#Josef Krips

[bobdobalina]

Album cover to Wolfgang Amadeus Mozart, Don Giovanni, starring Cesare Siepi with the Vienna Philharmonic Orchestra conducted by Josef Krips. Recorded June 1955, released on Decca Records (LXT 5103, 5104. 5105, 5106).

Artist/designer unknown

[safe-in-their-alabaster-chambers]

[audio-bomb]

Beethoven “Concerto No.5 Emperor” From my grandparents collection, same concerto as yesterday. This one is conducted by Josef Krips, a more open sound, less about exacting execution, captures the work well, & Rubinstein on piano is a lighter, airy touch. Different takes, both good. (1957, RCA)

[brookstonalmanac]

Birthdays 4.8

Beer Birthdays

Thomas Dawes (1785)

Henry Lembeck (1826)

John F. Betz (1831)

Marc Sorini (1966)

Five Favorite Birthdays

Gautama Buddha; spiritual leader (563)

Steve Howe; rock guitarist (1947)

Barbara Kingsolver; writer (1955)

David Rittenhouse; astronomer, mathematician, inventor (1732)

Katee Sackhoff; actor (1980)

Famous Birthdays

Patricia Arquette; actor (1968)

Adrian Boult; orchestra conductor (1889)

Jacques Brel; singer, songwriter (1929)

Melvin Calvin; chemist (1911)

Ilka Chase; actor (1905)

Harvey William Cushing; neurosurgeon (1869)

Ponce de Leon; Spanish explorer (1460)

El Greco; Greek artist (1614)

George Fisher; cartoonist (1923)

Betty Ford; first lady (1918)

Shecky Greene; comedian (1926)

John Havlicek; Boston Celtics F/G (1940)

Sonja Henie; skater (1912)

John R. Hicks; British economist (1904)

Jim "Catfish" Hunter; Oakland A's P (1946)

Santiago Jimenez Jr.; accordionist (1944)

Taylor Kitsch; actor, model (1981)

Josef Krips; orchestra conductor (1902)

Julian Lennon; pop singer (1963)

Carmen McRae; jazz singer (1922)

Lewis Morris; signer of the Declaration of Independence (1726)

Edward Mulhare; actor (1923)

Mary Pickford; actor (1893)

John Schneider; actor (1960)

Izzy Stradlin; rock guitarist (1962)

Monty Sunshine; jazz clarinetist (1928)

Douglas Trumbull; film director (1942)

Robin Wright; actor (1966)

[georgy-stuff]

Mozart - Die Entführung aus dem Serail Opera (ref.recording: Josef Krips...

[about-life-around-you-2021]

Крипс Йозеф | Ариозо https://arioszo.ru/krips-josef/

[jsb6127309183]

What is The Speed of Feelings

1.

Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio

London Symphony Orchestra & Josef Krips

Beethoven: The Complete Symphony Collection

London Symphony Orchestra & Josef Krips

Ludwig van Beethoven

2008 track 26-34

No other differences

“8 minutes, 1 seconds until 8 minutes, 18 seconds.

Wow I added a time from 8:01 to 8:18. There are still only 4 different digits, but in the text, it went from 2 digits to 3 digits. Or in the digital. It went from 6 digits to six digits. Digital, if digital is more precise than analog, is a number written as “sixth”. Yes I remembered. (Lol bad segway, also wrote this before I finished the next joke, it’s already written, but next I need to find a story within this story to start a new story. [That’s the real last joke, you’ll get it later.] Or I can finish this now and go to sleep sad because if I am not studying, I am sad to be alone. They are not always jokes are they? Sometimes, it is nice to know who you are and who trully likes you.  And who can you really trust? Who really loves you? Is everyone asking themselves those same questions? Or is it just me. I am alone. But alone also makes me happy. My entire life is founded by a paradox. I must keep looking.) I am writting anywhere I want in this note on Notes on my iPhone X, Here in Barcelona, Spain at 12:15AM 2021/05/01 here for precise? How many different types of times the number of digits changes when I change something. Change is important. I changed for the better.

Apple Music on MacBook Pro 2019 4 port

On Saturday, May 1, 2021. 12:00AM, NOW.

