#Judy Adams

[slbtumblng]

Returning Monster Wave

[adlers-left-hand-dude]

I give you this⬇️

[hellfirecvnt]

Hallelujah, What a Payday

Baby Billy Freeman x Fem!Reader

Summary: Baby Billy's on the search for his next co-star.

Warnings: Sex with that weird, old man (at the very end.) Religious trauma but with zero detail at all. If I refer to anything as "nonsense" or whatever, that's not about any religion and is only about the silly Gemstone activities.

Notes: Tiffany just doesn't exist here. I love her too much to write that she got left or something. This should've been two parts, but I promised we were gonna fuck him, so. We're also gonna ignore the Baby Billy body-double pp they show in the first episode. Don't even fucking act like that dastardly old man isn't packing.

"Five minutes, Y/N!" The angry stage manager screams backstage. You perfect your lipstick in the mirror and stand to straighten up your ensemble. You sing a few nights a week at a local lounge/venue for extra money. You're a local hit and it pays the bills.

Across the entire building, a man pays his way inside, tired after days of wasted effort. He sighs as he takes a seat, alone in a VIP booth. They're not cheap, but even if he hadn't sat there, anyone can tell he has money just from the way he dresses.

"Ladies and Gentlemen, tonight's entertainment." A smooth voice vibrates over the intercom. You gracefully file out onto the small stage, illuminated well by a single spotlight amongst the mood lighting throughout the lounge. The tired man taps a finger on his table, watching with boredom as he waits for his drink to arrive.

"I'm all out of hope. One more bad dream could bring a fall..." Your voice rings through the air like honey sweetens tea. The lone man at the VIP booth nearly gives himself whiplash with the rate at which he turns to face the source of the illustrious talent. You continue to sing your cover, and slowly he begins to recognize the song.

Your eyes meet his, as you do at every show to engage with the audience.

"It's easy to deceive. It's easy to tease," you slide your hands down your sides, swaying back and forth sensually for this verse. "But hard to get release."

The pianist serves as backup vocals, delivering the iconic lyrics: "Les yeux sans visage."

"Eyes without a face; got no human grace. You're eyes without a face." Your vocals swell and the man stares at you, inspired. His mouth hangs agape with a hopeful smile.

After you finish your set of five songs, you take a small bow and excuse yourself to the bar. The well-dressed man all but trips over himself as he scrambles to meet you over there.

"Double vodka cran, please, Henry." You tell the bartender and he nods, starting your order.

"That's some voice you got there, darlin'." The man appears next to you, smiling a large, white, evangelical grin.

"Thank you, I'm glad you enjoyed the show."

"Well, I more than enjoyed it. You got yourself a gift, now." The man extends his hand. "I'm Baby Billy."

"Baby?" You look at him, perplexed. He explains his backstory a little, insisting you should at least know who his sister is.

"You ain't never heard of Aimee-Leigh Gemstone?"

"Of course I have, I just don't listen to a lot of gospel." You shrug, truthfully hoping the conversation could end there.

"Well, darlin', do you ever sing gospel?" His eyes twinkle in the dimly lit bar area.

"I don't think that'd fare well for me here. This place looks fancy, it's costly to get in, but it's just a bar at the end of the day. No one wants to be preached to." You take a sip of your drink and he watches you closely, noting the pout of your lips as you press them to the glass.

"No, not here. Here." He lies a pamphlet out in front of you, sliding it closer along the bar. "I'm the head preacher at the new church in Locust Grove. Opens in a month."

"A man of God, huh?" You mumble as you skim over the pamphlet. "Does this gig pay?"

"God never asked us to exploit our talents for free." Baby Billy grins. You look him up and down. He's a walking red flag, but it's clear he's got money and as a broke woman on your own, you can never have enough.

"I'm free on weekends. I'll adjust my availability when I know you're serious." You say, stone-faced. Baby Billy hands you his card, passing it smoothly between his index and middle finger. You take it and stand from the bar, walking away, and disappearing into the green room to prepare for another set in an hour. He watches you, still sporting a wide smile as you stand. His eyebrows twitch in short-lived confusion. He pushes all that aside, only one thing matters now. He has his co-star.

Friday afternoon rolls around and Baby Billy attends your show, beaming at you from his expensive, empty VIP booth. He's practically got dollar signs for pupils.

"Friday is a weekday, Billy." You call over your shoulder as you excuse yourself to the bar.

"Baby Billy," he corrects, clinging to his childhood fame with all he has. "It's a brand, now. And who said I'm here for work? Can't a man just enjoy the show?" He follows you to the bar, taking a seat next to you.

"Well, did you enjoy it?" You turn to him with an amused smile. "The show?"

"It was even better the second time around."

"Thank you, Baby Billy," you say, with a knowing emphasis on 'baby.' "I guess I'll be calling you tomorrow, then."

"I'll be ready when you are, darlin'." He smiles warmly and you begin to wonder if you'll ever see him without that goofy, toothy grin stretched across his face.

Saturday morning, you're up, bright and early. You think nothing of the process of getting ready, throwing on a T-shirt and jeans along with various accessories you only get to wear on your days off, so you take every chance.

"This ain't a repeat of that... Lost soul you brought in last time, is it?" Eli settles back in his seat. He's sitting in one of the thousands of seats in the Gemstone Auditorium along with his three children, Judy, Jesse, and Kelvin. Baby Billy stands before them.

"No, damn, Eli. She's perfect for the job. She's got the face, she's got the voice, and most importantly, she's got stage presence." Baby Billy makes a grand case, convincing the Gemstone family that he's found an angel on Earth. Which is why it's all the more shocking when you walk in looking like an entirely different person than the woman he met at the lounge.

Everyone falls silent, they turn to face you as you walk through the door. The second you come into clear view, Judy Gemstone does a poor job of stifling a hateful chortle. Baby Billy meets you halfway, keeping you off to the side before you're front and center in front of everyone.

"The fuck you look like that for?" He asks with a peculiar sense of genuine confusion/ curiosity.

"I'm sorry, I didn't think it'd be a dress rehearsal." You narrow your eyes, placing a hand on your hip.

"When you called me this morning I thought I made it clear what kind of... Environment you might find yourself in." He waves his hands around as he says this.

