#Julia lennon

[beatsfornone]

Important women in Beatles history

Illustrations by Marta Ponce

[foryouwereinmysong]

Paul will stay by John's side - a composition

»The original story about this was, I was reading about ›Death of John Lennon‹ in a newspaper. And one of the accounts was that the cop who took him to hospital after he’d been shot said ›Do you know who you are?‹ 'cause apparently that’s what they say to try and, you know, ›I'm Sally Burgess.‹ - ›Oh she’s not too badly off then.‹ But you know in John’s case it was particularly crazy 'cause, you know, it’s like a fan almost ›Do you know who you are?‹ ... and it always - oh my god - strangest remark that to me. I told Carl about this. So we, that's what the nurse now says to the girl in bed as if - in the same way - ›Do you know who you are?‹ That's what she says.«

Tired of the hollow, the base, the untrue, Mother, O mother, my heart calls for you! Many a summer the grass has grown green, Blossomed and faded, our faces between: Yet, with strong yearning and passionate pain, Long I tonight for your presence again. Come from the silence so long and so deep;—    Rock me to sleep, mother, – rock me to sleep! - the third stanza of Rock Me To Sleep by Elizabeth Akers Allen

[beatlesficrecs]

I Need You Darlin' (So Come Go With Me)

By @beatlessideblog

Link

Summary

John Lennon is no-one's idea of a proper omega. Paul McCartney is a complication. Set 1956-1958.

Why I like this fic

This is as close to married mclennon (without homophobia thank God ) as we can get in this fandom and let me tell you there aren't many officially "married" mclennon fics out there . The way this universe's John and Paul show affection through subtle actions is so great . The way paul always looks out for John ,always being one step ahead in knowing what John needs before he even realises he needs it is ARGH PEAK married mclennon behaviour I say. Both of them being each other's comfort bear is an added bonus too . Honestly the entire series (with all of it's 10 parts ) is a treasure trove of great mclennon fics , I highly recommend it !

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[rockytheraccoon]

“Mimi told an interviewer, enumerating the times she opened the door to find her distraught nephew cowering there in tears, unable to speak.

More than once Mimi marched John back to Julia’s where she gave her younger sister a piece of her mind. Fuming angrily, she would shout;

“Oh, for heavens sake, Judy, behave yourself!”

[mythserene]

Ladies and gentleman of the jury, this is my case.

(*next day* I definitely got a little ahead of myself with that statement, but I was so happy to get through a single paragraph of a mild example without getting lost in all the other falsehoods that it made me giddy. I do feel unstuck though, and that's worth a lot.)

--

This was supposed to just be a copy of my “Delusional Lewisohn” website post but I started talking and accidentally wrote what I've been trying to say for months.

It starts as my contrasting paragraph of “designing Lewisohn”—how he normally does things—so it's a little stiff and compact, but I spread out fast and while it's probably riddled with typos, this is what he does. It's just usually worse and about more nefarious things.

“It could be they didn’t see much of each other in the summer of 1958.”

In “A BEATLE DIDN’T SAY THAT!” one of my examples was Lewisohn very designedly making it seem like Paul wasn’t around for John after Julia’s death using a combination of an altered quote from George Harrison’s mother and the contextual phrasing surrounding it. Many know of Mrs. Harrison reassuring George that she wasn’t going to die, but Lewisohn cunningly alters the rest of her words and his supporting sentences to make Paul seem unaffected and distant after John’s mother’s death, and to paint George and Paul both as relatively unconcerned, when what Louise Harrison specifically says is that she sent George around to John’s to bring him over so that he could play guitar together with Paul and George, and that “they always helped each other.” For Lewisohn to surgically alter the words that he does quote, chop off the rest, and then sew them back up with misleading insinuations to create not only a false—but opposite—impression of the boys’ closeness after John’s loss is unforgivable.

TUNE IN – Lewisohn

Asked  some years later to describe how he’d been able to help John cope with the loss of Julia, Paul could remember nothing of the period at all. It could be they didn’t see much of each other in the summer of 1958. John was working at the airport, and Paul and George went on holiday together—adventurous for boys of 16 and 17. But Louise Harrison would recall how she encouraged George to visit John at Mendips, “so he wouldn’t be alone with his thoughts.” The awful fact that both his mates had lost their mothers terrified George: the penny dropped that his might die any moment too. “He’d watch me carefully all the time. I told him not to be so silly, I wasn’t going to die.”

