#Jenni Toivoniemi

[jayfinch]

Seurapeli / Games People Play

[genevieveetguy]

Force of Habit (Tottumiskysymys), Reetta Aalto, Alli Haapasalo, Anna Paavilainen, Kirsikka Saari, Miia Tervo, Elli Toivoniemi and Jenni Toivoniemi (2019)

[031cinephile]

41ST DURBAN INTERNATIONAL FILM FESTIVAL GOES VIRTUAL WITH ONLINE DIGITAL EDITION

The University of KwaZulu-Natal’s Centre for Creative Arts (CCA), will once again host the Durban International Film Festival (DIFF) from 10 to 20 September 2020. Now celebrating its landmark 41st year, this prestigious South African international film festival is a unique phenomenon on the African cultural calendar. This year the festival will screen selected films, host seminars and workshops virtually and include limited drive-in cinema screenings in Durban, Port Shepstone, Newcastle and Zululand.

Opening Night’s Film stars the late legendary leading actress Mary Twala in her final role, with a virtual and a drive-in screening of the film “This is not a Burial, but a Resurrection”, by Lemohang Jeremiah Mosese. The film is co-production between South Africa, Lesotho and Italy. The visually striking drama, set in the mountains of Lesotho, opens with an elderly widow named Mantoa (Mary Twala), grieving the loss of her son. Determined to die and be laid to rest with her family, her plans are interrupted when she discovers that the village and its cemetery will be forcibly resettled to make way for a dam reservoir. Refusing to let the dead be desecrated, she finds a new will to live and ignites a collective spirit of defiance within her community.

“This film was specifically selected to open the festival, because it sheds some light onto the land issues in Lesotho by telling a very personal story through the journey of one woman. Its sophisticated imagery, the stunning, haunting landscapes that appreciate the depth of the magnificence that is the African landscape and how this was intertwined so effortlessly into the narrative is a true homage to African folklore.” says Head of Programming Chipo Zhou.

Closing Film is the thriller Dust, directed by Pieter du Plessis, and with actress Shana Mans in the lead role. A story of female oppression and emancipation, a contemporary look at the current global discourse on women’s rights. This film is apt on the backdrop of the Covid-19 pandemic whose effects will be seen and felt globally for years to come.

This year’s opening and closing film selections are narratives that push boundaries and open up dialogue to contemporary challenges being faced in society today. Both films celebrate unparalleled performances by two South African leading ladies.

“Both narratives are about finding strength and resilience in the face of seemingly insurmountable injustice and speak very much on the human emotional need to connect, belong and be a part of something much greater than themselves. Set in two very different worlds, and centred on seemingly unconnected issues, both films tackle loss and trauma delicately and uniquely.” Says Zhou.

The Programme The festival has curated a film programme consisting of 60 offerings consisting of shorts, documentaries and feature films. The plots in the selected films, through different lenses, show contemporary relevance to the challenges currently faced by the world which has, over the last years, progressively begun to interrogate history to right wrongs and restore human dignity to previously disenfranchised populaces. Some of the films that highlight these themes include Our Lady of the Nile, directed by Atiq Rahimi, which takes us on a journey that juxtaposes religion and mythology in a beautiful tale set on the backdrop of the Tutsi and Hutu conflict that ravaged Rwanda for decades. Ouvertures, directed by Louis Henderson and Olivier Marboeuf, explores the social abundance and history of Haiti, where the brutal legacy is slavery and how the world has begun to collectively revisit the past to try and heal the wounds that are still globally felt. In the film Beanpole by Kantemir Balagov, two young women, in the aftermath of World War II, search for meaning and hope as they struggle to rebuild their lives among the ruins. The documentary In Your Eyes, I See my Country where Neta Elkayam and Amit Haï Cohen live in Jerusalem where they created a band that revisits and reshapes their common Jewish-Moroccan musical heritage. They grapple with this identity duality; an attempt to heal the wounds of exile carried by their parents. A captivating narrative musically driven, they reshape their perception of who they are and want to become, along with aspirations to consolidate bridges with the homeland of their ancestors. A Rifle and a Bag, a documentary by Isabella Rinaldi, Cristina Haneș and first-time feature-length director, Arya Rothe is an insightful love story that survives a decade of armed struggle and violence. A search for a new identity in the aftermath of a violent past. Bereka, a short film directed by Nesanet Teshager Abegaze exquisitely explores similar themes of memory, migration and rebirth. 

