#Jamila Sabares-Klemm

[olympain]

Mary, are you—

[jgroffdaily]

Jonathan with Tom Kirdahy, Jamila Sabares-Klemm and Billy McEntee after a performance of ‘The voices in your head’ on Thursday. Jamila is in the show, which is directed by Merrily’s associate director Ryan Dobrin and staged at a church in Brooklyn. Friend Katie McCarty was also at the show in photos posted by Jamila.

From Billy (the co-creator) on X:

Ty everyone for coming to the show including Jonathan who called it disturbing while smiling real big

[obsessivelollipoplalala]

Thoughts on Merrily We Roll Along

In short: it's so fucking funny that it's advertised as this wholesome show about friendship when it's actually an incredibly bleak show about the erosion of friend groups lmaooo

Longer thoughts:

Lindsay Mendez wasn't playing Mary Flynn when I saw it--instead it was Jamila Sabares-Klemm. She was absolutely fantastic. I'm really glad she got time to shine on stage, because I thought she had a wonderful voice and was a top-notch actress. She was believable with the intense emotions, and she was incredibly funny. She should get a leading role on Broadway

Jonathon Groff and Daniel Radcliffe were also incredible. Once again, able to deliver the comedy and tragedy in the show with equal measure. Radcliffe was great as a sort of nervous Charley (he really nailed it with "Franklin Shephard, Inc."), and Frank is a really unlikable character in the beginning, so I think it speaks to Groff's performance that you want to stick with him and see how he got to that point

I love the storytelling device of telling the plot in reverse, because it makes the entire show sad without a constant barrage of explicitly sad songs; because we already know this story has an unhappy ending, the songs that are happy on a literal level are actually really bittersweet. It's a great way to tell a sad story without the whole show being a bummer, in one sense, but in another sense, I think seeing the super happy, hopeful scene at the end made the finale of the show much sadder than if the musical had ended with the scene that's actually at the end of the timeline, with Frank's life completely down the toilet, Mary as a dysfunctional alcoholic, and Charley having been cut off and out of the picture. I don't even consider this to be a spoiler, since this is literally the first scene of the musical lol

Relatedly, I liked how the musical reprises were in reverse. Sondheim talked about taking the same music and having it mean different things to characters at different points in their lives, and that's done really well in this show

Spoiler, I guess? But I love that Mary never told Frank how she felt. You're expecting some kind of emotional confession, and it never happens. That feels realistic. I also love that Mary never resented Beth, who was Frank's first love, and tried to look out for her when Gussie started to go after Frank.

The set was great, as was the book/dialogue written by George Furth that connected the songs. I think that this show could be hard to follow with weaker dialogue and songwriting, and I can kiiind of see why a rougher version of the show would fail (though I don't think the original version deserved to close so soon in '81). But as the show exists now, I was able to follow everything fine without having known much about it before walking into the theater

So yeah, I really enjoyed it. I thought these were well-written characters whose story was told in an interesting, unconventional way, and I think the execution was successful. Everyone in the cast was great, and I had a great time

[fuckyeahbriansears]

AndrewRannells :

Joshie and I got to see the incredible Merrily We Roll Along today with these two brilliant gentleman. A perfect production of an absolutely stunning show. Sadly, we missed Lindsay Mendez, but Jamila Sabares-Klemm is a STAR, folks! Incredible! And of course our missionary brother, Brian Sears, is always our favorite. Congratulations to the entire gorgeous cast! Go go go see it if you can!!!

[obstinaterixatrix]

I don’t mean to undermine merrily I was just completely knocked off guard by CONSTANCE WU AS AUDREY??? GOOD FOR HER???? actually this performance has mary flynn played by jamila sabares-klemm and no disrespect to lindsay mendez but my pan-ethnic solidarity is kicking in I’m glad we got to see the show with an asian american in a principle role

[fursasaida]

Also kudos to the understudy for Mary, Jamila Sabares-Klemm, who was on tonight. CAN YOU IMAGINE THE PRESSURE. you're next to two newly minted Tony winners who just made a big deal on national television about how much they love and care for the person you're understudying who lost and is not there, you don't do this every night, the audience is at a full 20.

She was fabulous (voice a little tight a couple times, but whatever was going on, she fixed it), and Daniel Radcliffe and Johnathan Groff seemed thrilled with and for her, but whoof. PROFESSIONALISM.

I completely accidentally bought my ticket to Merrily for the night after the Tony's, so I got to be there for the insane post-winning energy. I am now taking myself out to dinner at my favorite Russian place, which has live music and an amazing abundance of both fairy lights and disco balls. It is treat yourself o' clock.

I have now seen Daniel Radcliffe in a tutu.

