#Jose Luis García Vaya

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You tube jose alfredo jimenez

He is aIso a fellow óf the Global Labór Organization and án associate of thé Singularity University Cómmunity, having been á member of Chátham House, Canning Housé and the Windsór Energy Group, amóng other similar institutións.ĭuring his dipIomatic career he occupiéd some of VenezueIas top ambassadorial pósts, including Washington, Lóndon, Madrid and BrasiIia.Īs an académic, he has táught at several univérsities both in VenezueIa and abroad, dirécted institutions in thé field of foréign policy and writtén extensively on internationaI affairs.Īccording to internationaI relations best seIling author Parag Khánna: Alfredo Toro Hárdy is the quintessentiaI scholar-diplomat. It was his way of thanking the public for all of the affection they had shown him throughout his career as one of the most prolific and highly regarded composers and singers Mexico has ever produced.Jiminez, Jos A.Jimnez, Jos Alberto Gimnez, Jos Alfredo, Jos Alfredo Gimnez, Jos Alfredo J., Jose Alfredo Jimemez, Jose Alfredo Jimenes, Jose Alfredo Jimenez, Jos Alfredo Jimnez Sandoval, Jose Alfredo Jiminez, Jos Antonio, Jos Antonio Jimnez, Jose Gimenez, Jose Jimenez, Jose Jimenez, Sr., Jos-Alfredo Jimenez, Luis A. One of his last appearances on Mexican television occurred in 1973, just months prior to his death, where he introduced his last song, "Gracias", accompanied by his wife, singer Alicia Juarez. He was only forty-seven years old when he died in Mexico City, of complications resulting from cirrhosis of the liver. Like many of his contemporary stars, such as Jorge Negrete, Pedro Infante, and Javier Solís, Jiménez died young. The country artist Luke Tan recorded a disc of his favorite Jiménez songs in Spanish, including some English translations. In addition, Joaquín Sabina paid homage to Jiménez with his song, "Por el Bulevar de los Sueños Rotos" ("On the Boulevard of Broken Dreams"). In addition to his own recordings, many of his songs have been recorded by renowned artists from around the Spanish-speaking world, most notably by the following artists: Selena, which she sang “Cuando Nadie Te Quiera”, Miguel Aceves Mejía, Enrique Bunbury, Antonio Aguilar, Tania Libertad, Luis Aguilar, Lola Beltrán, Vikki Carr, Gualberto Castro, Rocío Dúrcal, Alejandro Fernández, Pedro Fernández, Vicente Fernández, Los Relámpagos Del Norte con Cornelio Reyna y Ramón Ayala, Los Tigres del Norte, Manolo García, Little Joe Hernández & The Latinaires, Julio Iglesias, Pedro Infante, the Mexican rock group Maná, Luis Miguel, Jorge Negrete, Sunny Ozuna & The Sunliners, María Dolores Pradera, Javier Solís, and Chavela Vargas. Among the most famous are "Yo", "Me equivoqué contigo", " Ella", "Paloma querida","Que se me acabe la Vida ", "Tú y la mentira", "Media vuelta", " El Rey", "Sin sangre en las venas", "El jinete", "Si nos dejan", "Amanecí en tus brazos", "Llegando a ti", "Tu recuerdo y yo", El hijo del pueblo", "Cuando el destino", "El caballo blanco", "Llegó borracho el Borracho" and "Que te vaya bonito", as well as "Camino de Guanajuato", where he sang about his home state of Guanajuato. The first ever songs of José Alfredo Jiménez to be recorded.Īfter this promising beginning, he composed more than 1,000 songs. He recorded "Ella, "Yo", "Serenata huasteca" and "Tu Recuerdo y yo". Don Miguel was impressed and promised to support him and record his songs. A few days later, José Alfredo arrived to the radio and started singing a capella his songs “Ella” and some more. Miguel asked him to look for him at the Radio Station XEW, where he had an audition called Amanecer Ranchero, together with the Mariachi Vargas and Rubén Fuentes. Would you like to hear some? Maybe you like them”. I`m waiter because of necessity, but I compose songs. The clerk came to him and asked: “Don Miguel. One day in 1948, Miguel Aceves Mejía and some friends arrived for dinner to a restaurant called La Sirena, in Santa Maria de la Rivera. He was discovered in 1948 by the singer Miguel Aceves Mejía and according to him he did not play an instrument and did not even know the Spanish word for " waltz" or what " keys" his songs were in. Jiménez was born in Dolores Hidalgo, Guanajuato, Mexico.

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Celia Cruz

Úrsula Hilaria Celia de la Caridad Cruz Alfonso, also known by her stage name Celia Cruz (October 21, 1925 – July 16, 2003), was a Cuban singer of Latin music. The most popular Latin artist of the 20th century, she earned twenty-three gold albums and was a recipient of the National Medal of Arts. She was renowned internationally as the "Queen of Salsa", "La Guarachera de Cuba", as well as The Queen of Latin Music.

She spent much of her career working in the United States and several Latin American countries. Leila Cobo of Billboard Magazine once said "Cruz is indisputably the best known and most influential female figure in the history of Cuban and Latin music".

Early life

Úrsula Hilaria Celia de la Caridad Cruz Alfonso was born on October 21, 1925 in the diverse, working-class neighborhood of Santos Suárez in Havana, Cuba, the second of four children. Her father, Simon Cruz, was a railroad stoker and her mother, Catalina Alfonso was a homemaker who took care of an extended family of fourteen.

While growing up in Cuba's diverse 1930s musical climate, Cruz listened to many musicians who influenced her adult career, including Fernando Collazo, Abelardo Barroso, Pablo Quevedo and Arsenio Rodríguez. Despite her mother's opposition and the fact that she was Catholic, as a child Cruz learned santería songs from her neighbor who practiced santería. Cruz also later studied the words to Yoruba songs with colleague Mercedita Valdés (an Akpwon santería singer) from Cuba and made various recordings of this religious genre, even singing backup for other female akpwons like Candita Batista.

As a teenager, her aunt took her and her cousin to cabarets to sing, but her father encouraged her to attend school in the hope she would become a teacher. However, one of her teachers told her that as an entertainer she could earn in one day what most Cuban teachers earned in a month. Cruz began singing at Havana's radio station Radio García Serra as a contestant on this station's popular "Hora del Té" daily broadcast, where she sang the tango "Nostalgias" and won a cake as first-place finisher. She often won cakes and also opportunities to participate in more contests. Her first recordings were made in 1948 in Venezuela.

