappear from the world. Sound   Eisuke oooka     Model  Ray nakazawa

[eisukeoooka]

YOMEIRI  Full version (6:27) / EISUKE OOOKA

A long time ago, a daughter of a high-ranking daimyo family lost her family line with the times, and when she heard a story about her going to marry an ordinary person, she made a video. Originally, it was a happy marriage, but in the past it was common to marry a stranger.

Kameyama Triennale 2017   Video installation Model   Keiko Imanishi 亀山トリエンナーレ2017・亀山市　 開催日9/24sun - 10/24sun 加藤家屋敷内　若党部屋​ Video shooting and video editing and composition 　

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