#Jungle DnB basslines
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adomainname · 29 days ago
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The Global Rise of Jungle Drum and Bass Music
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Jungle Drum and Bass (D&B), a dynamic genre that originated in the UK during the early 1990s, has transformed from a niche sound within rave culture into a major global music phenomenon. Characterized by rapid breakbeats, powerful basslines, and influences from reggae and dub, Jungle D&B boasts a rich history and a diverse spectrum of styles. This article explores the origins, evolution, and legacy of Jungle Drum and Bass.
What is Jungle Drum and Bass Music?
Definition and Characteristics
Jungle Drum and Bass is an electronic music genre known for its fast breakbeats (typically ranging from 160 to 180 BPM) and heavy basslines, drawing from reggae, dub, and dancehall influences. Initially popularized by underground rave scenes, it has evolved into various styles within the electronic music landscape. Producers often incorporate samples from reggae and hip-hop, crafting a raw, high-energy sound that resonates on dance floors.
Origins of Jungle Drum and Bass Music
UK Roots and Influences
The early 1990s UK rave scene provided fertile ground for the emergence of Jungle D&B, blending elements of reggae, dub, and breakbeat. One key precursor to Jungle was Breakbeat Hardcore, which combined uptempo breakbeats with dark basslines and samples, paving the way for Jungle's distinctive sound.
Key Pioneers in Jungle Drum and Bass
Goldie: Renowned for his iconic 1995 album Timeless, Goldie played a crucial role in bringing Jungle to mainstream audiences and defining its sound.
LTJ Bukem: A pioneer of atmospheric Drum and Bass, Bukem is celebrated for fusing jazz and ambient influences, establishing the sub-genre known as Liquid Drum & Bass.
DJ Hype, Fabio, Grooverider: These influential DJs were instrumental in spreading Jungle through pirate radio stations and rave events, significantly contributing to its initial popularity and growth.
The Evolution of Jungle and Drum & Bass Styles
Distinction Between Jungle and Drum & Bass
Jungle Music: Characterized by syncopated breakbeats and samples from reggae and dancehall, it often features the iconic Amen Break from The Winstons' "Amen, Brother."
Drum & Bass: A cleaner and more refined evolution of Jungle, Drum & Bass has branched into various sub-genres while maintaining the high-energy essence of its roots.
Popular Subgenres of Drum and Bass
Liquid Drum & Bass: A smoother, jazz-inspired style popularized by artists like Calibre and High Contrast.
Neurofunk: A darker, more mechanical style with techno and industrial influences, pioneered by Ed Rush & Optical.
Jump-Up: Known for its catchy basslines and high-energy beats, this dancefloor-oriented style is led by DJs like DJ Zinc and Hazard.
Technology and the Growth of Jungle Drum and Bass
Role of Technology in Production
Sampling and breakbeats have been vital to Jungle D&B production. Early producers relied on samplers like Akai MPCs to layer beats and manipulate sounds. The advent of Digital Audio Workstations (DAWs) such as Ableton and Logic Pro has made home production accessible, enabling new artists to innovate within the genre.
Global Expansion of Jungle and Drum & Bass
By the late 1990s, Jungle and Drum & Bass had gained popularity not only in the UK but also across Europe, North America, and eventually Asia and Latin America. International artists like Belgium's Netsky and the Netherlands' Noisia have introduced new sounds and cultural influences, broadening the genre's global appeal.
Jungle Drum and Bass Music Culture and Legacy
Event and Festival Culture
Jungle and Drum & Bass events, ranging from underground clubs to large-scale festivals, create high-energy, communal experiences for fans. Festivals such as Outlook in Croatia and Sun and Bass in Sardinia celebrate this genre, attracting fans from around the world and solidifying its presence in the electronic music scene.
Influence on Other Music Genres
Jungle and Drum & Bass rhythms and production techniques have permeated pop, hip-hop, and rock, enhancing their mainstream appeal. The genre has also laid the groundwork for subgenres like UK Garage, Grime, and Dubstep, further expanding the reach of electronic music.
Modern Jungle and Drum & Bass: Current Trends and Innovations
Current Artists Shaping the Genre
Today, artists like Hybrid Minds, Mefjus, and Camo & Krooked are pushing the genre's boundaries by incorporating ambient, pop, and cinematic influences. The genre’s popularity continues to grow through collaborations with pop and hip-hop artists and success on streaming platforms.
Future Directions
Jungle and Drum & Bass are constantly evolving, embracing innovative sound design and diverse influences. Fans and new listeners can expect increased cross-genre experimentation and mainstream visibility in the coming years.