"Is this an audition or did you scout me out?" You ask with a smirk, looking him up and down.

"Well, hear me out, now. Because if it were up to me, you're hired. But you need to hop up on there and prove to these assholes that I know what I'm doing."

"Playing dress up costs extra," You whisper. Without leaving time for him to respond, you walk ahead of him and confidently offer a handshake to Eli. The two of you become acquainted and he welcomes you to the stage.

As you step out onto the grand platform, it's awkwardly empty. You find yourself almost nervous, which is out of character for you. You've been performing since you were young.

"What am I singing for you today, Dr. Gemstone?" You ask, sensing a little bit of decorum could go a long way here.

"Looks like she's about to start blasting Rob fuckin' Zombie," Jesse, the oldest Gemstone son, quips under his breath. You narrow your eyes at him, clocking his appearance on the spot.

"I think I know what you wanna hear," you smile politely, pointing directly at Jesse. After a quick speed walk to the sound tech, you queue up the track for the song you've chosen. The music starts, and the two youngest Gemstone siblings burst into laughter. Even Eli chuckles.

"Hello, Darlin'. Nice to see you," you start. "It's been a long time, you're just as lovely as you used to be." The joke about Jesse's appearance quickly fizzles away as the Gemstones take in your voice. Baby Billy stands off to the side, gauging their reaction, absolutely elated.

"I told you he was trying to be Conway fuckin' Twitty," Judy whispers to Kelvin.

"Come back Darlin'. I'll be waiting for you..." You finish your song and take an unserious bow. You secure the job, and Eli even commends Baby Billy for finding you. After researching the Gemstones a little bit the night before, you quickly begin to realize how much money you could potentially make here.

"That was fantastic! That old fucker didn't think I could do it," Baby Billy gushes.

"And what did you do, just now?" You side-eye him.

"I found a star." He emphasizes his words with his hands. He's a charismatic and handsome man even given his older age.

"What's next? I'm sure this next month will be pretty busy with rehearsals." You laugh, already contemplating quitting your recurring lounge gig.

"Well, sure. We'll put in the work and all, but," he looks at you expectantly.

"What?" You ask, but he only gestures with his hand as if you should've caught on by now. "Oh, Baby Billy. I don't know if I'll be attending church tomorrow. I'm um, not a Christian."

"Huh," he says, dryly. You scrunch your nose, awaiting an uncomfortable lecture. "You work in this industry for so long, you forget some people aren't religious." He shrugs and you feel a sense of relief.

"I'm not busy today. Care to show me around the Locust Grove church? It's nice to know what I'm going into." He holds the door for you as you step out into the bright parking lot.

"I'd love nothing more." He grins.

At the Locust Grove location, you're wowed by the remodeled mall-turned-megachurch. He gives you the grand tour, specifying that you'd have your own area to get ready before each service.

"This is... A lot," you laugh.

"You're about to make it much more, darlin'." He ushers you up to the stage with him. "Let's give it a go, see how we sound together."

"What song are you thinking?"

"You don't know any gospel?" He peeks over his glasses at you.

"Not really," you shrug. "Well, I know Angel Band and I know Down to The River to Pray from that movie I like."

"Good fuckin' God." He sighs. "Down to The River." He counts off and starts the first verse. His voice is southern, crisp, and clear. You quickly decide in your head what fashion of singing would best compliment his. The chorus approaches and you ready your breath.

"Oh, sisters, let's go down. Let's go down, come on down," your voices melt together pleasingly. You can tell by the look on his face that he likes what he hears. The song ends for the two of you after that first chorus, that's all he needed to hear.

"It's about time something worked out for ol' Baby Billy," he shakes his head. "Now, the next matter to discuss is... Wardrobe."

"Yeah, I figured 'sunday best' would cut it, right?"

"Well, not quite." He leads you to a room past the storage area full of broken, useless mannequins. He walks up to a large armoire and pulls it open. Inside is one dress. It's wrapped in a layer of protective plastic that's done wonders to preserve it. It's campy and dated, though you can tell it was high dollar fashion for its time.

"Baby Billy, I'm not wearing this." You look at him, as if hoping he'll tell you he's joking.

"What? Why not? Now that was Aimee-Leigh's favorite dress," he glances back and forth from you and the dress.

"Okay and it's beautiful, but it looks like it's a hundred years old." You look at the striking piece of clothing again. "This is helpful, though. If this is the kind of look you wanna go for, I think I can make it work."

The two of you spend the rest of your time in the unopened church getting acquainted. You find him charming and entertaining. He finds you beautiful and unintentionally hilarious. You make him laugh often. It's like his own personal ray of sunshine on his shoulder.

It's late when you head to leave. You hardly noticed how long you'd been there. As you open the door to the dark parking lot, you turn to bid Baby Billy goodbye.

"Well, hold on, now, darlin'. Let me walk you to your car." He follows you out the door and to your vehicle. You roll the window down to thank him for the job, pulling your seatbelt over your head.

"I'll see you...?" You wait for him to tell you what day he plans to start practice.

"Monday afternoon, if you can make it." He places a hand on the roof of your car. "Now, listen. I know you ain't the religious type-"

"I will see you Monday, Baby Billy." You interrupt before he has the chance to invite you to church tomorrow. He shrugs, waving to you as you drive off.

That night, as you shower, you wonder if you were too rude with your rejection of his invitation. After all, you grew up going to church. Certainly not a mega church, but a church regardless. It's not a chapter of your youth and adolescence that you hold dear, hence your inclination to stay away from it all.

You set an alarm and wake up early Sunday morning... To get ready for church. You take this outing as a chance to demonstrate to Baby Billy and all the Gemstones that while your personal style may not mesh with their vibe, you've always had a way of blending in.

You put on a white dress with statement sleeves. Something to play off of the whole "voice of an angel" shtick. After perfecting the rest of the look, you leave with a satisfied smile.

You walk through the large double doors to the "Gemstone Worship Center" and look around. It's needlessly gigantic and overwhelming to take in.

"Y/N, is that you, darlin'?" Baby Billy's voice grounds you back on Earth. You turn to face him and he raises his eyebrows, shocked by your range of appearances. "Don't you look pretty this morning?" He grins, admiring your pearly glow in the white garment. He's elated to see you there. Not because he thinks you need church, but because he wanted to see you.

