#Jory Anast

[dkmh-news]

New Zealand-born, Sydney-based filmmaker Samuel Van Grinsven’s psychological thriller Went Up the Hill will have its world premiere at this year’s Toronto International Film Festival (TIFF) after being included in today’s official line-up announcement.

An Australia/New Zealand co-production, the film picks up with main character Jack (Dacre Montgomery) as he ventures to remote New Zealand to attend the funeral of his estranged birth mother and meets her grieving widow, Jill (Vicky Krieps). However, his search for answers becomes dangerous when his mother’s ghost returns to inhabit both her son and widow, instigating a life-threatening nocturnal dance between the three of them.

Van Grinsven wrote the script with Jory Anast, with Samantha Jennings and Kristina Ceyton producing for Causeway Films, alongside Vicky Pope for POP Film. According to Deadline, the film finished its New Zealand shoot in October last year, receiving major production investment from the New Zealand Film Commission and Screen Australia, along with financial support from Screen CanterburyNZ, Fulcrum Media Finance, the New Zealand Government’s Screen Production Rebate, and Head Gear Films.

Went Up The Hill is Van Grinsven’s second feature, following 2019’s Sequin in a Blue Room, which he also wrote with Anast.

It will screen under the special presentations thread of this year’s event, which takes place from September 5–15.

In a statement to IF, Jennings, Ceyton, and Pope said they were “so honoured” by the film’s inclusion.

“Samuel’s beautiful unique vision will be shared with the world for the first time, bringing this haunting New Zealand- Australian co-production to the big screen,” they said.

“Huge thanks to our investors, incredible cast, and wonderful crew.”

[filmes-online-facil]

Assistir Filme Sequin no Quarto Azul Online fácil

Assistir Filme Sequin no Quarto Azul Online Fácil é só aqui: https://filmesonlinefacil.com/filme/sequin-no-quarto-azul/

Sequin no Quarto Azul - Filmes Online Fácil

Depois de um encontro casual em uma festa de sexo anônima, um garoto caça o mundo de um aplicativo de engate para rastrear o homem misterioso. Favorecendo a gratificação instantânea de encontros sexuais anônimos e sem compromisso em vez de relacionamentos significativos, o colegial Sequin faz parte da geração sempre conectada, mas nunca comprometida, de encontros. Ele fantasma ex-parceiros e permanece emocionalmente indisponível. Isso até que ele encontra seu caminho para uma festa de sexo anônima, onde um novo mundo vertiginosamente atraente se desdobra diante dele. Em uma cena, Sequin se conecta com um estranho misterioso, mas eles são separados repentinamente. Totalmente obcecado por este homem, Sequin parte em uma missão emocionante e perigosa para rastreá-lo. Escrito por Jory Anast e Samuel Van Grinsven, Sequin in a Blue Room é um conto queer altamente realizado sobre a maioridade e uma lufada de ar fresco da cena do cinema independente australiano.

[milliondollarbaby87]

P!nk: All I Know So Far (2021) Review

P!nk: All I Know So Far (2021) Review

A behind the scenes look at P!nk as she balances family and life on tour in the build up to her first Wembley Stadium performance in 2019 during her Beautiful Trauma world tour! ⭐️⭐️⭐️⭐️ (more…)

[popentertainmentmusic]

P!NK: ALL I KNOW SO FAR (2021)

Featuring P!nk, Carey Hart, Willow Sage Hart, Jameson Moon Hart, Baz Halpin, Roger Davies, Jason Chapman, Justin Derrico, Mark Schulman, Eva Gardner, Adriana Balic, Jessy Greene, Jenny Douglas-Foote, Stacy Campbell, Loriel Hennington, Tracy Shibata, Remi Bakkar, Khasan Brailsford, Reina Hidalgo, Shannon Holtzapftel, Jeremy Hudson, Justine Lutz, Madelyne Spang and Anthony Westlake.

Written by P!nk, Michael Gracey, Cindy Mollo and Jory Anast.