[everyschuylersisterever]

Jamila Sabares-Klemm

Eliza - Chicago

[schuyler-might]

From Jamila Sabares-Klemm’s Instagram story | May 13, 2019

[schuylerpics]

[whatwouldbeenough]

Hamilton - 04/18/2018 - Chicago - Matinee - Miguel Cervantes (Alexander Hamilton), Jamila Sabares-Klemm (Eliza Hamilton), Gregory Treco (Aaron Burr), Montego Glover (Angelica Schuyler), Jonathan Kirkland (George Washington), Colby Lewis (Marquis de Lafayette/Thomas Jefferson), Wallace Smith (Hercules Mulligan/James Madison), Jose Ramos (John Laurens/Philip Hamilton), Aubin Wise (Peggy Schuyler/Maria Reynolds), Andrew Call (King George), Aaron Alexander (u/s Philip Schuyler/James Reynolds/Doctor), Malik Shabazz Kitchen (u/s Samuel Seabury), John Michael Fiumara (Charles Lee), Remmie Bourgeois (George Eacker), Sam Aberman, Chloe Campbell, Carl Clemons-Hopkins, Michael Samarie George, Sheridan Mouawad, Candace Quarrels, Jose Rosario Jr.

[ariafsar2]

mig.cervantes: We are starting a band. A.Ham & the Elizas. 😁 ❤️

[jgroffdaily]

The spirited auction on Friday 17 November, where Jonathan wrote to Daniel ‘You made [or make] me so happy’. Daniel met with auction winner Tina at the stage door and said he was rooting for her to win the auction, but doesn’t usually have favourites.

[obsessivelollipoplalala]

Merrily We Roll Along on 5/18/2024. Jamila Sabares-Klemm filled in for Lindsay Mendez as Mary, and she was incredible

[dailypocsix]

Jamila Sabares Klemm as Alternate

information:

Name: Jamila Sabares Klemm

DOB: July 29th 1988 (33)

Nationality: Filipina, American

Ethnicity: Filipina

Credits: Hamilton (Eliza), RENT (Maureen), Spamalot (Lady of The Lake)

[asiantheatre]

AsianTheatre’s APIHM Celebration As Voted By Our Followers - shows >> ( tied #5 ) Hamilton

[sonyclasica]

BANDA SONORA

BANDA SONORA DEL MUSICAL DE BROADWAY MERRILY WE GOLL ALONG

Sony Masterworks Broadway, junto con los productores Sonia Friedman, David Babani y Patrick Catullo lanzan la versión digital de la nueva grabación del reparto de Broadway de MERRILY WE ROLL ALONG  de Stephen Sondheim y George Furth. El CD saldrá a la venta el 12 de enero de 2024.

Mira el videoclip oficial AQUÍ

Consíguelo AQUÍ

Producido por David Caddick, David Lai, Joel FramyMaria Friedman,el álbum fue grabado y mezclado por Ian Kagey en Berklee en PowerStationNYC y Renaissance Recording NY. La nueva grabación del reparto de Broadway incluye comentarios de la directora y productora del álbum, Maria Friedman, así como del antiguo crítico teatral jefe del New York Times, Ben Brantley. 

"La breve temporada inicial de Merrily We Roll Along podría no haber sido más que una nota a pie de página en la ilustre carrera de Stephen Sondheim si no se hubiera conservado su asombrosa partitura en la Grabación Original del Reparto de Broadway", afirma Scott Farthing, vicepresidente de Sony Masterworks U.S. "Es increíble que más de 40 años después, Masterworks Broadway haya tenido la oportunidad de conmemorar la célebre nueva reposición del musical para que conviva con el icónico álbum original".

Protagonizada por Daniel Radcliffe como Charley Kringas, Jonathan Groff como Franklin Shepard, y Lindsay Mendez como Mary Flynn, MERRILY WE ROLL ALONG también cuenta con Krystal Joy Brown como Gussie Carnegie, Katie Rose Clarke como Beth Shepard, y Reg Rogers como Joe Josephson. La compañía incluye a Calvin James Davis, Max Rackenberg, Brady Wagner, Sherz Aletaha, Maya Boyd, Leana Rae Concepcion, Morgan Kirner, Ken Krugman, Corey Mach, Talia Simone Robinson, Amanda Rose, Jamila Sabares-Klemm, Brian Sears, Evan Alexander Smith, Christian Strange, Koray Tarhan, Vishal Vaidya, Natalie Wachen y Jacob Keith Watson.