Career

With Sonora Matancera, she appeared in cameos in some Mexican films such as Rincón Criollo (1950), Una gallega en La Habana(1955) and Amorcito Corazón (1961).

When Fidel Castro assumed control of Cuba in 1959, Cruz and her husband, Pedro Knight, were prohibited from returning to their homeland and became citizens of the United States. In 1966, Cruz and Tito Puente began an association that would lead to eight albums for Tico Records. The albums were not as successful as expected. However, Puente and Cruz later joined the Vaya Records label. There, she joined accomplished pianist Larry Harlow and was soon headlining a concert at New York's Carnegie Hall.

Cruz's 1974 album with Johnny Pacheco, Celia y Johnny, was very successful, and Cruz soon found herself in a group named the Fania All-Stars, which was an ensemble of salsa musicians from every orchestra signed by the Fania label (owner of Vaya Records). With the Fania All-Stars, Cruz had the opportunity to visit England, France, Zaire (today's DR Congo), and to return to tour Latin America; her performance in Zaire is included in the film Soul Power. In the late 1970s, she participated in an Eastern Air Lines commercial in Puerto Rico, singing the catchy phrase ¡Esto sí es volar! (This is to truly fly!).

In 1976, she participated in a documentary film Salsa about the Latin culture, along with figures like Dolores del Río and Willie Colón.

Celia Cruz used to sing the identifying spot for WQBA radio station in Miami, formerly known as "La Cubanísima": "I am the voice of Cuba, from this land, far away...I am liberty, I am WQBA, the most Cuban! (Yo soy de Cuba, la voz, desde esta tierra lejana...soy libertad, soy WQBA, Cubanísima!) During the 1980s, Cruz made many tours in Latin America and Europe, doing multiple concerts and television shows wherever she went, and singing both with younger stars and stars of her own era. She began a crossover of sorts, when she participated in the 1988 feature film Salsa alongside Robby Draco Rosa.

In 1990, Cruz won a Grammy Award for Best Tropical Latin Performance – Ray Barretto & Celia Cruz – Ritmo en el Corazón. She later recorded an anniversary album with Sonora Matancera. In 1992, she starred with Armand Assante and Antonio Banderas in the filmThe Mambo Kings. In 1994, President Bill Clinton awarded Cruz the National Medal of Arts. In the same year, she was inducted intoBillboards Latin Music Hall of Fame along with fellow Cuban musician Cachao López. In 1999, Cruz was inducted into the International Latin Music Hall of Fame in 1999. In 2001, she recorded a new album, on which Johnny Pacheco was one of the producers.

On July 16, 2002, Cruz performed to a full house at the free outdoor performing arts festival Central Park SummerStage in New York City. During the performance she sang "Bemba Colora'." A live recording of this song was subsequently made available in 2005 on a commemorative CD honoring the festival's then 20-year history entitled, "Central Park SummerStage: Live from the Heart of the City". Cruz appeared on the Dionne Warwick albums 1998 Dionne Sings Dionne & 2006 My Friends & Me with their Latin Duet version of (Do You Know The Way To) San Jose.

In March 2003, the Spanish-language television network Telemundo produced and aired a tribute special honoring Cruz, ¡Celia Cruz: Azúcar!. It was hosted by American singer Marc Anthony and Cuban-American singer Gloria Estefan. It featured musical performances by various Latin music and Anglo performers including Victor Manuelle, Paulina Rubio, José Feliciano, Milly Quezada, Los Tri-O, Estefan, Patti Labelle, Arturo Sandoval, Ana Gabriel, Gilberto Santa Rosa, Tito Nieves, Albita, Johnny Pacheco, Alicia Villareal, Olga Tañón, Mikey Perfecto, José Alberto "El Canario", Rosario, Luis Enrique, Anthony and Gloria Gaynor.

Death

On July 16, 2003, Cruz died of brain cancer at her home in Fort Lee, New Jersey, at the age of 77. Her husband, Pedro Knight (died February 3, 2007), was there for her while she was going through cancer treatments. She had no children with him. After her death, her body was taken to lie in state in Miami's Freedom Tower, where more than 200,000 fans paid their final respects. Multiple vigils occurred worldwide in cities such as Havana, Miami, and Cali (the Cali vigil became notorious in Colombian history due to its three-day span) Knight had Cruz buried in a granite mausoleum that he had built in Woodlawn Cemetery in The Bronx, New York City earlier in 2003, when she was dying. Knight chose the plot on which it stands, which is near the gravestones of Duke Ellington and Miles Davis because it was accessible to fans and had four windows built into it so that fans could see inside when paying their respects. Knight was known to share his time there with visiting fans. Knight himself was buried with Cruz in the same mausoleum following his death on February 3, 2007. An epilogue in her autobiography notes that, in accordance with her wishes, Cuban soil which she had saved from a visit to Guantánamo Bay was used in her entombment.

Legacy

In February 2004, her last album, Regalo del Alma, won a posthumous award at the Premios Lo Nuestro for best salsa release of the year. It was announced in December 2005 that a musical called Azucar! would open in Tenerife before touring the world. The name comes from Cruz's well-known catch phrase of "¡Azúcar!"

On June 4, 2004, the heavily Cuban-American community of Union City, New Jersey heralded its annual Cuban Day Parade by dedicating its new Celia Cruz Park (also known as Celia Cruz Plaza), which features a sidewalk star in her honor, at 31st Street and Bergenline Avenue, with Cruz's widower, Pedro Knight, present. There are four other similar dedications to Cruz around the world. Cruz's star has expanded into Union City's "Walk of Fame", as new marble stars are added each spring to honor Latin entertainment and media personalities, such as merengue singer Joseíto Mateo, salsa singer La India, Cuban musician Israel "Cachao" Lopez, Cuban tenor Beny Moré, Tito Puente, Spanish language television news anchor Rafael Pineda, salsa pioneer Johnny Pacheco, singer/bandleader Gilberto Santa Rosa and music promoter Ralph Mercado.

On May 18, 2005, the National Museum of American History, administered by the Smithsonian Institution and located in Washington, D.C., opened "¡Azúcar!", an exhibit celebrating the life and music of Celia Cruz. The exhibit highlights important moments in Cruz's life and career through photographs, personal documents, costumes, videos, and music.

