#Jorge Panchoaga

[ortodelmondo]

Historia natural del silencio [2018-ong]

Jorge Panchoaga

[projectourworld]

Portobelo, Panamá. Imaginar El Fuego de la Memoria is a collective project produced by VIST Projects and directed by Jorge Panchoaga. It aims to share narrative and visual skills with students and Afro communities in different parts of Latin America, seeking to more closely align the relationship between memory, oral tradition and imagination.

Photograph: VIST Projects/ Bronx Documentary Center | Guardian #oral #tradition #memory #imagination #collective

[joeinct]

Dulce y Salada, Photo © Jorge Panchoaga

[subnitida]

Jorge Panchoaga

[thephotoregistry]

Columbia

Jorge  Panchoaga

[cali-doscopio]

Cali un Objetivo I

Con el ánimo de generar espacios de reflexión en torno al momento fotográfico que vive la ciudad y el país, durante 3 días Cali fue el punto encuntro alrededor del quehacer fotográfico, desde lo local, en relación con las dinámicas actuales del oficio en Colombia y el mundo. Talleres, conferencias y la inauguración de la exposición “La Casa Grande”, del antropólogo y fotógrafo Jorge Panchoaga, reunieron a fotógrafos, instituciones académicas, culturales e interesados en fomentar el arte y la educación como procesos formativos en aras de enriquecer las manifestaciones artísticas y culturales de Cali.

[mhsn033]

Latin American Foto Festival: Culture and coronavirus

Image copyright Tamara Merino/Covid Latam

Image caption A photographer’s self portrait with her mother is with out a doubt one of many works featured at the Bronx Documentary Center’s third Annual Latin American Foto Competition.

Clowns, culture and the coronavirus pandemic are a number of the issues of the Bronx Documentary Center’s third Annual Latin American Foto Competition, which aspects award-winning photographers from the Caribbean and Latin The United States.

Relocated launch air resulting from the pandemic, this yr’s festival will characteristic enormous-scale photos displayed throughout Contemporary York’s Melrose neighborhood.

Works by artists from Colombia, Brazil, Puerto Rico, Mexico, Venezuela, Chile and Argentina will likely be displayed with photos from a fluctuate of projects focusing on social points.

Right here is extraordinarily loads of a few of this yr’s featured photographers alongside their comments on their projects.

Image copyright Luisa Dörr

Image caption Xoquito is a 12-yr-extinct horse. He is a member of the family. Dry Campos shares her existence in Brazil with the horse in the same manner others discontinue with a dog or a cat. She has been utilizing horses since childhood. She feels she has a stronger bond with the animals than with diverse folk.

Luisa Dörr

“Historically, as in diverse international locations, females were largely excluded from Brazil’s cowboy culture.

“But in most up-to-date years, females are on a winning walk, whether as rodeo pageant elegance queens, horse utilizing champions or platinum-promoting nation music stars.

“Basically the most up-to-date political local climate has made this work a necessity for me.

“It’s miles a portrait of the juxtaposition of contemporary Brazil, of the transition from historic to pop culture. Within the kill, it is a world that few folk know.”

Image copyright Adriana Parrilla

Image caption Two younger ladies on the level of a pool in the neighbourhood of La Perla in Extinct San Juan, Puerto Rico, 2 November 2019.

Adriana Parrilla

“All my existence I have been known as ‘trigueña’, which is a euphemistic observe aged in Puerto Rico to record somebody who’s gloomy or mixed shuffle.

“It’s miles a observe that puzzled me because it was repeatedly employed to perform me truly feel fair correct-searching about my pores and skin color.

“Growing up, I knew that I used to be now not white – I used to be repeatedly reminded of it.

“But, I used to be repeatedly attempting to establish if I used to be gloomy enough.

“Right here is the first fraction of a truly prolonged time length ongoing mission exploring gloomy identification in Puerto Rico.”

Image copyright Eric Allende Gonzalez

Image caption A police officer in riot gear runs amidst smoke bombs towards protesters in Plaza Dignidad, formerly Plaza Italia, in Santiago, Chile, 29 January 2020.