I had to change the day of week and the day and month because I had started with Friday and looked up with only 22 seconds before midnight and just the EXACT amount of time it took me to prepare for it so I could actually type the “W”, and I HAD to do it. It was amazing. This paragraph is the first in order, but the last one I wrote. The second pragraph (had to hurry to charge my phone at this exact moment and I almost had a heart attack, wouldn’t be able to finish this for an extra 5 minutes for the phone to recharge had it shut down. I knew it was at 1% (actually checked at this moment and realised it was 2% after all the text in between, so must have been at 1%, but I will never trully know) without looking at the percentage because the phone didn’t start lagging and it wasn’t too hot to the touch. Not checking the percent instead of writting this would have not made me wondered maybe for the rest of my life. I don’t know, maybe not, but I’m taking a risk. Maybe I’ll turn crazy. I’ll never know. I’m going to reread all this, finish the last joint I will maybe ever smoke in my life. Don’t forgot, what comes next has not been writting the way you think, this was at the end of a type of high. Maybe happiness can be found by seperating feeling of different chemicals, and maybe I should take that forever, or maybe never. You have that choice too, it’s just easier to control. While you only realize I was now high, I have already admitted it down there, in the first paragraph I wrote, the last paragraph you will read. When I admitted it, I didn’t know I would start typing and realize who I trully am just because my feelings are transferring to words. I understand who I am, I have changed. I feel better. Finally going to listen to some Beethoven. I feel like I might throw up, I’ve pushed it too long and almost forgot. Could have gone to bed without having to remember that again... Fuck. Thank you for listening.

One more things, I swear! (I have to go to sleep at some point) [this is trully last, but not technically the last joke, so my logic is flawless. What follows might be interesting, I’m becoming less and less high:

import urllib.request

page = urllib.request.urlopen('http://library*******.****)

print(page.read())

]

Learned Python a few days ago. Not good yet.

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

Volume 18 on Shelf 2 of Wall 1

[saluteofthejugger]

personsonable

  im liking more and more music lately

london symphony orchestra’s rendition of beethoven’s sixth symphony as directed by Josef Krips, 2012 remastered edition

this ones a bit long ill get back to you

[pocinmusichistory]

Shirley Verrett was an internationally renowned opera singer and concert recitalist. Her performances and recordings marked her as one the leading singers in the post-Marian Anderson generation of African American classical musicians. 

In 1958 Verrett starred in a production of the later work staged by the New York City Opera and won the Walter S. Naumburg Award which gave her the opportunity to make her Town Hall debut as “Shirley Verrett-Carter.” The following year she ended her marriage to James Carter and was engaged by Leopold Stokowski to sing with the Houston Symphony Orchestra. The offer was withdrawn by the symphony board because of her race. Verrett made her European opera debut in Rasputin’s Todt in Cologne and also made her first commercial recording in Beethoven’s Ninth Symphony with Josef Krips conducting the London Symphony.

Verrett eventually performed with Stokowski, but with him leading the Philadelphia Orchestra. The engagement catapulted her onto a national stage.

Today would have been Shirley Verrett’s 87th birthday. Read more about her life here.

[sonyclasica]

LA ORQUESTA FILARMÓNICA DE VIENA

NEW YEAR’S CONCERT: THE COMPLETE WORKS

La Orquesta Filarmónica de Viena presenta New Year's Concert - The Complete Works versión extendida de los conciertos de año nuevo en 26 CDs. Hoy 13 de noviembre a la venta.

Consíguelo AQUÍ

Para celebrar el 75 aniversario del mayor evento mediático en música clásica, Sony Classical lanzó en 2015 una edición completa de todas las obras que se tocaron en los Conciertos de Año Nuevo de la Filarmónica de Wiener, interpretadas en el Salón Dorado del Musikverein entre 1941 y 2015. Las icónicas presentaciones en vivo se emitieron por primera vez en una sola caja de 23 CD. Ahora, en 2020, esta edición estará disponible como una versión extendida de 26 CD, con todo el nuevo repertorio de los últimos cinco años compilado en tres CD adicionales.