Conclusion
From its origins in London's underground rave scene to its status as a global movement, Jungle Drum and Bass has a rich history that continues to evolve. Its growth, stylistic diversity, and ongoing cultural impact underscore its lasting appeal in the electronic music landscape. As Jungle and Drum & Bass adapt to new sounds and technology, they remain at the forefront of music innovation, ensuring a vibrant future for both fans and artists alike.
Go To The Origins of Jungle Music
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prgnant · 9 months ago
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i feel like a fun game would be switch this house bassline to a techno bassline by changing only one note and vice versa
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swampgallows · 1 year ago
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Tim Reaper — Give Me More Amenology [AMEN 001], 2017
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exprokachudj · 14 days ago
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(DNB STATUS 🎶😊)
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supergang · 3 months ago
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golhermx DN UKG BASSLINE - superset - SET 03 2024 [link in bio]
Support my superset project! liking, commenting, reposting and sharing with friends.
Apoie meu projeto superset! curtindo, comentando, republicando e compartilhando com amigos.
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@_superset_ - www.instagram.com/_superset_/ @golhermx - www.instagram.com/golhermx/
[SUPER]
As oportunidades multiplicam-se à medida que são agarradas. -sun tzu
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tr21sa · 6 months ago
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Saturday's midnight --- Party On The Deck pump pure pleasure direct to your ears ➡️💥🔌🔋 😸😽😻💪👌 https://open.spotify.com/track/20WY5Bq9a3fjbUviMyU0FT https://www.amazon.com/music/player/tracks/B00VYSHJH4
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thisisgraeme · 2 years ago
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Wasteland of Dry Stones (The Refusal) - New Release from THISISGRAEME Music
Embark on a journey of personal growth and transformation with my latest track, Wasteland of Dry Stones (The Refusal), part of my Hero's Journey album. Follow me on Spotify, Instagram, and YouTube for more updates and independent music. #herosjourney #new
Refuse The Call to Adventure at your peril! I’m thrilled to announce the release of my newest instrumental drum and bass track, Wasteland of Dry Stones (The Refusal). There’s hours of work and listening and tweaking that goes into each one of these. I hope it transports you to a place of inspiration and uplifts your spirits. If you’re a fan of my music, I’d love it if you could help me get more…
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moochilatv · 3 months ago
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The Death Beats and Charley Young presents: Energy
Drumwave Mix
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It's a original combination between 80's vibe mix with new electronic style.
The Death Beats join forces with acclaimed Synthwave artists Cassetter and Color Theory, alongside singer / songwriter Charley Young, to lay down a chaotic and dystopian fusion of Darksynth, Jungle, and Techno, set to a foundation of UK DnB.
Unearthly synth tones forge an immersive musical landscape, building towards a crescendo of driving rhythms, hefty bass lines, and rhythmic arpeggios as the track switches effortlessly between genres and styles.
Color Theory’s unsettling harmonies parallel a barrage of hostile vocal hooks from Charley Young, adding an antagonistic dimension as their performances cut through the powerful instrumentation, further fueling the chaos and disorder.
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BIO:
Bass Music producer Gary J Robinson lays down an intense mix of Drum & Bass, Dubstep, Future Bass, House and Synthwave as he slips between his studios in the UK and Mexico. Best described as an unstable cocktail of dark cinematic grandeur and retro fuelled synth tones, The Death Beats music strikes a balance between ominous atmospherics, sweeping melodies and all out dance-floor chaos.
Emerging from the Drum & Bass scene of the late nineties, Gary started out by collaborating with a number of game changing producers including Drumsound & Simon Bassline Smith, Spirit and Total Science. His early releases went on to gain the support of heavy-weight DJs such as Fabio, Goldie and Grooverider.
The Death Beats sees Gary draw on inspiration from every corner of the Dance Music world in order to create his signature sound. Along the way he’s been lucky enough to collaborate with a host of legendary artists including Crystal Clear, Doctor P, Eric Martin, Yah Kid K and pioneering UK Folk duo Harbottle & Jonas.
Arizona based songwriter Alisse Garn, whose vocal talents under the guise of Little Panda have also played an important role in defining The Death Beats sound. ‘Streets of Rage’, their collaboration with Mexican Drum & Bass producer Isaac Maya was released on Jessica Audiffred’s A-Records label too much acclaim and is generally considered to be the first Synthwave Drum & Bass anthem.
In addition to rocking airwaves and dance floors Gary’s music is regularly featured in film and TV, with credits in movies such as Eliminators, How Bruce Lee Changed The World, Playmobil The Movie, Timefreak, Tracers and Venom ��� Let There Be Carnage, as well as TV shows including Beauty & The Beast, Chicago Fire, Madame Secretary, Shameless and The Magicians. His portfolio also includes a number of popular reality shows such as Keeping up with the Kardashians, Life of Kylie and Selling Sunset.