THE BEATLES – Davies (cited)

Mrs. Harrison, George’s mother, remembers the effect it had on John. They were still practicing a lot at George’s house, the only house where they got endless hospitality and encouragement. (…) “When John’s mother did die, he didn’t seem to go off his head, but he wouldn’t come out. I forced George to go round and see him, to make sure he still went off playing in their group and just didn’t sit and brood. They all went through a lot together, even in those early days, and they always helped each other. George was terrified that I was going to die next. He’d watch me carefully all the time. I told him not to be so silly. I wasn’t going to die.”

Lewisohn doesn’t outright say that Paul wasn’t around when Julia died, but he strongly infers it—deceptively altering and truncating a supposed-Mrs. Harrison quote—turning George's mom talking about how close the three were at that time and how they helped each other, into support for his inference that Paul barely saw John at this time. He then adds an introductory statement that makes it seem as if Paul was nowhere to be found, without actually saying that.

Yes, that's what I said. It is all lawyer-speak narration. Look at his first two sentences.

Asked some years later to describe how he’d been able to help John cope with the loss of Julia, Paul could remember nothing of the period at all. 

It could be they didn’t see much of each other in the summer of 1958.

But we know the secret. We know what Mrs. Harrison actually said. And so does Mark Lewisohn, by the way.

Now, Lewisohn tells us that someone, somewhere, "some years later" asked Paul this "question" that I literally cannot even comfortably end with a question mark:

“Paul, describe how you were able to help John cope with the loss of Julia?”

Really?

I'm not going to lie, I don't believe him, but even if we give Lewisohn the benefit of the doubt— **excuse me i can't stop laughing. one sec**

—even if we give Lewisohn the benefit of the doubt that someone, somewhere, at some unnamed time, asked Paul to describe how he was able to help John cope with the loss of Julia, just what exactly would we expect Paul McCartney's answer to that to be? Honestly, try to imagine the look on Paul's face if he was asked to describe how he helped John to cope after Julia's death.

“Paul could remember nothing of the period at all.”

Did an appellate lawyer write this? No, this is contract law genius. I can find the holes in almost any contract, and Lewisohn's own words around a misused quote are a work of legal art. He never quite says what you think he said.

But on the quotes, themselves, Lewisohn swings for the fences. He is without shame or fear. He has no qualms about putting quotation marks around any old thing he wants to say. One cannot go too many pages without finding something that shocks the conscience.

These are not “mistakes.” They are a very deliberate cutting and pasting together of historical figures' words to make them mean something different—and often opposed to—what the speaker intended. He then surrounds the misquotes with carefully worded insinuations that don't really say what you thought they did.

THE ACTUAL MRS. HARRISON “QUOTE”

Davies is very good at weaving together information-heavy exposition together with the quotes from his interviews, and since he interviewed everyone himself, he can tell us a lot in his own words.

What that does for you and me is that we get the context from the guy who asked the questions and spent time with these people, and that makes it a lot harder to get away with using these quotes out of context. Like, before we even get to the direct quote from George's mom, Davies is telling us what she remembers from the time. And it's a lot. Because that's when the boys practiced at the Harrison's almost every day. And it's awesome because her memories almost always include what the boys were eating at the time. (Seriously.) Like, she'd “given them all beans and toast” a few months before Julia died when she heard John say to Paul, “I don't know how you can sit there and act normal with your mother dead. If anything like that happened to me, I'd go off me head.”

Davies also calls Mrs. Harrison “one of nature's ravers.” 🥹

Everyone seems to agree that during this time the three were always at the Harrisons, and it's certainly the picture we get from Mrs. Harrison.

Davies is telling us all this, and leads into her direct quote by telling us what she “remembers.”

Mrs. Harrison, George’s mother, remembers the effect it had on John. They were still practicing a lot at George’s house, the only house where they got endless hospitality and encouragement.

And I trust Mrs. Harrison's memory because I am a mom, and I remember every trauma of my children's friends because I was the local Mrs. Harrison. We love those kids with all our hearts and they're so connected to our own kids that nothing happens to one without all of them feeling it. And the mom seeing it all. So how do we need Paul's answer to “Describe how you were able to help John cope with the loss of Julia?” when Mrs. Harrison has twenty stories, all with corresponding menus?

And Mrs. Harrison is saying that she sent George to get John out of his house so they could all play guitars together “in their group.” Not, George and John and no one knew where Paul was.

Where's Paul? Who could possibly know? “It could be they didn’t see much of each other”—but could it? It could be that Paul went ice skating in Sweden, EXCEPT HE FUCKING DIDN'T. Why are you lying to me in legalese in a Beatles biography?