He introduces you to a few colleagues, and even Eli Gemstone reintroduces himself, shocked to learn you're the same woman from yesterday.

"Who is this with you today?" A tall, bald man with a thick African accent asks with a warm smile.

"Now, this is my girl, Y/N," Baby Billy gestures to you like a grand prize. Something about the title "his girl" makes your stomach flip, and you're not sure how you feel about that. "She'll be performing with me at Locust Grove."

The theatrical, pretentious service is long, loud, and feels uncomfortable the entire time, so it's hard to keep your mind and eye from wandering to anything else. Often, you glance at Baby Billy. He's brought you to his seats in the front area, so it's hard to drown the music out entirely, but everything does seem to muffle when you're staring down the white-haired enigma of a man before you.

After service, Baby Billy invites you to join the family at a restaurant called Jason's. You're hesitant at first, but Eli insists. When you arrive, the Gemstones are escorted to a level above the restaurant to a private section for their own VIP dining experience. It's frivolous to you, but it's nice to do something different for once.

After church lunch, the entire group congregates in the parking lot, saying their goodbyes and making promises to see each other next week. You smile politely, though a bit awkward, as you don't really know anyone besides Baby Billy.

"Nice get up, Rob Zombie." Judy Gemstone appears beside you, seemingly complimenting you, but she's just as confused as you are.

"Thank you, Judy. I just wanted to show that I know how to fit into a crowd."

"Yeah, well. You're not so bad, up there, on stage." Her tone sounds like she's accosting you, but her words sound genuine. As if she's not sure how to... Just be nice without intimidation tactics. "Singer to singer, don't let Uncle Baby Billy ride your coattails too hard." She struts off, linking arms with her husband and loading up into their lavish vehicles.

You feel a sense of comfort now, knowing Judy is just like that. It's nice to know you have another woman in the mix that you can look to as an acquaintance. Slowly, but surely, you find yourself melding into the atmosphere that follows people like Baby Billy around. You begin to feel more comfortable around the rest of the church leaders, though you realize rather quickly that there isn't much talk about God. It's nice.

As the weeks go by, you meet up with Baby Billy for practice every day. It's not the schedule you meant to give him, you just find yourself wanting to see him more and more. You delight in the strange way he talks and his charming mannerisms. You also think it's really funny when something goes wrong and he's suddenly not grandpa sunshine anymore, and he's kicking a speaker calling it a dick.

As the rehearsal window comes to a close, you and your co-star are inseparably close. On more than one occasion, one of you has slipped up and gotten a little too comfortable.

"Baby Billy, why does the mirror say something about washing my hands keeping me safe from Satan?" You ask, returning from the restrooms.

"That was song lyrics from back in mine and Aimee-Leigh's day," he laughs.

"Well, how do clean hands keep me safe in the eyes of the Lord?" You furrow your brow, in disbelief that anyone could believe this. Baby Billy is tinkering with the stage lights as they two of you converse.

"Well," he says, still messing with the light. "Just like those hands can commit sins, they can be washed clean by his mercy." He chuckles as if he already knows he's going to overstep. "Those look like sinner hands to me, darlin'." He winks.

"Sinner hands?"

"Ain't you ever done anything with those hands? Something the Lord might not smile upon?" He continues with his back to you, finally flicking on the light after his adjustments. Your face is hot and red with the realization of what he meant.

"Oh, yeah. I guess so." You shrug. Baby Billy turns to face you, taking a few steps closer. He's a good deal taller than you, so his lanky frame looms over you in a way that makes your stomach flip. He's barely a foot away, smiling down at you.

"You guess so," he repeats, tilting his head and grinning, letting the silence thicken for a moment. You give up on trying to fight back the blush in your cheeks, there is no way around it.

"Well, I guess let's get back to it," you clap your hands once in front of you as if to break up this moment and you take your position. Baby Billy just laughs and leaves you with a lingering confusion. The rest of the day, you can't seem to keep your head clear. A flip has switched and you find yourself lusting after this televangelist old man.

The two of you wrap up rehearsals for the day, but instead of leaving, you linger behind a little longer. You're unsure if it's nerves telling you to practice more, or if it's just you wanting to be around him.

"Next week is opening day," Baby Billy grins. The excitement is clear on his face with that brilliant, big smile. He takes a seat next to you and you both face the large, beautifully lit and decorated stage.

"That fast, huh?" You chuckle, trying to laugh away the knot in your throat so you don't have to swallow it.

"You're gonna be great up there," he says, catching you off guard. He seems to have mistaken your unexpected attraction as pre-show nerves. "Right next to ol' Baby Billy Freeman. This is a big break for you."

"Oh, it is?" You laugh.

"Look, I'm serious, now. The right ears hear us and we're signed and touring," he snaps his fingers. "Like that!"

"You sure you could handle being on the road with me? I'm kind of a diva," you joke. "If I don't get my beauty sleep, I look like a dead bug and I'll hit someone." Baby Billy bursts into laughter.

"I don't think a lack of sleep or even a semi-truck could deter what you've got goin', sweetheart."

"What do you mean?" You ask through a laugh.

"You're a looker, darlin'. You walk into a room and draw everybody's eye." His hands are animated as he speaks.

"Oh, yes. Flattery will get you everywhere," you laugh, lightly shoving his arm playfully.

"I mean it, now. You the prettiest girl I know." He shrugs.

"You're not so bad yourself." You smirk, leaning closer to him than you realized. He notices the closing gap and can't help himself, he leans toward you as well. Time seems to slow down just for a moment as you two share this closeness.

He glances at your lips, and then back up to your eyes. Your heart begins to race before the sudden, loud crash of the stage light Baby Billy messed with hitting the stage with great weight. You both sit up, startled by the sound, jumping away from the close quarters you'd just been in.

"Oh, uh," you regain your grip, realizing what poor business practice has just nearly taken place. You've fucked your boss before. You know it doesn't end well... "I should get going."

You stand and readjust your skirt, smiling nervously as you start toward the door. Baby Billy stands too, hopelessly searching for his next sentence, but for the first time in his life, he seems unable to find the words.