The DIFF Awards Head of programming, Chipo Zhou is proud to announce the films in competition, that are diverse but have a common threat of revisiting the past as a way to instill hope for the future. “The physical and internal wars and struggles in the films that explore what seemed impossible decades ago is now but a distant memory that we dissect in art as a way to reflect and create a better world. 2020 has proved to have been a very trying year, one of which despair and hopelessness enveloped the world. We are in this moment living the history of tomorrow. These narratives are mirrors of the art that the generations after us will create looking back at this very moment. The festival looks to the future, optimistic that this is not the apocalypse by exploring the histories that in those moments, could have felt like the very end.” Says Zhou. On the advancement of the film industry, she adds “The industry has changed, how film is created and consumed has evolved dramatically. The way we showcase has been propelled into the future, by the Covid19 pandemic, and the festival will, for the very first time be presented online. Virtual platforms store everything in perpetuity as an archive of the showcase and subsequent dialogue around the issues highlighted in the narratives. This archive will be a great contribution to the future of film scholarship on the continent and beyond.”  

Documentaries in the 2020 Competition:

143 Sahara Street directed by Hassen Ferhani, Algeria, 2019

A Rifle And A Bag directed by Isabella Rinaldi, Arya Rothe and Cristina Haneș, India/Romania/Italy/Qatar, 2020

Softie directed by Sam Soko, Kenya 2020

FADMA: Even Ants Have Wings directed by Jawad Rhalib, Belgium/Morocco, 2019

In your Eyes, I See my Country directed by Kamal Hachkar, Morocco/France, 2019

Influence directed by Diana Neille, Richard Poplak, South Africa/Canada, 2020

The Letter directed by Maia Von Lekow and Christopher King, Kenya, 2020 

Features in the 2020 Competition:

Beanpole directed by Kantemir Balakov, Russia, 2019

Dust directed by Pieter du Plessis, South Africa, 2020

Farewell Amor directed by Ekwa Msangi, USA, 2020

Force Of Habit directed by Kirsikka Saari/Elli Toivoniemi/Anna Paavilainen/Alli Haapasalo/Reetta Aalto/Jenni Toivoniemi/Miia Tervo, Finland, 2020 Lusala directed by Mugambi Nthiga, Kenya/Germany, 2019 Our Lady of the Nile directed by Atiq Rahimi, France/Belgium/Rwanda, 2019 Stam (The Tree) directed by Louw Venter, South Africa, 2019 Take Me Somewhere Nice directed by Ena Sendijarevic, Netherlands/Bosnia/Herzegovina, 2019 This is Not a Burial, it’s a Resurrection directed by Lemohang Jeremiah Mosese, Lesotho/South Africa/Italy, 2020 

All short films are in competition.

“The DIFF prides itself on discovering and nurturing new talent, and each year we select films from a diverse number of first-time feature-length directors. The 41 st edition is no exception with almost 30% directorial debut feature-length productions on showcase, which we are very excited about” says Head of programming Chipo Zhou. Some of these directors include Arya Rothe, the director of A Rifle and a Bag, Sam Soko director of Softie, Aslaug Aarsæther’s director of The Art of Fallism, Amine Hattou director of Janitou, Carla Fonseca director of Burkinabe, Ena Sendijarević director of Take Me Somewhere Nice, Louw Venter director of Stam (The Tree) and Kislay Kislay director of Just Like That.

isiPhethu At the heart of the University of KwaZulu Natal is a mission to redress the imbalances of the past, and its contribution to this mission through the Centre for Creative Arts is emphasised through a robust community engagement programme titled isiPhethu. This year, in addition to drive-in screenings in the greater KwaZulu-Natal, the programme will host various online workshops and seminars. isiPhethu aims to entertain, educate, train and up-skill, instill confidence to young aspirant filmmakers and share information that is relevant to the film industry to empower young people.

“The idea is to link the film community virtually in these trying times where the Covid-19 pandemic threatens not just our lives but the arts in general”, says Isiphethu curator Sakhile Gumede.

A range of top facilitators and guest speakers are featured, under which multi-award-winning filmmaker Shirley Bruno and producer and actor Michal Birnbaun. DIFF is also proud to host the New York-based writer, producer and director of ‘Equal Standard’ which tackles the issue of police brutality in the US. Taheim will be joined by a few of his colleagues to give the DIFF audiences an in-depth insight into his work.  South African born documentary filmmaker Jessie Zinn now based in the US, will be joined by award-winning documentary filmmaker and photographer Simon Wood to discuss new approaches to documentary filmmaking.