Directed by Michael Gracey.

Concert footage directed by Larn Poland.

Distributed by Amazon Prime Video. 99 minutes. Not Rated.

We have all watched P!nk grow up in the 20 years that she has been on the top of the charts. She has gone from wild party girl to a surprisingly grounded, unaffected and complicated adult. Her marriage with motocross racer Carey Hart has gone from tabloid fodder to settled and comfortable. Her songs have gone from “So what, I’m a rock star…” to “All I know so far…” She is a wife, and a mother, and a boss, and a part of an artistic collective, and an entertainer, and an industry.

That’s a lot of balls to keep in the air at once.

All I Know So Far scrutinizes a couple of weeks of the European leg of her 2019 Beautiful Trauma tour. It shows her juggling those balls – singer, dancer, entertainer, acrobat, artist, friend, regular woman, wife, mother….

In something of a surprise, the movie tends to put that last part of P!nk first.

And look, their kids are adorable, and P!nk and Carey are obviously loving, doting parents. I know she’s trying to show what it is like to be a rock star mama on the road. But, really, there’s way too much of the kids here. We’re here looking to hear music, not to watch a couple of cute tykes frolicking around European streets, hotels and back stages. Save that stuff for your home movies.

I get the fact that Willow and Jameson are the most important thing in her life – but they aren’t the most important thing in her life for us.

Although, I suppose it shows what a selfless artist P!nk is that she tries to cede the attention – even in a film about herself – to others. Her touring group, her management, her fans, her husband, her kids (especially her kids!), strangers she meets on European streets – P!nk is more than happy to share the spotlight with them. She does have a refreshing lack of self-absorption for a singer who has been a star most of her adult life.

As she points out here about the huge entourage of musicians and dancers that tour with her, she is not intimidated about being overshadowed by their talent. Their doing the best possible only makes her look better. She wants to surround herself with the finest, most passionate people she can find.

It is scenes like that which help to show how P!nk has become the star she has. She was always an adventurous talent, as pointed out by an early clip shown in the film of P!nk doing Madonna’s “Oh Father” at a talent show – an adventurous choice of Madonna song for such a young singer to cover. There would be so many more songs in Madonna’s songbook which would be much more obvious.

All I Know So Far also does periodically flash back to her youth in the Philadelphia area and her early days in the music business. But mostly, it is P!nk on the streets and stages (and hotels and dressing rooms) of Europe.

The last half hour or so is almost straight concert footage from her Wembley Stadium show (except for one extended backstage segment which returns us to the P!nk wife and mom narrative), and that is where All I Know So Far really takes off.

Jay S. Jacobs

Copyright ©2021 PopEntertainment.com. All rights reserved. Posted: May 21, 2021.

[9oodshots]