The Death Beats continue to lay down a dynamic selection of upfront electronic music in the style of artists including Dimension, Diskord, Nero, Sub Focus and The Prodigy.
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hairklipz · 9 months ago
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Review 01: LTJ Bukem - Producer 01
Released: 0?/01/00AV
Genre: Electronic / Subgenre: Jungle DnB a/o Intelligent DnB & Downtempo
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Watford native LTJ Bukem had heavy influence on what would become known as "Intelligent DnB". Intel. DnB is characterized by clear jazz influence alongside the break beats that make Jungle so addictive. Bukem navigates the sound with expertise, flaunting complex but catchy jazz loops into the mix from his classically trained background as well as hard hitting basslines that rock your ears. As the record runs, you lose track of time as the songs are paced very well despite being on the longer side by today's standards. If someone is looking for an introduction to the UK Jungle scene, Producer 01 is a gentle yet proper means to do so. It starts you off by getting you used to the sounds you will hear through the project and then eases you into the heavier aspects later on. Let's listen.
Track One is a seven minute interlude titled appropriately 'Cosmic Interlude'. As the song begins I can already feel myself enjoying it from the bass loop alone. This loop is reminiscent of the "Meep City Night Theme" from Roblox (obscure reference but that song is a 10/10 for me). The tone of this interlude is also set quickly with the accents heard echoing over the bass until the drums come knocking in. The structure of this song seems to focus it's attention on the tone switches. Moments of minor tension broken up with soft electric keys and more accenting. Just as the song is starting to become repetitive, Bukem (as if he is mixing this with you in mind) switches direction, giving us a break from the loop before heading into the final minute of the track. Although the loop has only been gone for less than a minute, when it makes it's return with new partners, you cease to remember the repetitive feeling from minutes before. An amazing start to the album.
Track Two instantly takes a dip in tone. Titled Constellation, this track is the sole song on the record that features vocals. The lyrics of this song seem to focus on music transporting you elsewhere. The style of the rap is consistent with the English Scene with flow influence from New York contemporaries of the same time and genre. I think this track is a great listen especially if you are listening intently. Noticing details like the whispers that DSR layers over his verse pulls the listener away from where they are grounded much like the song intended. As far as the production, a favorite for me is the strings within in the loops. I am an absolute sucker for strings especially the strings consistent with the late 90's and early 2000's. When the beat rides for the keys solo before the last verse, you get a chance to really hear those strings before the song fades off. I really enjoyed this song despite it being almost an outlier from the rest of the album.
Track Three is where we start to inch closer to the traditional jungle sound although I use 'inch' very literally. Unlike later tracks, this one remains subtle in its label. My first thought is downtempo but maybe not a specific sub-genre within it. The BPM sits at around 104 or 105 as opposed to the average BPM of 158 over the six songs that follow it. The chords feel very house-y which I love and I think suits the track immensely. While listening to the first two minutes of this song, the sub-bass will creep in for just moments at time preparing you for second-quarter of the track. The sub-bass hits hard and rounded, you can almost see the shape of it while listening. The echoing horns throughout the song are trance-like, it feels like I'm being hypnotized, snapped awake and instantly re-instated as the horns return. This cycle continues until you fully awaken only due to the volume lowering as the song fades out.
Track Four begins with what I can only describe as someone taking the term jungle literally. Partnered in the background with percussion are various chirps but closer to the foreground is what seems to be (in my opinion) a bit-crushed roar of some kind that starts anew every eight measures. I really love the idea of Bukem sitting down and deciding to center a jungle song around jungle sounds (even if I am not 100% on his intention or even that these sounds came from the jungle in the first place). The drums in this song are one of my favorite from the entire record despite this not being a favorite song as a whole. I think this song serves well as a transitionary track into the higher tempo theme of the rest of the album and prepares you for track five which I consider to be the second strongest, second most interesting and my overall second favorite on the album.
Track Five is titled 'Demon Theme'. As the track sets the tone for you, chirps are carried on from the previous track until the break begins. The drums are instantly weaker than the last song but this is not where 'Demon Theme' shines. Two minutes into the track, an echoing lead catches an unbelievable groove that immediately takes over. This section of the song is interrupted by a sampled singing voice that eases us into a new section of chaos. Many freshly introduced sounds start to swirl around your head at 145 BPM causing a hurricane circling your brain. Soon after, the 'calm' within this 'storm' appears in the form of flutes that end up blending the rest of the sounds into one. Once again, this off-key vocal sample serves as the start of the next section where we are met with warm synths and those familiar chirps from earlier. It feels like an off-color sun is breaking through the clouds of earlier. As the song enters it's final stretch, the chaos is gone and that catchy lead comes back to wrap everything up into a neat package. This new tone becomes the standard for the song, wiping your memory of the chaos the ensued minutes before. Switching between minute three and minute six feel like distant sonic cousins rather than two parts of the same track and I think this is absolutely a positive but also a theme of this album. It is dynamic and it shows track-to-track.