"Same time tomorrow, darlin'," he calls out to you as you step out the door. He takes a step over to the stage, sitting down and exhaling a big breath. What an old fool he'd have to be to think you'd want anything to do with him when you're so young-spirited and beautiful? Will that stop him? No. It won't.

The last few days leading up to the grand opening are full of those small, close encounters. One day, you tripped during dance practice and practically landed in his arms. You two locked eyes and it would've been done for right then if a janitor hadn't walked through the stage door. Another time, you were high up on a ladder, making Baby Billy hold it steady out of fear. The entire time you're above him in your dress rehearsal skirt, he can't seem to fight the perverted urge to glance up. When he does, he nearly loses his bearings. His face ignites red and he can't help but smile ear to ear.

It's no secret to either of you that some kind of tension has been brewing. Even the Gemstone siblings share a look of confusion when they see you two forget anyone else is in the room. Neither of you seems to notice how long your eye will linger on the other.

The Sunday of the Church's debut sneaks up on you after the last few days of having nothing but Baby Billy on the brain. You're less nervous about performing and more nervous about seeing him again. It's as if every time you two come together, the palpable tension in the air becomes thicker. You're certain you'll lose the ability to breathe the air around you if it gets any worse.

"You ready to make some magic, darlin'?" An excited Baby Billy startles you as he intrusively enters your dressing room.

"My God, don't you knock? I could've been naked," you laugh, perfecting your makeup in the mirror.

"I don't think you'd hear any protest from me, sweetheart." He winks and makes a quick getaway. To be honest, he wasn't quite meaning to say that part out loud. You're left red-faced and pleasantly shocked. The comments between the two of you have been growing more bold by the day, but that one takes the cake... So far.

You get dressed in your opening night outfit. It's a bit different than the one you wore to rehearsals. It's nicer, fancier, flashier, without all the dated glitz of Aimee-Leigh's 80's-esque dress that Baby Billy attempted to lend you.

It hadn't occurred to you that Baby Billy hadn't seen this outfit of yours. But his beaming, smiling face when the two of you step out in front of the crowd from opposite ends of the stage gives you a needed stroke of your ego. He holds an arm out to you, inviting you to his side as he introduces you and himself. It was established early in the arrangement that he'd do most of the talking, so you put on your best "quiet and pretty" act. You clap when the crowd claps, and you throw your hands up in "praise" when it seems appropriate.

Anyone who'd met you before this performance is genuinely confused by who they're watching right now. They expected you to give a hell of a singing show, they didn't expect you to play the full part so well. As you told them, you know how to blend in. The surge of energy that comes with any performance this in-depth carries you throughout the whole service.

With each song you sing, with or without Baby Billy, you cannot stop yourself from looking at him, over and over. Fuck the tension, something is building up inside of you and the adrenaline of the stage is only making it worse, for both of you.

Baby Billy bids the crowd farewell and you give a gentle wave as the two of you exit the stage, arm in pining arm. The very second the stage exit door closes behind you, muffling the sounds of the cheering and dispersing crowd, you and Baby Billy fall still, silent, and stare at each other for barely one breathless second and then your lips are on his. You both stumble for a moment before he steadies you, pressing you up against the nearest wall.

"God damn, Y/N," he whispers between hungry kisses. You pull away for just a second, just enough time to ask a question.

"My dressing room or yours?" Baby Billy answers that inquiry by reconnecting his lips to yours and guiding your intertwined bodies to his dressing room. It's the closest. The two of you stumble through the door and straight to the lengthy couch meant to make the room look more glamorous. He lies you back on the cushions and his two careful hands begin to wander.

"Darlin, you look incredible in this get-up," he huffs. "But I can't wait till I get it off of you." He quickly unfastens the buttons of your blouse and groans roughly just at the sight of your lacey bra-clad breasts. Soft, breathy moans escape your lips over and over as he gropes at you and grinds against you. "Now, you don't mind where this is goin', do ya?"

"No, shut up," you chuckle, pulling his mouth back to yours. Your hands rake through his hair and find their way down to his expensive, flashy belt buckle. He sits back on the couch, legs hanging off with his Italian leather shoes resting on the floor. He spreads his knees and you take your position between them. You're breathless with excitement as you free his erection from his slacks. The moment you wrap a hand around his shaft, you feel him still growing harder in your hand.

"God damn it," he sighs, tossing his head back against the couch. He wraps one hand in your hair, guiding your lips toward the head of his cock. "Come on, now. Don't make me beg for it." You chuckle at his eagerness, but you do as he says, wrapping your lips around his tip. Baby Billy sighs with relief as you slowly welcome him into your mouth. He gasps as you press your nose to his waist, taking his full length in your throat.

You bob your head up and down, still riding an adrenaline high that's enough to power through even the worst of neck cramps. He calls out small exclamations and whispers sensual praise, all of which makes the heat between your thighs burn hotter.

His moans become more and more vocal until he roughly pulls your head away, jerking you by the hair. You gasp at the pain, but it only fuels your fire.

"Get on up here, now. Let an ol' man get his kicks," he quips, helping you out of the floor before you take your place, lying before him on the couch. He buries his face in your neck, kissing away up and down your flesh as he continues undressing you. He unfastens the rest of the buttons on your blouse, slipping a hand under your bra and squeezing your breast eagerly.

"Come on, don't make me beg for it," you mimic his words, sliding your skirt up your legs, and exposing your panties. They're wet with arousal and he grins at the sight.

"I might just like to hear a pretty young thing like you beg to get fucked by the pastor." He grins deviously, pressing a gentle hand to your clit over the panties. "All this for me?" He chuckles, basking in the effect he has on you. After what feels like ages of teasing and edging, he slips the drenched underwear from your legs. The white-haired man stares in awe at your throbbing core, extending a hand to play with you.

He slips one digit inside you, earning a filthy, needy moan from your chest. Your mouth hangs agape with a gasp as he pumps his finger in and out of you, staring deeply into your shining eyes. He shakes his head, amused by his power over you and also in disbelief at the position he's in at this moment. Just a month ago you were a stranger with a beautiful voice on a stage he'd never taken a second look at. Since then, you've been the object of all his desires. How could he ever imagine you'd feel the same?