On September 26, 2007, through May 25, 2008, Celia, a musical based on the life of Celia Cruz, played at the off-Broadway venue, New World Stages. Some performances were in Spanish and some in English. The show won four 2008 HOLA awards from the Hispanic Organization of Latin Actors.

On March 16, 2011, Celia Cruz was honored by the United States Postal Service with a commemorative postage stamp. The Cruz stamp was one of a group of five stamps honoring Latin music greats, also including Selena, Tito Puente, Carmen Miranda, and Carlos Gardel.

The Smithsonian’s National Museum of American History collaborated with photographer Robert Weingarten to create an object-based portrait of Celia Cruz featuring artifacts in the museum. The portrait was unveiled October 3, 2012.

On October 21, 2013, Google honored her with a Google Doodle. At 41st American Music Awards, American singer Jennifer Lopez performed a medley of Cruz's songs.

Discography

Filmography

Salón México (Mexico, 1950)

Una gallega en La Habana (Mexico, 1952)

¡Olé... Cuba! (Mexico/Cuba, 1957)

Affair in Havana (USA/Cuba, 1957)

Amorcito Corazon (Mexico, 1960)

Salsa (Documentary, 1976)

Salsa (USA, 1988)

"Fires Within" (USA, 1991)

The Mambo Kings (USA, 1992)

Valentina (TV) (Mexico, 1993)

The Perez Family (USA, 1995) Luz Pat

El alma no tiene color (TV) (Mexico, 1997)

¡Celia Cruz: Azúcar! (TV) (Tribute, USA, 2003)

Soul Power (Documentary of Kinshasa, Zaire Music Festival 1974) (USA, 2008)

CELIA, Celia Cruz Bio-Drama (2015 on Telemundo)

Wikipedia

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→ The online music company Dreezer has announced that it has reached an agreement with FC Barcelona, thus becoming the official music provider of the club. In the section 'Barça Sound' within the app created by the company, you can access playlists created by the Barça players.

→ Golan Shaked, commercial director of Dreezer stated that the goal of this initiative is to provide music and football fans with one more way to get to know their idols: “‘Barça Sound’ brings together the flow of the club, with music from the matches, playlists created by the players, and audio content from FC Barcelona"

→ These are the playlists created by the players:

