#John Sage developer

[johnsagedeveloper]

You can trust John Sage with your investment because he has years of experience in #realestate and helps people to buy homes. John Sage suggests some tips to avoid mistake before Buying a home.

[greenwitchcrafts]

March 2024 witch guide

Full moon: March 25th

New moon: March 10th

Sabbats: Ostara-March 19th

March Worm Moon

Known as: Crow Moon, Eagle Moon, Goose Moon, Hrethmonath, Lenting moon, Lentzinmanoth, Moon of Snowblind, Moon of Winds, Plow Moon, Sap Moon, Seed Moon, Sore Eyes Moon, Storm Moon, Sugar Moon & Wind Strong Moon

Element: Water

Zodiac: Pisces & Aries

Nature spirits: Air & water spirits & Mer-people

Deities: Artemis, Astarte, Athena, Cybele, Isis, Luna & Minerva

Animals: Boar, cougar & hedgehog

Birds: Sea crow & sea eagle

Trees: Alder, dogwood & honeysuckle

Herbs: Apple blossom, broom, high John root, Irish moss, pennyroyal, wood betony & yellow dock

Flowers: Daffodil, jonquil & violet

Scents: Apple blossom & honeysuckle

Stones: Aquamarine, bloodstone, jasper, opal &topaz

Colors: Pale-green, red, violet, yellow & white

Energy:  Balance, beginnings, dream work, energy breaking into the open, exploring, fertility, inner development, karma, prosperity, spirituality, success & truth seeking

For many years, it was thought that the name "Worm Moon" referred to the earthworms that appear as the soil warms in spring. This invites robins and other birds to feed—a true sign of spring.

However, more research revealed another explanation. In the 1760s, Captain Jonathan Carver visited the Naudowessie (Dakota) and other Native American tribes and wrote that the name Worm Moon refers to a different sort of “worm”—beetle larvae—which begin to emerge from the thawing bark of trees and other winter hideouts at this time.

March’s full Moon often plays a role in religion, specifically in Christianity, this Moon is known as the Lenten Moon if it is the last full Moon of the winter season (i.e., if it occurs before the spring equinox) or as the Paschal Full Moon if it is the first full Moon of spring (i.e., if it occurs after the spring equinox).

Ostara

Known as: Alban Eiler, Lady Day & Spring/Vernal equinox

Season: Spring

Symbols: 8-spoked wheel, butterflies, chicks, decorated baskets, eggs, feathers, jellybeans, lambs, rabbits, seeds, shamrocks, spring flowers & sunwheels

Colors: Green, indigo, light blue, pastels, pink, red & yellow

Oils/Incense: African violet, florals, ginger, jasmine, lotus, magnolia, rose, sage & strawberry

Animals: Cormorant, hare, hawk, rabbit, sheep, sparrow & swallow

Mythical: Dragon & Unicorn

Stones: Amethyst, aquamarine, bloodstone, moonstone, red jasper & rose quartz

Food: Dairy foods, eggs(hard boiled), fruits, honey, honey cakes, leafy greens, vegetables, pine nuts, pumpkin, sunflower seeds, sprouts & waffles

Herbs/Plants: Acorn, cinquefoil, dogwood, ginger, Irish moss, olive, strawberry & woodruff

Flowers: Celandine, crocus, daffodil, dandelion, Easter lily,  jasmine gorse, honeysuckle, hyssop, iris, jonquil, linden, narcissus, peony, snowdrop, tansy & violet

Goddesses: Aphrodite, Ariadne, Artemis, Athena, Coatlicue, Cybele,Demeter, Diana, Eos, Eostre, Flora, Gaia, Hera, Idunn, Iris, Ishtar, Juno, Minerva, Persephone, Venus & Vesta

Gods: Adonis, Attis, Celi, Cernunnos, Coel, Dagda, Dalon ap Landu, Dumuzi, Green Man, Lord of the Greenwood, Mithras, Odin, Osiris, Ovis & Pan

Issues, Intentions & Powers: Agriculture, balance, beauty, fertility, growth, life, love & rebirth/renewal

Spellwork: Air magick, fertility, new beginnings & water magick

Activities:

• Go on a hike/walk & look for signs of spring

• Add Ostara symbols to decorate your altar space

• Plant vegetable &/or flower seedlings

• Decorate eggs with bright colors

• Set your intentions for the weeks/months ahead

• Start a new class or hobby

• Create eggshell candles

• Make plans & new routines for the future

• Participate in rituals & ceremonies that connect you with energy & the life force of nature

• Have a feast with your friends &/family with sprouts & leafy greens

• Bake hot cross buns or lavender/lemon flavored treats

• Clean & de-clutter your home

• Try a re-birthing/ renewing ritual

• Bring fresh flowers or plants into into the home

• Host a spring & floral themed tea party

• Make egg based food dishes & desserts

This holiday marks the Spring Equinox, which happens before March 19-22. It is the second of three spring celebrations (the midpoint between Imbolc and Beltane)  during which light & darkness are again in balance, with light on the rise. It is a time of new beginnings & of life emerging further from the grips of winter.

There is much debate regarding the origins of Ostara due to the lack of primary sources about this sabbat. One theory is the name of Ostara came from the Anglo-Saxon goddess Eostre. Another theory is that Eostre is more of a localized goddess in Kent County, England. Despite the questions of her origins, Eostre is associated with modern-day Pagan traditions of Ostara.

There is no evidence that the ancient Greeks or Romans celebrated Ostara, although they did celebrate their own spring festivals, such as the Roman festival of Floralia & the Greek festival of Anthesteria. It was a time to honor the returning sun, fertility & rebirth.

Related festivals:

• Nowruz- March 19th

Nowruz marks the first day of spring & renewal of nature. It is celebrated on the day of the astronomical vernal equinox. It is also celebrated as the beginning of the new year by people all around the world for over 3,000 years in the Balkans, the Black Sea Basin, the Caucasus, Central Asia, the Middle East & other regions.

It promotes values of peace & solidarity between generations & within families as well as reconciliation & neighbourliness. Nowruz plays a significant role in strengthening the ties among peoples based on mutual respect & the ideals of peace and good neighbourliness. 

Traditional customs of Nowruz include fire & water, ritual dances, gift exchanges, reciting poetry, symbolic objects & more; these customs differ between the diverse peoples & countries that celebrate the festival.

• Holi- March 25th

Holi is a popular & significant Hindu festival celebrated as the The festival of colors, Love &Spring. It commemorates eternal and divine love of the deities Radha & Krishna. Additionally, the day signifies the triumph of good over evil, as it celebratess the victory of Vishnu as Narasimha over Hiranyakashipu. Holi originated & is predominantly celebrated in the Indian subcontinent, but has also spread to other regions of Asia & parts of the Western world through the Indian diaspora.

Holi also celebrates the arrival of Spring in India, the end of winter & the blossoming of love. It is also an invocation for a good spring harvest season. It lasts for a night & a day, starting on the evening of the Purnima (full moon day) falling on the Hindu calendar month of Phalguna, which falls around the middle of March in the Gregorian calendar.

• Easter- March 31st

also called Pascha or Resurrection Sunday is a Christian festival & cultural holiday commemorating the resurrection of Jesus from the dead, described in the New Testament as having occurred on the third day of his burial following his crucifixion by the Romans at Calvary c. 30 AD. It is the culmination of the Passion of Jesus Christ, preceded by Lent (or Great Lent), a 40-day period of fasting, prayer, & penance.

Easter traditions vary across the Christian world & include sunrise services or late-night vigils, exclamations & exchanges of Paschal greetings, flowering the cross & the decoration and the communal breaking of Easter eggs (a symbol of the empty tomb) among many others. The Easter lily is a symbol of the resurrection in Western Christianity traditionally decorates the chancel area of churches on this day & for the rest of Eastertide. Additional customs that have become associated with Easter & are observed by both Christians & some non-Christians include Easter parades, communal dancing, the Easter Bunny & egg hunting.

