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toongrrl-blog · 1 year ago

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Pink Power Rankings, Pt. 3

You’ve (hopefully for me) waited, now you have it. The next chapter of Pink Power Rankings! I had a good time doing Parts One and Two and have been wanting to do Part Three for some time and I needed to look for more pop culture sources involving the color pink. Here I look at moments in TV and Film featuring women and girls (and other feminine presenting folks) moments in the color pink and I analyze if this is a case of pink representing feminine power or vulnerability under a Patriarchal structure.

Spoilers Ahead

Pictured above are the many versions of the Pink Ranger from the Power Rangers series.

Mei Lee

We are gonna take a trip into Chinese Culture, early 2000s fashion, adolescence, and the push and pull between family traditions and honoring your own spirit. Buckle up.

First Red: Mei Mei lives in a multitude of cultures. First she is a Millennial who likes boy bands and soda pop who tries to be a straight A student and proper daughter to her (likely) Boomer elders, she is a Chinese Canadian girl who wakes up find herself as a giant fluffy red panda. Chinese Flag, Chinese Culture, Canadian flag, red pandas, anger, passion, menstruation: what do they have in common? The color red. In Chinese culture, red (along with the complementary yet opposite on the color spectrum, green) is a lucky color; it’s a festive color, the color of beauty, good fortune, vitality, and happiness. Mei is an adorable girl who has a bright future ahead of her and she is a energetic, go-getter who hardly lets things get her down. According to Ericksen Translations, Red in the Western World evokes excitement, love, danger, passion, and anger, Indian cultures consider red to be the color of purity, Latin America can pair red with white for religious connotations, and red is infamously used by totalitarian regimes. That last part is important because Mei Mei is butting heads with her green (another lucky color in Chinese culture, unless you are a man wearing a hat) and blue (the color of sadness and motherhood in Western culture) clad mother, who lacked the community of good friends with different perspectives (or any) and was so bound up in duty and guilt/intergenerational trauma to see that her daughter needs to join in the pursuits of her age group.

This even shows up in how Mei was dressed (and as a testament to the film, showcases the changing seasons in Toronto, coinciding with the themes regarding puberty): she starts the film wearing a red cardigan sweater, a flared skirt, leggings, sneakers, still a hip little girl but cardigans (along with collared shirts) evoke “Classic Fashion”, they evoke an image of British aristocratic women, 1950s housewives and secretaries, D.C. Office Ladies, they transcend time and are safe. TL;DR, they are “Good Girl” clothes, the kind of clothes that don’t make waves (sartorially nor with the status quo).

On the other hand, polo shirts (especially if they were layered), were the it shirt for the 2000s. After Clueless hit theaters in 1995, there was a resurgence in preppy styles, especially for young women, with palettes becoming brighter and brighter. And when we see Mei Mei at the end of the film: we find her in a light pink polo shirt with the latest in Y2K accessories (spot the hair clips, earrings, and choker), showing that she has embraced her own voice and panda and living openly. It’s a good thing her outlook is so bright, she is gonna be one of many Millennials likely affected by the 2008 Recession and the now current COVID-19 pandemic.

Power Ranking: A 10, 24/7, 365!

Monica Lewinsky

Here we will focus on dissecting the serialized interpretation of Monica Lewinsky (as played by exquisite Beanie Feldstein) rather than the real person I simp over; Monica, in real life and in the series based on events in her 20s, is an utterly femme-y woman but pink is not a power color within the series. We see her wear it in loungewear, chatting on the phone with her treacherous friend (the never can be too maligned) Linda Tripp (Sarah Paulson in one of her problematic roles) or in a sleepover scene or as a robe or in a romantic nightie and here, in a scene where she has a tumultuous argument with President Bill Clinton (Clive Owen looking a tad svelte) where they finally break up. One can surmise that Pink is the color of vulnerability for Monica, as it makes her small and easy to take advantage of by an older colleague and lover.