Eric Allende Gonzalez

“In October 2019, big failures in public transportation triggered a wave of uprisings towards the 30 years under a neoliberal system that prioritises economic vitality over social personality in Chile.

“The first to upward thrust were high-college students, who made the calls via social networks, and fleet folk of all ages and diverse social strata joined.

“Thousands of folk walked the streets and burned trains.

“Chile had woken up. I had to make contributions with what I do know how one can discontinue: resolve photos.

“I felt the want to repeat what was happening in the nation and what the mass media was hiding.”

Image copyright César Rodríguez

Image caption Men of the neighborhood of San Rafael supply plant life throughout the burial of Rafaela Sanchez in Guerrero grunt, Mexico, 2018.

César Rodríguez

“Within the grunt of Guerrero, Mexico, there is a space known as La Montaña, which is with out a doubt most likely the most many locations in Mexico which the authorities seems to maintain forgotten.

“For decades the indigenous folk of La Montaña were producing opium paste to survive.

“This paste was the principle earnings for various the cities in the distance till the price dropped a yr-and-a-half ago.

“Now, many local producers and farmers maintain lost their earnings.

“So a lot of the celebrations and traditions, each and each Catholic and pre-Hispanic, were done with earnings from the opium alternate.

“Now, without a manufacturing and no money, various the traditions are now not being essential.

“Poverty is growing and likewise, public security has deteriorated, forcing locals in many cities to stand up towards the drug cartels.”

Image copyright Adriana Loureiro Fernández / The Contemporary York Occasions

Image caption Mayerlin Barasalte and her sister live up for fishermen to return with the purchase of the night on 4 December 2019. The metropolis of Parmana, in Venezuela, depends upon nearly fully on fishermen for meals.

Adriana Loureiro Fernández

“[This project] makes a speciality of the complexities of the crisis and the nostalgia of living in a nation that you just call dwelling nonetheless that you just no longer recognise.

“There are handiest intermittent flashes of elegance that folk desperately grasp to as a manner of feeling dwelling again, of now not feeling fully estranged from the Venezuela that existed ahead of.

“From on an extended-established foundation encounters with violence and the many shapes that takes, to the upward thrust of authoritarianism and ongoing political turmoil, these stories quantity to an untenable misfortune, framed by the promise of a dream that became a nightmare.”

Image copyright Matilde Campodónico

Image caption Newlyweds Mauricio Musso and Natalia Perera pose for a tell after they were married amid the coronavirus pandemic at the civil registry establish of job in Montevideo, Uruguay, 15 Would possibly perhaps also 2020.

Covid Latam

Covid Latam is a collective mission centered on how Covid-19 has affected the international locations of Colombia, Brazil, Peru, Bolivia, Ecuador, Argentina, Chile, Uruguay, Venezuela, Guatemala, Costa Rica, Cuba and Mexico.

The collective of 18 photographers aimed to repeat the similarities and variations of the affect in particular areas, reckoning on the necessities, views and response of each and each nation.

Image copyright Lujan Agusti

Image caption Portrait of dancing clown in Coatepec, Veracruz, Mexico, 2016.

Luján Agusti

“Gang of Clowns analyses the constitutive parts of this custom via formal portraits.

“This mission tries to visually detect the thought of Syncretism and how this works as a political tool, exercising vitality over communities that can now not ruin free.

“The clearest instance of right here is the Virgin of Guadalupe, the darkish-skinned virgin.

“Shiny, surreal and incandescent imagery that faces us with oppression, social decadence, and actions that return to the initiating establish of the construction of The United States as we comprehend it right this moment.”

Image copyright Leo Goldstein Photography Series LLC

Image caption Three younger men in Contemporary York City c1950.

Leo Goldstein (1901-1972)

Born in Kishinev in the aged Bessarabian space of Russia (now Moldova), Goldstein settled in Contemporary York City in 1906.

Taking on photography when he joined the Photo League in the unhurried 1940s, Goldstein’s social documentary photos encompass his East Harlem physique of work, which now affords a window into historic socio-economic and political landscapes of Contemporary York City.

