#JeremyKing

[nekromeowncer]

[film-book]

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SCARE PACKAGE II: RAD CHAD'S REVENGE (2022) Movie Trailer: The Anthology Series returns as a Funeral Turns into a Death Trap https://film-book.com/scare-package-ii-rad-chads-revenge-2022-movie-trailer-the-anthology-series-returns-as-a-funeral-turns-into-a-death-trap/?feed_id=119738&_unique_id=6397906784218

[bananaofswifts]

@alexandrashulman : When I took Taylor Swift to lunch where did we go? @thewolseley. No brainer But no longer without Jeremy King in charge. #jeremyking #the wolseley #restaurants #taylorswift

[freemovieonline-blog1]

Sinister Seduction

Movie Information: A recent widow is glad when her son finds a new friend. But it soon becomes clear that he's after a different type of companionship. Will their attraction be her undoing? And what secrets is hiding? Read the full article

[baillieslf-blog]

还认为沃尔玛就是一家大超市？太肤浅了

3月11日消息，据国外媒体报道，美国一年一度的西南偏南大会不仅仅是音乐、电影的娱乐盛会，今年，在这个颇具影响力的大会上，全球最大的零售商沃尔玛将以科技公司的身份来标榜自己。

沃尔玛首席技术官杰里米·金(JeremyKing)将在这个年度大会上登台，带观众了解公司的最新技术——比如虚拟现实耳机和机器学习驱动的机器人。这些技术正在商店中被用来尽快为顾客提供在线订单。

沃尔玛自1962年在阿肯色州成立以来，可以说一直难以满足作为一家“现代”零售商的要求。许多消费者在想到沃尔玛时，仍然会想到它每天低廉的价格和仓储式的商店模式。与此同时，沃尔玛最大的竞争对手亚马逊正大举吞噬美国电子商务的销售额，因为该公司正在利用其支持语音助手Alexa的Echo设备等技术进行创新。在智能音箱Echo上，消费者可以通过语音购物。这是零售商所能得到的最“现代”的东西。

在西南偏南大会开始前，杰里米·金对CNBC表示…

[supplementsupport-blog]

Here are the Best Baby Humidifiers of 2018

http://myfolio.com/JeremyK

[spromoter-blog]

Here are the Best Baby Humidifiers of 2018

http://myfolio.com/JeremyK

[labiblioteka]

NEW: @manfantastic | 25 | Yes! // People always ask what my favourite magazine is... it's impossible to answer but I devour Fantastic Man giddily. Congrats on reaching #25 FM! #fantasticman #stevemcqueen #jeremyking #gadelmaleh #woodyharrelson #style #menswear #fashion #SS17 #indiemags #🇬🇧 #independent #magazine #sheffield #shopsmall #shoplocal #70pinstone #labiblioteka

[referenceshoteliers-blog]

The Beaumont, Style et Art déco

© The Beaumont

L’Hôtel The Beaumont (5*) est l’une des plus belles ouvertures de ces dernières années, à Londres. Dans le quartier de Mayfair, il invite à un délicieux voyage dans les années 20, sur les traces de Jimmy Beaumont.

L’hôtel est situé en plein coeur du quartier de Mayfair, à deux pas de l’agitation joyeuse de Selfridge’s, le grand magasin le plus branché de Londres sur la commerçante Oxford Street. Une imposante bâtisse blanche de cinq étages aux lignes droites. À gauche, trône une immense statue aux formes géométriques, à la fois intrigante et reposante. Au rez-de-chaussée, de larges baies vitrées et une porte tambour.

© The Beaumont Inauguré que le 29 septembre 2014, l’hôtel semble posé là depuis un siècle. Entre Art Déco à l’européenne et esthétique américaine, de la fin des années 20, le style a été voulu par Chris Corbin et Jeremy King pour leur premier hôtel. A la tête de l’établissement un jeune directeur Jannes Soerensen assure toute la coordination du bien recevoir dans les règles de l’art.