Track Six is our longest track on the records at just under nine minutes. The loop here has some sort of a filter which almost detunes it at times and I love that effect. The synths that work with this loop are slow and drone-like which leaves you wondering where this song will end up knowing that Bukem is both unpredictable and extremely talented at it too. 'Music' sits at the higher side with 155 BPM but somehow the song feels slow and paced. It is an amazing feeling. By minute four, I had found myself feeling like the song just began but we were already half way finished. The track is quick yet slow. It is heavy yet soft. It is both liquid and solid. Throughout this one, a sampled voice comes echoing both in and out like something out of Silent Hill until thick undistinguishable chords creep in to set the tone completely. 'Music' isn't one of my favorites as a song but the experience itself makes it. I think it is rare to find a track paced so perfectly.
Track Seven (my overall favorite) continues the long run time with the the last two songs totaling over seventeen minutes all by themselves. This song has a slow build but already starts to set the groove. The echo and melody used for this flute sample is one of the catchiest on the entire record. The bass on this track is definitely more subtle than the former songs but it is still rounded and impactful. As you hit the halfway point of 'Twilight Voyage' you get a closer listen to the sounds present in the song and this is one of my favorite sections. I don't have the proper words to describe the feeling they give me but it is like every sound is picked perfectly. Every soundwave is the exact one that I would specifically want. I find myself getting lost in this section just appreciating said sounds until the DnB returns for the final two minutes of the track. This song is one of the least dynamic of the record but somehow it doesn't feel repetitive, every second of those eight minutes is paced just as well as the previous track and that blows me away.
Track Eight begins unlike any of the other songs. 'Orchestral Jam' has an strong start as opposed to the soft build-ups we've been used to for the past seven tracks. The drums are glitchy and fast which the track gives us plenty of time in the first minute to appreciate until the melodies begin to slip in. Of course, this song is focused on strings but these strings aren't my favorite. I mentioned earlier in the review that the strings of this era are one of my biggest weaknesses but the ones present in this track just don't do it for me. Even when the bass is introduced about halfway through the song, I do not find myself getting the same feeling the record has produced so far. My favorite thing about this song are definitely the accenting done here and there. That being said, this song is on the weaker side for me and would be at best an 'okay' track. I do believe that this song is greater than 'okay' but might have the unfortunate task of following the almost perfect first seven tracks.
Track Nine is the where this amazing record comes to an end and from what I understand is Bukem's most popular track. Off-the-bat, this song has a chopped vocal sample (from which part of the title is taken) that is absolutely lovely. I think that the beginning of this song sets an amazing tone that gets me excited for the ending of this album. The keys, which are almost clav-like, are catchy and funky until they are cut-off. I think that I would've liked those keys to continue and carry the rest of the track with them in a different direction. They make their return alongside that vocal sample in the final minute of the record but without enough time to bring the song to a place I'd like to hear. I think this song reveals one of my worst habits which is gaining expectations in a track to only feel disappointed if it doesn't go where my head was thinking or somewhere better. This song set a tone that I got attached to and changed it. I believe that the song is still great but I am just a picky and pretentious brat who acts like he could've even made something this good.
Producer 01 is labeled by some as a compilation record rather than an actual album. I believe that without lyrics it can sometimes be difficult to keep an album coherent but Bukem did it masterfully. This project feel cohesive and paced beautifully. Sitting at 1hour and 13 minutes, each song works its runtime properly and keeps you engaged both mentally and physically. This record has plenty of moments where you cannot help but have a physical reaction to what is occurring even if you are not listening with full intent. This record is not abrasive but does have moments that wake you up and cause those reactions. With a slower, seemingly unsure start, the first three songs carry layers of influence that leave you guessing on the exact genre is would be considered. As you hit the middle four tracks, you feel entranced in the project unable to step out of it without effort. as you ease into the last two tracks which are the weakest in my opinion, you find yourself wondering what direction he will go and I love that feeling. Consistency is not bad but an artist who can leave you guessing is even better. As one of the first albums released in the new millennium I would say this record perfectly encapsulates the era and sets a great standard for the years to come.
8.3/10
-Hairklipz 28/02/24AV
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strainshook · 2 years ago
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Drum and bass (also known as "DnB" or "jungle") is a genre of electronic dance music that emerged in the early 1990s. It is characterized by fast, syncopated rhythms, and heavy basslines. Over the years, the genre has evolved and splintered into several sub-genres, each with their own distinct characteristics. Here are some of the main genres of drum and bass:
* Jungle: This is the original form of drum and bass, and it is characterized by fast, complex rhythms, heavy use of samples from reggae and dub music, and a focus on breakbeats.