“But Louise Harrison would recall how she encouraged George to visit John at Mendips” isn't true, but also isn't sane. If you pause and put as much thought into each sentence as was spent constructing them, you notice how many of them are patently ludicrous. Mrs. Harrison didn't encourage George to “visit” at Mendips because no child “visited” at Mendips. What are you even saying? To keep Paul and John away from each other you're talking nonsense. Visit? At Mendips? I can just picture John, Mimi and George sitting around having tea. But also, Mr. Lewisohn, those are not words that Mrs. Harrison said, and in fact, those words mean something completely different than the words she said.

What she said was she sent George over there “to make sure he still went off playing in their group and just didn’t sit and brood.”

And Nature's Raver Mom would see John not showing up like usual and would send her son out to make sure John knew he was wanted, and give him a little kick if necessary. She would want him in her house so she could feed him and make sure he was okay and to give him the comfort of playing music together with his friends.

They're the Beatles, and they got through it playing music. That's the real story, the true story, and a much better story.

And then she says “they all went through a lot together, even in those days, and they always helped each other.”

By cutting that out, leading into the quote you cut it from by speculating about where Paul was, and opining that maybe they didn't see each other much you are being purposefully deceptive and there simply is no other rational inference. None.

(I have tripled my website post now. I regret nothing.)

Let's take this baby home.

Because Mark Lewisohn completes the picture of John alone and ignored by George and Paul, and he does it by sneaking his own words into the mouth of George Harrison's dead mother.

I just want to make sure you got that. Like, let it sink in.

Mark Lewisohn changes Mrs. Harrison's actual words from “sit and brood” into “alone with his thoughts,” which further emphasizes the absolute absence of Paul and George. But he knows that John was not alone because he replaced Mrs. Harrison's words that said they were together playing music with his own words of John all alone. And then he has the nerve to even suggest that Paul and George are off together on holiday when John needs them most, while conjuring a parallel image of a traumatized John left separate and alone. (Except for his inner world.)

And I'm sorry, but I have to repeat it one more time: Lewisohn does all this by telling us that Louise Harrison said it. And although a lawyer could make a technical case that I am not being lied to here, I am.

Delusional Lewisohn is alive and well on my website. This has been Designing Lewisohn, signing off.

There's a lot, lot more and a lot, lot worse, but it's all of a piece. Not different in kind, just of degree. (But the degrees are significant.)

Tag 😏 @wingsoverlagos

[zilabee]

Colin Hanton, re Mimi:

"In those early days we certainly only practised at Mendips on a very few occasions as a full six-piece group. Although she was more relaxed about things than you might expect, Mimi was concerned about the noise we made and possible complaints from either the neighbours or of distracting the student lodgers who were studying next door in the dining room. […] having said that, when we did Mimi was very hospitable, she always served us tea and biscuits in the tiny morning room next to the kitchen.

She had the ability to terrify everybody, a cross between a headmistress and a chief librarian. Yet she was also the first adult I recall who would hold a conversation with you as an equal. She didn't talk down to you or treat you like a silly teenager like a lot of parents would. She would talk to us about the group and the music and other subjects, about life in general. She paid us respect, for which, in turn, I respected her."

Colin Hanton, re Julia:

"He said he was going to see his mum and asked did I want to go with him? I was a bit surprised by this because up to this point no one in the Quarry Men had mentioned John's mum and I'd never thought to ask if he even had one. I just accepted he was living with his aunt for whatever reason. It wasn't unusual at the time - post-war - for a parent to be missing. Think about it: Eric's dad was missing, and Ivan's, both casualties of the war. In those days many families were missing people: not just dads but mums too, because of the Blitz. It was something you almost took for granted, so you didn't talk about it. It was private. Anyway I went along with John to visit his mother.

I was immediately taken with Julia: she was vivacious, full of fun and friendly, not like most mums I knew who could be a bit guarded when you first met them. […] We hadn't been there very long before she produced a banjo and began singing a song. I was fascinated: a mum playing a banjo and singing. In my experience this was a bit different. And she was really good."

"Apart from the church fete the only time I remember seeing Julia in the audience was when we played a club on Penny Lane. […] We could all see that John was really pleased when his mum showed up that night. the rest of us were too: for one thing her presence almost doubled the size of the audience. As I looked out from my drums she was sitting almost at the front, on the right-hand side of the stage quite close to where we were, while other members of the audience were dancing. John acknowledged her from the stage and played up to her quite a lot, as if he was performing just for her. Every time we finished a song, Julia clapped very loudly and enthusiastically which was great because not many others were. She was clearly pleased and proud to see and hear John performing with his group.