 La gran tradición se lanzó el día de Año Nuevo de 1941, cuando el director de orquesta austríaco Clemens Krauss presentó un concierto para toda la familia Strauss con la Filarmónica, a pesar de sus temores “de que los efectos secundarios de la víspera de Año Nuevo pudieran tener una influencia perjudicial en la asistencia”. Su preocupación resultó injustificada. Hasta su muerte en 1954, a excepción de 1946–47, cuando Josef Krips tomó su lugar, Krauss dio forma al perfil del concierto. En esos años solo se transmitía por radio.

 Bajo el sucesor de Krauss, fue el maestro de conciertos de la Filarmónica Willy Boskovsky quien dirigió el concierto no menos de 25 veces, de pie con el violín en la mano como lo había hecho el propio Johann Strauss, y comenzaron las transmisiones de televisión para convertirse pronto en un evento disfrutado por audiencias de todo el mundo.

 Desde 1980, la Filarmónica ha invitado a los principales directores a unirse a ellos en Viena para iniciar el nuevo año. De 1980 a 1986, y nuevamente en 1994, 1996, 1999 y 2005, Lorin Maazel estuvo en la tribuna. Le siguieron Herbert von Karajan (1987), Claudio Abbado (1988, 1991), Carlos Kleiber (1989, 1992), Zubin Mehta (1990, 1995, 1998, 2007, 2015), Riccardo Muti (1993, 1997, 2000, 2004, 2018), Nikolaus Harnoncourt (2001, 2003), Seiji Ozawa (2002), Mariss Jansons (2006, 2012, 2016), Georges Prêtre (2008, 2010), Daniel Barenboim (2009, 2014), Franz Welser-Möst ( 2011, 2013), Gustavo Dudamel (2017), Christian Thielemann (2019) y Andris Nelsons (2020).

 Esta distinguida lista, todos con vínculos especiales con la orquesta, así como un toque especial para la música vienesa, dirige la Filarmónica de Wiener en estos discos en 357 composiciones centradas en la dinastía musical fundada por Joseph Lanner y Johann Strauss en la década de 1820, y luego continuó triunfalmente de los hijos de Strauss, Josef, Eduard y, por supuesto, el Rey Vals Johann II. Otros compositores destacados incluyen artistas como Mozart, Schubert, Weber, Brahms, Berlioz, Suppé, Offenbach, Tchaikovsky, Verdi, Wagner, Richard Strauss, Beethoven, Czibulka, Lehár, Stolz y Waldteufel.

 Un CD está compuesto por nuevas y elegantes grabaciones de once obras de la familia Strauss a las que se les dio una sola actuación, bajo Clemens Krauss o Josef Krips, durante los primeros años de los Conciertos de Año Nuevo, ocasiones que no se grabaron. (quí se incluyen dos selecciones de ese primer concierto de 1941 con Krauss, que fue grabado. Y cada CD ha recibido un título apropiado, como Liebesgrüße, Opern-Soiree o Wein, Weib und Gesang.

 El libreto adjunto contiene un ensayo del Dr. Clemens Hellsberg, violinista, historiador y ex presidente de la Filarmónica desde hace mucho tiempo, así como imágenes de los archivos de la orquesta

[brookstonalmanac]

Birthdays 4.8

Beer Birthdays

Thomas Dawes (1785)

Henry Lembeck (1826)

John F. Betz (1831)

Marc Sorini (1966)

Five Favorite Birthdays

Gautama Buddha; spiritual leader (563)

Steve Howe; rock guitarist (1947)

Barbara Kingsolver; writer (1955)

David Rittenhouse; astronomer, mathematician, inventor (1732)

Katee Sackhoff; actor (1980)

Famous Birthdays

Patricia Arquette; actor (1968)

Adrian Boult; orchestra conductor (1889)

Jacques Brel; singer, songwriter (1929)

Melvin Calvin; chemist (1911)

Ilka Chase; actor (1905)

Harvey William Cushing; neurosurgeon (1869)

Ponce de Leon; Spanish explorer (1460)

El Greco; Greek artist (1614)

George Fisher; cartoonist (1923)

Betty Ford; first lady (1918)

Shecky Greene; comedian (1926)

John Havlicek; Boston Celtics F/G (1940)