In short: it’s the color of both femininity and vulnerability and we see Linda and First Lady Hillary Clinton wear it themselves in subdued and pastel versions, nodding to their age. But onto Monica and how she could (or could not) fall into the same subued pastels as these women who are contemporaries of her own more youthful and glamorous mother (played by the uber-talented Mira Sorvino); pink for Monica symbolizes her femininity (which she was lampooned for as a bimbo and valley girl), her warmth (a quality that people are surprised to learn she has once meeting her), her beauty (her blessing and a curse, as she diets like crazy), her sexuality (despite the Sexual Revolution, society is still slut-shamey and hasn’t reformed enough for abuse of power to become a thing of the past), and her romantic nature and sadly due to Bill being the ultimate fuck-boy of the late-20th Century, is likely to become the embittered nag (Hillary) or hag (Linda) that is vilified in the media, or rather her ultimate fate as punching bag and sex object.

Monica was in soft pastels for her loungewear outfits but this sweater is a bold, saturated coral pink that matches her emotions. After screaming at secretary Betty Currie (the one and only Rae Dawn Chong), which bad move Monica, she gets Bill to lament how horrible she is (really the whole thing is his damn fault), projecting and using Betty’s history of being a Black woman under Jim Crow to manipulate Monica “a fucking 24 year old” and how he thought she was “a good girl” which earns him a hearty “fuck you!” from her and they decide to break off, her even turning down his pleas to resume after his term is over, but he resolves to help her get the job she wants and she quits the Pentagon for the greener pastures (or rather the lipstick) of Revlon where her intelligence and beauty savvy will be put to work.

Oh girly, you aren’t out of the woods. On a simp-y note: I want to note what costume designer Meredith Markworth-Pollack described Monica as an “innately a sexual woman, she’s flirtatious, she’s sensual, she’s curvy, she’s magnetic”...basically Monica has the same energy as Joan Holloway of Mad Men, another mistreated and sexualized woman who was a victim of her time and place and underestimated as a person and intellect due to her gender. But both women, as Tom and Lorenzo once said: “She took charge of her life and owned her mistakes” when comparing Joan to Liz Taylor (a vivacious dark-haired bombshell who was noted for her sensuality and mocked for her weight) and became producer. *chef’s kiss*

Power Ranking: 5.5 (like a phoenix she will rise out of the ashes).

Eleanor Wong

I love this look, it’s giving Grace Kelly meets Betty Draper Francis’s hidden Italian haute couture side. The chic updo, the jewelry, bejeweled bodice, cinched waistline, full pink tulle skirt, and the long gloves all scream “Mid Century Movie Glamour”. Eleanor showed up with her friend Devi to the Winter Dance stag to support friend Fabiola and her girlfriend Eve’s bid for Winter Dance Royalty. The girls also lament their love life, having broken up with boys before. But Luck be a Lady tonight, for these two ladies in fabulous formal wear. Devi gets to go with her older and popular boyfriend Paxton while Eleanor gets the attentions of Paxton’s dopey friend (they are so cute a couple) and gets to tell Ben, Devi’s entitled ex who always called Devi “David” and competed with her and called the girls the racist, misogynistic moniker of “Unfuckable Nerds” or UN (as Harriyanna Hook once said: “No boy alive who called me ugly was ever hotter than me”). Eleanor gets to tell a heartbroken Ben that Devi did care for him but she and Fabi told him he wasn’t good enough and gave a dismissive apology granted he ends up with Devi but Fab and Eleanor show that if wants her, he gonna have to prove himself.

Good. For. Her.

Power Ranking: 11.