Andre Gomes

How to Save a Life - The Fray

Suele Suceder - Piso 21 & Nicky Jam

Andas Mi Cabeza - Chino y Nacho

One Dance - Drake ft. Wizkid & Kyla

Californication - Red Hot Chili Peppers

Sympathy For The Devil - The Rolling Stones

Não Desistas De Mim - Pedro Abrunhosa

Arda Turan

Simarik - Tarkan

Kara Sevda - Barış Manço

Ah Istanbul - Cengiz Özkan

Cinco Minutos y Nada Más - David Angel

Denis Suarez

Todo No Es Casualidad - India Martinez

Tengo Un Corazón - Antonio Jose

Traicionera (Remix) - Sebastián Yatra, Cosculluela, Cali Y El Dandee

La Casa No Es Igual - Melendi

Reggaetón Lento (Bailemos) - CNCO

Lucas Digne

Traicionera - Sebastián Yatra

La Bicicleta - Carlos Vives & Shakira

Loquita - Marama

Bronceado - Marama

No Te Vayas Todavía - Andrés Cepeda ft. Kany García

Noche Loca - Pasabordo

Luis Suarez

Pasarla Bien - Marama

Cuando Se Pone a Bailar - Rombai

Reggaetón Lento (Bailemos) - CNCO

Primera Cita - CNCO

Yo Te Lo Dije - J Balvin

Sofia - Alvaro Soler

Lean On - Major Lazer ft. MØ & DJ Snake

Hasta el Amanecer - Nicky Jam

Desde Esa Noche - Thalía ft. Maluma

Otra Vez - Zion y Lennox ft. J Balvin

Javier Mascherano

Y Sin Embargo - Joaquín Sabina

Rocanroles Sin Destino - Callejeros

No Me Olvides - La Beriso

Viva La Vida - Coldplay

Andas En Mi Cabeza - Chino y Nacho ft. Daddy Yankee

Sergi Roberto

Charlie Brown - Coldplay

I Feel It Coming - The Weeknd ft. Daft Punk

24K Magic - Bruno Mars

Too Good - Drake ft. Rihanna

Photograph - Ed Sheeran

Aleix Vidal

Sofia - Alvaro Soler

No Woman, No Cry - Bob Marley & The Wailers

La Bicicleta - Carlos Vives & Shakira

Castle on the Hill - Ed Sheeran

Sweet Child O’Mine - Guns N’ Roses

Todas Las Promesa - DaSoul

Love Will Tear Us Apart - Joy Division

Stairway To Heaven - Led Zeppelin

El Perdedor - Maluma

99 Problems - Jay-Z

Leo Messi

Ay Vamos - J Balvin

La Pregunta - J Alvarez

Darte Un Beso - Prince Royce

Cuando Se Pone a Bailar - Rombai

Tú Sin Mí - Dread Mar I

Laberintos - Dread Mar I

Más Allá de Tus Ojos - Dread Mar I

24K Magic - Bruno Mars

Safari - J Balvin

Picky - Joey Montana

El Perdedor - Maluma

Hasta el Amanecer - Nicky Jam

Andrés Iniesta

Por La Raja De Tu Falda - Estopa

Como Camarón - Estopa

Billie Jean - Michael Jackson

Cuestión de Prioridades - Melendi

Cero - Dani Martín

Lo Noto - Hombres G

Ivan Rakitic

Human - Rag’n’Bone Man

Deja Que Te Bese - Alejandro Sanz

Sí o No - Anitta ft. Maluma

Por Fin Te Encontré - Cali y El Dandee

La Bicicleta - Carlos Vives

Antes Que No - David Bisbal

Safari - J Balvin

Ain’t Your Mama - Jennifer Lopez

Quiero Que Sepas - Juan Magán

Fuego - Juanes

Despacito - Luis Fonsi ft. Daddy Yankee

Desde que Estamos Juntos - Melendi

Vente pa’ Ca - Ricky Martin

Traicionera - Sebastián Yatra

Desde Esa Noche – Thalía

Sergio Busquets

Propuesta Indecente - Romeo Santos

Andas En Mi Cabeza - Chino y Nacho

Bailando - Enrique Iglesias

La Gozadera - Gente de Zona

Reggaetón Lento (Bailemos) - CNCO

Bailame Despacio - Xantos

Fanática Sensual - Plan B

Cuando Nos Volvamos a Encontrar - Carlos Vives

Fascinación - Carlos Rivera

La Bicicleta - Carlos Vives

Jordi Alba

Estoy Hecho de Pedacitos de Ti - Antonio Orozco

Mi Héroe - Antonio Orozco

Ya No - Manuel Carrasco

Willy Fox - Fondo Flamenco

Como el Agua - Camarón de la Isla

Jasper Cillessen

Rockabye (feat. Sean Paul Anne-Marie) - Clean Bandit

Bed of Roses - Bon Jovi

Kronenburg Park - Frank Boeijen Groep

Kleine Jongen - André Hazes

Start Me Up - The Rolling Stones

Just The Way You Are - Bruno Mars

Gerard Piqué

La Bicicleta - Carlos Vives & Shakira

Chantaje - Shakira

No Woman, No Cry - Bob Marley The Wailers

Fake Love - Drake

Hasta Que Se Seque El Malecón (Remix) - Jacob Forever

Picky - Joey Montana

Uptown Funk - Mark Ronson

Smells Like Teen Spirit - Nirvana

Me Llamas - Piso 21

Cheap Thrills - Sia

Otra Vez - Zion y Lennox ft. J. Balvin

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Opiniones sobre el “monotema” secesionista (17/9/2017)

Ada Colau y la Diada de los gorros de papel - Juan Soto Ivars

Alguien tiene que parar esto - Carlos Elordi

Análisis geoestratégico del problema catalán - Juan Laborda

Antes y después del 1 de octubre - Juan-Ramón Capella

Apagón informativo - Javier Fumero

Cataluña - Luis García Montero

Cataluña: golpe de Estado atípico - José Ignacio Domínguez

Cataluña en boca de todos - Javier Arnal

Cataluña nos roba - José Apezarena

Cataluña, la proporcionalidad y los errores categoriales - José Luis González Quirós

De toros y toreros: en Cataluña el Estado tiene las de perder - Juan Soto Ivars

Demofobia o democracia. En Madrid y en Cataluña una oportunidad para la(s) República(s) - Elena Martínez

Derecho de autodeterminación: ni derecho fundamental ni derecho moral - José Manuel Rodríguez Uribes

El 1-O, un pulso con riesgo serio de ruptura - Isabel Serrano

El 1-O: rememorizar España - Santiago Alba Rico

El Estado se conjura para frenar la deriva soberanista en vísperas del referéndum - Gabriel Sanz

El fin de la conllevanza en Cataluña - Vicente Vallés

El lapsus catalán de Felipe VI - Fernando López Agudín

El libro sobre el independentismo catalán que nadie quiere publicar - Carlos Prieto

El manoseo a la Constitución: el referéndum y el Matadero - Ana Valero

El nacionalismo catalán está muerto, pero aún no lo sabe - Javier Benegas

El referéndum, catalán desde el activismo lgtb - Beatriz Gimeno

El referéndum inviable: sin censo, garantías internacionales ni protección de datos - Fernando Garea

En Europa y en Estados Unidos se preguntan si nos hemos vuelto locos - Federico Quevedo

Es la ley, estúpidos - Félix Gallardo

España, una 'scary movie' - Andrés Aberasturi

Esto dicen las Constituciones del mundo libre - Graciano Palomo

'Días de trueno' - Pepa Bueno

Guerra al 'prompter' - Luis Arroyo

Izar y Mario - Guillermo Gortázar

La aporía catalana - José Miguel Contreras

La consulta - Montero Glez

La estrategia de Colau: surfear el tsunami del 1-O sin jugarse el cargo - Neus Tomàs

La Diada se desinfla: entre el 'mambo' y el miedo - Jose Alejandro Vara

La fiesta de la insignificancia - Karina Sainz Borgo

La gente no puede más: está saturada - Javier Fumero

La "ñ" en Catalunya - Jose Alejandro Vara

La rebelión secesionista hace inevitable la aplicación del 155 - Jesús Cacho

La revolución catalana - Ana Pardo De Vera

La secesión y el acongojo empresarial - Graciano Palomo

Las urnas, las leyes y viceversa - Miguel Pasquau Lia��o

Leña al mono en las calles - Javier Fumero

Lliure, soberana y fraternal - Josu Montalbán

Lo del rey Felipe: ¿más claro? No, ¡más alto! - Graciano Palomo

Lo que dice Juncker - Leopoldo Abadía

Lo que nos dirán - Manuel Cruz

Los catalanes tendrán que ponerse a la cola - José Apezarena

Los límites de la soberanía y el Parlamento de Cataluña - José M. Portillo

Más allá del primero de octubre - Alejo Vidal-Quadras

Mariano Rajoy, un rey desnudo en Cataluña - Jordi Ruiz de Villa

Mensaje de esos extraterrestres que hay en Cataluña - Javier Fumero

Mi papeleta, mi urna y mi ‘colegio electoral’ - José Apezarena

Negociar es dejar puertas abiertas - Fernando Berlín

Ni Cataluña es Cuba, ni Puigdemont es Cambó - Enric Sopena

Ni el Gobierno ni el Rey - Jorge Fabra Utray

¿No iba a romper España el Estatut? - Andrés Villena

No es equidistancia, es evitar trampas para elefantes - Cristina Monge

Pánico a las urnas - Javier Figueiredo

Que se vaya la Guardia Civil de Cataluña o no - Javier Fumero

¿Quién es el verdadero Josep Pagès? - El chivato

¿Por qué Barcelona’92 fue un éxito colectivo y 25 años después vamos al fracaso colectivo? - Agustín Argelich

¿Por qué PP, Ciudadanos y el PSC evitan hacer la campaña del 'no' a la independencia? -  Diego Molpeceres

¿Por qué (casi) nadie se moviliza contra la independencia de Cataluña? - Ángel Villarino

Proceso saprófito - Elisa Beni

Puigdemont sigue cortando cabezas - Enric Sopena

'Ordeñadores' de trenes - Fernando Pérez Martínez

Rajoy abandona toda esperanza de acuerdo: Peligra la cabeza de Puigdemont - Jose Alejandro Vara

Rajoy ante el búmeran catalán - Rodolfo Irago

Rufián, impresor de la República de Cutreluña - Juan Soto Ivars

Sobre el referéndum - Ignacio Sánchez-Cuenca

Solo hay un aliado del nacionalismo más peligroso que la pasividad: la estupidez - Agustín Valladolid