Other Celebrations:

• Festival of Luna- March 31st

Is a feast day honoring the Goddess Luna who is seen as the divine embodiment of the Moon.

The Temple of Luna was a temple on the Aventine Hill in Rome, dedicated to Luna, the moon goddess. Its dedication was celebrated on March 31st, thus the celebration.

According to Tacitus, it was built by king Servius Tullius. However, the first confirmed reference to a temple to Luna dates to 182 BC & refers to one of its doors being knocked off its posts by a miraculous blast of air & shot into the back of the Temple of Ceres. That account probably places the temple at the north end of the hill, just above porta Trigemina. The temple was struck by lightning around the time of the death of Cinna, as was the temple of Ceres. After the destruction of Corinth, Lucius Mummius Achaicus dedicated some of his spoils from the city to this temple. It was destroyed in the Great Fire of Rome in 64 AD & not rebuilt.

Sources:

Farmersalmanac .com

Llewellyn's Complete Book of Correspondences by Sandra Kines

Wikipedia

A Witch's Book of Correspondences by Viktorija Briggs

Encyclopedia britannica

Llewellyn 2024 magical almanac Practical magic for everyday living

[nztsume]

i think the thing that interests me the most about homelander is 10000% the fact that hes redeemable and likable just because of the fact of how much he loves the people he loves and how much he needs to be loved by them. like that makes him SO interesting to me, and the more we discover about him the more his insanity makes sense. the fact that nobody ever in his life saw him as any other than a product or a message or a pennant but never a HUMAN, and the fact that he himself doesnt want to see himself as a HUMAN when he so clearly is because all of this!!! the fact that hes gets so pathetically obsessed with any woman that shows him some love and attention, even if its fake! the way he refused to kill maeve because a part of him genuinely loves her still, the fact that when annie kissed him for the fake dating thing he was genuinely GENUINELY into it, and not in a sexual way. he fucking SMILED into the kiss??????? 'i'm glad you're here'???????????? the way stormfront never gave him any genuine show of affection, when it was clearly all about the sex and the power she had over him and he still didnt see it because he was so glad there was a woman who was willingly giving him what he understood as affection (that for her was just sex) idk i just feel like theres something so innocent about his character that the rest of the guys in the boys dont have - which is a clear reflection of how traumatized he was in the lab, how he never quite understood how to navegate his emotions as a grown up and develop actual self love. he loves homelander, but does he love john? everyone loves homelander, but who loves john? im obsessed. and i love how this spills into things that men who stan him actually would never accept or understand- like the fact that he doesnt even care about looks, he doesnt even care about his own supposed ideals where he considers supes superior to humans. he doesnt even care about loyalty!!!! otherwise hed loved firecracker. he simply wants a woman who will love him, really love him, like nobody ever loved him in his life. (and if you think about it thats soooooooo tragic. imagine not even having parents that love you... not even your own fucking child!!!! despite you doing everything to make him not have to go through what you went through!!!! despite giving him your undivided attention- even when youre one of the most important people in the world!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!) and by the way, im really glad they didnt go for a super easy and predictable storyline where sister sage would pretend she loves him to manipulate him- because that would have been incredibly boring. and one last thing: this is soooo silly and petty but this is why the single most infuriating and insufferable thing in the fandom is the way men stan him, because in universe, theyd literally be the kind of people homelander would fucking hate LMFAOOOO because they ignore all of these essential parts of his character because they are too busy wankin over ashley look at me

[inevitably-johnlocked]

Hi! I'm craving some cozy autumn vibes johnlock fics to read in the cold season. Do you have some recs? Lots of love <3

Hi Lovely!!

Oh what a fun list idea!! I can't believe I've never thought of doing one given that Autumn is my fave season! I know more fics than what I picked here for you take place in the Fall, but I've only included ones with the season in the tag. If anyone has more fics, PLEASE add them and give me a hand :)

Hope you enjoy these fics!!

AUTUMN / FALL FICS

See also:

Hot and Cold Fics (June 2022)

Halloween and Ghosts (updated Oct 31/21)

Halloween Fics 2023 (MFLs)

BOOKMARKS

And as the seasons change, I love you more by Teatrolley (NR, 3,219 w., 1 Ch. || Fluff and Angst, Est. Rel., Marriage / Proposal) – A year in the lives of John and Sherlock, essentially.

In the Bleak Midwinter (A Canticle for Advent) by CaitlinFairchild (M, 3,476 w., 1 Ch. || Angst, Injury, Missing Scenes, HLV Timeline) – In the autumn of 2014, Mary Watson shot Sherlock Holmes. This is what happened after.

Let me be the wallpaper that papers up your room by Teatrolley (NR, 3,966 w., 1 Ch. || Est. Rel., Two Idiots in Love, Fluff, Domestics) – Four seasons in the life of Sherlock and John, really.

Pater Noster by SilentAuror (E, 34,256 w., 2 Ch. || Case Fic, HLV/S3 Fix It Fic, Family Trauma, Sherlock POV, Villain Mary) – During the autumn that John is staying at Baker Street again after Sherlock was shot, he ruminates over the similarity between Sherlock's shot and the one that killed his father when he was fifteen. Cold case meets series 3 fix-it. Part I takes place entirely within His Last Vow, Part II takes place starting at the end of HLV and continues after.

Act IV by SilentAuror (E, 39,707 w., 1 Ch. || HLV Fix-It, First Person POV Sherlock, Infidelity, Angst, Drama) – After Sherlock is shot, John moves back into Baker Street. They spend the autumn together as John tries to make sense of his life and make some important decisions about both Mary and Sherlock. Canon-compliant, excerpts from His Last Vow.

MARKED FOR LATER

Into the Gloaming by Vulpesmellifera (M, 8,385 w., 4 Ch. || Heavy Angst, Child Death, Grief / Mourning, Mentions of Cancer, Corvids, Fever Dreams, Hopeful Ending) – She lays the sage bundle down in one of his seashells, avoiding the label. How he loved cataloging natural items. That sharp mind of his so naturally tended to the sciences, and she’d taken great joy in encouraging him all his life. All the first thirteen years of it. The last year has been entirely different. His hand lies just outside the white comforter. When she touches it, the chill of his skin sends a shiver down her spine. His lips move, his voice as soft as dead, dry leaves. “What’s that, love?” she says. “In the trees,” he says, his eyes still closed. “Is it John there in the trees? I think he’s waiting for me.” Viola turns her gaze out the window and to the closest tree, a resplendent cherry in the throes of autumn. In the branches there, for just a second, she thinks she sees it: a black bird, feathers gleaming in the sun.

A Thousand Kisses Deep by Susan (E, 12,689 w., 1 Ch. || PODFIC AVAILABLE || Time Travel, Longing, Angst, Post S1, Time Travel Fix It) – “Come here,” Sherlock said and when he did, he put his arm across John’s shoulder, and pulled him close. John let him, and after a moment, rested his head against Sherlock’s chest. Sherlock felt the familiar ache, a longing for what might have been. If only he’d been braver, more sure of John’s feelings. He dropped his arms and stepped back. It was too late. Things were as they were meant to be. But it was autumn in Sussex, and everything was changing. If you were given a chance to go back to the beginning and make things right, would you take it?

Hot Water Bottle by khorazir (T, 18,436 w., 1 Ch. || Post TLD / TFP Doesn’t Exist, Emotional Hurt/Comfort, Misunderstandings, Communication, Demisexual Sherlock, Bisexual John, Autumn, Bed Sharing, Developing Relationship, First Kiss) – A case in one of the remotest corners of the Lake District, a storm, an inn, a broken boiler, a room with two beds but only one hot water bottle, and two men who have a lot to sort out between them – all of this makes for a night to remember.

Johnloctober by prettysailorsoldier (E, 169,945 w., 31 Ch. || Assorted AU’s || Alternate First Meetings, Blow Jobs, Hand Jobs, 30 Day OTP Challenge, Prompts, Halloween / Autumn, Assorted Tags) – 31 days of autumnal Johnlock with prompts from all of you! There will be a bit of everything, but you can check the tags for more specifics.For a summary of every chapter, as well as individual tags, click here.