Joyce Prigger

She emerges in a dusty rose suit and a floral blouse with grey-blue and orchid shades, youthful and ready to make an impression. Perhaps while wearing the colors of the gender binary and of power as defined by a patriarchal culture built on hierarchy. Sadly, this ambitious revolutionary has to kiss corporate ass and is failing. “The Matriarchy Awakens” is a clever tagline, but not a magazine title but there is a need for a matriarchy in an era when men can feel free to comment on other women’s bodies and their presentation with little to no consequence, where women are encouraged to diet but them exercising reproductive choice is taboo, where women are gaslighted into being silent about their concerns or wants. So young, Seven Sisters educated Joyce Prigger goes to a magazine convention to shop around her ideas for a feminist magazine that is sadly drier than the Southern California climate after being harassed by construction workers and to tone-deaf corporate heads who still like the idea of women building their whole lives and self-esteem around them.

So another man suggests he can sell her magazine with a crispier, tender title for his pornography publishing business: Minx. She is reluctant (she hasn’t made it to sex positive feminism yet) and walks off the convention getting harassed by the same construction worker and telling him to fuck off.

It’s a start, but articles about marital rape are gonna need pics of hot men in the buff.

Power Ranking: 6.

Kamala Nandiawanda

About four decades later and we meet another young woman who is coping with tone-deaf males in a profession she has ambition for, with the added weight of being a non-European woman in a White Supremacist Patriarchy. Kamala does what her aunt (and what nameless women in male-dominated circles) have done, keep her head down and smile while doing work that she is not getting credit for. And submit to their little games where they make her their video game damsel in distress and have her dress up according to their desires.

At some point she goes to her teenage cousin for help and her teenage cousin Devi (a known hothead) tells her she doesn’t has to take anyone’s shit and that men like her colleagues like seeing Asian Women as submissive and easy to abuse. Kamala eventually threatens her mentor with a lawsuit and going to feminist minded groups and reporting him.

Power Ranking: 5 (this was one of many straws that broke the camel’s back).

Julia Child

In the HBO Max unofficial sequel to Julie and Julia, a film that partially focused on the beginning of Julia Child’s career as the co-author of a popular cookbook that demystified French cooking to ordinary Americans, we meet Julia Child enjoying her new life in Massachusetts and on the heels of the popularity of Mastering the Art of French Cooking as she works on the 2nd addition. As a promotion on public television, she spontaneously fixes an omelette on air in her folksy and comedic style and is offered the opportunity to host her own cooking show. Not a TV owner (much less viewer), she is somewhat skeptical but becomes increasingly enthused and considers hosting her own show despite the skepticism of a few.

Power Ranking: 10, bon appetit!

Robin Buckley

Here is Robin Buckley: in frills she is not accustomed to nor her preference (foisted on her by the more miniscule Nancy Wheeler) with the highly femme outfits constricting her, especially around her neck. Nancy gives the awkward (honestly likely neurodivergent) Robin a script to follow as they try to glean information from a mental institution about one of their patients. Robin, when the interview goes nowhere, Robin goes off script and talks about how no one takes girls seriously and gets them access to their patient.

Power Ranking: 9.5

Suga Mama

“When I’m an old woman, I shall wear purple, with a red hat that doesn’t quite go...”, welp Suga Mama doesn’t need to dress so garish and formal to command attention as a woman over 50. Ever since The Proud Family premiered in 2001, Suga Mama was a hip granny and a force to be reckoned, no one not even her son, held her back.

Power Ranking: 10

Heather Chandler

ModernGurlz sussed out Heather so well, so I like to look at the film a bit from her point of view from when she was alive.

Picture it: Ohio 1989. You are the Queen Bee of your high school with three loyal underlings who do your bidding, even humiliating the school fat girl. You act like you are better than everyone else but you deep down feel insecure, nothing impresses you, the boys are either bores or objectify you, so you hit a college party hoping to find a mature option. Big Mistake, as he coerces you into oral sex while you are really wanting to go back to the party. You then stare at your reflection in self-hatred and then the next morning you wake up in a hangover and your friend, who you feel screwed you over for fighting back with her own college hook-up is with the school weirdo. You drink their hangover cure and it’s disgusting and what?