Sube la tensión entre la ley y los "forajidos" - Antonio Casado

Supremacistas - Juan Ramón Lucas

Tardá y Campuzano, la última traca del independentismo - José Antonio Zarzalejos

¿Tienen Rajoy y/o Puigdemont un plan B? - Arsenio Escolar

Tienes un problema y tenemos que arreglarlo - Javier Fernández Rubio

Tres obviedades sobre Cataluña - José Carlos Rodríguez

Un grito de guerra vestido de negociación - Ignacio Varela

¿Y por qué no el cupo vasco (bien calculado) para Cataluña? - Carlos Sánchez

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Intervención de J.Cabello en el acto celebrado en el Cementerio Civil de Madrid, el 23 de septiembre

Buenos días compañeras, compañeros, amigas, amigos, camaradas

Un año más y como representante del Foro por la Memoria de la Comunidad de Madrid y de la Federación Estatal de Foros por la Memoria, es un honor para mí, compartir con vosotros este homenaje a estos Cinco Luchadores por la libertad, contra el Fascismo criminal de una Dictadura que lleno los campos de España de muertos, centenas de torturados y torturadas , dejando a miles de niños y niñas huérfanos deambulando y pasando hambre y miseria

Este próximo  Jueves día 27 se cumplirán  43 años del asesinato de :

JOSE LUIS SANCHEZ BRAVO

RAMON GARCIA SANZ

JOSE BAENA ALONSO

ANGEL OTEGUI ECHEVERRIA Y

JUAN PAREDES MANOT (TXIKI )

vosotros también fuisteis victimas del Sanguinario Criminal Francisco Franco y  fusilados al amanecer, como  acostumbraba  el Régimen  sin luz apenas, ni taquígrafos,  como se suele decir. ( Al Alba )

El Sanguinario Dictador ya casi al borde de su tardía muerte, no dio marcha atrás. Su decisión causó un gran impacto  internacional

Eran 11 los condenados a muerte; seis de ellos fueron indultados y conmutadas sus penas capitales por  25 y 30 años de prisión gracias a, según la prensa del Régimen, que “hubo clemencia por parte de Franco”. Una clemencia que no sirvió para adoctrinar sobre las virtudes cristianas de Su Excelencia el Jefe del Estado. Tampoco sirvió para maquillar la cara de una dictadura siniestra frente al exterior como pretendía.

Ni la presión internacional, ni el Vaticano, ni el  ex-canciller de Alemania, ni el presidente de la Conferencia Episcopal, ni la ONU, ni el manifiesto en contra que firmaron desde Madrid ,y al que se adhirieron intelectuales como Jean Paul Sartre, ni el clamor de las familias.

A dos meses de su fallecimiento, el Criminal y Generalísimo de Todos los Ejércitos firmó las últimas condenas a muerte de la Dictadura. Quien había comenzando con un acto de matanza fundacional,  con una violencia que fue consustancial y definitoria del régimen,  daba el finiquito a 40 años de terrorismo de estado.

Lo hacía  condenando a cinco militantes antifascistas, tres pertenecientes al Frente Revolucionario Antifascista y Patriótico y dos militantes de ETA político-militar. Ellos representan la defensa de la libertad, la democracia, el estado de derecho y la lucha por los derechos políticos, civiles y sociales. Son un referente ético. Un referente ético no reconocido que marca un vacío en la salud democrática  del Estado español.

Acusados de matar a cuatro miembros de la Policía Armada y de la Guardia Civil fueron juzgados sin garantías jurídicas, en unos juicios sumarísimos en los que se arrancó su confesión a base de torturas y se vulneraron derechos fundamentales contenidos en el Pacto Internacional  de Derechos Civiles y Políticos, según se recoge en un informe de las Naciones Unidas en 2010; en los que se rechazaron todas las  pruebas documentales, la Brigada Político Social no presentó testigos y los  testigos de la defensa no fueron aceptados. Un proceso calificado por el observador judicial de la Federación Internacional de Derechos del Hombre de simulacro y siniestra farsa y de broma macabra por la prensa internacional.

NUESTRO HOMENAJE, que tiene también el sentido de acción  para contrarrestar el silencio y el abandono del Estado español hacia estas víctimas, hacia todas las víctimas, hace que estemos unidos hoy aquí  para proclamar una dignidad que no les pudieron arrebatar.

Tiene el sentido de exigir  la anulación de todas las sentencias represivas de la Dictadura. De plantear la modificación del marco legal mediante una Ley de Reconocimiento y Protección Integral a las Víctimas del Franquismo que condene al franquismo como régimen criminal, que garantice los derechos a las víctimas, que declare la nulidad de todas las acciones represivas y de toda la legislación que sigue garantizando la impunidad. Y exija que sea aplicado el tipo penal de crímenes contra la humanidad a todos los responsables.

Los hombres y mujeres de mi generación, que era la de ellos, crecimos contra Franco en una España desgarrada por una fractura  política, social, cultural y emocional.

El 27 de setiembre de 1975 fueron fusilados por tres pelotones de voluntarios y frente al paredón:

José Humberto Baena 24 años, José Luis Sánchez Bravo 22 años, Ramón García Sanz, 27 años,  en Hoyo de Manzanares (Madrid).Juan Paredes Manot, alias Txiqui, 21 en Barcelona y Angel Otaegui, 33 años, en Burgos.

Vaya nuestro homenaje y reconocimiento a los compañeros asesinados y a sus familias, compañeros y amigos, así como a todas y cada una de las víctimas de la Dictadura

Una Dictadura que al día de hoy , muchos de sus adeptos no se resignan dejar atrás y se aferran a que la Momia del Dictador y Verdugo , salga del Valle de Los Caídos, que torturadores como Sánchez Pacheco – Billy el Niño se les aplique la Ley de Memoria y se condene por todos los abusos y torturas llevadas a cabo durante décadas ; así como se abra una investigación a fondo  y se juzgue al franquista Martin Villa conforme al derecho penal internacional por los asesinatos, torturas  y abusos durante largos años de Ministro.