“Many young people will undergo training through these programmes. The video production and scriptwriting workshops both aimed at development of young makers. This year we have opted to engage in virtual workshops, and this allowed us to bring many players on board from across the globe. Some of the highlights include speakers from the San Francisco Black Film Festival, SWIFT, Visual Network SA, George Mason University, Coastal-conferences”, added Gumede.

isiPhethu Community film screenings, school programmes and engagements with various community organisations around the city of Durban and the province of KwaZulu Natal will be the pulse of this year’s Isiphethu industry-focused programme at DIFF. The isiPhethu programme remains a backbone of DIFF and act as a centre stage for the industry role players to showcase their work, talents, and network in the film industry. The vibrant programme aims to entertain, educate, train and up-skill, instill confidence to young aspirant film-makers and share information that is relevant to the film industry to empower young people. A range of top facilitators, guest speakers and participants will be featured. They will headline several of these programmes as the DIFF continues to position itself as one of the biggest and most significant festivals on the continent.

Curators 

As a festival, the DIFF prides itself on inclusivity and a celebration of diversity as is shown by the riveting selection of films, which has been curated by a small group of talented and diverse individuals, headed by DIFF head of programming, Chipo Zhou. Nataleah Hunter-Young, a Canadian writer, film curator, and PhD candidate in Communication and Culture, Lisa Ogdie, an American short film programmer who works with Sundance Film Festival and Mitchel Harper a South African freelance curator and cultural programmer specializing in the arts in areas of film, music, literature, visual and performing arts.

Programme and details The full programme, alongside all the films that will be screening, is accessible on www.durbanfilmfest.com. Ticket sales are open. Tickets for the virtual screenings are only available FREE in South Africa. Once a ticket is booked, you can watch the film for 2 days and once you have started watching you can playback for 24 hours. There will be drive-ins screenings in Durban, Port Shepstone, Richards Bay and Newcastle. Tickets for the drive-in screenings are available on Quicket for R100 per car, however at a limited capacity.

The 41st edition of the festival is organized by the University of KwaZulu-Natal’s Centre for Creative Arts, in partnerships and with the support of Durban Film Office, eThekwini Municipality, National Film and Video Foundation, KwaZulu-Natal Film Commission, KZN Department of Arts and Culture and other valued funders and partners.

[hotfps]

A Nordic collaboration is taking place. Three delegates from Sweden, Norway and Finland are gathered in Lapland to decide on an art piece, which is to be placed where the three borders meet geographically. But the committee is in for a surprise and the delegates are faced with the true challenges of a democratic decision-making process. Is there something they can agree to be a Nordic movement? Short film by Gunhild Enger and Jenni Toivoniemi, produced by Kjellson & Wik in coproduction with Tuffi Films, Ape&Bjørn, Film Väst and SVT. Premiere: Official competition, Locarno Film Festival 2016.

[whileiamdying]

A Nordic collaboration is taking place. Three delegates from Sweden, Norway and Finland are gathered in Lapland to decide on an art piece, which is to be placed where the three borders meet geographically. But the committee is in for a surprise and the delegates are faced with the true challenges of a democratic decision-making process. Is there something they can agree to be a Nordic movement? Short film by Gunhild Enger and Jenni Toivoniemi, produced by Kjellson & Wik in coproduction with Tuffi Films, Ape&Bjørn, Film Väst and SVT. Premiere: Official competition, Locarno Film Festival 2016.

[artwalktv]

A Nordic collaboration is taking place. Three delegates from Sweden, Norway and Finland are gathered in Lapland to decide on an art piece, which is to be placed where the three borders meet geographically. But the committee is in for a surprise and the delegates are faced with the true challenges of a democratic decision-making process. Is there something they can agree to be a Nordic movement? Short film by Gunhild Enger and Jenni Toivoniemi, produced by Kjellson & Wik in coproduction with Tuffi Films, Ape&Bjørn, Film Väst and SVT. Premiere: Official competition, Locarno Film Festival 2016.