You have entered the afterlife and it’s so boring.

Power Ranking: 0

Louise Belcher

The #girlboss of the Belcher Clan, her late grandmother’s granddaughter, the one who solved a murder and saved everyone from an explosion involving flammable teddy bears in a slow-moving ride. Owner of her grandmother’s pink cap turned bunny hat.

Power Ranking: 10

Lisa Simpson

The long-running The Simpsons is a subversive take on classic family sitcom tropes and American Traditionalist “family values”, where the straight A and principled Lisa Simpson is often clad in a light pink and puff-sleeved dress with a classic party dress design. American Christian Tradition and Values writ in fabric: but Lisa subverts these values by staying true to her moral compass and often that means pissing off the social order.

In this case it’s clearing her brother Bart’s name after he was framed as a thief during collection, the truth is he fell for the sweet looking and pretty preacher’s daughter’s manipulations who tells him no one will believe him because Springfield is classist and elitist like many small-towns (there I said it). Lisa takes the pulpit to urge people to confess their sins, no takers from Jessica Lovejoy so Lisa points her out and the town sees that Jessica kept several weeks of collection money under her bed, a cry for help to her parents who care more about looking right than being good parents.

Power Ranking: 11

#pink #Lisa Simpson #women in media #louise belcher #monica lewinsky #pink ranger #mei lee #eleanor wong #joyce prigger #julia child #heather chandler #robin buckley #kamala nandiawanda #nalini vishwakumar #the proud family #costume analysis #fashion analysis #the simpsons #suga mama

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goverment-mandated-femslash · 2 months ago

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Today's government mandated femslash couple of the day is

Joyce Prigger and Tina!

#femslash #Tina Minx #Joyce Prigger #Minx 2022 #femslash couple of the day

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deadlinecom · 2 years ago

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fillingthescrapbook · 1 year ago

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Let's Talk About: Minx and the need for more episodes per season.

Before we begin, I want to say: I need a third season of this show. A longer one that the second season's eight-episode order. Hollywood needs a reminder that filler episodes didn't mean nothing happens in the show. Filler episodes were necessary because, while the main plot is spinning wheels, we're getting character growth and relationship developments. And that was one of the things missing in this season of Minx.

Now, I don't remember the reason I started watching Minx. The trailer was intriguing enough that I decided to give it a try. I quickly fell in love with the iridescent Idara Victor, Jessica Lowe, and Oscar Montoya--and even though I don't remember a lot of the nitty gritty of what happened in Season 1, I remember rooting for the three--and Lennon Parham's Shelly, by the end of it and wanting to know what happens next.

The cast of this show is spectacular. The writing though... The writing was serviceable. It's not until this second season that I'm coming out as a fan of the show writers.

While the first season was mostly a hero journey for main character Joyce Prigger (the outstanding Ophelia Lovibond), the second season had a more nuanced arc in how it tackles success. Yes: success. Instead of throwing another wrench into the world of Minx, the writers decided to zag and let the characters be celebrated. And in that celebration, they were able to uncover a bigger issue: the politics of gender equality.

In season two, the show adds a new character: Constance is a billionaire who supports the arts, feminism, and is pushing the characters into reaching the zenith of their dreams. The only one who is a little put-down by Constance's handling of business is Don (Jake Johnson) because he's used to being the top dog. But even he can't argue that she has helped him achieve success he only dreamed of before.

With the characters thriving and getting the good life, Constance begins to introduce compromise in to their world. She begins to sow a divide by giving the characters what they want--while essentially taking away the most important thing they got in the first season: each other.

The show asks each character what it takes for them to bend their values. What are they willing to compromise to continue the good life they're currently enjoying?

Now, I do understand why some people would think this second season was more superficial than the first. In letting the characters succeed, it does feel like nothing bigger is happening for the most part. Because the trials they're facing aren't do-or-die. The characters aren't always in danger of losing everything.