"Oh, my God! Please," you whine, arching your back as he fingers you. He chuckles, unsure how he's holding himself back. It must be how much he's enjoying the show.

"Shhh," he whispers, adding another finger. Guttural moans of heated pleasure pour from your lips like a waterfall. He eats up every second of it.

"You're doin' real good, now, darlin'." He positions his twitching erection at your aching entrance, playing with your arousal with the head of his cock. "Keep being good for me," he says as he slips himself inside. A long, needy cry escapes you as he slowly sinks to his hilt.

You stare up at him, locking eyes as his mouth hangs slightly open. He's breathless as your tightness squeezes him just right.

"Aw, damn, sweetheart," he groans, pulling back only to quickly slide back in. "You're somethin' else." He grunts and moans as he thrusts in and out of you, hastily picking up his pace. For an older man, he's incredibly virile. He fucks you for what feels like hours but is surely only a handful of steamy minutes. You squirm and whine beneath him as he steadily guides you to your climax.

"I- I'm-" you try to speak, but it's too late, he's fucking you into oblivion, riding out your high with a bright white, goofy smile on his face. He loves watching your face contort as you soak him with your orgasm.

"I hope you ain't done yet, sweetheart," he chuckles, sliding out of you. "Flip on over, now, darlin'. Let me get a look at that perfect ass you got." His praise ignites a wave of goosebumps across your skin. You do as he says, turning over and assuming a position on all fours, presenting yourself to him perfectly. He releases a breathy laugh, slapping both hands down on each ass cheek.

Baby Billy tightens his grip on your glutes and fervently tugs at you until you're lined up with his swollen cock. He slips inside you again, thrusting away at maximum pace. Your ass jiggles as he slams into you and he's hypnotized by the sight. His goofy grin has fallen to a serious expression as he chases his climax. He mumbles curse words and praise under his breath while pressing your back downward to amplify your arch.

"God damn, just look at you," he huffs, coming closer and closer to completion. "Whatever you want, Y/N, just say the word," he grunts between heavy breaths. "And it's yours, darlin'." You laugh at the way he offers you the world just from how good he feels inside you. It's a high compliment.

"B- Ba-!" You attempt to beg for mercy, but he's quick to cut you off.

"Shh, shh, now, sweetheart. Just... A little more," he groans, quickening his thrusts as he ends his sentence. He slams into you impossibly hard, incredibly fast, with both hands hooked around your waist. You release sensual cries of pleasure as he chases and finally catches his climax.

He withdraws from you, breathless and sweating. A string of lusty moans drips from his lips as he strokes himself until he finishes all over your ass. He stutters out a grunt before collapsing back on the couch. You're breathless, fucked out with your face buried in the cushion. The two of you fall silent for a moment as you catch your breath.

"Baby Billy?" You break the silence.

"Yeah, darlin'?"

"Could you pass me, um, a towel?"

"Oh!" He scrambles to his feet, tucking away his softening length. His unfastened belt jingles as he makes his way across his dressing room and grabs a towel from the neat, little stack of hand towels. "Allow me," he whispers, still catching his breath, as he wipes your skin clean, allowing you to comfortably collapse as well. He joins you on the couch, buckling his belt and straightening up his suit.

"That was... Amazing..." You sigh, somehow a little shocked at how well he just fucked you.

"It certainly was, Y/N. It certainly was." He lies back on the couch, allowing his eyes to fall shut. A hand reaches up to fix his disheveled hair. "Let's get them drawers back on you, now. We're late for Church Lunch."

You regain your composure and fix your clothes, sliding your panties back up under your skirt. After fixing your hair and your smudged makeup, you're ready to head to Jason's. You and Baby Billy arrive a few minutes after everyone else, and you take your seats next to each other. The table seems to grow quiet when you two join.

"Don't everybody start talkin' at once, now." Baby Billy looks up and down to both ends of the table. "What'd we miss?"

"From the sound of it, you didn't miss anything, Uncle Baby Billy," Judy scoffs. Baby Billy gives you a knowing look, grinning at you sweetly.

"No, Judy, I did not." He beams, proudly, placing an arm around your shoulder and planting a kiss on the side of your forehead.

•••••

Taglist: @justme12200 //

[annoyinglandmagazine]

You know that whole scene with Klaus reuniting with Punch and Judy/ Adam and Lilith? That already gives me so many emotions but I ended up accidentally making it worse with headcanons about their previous relationship that I hope at some point will make it into a fic:

Bill and Barry never really grasped the way constructs were treated outside of Mechanicsburg. They don’t really get the concept that something like that could matter so much to people, that they would actively view people as less than human for a few stitches or an extra limb. That the insanity of Mechanicsburg could actually be an improvement on the rest of the world that supposedly cared about morals in this one thing that they’d never even questioned before.

They try, they really do, they get righteously furious about it every other week, but they never really get it. They’re more confused than anything when Klaus and Judy tell them they should be the ones to ask for boarding while travelling anonymously because they’re less likely to be turned away.

They don’t notice that Punch and Judy take certain adventures more personally than the rest of them do, the way they went all still when hearing a monologue about constructs taken as ‘spare parts’ by Sparks that insist it doesn’t count because they’re not people anyway. Even worse the supposed ‘heroes’ they work with to take down rogue Sparks and then turn around and insist that the job isn’t finished until they purge the area of the Spark’s creations as well.

They’re complaining about their professors and Klaus explains why he dislikes one of them by casually bringing up that he had a pet theory of a ‘sliding scale of humanity’ and he once derailed a lecture by trying to place Klaus on it. They are horrified and murderous and Klaus becomes the first person to marvel at how sheltered someone was growing up in Mechanicsburg.

So there is always a certain connection between Punch, Judy and Klaus over this in particular because they know that Bill and Barry can’t possibly understand. Not like they do. And it’s important, to Punch and Judy entering an outside world for the first time and having it reject them even as it grows used to and even welcomes the Heterodynes but not them, never fully. Heterodynes can redeem themselves with enough determination but how can you redeem yourself when your only crime to begin with was existing?