Enigma by khorazir (M, 289,667 w., 23 Ch. || Codebreaker / WWII / Imitation Game-Inspired AU || Case Fic, Espionage, Period-Typical Homophobia / Sexism, Pining Sherlock, Inexperienced / VirginSherlock, Implied / Referenced Drug Use, Non-Graphic Violence) – It’s the autumn of 1941, war is raging in Europe, German U-boats are raiding Allied convoys in the Atlantic, the Luftwaffe is bombing English cities, and the cryptographers at Bletchley Park are working feverishly to decode their enemies' encrypted communications. One should consider this challenge and distraction enough for capricious codebreaker Sherlock Holmes. But the true enigmas are yet waiting to be deciphered: an unbreakable code, a strange murder, and the arrival of Surgeon Captain John H. Watson of the Royal Navy.

[witchthewriter]

𝐓𝐡𝐞 𝐂𝐚𝐥𝐥 𝐨𝐟 𝐃𝐮𝐭�� 𝐌𝐞𝐧 𝐚𝐬 𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫 𝐀𝐫𝐜𝐡𝐞𝐭𝐲𝐩𝐞𝐬

ᴹᵃˢᵗᵉʳˡᶤˢᵗ | ᴹᵃˢᵗᵉʳˡᶤˢᵗ ᴵᴵ

𝑪𝒂𝒑𝒕𝒂𝒊𝒏 𝑱𝒐𝒉𝒏 𝑷𝒓𝒊𝒄𝒆

ENTJ

Slytherin

Lawful Good / Neutral Good

Capricorn Sun, Cancer Moon, Libra Rising

The Mentor: A wise and experienced character who guides and advises the hero, providing knowledge, skills, and guidance.

The Cunning Strategist: this character is known for their intelligence, sharp wit, and ability to manipulate situations to their advantage. They excel in political maneuvering and outsmarting their opponents.

The Fallen Hero: The Fallen Hero archetype represents a character who was once noble or heroic but has fallen from grace. They may have succumbed to their flaws, made tragic mistakes, or been corrupted by power. The Fallen Hero often grapples with guilt, redemption, or the desire to reclaim their former glory.

I will always see John as some type of leader. A leader of a wolf pack, or the King's Guard. Even a team of immortals. His task force would shift between each universe, but his station always stays the same. Price is the eldest and the leader of the men.

𝑺𝒊𝒎𝒐𝒏 𝑹𝒊𝒍𝒆𝒚

INTJ

Ravenclaw

Neutral Good

Capricorn Sun, Scorpio Moon, Virgo Rising

The Guardian: A character who protects or defends a person, place, or idea, often serving as a source of strength and support. I can see him taking stray kids under his wing, and taking care of them.

The Knight: Is a character archetype in stories that embodies chivalry, honor, and a strong sense of duty. I think the strong sense of duty is most previlent here. I think he would even be the King's Champion.

The Rebel: A character who challenges authority, norms, or societal expectations, often seeking change or liberation. After seeing all the pain and suffering from the villagers/those less fortunate around him, he would snap. Wanting to help them.

Simon reminds me of both Geralt and Sandor Clegane. I think he would do well both within a group setting (with his teammates) or going out and doing something indepedently.

𝑱𝒐𝒉𝒏𝒏𝒚 𝑴𝒂𝒄𝑻𝒂𝒗𝒊𝒔𝒉

ESFP

Ravenclaw

Neutral Good / Chaotic Good

Aquarius Sun, Taurus Moon, Sagittarius Rising

The Trickster: A mischievous and cunning character who uses wit and deception to achieve their goals or disrupt the plans of others.

The Wise Fool: The Wise Fool archetype is a character who appears foolish or simple-minded on the surface but possesses unexpected wisdom or insight. They often use humor and unconventional behavior to challenge social norms, offer unique perspectives, or deliver profound truths.

The Loyal Companion: The Loyal Companion archetype is a faithful and devoted ally to the protagonist. They offer unwavering support, loyalty, and may serve as a moral compass or voice of reason.

I think Johnny is a bit of a difficult one, because he's both humorous - which can place him in the archetype of jokester & comedic relief. But maybe thast just makes him ... a wild card? Hence I think that' why people often give him the hybrid of werewolf.

𝑲𝒚𝒍𝒆 𝑮𝒂𝒓𝒓𝒊𝒄𝒌

ISFP

Gryffindor

Chaotic Good

Gemini Sun, Virgo Moon, Cancer Rising

The Romantic Interest: A character who forms a romantic connection or relationship with the protagonist, often adding depth and emotional tension to the story.

The Underdog: A character who faces significant challenges or disadvantages but ultimately triumphs against the odds.

The Sage: The Sage archetype represents wisdom, knowledge, and enlightenment. Sages are often revered for their insights and serve as a source of guidance or counsel for the protagonist.

God this man could fit into so many archetypes. He is just ... the perfect character. He can still have character development, however, he can still be put forward as a fully formed character. Romantic, loving, intelligent, mindful. He likes to sit back and learn about others. He's diligent in that way (hence the Underdog). I also think he's so wise. Especially for his age. And he feels the most magically inclined out of the rest of the men.

𝑲𝒐̈𝒏𝒊𝒈

ISTP

Hufflepuff

Chaotic Neutral

Aries Sun, Aquarius Moon, Leo Rising

The Outcast: A character who is marginalized or rejected by society, often possessing unique abilities, insights, or perspectives.

The Beast: A character or entity often found in stories that represents the primal, untamed, and instinctual aspects of human nature or the natural world.

The Antihero: is an archetype is a character who lacks traditional heroic qualities but still engages in heroic actions. They often possess flaws, ambiguity, or morally gray motivations.

I think there are many different ways of looking at Konig. Physically he's a powerhouse - tall asf, a tad arrogant (only because of his voicelines), somewhat dramatic. But some have written him as toxic, others like to baby girl him. I think he's a bit similar to Simon but there's more distrust about him.

What would really be great is the task force as the Knights of the Round table. I think I could see Simon or Johnny as Arthur and Kyle or Price as Merlin (obviously Kyle as a young version like the BBC Merlin).

I can also see them as pirates! I actually want to write a Pirate! Task Force. Obviously Price as the Captain, Quartermaster is Simon, Kyle as Bosun (or Boatswain) and Johnny as the Gunner (makes things go boom!)

If I had to give the men shapeshifting abilities (into one mythical animal) I would go: ▪️ John Price | 𝑫𝒓𝒂𝒈𝒐𝒏 or 𝑪𝒆𝒏𝒕𝒂𝒖𝒓 ▪️ Simon Riley | 𝑮𝒓𝒊𝒎 𝑹𝒆𝒂𝒑𝒆𝒓 or 𝑯𝒆𝒍𝒍𝒉𝒐𝒖𝒏𝒅 ▪️ Johnny MacTavish | 𝑾𝒆𝒓𝒆𝒘𝒐𝒍𝒇 or 𝑷𝒉𝒐𝒆𝒏𝒊𝒙 ▪️ Kyle Garrick | 𝑴𝒆𝒓𝒎𝒂𝒏 or 𝑷𝒆𝒈𝒂𝒔𝒖𝒔 ▪️ Konig | 𝑩𝒂𝒔𝒊𝒍𝒊𝒔𝒌 or 𝑯𝒚𝒅𝒓𝒂

[get-back-homeward]

The chapter of Royston Ellis meeting the Beatles is so wild.