After we had finished, Julia came over and told us how much she had enjoyed our set. As ever she was great to be around: one of the few parents who appreciated what we were doing. Jim McCartney was another. However, there was something special and engaging about Julia. All these years later I still feel privileged to have known her and to have witnessed the musical bond between her and John. It was very loving and very strong."

from pre:fab! by Colin Hanton and Colin Hall

[evrythingisabeatlesreferance]

The spot where Julia Lennon was hit by a car and killed by an off duty police officer in 1958

[kichisaburo3]

BEATLES photo of young John Lennon with his mother Julia Colorization Reblogged

TAG of BEATLES in my Tumblr https://kichisaburo3.tumblr.com/tagged/BEATLES

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Mono Photo Reblogged From :

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21 APR 2024 Sunday

[eppysboys]

John's cousin Liela Birch (age 12), Aunt Harriet 'Harrie' Birch (Liela's mum), mother Julia 'Judy' Lennon, and Aunt Anne 'Nanny' Cadwallader.

[noratilney]

Julia Lennon, Call the Midwife + a moodboard for every oc (181/?)

tag list: @akabluekat, @arrthurpendragon, @bravelittleflower, @foxesandmagic, @juliaswickcrs, @kendelias, @kingsmakers, @nixdragon, @ocs-supporting-ocs, @starcrossedjedis, @sunlitscribe, @villain-connoisseur, @waterloou, @wordspin-shares

[thekhoei]

ok so i just want to talk about yoko ono and this specific part in Julia. we all know john directly talked about his mother in that song, but he also said it was blended between his late wife and his poor mother. in asian culture, hair is one of the most important part in human's body. i grew up with the image of mother's long black hair speckled with some grey spot, the mother sitting by the window while her little child helps her comb her hair. it became a symbol, it represents home, family, and mother's eternal love. it's also about human's aging, which is obvious. and the old age means death coming close. now i dont read much japanese's literature, but we do share a resemblance in culture. id always imagine if john's still alive, or if he had had the chance to live a bit longer, he'd pretty much be engaged in viet's culture. anyway. yoko's long beautiful hair is just like the mother's hair in our folktales, our songs, our poetry. and john loved his mother a lot. yoko was his attempt to cope with the loss of his mother. the symbol of asian women's hair in maternal conceptions in both terms of spiritualism and daily life of a working/or lower classes humans, is transferred to Julia exquisitely. mother's love is also usually symbolized by ocean/water (while father figure is mountains), which makes "ocean child" more layered. id have to read more but anyway

[transpondster]

This seems like a strange bit of dialogue in 'A Hard Day's Night' given that most people who know anything about John Lennon know that his mother, Julia, was struck and killed by a 'learner driver' who was also an off-duty policeman when Lennon was 17 years old.

[beatlesficrecs]

Fic: Vide Noir

by @backbenttulips

Link to fic

Summary:

Under the influence of a dangerous new drug, John disappears - and Paul is the only one willing to go through the looking glass to find him. Fusion with the album/film Vide Noir by Lord Huron.

Why I like this fic:

This writer has the most original fic ideas, I love it. McLennon and the Beatles breakup as supernatural, trippy noir? Yes please. This story ate me whole! I also really liked Paul in this one.

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[ilovedig]

How do you know Mimi was abusive?

You must be joking. Please say you're joking.

Um okay, on the off chance you're not joking.

Here are a few of the things I remember off the top of my head

She didn't let John have friends for most of his childhood. He had to play alone in the backyard. She was more okay with him playing pretend as Alice than seeing other boys his age.

She also only let him go to the pictures once a year, on easter, that was it. Uncle George took him more, but once he died it was only once a year.

She put his dog down

She frequently told him he was fat

According to John's sister she literally kidnapped him at 5 because she really really didn't like her sister and thought she was a bad infuence

There's more, that's just off the top of my head.

[mossunderstanding]

Episode One: Scene One

BLACK SCREEN SHOWING A DATE - 1943 SOUNDS OF a very young child screaming, banging, desperate on a window. FADE IN: SOUNDS OF hushing, sweet, motherly. Child calms slightly. INT. RUN-DOWN HOME – KITCHEN DOOR – MORNING - CAMERA FACES the window of the door looking out just above the bottom of the window. The child’s hands have stilled on the glass. A man with a duffle bag over his shoulder strides out of view. JULIA: shush now, Johnny, daddy’s got to go, but mummy’s got you. Alright, love, that’s it, mummy’s here.

FADE OUT