#Jeon so mi

[korean-dreams-girls]

Somi X REVOLVE Collection Pics

[opiacat-tapioca]

#Somi

©Tapioca

[cloudtinn]

Soulmate/소울메이트 (2023), dir. Min Yong-geun.

[gimme-a-chocolate]

Soulmate (소울메이트) 2023

[aricastmblr]

bts_bighit X 9oct2024 (vídeo) JUNG KOOK: I AM STILL WITH YOU Party Edition

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bts_bighit X 9oct2024

En respuesta a @ bts_bighit JUNG KOOK: I AM STILL Official Photo 5

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[tjjamess]

The best Fantine ever (imo)

[dramaintherain]

Kim Da Mi & Jeon So Nee ♦ Soulmate (2023)

[naksushadows]

One of the best coming-of-age posters I've ever seen, the feeling of nostalgia and friendship they bring is comforting and melancholic.

[cigarettesw]

Love is fleeting…

[trendingdrama]

“ You said the sun can shine brightly because of the shadow.Even though they can't become one,the shadow is always there in the distance, so the sun was never lonely, and is able to shine.Working on the drawing you left behind,I'm always reminded of that.”

소울메이트 / SOULMATE(2023) // Dir. Min Yong Keun  

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✧. ┊    giveaway pack

❝on my GIF PACK SERVER, you will find 146 gifs of JEON SO MI (2001) in i am somi: xoxo❞ ―― how to join my server: click here or on the source link ―― commissions info: click here

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Somi - Bubble Update Pics

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#Somi

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˗ˏˋ We are G-IDLE .ᐟ

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Soulmate (소울메이트) 2023

[offbeatcappuccino]

nothing is more serious in life than female friendships ~ soulmate movie analysis (not spoiler free)

The first scene of Soulmate opens up with an early thirties something Ahn Mi So (Kim Da Mi) carefully observing a hyperrealistic portrait of her. She is informed by the curator of the art gallery that the piece was submitted by an artist named "Ha-Eun" for a contest but they have been unable to track her. Despite the evidence that is provided to suggest that Mi So and the artist are close friends, she denies this claim and states that she can be of no help.

We are then transported to Mi So's childhood and her first day at an elementary school in Jeju. Mi So has a dysfunctional relationship with her mother and is tired of having to constantly move from one place to another due to her mother's financial woes. It is on this day that the young Mi So meets Ko Ha Eun ( Jeon So-Nee) for the first time. After an eventful day of rescuing a kitten from the pouring rain and having dinner with Ha Eun's family, both girls embark on a lifelong friendship.

The two girls grow up together and bond over their mutual dream of painting and traveling the world. However, Mi So and Ha Eun are poles apart from each other. Ha-Eun is reserved and proper and grows up in a stable loving two parent childhood. She aspires to attend college and her father wishes her to become a painter. On the other hand, Mi So is extroverted and wild. She's a free spirit with an estranged mother. She dislikes school and unlike her peers, she attends a trade school by day and works an assortment of part time jobs to support herself. The idyllic friendship and inseparable bond of both girls is disrupted when Ham Jin Woo (played by the ever so handsome Byeon Woo Soek) enters their lives.

As teenagers, Ha Eun develops romantic feelings for Jin Woo. During a soirée, she and Jin Woo confess their attraction for each other during a game of "Go Stop" and they both end up dating. The dynamics between the three individuals is complex and a significant turning point in their relationship is when the three go on a forest hike to a wishing well. Ha Eun bruises her feet during the hike and stays behind as Jin Woo and Mi So continue their journey. At the well, the two unexpectedly share a brief kiss and Jin Woo ends up giving Mi So the necklace he was wearing, which is really an amulet to protect the wearer against misfortune.

Shortly after this trip, Mi So abruptly leaves Jeju for Seoul, leaving Ha Eun heartbroken. As the two girls wave their final farewells, Ha Eun is stunned to find her best friend wearing her boyfriend's necklace. Her grief of Mi So's sudden departure is overcome by a strong sense of betrayal. The rest of the film is a non-linear and sometimes alternate timeline depiction of the two friends as they navigate their relationship with each other and adulthood.

At its core, the relationship between Mi So, Ha Eun, and Jin Woo is essentially a love triangle, but its far more complicated than the two girls both being in love with same guy. I believe that both girls are physically attracted to Jin Woo, but they are actually truly in love with each other. What drives the conflict in their relationship is not only how far they drift from each other when their realities do not align with their ideals, but also the mutual possessiveness for each other. One scene that strongly propels this narrative is when the two reunite in their mid-late twenties. During a coincidental run-in with Jin Woo, Mi So discovers that her boyfriend/boss unalived himself and wasted all of their money before his death. Heartbroken and bankrupt, Mi So ends up living with Jin Woo and the two rekindle their "attraction" for each other. When Ha-Eun catches them living together, she angrily locks Jin Woo out of his apartment and confronts a drunken Mi Soo in the bathroom. Initially, it seems like Ha Eun is upset that her best friend and lover are having an affair. But, we realize that its so much more than that when Ha Eun emotionally confesses that before any men came into their lives, she was the one who loved Ha Eun. Ha Eun loves Mi So so much that it was absolutely devastating for her that she was kept in the dark and replaced by Jin Woo during a critical period of Mi So's life.

Though Soulmate has a fairly simple premise and short runtime , analyzing and discussing the film can be an arduous task because of its unconventional approach to storytelling and the many layers that are interspersed within it. However, if there was something that captivated my attention, it was the role of art in the film and the larger role it plays in shaping the protagonists' behavior. Both women are artists, but their styles are vastly different. Ha Eun relishes in hyperrealism and looks at it as a form of emotional truth seeking. We see this first during her first date with Jin Woo when she tells him that she has to draw him in order to confirm her feelings. Additionally, when she discovers that Jin Woo does not view her artistic passions as more than a hobby, she realizes that marrying him will also result in her being detached from reality, particularly her true identity. It was perhaps the first wake up call of many that ultimately led her to leaving him at the altar later in the movie.

On the other hand, like Mi So, her artistic style is eccentric and fantastical. Her work is more abstract and likened to that of Picasso with her often opting to offer more distorted versions of her subjects instead of making them appear as real as possible. Mi So adopts a similar approach to life as we see her often resorting to fabricating her life rather than telling those around her what her true circumstances her. As a young adult, Mi So sends optimistic and exciting life updates to Ha Eun in the form of letters but fails to include the mundanity and difficulty of her working an assortment of part time jobs or that the boyfriend she left to Seoul with ended up cheating on her. For me, it was even questionable if she truly traveled to Europe and that the gifts she brought were from there ( but I could have truly misunderstood this). Mi So's fabrications take a life of their own after she adopts Ha-Eun and Jin Woo's daughter after Ha-Eun's death from childbirth. This is seen in not only how the screenplay shifts from alternate timelines- one that is fake and one that is real, but also in how Mi Soo hides Ha Eun's death from the rest of the world not only by hiding the fact that she died but also by completing Ha-Eun's half finished portrait and submitting the very work she was questioned about in the first scene under her friend's name.

I don't think its far to brand Mi So as a liar and a con-artist, but I think her actions reflect her desperately clinging to and nurturing the existence of Ha-Eun even if she may no longer be physically present. It made me really think about who a soulmate really is and how the souls are always interconnected even when their bodies may not- much like the reference made in the film to how a shadow is always present when the sun is around.

Soulmate is one of those films that feels like art that needs to be treasured in a museum. It's meant to move its viewers rather than entertain them.