He first hits on George at the Jacaranda. George responds to this with a casual “oh, you’d love my friends” and brings him to Gambier Terrace:

Also dropping into the Gambier Terrace pit was a special guest, Royston Ellis, “King of the Beatniks.” The bearded bard, who featured in TV documentaries and press articles whenever an offbeat teenage angle was needed, was in Liverpool to read his poetry at the university on June 24/25, and he swiftly found himself drawn into the Beatles’ company. The conduit was George, who (with nothing else to do while John, Stu and Paul were in school) was hanging around the Jac when the wandering coffee-bar poet traipsed in, drawn by hip radar to “the happening place.” Avowedly “trying everything,” Ellis was an active bisexual in this period of his life and he took an immediate fancy to George: “He looked fabulous with his long hair and matelot-style striped T-shirt, very modern, which is why I deliberately spoke to him. I was nineteen and he was seventeen and we clicked right away.”15

George took Ellis, his typewriter and his duffel bag back to Gambier Terrace to meet John and Stu. A rapport was quickly established and Ellis was invited to “crash” for a few days—yet another occupant for the filthy back room.

Then Ellis hits it off with John and Stu and wants them as a backing band:

Ellis says he developed a particular rapport with John and Stuart and that they discussed poetry, art and London. When he left, they spoke of doing it again sometime: “We were talking about how I wanted a band to come to London and back me on my Rocketry performances, and they were thrilled at the idea.” Art school studies finished the following Friday, July 1, marking the end of Stu’s fourth year and John’s third and last because the college was waving him goodbye. The exam results, when they came through on August 1, were just as expected: John failed and was out, Stuart passed the NDD, for which he received a certificate. The option was there for him to do a fifth year and attain the highest available qualification, the Art Teacher’s Diploma (ATD), akin to a degree and entitling him to become a teacher … but both he and John were pondering a period as prospectors, and doing something again with Ellis was a definite possibility.

So much so, Ellis is responsible for the first* two mentions of the band in the newspaper:

As for Ellis, so much was he enthused by the possibility of appearing with them again that he soon got the Beatles their first mention in a music paper. It was the July 9 edition of Record and Show Mirror, where a supercilious little article about “the bearded sage of the coffee bars” ended “he’s thinking of bringing down to London a Liverpool group which he considers is most in accord with his poetry. Name of the group? ‘The Beetles’”

….A born publicist, Royston Ellis knew how to manipulate a follow-up, writing a letter for publication that clarified a point in the first. He expressed his intention to find a group that would join him on TV appearances with Bert Weedon and the Shadows, and reiterated, “For some time I have been searching for a group to use regularly, and I feel that the ‘Beetles’ (most of them are Liverpool ex-art students) fill the bill.”

John and Stu decide to go to London on their own to join Ellis…but then chicken out:

By July 10, at the end of his three-year art school vacation, John had arrived at a key decision in his life: he would try to earn his living from the guitar. “I became a professional musician the day I got a red letter from the art college saying ‘Don’t bother coming back next September,’ ” he later said.31 Cyn would remember, “John decided that this [music] was very definitely the life for him. All the ideas that everyone else had for him of making an impact on the art world faded into the back of beyond with incredible rapidity, and with almost no regret at all. Aunt Mimi was distraught. Her view of his future couldn’t have been blacker at that time.”32

These events coinciding, it seems John and Stu decided to head south and hang out with Royston Ellis. Allan Williams is emphatic on the matter: he says John and Stu “split the Beatles and went down to London.”33 Norman Chapman would remember Stu asking him for a lift through the Mersey Tunnel one day so he (or he and John) could hitchhike to London—“They wanted to go down to London and become involved in this poetry-music scene.” Beat poets led a nomadic life by definition. Ellis lived for periods in all sorts of places, but his main base was still his parents’ house, at 31 Clonard Way, Hatch End, Pinner, Middlesex, a pleasant detached villa with the name Denecroft. This was the address he gave John while staying at Gambier Terrace. When Ellis arrived home one day his mother said he’d missed a visit from his “beatnik friends from Liverpool.” He never knew how many or who had come, but—as insane as it appears—John and Stu (and/or as Ellis always thought—hoped—George) had hitched the best part of two hundred miles, taken the trouble of locating his house in leafy Metroland, not stayed or left a message and then gone home again, never returning or making further contact. It makes no sense, but there it sits, illogical and incomplete.

Allan Williams remembers them being “back in Liverpool within a week, because it didn’t work out,” at which point the Beatles “reformed” as if they’d never been away. With bookings only every Saturday, it’s conceivable they did all this without missing one, and perhaps that was always the intention. However, while three independent witnesses (Ellis, Williams and Chapman) all remember something happening, none of the Beatles ever mentioned it—though in their interviews they talked with candor about everything. So it must remain in doubt, an intriguing puzzle unlikely to be solved.

There are two additional curiosities that may or may not be incidental. One is that, in the last days of July, a group of Liverpool art school students, apparently including John and Stu, went to London (or tried to go) to see a Picasso exhibition at the Tate Gallery. Second, and most fascinatingly, a set of photographs taken at this very time (mid-July 1960) in Stu and John’s studio-bedroom-slum at 3 Gambier Terrace includes several people they knew but not John and Stu themselves—perhaps because they were on the Hatch End trip. It was published on July 24 in the national Sunday rag the People in a sensation-splash headlined THIS IS THE BEATNIK HORROR. It’s as if a man on a flaming pie was pointing down at Flat 3, Hillary Mansions, Gambier Terrace, Liverpool 1. In six months, three Beatles moved in and the fourth was hanging out, the nation’s best-known beat poet had come here to get them high, and now, when a Fleet Street journalist and photographer were looking to substantiate a load of old tosh about dirty beatniks—reportage that could have been cooked up anywhere in the country—they landed in Stu and John’s room.34

Though hugely amusing, the feature had one unfortunate side-effect: because the address was given (a “three-roomed flat in decaying Gambier Terrace in Liverpool”) and some of the occupants (“well-educated youngsters”) were named, the landlord gave the tenant, Rod Murray, notice to quit. On August 15, everyone—Rod, Diz, Ducky, Stuart, John and sundry other bodies who’d joined them—would be out on the street.

—Mark Lewisohn’s Tune In, Ch 15 (May 31–Aug 15, 1960)

And Lewisohn is just like yup nothing to see.

So what the hell happened here? Was it just a school trip? Or was it a deliberate split?

[raina-at]

Mouse

In celebration of this fandom and how much fun I'm having right now, with the May prompts and the fic club, have a bonus ficlet set in my theatre universe . (Another one of my AUs ticked off the list) (short premise for those not familiar: John is a stage manager and Sherlock is an actor. Mary, Molly and Sally are all part of John's crew.)

This is especially for @totallysilvergirl and the members of the Johnlock fic club. You all know why.

Warning, mention of an accidental animal death.

Also, this is loosely based on a true story.

-------

“What on Earth are you doing?”

“Be quiet,” Molly shushes Sherlock as she drags him through the stage door into the green room area.

“Oh thank god.” John sighs in relief as he sees Sherlock enter the room. “Save me from this madness.”

“Sit back down, Watson, this is all your fault after all!” Mary snaps. She’s pregnant again and the glare she gives him is filled with the homicidal rage of the permanently uncomfortable.

John sits back down and sighs. “Okay, fine. Let’s get this over with.”

Molly pushes Sherlock into a chair. “You be quiet now, we’ll be done in five minutes.”

Molly sits on Mary’s other side on the floor and takes Sally’s hand, completing the circle.

Mary gestures to Molly. “Do you have the object?”

Molly produces the live mousetrap and puts it in the middle of the pentagram Mary has drawn on the floor. 

“I hate to repeat myself, but what the actual fuck are you doing?” Sherlock asks, watching them with a mixture of curiosity and disgust. 

They all turn their heads in surprise, because they all know how rarely Sherlock swears. 

“We’re doing an exorcism,” Molly explains. “John killed a mouse and now we’re haunted.”

“I didn’t, I repeat, DID NOT kill a mouse!” John very nearly yells, sick and tired of this argument. 

“You left the live trap open over a bank holiday weekend,” Mary growls. “The bloody mouse sprung it, died of thirst in it, and ever since we’ve had one accident after another. First my fucking brand new moving head blew on its second night, then Molly twisted her ankle, and yesterday you were nearly hit by a stage wall.”

“So did I understand this correctly? You, rational, adult, competent professionals, had a few easily explained accidents and then came to the inevitable conclusion that you’re being haunted by the angry spirit of a common house mouse?” Sherlock asks, steepling his hands under his chin. 