[frenews24h]

Première bande-annonce de l’anthologie finlandaise des stéréotypes de genre «Force of Habit»

Fre News 24h Première bande-annonce de l’anthologie finlandaise des stéréotypes de genre «Force of Habit»

Première bande-annonce de l’anthologie finlandaise des stéréotypes de genre «Force of Habit»

“Ces jours-ci, il est difficile de savoir si vous pouvez même embrasser quelqu’un.” Tuffi Films a dévoilé la première bande-annonce promotionnelle d’un long métrage indépendant intitulé Force d’habitude, qui a récemment été présenté au Festival du film de Göteborg en Suède le mois dernier. Tuffi Films a mis sur pied ce projet pour commenter les stéréotypes de genre et le sexisme, et a embauché 15 réalisatrices et scénaristes différentes pour produire des segments. Ce film, Force d’habitude, comprend six des segments assemblés en une fonction de 75 minutes. Les épisodes représentent quatre des principaux problèmes liés au genre dans la société moderne: le consentement, le viol, le regard et la dynamique du pouvoir. À première vue, c’est brutalement honnête et habilitant, et la gifle juste dont beaucoup ont encore besoin. La distribution de l’ensemble comprend Eero Ritala, Krista Kosonen, Pinja Sanaksenaho, Suvi Blick, et Julia Lappalainen. Cela a l’air génial! Vaut vraiment le détour. “Gardez cette même énergie et vous sauverez le monde.”

Voici la première bande-annonce promo (+ affiche finlandaise) pour Tuffi Films ‘ Force d’habitude, directement de Youtube:

Un film de sept réalisatrices nous montre des moments de la vie des femmes qui restent généralement cachés. Force of Habit suit la vie de diverses femmes tout au long d’une journée. La production entièrement féminine explore les différentes formes de discrimination auxquelles sont confrontées les femmes en public et en privé. Force d’habitude, initialement connu sous le nom Tottumiskysymys en finnois, est un film d’anthologie conçu par sept cinéastes uniques et réalisé par la société de production finlandaise Tuffi Films. Avec des segments écrits et réalisés par ces cinéastes: Reetta Aalto (Gris violet: Odd One Out), Alli Haapasalo (Amour et fureur, “Shadow Lines” de MTV3), Anna Paavilainen, Kirsikka Saari (“Paras vuosi ikinä”), Miia Tervo (Aurore, Santra ja puhuvat puut), Elli Toivoniemi (Une fois que j’étais une libellule), et Jenni Toivoniemi (Jeux que les gens jouent). Cela vient de faire sa première au Festival du film de Göteborg en Suède plus tôt cette année, et a ouvert ses portes en Finlande à la fin de l’année dernière. Il recherche toujours des accords de distribution internationaux – restez à l’écoute pour des mises à jour supplémentaires. Tes pensées? Intrigué?

Fre News 24h Première bande-annonce de l’anthologie finlandaise des stéréotypes de genre «Force of Habit»

http://frenews24h.com/premiere-bande-annonce-de-lanthologie-finlandaise-des-stereotypes-de-genre-force-of-habit/ Source: http://frenews24h.com/

[ozkamal]

A Nordic collaboration is taking place. Three delegates from Sweden, Norway and Finland are gathered in Lapland to decide on an art piece, which is to be placed where the three borders meet geographically. But the committee is in for a surprise and the delegates are faced with the true challenges of a democratic decision-making process. Is there something they can agree to be a Nordic movement? Short film by Gunhild Enger and Jenni Toivoniemi, produced by Kjellson & Wik in coproduction with Tuffi Films, Ape&Bjørn, Film Väst and SVT. Premiere: Official competition, Locarno Film Festival 2016.

[artistsxcreatives]

THE COMMITTEE by Gunhild Enger & Jenni Toivoniemi by Kjellson & Wik

[linwhastic]

THE COMMITTEE by Gunhild Enger & Jenni Toivoniemi https://ift.tt/39eHpsn

[agverleih]

Die Auswahl steht: Das sind die 28 Filmprojekte der zweiten Ausgabe von European Work in Progress Cologne

Wenn am 14. Oktober, während des Film Festival Cologne die zweite Ausgabe von European Work in Progress Cologne (EWIP) startet, haben die Produktionsteams, die hinter den 28 sorgfältig ausgewählten Projekten stehen, die Möglichkeit ihre Filmproduktionen einem internationalen Branchenpublikum zu präsentieren. Ziel der Veranstaltung ist es, diese kreativen Köpfe mit führenden Experten und Vertretern internationaler Verleihfirmen, Weltvertriebe, Filmfestivals und anderen Branchendelegierten zusammenzubringen, um Kooperations- und Finanzierungsstrategien weiterzuentwickeln und zu finalisieren.