But, if we're going to be honest: isn't that how we lose everything in real life? Bit by bit. Day by day. Life is good until suddenly it's not. And that's the magic of Minx's sophomore season.

The writers plotted the downfall well. If we go through the season again, we will see where the writers are foreshadowing the sacrifice each character will have to make. And it is amazing work.

Unfortunately, because the show only had eight episodes to work with--all the focus on delivering a satisfying story took out something that made the first season magical: the way each character progressed from episode to episode.

Season 2 gave everyone better storylines. Unfortunately, because there's a distinct lack of screen time to share, those storylines didn't get room to breathe. Most of them had to progress in between scenes and off-camera:

Idara Victor's Tina had a powerful arc of realizing her place in the world, of needing to choose herself--and yet, most of her processing happened in scenes that were already servicing Don's A-plot or B-plot, or while the main arc is place-setting, or while Shelly is having a moment for her character arc.

But at least her storyline gets to inch along from episode to episode. Oscar Montoya's Richie, while having a poignant endpoint for his character arc, didn't really have a clear path from point a to point b. He gets pulled into being every kind of supporting player before finally getting his moment to shine.

And then there's Jessica Lowe's Bambi. Her storyline is edged from episode two to episode six--and is only allowed release...in the final moments of episode seven. And while she does get somewhere in the finale, it also feels like it's just a lot more edging.

So, yeah: the plots and the character arcs are better and more powerful... they just suffered a lot from the lack of time. I'm not saying the show needs to expand from being a half-hour dramedy... but maybe having more episodes to let the plots and the characters breathe would do the show good.

Because goodness knows: this show is amazing. But it'll have a hard time firing all its bullets if we subtract cylinders from the barrel of its gun.

#let's talk about #minx #tv talk #delayed posting because of the strike

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cecealonso · 1 year ago

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BIO | PINTEREST | STATS/INFO ↴

STATS

CHARACTER BASICS

> NAME: celia alonso > NICKNAMES: cece > GENDER: cisgender female > PRONOUNS: she/her > AGE: 32 > STAR SIGN: libra > BIRTHPLACE: la havana, cuba > RESIDENCE: oakberry > HOBBIES: typewriting, reading books, newspapers and articles, listening to music, dancing, > SEXUALITY & STATUS: pansexual, single. > SPEAKING VOICE: soft but firm, confident and has a slight cuban accent.

✖PERSONALITY ✖

> ( + ) TRAITS: assertive, eloquent, adaptable > ( - ) TRAITS: deceitful, possessive, unscrupulous > MORAL ALIGNMENT: chaotic evil > LIKES: pearl necklaces, being near the beach or the pool, tropical vibes, rum, red lipstick, roller disco parties, the smell of a freshly printed newspaper, the sound of a typewriter, platform shoes... > DISLIKES: uncertainty, conservative people, beer, flat hair, the cold...

✖PHYSICAL ✖

> HEIGHT: 5′5 > BUILD: slim > ATHLETICISM: none > HAIR: dark brown, almost black, sharply cut > EYES: hazel green eyes > STYLE: sleek, expensive, lots of gold tone clothing, always wearing flashy jewelry (big earrings, chunky necklaces, bold sunglasses), showing some skin, platform heels, sports her classic red lip. > TATTOOS: none

✖MISCELLANEOUS ✖

> CHARACTER INSPO: joyce prigger (minx), carrie bradshaw (sex & the city), georgina sparks (gossip girl) > THEME SONG: killer queen - QUEEN > MOTIVATIONS: success, making money, being a recognize writer, build her wealth by herself, winning a pulitzer > CURRENT GOAL: not go broke > LIFE GOAL: be a "real" writer > BEST QUALITY: charming > WORST QUALITY: selfish > FEARS: failure, not being truly happy, losing the connection to her family, heartbreak