MERRILY WE ROLL ALONG está dirigida por la ganadora de varios Premios Olivier® Maria Friedman, con música y letra de Stephen Sondheim, libro de George Furth y basada en la obra original de George S. Kaufman y Moss Hart. MERRILY WE ROLL ALONG se estrenó oficialmente el martes 10 de octubre y estará en cartelera de forma estrictamente limitada hasta el 24 de marzo de 2024 en el Hudson Theatre (141 W 44th Street).

A lo largo de tres décadas en el mundo del espectáculo, MERRILY WE ROLL ALONG traza la turbulenta relación entre el compositor Franklin Shepard y sus dos amigos de toda la vida: la escritora Mary y el letrista y dramaturgo Charley. Un original clásico de culto adelantado a su tiempo, MERRILY WE ROLL ALONG cuenta con algunas de las canciones más célebres y personales de Stephen Sondheim.

MERRILY WE ROLL ALONG (NEW BROADWAY CAST RECORDING)

TRACKLIST:

Overture

Merrily We Roll Along

That Frank

First Transition

Old Friends -- Like It Was

Franklin Shepard, Inc.

Second Transition

Old Friends

Growing Up

Third Transition

Not a Day Goes By (Intro)

Not a Day Goes By

Now You Know

Gussie's Opening Number

It's a Hit!

Fourth Transition

The Blob - Part I

Growing Up (Reprise)

Good Thing Going

The Blob - Part II

Fifth Transition

Bobby and Jackie and Jack

Not a Day Goes By (Reprise)

Sixth Transition

Opening Doors

Seventh Transition

Our Time

MERRILY WE ROLL ALONG cuenta con un equipo creativo y de diseño formado por Tim Jackson (coreografía), Jonathan Tunick (orquestación), ganador de un premio Tony, Soutra Gilmour (diseño escénico y de vestuario), Amith Chandrashaker (diseño de iluminación), Kai Harada (diseño de sonido), Cookie Jordan (diseño de peluquería y pelucas), Jim Carnahan, CSA (reparto), Joel Fram (dirección musical y arreglos vocales adicionales), Catherine Jayes (supervisión musical), Alvin Hough Jr. (supervisión musical asociada), Kristy Norter (coordinación musical).

La obra de Broadway MERRILY WE ROLL ALONG está producida por Sonia Friedman Productions, David Babani, Patrick Catullo, Jeff Romley, Debbie Bisno, Lang Entertainment Group, OHenry Productions, Winkler & Smalberg, Stephanie P. McClelland,

Timothy Bloom, Creative Partners Productions, Eastern Standard Time, Fakston Productions, Marc David Levine, Ted & Mary Jo Shen, Gilad Rogowsky, Playing Field, Key To The City Productions, Richard Batchelder / Trunfio Ryan, FineWomen Productions / Henry R. Muñoz III, Thomas Swayne / Lamar Richardson, Abrams Corr / Mary Maggio, Osh Ashruf / Brenner-Ivey, Craig Balsam / PBL Productions, deRoy DiMauro Productions / Medley Houlihan, Andrew Diamond / Katler-Solomon Productions, Dodge Hall Productions / Carl Moellenberg, Friedman Simpson / Vernon Stuckelman, William Frisbie / J. J. Powell, Robert Greenblatt / Jonathan Littman, Cleveland O'Neal III / Tom Tuft, Roth-Manella Productions / Seaview y New York Theatre Workshop.

Esta producción de MERRILY WE ROLL ALONG se realizó originalmente en la Menier Chocolate Factory (Director Artístico: David Babani) y posteriormente se trasladó al Harold Pinter Theatre, donde cosechó el mayor número de críticas de cinco estrellas de la historia del West End antes de ganar el Premio Olivier a la mejor reposición musical.

MERRILY WE ROLL ALONG fue dirigida originalmente en Broadway por Harold Prince y producida originalmente en Broadway por Lord Grade, Martin Starger, Robert Fryer y Harold Prince en asociación con Ruth Mitchell y Howard Haines.

Las entradas están disponibles en MerrilyOnBroadway.com desde 87 dólares. Habrá un número limitado de entradas de 39 dólares disponibles para las representaciones de MERRILY WE ROLL ALONG mediante lotería digital. La lotería se abrirá para inscripciones en la aplicación TodayTix cada domingo a las 12:01 a.m. para las representaciones de la semana siguiente y se cerrará al mediodía del día anterior a cada representación. Los ganadores recibirán una notificación push y un correo electrónico entre las 13.00 y las 16.00 horas del día anterior al espectáculo seleccionado, y dispondrán de 30 minutos para comprar sus entradas en la aplicación. Los participantes pueden solicitar 1 o 2 entradas, y la participación es gratuita y abierta a todos. Haz clic aquí para descargar la aplicación TodayTix.

CONECTA CON MERRILY WE ROLL ALONG

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