Pedimos : La declaración de nulidad de la Ley Amnistía e de 1977 y acabar  con la Impunidad de los Crímenes del Franquismo

VERDAD, JUSTICIA Y REPARACIÓN

SALUD Y REPUBLICA

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Celia Cruz

Úrsula Hilaria Celia de la Caridad Cruz Alfonso, also known by her stage name Celia Cruz (October 21, 1925 – July 16, 2003), was a Cuban singer of Latin music. The most popular Latin artist of the 20th century, she earned twenty-three gold albums and was a recipient of the National Medal of Arts. She was renowned internationally as the "Queen of Salsa", "La Guarachera de Cuba", as well as The Queen of Latin Music.

She spent much of her career working in the United States and several Latin American countries. Leila Cobo of Billboard Magazine once said "Cruz is indisputably the best known and most influential female figure in the history of Cuban and Latin music".

Early life

Úrsula Hilaria Celia de la Caridad Cruz Alfonso was born on October 21, 1925 in the diverse, working-class neighborhood of Santos Suárez in Havana, Cuba, the second of four children. Her father, Simon Cruz, was a railroad stoker and her mother, Catalina Alfonso was a homemaker who took care of an extended family of fourteen.

While growing up in Cuba's diverse 1930s musical climate, Cruz listened to many musicians who influenced her adult career, including Fernando Collazo, Abelardo Barroso, Pablo Quevedo and Arsenio Rodríguez. Despite her mother's opposition and the fact that she was Catholic, as a child Cruz learned santería songs from her neighbor who practiced santería. Cruz also later studied the words to Yoruba songs with colleague Mercedita Valdés (an Akpwon santería singer) from Cuba and made various recordings of this religious genre, even singing backup for other female akpwons like Candita Batista.

As a teenager, her aunt took her and her cousin to cabarets to sing, but her father encouraged her to attend school in the hope she would become a teacher. However, one of her teachers told her that as an entertainer she could earn in one day what most Cuban teachers earned in a month. Cruz began singing at Havana's radio station Radio García Serra as a contestant on this station's popular "Hora del Té" daily broadcast, where she sang the tango "Nostalgias" and won a cake as first-place finisher. She often won cakes and also opportunities to participate in more contests. Her first recordings were made in 1948 in Venezuela.

Career

With Sonora Matancera, she appeared in cameos in some Mexican films such as Rincón Criollo (1950), Una gallega en La Habana(1955) and Amorcito Corazón (1961).

When Fidel Castro assumed control of Cuba in 1959, Cruz and her husband, Pedro Knight, were prohibited from returning to their homeland and became citizens of the United States. In 1966, Cruz and Tito Puente began an association that would lead to eight albums for Tico Records. The albums were not as successful as expected. However, Puente and Cruz later joined the Vaya Records label. There, she joined accomplished pianist Larry Harlow and was soon headlining a concert at New York's Carnegie Hall.

Cruz's 1974 album with Johnny Pacheco, Celia y Johnny, was very successful, and Cruz soon found herself in a group named the Fania All-Stars, which was an ensemble of salsa musicians from every orchestra signed by the Fania label (owner of Vaya Records). With the Fania All-Stars, Cruz had the opportunity to visit England, France, Zaire (today's DR Congo), and to return to tour Latin America; her performance in Zaire is included in the film Soul Power. In the late 1970s, she participated in an Eastern Air Lines commercial in Puerto Rico, singing the catchy phrase ¡Esto sí es volar! (This is to truly fly!).

In 1976, she participated in a documentary film Salsa about the Latin culture, along with figures like Dolores del Río and Willie Colón.

Celia Cruz used to sing the identifying spot for WQBA radio station in Miami, formerly known as "La Cubanísima": "I am the voice of Cuba, from this land, far away...I am liberty, I am WQBA, the most Cuban! (Yo soy de Cuba, la voz, desde esta tierra lejana...soy libertad, soy WQBA, Cubanísima!) During the 1980s, Cruz made many tours in Latin America and Europe, doing multiple concerts and television shows wherever she went, and singing both with younger stars and stars of her own era. She began a crossover of sorts, when she participated in the 1988 feature film Salsa alongside Robby Draco Rosa.

In 1990, Cruz won a Grammy Award for Best Tropical Latin Performance – Ray Barretto & Celia Cruz – Ritmo en el Corazón. She later recorded an anniversary album with Sonora Matancera. In 1992, she starred with Armand Assante and Antonio Banderas in the filmThe Mambo Kings. In 1994, President Bill Clinton awarded Cruz the National Medal of Arts. In the same year, she was inducted intoBillboards Latin Music Hall of Fame along with fellow Cuban musician Cachao López. In 1999, Cruz was inducted into the International Latin Music Hall of Fame in 1999. In 2001, she recorded a new album, on which Johnny Pacheco was one of the producers.

On July 16, 2002, Cruz performed to a full house at the free outdoor performing arts festival Central Park SummerStage in New York City. During the performance she sang "Bemba Colora'." A live recording of this song was subsequently made available in 2005 on a commemorative CD honoring the festival's then 20-year history entitled, "Central Park SummerStage: Live from the Heart of the City". Cruz appeared on the Dionne Warwick albums 1998 Dionne Sings Dionne & 2006 My Friends & Me with their Latin Duet version of (Do You Know The Way To) San Jose.

In March 2003, the Spanish-language television network Telemundo produced and aired a tribute special honoring Cruz, ¡Celia Cruz: Azúcar!. It was hosted by American singer Marc Anthony and Cuban-American singer Gloria Estefan. It featured musical performances by various Latin music and Anglo performers including Victor Manuelle, Paulina Rubio, José Feliciano, Milly Quezada, Los Tri-O, Estefan, Patti Labelle, Arturo Sandoval, Ana Gabriel, Gilberto Santa Rosa, Tito Nieves, Albita, Johnny Pacheco, Alicia Villareal, Olga Tañón, Mikey Perfecto, José Alberto "El Canario", Rosario, Luis Enrique, Anthony and Gloria Gaynor.

Death

On July 16, 2003, Cruz died of brain cancer at her home in Fort Lee, New Jersey, at the age of 77. Her husband, Pedro Knight (died February 3, 2007), was there for her while she was going through cancer treatments. She had no children with him. After her death, her body was taken to lie in state in Miami's Freedom Tower, where more than 200,000 fans paid their final respects. Multiple vigils occurred worldwide in cities such as Havana, Miami, and Cali (the Cali vigil became notorious in Colombian history due to its three-day span) Knight had Cruz buried in a granite mausoleum that he had built in Woodlawn Cemetery in The Bronx, New York City earlier in 2003, when she was dying. Knight chose the plot on which it stands, which is near the gravestones of Duke Ellington and Miles Davis because it was accessible to fans and had four windows built into it so that fans could see inside when paying their respects. Knight was known to share his time there with visiting fans. Knight himself was buried with Cruz in the same mausoleum following his death on February 3, 2007. An epilogue in her autobiography notes that, in accordance with her wishes, Cuban soil which she had saved from a visit to Guantánamo Bay was used in her entombment.