Torsten Frehse, Vorstandsmitglied der AG Verleih: „Wir sind nicht nur von der Vielfalt, sondern auch von der Qualität der von uns ausgewählten Projekte überzeugt und freuen uns sehr, dass wir die Anzahl der Präsentationen erhöhen konnten. Nach den vielen Erfolgsgeschichten im letzten Jahr sind wir schon jetzt gespannt, was die Zukunft für unsere diesjährige Filmauswahl bereithält!“

Die 28 Projekte befinden sich alle in der Postproduktion, variieren aber in Themen und Genre. Im Gegensatz zum Vorjahr war es erstmals möglich, Dokumentarfilme einzureichen. Die renommierte Produktionsfirma ROAD MOVIES hat einen der mit Spannung erwarteten Dokumentarfilme eingereicht. Darüber hinaus wird AL-ONE einen Animationsfilm präsentieren - eine weitere EWIP-Premiere. Nach dem Erfolg von "Martin Eden" auf internationalen Filmfestivals wird auch die Produktionsfirma THE MATCH FACTORY mit einem neuen Projekt dabei sein. Ebenso wie Joram Willink, Mitbegründer von BIND, der die Niederlande als Producer on the Move bei den Internationalen Filmfestspielen in Cannes 2019 vertrat.

Die diesjährigen Teilnehmer sind nicht nur vielfältig, sondern auch internationaler. So wird es beispielsweise südamerikanische, osteuropäische und afrikanische Koproduktionen geben. MANEKI FILMS nimmt mit einer brasilianisch-französischen Koproduktion an European Work in Progress Cologne teil. Philipp Yuryev, der sich mit ROCK FILMS für eine russisch-polnisch-belgische Koproduktion zusammengetan hat, ist ein aufstrebender Nachwuchsregisseur in Russland. AVALON ist Koproduzent eines spanisch-mexikanischen Projekts. Weitere hochkarätige Produktionsfirmen, die in diesem Jahr dabei sein werden, sind MA.JA.DE, TUFFI FILMS, RED BALLOON und COOP99 FILMPRODUKTION.

Während des Events werden alle Filmprojekte in Pitching-Sessions erfahrenen Branchenkennern vorgestellt. Ziel ist es, neue Partner für die Kinoauswertung, den Weltvertrieb oder für Gap-Finanzierung zu finden sowie das Projekt in einem frühen Stadium internationalen Festivals zu präsentieren. European Work in Progress Cologne schafft somit einen produktiven Raum, in dem verschiedene Multiplikatoren der Branche zusammenkommen, um Möglichkeiten der Zusammenarbeit zu entwickeln. Neben One-to-One Meetings wird European Work in Progress Cologne von verschiedenen Podiumsdiskussionen und Workshops in Zusammenarbeit mit Creative Europe Desks Germany und EAVE begleitet. Verschiedene Abendveranstaltungen und die Preisverleihung runden das Programm ab. Unterstützt wird EWIP maßgeblich von der Film- und Medienstiftung NRW, einem der führenden Förderhäuser Europas, und ausgerichtet von der AG Verleih, dem Verband der deutschen unabhängigen Filmverleiher.

Eine hochkarätige Jury bestehend aus Lili Hinstin, künstlerische Leiterin des Locarno Film Festivals, Margrit Stärk, Leiterin des Spielfilm-Einkaufs bei ZDF Enterprises, Sabina Kodra, Mitgründerin der albanischen Filmproduktionsfirma ERAFILM, und Yohann Comte, Sales Agent und Mitgründer des Weltvertriebs Charades aus Frankreich, vergibt Preise in einem fünfstelligen Gesamtwert, die Postproduktionsdienstleistungen sowie die Pressebetreuung bei einem internationalen Festival umfassen. Award Sponsoren sind ARRI Media, K13-Studios, Eclair, LAVAlabs Moving Images und die ZOOM Medienfabrik.