It’s important to Klaus who knew relatives and friends who looked like they had to force themselves to say his name without flinching because they didn’t really believe it was him they were talking to. University was a fresh start but it took years for him to break the nervous habit of adjusting his cuffs and collar to cover his skin because it was just exhausting to watch the way people changed once they noticed.

Sometimes they talked about it but most of the time they’re just there for each other and that’s enough. Also they’re all way more willing to get into a fight on someone else’s behalf than their own so it gives them a nice opening to beat the shit out of bigots.

On an unrelated and slightly less angsty note I also think that Punch and Judy were sort of the mom friends of the Heterodyne adventures. They got into the habit of spending a considerable amount of their lives trying to make these insane twenty somethings get some rest every now again and the rest of it complaining (Punch naturally had a sign language that the Boys may have invented specifically for him but communicated perfectly adequately through Looks as well) the constant, stupid risks they took to their own lives.

When it became clear that they couldn’t have children Bill and Barry couldn’t feel more terrible about it, they spent ages trying to come up with a solution but couldn’t imagine one where there was an ironclad guarantee of no amnesia. Klaus suggested adoption since they were so good with the orphans they came across but, though it wasn’t ruled out, Judy half jokingly made comments about how she was busy enough with ‘her boys’ anyway so she didn’t need children for now.

Klaus finds it easiest to talk to Punch sometimes because he really listens and waits until he’s finished speaking to offer input when it’s wanted (it usually isn’t). He’s also exceptionally good at reading non verbal cues which is helpful because Klaus always had some kind of allergy to talking about anything personal.

Judy knows about Lucrezia and Klaus. She’s fairly certain Bill is the only one of them who doesn’t. She personally thinks both of them would be a lot better off with someone else, anyone else really. She distrusts something in Lucrezia’s eyes when she’s around them, calculating and almost predatory, but then both of them had unusual ideas of what constituted romance. She doesn’t like it but she doesn’t say anything. Years later she’ll wish she had.

When Punch and Judy hear that Klaus is back from the dead and annihilating all the warring nobility’s armies that cross his path they think ‘Well something else is clearly going on there but that does sound a little like what Klaus would do if he went off the deep end to be perfectly honest.’

They find out he’s conquering an empire and that sounds a lot less like Klaus. Then Barry returns in a complete panic, holding his niece like a lifeline and talking about how Klaus is working for the Other.

It’s a struggle to even contemplate it, the same Other that killed Bill’s infant son and most likely Bill as well, the Other that destroyed the Wulfenbach barony and massacred its people, including Klaus’ own parents, the Other that ravaged Europa sending it into a state of utter chaos. They know Klaus. They’ve known him since he was reckless eighteen year old who just wanted to make the world a better place. They know him.

But…… A few months ago they would have said the thought of subjugating the continent would never cross Klaus’ mind, that he’d never do something like that. He wasn’t that kind of Spark. On their bad days the boys used to talk about what would happen if either of them ever crossed ‘the line’ and though they’d all reassured them that they never would Klaus had promised in complete sincerity that he wouldn’t let them.

No one had ever thought that Klaus might need to have a line. He never even properly lost control of a fugue, he didn’t forget morals in the heat of the moment, every decision he made he’d stand by years later as the right one. He took things further than the boys sometimes but that was because he’d concluded it was for the best and he didn’t need a strict code the way they, still wrestling and redirecting those Heterodyne urges inside them, did.

They also knew Barry and he wouldn’t ever be able to believe something like that if there’d been any other explanation. Barry had known Klaus too.

Basically I’m never going to get over the tragedy that is this group of people because they were friends! They were probably the first real friends any of them had had! They were so young and optimistic and they decided they were going to start fixing things because no one else would. They thought the world could get better and people deserved second chances and for a while it actually worked and it meant something and then it blew up in their faces.

Everything falls apart worse than it was when they started, they lose everyone close to them and they wonder if the world was ever really going to change at all. When the era of the Heterodyne Boys comes to an end they don’t face it together the way they always thought they would if they failed. It ends with all of them are separated and so disillusioned that they’ll believe that even their closest friends would betray them and humanity in the worst way possible.

[primerockroast]

[keefechambers]

Kelvin Gemstone's Big Gay Emotional Journey

[twixnmix]

Ebony magazine covers from 1963

[high-potential]

High Potential | 1x03 Dirty Rotten Scoundrel Episode Stills (Part 2)

[idasessions]

Jewish girl angst: a trilogy

[simplegenius042]

Late Music Monday and Partners-In-Law Meme

Tagged by @imogenkol

Tagging @socially-awkward-skeleton @aceghosts @noodlecupcakes @direwombat @voidika @la-grosse-patate @inafieldofdaisies @cassietrn @adelaidedrubman @shellibisshe @josephseedismyfather @icecutioner @derelictheretic @shallow-gravy @strangefable @rhettsabbott @josephslittledeputy @cloudofbutterflies92 @skoll-sun-eater @carlosoliveiraa @g0dspeeed @wrathfulrook @afarcryfrommymain @strafethesesinners @turbo-virgins @raresvtm @softtidesworld @starsandskies @ladyoriza @florbelles @minilev @yokobai @thewanderer-000 @omen-speaker @justasmolbard @alypink and @sledge-in-space + anyone who'd like to join.

Late Music Monday, songs for characters from The UnTitledverse, The Silver Chronicles and Life, Despair & Monsters. Not in that order though. Partners-In-Law Meme for my V, Judy and River. Songs and template below the cut:

Welp, here I go rambling about the parallels of Silva and Paul once more. Alright so, I think by now we've mostly gotten well-aware that Silva (and Paul) have not had good experiences in regards to religion. Most certainly due to the fact they were both born in a cult that abides by puritanism and fascist beliefs, which, by the time of Paul's birth, also gained a militaristic mindset with the introduction of the Enforcers when Adam took charge as their Prophet. The Congregation of Adam's Guard, on surface level, preaches and demands virtue and righteousness from its followers, to effectively become morally pure under their Prophet's watching eyes, especially if they wanted to see Paradise after the world falls to the Collapse when all seven Frozen Omens melt. To not adhere to or display any other qualities other than their "norm" was punished with extreme force, and by the time Adam came into charge, with death. Which explains why under the surface of the cult's message, is a foundation rooted in colonialism and xenophobia, tied up in a bow of hypocrisy that is used to justify all kinds of depraved and heinous actions the Congregation and their Prophet allows. Silva and Paul are both victims of the Congregations persecutions and discrimination. Both had been under the God-fearing foot of the Congregation, with Paul being amongst the segregated Tumultites and Silva enduring under Adam Omar's terror. Both Silva and Paul eventually reject the Congregation, (a) because the Congregation wants them dead, (b) long-term wise, especially under Adam's tyranny, the Congregation and the society it has built through fearmongering cannot survive the inevitable collapse from the insufficient resources that protects them from the environment and the spark of rebellion due to the less fortunate citizens living under the pressure of becoming "pure" and (c) the Congregation sucks. Silva and Paul instead adopt the Tumultite community's values and beliefs, especially of their first revolutionary leader, Jannah, who Paul especially aspires to be like. Finally, Paul and Silva, once in the modern world, while not believers in the predominant religions (especially in America), do not hold any ill-thought towards such groups; Silva rather admires some of the lessons spoken and wishes she could have the same comfort that their God gives to others, meanwhile Paul is only hostile to people who hide behind God to harm and oppress others... otherwise he's pretty agnostic to the whole thing. One things clear though; their experiences with the Congregation had irreversibly shattered their perceptions of being able to seek any kind of comfort under any deity, especially with the associated pain that haunts them to this day. The song below can fit either one of Silva or Paul or even both.

"First things first I'ma say all the words inside my head I'm fired up and tired of the way that things have been, oh-ooh The way that things have been, oh-ooh

Second things second Don't you tell me what you think that I could be I'm the one at the sail, I'm the master of my sea, oh-ooh The master of my sea, oh-ooh

I was broken from a young age Taking my sulking to the masses Writing my poems for the few That look at me, took to me, shook to me, feeling me Singing from heartache, from the pain Taking my message from the veins Speaking my lesson from the brain Seeing the beauty through the...

Pain! You made me a, you made me a believer, believer Pain! You break me down, you build me up, believer, believer Pain! Oh, let the bullets fly, oh, let them rain My life, my love, my drive, it came from... Pain! You made me a, you made me a believer, believer

Third things third Send a prayer to the ones up above All the hate that you've heard has turned your spirit to a dove, oh-ooh Your spirit up above, oh-ooh

I was choking in the crowd Building my rain up in the cloud Falling like ashes to the ground Hoping my feelings, they would drown But they never did, ever lived, ebbing and flowing Inhibited, limited till it broke open And rained down It rained down like...

Pain! You made me a, you made me a believer, believer Pain! You break me down, you build me up, believer, believer Pain! Oh, let the bullets fly, oh, let them rain My life, my love, my drive, it came from... Pain! You made me a, you made me a believer, believer

Last things last By the grace of the fire and the flames You're the face of the future, the blood in my veins, oh-ooh The blood in my veins, oh-ooh

But they never did, ever lived, ebbing and flowing Inhibited, limited till it broke open And rained down It rained down like...

Pain! You made me a, you made me a believer, believer Pain! You break me down, you build me up, believer, believer Pain! Oh, let the bullets fly, oh, let them rain My life, my love, my drive, it came from... Pain! You made me a, you made me a believer, believer!

Eden "Evie" Bloodleech, formerly known as Evie Jackson, was picked up and became an experiment for Sir Enigma Malvolio. Unfortunately, she survived the process and became one of his rare human successes, which was a mindset that was further encouraged by her apparent likeness for her "rebirth" and led him to continue his absurd quest to evolve humans to a level he sees as perfect for them, allowing Evie to officially join the Ruins of the Midnight Rise as both a valuable member and a prized success story. He sent her out in his stead for diplomatic purposes, allowing her to use her abilities to charm potential investors and allies to further his illicit research. Eventually she was sent back to her original universe in my An Invite To Wine And Dine WIP (set in The Invitation) to infiltrate the Alexander Family in order to dethrone Dracula and take the three families he held control under her wing... or rather tendril. And... she's rather a show-off (byproduct of being one of Malvolio's rare favorites I guess):

"There's only two types of people in the world The ones that entertain, and the ones that observe Well, baby, I'm a put-on-a-show kinda girl Don't like the backseat, gotta be first (Oh, oh) I'm like the ringleader, I call the shots (Call the shots) I'm like a firecracker, I make it hot

When I put on a show I feel the adrenaline moving through my veins Spotlight on me and I'm ready to break I'm like a performer, the dance floor is my stage Better be ready, hope that you feel the same

All eyes on me in the center of the ring Just like a circus When I crack that whip, everybody gon' trip Just like a circus Don't stand there watching me, follow me Show me what you can do Everybody let go, we make a dance floor Just like a circus."

And finally, a I'm sure I've used before, but am gonna do it again because "I'm So Sorry" not only slaps, but fits the main antagonist of The UnTitledverse's first saga, Edward Carmine, quite well, if you squint. He's a menace to society and should not be in charge of any leadership roles, even as a CEO. Edward's the type of man to burn all his bridges and blame a child he manipulated for it. Diabolical man that just won't get the hint and stay dead. Extremely petty and arrogant, as antagonists like him should be. By far, amongst one of my favourite antagonist OCs (though that's probably because he's one of the first ones to be developed). Listen below:

"About time for anyone telling you off for all your deeds No sign the roaring thunder stopped in cold to read (No time) I get mine and make no excuses Waste of precious breath (No time) The sun shines on everyone Everyone, love yourself to death

So you gotta fire up, you gotta let go You'll never be loved till you've made your own You gotta face up, you gotta get yours You never know the top till you get too low

A son of a stepfather A son of a, I'm so sorry A son of a stepfather A son of a, I'm so sorry

No lies and no deceiving, man is what he loves I keep tryin' to conceive that death is from above (No time) I get mine and make no excuses Waste of precious breath (No time) The sun shines on everyone Everyone, love yourself to death

So you gotta fire up, you gotta let go You'll never be loved till you've made your own You gotta face up, you gotta get yours You never know the top till you get too low

A son of a stepfather A son of a, I'm so sorry A son of a stepfather A son of a, I'm so sorry

Life isn't always what you think it'd be Turn your head for one second and the tables turn And I know, I know that I did you wrong But will you trust me when I say that I'll make it up to you Somehow? Somehow?"