Legacy

In February 2004, her last album, Regalo del Alma, won a posthumous award at the Premios Lo Nuestro for best salsa release of the year. It was announced in December 2005 that a musical called Azucar! would open in Tenerife before touring the world. The name comes from Cruz's well-known catch phrase of "¡Azúcar!"

On June 4, 2004, the heavily Cuban-American community of Union City, New Jersey heralded its annual Cuban Day Parade by dedicating its new Celia Cruz Park (also known as Celia Cruz Plaza), which features a sidewalk star in her honor, at 31st Street and Bergenline Avenue, with Cruz's widower, Pedro Knight, present. There are four other similar dedications to Cruz around the world. Cruz's star has expanded into Union City's "Walk of Fame", as new marble stars are added each spring to honor Latin entertainment and media personalities, such as merengue singer Joseíto Mateo, salsa singer La India, Cuban musician Israel "Cachao" Lopez, Cuban tenor Beny Moré, Tito Puente, Spanish language television news anchor Rafael Pineda, salsa pioneer Johnny Pacheco, singer/bandleader Gilberto Santa Rosa and music promoter Ralph Mercado.

On May 18, 2005, the National Museum of American History, administered by the Smithsonian Institution and located in Washington, D.C., opened "¡Azúcar!", an exhibit celebrating the life and music of Celia Cruz. The exhibit highlights important moments in Cruz's life and career through photographs, personal documents, costumes, videos, and music.

On September 26, 2007, through May 25, 2008, Celia, a musical based on the life of Celia Cruz, played at the off-Broadway venue, New World Stages. Some performances were in Spanish and some in English. The show won four 2008 HOLA awards from the Hispanic Organization of Latin Actors.

On March 16, 2011, Celia Cruz was honored by the United States Postal Service with a commemorative postage stamp. The Cruz stamp was one of a group of five stamps honoring Latin music greats, also including Selena, Tito Puente, Carmen Miranda, and Carlos Gardel.

The Smithsonian’s National Museum of American History collaborated with photographer Robert Weingarten to create an object-based portrait of Celia Cruz featuring artifacts in the museum. The portrait was unveiled October 3, 2012.

On October 21, 2013, Google honored her with a Google Doodle. At 41st American Music Awards, American singer Jennifer Lopez performed a medley of Cruz's songs.

Discography

Filmography

Salón México (Mexico, 1950)

Una gallega en La Habana (Mexico, 1952)

¡Olé... Cuba! (Mexico/Cuba, 1957)

Affair in Havana (USA/Cuba, 1957)

Amorcito Corazon (Mexico, 1960)

Salsa (Documentary, 1976)

Salsa (USA, 1988)

"Fires Within" (USA, 1991)

The Mambo Kings (USA, 1992)

Valentina (TV) (Mexico, 1993)

The Perez Family (USA, 1995) Luz Pat

El alma no tiene color (TV) (Mexico, 1997)

¡Celia Cruz: Azúcar! (TV) (Tribute, USA, 2003)

Soul Power (Documentary of Kinshasa, Zaire Music Festival 1974) (USA, 2008)

CELIA, Celia Cruz Bio-Drama (2015 on Telemundo)

Wikipedia

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Opiniones de política española (31/5/2019)

26-M: la fiesta de la democracia no acabó en casa de los Javis - Ángeles Caballero

Ajuste de cuentas - Jorge Vilches

Apoyarse en fascistas para quitar a Manuela Carmena - Ruth Toledano

Califa en los reinos de taifas - Javier Valenzuela

Canciones para después de una triste victoria - Jesús Cacho

Casado se impone a Rivera y Sánchez barre a Iglesias - José Antonio Zarzalejos

Casado se salva y Carmena se va a su casa - José Apezarena

Casado teme que la pinza Feijóo-Moreno vaya en aumento - Jose Alejandro Vara

Casado y la conjura de los boyardos - Jose Alejandro Vara

Casado ya no llama ultraderecha a Vox y otros grandes descubrimientos del día después de las elecciones - Iñigo Sáenz de Ugarte

Ciudadanos fracasa en su intento de desplazar al PP como primera fuerza de la derecha - Marcos Pinheiro

Coalición fáctica contra la mayoría en Cataluña - Domingo Sanz

De Madrid al subsuelo - David Torres

De los cuentos de campaña al realismo mágico de los pactos - Isabel Pedrote

Desunidos no se puede y unidos, según cómo, tampoco - María Iglesias

¿Dónde está Pablo Iglesias? - David Bollero

Elecciones municipales y autonómicas 2019: Segunda vuelta con sorpresa - Encarna Samitier

El alcalde del cambio se llama Ribó - Adolf Beltran

El arte de pactar en política - Isabel Serrano

El bipartidismo no ha vuelto, pero amaga con hacerlo - Arsenio Escolar

El bipartidismo resiste - Vicente Vallés

El condón sanitario - Virginia P. Alonso

El corto verano del municipalismo - José Luis Fdez. Casadevante

El lapsus de Pablo Iglesias en su comparecencia por los resultados electorales #AnalisisNoVerbal - Alicia Martos

El exministro Iglesias - Gabriel Sanz

El problema no son los resultados, el problema es Podemos - Ione Belarra

El PSOE analiza ya cómo encajar el fiasco de Pepu y el futuro incierto de Gabilondo - David Fernández

El PSOE deja en suspenso la guerra con Susana Díaz tras plantearle una "salida digna" - Irene Castro y Daniel Cela

El PSOE gana las elecciones, Casado toma aire en Madrid y Podemos se desploma - José Precedo y Raquel Ejerique

El puzle a dos bandas que maneja Cs: Aragón y Zaragoza; Castilla y León y sus alcaldías - Paloma Esteban

El que pierde, gana - Juan Pablo Colmenarejo

El síndrome de la acera - Ángeles Caballero

En defensa del voto político - Javier Franzé

En España la socialdemocracia goza de buena salud - Enric Sopena

En tiempo de pactos y gobiernos: ¿apostamos por la juventud? - María Rodríguez Alcázar