* Jump Up: This subgenre is known for its energetic, party-friendly sound, characterized by heavy use of basslines and drums samples.
* Liquid funk: This subgenre is characterized by smooth, melodic basslines and a focus on atmospherics and musicality.
* Techstep: This subgenre is characterized by a darker, more experimental sound, with heavy use of industrial and mechanical sounds in the drums, and complex, dissonant basslines.
* Neurofunk: This subgenre is characterized by complex, aggressive basslines and a focus on technical prowess in drum programming.
* Intelligent DnB: This subgenre is characterized by experimental, abstract sounds, with a focus on sound design and atmosphere, rather than traditional song structure.
* Soulful DnB: This subgenre is characterized by smooth, soulful, and melodic sounds, with a focus on vocals and emotional content.
* Drumstep: This subgenre is characterized by a fusion of dubstep and drum and bass, with heavy use of syncopated drums, and often features elements of other genres like hip hop, breaks and even trap.
* Jump Up: This subgenre is known for its energetic, party-friendly sound, characterized by heavy use of basslines and drums samples.
It's important to note that these genres are not strict and that they are not mutually exclusive, but they are the most known sub-genres of drum and bass.
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undersmusic · 8 days ago
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How to Make Drum and Bass: A Step-by-Step Beginner's Guide
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If you've ever wondered how to make drum and bass music, this comprehensive guide will walk you through the essential steps. From understanding break basics to mixing your final track, you'll learn everything you need to create your own DnB tracks.
Step 1: Introduction 🎵
Welcome to the exciting world of Drum and Bass (DnB) production! This genre is known for its fast-paced beats and heavy basslines. Understanding the fundamentals is key to creating your own unique tracks. In this guide, we’ll explore the essential elements of DnB, from break basics to bass sound design. Let’s dive into this vibrant musical style and discover how to make drum and bass!
What is Drum and Bass?
Drum and Bass, often abbreviated as DnB, is a genre of electronic music characterized by its fast breakbeats and deep basslines. Emerging in the early 1990s, it blends elements from various genres, including jungle, hip-hop, and reggae. The typical tempo ranges from 160 to 180 BPM, providing an energetic and dynamic listening experience.
The Importance of Breaks
At the heart of DnB lies the breakbeat. These are sampled drum patterns that create the rhythmic foundation of the track. Understanding how to manipulate breaks is essential for any aspiring DnB producer. By layering and slicing these breaks, you can create complex rhythms that captivate listeners.
Step 2: Break Basics 🥁
Before we delve into creating drum and bass, let’s get familiar with the fundamental components of breaks. The most iconic breaks, such as the Amen Break, are essential for building your track's foundation. Here’s how to effectively use breaks in your production.
Choosing the Right Breaks
Amen Break: This classic break is a staple in DnB, known for its energetic and syncopated rhythms.
Apache Break: Another popular choice, the Apache break provides a more laid-back groove.
Think Break: This break offers a punchy sound, perfect for adding intensity to your track.
Layering Breaks
Layering breaks enhances the complexity of your drum patterns. You can combine different breaks to fill in gaps and create a fuller sound. For example, you might layer a snare from one break with a kick from another to achieve a unique rhythm.
Time Stretching and Pitch Shifting
To fit breaks into your track, you may need to time-stretch or pitch-shift them. In your DAW, you can adjust these settings to align the break with your project’s tempo. This ensures that your breaks sound cohesive and sit well within the mix.
Step 3: Guide to DnB Drum Patterns 🎶
Now that we have our breaks sorted, let's explore how to construct effective drum patterns for drum and bass. Understanding the structure of DnB drum patterns will allow you to create more engaging tracks.
The Basic Drum Pattern
A typical DnB drum pattern consists of a kick, snare, and hi-hat. The kick usually falls on the first and third beats, while the snare hits on the second and fourth beats. Here’s a simple way to visualize it:
Kick: 1 3 Snare: 2 4 Hi-hat: 1 & 2 & 3 & 4 &
Creating Variations
To keep your drum patterns interesting, you can introduce variations such as:
Syncopation: Placing the snare or kick on off-beats creates a more dynamic feel.
Ghost Notes: Adding softer snare hits between the main beats adds texture and groove.
Hi-hat Patterns: Experimenting with open and closed hi-hats can drive the rhythm forward.
Utilizing Swing
Applying swing to your drum patterns can give them a more human feel. Adjusting the swing settings in your DAW allows you to move certain notes slightly off the grid, creating a laid-back groove that is characteristic of DnB.