Das sind die 28 ausgewählten Projekte:

A BLACK JESUS, Deutschland/Italien Genre: Dokumentarfilm, Regie: Luca Lucchesi & Hella Wenders, Buch: Luca Lucchesi & Hella Wenders, Produzent: Wim Wenders, Road Movies GmbH, Koproduzenten: Dugong Films (Marco Alessi) und NDR

BLAST, Frankreich Genre: Thriller, Regie: Vanya Peirani-Vignes, Buch: Vanya Peirani-Vignes, Produzent: Loïc Magneron (WIDE)

BORGA, Deutschland/Ghana Genre: Drama, Regie: York-Fabian Raabe, Buch: York-Fabian Raabe & Toks Körner, Produzenten: Alexander Wadouh (Chromosom Film GmbH), Elaine & Tommy Niessner (East End Film GmbH), Executive Producers: Danny Damah, Tony Tagoe, Holly Gilliam (Deal Real Productions LTD)

CITY ON THE RIVER, Lettland/Litauen/Tschechische Republik Genre: Tragicomedy, Regie: Viesturs Kairišs, Buch: Viesturs Kairišs, Produzent: Guntis Trekteris (Ego Media), Koproduzenten: Julietta Sichel (8Heads Productions), Kestutis Drazdauskas (Artbox), Peter Ragaus

EMILY, Albanien Genre: Drama, Regie: Ajola Daja, Buch: Ajola Daja, Produzenten: Ajola Daja, Rezar Gjoka, A.R.Production), Koproduzenten: Edmond Topi (MMS Nositi), Arta Dobroshi

GAMES PEOPLE PLAY, Finnland Genre: Komödie, Drama, Regie: Jenni Toivoniemi, Buch: Jenni Toivoniemi, Produzentinnen: Elli Toivoniemi & Venla Hellstedt (Tuffi Films)

GATE TO HEAVEN, Armenien/Frankreich/Deutschland/Litauen Genre: Drama, Regie: Jivan Avetisyan, Buch: Artavazd Yeghiazaryan, Produzent: Kęstutis Drazdauskas (ARTBOX Production House), Koproduzent: Marco Gilles (7 Morgen Filmproduktion)

GRACE, Polen/Finnland Genre: Dokumentarfilm, Regie: Mizutani Eri, Buch: Mizutani Eri, Produzentin: Anna Fam (Polished Productions), Koproduzenten: Finnish Television Yle (LOI), Niklas Kullstrom, Hillstream Pictures (LOI)

HEAVENS ABOVE, Serbien/Deutschland/Kroatien/Mazedonien/Slovenien Genre: schwarze Komödie, Regie: Srdjan Dragojevic, Buch: Srdjan Dragojevic, Produzent: Heino Deckert (Ma.ja.de. Fiction), Koproduzenten: Biljana Prvanovic (Delirium d.o.o), Angela Nestorovska & Vladimir Anastasov (Sektor Film), Darija Kulenovic Gudan (Hommage Zagreb Production), Eva Rohrman (Forum)

IGUANA TOKYO, Deutschland/Japan/Türkei Genre: Science-Fiction, Regie: Kaan Müjdeci, Buch: Kaan Müjdeci, Produzenten: Kaan Müjdeci, Ryôhei Tsutsui, Koproduzent: Kanat Doğramacı

IN THE SHADE OF THE TREES, Chile/Deutschland/Frankreich/Argentinien/Kolumbien Genre: Drama, Regie: Matías Rojas Valencia, Buch: Matías Rojas Valencia, Produzent: Giancarlo Nasi (Audiovisual Don Qujote Films), Koproduzenten: Titus Kreyenberg & Linus Günther (Klinkerfilm Production), Denis Vaslin (Mandra Films), Ivan Granovski (Autocroma), Jorge Botero (Septima Films)

JESUS EGON CHRIST, Deutschland Genre: Hybrid, Regie: David & Saša Vajda, Buch: David & Saša Vajda, Produzent: David Vajda (vajda film)

MEMORY HOUSE, Brasilien/Frankreich Genre: Drama, Regie: João Paulo Miranda Maria, Buch: João Paulo Miranda Maria, Produzentin: Paula Cosenza (Bossa Nova Filmes), Koproduzentin: Didar Domehri (Maneki Films)

NAKED ANIMALS, Deutschland Genre: Coming of Age, Regie: Melanie Waelde, Buch: Melanie Waelde, Produzentin: Anja Wedell, Executive Producers: Thorne Mutert, Jan Fincke

NOCHE DE FUEGO, Mexico/Deutschland Genre: Drama, Regie: Tatiana Huezo, Buch: Tatiana Huezo, Produzenten: Nicolás Celis & Jim Stark (Pimienta Films), Koproduzenten: Michael Weber & Viola Fügen (Match Factory Productions)