“Duh,” Molly mutters, rolling her eyes. 

“Anything to say, genius?” Mary asks, glaring at Sherlock in a way that makes John hope that Sherlock will consider the words that come out of his mouth next very, very carefully.

“You need sage,” Sherlock says after a moment of silent contemplation. “And candles.”

“You’re not fucking serious!” John stares at Sherlock as if he’s grown a second head, which would frankly have surprised John just a tiny bit more than the current development. “You’re superstitious? Since when?”

“All actors are superstitious,” Sherlock says, ducking into the tiny theatre kitchen. “It’s the better safe than sorry principle.” He comes back with mixed herb salt and some tealights. “This should do nicely. Budge over.” 

He sits between Sally and Molly and takes their hands.

“This must be what going mad feels like,” John mutters, but he takes Mary’s and Sally’s hands and completes the circle.

Mary shushes him and lights the candles. Then she shakes a bit of the salt over the live trap. She turns to John and gestures to the trap. “Now apologise.”

“But I—”

“I said,” Mary says with a smile sharper than a battleax. “Apologise.”

John clears his throat. “Um.” The thing is, he is sorry. He never meant to cause an animal’s death, even indirectly. They only ever use live traps for a reason. But he feels slightly ridiculous all the same. 

He knows this is necessary, though. Theatres are places where legends and superstitions and rituals live for generations. Case in point, no theatre person in their right mind would ever refer to the Scottish play by its actual name. Case in point, you never say good luck backstage. This is no different, he knows this.

Of course the knowledge doesn’t stop him from feeling completely ridiculous as he says, “I’m sorry, mouse spirit. I didn’t mean for you to die. Please forgive us and stop haunting our theatre. We’re really sorry.”

He puts a piece of cheese into the trap, and every member of his crew follows suit. Sherlock contributes another sprinkle of the herbal salt, and then Mary, in lieu of setting the trap on fire, which would trigger the smoke alarm, bashes it in with a cricket bat. It’s horribly loud, but the trap is unusable afterwards.

“Be at peace, little mouse,” Molly whispers, and John can see the tears in her eyes.

They all share a long look over the mouse trap, and then they burst out laughing.

“You’re all insane,” Sherlock says, but he’s laughing as well, and there’s a lot of affection in his voice.

“Yup,” John answers, still giggling a bit. This is my crew, he thinks. Dangerously foul-tempered, certifiably insane, scarily silly at times. And I couldn’t love them more for it. He looks at Sherlock, who’s watching him with sparkling eyes and so much unguarded affection, and he smiles. “And you fit right in.”

----

Tags under the cut as usual.

@calaisreno @keirgreeneyes @lisbeth-kk @catlock-holmes @peanitbear @meetinginsamarra @friday411 @inevitably-johnlocked

[scrunkly-week]

the character graveyard — a creator's lament

a wall of snow keeps you hidden, it's true.

my hands tainted. I buried you all myself.

some of you live, just barely, breathing through a straw in your graves. an illusion of existence.

some of you never had the chance. your lives extinguished before you could fully form.

massacre.

your god has not forsaken you, I plead.

though I am god and she is merciless. by circumstance, not design.

I come to acknowledge you. you forgotten ones, the ones I hid, the ones who died by my hand and the ones who fizzled from existence before I could reach them. I gather you here today. to recognise you. mourn you. immortalise you.

I raise my chalice to each of you.

here's to the faceless ones. the ones I never named. the ones who had nothing but a name. a vibe. a role. a disembodied something. you hadn't enough love or care. I'm sorry.

here's to the fleeting ones. ones who existed in passing. to assist another's narrative. to enhance the world.

lindsay, erin bray, lynn clerke, jarrod holman. alli, nicole, cam, daniel, alisha. javin daxar, ellin daxar, dalen daxar, damon daxar, kara quillan, zaiden. daron ferris, charlie reid. lennard rose, elisabeth rose, elli. deyan thomson. lucia. sophie, caleb. jeremiah, chris, lukas, troy jackson, zach, linda, mr. woods. kere lockhart. aric jeweller. andrea, stefano. reece, john, demetrius rodriquez, seth reeves. aria, aaron, william, matthew, gaeldon, jonah. julia. sigrae, cassirean, king pyrest of emberia, hakan. dayell, carr kepnar. conrad, mr. stevens, steph, lilian maxwell, evie, vida, erica, david, olivia, andrew, dexter badd, marianne, charles wickham, katherine wickham, james wickham, raiden, calvin, darlene. therese matton, henri matton, geneve matton, madeline matton, mathieu matton, talon debois, lloyd hawthorne. morgan hawksley, aaron hawksley, marcus walters, cassidy donaldson. evan callaghan, mildred callaghan. arthur drover, sybilla drover, harriet drover, vera dustinborough, victoria darkwood, bethly violet, eliphalet lushington, emma. erysibe, kirkos. guiletta lanese, donato lanese, ottavio lanese, benedetto lanese, pietro lanese, vincenzo lanese, matteo lanese, annetta fornari, stefano fornari, adriana fornari, carlo fornari, francesco fornari, augusto fornari, adele sozzi, bettina aliotti, ciro, salvatore sallucci. edmond wickerman, rosalind wickerman, elias starling, hubert cornell.

here's to the strange ones. the 'I made you just because' ones.

scalene, nikia goodrich, ami ruff, riesa gentry and co., zachary bliss, janae lombardi, dawn watts, jay spear, lea cantrell, danny light. cardinal, scar. harmony/chaos. leighton, josh. nick joyce, rosalinda joyce, jasper joyce. emilee, ashli, nadine kathy hemingway.

here's to the old ones. the ones I left behind as I myself grew older.

timothy, kimberly, ash, connor. zoe. gabey mal'lie. raina hardin. zariah mika rose. karli hayes, shaun roberts. bella davis. milaa lockhart. mabel. queen heresa. tāne miller. victor.

here's to the ones who never reached anything past the development stage.

iris. olive. phoenix mars, rose earthen, gem airborne, luna moonbeam, leon king, mattias grey, venus greenwood, scarlet rust, sage bluest, amalthea browner, rialta silverton, jupiter violet. princess seraphine of emberia. the assassin, prophet, serenity. valentino, theokles, fabiola fornari, blair aiden hawksley, james robert callaghan, ruby starling.

here's to the ones I invested my time in, who I write one or two prose pieces and umpteen handfuls of rambles for, only to leave you by the wayside to crumble to dust.

vivian edwards, lucille matton, luciana lanese, alaric joseph drover, alexander wickerman, jinx the kea, hamid, sahar.

here's to my future creations, who may inevitably fall under one of these categories.

the wall of snow may keep you hidden. but I promise, you'll never be forgotten.

Submitted by: our lovely friend, Bee

———

☆ this is hauntingly sweet and I utterly love it !! What a good way to pay your respects to all of these characters <3 I raise my chalice alongside you, to toast to their lives

[cherrylng]

Great Guitarists 100 - John Frusciante, Tom Morello, Kurt Cobain, Billie Joe Armstrong, Kevin Shields, and Noel Gallagher [CROSSBEAT (November 2009)]

John Frusciante Rolling Stone magazine has chosen John Mayer, Derek Trucks, and John Frusciante as the three greatest guitarists of our time. The three greatest guitarists of the 1960s, including Eric Clapton, were from the UK, but all three are now American. Mayer and Trucks have a wide circle of friends, including Clapton, but Frusciante is a solitary figure. He has a thriving solo career, but is a martyr to the band. He devotes all his energies to expressing himself within the collective soulmate that is Red Hot Chili Peppers. John's guitar has no clear style. He can create catchy riffs, he can play well-crafted solos, and he's good at backing vocals. He has the versatility to adapt to any situation, but he is at his strongest in the arena of Red Hot Chili Peppers. This is probably due to the inspiration provided by Flea, a bassist with a deep range, and the support of Anthony, a vocalist who can make you listen with sensitivity rather than skill. The band's tone and phrasing are free and uninhibited. This style is supported by his concentration and the technique he has developed since his teenage years. It would be rare to find a boy who woke up listening to Captain Beefheart and practising 15 hours a day to Frank Zappa and Jimi Hendrix records. -Akihiko Yamamoto