Step 4: Beginners Bass Sound Design 🎸
Now that we have established our drum patterns, it’s time to focus on crafting the bass sound. The bass is a crucial element in DnB, providing depth and richness to your track.
Choosing Your Synth
For bass sound design, you can use a variety of synthesizers. Popular choices include:
Xfer Serum: Known for its versatility and powerful wavetable synthesis.
Massive: A classic choice for thick, rich bass sounds.
Alchemy: Great for creating complex bass tones with its extensive modulation options.
Creating a Basic Bass Sound
To create a basic bass sound, start with a saw wave as your oscillator. Adjust the following settings:
Unison: Increase the number of voices for a fuller sound.
Filter: Use a low-pass filter to cut out higher frequencies, focusing on the low end.
Envelope Settings: Adjust the attack, decay, sustain, and release (ADSR) to shape how the bass sounds over time.
Step 5: Bass Melody for Beginners 🎹
Now that we have our bass sound crafted, let’s explore how to create a bass melody that complements our drum patterns. A well-crafted bass melody can elevate your track and make it more engaging.
Understanding Bass Melodies
Bass melodies in DnB often follow a simple yet effective structure. They typically consist of short, punchy notes that sync with the kick drum. Here’s how to get started:
Basic Melody Structure
Root Notes: Start with the root notes of your key, usually focusing on the first, fifth, and octave.
Syncopation: Use syncopated rhythms to create interest within the bass line.
Call and Response: Create a dialogue between two different bass notes for dynamic movement.
Experimenting with Rhythm
Incorporate variations such as triplets, dotted notes, and rests to add complexity to your bass melody. Experimenting with different rhythmic patterns will help your bass line stand out.
By following these steps, you can create compelling drum and bass tracks that resonate with listeners. Remember, experimentation is key. Don’t hesitate to try new techniques and sounds to develop your unique style.
If you're looking for a hands-on approach, check out this Logic Pro drum and bass project that accompanies this guide. Happy producing!
Step 6: Other Sounds We Can Add 🎤
Once your core elements are established, it's time to enrich your track with additional sounds. Layering can transform a basic composition into a full-bodied piece. Here are some techniques to enhance your DnB tracks.
Utilizing Leads
Incorporate lead sounds to add melody and texture. For beginners, using simple sounds like hollow leads or analog leads can create effective harmonies. For instance, you might take your bass melody, transpose it an octave higher, and create a lead that complements the bass without introducing complex chords.
Adding Atmosphere with Pads
Pads can create a lush backdrop for your track. Utilize sustained sounds that fill the sonic space without overpowering the main elements. A simple pad can help transition between sections and give your track depth.
Transitions and Effects
Effective transitions can elevate the listening experience. Use reverse crashes or risers to signal changes between sections. These elements guide the listener's ear, making the arrangement feel dynamic and intentional.
Abstract Sounds
Don't shy away from experimental sounds. Abstract elements can add uniqueness and intrigue to your composition. Consider using field recordings or synthesized effects to create a distinctive atmosphere.
Step 7: Basic DnB Arrangements 📏
Understanding arrangement is crucial for effective DnB production. The structure of your track can significantly impact its energy and flow. Here’s a simple guide to arranging your DnB tracks.
Segmenting Your Track
Start by dividing your track into blocks, typically 16 bars. This allows you to create a cohesive structure. For example, an intro, drop, breakdown, and outro can all fit within this framework.
Building Tension and Release
Utilize dynamics to build tension and release. Gradually introduce elements leading up to a drop, then pull back for a breakdown. This ebb and flow keeps listeners engaged and creates memorable moments in your track.
Signifiers for Change
Use transitional sounds to signify changes in your arrangement. This can be as simple as a reverse cymbal or a riser. These elements prepare listeners for upcoming shifts, enhancing their experience.
Looping and Variation
Repetition is a staple in DnB, but it’s essential to introduce variations. Change up drum patterns, add or remove layers, or alter melodies slightly to maintain interest throughout the track.
Step 8: Mix Basics & Loudness 🎚️
Mixing is a critical step in music production that ensures all elements work harmoniously. Here are some foundational tips to help you achieve a balanced mix.
Focus on Balance
Start by balancing your levels. Ensure that no single element overwhelms others. A well-balanced mix allows each component to shine, creating a cohesive sound.
EQ for Clarity
Use EQ to carve out space in your mix. Remove unnecessary frequencies that may clash. For example, cutting low-end frequencies from non-bass elements can prevent muddiness.
Compression for Control
Apply compression to control dynamic range. This ensures that your sounds sit well together and that the overall mix is punchy. Start with subtle compression, gradually increasing as needed.