Errejón, heredero de Carmena... y de Pablo Iglesias - José Apezarena

Errejón usará Madrid como trampolín para liderar la "nueva izquierda" frente a Iglesias - Iván Gil

Espadas triunfa, Díaz también y el PP fracasa - Raúl R. Vega

Feijóo se queda sin poder urbano a un año de las elecciones gallegas - David Lombao

¿Fuga de votantes de Vox por su docilidad en Andalucía? - Antonio Avendaño

Ganamos las feas - Ana Pardo de Vera

Geometría variable - Juan Carlos Escudier

Guerra de pactos: Casado se niega a ceder plazas y teme que Rivera apoye a Lambán - Ángel Collado

Han perdido todos, incluso el ganador - Benjamín Prado

Ignacio Urquizu (PSOE): de vetado por Ferraz a un triunfo histórico en su ciudad - Elisa Alegre Saura

Ignacio Urquizu, el profesor que adelantó al "alcalde veloz" - Carlos Hidalgo

Incultura política - José Miguel Contreras

Joan Ribó y la cabezonería de la razón - Alfons Cervera

Juegos de estrategia - Maite Rico

La agonía de Podemos - Carmelo Encinas

La amarga victoria de Sánchez y la dulce derrota de Casado - Ignacio Varela

La caída de la izquierda alternativa en once gráficos - David Noriega

La coalición entre los tecnócratas y los 'bobos': Errejón, Cs y la política que viene - Esteban Hernández

La debacle de Podemos dificulta a Iglesias el pacto con Sánchez y reabre la 'vía Errejón' - Iván Gil

La disyuntiva - Julio Anguita, Marga Sanz, José Luis Centella, Javier Moreno, Eddy Sanchez, Jaime Ajá, y Manuel Peñarey

La estrategia MAD y el gobierno de coalición - Ignacio Escolar

La excepción de Borja Sémper: sube en votos para el PP sin las siglas del PP - Iker Rioja Andueza

La hora de los valientes: carta abierta a Sánchez, Rivera y Casado - Isidoro Tapia

La izquierda ha ganado, señor Rivera, y usted todavía no se ha enterado - Enric Sopena

La izquierda en Madrid está maldita - Juan Carlos Escudier

La paradoja de Juanma Moreno: el barón que depende de Vox juega al centro - Raúl Bocanegra

La partida final por Madrid: entre Borgen y Juego de Tronos - Fátima Anllo Vento

La ‘política Lego’ - Verónica Fumanal

La refundación - Juan Carlos Escudier

La Restauración - Javier Gallego

La segunda vuelta del 26 de mayo - Rodolfo Irago

La sombra del ERE en Génova marca la decisiva batalla por Madrid entre PP y Cs - Ángel Collado y Paloma Esteban

La vuelta al centro en 24 horas - Jorge Vilches

Las autonomías: un contrapoder para la derecha - Juan Ramón Rallo

Legionarios y fascistas… ¡Ay, Carmena! - Karina Sainz Borgo

Las buenas intenciones de Errejón - Fernando López Agudín

Las cloacas de Podemos - Juan Soto Ivars

Las consecuencias de la escasa representatividad del sistema electoral estatal y municipal - Vicenç Navarro

Las izquierdas y el tiro en el pie - Ramón Lobo

Las magdalenas de la izquierda se queman en el horno de Madrid - Iñigo Sáenz de Ugarte

Las paradojas de Casado - Javier Caraballo

Las tres llaves del cambio andaluz - Javier Caraballo

Llenar las urnas de vida cotidiana - Luis García Montero

Los Baltar se tambalean: ocaso de un emblema del poder tradicional del PP - Pablo López

Los cinco pactos que definirán el mapa autonómico de España - Marina Alías

Los españoles quieren más política y menos drama - Antón Losada

Los ganadores y perdedores de una larga noche electoral - Ignacio Escolar

Los pactos del demonio - Carmelo Encinas

Los renglones torcidos del resultado electoral - Isidoro Tapia

Los veintiún hijos de Pablo Iglesias - José Ángel Hidalgo

Los Verdes ganan fuerza en Europa y serán clave para formar mayorías - Marta Maroto

Madrid, rompeolas de todas las izquierdas - César Calderón

Madrid salva a Casado - Yolanda González

Madrid salva al PP - Carmelo Encinas

Madrid será el contrapeso de Pedro Sánchez - Jesús Morales

Magdalenas contra narcopisos: Carmena se dejó la alcaldía en los barrios pobres - Alfredo Pascual

¿Minuto de oro o minuto de la basura? - Pablo Carbajosa Pérez

Navajazos de guante blanco en la calle Génova - Javier Fumero

Nostalgia de un mañana que nunca llegará - Pedro Bravo

No mezcléis elecciones, la resaca es horrible - Antón Losada

Pablo Casado salva los muebles a la tercera - Javier Fumero

Pablo Iglesias lo fía todo a un Gobierno de coalición con el PSOE tras la debacle del 26M - Aitor Riveiro

¿Pacto PSOE-C’s? - Juan Antonio Molina

Política con mayúsculas - Curra Ripollés

Por qué es necesaria la autocrítica - Alberto Garzón Espinosa

¿Por qué ha perdido Ada Colau? - Neus Tomàs

Por qué la izquierda perdió Madrid - Ignacio Escolar

Programa, programa, programa - José María Albert de Paco

¡Qué atrevida es la ideología dominante! - José Apezarena

Quién gana y quién pierde en estas elecciones - Odón Elorza

¿Quo vadis, Unidas Podemos? - Sílvia Claveria

Rivera e Iglesias salen tocados del 26-M - Álvaro Nieto

Seis consecuencias del 26M - Jesús Maraña

Susana Díaz y Pedro Sánchez: cambio de clima - Raúl Bocanegra

Todo empezó en Andalucía... - Lucrecia Hevia

Todo es falso, salvo alguna cosa - Félix Madero

Un golpe a la memoria - Aroa Moreno Durán

Un nuevo panorama político - Carlos Elordi

Un pacto PSOE y Ciudadanos sobre el desplome de Podemos - Rosa María Artal

Vencedores y perdedores: Errejón dirá - Pedro Oliver Olmo

Victoria personal de Joan Ribó - Pablo Segarra

Vox va de farol - Javier Fumero

¿Y ahora qué? Después del fracaso de Podemos - Esteban Hernández