#eyes on fire: intro

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gameforestdach · 1 year ago

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Die jüngst erfolgte Absetzung der Fernsehserie Minx durch Starz unterstreicht die unvorhersehbare und oft gnadenlose Realität des Überlebenskampfes von Serien im heutigen Zeitalter des Streamings und Fernsehens. Es handelt sich dabei um die zweite Absetzung für die Serie, die anfänglich bei HBO Max ein Zuhause gefunden hatte. Die Odyssee von "Minx" Erstmals 2022 auf HBO Max ausgestrahlt, spielt Minx in den 1970er Jahren und dreht sich um Joyce Prigger (Ophelia Lovibond), eine ambitionierte Schriftstellerin und Redakteurin. Sie tut sich mit Doug Renetti (Jake Johnson), einem Verleger der Erwachsenenmagazinbranche, zusammen, um das weltweit erste erotische Magazin für Frauen zu kreieren. Die erste Staffel mit 10 Episoden wurde für ihre Darstellung des Aufstiegs des Magazins im Bereich der Erwachsenenunterhaltung gelobt. Die zweite Staffel vertiefte sich in Joyces Beziehung zu ihrem neu gewonnenen Erfolg und den Herausforderungen einer Führungsposition in einer sich wandelnden Branche. Absetzung und Rettung Trotz des anfänglichen Erfolgs revidierte HBO Max seine Entscheidung, Minx für eine zweite Staffel zu erneuern, als Teil einer breiteren Strategie, das Angebot an eigenen Inhalten zurückzufahren. Doch Starz griff ein und rettete die bereits produzierte, aber noch nicht ausgestrahlte zweite Staffel. Dieser Schritt beinhaltete nicht nur das Bekenntnis zur Zukunft der Serie, sondern auch eine erhebliche finanzielle Investition, wobei das Mutterunternehmen von Starz, Lionsgate, das Marketingbudget und die abschließenden Produktionskosten übernahm. Stars Entscheidung zur Absetzung Leider führte die Rettungsaktion von Starz nicht zur Erneuerung für eine dritte Staffel. Einblicke von Insidern deuten darauf hin, dass trotz der Wertschätzung der Arbeit von Ellen Rapoport, Paul Feig, Jake Johnson und Ophelia Lovibond, Starz beschloss, nicht mit einer weiteren Staffel fortzufahren. Diese Entscheidung fiel mitten in Gerüchten und Spekulationen über die Zukunft der Serie, wobei Johnson Zweifel an ihrer Lebensfähigkeit nach dem Wechsel zu Starz und einem Streik äußerte, der die Promotion beeinträchtigte. Größere Auswirkungen Die Absetzung von Minx ist für Starz kein Einzelfall. Das Netzwerk setzte auch die Horror-Comedy "Shining Vale" ab und nannte die unzureichende Zuschauerzahl als Grund. Allerdings plant Starz, Minx weiterhin auf seinen Streaming-Plattformen verfügbar zu halten, sodass Fans Zugang zu den beiden Staffeln haben. Die Geschichte von Minx erinnert eindringlich an die Unsicherheiten und Herausforderungen, mit denen Fernsehserien heute konfrontiert sind. Selbst Serien, die von der Kritik gefeiert werden, können Schwierigkeiten haben, ihren Platz im Senderangebot zu behaupten, wobei Marketing, Publikumsbindung und finanzielle Zwänge eine erhebliche Rolle bei ihrem Schicksal spielen. Fazit Die Reise von Minx von HBO Max zu Starz und ihre letztendliche zweite Absetzung veranschaulicht die flüchtige Natur des Überlebens von Fernsehserien in der heutigen medialen Landschaft. Es dient als Fallstudie dafür, wie eine Serie kritische Anerkennung erlangen und trotzdem auf dem Abstellgleis landen kann, was die komplexe Verflechtung von Faktoren verdeutlicht, die über Erfolg oder Misserfolg einer Show in der modernen Ära bestimmen.

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