Loudness Considerations
To achieve loudness without sacrificing quality, utilize a limiter. This tool allows you to push the overall volume while preventing clipping. Aim for a peak output level of around -0.1 dB for optimal results.
Step 9: Free Sample Pack 🎁
If you’re looking to enhance your DnB productions, consider using a free sample pack. A well-curated pack can provide you with high-quality sounds to kickstart your creativity.
Check out the Soulful DnB Free Pack for a variety of drum hits, bass samples, and atmospheric sounds. This resource can significantly enrich your production toolkit.
Step 10: Resources for Further Learning 📚
Continuous learning is vital in music production. Here are some resources to help you deepen your understanding and skills in DnB production.
Courses — Warrior Sound - Explore structured courses to enhance your music production skills.
Warrior Sound Blog - Stay updated with the latest tips, tricks, and tutorials in music production.
Mastering DnB - Learn about the mastering process specifically tailored for DnB tracks.
How to Make Liquid Drum and Bass with Logic Pro X - A hands-on guide to creating liquid DnB tracks.
By leveraging these resources, you'll be well on your way to mastering how to make drum and bass and refining your production skills.
Step 11: Using DistroKid for Music Distribution 📤
Once your track is polished and ready for release, it’s time to get it out into the world. DistroKid is a popular choice for independent artists looking to distribute their music across various platforms. Here’s how to make the most of it.
What is DistroKid?
DistroKid is a digital music distribution service that allows artists to upload their music to major streaming platforms like Spotify, Apple Music, and Amazon Music. It's user-friendly and offers a range of features tailored for independent musicians.
Benefits of Using DistroKid
Fast Distribution: Your music can be available on streaming services within a few days.
Unlimited Uploads: For a flat annual fee, you can upload as much music as you want.
Keep 100% of Your Earnings: DistroKid doesn’t take a cut of your earnings, allowing you to keep all your profits.
Automatic Payments: DistroKid handles payments for you, ensuring you get paid efficiently.
Getting Started with DistroKid
To begin, sign up for an account on the DistroKid website. Once registered, you can start uploading your tracks. Here’s a quick guide:
Upload Your Music: Click on the "Upload" button and follow the prompts to add your track.
Select Your Stores: Choose which platforms you want your music to be distributed to.
Fill in Metadata: Add details like track title, artist name, and genre.
Submit Your Music: Once everything is set, hit submit and wait for DistroKid to process your upload.
For more detailed insights, check out the DistroKid Explained article.
Step 12: YouTube for Tutorials 🎥
YouTube is a treasure trove of resources for learning how to make drum and bass. From beginner tutorials to advanced production techniques, there's something for everyone. Here’s how to leverage YouTube effectively.
Finding Quality Content
When searching for tutorials, look for channels dedicated to music production. Pay attention to the following:
Content Consistency: Channels that regularly upload content often provide fresh insights and techniques.
Viewer Engagement: Check comments and likes to gauge how helpful others found the tutorial.
Production Quality: High-quality audio and video production often indicate reliable content.
Recommended Channels
While there are countless creators, a few stand out for their dedication to drum and bass production:
ADSR Music Production: Offers in-depth tutorials on sound design and music production.
Point Blank Music School: Features a range of tutorials from industry professionals.
Loopmasters: Great for sample packs and production tips.
Engaging with the Community
Don't just watch—engage! Comment on videos, ask questions, and share your progress. Many creators appreciate feedback and are willing to help aspiring producers. Additionally, consider subscribing to channels that resonate with your learning style.
For a deeper dive into leveraging YouTube for your music career, check out this article.
Step 13: FAQs ❓
As you embark on your drum and bass production journey, you might have a few questions. Here are some frequently asked questions to help clarify common concerns.
1. What software do I need to start producing DnB?
Any digital audio workstation (DAW) will work, but popular choices include Logic Pro, Ableton Live, and FL Studio. Choose one that feels comfortable for you.
2. Do I need expensive equipment?
While high-end gear can enhance your production, it's not necessary to get started. A decent computer, headphones, and a MIDI controller are sufficient for beginners.
3. How can I improve my mixing skills?
Practice is essential. Use online tutorials, experiment with different techniques, and seek feedback from experienced producers. You can also explore this guide for practical tips.
4. What’s the best way to promote my music?
Utilize social media platforms, collaborate with other artists, and engage with fans. Consider using platforms like DistroKid to get your music on streaming services and promote it through playlists.
5. Is it important to understand music theory?
While not mandatory, having a grasp of music theory can enhance your creativity and help you compose more effectively. There are many resources available online to learn the basics.
Step 14: Conclusion 🎉
Congratulations on reaching the end of this guide on how to make drum and bass! You've learned about the essential elements of production, from creating beats to mixing and distributing your music. Remember, the key to success in music production lies in practice and experimentation.