Representative albums "Blood Sugar Sex Magic" (1991), Red Hot Chili Peppers "Stadium Arcadium" (2006, pictured) "Shadows Collide with People" (2004) John Frusciante

Tom Morello Tom Morello's unique guitar playing is like that of a DJ. This is Tom Morello's trademark, but it is not his main focus. His backbone comes from hard rock. Tom was born in 1964. He got into rock with Led Zeppelin and KISS, then experienced punks like The Clash and formed his first band…… This is a typical generation. Tom followed this completely. In fact, in the midst of the heavy metal boom, he even learned to play technical guitar solos. In short, he had a very normal musical background for someone born in the 1960s. However, an encounter with the members of the band that would later form Rage Against the Machine marked a turning point for Tom. He was shocked by the hip-hop-tinged musicality that centred on Zack, and tried and tested it. As a means of countering this, he came up with the idea of replacing Public Enemy and Run DMC's DJ playing with guitars, which led to a series of unique performances. It was a kind of paradigm shift. In other words, instead of being a better guitarist than anyone else, he makes sounds that no one else can make. By changing his way of thinking 180 degrees, Tom Morello made a great leap forward as a guitarist. -Junya Shimofusa

Representative albums "Rage Against The Machine" (1992, photo) Rage Against The Machine "Evil Empire" (1996) "The Battle of Los Angeles" (1999)

Kurt Cobain Buzz Osborne, Greg Sage and Calvin Johnson. When considering Kurt Cobain's guitar style, the influence of these three cannot be ignored. Buzz, as you know, was a fellow senior member of the band and the man who introduced Kurt to the appeal of a slower, heavier sound. Greg led the Wipers in the late 70s and early 80s. Nirvana covered a couple of songs, but more than that, it's worth noting that Greg's psychedelic guitar sound is remarkably similar to Kurt's. And then there's Calvin. Kurt was strongly devoted to that spirit for a time. Kurt's lo-fi sensibility and artistry were developed while living in Olympia (Calvin's home base). Heavy, psychedelic, and lo-fi. Kurt has cleverly incorporated these three keywords of 80s American indie music to form his own style. -Junya Shimofusa

Representative albums "Bleach" (1989), Nirvana "Nevermind" (1991, photo)

Billie Joe Armstrong How many kids picked up a guitar at the sight of Billie Joe playing his battered Stratocaster? His guitar playing, with its simple combination of power chord strumming, arguably played the same role in the 90s as Johnny Ramone's. Despite being labelled as mellowcore at the time of their debut, there is not much hardcore influence in Green Day's sound, including their guitar playing. Rather, there is a strong influence from 60s British beat and 70s UK punk. After establishing his own style with 'Dookie', from 'Warning' he began to use acoustic guitars to great effect. It is interesting to note that, despite having listened to hard rock and heavy metal before punk, there is almost no trace of that influence in his music today. -Tomoo Yamaguchi

Representative albums "Dookie" (1994, photo), Green Day "Warning" (2000)

Kevin Shields After original members Dave and Tina left the band, My Bloody Valentine became a twin-vocal band with Bilinda, who joined the band midway through. On the Rage label they were still playing an anorak-like guitar sound influenced by The Jesus and Mary Chain, but after moving to Creation they quickly evolved. Kevin's noisy and inebriated guitar sound had a huge influence on the so-called 'shoegazers' that followed. While his followers used a lot of delays and reverbs, the original used almost no spatial effectors. They created "fluctuations in space and time" by holding the tremolo arm, strumming chords and applying reverse reverb. The sound, which no one had ever heard at the time, even led to numerous speculations, such as "Could he be controlling the number of tape revolutions?" -Takanori Kuroda

Representative albums "Isn't Anything" (1988) My Bloody Valentine "Loveless" (1991, photo)

Noel Gallagher Noel Gallagher is a well-known big mouth. His off-the-cuff remarks are often controversial. As the man who runs the biggest band on the UK scene, he probably has to be that bold. However, when it comes to his guitar playing, his personality is anything but bold. A fear of mistuning is evident. The guitar playing on the album, as well as live, is very collective. He never misses a note, as if he were following a musical score. Even the guitar solos, which are a guitarist's greatest showpiece, are almost exactly the same as on the album. In any case, he doesn't take any risks. In other words, you can see through his surprisingly naïve mind. In a rock world still infested with gymnastic machismo, this is a rare individuality. The band's music has the air of a big-boned, but in fact it is very sensitive. This sense of mismatch is Noel's greatest individuality. -Junya Shimofusa

Representative albums "Definitely Maybe" (1994, photo) Oasis "(What's the Story) Morning Glory?" (1995)

[zepskies]

Hi Zep! Buckle up because I have a number of picks for your ask game! How about 2, 10, 17, 40, 48, 55 and 70?

Hey Michelle! Hope you're having a lovely Sunday. ☀️💜

Omg these are amazing questions!!

Lmfao this is hilarious to me, but I actually had to think hard about this one. My pre-writing/outlining process is pretty methodical. However, I think the biggest time the narrative hijacked my hands was in Smoke Eater (firefighter!Dean x reader).

I had several scenes in the original outline that just weren't fitting right when I got to the drafting stage, to the point where I had to chuck them out entirely. Also, the whole murder mystery that's central to the narrative was complex to tease out, but that also took me by surprise when I was outlining!

I wasn't intending to go that route at first, but when I thought of including John Winchester and Cas as homicide detectives (drawing from my childhood obsession with Law & Order), it kind of just started coming to me.

So I usually have the premise of the idea before the title. It's gotten easier as I've become more experienced as a writer, but sometimes I just put a placeholder title that kind of encapsulates the idea before I come up with something better, then I start outlining/researching.

Often I get placeholder titles from songs/lyrics of what will likely give me inspiration for the story, and sometimes those titles stick!

Ooh another great question. 😂 Funnily enough, the ones that come to me off the top of my head are mostly from Break Me Down:

M.M. scoffed, with a subtle shake of his head.  “Nah, man,” he said ruefully. “That’s true motherfuckin’ love.”

And a fun one:

“Alert the media,” you said. “We’ve got the ultimate weapon against Soldier Boy: a slow ride on his dick.”

😂 This one also sticks out in my mind from the Midnight Espresso-verse - Devour Me (Part 2), as a playful one I was weirdly proud of lol:

“Question: do you consider yourself more of a tits or ass man?” you ask him. You’re half teasing, but still curious. Dean snorts at the question.  “More of a connoisseur,” he replies, smirking.  “Ah.” You nod sagely, and you point between him and yourself. “So this is like a ‘sample the menu’ situation.” Dean’s smirk deepens. “Sweetheart, you’re a goddamn buffet.”

Finally, this one from the imagine "You are Dean's one exception":

Oh man, that's very tough. I've been blessed to get some amazing feedback from you and others, and believe it or not, I do go back and reread comments and reblogs. It puts a smile on my face whether I'm having a bad day, or want to continue smiling on a good one. 💖

I think one of the best compliments I can receive, however, is that a story touched someone on an emotional level and somehow got them through a difficult time in their life, or is one of their "comfort stories." That's happened a few times, and it almost makes me cry every time. 🥲

I can also say that you, @chernayawidow, and @waynes-multiverse have given me some of the best feedback I've ever gotten on stories. Not just because the other two have made me cheese grin/nearly cry of laughter, but also because all of you are writers and have been able to tell me narratively (or on a character development level) what you liked about what I was doing in a story. As a writer, that kind of feedback is amazing as well. 💖💖

Also, some of my favorite feedback of all time has been on Midnight Espresso -- whether it's been people thanking me for the representation of the Hispanic/Latin culture, or sharing experiences with being plus-sized and how that's viewed in society. 💗

😬😬 Ahh guilty, lol. At the risk of sounding prideful, I think if you're doing it right, you should be writing the stories you want to write. So it stands to reason that you should be able to enjoy reading your own work. 💜

None on Tumblr, but unfortunately I do have a few on FF.net, which I don't even post on anymore, and maybe one or two on Ao3. Sometimes you just lose the drive to write for that fandom, especially if engagement is down. Sometimes you just move on to other things.