PORTRAIT OF A WHITE WOMAN WITH GREY HAIR AND WRINKLES, Spanien Genre: Drama, Regie: Iván Ruiz Flores, Buch: Iván Ruiz Flores, Ana González Gutiérrez, Produzent: Carlo D’Ursi (Potenza Producciones), Koproduzenten: David P. Sañudo, Agustín Delgado Bulnes, Elena Maeso (Amania films)

SIMPLE THINGS, Polen Genre: Drama, Regie: Grzegorz Zariczny, Buch: Grzegorz Zariczny, Produzentin Magdalena Sztorc, Przemysław Miękinia (Before My Eyes), Koproduzenten: Wojciech Suleżycki, Marek Śledziewski - Cinelitera

TAILOR, Griechenland/Deutschland/Belgien Genre: Drama, Regie: Sonia Liza Kenterman, Buch: Sonia Liza Kenterman, Tracy Sunderland, Produzentin: Ioanna Bolomyti (Argonauts Productions), Koproduzentinnen: Tanja Georgieva (Elemag Pictures), Melanie Andernach (Made in Germany), Isabelle Truc (IOTA Production)

TALIA’S JOURNEY, Belgien/Senegal/Luxemburg Genre: Inspirational Road Movie, Regie: Christophe Rolin, Buch: Christophe Rolin, Marc Recchia, Produzentin: Monique Marnette (ADV Productions), Koproduzenten: Rhady Sissoko (Sunuy Films), Adolph El Assal (Wady Films)

THE DIALIES OF ADAM AND EVE, Deutschland/Argentinien Genre: Fantasy, Romanze, Regie: Franz Müller, Buch: Franz Müller, Mark Twain, Produzenten: Eva-Maria Weerts, Franz Müller

THE JUDGEMENT, Niederlande Genre: Investigativthriller, Regie: Sander Burger, Buch: Bert Bouma & Sander Burger, Produzent: Joram Willink (BIND)

THE MEANING OF LOVE, Deutschland/Spanien/Irland/Südafrika Genre: Dokumentarfilm, Regie: Alexander Kleider, Buch: Alexander Kleider, Produzent: Alexander Kleider (DOK-WERK filmkooperative), Koproduzent: Dok-Werk

THE WHALE HUNTER, Russland/Polen/Belgien Genre: Drama, Regie: Philipp Yuryev, Buch: Philipp Yuryev, Produzenten: Alexey Uchitel (Rock Films), Kira Saksaganskaya (Rock Films), Koproduzentinnen: Marion Hansel (Man’s Films Productions), Radoslawa Bardes (Orka Studio Produkcyjne)

TRASH, Italien Genre: Animation, Regie: Luca Della Grotta, Francesco Dafano, Buch: Andrea Nobile, Francesco Dafano, Produzenten: Alan Vele, Mario Lanti, Riccardo Cesarini (AL-ONE Srl)

WHAT HAVE WE DONE WRONG?, Spanien/Mexico Genre: Dramedy, Regie: Liliana Torres, Buch: Liliana Torres, Produzent: Daniel Froiz (Matriuska Producciones), Koproduzent: María Zamora (Avalon PC)

WHEN I’M DONE DYING, Türkei/Deutschland Genre: Drama, Regie: Nisan Dağ, Buch: Nisan Dağ, Produzenten: Müge Özen, Dorothe Beinemeier, Jessica Caldwell, Yağmur Ünal

woMEN, Deutschland Genre: Dokumentarfilm, Regie: Kristine Nrecaj, Birthe Templin, Buch: Kristine Nrecaj, Birthe Templin, Produzentin: Katrin Springer (Filmkantine UG)

WORLD’S SHORTEST POEM, Österreich Genre: Drama, Regie: David Clay Diaz, Buch: David Clay Diaz & Senad Halilbasic, Produzent: Bruno Wagner, Antonin Svoboda, Barbara Albert (coop99 filmproduktion GmbH)

[blockbustersgang]

Six stories, seven directors and one movie

Last week was the premiere of this new kind of feature film by Tuffi Films in which our Rosa has been involved as being an Lighting Technician

Prod. Company: Tuffi Films

Directors: Kirsikka Saari, Elli Toivoniemi, Anna Paavilainen, Alli Haapasalo, Reetta Aalto, Jenni Toivoniemi & Miia Tervo

Lighting Technician: Rosa Mäkinen / Blockbusters Gang