'𝗦𝗘𝗤𝗨𝗜𝗡 𝗜𝗡 𝗔 𝗕𝗟𝗨𝗘 𝗥𝗢𝗢𝗠': 𝟴📱/ 𝟭𝟬⁣ 🎬 𝗦𝗬𝗡𝗢𝗣𝗦𝗜𝗦 & 😎 𝗡𝗢𝗡-𝗦𝗣𝗢𝗜𝗟𝗘𝗥 𝗥𝗘𝗩𝗜𝗘𝗪⁣ ⁣ 🎬: 'Sequin' [Conor Leach], an Australian 16yo, uses the hook-up app 'Anon' to have one-off sexual encounters with [sometimes much] older men.⁣ ⁣ After receiving an app invite to a 'Blue Room' sex-party, Sequin has brief yet intense sex with another young man [Samuel Barrie], who doesn't tell him his name but challenges Sequin to 'find him on the outside.'⁣ ⁣ With his obsession building over the encounter, Sequin puts himself further at risk by dealing with dangerous users of the app as he tries to find the identity of the mystery man.⁣ ⁣ 😎: The writing team of Jory Anast & Samuel Van Grinsven have cleverly cast a spotlight on today's always logged-on, but never-engaged, hook-up generation.⁣ ⁣ Sequin, himself, may be a 16yo but he is also sexually confident - so much so that he doesn't even realise how much risk he is sometimes putting himself in. Despite another classmate, Tommy [Simon Croker], fancying him, Sequin favours the anonymity of no-strings sexual encounters & will block a user after having sex with him as he isn't interested in a follow-up interlude.⁣ ⁣ But, when he has sex with 'B' [Ed Wightman], a man that he later discovers is married with children, 'B' becomes dangerously obsessed with Sequin & takes advantage of the situation when he seeks his help to find the mystery man.⁣ ⁣ ❤️ 𝗪𝗿𝗶𝘁𝗲𝗿/𝗱𝗶𝗿𝗲𝗰𝘁𝗼𝗿 𝗦𝗮𝗺𝘂𝗲𝗹 𝗩𝗮𝗻 𝗚𝗿𝗶𝗻𝘀𝘃𝗲𝗻 𝗵𝗮𝘀 𝗰𝗿𝗲𝗮𝘁𝗲𝗱 𝗮 𝘃𝗶𝘀𝘂𝗮𝗹𝗹𝘆-𝘀𝘁𝘂𝗻𝗻𝗶𝗻𝗴 & 𝗶𝗻𝘁𝗲𝗻𝘀𝗲 𝗳𝗶𝗹𝗺 𝘄𝗶𝘁𝗵 𝗲𝗳𝗳𝗲𝗰𝘁𝗶𝘃𝗲𝗹𝘆-𝘂𝘀𝗲𝗱 𝗹𝗼𝗻𝗴 𝗽𝗲𝗿𝗶𝗼𝗱𝘀 𝗼𝗳 𝗻𝗼 𝗱𝗶𝗮𝗹𝗼𝗴𝘂𝗲. 𝗧𝗵𝗲 𝘀𝘁𝗼𝗿𝘆 𝗶𝘀 𝘄𝗲𝗹𝗹-𝗲𝘅𝗲𝗰𝘂𝘁𝗲𝗱 & 𝘂𝗹𝘁𝗶𝗺𝗮𝘁𝗲𝗹𝘆 𝗵𝗶𝗴𝗵𝗹𝗶𝗴𝗵𝘁𝘀 𝘁𝗵𝗮𝘁 𝗦𝗲𝗾𝘂𝗶𝗻 𝘀𝘁𝗶𝗹𝗹 𝗰𝗿𝗮𝘃𝗲𝘀 𝘄𝗵𝗮𝘁 𝗵𝗲 𝗵𝗮𝘀 𝗯𝗲𝗲𝗻 𝘀𝘂𝗯𝗰𝗼𝗻𝘀𝗰𝗶𝗼𝘂𝘀𝗹𝘆 𝗱𝗲𝗻𝘆𝗶𝗻𝗴 𝘁𝗼 𝗵𝗶𝗺𝘀𝗲𝗹𝗳 – 𝘁𝗵𝗮𝘁 𝗵𝗲 𝘄𝗮𝗻𝘁𝘀 𝘀𝗼𝗺𝗲𝗼𝗻𝗲 𝘁𝗼 𝗹𝗼𝘃𝗲 𝘁𝗵𝗮𝘁 𝘄𝗶𝗹𝗹 𝗹𝗼𝘃𝗲 𝗵𝗶𝗺 𝗯𝗮𝗰𝗸, 𝘂𝗻𝗰𝗼𝗻𝗱𝗶𝘁𝗶𝗼𝗻𝗮𝗹𝗹𝘆. ❤️ ⁣ Thanks to @dendy.au; 'Sequin In A Blue Room,' rated 𝗥𝟭𝟴+, opened in 🇦🇺 on Aug 20th, 2020 & is exclusive to Dendy Theatres. ©️ #sequininablueroom (at Dendy Cinemas Newtown) https://www.instagram.com/p/CE5c7HlFmme/?igshid=1rwffcooiitzj