I'm a voracious editor. I believe good writing is also good editing -- that's just part of the process. So yes I guess I can be self-critical. lol

Sometimes I'll be rereading something, and I'll go in and edit it after it's already been posted for months, whether it's a typo, or a line that doesn't sound quite right for the character, or part of a scene that I think needs smoothing out. I guess I'm a bit of a perfectionist that way. 😅

Again, thank you so much for these questions, my friend!! I'm going to be sending you some too very soon. 😘

[johnsagedeveloper]

John Sage is an entrepreneur with years of experience in real estate. In this video, Stanley share important things to remember before buying a home.

[mxalexis]

Behold !

I am bringing you a masterpiece featuring :

💭 a walk down memory lane

👬 friendship

⏱️ a race against time

💢 a domineering father

🏳️‍🌈 queer folks

💗 hope

Yes, I am talking about The Lost Cases, The Private Diary of John Watson, The Vanishing Heiress by Sage Boscombe.

This novella is the 3rd chapter in a serie featuring John Watson & Sherlock Holmes, with a focus on their personal relationship.

In case you didn't know, let me be clear : they are in love! With each other! In a very gay way!

(Just tought I would clear that up)

Now, onto the story :

➡️ Sherlock and John find themselves *cough* interrupted *wink* with a message from a rich man whose daughter has been missing for a month, and who desperately needs their help finding her and bringing her back.

He's not a sympathetic man, his temper seems to flare up quite easily, and he's clearly not used to not getting his way.

But he is obviously very distraught by his daughter's disappearance, and the police are of no help. So our favorite duo decides to investigate the matter.

They end up going to Barts, Watson's old university, to interview a good friend of the missing young woman, who might or might not know what happened to her.

⭐️⭐️⭐️

In the previous chapters, I was enchanted by the silliness, cuteness, and romantic aspects of John & Sherlock's story.

And those are still there ! Very much so !

The scene involving Mrs Hudson (you'll know wich one when you read it), in particular, has me roaring with laughter every time I re-read it !

The "aaaaaww" dimension is also very much present on several occasions.

⚠️ The reason I'm explaining all this is to make sure you keep that in mind as you move on with the rest of my comment, because it's not all sweet and roses.

I have to say, very rarely have I read a story that gut-wrenching, and yet hopefull & wholesome at the same time.

Here we start seeing more concretely what it meant at that time to be qu33r in London. And while it would have been easy to focus it all on misery, despair, or ostracism, the author beautifully showed hope, resilience, solidarity, and acceptance.

Not only is it very well-written, it's also a lovely continuation of the previous chapters, absolutely believable in terms of characters' development, & a great way to explore these 2 sweet men's universe some more.

Thank you so much, Sage Boscombe, for creating these precious stories 💙

I can never recomend these novellas enough.

Please consider giving them a go!

[messinwitheddie]

If you ever watch the movie *A bugs life* I can’t help but headcanon Lich’s voice as Hopper cuz he’s a bully and a boss man.😅 especially the last scene where the ants finally are fed up with him and face him for being a tyrant that he is.

That's awesome you have a voice you can hear for Lich. I haven't watched a Bugs Life in a long time, but I liked the movie as a little kid. I can see the parallels with the characters.

Originally, when I first came up with the concept of Lich's character (Can’t even remember what I originally named him. Maybe it was the same name. Can’t remember. Wow…

Either way, Lich's original backstory/ role in a fanfic [I won't name because I wrote it in middle school and it was AWFUL], was very different from what it is now. The plot of the fuc was a ripoff of the movie ,“Heavy Metal” so Ronnie James Dio or Alice Cooper were the two voices I usually associated him with. "The Mob Rules" and "The Black Widdow" are Lich's theme songs.

BUT Kevin Spacey's voice fits Lich very well, now that you pointed it out.

He is oozing with Hopper vibes.

If I had an obscene amount of money to spend, I would hire these voice actors/actresses/ singers (resurrect them from the grave if necessary) to play my ocs and/or Characters from Invader Zim that never officially were assigned hired voice actors.

At least most of my Irken ocs have voices picked out.

Pepperoncini: Sir Christopher Lee (?) Earle Hyman (?) Even those two would have to pitch their voices lower and more gravely. Cini's voice, especially in his later years, is very, VERY deep and ravaged by centuries of smoking pipe amber. I guess the contrast in his bright, lighthearted, bubbly personality amuses me.

I can’t think of a voice that perfectly matches the voice Cini has in my head. Any suggestions would be welcome.

I loosely based his personality on Phyllis Diller and Vincent Price, to give an idea of his mannerisms.

Spinch: Martha Kelly (so shy)

Hoola: Eric Bauza (His personality is based on Daffy Duck, though lacking in WB toon antics and the lisp.)

Mem: Bette Midler (first choice), possibly Kathy Bates or Meryl Streep

Some of Mem's swarm I have casted

Handoverfist aka Hof: Eugene Mirman

Ferocity: Betsy Sodaro

Skathe: Jenny Slate

Starboard: John Fiedler

Zee: Jillian Bell

Rook/ the Sage: Originally I imagined John Cleese playing Rook, at least in Rook's older years (because he was based on the Monty Python’s Holy Grail Tim the Enchanter) or Suzy Izzard.

But again, now that you pointed out the parallels, David Foley fits pretty well too.

Miyuki: I'm sure plenty of people would disagree with me, but I think Cher (or at least a younger Cher), Lynne Lipton (again, younger), or Cree Summer would make great choices for Miyuki.

Kii: Can't get Melissa Fahn's voice out of my head for her, but any suggestions are welcome. Maybe Doro Pesch.

Soxx: Percy Rodriguez (would have to bring him back from the dead)

Hitz: Richard Romanus

Spork: Lorenzo Music (I just do)

Commander Poki: Brooke Dillman (I love that woman's voice. Boss as shit.)

Frylady Soo-Garr: Kristin Chenoweth or Grey DeLisle. Either. Either or would pull off her vindictive personality perfectly.

Pielord Emis-Gee: Ron Funches

Brewmaster Shakkin: Christopher McCulloch

Yeet: Hong Chau (so spunky!)

Vroog: Billie Mae Richards or Maria Bamford for a living person to play her.

Irken Gir would be played by Rosearik Rikki Simons, just no synthesizers or anything.

This is not a complete list by far. If you’re curious about any of ocs that I didn’t list, you can ask about or make suggestions.

Hearing the voices helps develop the character for me

[maddiviner]

So, @ceruab13 was asking about books focused on Enochian magic and the Angelical language.

I scrolled a bit, and it turns out that the interest stems from the popular television drama, Supernatural! I actually think it’s kind of neat that Supernatural incorporated the Enochian language into the show. I watched an episode or two back in the day, but have trouble keeping with long shows, so it’s not my fandom.

If people are interested in learning more because of it, though, so be it. I could try to write my own summary of Enochian magic, but other people have done that, and much better than I could, so I’m providing a list of books instead. Some are published and available in ebooks and print; a few are freely available online, either out of copyright or just free to distribute.

This is a short reading list featuring books I’ve read focused on Enochian magic, the history of it, and the concepts involved. It is not a recommended reading list, exactly. It’s just a list of everything I’ve read that might be relevant, with a little bit about each book.

Some are books written by magical practitioners to help others learn the art; others are focused on the history surrounding John Dee and Edward Kelley. I hope you find something worth reading here. Again, these aren’t limited to recommended favorites - it’s just a list of everything that might be, in some way, helpful.

First, before I start listing the secondary sources, I’ll suggest reading some of Dee’s diaries.