As you continue your journey, don't hesitate to seek out resources, connect with other producers, and refine your skills. The world of drum and bass is vast and filled with opportunities for creativity.
For further insights and tips, explore more of our resources or consider joining our community. Keep producing, and who knows? Your next track could be the one that resonates with listeners worldwide!
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friend-of-a-cat · 5 months ago
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— Monthly Music Recs - June 2024 —
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Zoetrope by Nanashi Hachiya
Back at it again with the monthly music recs! There's a lot of different stuff in this one.
I've been listening to Zoetrope by Nanashi Hachiya on repeat. It's so, so, so good. Also, it's about breaking free from a cycle of abuse, and I think it's a pretty powerful song. I can definitely relate to it. Also the MV is cool as hell. This cover is also really good!
The entire SEEK your SOUND album by 2 Mello and Million Sunday has also been on repeat, especially Estate Sale. It just has a really nice beat, and the rap has a very good flow. Just very chill and stuff. 2 Mello is one of my faves - his music is always god-tier.
EENIE MEENIE by Chungha (feat. Hongjoong) is a massive banger, and I'm obsessed with both it and the music video (the stylist also did a fantastic job - there are so many cool and interesting fits). The best thing about the song is the bassline, however. I'm a sucker for a good bassline. The choreography is so fun, too.
Another life by PinkPantheress (feat. Rema) is a huge vibe. Very chill. I really like her jungle/dnb-inspired tracks. The record scratches are fun, too (I'm a huge fan of record scratches in songs lmao). A lot of people were saying the song reminded them of the Sonic game soundtracks (especially with the electric guitar at the end), and I'm inclined to agree. It's so good.
I've been listening to the Jet Set Radio/Jet Set Radio Future/Bomb Rush Cyberfunk soundtracks, as well, which are all peak. I'm a huge fan. Also the Air Gear soundtrack, which is incredible. I wish the show wasn't an ecchi anime lol (I dislike it because of this) - the premise is really cool, and very much inspired by Jet Set Radio. Also, Hideki Naganuma, the guy who did a bunch of stuff for the JSR/JSRF/Sonic Rush soundtracks (and produced two tracks for BRC) did the music for it with a couple of other composers. I could literally talk about all of these pieces of media, and just Hideki Naganuma in general (he's one of my fave producers), for hours on end lol. Anyway, some of my fave tracks from Air Gear include Skygrinder, Snapped, and Busy? Or Dizzy?; my faves from JSR/JSRF include The Concept of Love, I Love Love You, Let Mom Sleep, and Everybody Jump Around; and my faves from BRC include JACK DA FUNK, GET ENUF, watchyaback!, and Funk Express.
On a completely different note, I definitely recommend listening to Reverie for Another Sphere by Taishi (or any track by Taishi, honestly), because it's an entire experience in of itself. The whole thing. It gets better and better as it goes on. His music is incredible - I discovered him about five years ago, and got really into Artcore music because of it.
I'm also tacking on the Scorccio edit of Summerlove by S-Connection (feat. Anabelle), because it's so catchy and I've been listening to it a hell of a lot this month.
Again, quite a mixed bag, but I hope you enjoy!
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exprokachudj · 18 days ago
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(DNB STATUS 🎶😊)
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jimi-rawlings · 8 months ago
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Drum and bass - Wikipedia
Drum and bass (commonly abbreviated as DnB, D&B, or D'n'B) is a genre of electronic dance music characterised by fast breakbeats (typically 165–185 beats per minute[4][5]) with heavy bass and sub-bass lines,[6] samples, and synthesizers. The genre grew out of the UK's jungle scene in the 1990s.[7]
BASSLINE DANCEHALL!
UNRULY
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tr21sa · 6 months ago
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That sound give you More Than You Want 👉🎁👈 💥😊🥰😍 https://open.spotify.com/track/0mOYoyPkfCNbSsFij45w3V https://music.apple.com/us/album/more-than-you-want/894443472?i=894443474
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thisisgraeme · 2 years ago
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A Door In The Wall (The Call To Adventure) - New Release from THISISGRAEME Music
Check out my track "A Door In The Wall (The Call To Adventure)" - now available on all major streaming platforms! Follow me on Spotify and subscribe on YouTube to stay updated on my upcoming music projects. #drumandbass #new
Will You Heed the Call to Adventure? I’m excited to share with you one of my latest creations, A Door In The Wall! It’s an instrumental drum and bass track that I’ve poured my heart and soul into, and I hope you enjoy it as much as I enjoyed making it. If you’re a fan of my music, I’d love it if you could help me get more exposure by doing any of the following: FOLLOW my artist profile on…
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