Sonja Henie; skater (1912)

John R. Hicks; British economist (1904)

Jim "Catfish" Hunter; Oakland A's P (1946)

Santiago Jimenez Jr.; accordionist (1944)

Taylor Kitsch; actor, model (1981)

Josef Krips; orchestra conductor (1902)

Julian Lennon; pop singer (1963)

Carmen McRae; jazz singer (1922)

Lewis Morris; signer of the Declaration of Independence (1726)

Edward Mulhare; actor (1923)

Mary Pickford; actor (1893)

John Schneider; actor (1960)

Izzy Stradlin; rock guitarist (1962)

Monty Sunshine; jazz clarinetist (1928)

Douglas Trumbull; film director (1942)

Robin Wright; actor (1966)

[charlies-bog]

okay then, let's do this since I'm confined and all!

1. Panic Room - Au/Ra

2. I'm so tired... - Lauv & Troye Sivan

3. Soleil, Soleil - Pomme (one of my favorite)

4. Saphir - Pomme

5. Comatose - Skillet

6. Symphony n°7 In A Major, Op.9 by Beethoven - London Symphony Orchestra & Josef Krips

7. Dazed and Confused - Jake Holmes

8. Goner - Twenty One Pilots

9. Lust for Life - Iggy Pop

10. Far too young to Die - Panic! At The Disco

Somehow, it all summarize me pretty well.

I don't know that many people on tumblr so whoever reads this, feel free to do it!

Playlist Random 10

I was tagged by @inawickedlittletown

Rules : we’re snooping on your playlist. Put your entire music library on shuffle and list the first ten songs, then choose 10 victims.

Let's do this:

I got you - Riverdale Cast

Easy to forget me - Cimorelli

Mirrors - Niall Horan

Kennedy Center Performance - the Barden Bellas

Too Good at Goodbyes - Sam Smith

Air - Shawn Mendes, Astrid S

Better together - Dove Cameron, Sofia Carson

Meine Stadt ist zu laut - Kraftklub

Stan - Alec Benjamin

Good enough - Little Mix

Wow, what a weird mix.

I'll tag: @magic-number-3 @dant-daily @seaselkie @idealuk @ocelusworld @theycallmebobbob @novemberhush @depthandcharacter @taxingninja @theladyandthewolves

[maclick]

Night cap. Beethoven : Josef Krips, London Symphony Orchestra ‎– Complete Nine Symphonies - Symphony No. 3 In E Flat Major, Op. 55 ("Eroica") 1960 #ludwigvanbeethoven #symphonyno3opus55 #eroica #classical #vinylcollection #vinylcollectionpost #vinyllp #vinylgen_feature #nowspinning #vinylgeneration #vinylseeker #vinylporn #vinyljunkie #huntvinyl #vinyl_mag #turntable #vinylguide #TechnicsSLB2 #Technics #ortofon #ortofonstylus #ortofon2mred #instavinyl #recordplayer #analog #33rpm https://www.instagram.com/p/BscTj7bA8RA/?utm_source=ig_tumblr_share&igshid=1wnklnen5inkh

[johnjpuccio]

Review of “Schubert: Symphony No. 9.” Josef Krips, London Symphony Orchestra. HDTT, remastered in DSD

Among the first recordings I ever owned of Franz Schubert's Ninth Symphony "The Great" was this 1958 version by maestro Josef Krips and the LSO. I came to it a little late, sometime around 1970, and found it on a London Stereo Treasury LP. Unfortunately, the vinyl was rather scratchy and noisy, and while I enjoyed the performance enormously, I couldn't enjoy the sound. Then, years later, Decca issued it several times on CD, and with these releases the problem was that the sound was more than little bright and edgy. Again, wonderful performance, but questionable sonics.

Enter HDTT (High Definition Tape Transfers), who have transferred the recording to CD and download twice now. It's with enthusiasm that I can tell you how much of a relief it is to hear the recording in the best versions I've yet to find them from the little company that gives us the best possible sound from older tapes. More about the HDTT sound in a moment.

To read the full review, click here:

https://classicalcandor.blogspot.com/2017/07/schubert-symphony-no-9-cd-review.html

John J. Puccio, Classical Candor