Image copyright Jorge Panchoaga

Image caption Working in a tull (dwelling backyard) in Cauca, Colombia. The tull is the dwelling subsequent to the dwelling where essentially the most attention-grabbing vegetation of the dwelling are planted, to boot to its meals security: corn, beans, fragrant and medicinal herbs, amongst others.

Jorge Panchoaga

“I travelled via Cauca, walking the center of my Nasa indigenous family’s neighborhood, discovering varied ways to title the area, to treasure essentially the most up-to-date, the previous and the future.

“Within the support of the Mountain portrays the day-after-day lifetime of this space in fixed warfare, searching for out to treasure the deep and intimate connection that communities maintain with their territory and the want to dispute their abnormal culture and autonomy.

“This image is fraction of my monographic work Detrás de la Montaña (Within the support of the Mountain), which delves into the indigenous lifetime of Cauca in contemporary Colombia, in a non-public bolt via the roots of my indigenous Nasa family.”

The Bronx Documentary Center’s third Annual Latin American Foto Competition takes establish in Contemporary York, from 23 July to 2 August 2020.

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Mostra fotográfica expõe beleza noturna de cidades latino-americanas

Com 10 projetos de 11 fotógrafos e um editor originários da Argentina, Brasil, Chile, Colômbia, Guatemala, México, Peru e Uruguai, além da Espanha e do Reino Unido, a mostra fotográfica “Ainda Há Noite/Nos Queda la Noche” apresenta aos visitantes a noite latino-americana.

São mais de 300 imagens apresentadas em suportes diversos, que recorrem às horas noturnas para pensar a América Latina. Assim, a mostra sugere que há aspectos das identidades e das realidades latinas que só são revelados ou vistos com mais precisão nas horas em que a luz natural cede espaço à da noite.

GOSTA DE TIRAR FOTOS? O MUSEU MAIS DOCE DO MUNDO TEM MAIS DE 10 INSTALAÇÕES INCRÍVEIS PRA VOCÊ ARRASAR NA SELFIE 

Projetos da mostra fotográfica

Série Píxeles

A série Píxeles, do argentino Alejandro Chaskielberg, traz uma mescla de poesia e crítica ao propor entender as pessoas como pixels de uma grande imagem global. Grupos de homens e mulheres estão juntos em bucólicas paisagens noturnas iluminadas apenas pelas luzes coloridas que saem dos seus celulares e as hipnotizam. Vistas no detalhe, as imagens revelam pessoas aprisionadas pelas telas.

Chile 874

Do Chile vem a série da dupla Alejandro e Cristóbal Olivares, Chile 874. Embora capturadas naquele país, as imagens carregam uma truculenta realidade conhecida nos demais territórios sul americanos. As fotos registram o período entre 2011 e 2013, quando professores, estudantes e seus pais, aos milhares, tomaram as ruas do Chile para protestar contra o governo e o lucro obtido com as políticas educacionais. As manifestações foram reprimidas pela polícia, que aprisionava os manifestantes e usava gás lacrimogêneo, além de força física contra a multidão. O número 874 adicionado ao título da série representa a quantidade de jovens presos em um único dia.

História Natural do Silêncio

História Natural do Silêncio do colombiano Jorge Panchoaga também trata da violência sofrida pelos cidadãos latino-americanos. A série aborda um período em que, segundo o fotógrafo, uma geração de homens e mulheres entrou no mundo da clandestinidade nas diferentes cidades colombianas, como refúgio ou em articulação da economia do narcotráfico com a sociedade. Nesse contexto, as imagens revelam um povo marcado pela violência e preso à necessidade de esquecer ou de enfrentar seu passado.

Insídia

Em Insídia, o guatemalteco Juan Brenner faz uma metáfora entre a imprudência de tirar fotos à noite na Cidade da Guatemala, uma atividade ousada, e a atitude despreocupada dos seres noctívagos. As suas imagens apresentam conterrâneos em momentos noturnos, como alegorias contemporâneas de quem busca um respiro em jornadas incansáveis.

Luciernaga

Um ensaio sobre a resiliência daqueles que foram tocados pela violência em algum momento de suas vidas é o que se vê na série de fotografias Luciernaga, que são como vaga-lumes ou pirilampos, do mexicano Yael Martínez. Em sua obra, o artista explora com frequência os efeitos da pobreza e do crime organizado em Guerrero, um dos mais carentes e violentos estados mexicanos. Nesta série, ele dá voz a pessoas silenciadas pela trágica memória de longos dias transformados em sombras da noite.