© The Beaumont Avec ses 73 chambres, dont 23 suites,The Beaumont est aussi une vraie galerie d’art. Jeremy King et Lauren Gurvich, son épouse, ont chiné chaque meuble, chaque lampe, et chaque oeuvre d’art, sculptures, peintures ou photographies. Il y en a plus de 1.500 pièces d’art dans l’hôtel. L’âme de l’hôtel se joue aussi au Colony Grill Room, avec les classiques de la cuisine anglo-saxonne. Par ailleurs l’hôtel propose deux bars: The American Bar, avec ses cocktails classiques dans une ambiance new-yorkaise typique, et The Cub Room, un bar privé réservé aux clients de l’hôtel, ainsi qu’un petit Spa Art Déco et une salle de fitness. Un hôtel à découvrir au cœur de la capitale anglaise. The Beaumont - Londres Brown Hart Gardens, Mayfair, Londres W1K 6TF, Grande-Bretagne Tél. +44 20 7499 1001 www.thebeaumont.com Read the full article

[babybirbo-blog]

I had a conversation with a friend yesterday where, using this specific remix I’d done for a contest a month ago as an example, I found myself discussing the fairly massive divide between artistic/creative intent and the end result of any sort of creative work as its perceived by the general public.

It’s something I think about often. That gulf between the creator and the “meaning” of his/her creations as defined by two entirely different metrics; one being the creator’s own interpretation of their work and the other being, well...everyone else’s interpretation.

And, yeah, I’m referring to a remix -- thus, not exactly my own work -- but still.

Piecing this together from the original song was one of the more bizarre audio experiments I’ve undertaken. Not only did I do so in a relatively short period of time (meaning a day and a half of obsessive experimentation), but listening to the lyrics over and over and over again, I felt this compulsion to dissemble them, somehow. And that wasn’t at all my original intent.

I wanted to take this perfectly lovely, catchy song and somehow distort the “identity” of the song. On some level, I’m sure it was inspired in part by delving in and cutting up/arranging/re-arranging the individual bits and pieces of the original song, but it wasn’t long before I began adding touches and layers and nuances that I wasn’t even sure anyone would even notice when listening to the end result. In that respect, the meaning of the song, for me, became something else entirely; something much more personal. It felt like I was hiding things in plain sight, in a way.

Near the end, any semblance of the original meaning of the song had become lost within this labyrinth of sound and secrets I’d created for myself. In place of that original meaning were abstract notions of time and melancholy and a sense of something gentle that had been twisted, subtly and not-so-subtly, mixed with an experimental blend of synthpop, touches of ambience, various metallic resonances, and more. Near the end of the track, I very deliberately altered the order of the lyrics in some attempt to change the ‘ending’ of the story, so to speak, and the entire span of the last minute became some effort to convey a sense of unspoken, ambiguous importance.

And even though it wound up becoming this sprawling experiment of sorts, I was proud of the results almost entirely because of the sense of personal accomplishment that came with having changed the story.

Of course, I would never, ever, EVER expect anyone to gleam even a fraction of that from listening to the song by itself, and in a way, maybe it’s wrong for me to delve into all the thoughts and processes that went behind remixing the track. Art, after all, is such a profoundly personal thing. It seems unfair to have the person who made something say “yeah, this is what I meant when I did this, so therefore, that’s what it means”, and that’s not at all what I’m trying to convey.

I didn’t win the contest, but the guy hosting it enjoyed the remix, stating that it reminded him of “something that sounded like it was from space" and that it made him think of...Space Invaders. And so, as a consolation prize, he’s sent me a Space Invaders toy and some related stickers in the mail, which should be arriving this week.

I got a pretty good laugh out of that. The sheer disparity of meaning between my own interpretation and a listener’s comparison to a retro arcade title.

Art be crazy, yo. And that’s the way it should be.