#Jonathan Pouthier

[marcogiovenale]

baruchello @ centre pompidou oggi

Fondazione Baruchello Gianfranco Baruchello A partire dal dolce | Doux comme saveur Inaugurazione venerdì 25 ottobre 2024 ore 18.00 – 20.00 26 ottobre 2024 – 10 marzo 2025 CENTRE POMPIDOU Espace des Collections, Niveau 4 Doux comme saveur, 1979, still da film (nell’immagine Gianfranco Baruchello) Continue reading baruchello @ centre pompidou oggi

[already-14]

Peter Kubelka’s Monument Film digitally recomposed by students of the KunstUni Linz 4x 9216 frames x 4

***NEW: Full Version: "Arnulf Rainer" (1960) followed by “Antiphon” (2012) followed by projection of both films side-by-side followed by projection of both films superimposed on top of each other. location: parking lot, KunstUni Linz Film Premiere: May 19th 2014

In his storyless, color- and image-free structural film "Arnulf Rainer" (1960), one of the pillars of modernist cinema, Peter Kubelka presents the hard core elements of cinema: light and darkness, sound and silence.

[elementsofdrawing]

Experimental filmmaker Ernie Gehr has been touring Europe recently, since his show "Bon Voyage"is currently on at Centre d'Art Contemporain in Geneva. My friend and colleague Jonathan Pouthier has invited him for a series of screening at Centre Pompidou in Paris, in which he has shown both his classics from the 1970s (such as Reverberation, 1969, or Serene Velocity, 1970). I made this portrait of him on February 14, while he was delivering a lecture on cinema, with films from the collections of the museum. His Greenbergian approach to film lead an analysis of the works presented: a Danse Serpentine from the Lumière catalogue (1897), Helen Levitt's In the Street (1948-1952), Stan Brakhage's The Wonder Ring (1955) and his own beautiful Field (1970).

(February 2015)