De tiempo en tiempo un volcán estalla

A peruana Gihan Tubbeh evoca uma fala feminina em De tiempo en tiempo un volcán estalla (De vez em quando, um vulcão explode). As suas imagens sugerem uma jornada onírica e alegórica à condição feminina dentro do universo, em uma construção poética por meio da associação de signos da natureza com o ser humano e os animais.

Basal

Por sua vez, a brasileira Luisa Dörr apresenta, em Basal, os trabalhadores noturnos da cidade que a mantém pulsante para que, ao despertar, tudo esteja em pleno funcionamento. Ela usa o termo “basal” em uma referência ao metabolismo assim denominado para explicar a energia despendida pelo corpo para manter as funções essenciais.

Boa noite, povo

A dupla hispano-brasileira, Cristina De Middel e Bruno Morais – ela, de Alicante; ele, carioca – utiliza narrativas construídas para ilustrar o atual contexto econômico e político, usando animais noturnos como atores improvisados. A série que apresentam chama-se Boa noite, povo, na qual investigam visualmente, por meio de experimentos semi-performáticos, a relação que existe entre o cultural e o natural. As suas fotos mesclam intervenção em arquivo, direção de cena animal, fotografia noturna e intervenções plásticas em recortes jornalísticos para mostrar a complexidade do momento e as ressonâncias do passado.

Purgatório

O icônico Palácio Salvo, um prédio de 95 metros de altura e 27 andares situado em Montevidéu, é o pano de fundo usado pelo uruguaio Ignacio Iturrioz para realizar Purgatório. Ele viveu por alguns anos neste edifício que abriga um universo particular e foi desenhado pelo arquiteto Mario Palanti, um imigrante italiano que vivia em Buenos Aires. Inaugurado em 1928, na época foi considerado a torre mais alta da América do Sul. Nesta série, no entanto, não passa de um cenário, pois as imagens evocam os personagens e animais que ali habitam como se estivessem refugiados em um imenso e escuro porão, onde o tempo é sempre noite.

Moon Shadows

Moon Shadows é uma série de fotos provenientes do Archive of Modern Conflict, um acervo particular com sede em Londres, editada pelo norte-americano Kalev Erickson. Estas imagens exploram algumas das relações entre o consciente e o inconsciente. Representam momentos fugazes encontrados entre o estar acordado e adormecido, fragmentos de sonhos lúcidos e memória fundidos para produzir narrativas incertas.

Visitação gratuita

A mostra “Ainda Há Noite/Nos Queda la Noche” abre para visitação no dia 13 de junho, a partir das 20h, e permanece em cartaz até 11 de agosto nos pisos 1 e -1 do Itaú Cultural. A entrada para a mostra fotográfica é gratuita e pode ser feita de terça a sexta, das 9h às 20h; e aos sábados, domingos e feriados, das 11h às 20h.

Se é mostra fotográfica que você quer…

… o que não vão faltar são opções no Instituto Moreira Salles! Clica aqui e confira tudo sobre o lugar da fotografia em SP! 

Mostra fotográfica expõe beleza noturna de cidades latino-americanaspublicado primeiro em como se vestir bem

[twafordizzy]

Jorge Panchoaga: a fisherman’s village

[maluornela]