They’re actual diaries, and you should keep them handy in a tab if you’re reading more about this. Also check out A True and Faithful Relation, which is a later account of their workings. That link includes (typed) excerpts, but you can find scanned copies through Cornell’s digital library, too. You can keep these handy while reading any of the following works, and it’ll be helpful. Don’t feel discouraged if the Elizabethan grammar and such seems obtuse, and if secondary sources help provide context, let them!

The Essential Enochian Grimoire, by Aaron Leitch.

This one’s really comprehensive, and covers both purist interpretations of the tradition and Neo-Enochiana. On top of that, there’s a lot of good historical context here, too. A lot of the strictly historical authors ignore the existing occult traditions that influenced Dee and Kelley, or just don’t talk about them enough, whereas here there’s entire sections devoted to them.

I really liked the chapter that attempts to outline the worldview present in Dee’s diaries. I recommend this for the willworker who hasn’t got any experience with Enochian, but not for someone just starting out with magic. If you’re used to working in a spartan fashion, you might find the calls for equipment daunting, but the workings in this book are very adaptable.

John Dee and the Empire of Angels, by Jason Louv.

Not a book of practical magic, but a biography of Dee and Kelley. Louv himself is an occultist, and therefore willing to entertain explanations for the incidents that other history researchers might not. He also keeps grounded and admits that none of this can be strictly proven, and that Kelley, of course, could’ve been a charlatan. I tend to see a critical approach to Dee and Kelley (rather than treating them both as sages) as the mark of a decent book on Enochian magic.

Here, the author speculates a lot on what was actually going on, and doesn’t shy away from mentioning the paranormal aspects that are hard to explain. Louv’s tone and pacing are excellent, and the conversational tone of the book will no doubt maintain your attention to the very end. A lot of it feels like juicy Elizabethan gossip (except with citations!), and will give you a feel for Dee and Kelley’s complicated world.

The Angelical Language, by Aaron Leitch.

Whereas The Essential Enochian Grimoire covered the working of Enochian magic in practice, Leitch’s The Angelical Language gives us a narrative of the system’s reception and development, with special attention to the language itself. There’s plenty of practical bits woven in there, and the blending of history and magical technique enriches the experience of both. Also, while I did like this book, I had a tonic clonic seizure while reading it. I liked how the author included pronunciation notes for the Enochian letters, even though I doubt I vocalized them properly.

Primarily focused on the language itself, the book doesn’t include as much practical advice as The Essential Enochian Grimoire. The practical parts he does give look like they’d be easy to adapt to different scenarios, though. There’s not an overt focus on having a lot of tools. I lost consciousness and seized for a good three or so minutes while reading this book on break at work and woke up in the emergency room. I’ll probably get the second volume and read it soon. Leitch himself suggested not reading the Angelical words out loud next time? 😆

Enochian Vision Magick, by Lon Milo DuQuette

Lon really isn’t my cup of tea, particularly since I’ve ditched Thelema and don’t plan on ever going back. This book is notable, though, because he uses really archaic techniques for his scrying operations, making them quite different in energetic texture than the more common Golden Dawn methods. His methods require a lot of “stuff,” so to speak: ritual tools and accoutrement.

DuQuette’s attitude of treating ritual tools as training wheels to be internalized and eventually rendered unnecessary as skills develop isn’t exactly unsound. It’s certainly one method of doing it, but it’s not very accessible. It’s certainly not how most people (who tend to pick up magic in their early years, and may not have a ton of resources) are doing things. I didn’t. I’m mentioning this one for completeness, mostly. Read it to see what Thelemites are doing Enochian-wise, and how Crowley’s influence survives to this day in Enochian magic.

The Vision and the Voice, by Aleister Crowley

Crowley was an abusive piece of shit. Now that we’ve got that out of the way, you can check out The Vision and the Voice. It’s available here online. It’s Crowley’s journal of his experience scrying the Enochian aethyrs with his student and service top, Victor Neuberg. They had decided that the Algerian desert was the perfect place for a month-long scrying operation facilitated by a sex magic ritual wherein Crowley took the passive role. In the desert. Let that sink in. 😝

Following this experience, Crowley considered himself to have reached a state of enlightenment. The experiences therein and the visions were, in fact, fairly intense. Oddly, I hadn’t read this when I did my (first) Enochian workings, and didn’t pick it up until much later, and then only for completeness sake. I don’t recommend actually listening to Crowley’s advice on hardly anything, but it’s good to read this to understand his influence and history. You probably shouldn’t listen to one iota of his actual “teachings,” but there’s plenty to be learned from the guy. You can learn a lot about aerodynamics from watching a fiery plane crash.

The Queen’s Conjuror, by Benjamin Woollet

This is more of a straight-up history book detailing the remarkable lives and work of John Dee and Edward Kelley. Woollet provides enough background material to give an ample window into Elizabethan life, occult and beyond. This book gives no practical (or other) instructions and, as far as I’ve been able to tell, was written by a non-magical historian. I consider The Queen’s Conjuror a necessary read for that reason.

Sometimes we forget how magic can intersect with things like politics and science. This biography of John Dee reminds us that it’s all always already connected, and that Dee’s primary impetus was a (highly political) “immanentization of the Eschaton”. This book entertains various theories about the situation at Mortlake, fully admits Kelley may have been a charlatan in some capacity, and features other refreshing takes from an academic perspective.

The Black Lodge of Santa Cruz, by Satyr

Magic, much like fire, can be a useful tool. It can also reduce precious things to embers. This is the memoir of a magician who, in the late 1980s, was part of a small and controversial Enochian studies group in California. Read it here.

Satyr, working with his wife and their easily-possessed mentor, begins a series of experimental Enochian workings. Things rapidly spiral out of control amid already tense occult political situations. The context for this (the Caliphate OTO’s squabble over succession, etc) may feel irrelevant to modern practitioners (it is to me, for all intents and purposes). Nevertheless, we can all recognize the egos, personality clashes, ambition and other factors that contributed to the unique situation in Santa Cruz. In terms of magic itself, this memoir documents a period of great innovation, both inside Enochian circles and in other areas.

Heartbreaking in places and illuminating in others, The Black Lodge of Santa Cruz gives the story of one of the most infamous cases of the notorious “Enochian breakdown” phenomenon people talk about, where someone starts doing intense Enochian workings only to have their lives driven into pure chaos. Recommended reading before you attempt any so-called hell-rides (those month-long scrying operations people keep doing), at very least.

I hope something here interests someone!

[leonardcohenofficial]

In lieu of unfortunate circumstances (<- unable to secure a ridiculously wealthy benefactor whose sole joy in life is showering me with the resources and means to follow each and every one of my passions) I've decided the best way for me to pursue dramaturgy without the support and guidance (and ever-accruing debt) of higher education is to take the DIY route (asking the wisest sage [you] for guidance [textbook recommendations].)

So- if its not too much trouble, of course- Are there any books or resources you've found enjoyable or otherwise essential to dramaturgy and/or film and theatre studies? Please and Thank You <3

apologies for the delay in responding! i've been thinking about this for a long time and have found it a difficult task to think of the texts that i find most pivotal to dramaturgy. the way that i developed my approach to dramaturgy was significantly less theory-based and much more learning on the fly depending on the needs of the production (in my case, usually working on new plays by black playwrights in developmental readings and labs). however if i was to name the texts that i've found most important to me as a theatremaker, that have really shaped the way i interact with plays, they'd be brecht on theatre: the development of an aesthetic edited and translated by john willett and the essay "from elements of style" by suzan-lori parks (as well as the other essays published with the america play)

(the process of dramaturgy: a handbook by scott r. irelan, anne fletcher, and julie felise dubiner is a book that i haven't read in detail but having skimmed it a while back is a good intro to basic questions of dramaturgy and what the role looks like from preproduction to end of process)

[dcyswclking]

@lcstinfantasy asked: “ can i ask… what happened? ” sage @ anyone

"What happened?!" Kie repeated in a huff, still very much angered by how everything was developing. "Your sister is hooking her ugly claws into my best friend! That's what happened!" The worst John was falling for it no matter what she was saying.