And lastly, a Partners-In-Law meme for my V (actual name Min-Ji "Vasilisa" Choi), her new partner Judy Álvarez and her amicable ex River Ward. [Note: I'm assuming affection refers to their feelings for their mutual partner. Also I never romanced River and am just taking taking whatever information I can recall or from the internet in regards to his preferences and sexuality and the information I've found (especially the wiki compared to everything else) is quite conflicting so I'm going with Bi-curious]:

[ufonaut]

It's like listening to squirrels... on a sugar high.

Jay Garrick: The Flash (2023) #3

(Jeremy Adams, Diego Olortegui)

[ultrameganicolaokay]

Jay Garrick: The Flash #1 by Jeremy Adams and Diego Olortegui. Cover by Jorge Corona. Variant cover by Serg Acuña. Out in October.

"Spinning out of the events of Stargirl: The Lost Children and Justice Society of America, Jay Garrick is reunited with his long-lost daughter, Judy. After being pulled from the timeline, Judy returns to a world where she and her dad aren’t the only ones that ride the lightning, but is there enough space for her in Jay and Joan’s life? And can they keep up with their teenage daughter and make up for lost time?"

[annoyinglandmagazine]

It’s kind of interesting to me that Bill, Barry and Klaus seemed to all undergo a dramatic change from being fairly lighthearted adventurers having the time of their lives and helping people to terrifyingly controlled killing machines over the same space of time even if it’s through different circumstances.

Klaus definitely seems to think that the Heterodyne Boys would never approve of what he’s doing and that they’d find another way if they were there. And they probably wouldn’t be immediately on board but I think what Klaus is forgetting is that Bill and Barry changed too.

He seems so shocked that Barry didn’t trust him enough to come to him and the thing is, while Barry was probably shown some fairly compelling evidence, the chances are that after everything he went through and the revelation that Lucrezia betrayed them he was in a headspace where he could be made to doubt anybody.

Now who does that sound like? Someone becoming paranoid as fuck of everyone around them due to general trauma plus trust issues caused by Lucrezia and the world in general that they thought they’d helped only for it to then turn back to tearing itself apart as soon as they’re gone.

The paranoia heightened exponentially by the need to protect the child that is the only good left in their life while being convinced (not entirely incorrectly) that everyone is out to take them from them and maybe they could afford to go about things differently if it was only their life at stake but they aren’t taking any risks with the child’s.

Klaus is so certain that he’s compromising on morals because someone has to and that because Bill and Barry were perfect heroes who’d never hurt anybody they didn’t absolutely have to if they were around they’d insist on a more gentle approach but this wasn’t Klaus’ approach the last time he saw them.

Klaus himself changed no matter how much he seems to have rationalised that this was always ‘his way’ but he seems unable to understand, based on his reaction to Adam and Lilith, that his friends aren’t the same people he left behind either, they’re mistrusting, they jump straight to conflict and they will do absolutely anything to protect Agatha the same way he’d do absolutely anything to protect Gil.

(I don’t think Adam and Lilith were in the wrong in any way, they were just operating on extremely incorrect crucial information and acting accordingly, exactly like Klaus is for the entirety comic! There is a very important parallel to be had there!)

I’m not entirely sure that Bill and Barry wouldn’t do the kind of things Klaus does if it was for Agatha’s safety (*cough* locket/overlay parallel *cough*) but to Klaus believing that would actually be worse.

He knows he’s effective but he doesn’t think he’s a good person and it would disrupt something very fundamental for him if he couldn’t say definitively that Bill and Barry were completely good in all the ways he isn’t.

To him Bill and Barry are the same optimistic young men he knew before everything went south who’d always look for a solution to spare as many lives as possible just like he can’t afford to, who’d obviously come to him if they were there because they look for the best in people just like he doesn’t know how to anymore.

And when Barry heard that Klaus was back I bet that he needed to believe that Klaus at least had stayed the same. Except he didn’t and Barry didn’t, none of them did.

[multi-muse-transect]

Siding With Reed In A Nutshell

V: This is the worst day of my life.

Songbird controlling the knockoff EMMI: The worst day of your life so far.

[nadezhda-wexler]

@pscentral event 19: Music

[leletha-jann]

Headcanon to no particular purpose: Barry Heterodyne was ace as all get-out.

Just wasn't interested. Never was, was never going to be. Barry wanted to have adventures and build contraptions and constructs. He wanted to see the world. He wanted to not be his father. He wanted to maybe keep his brother from hurling himself off every cliff once in a while. He wanted to meet people who didn't automatically hate him for the bloodline he came out of. He did not want to have sex with any of them. Ever.

The world was very big, and Barry had so many other things to do anyway.

When they were teenagers, Bill hit the realization "hey...people can be cute" like a battering ram besieging a citadel. Barry got lost on the way to the siege and was too busy enjoying the scenery to notice or care. He thought his big brother was out of his head for years until he'd checked with enough people to confirm that no, that was the expected behavior, actually. And then he thought everyone was out of their heads. (Not an unreasonable assumption, in Europa.)

One of the first times he met Lucrezia, she made a pass at him out of pure reflex, and he just straight-up did not notice. Missed him by a mile. Lucrezia took it personally, like an insult. She never got over it.

...actually, Bill and Barry went up against a fair few number of Sparks who thought flirting with them might distract them from whatever crusade they were on this time. Barry was always the one to go: "Nope. Trap. Of course it's a trap, Bill. I was right about the last seven times, and I'm right about this one too."

Maybe five people ever knew this, and one of them was Barry himself, and two of the others were Adam and Lilith. (I always think that Adam/Punch was built to be their bodyguard, and Lilith/Judy to be their babysitter. Lilith was world-wise enough to say "no, you're absolutely not" when Barry confessed to her that if Bill was normal, maybe he was broken.) When Barry turned up at their door in Beetleburg with Agatha, part of their shock included "why do you have a kid? there's no way that's your kid unless you built her from scratch."

This is also why the traveling Heterodyne shows keep writing the stock character of the interchangeable High Priestess who falls in love with Barry Heterodyne. They had to resort to just flat-out making someone up.