#Repost @midianinja (@get_repost) ・・・ SELECIONADOS CONVOCATÓRIA NINJA/VALONGO Saiu! Conheça os trabalhos selecionados para projeção na Vigília NINJA no Festival Valongo - Santos, que serão exibidos a partir das 20h dessa sexta-feira, nos Arcos do Valongo! Alex Hermes Alexandre Cardoso França Alexandre Suplicy Ana Mikaela Alves Costa Anderson Dos Santos Andressa Cruz Zumpano // Coletivo Nódoa Anita Pouchard Serra // Argentina-França Boris Mercado Mar // Perú Bruna Lopes Cançado Brandão // Flanares Carlos Eduardo Silva Matos Batista // 99milimetros Christian Gustavo De Sousa Christian Rodriguez // Prime Collective //Uruguai-México Colectivo Maldeojo // Perú Colectivo Manifiesto // Argentina Daniel Marenco Daniela Fonseca Moura // Mídia Ninja Déborah Gérbera // Fundart E Fundacc Ubatuba E Caraguá Deivitty Dos Santos Soares Dekka Macedo Edu León // Niru Visual // Equador - Espanha Emergentes // Argentina Fabrício Costa // Sindest Fauna - Activismo Fotográfico // Argentina Geyse Santa Brigida Helio Carvalho Dapena Humberto Araujo Ingrid Rayssa Ara��jo Barros // Coletivo Nódoa Isabela Baptista Isabella Lanave // Yvy Mulheres Da Imagem, R.U.A Foto Coletivo E Flanares Isadora Romero Paz Y Miño // Everydayecuador E Women Photograph // Equador João Gabriel Silveira Masini Johis Alarcón + Edu León // Niru Visual // Equador Jorge Panchoaga // Colectivo +1 // Colombia Juliana Nascimento Fontes // Perambular Fotográfico - Al // Cenas Da Cidade- Se Karina Lumina Iliescu // Coletivo Poder Popular Atibaia Koral Carballo // Trasluz Photo // México Leonardo Milano // Mídia Ninja Leonardo Savaris // Mídia Ninja Lineu Kohatsu // Fotobrasilis Lucas Gibson Luiz Felipe Sahd Marcela Mattos Fernandes // Coletivo Marcha Da Maconha De Santos Marcio Motta // Effe4 Marcos Ribeiro De Castro Mari Gemma De La Cruz Maria Clara Belchior // Coletivo Festinalente Maria Lucia Ornelas Pauletti Mariana Leitão Brunini Migrar Photo// Chile Misha Vallejo // Runa Photos // Equador Murillo Correa Marchesi Nayra Helena Albuquerque // Coletivo Sebo No Chão Nino Rezende Pedro Vidal Diaz // Pharmakoletivo Rafael Azevedo Lima // Mídia Ninja Renato Araujo Renato Stockler Ricardo Ayer // Grupo Lumino

[ortodelmondo]

Jorge Panchoaga

DETRAS DE LA MONTANA

[5centsapound]

Jorge Panchoaga: The Big House: Life, Land and Indigenous Culture

via lensculture: 

"La Casa Grande" is a close look at the everyday life of the Cauca indigenous people [Páez people or Nasa], with a focus on the historical resistance led by these people. These photographs trace a journey that conveys how territory is indispensable to building and preserving cultural identity, especially in the face of unrest and violence.

In this project, we find the great pillars of the construction of indigenous identity: community, home, family, cultural heritage and the deep need of having a land to call one's own.

The native "reguardos" (reservations) where these photos were taken portray a country in peace—something that all we Colombians desire. But this visionary landscape is actually a contradictory image of the true everyday reality in Cauca. Across war-torn Colombia, Cauca is one of the areas with the largest armed conflicts and highest number of forced displacements in the country.

Thus, these images attempt to lead us into intimate spaces, outside of the unstable public sphere, where we can recognize the eternality of life in the home: everyday life and the quotidian struggle for survival. These private worlds are fragile and, in this moment, perhaps even false. But through the camera (which is another word for room, after all), we see them momentarily frozen and graspable.

Indeed, light, that main element of photography, is used as a tool to unveil other possible worlds. By utilizing a camera obscura built into the houses, each image transmutes daily outdoor scenes into the chamber of inner life. These pictures allow us to imagine a better Cauca and a better country, full of peace and prosperity. Perhaps they even give us the ability to picture a slightly more magical world—one that holds respect for all human life.

[subnitida]

Jorge Panchoaga

[thephotoregistry]

Columbia

Jorge  Panchoaga

[ortodelmondo]

León Muñoz Santini and Jorge Panchoaga

Omen

Phantasmagoria at the Farm Security Administration Archive 1935-1944

[ortodelmondo]

León Muñoz Santini and Jorge Panchoaga

Omen

Phantasmagoria at the Farm Security Administration Archive 1935-1944