#James Ingram

[djevilninja]

Quincy Jones - The Secret Garden

[tha-wrecka-stow]

[domquixotedospobresblog]

My five legendary music voices.

Number 3

[hit-song-showdown]

Year-End Poll #34: 1983

[Image description: a collage of photos of the 10 musicians and musical groups featured in this poll. In order from left to right, top to bottom: The Police, Michael Jackson, Irene Cara, Men at Work, Michael Jackson, Bonnie Tyler, Hall & Oates, Patti Austin and James Ingram, Michael Sembello, Eurythmics. End description]

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Today's poll includes multiple songs off the soundtrack for the movie, Flashdance. We've seen songs from soundtracks featured on these polls, with You Light Up My Life and Evergreen coming to mind (plus songs from actual musicals). But instead of just diegetic ballads and showtunes, now we're seeing more songs marketing themselves around their connection to the films they were written for. As music videos are being shot more like movies and movies are being shot more like music videos, the meeting of these two worlds makes sense. Especially when music videos start to include actual clips from the movies, MTV was the place to get a wide audience for your music.

But not everyone could see the benefits right away. While MTV kicked off with a bang, their initial video rotation infamously featured no Black acts. The network's explanation was to insist that the exclusion wasn't based on race, but rather MTV's status as a "rock station".

1983 also marks the 25th anniversary of Motown Records and a television special (Motown 25: Yesterday, Today, Forever) was broadcasted to mark the occasion. While the night is marked by more legends than I can list off, the notable performance for this blurb was Michael Jackson. After performing with the Jackson 5 for the first time since the 70's, Michael Jackson performed his new solo hit, Billie Jean. This number marks the public debut of the moonwalk, the musician's signature dance move that arguably cemented his status as a pop culture icon.

In hindsight, it feels ludicrous that an artist like Michael Jackson was initially unable to get on MTV. Fortunately, people at the time thought it was ludicrous as well. Both Rick James and David Bowie called out the network years before (with James being especially vocal in critiquing MTV for its exclusion of Black artists). But allegedly, Michael Jackson's record company found a way to get Billie Jean on the channel. To quote Walter Yetnikoff, the president of CBS Records at the time:

“I said to MTV, ‘I’m pulling everything we have off the air, all our product. I’m not going to give you any more videos. And I’m going to go public and fucking tell them about the fact you don’t want to play music by a black guy.’” (x)

Whether in response to Yetnikoff or not, Billie Jean aired on MTV March 10th, 1983, making it the first music video by a Black artist to be featured in heavy rotation on the channel. Later this year, the cinematic possibilities of the music video would be pushed further with the 13 minute video for Thriller. Michael was already a star without the push from MTV, and with how popular his videos were, it could be argued that MTV needed Michael as much if not more than he needed them. But while MTV's problems with race and representation were far from over, this moment helped pave the way for many other Black artists who will become iconic figures on the channel.

[onmyowntwohands]

James Ingram & Patti Austin - "How Do You Keep The Music Playing"

Original recording produced by Quincy Jones.

[numberoneunknownmentality]

[musicmattersmedia]

In this unmissable episode of the Music Matters Media podcast, we're turning the spotlight on a remarkable moment in music history – the night when the stars aligned for charity, captured in the must-watch Netflix documentary, 'The Greatest Night in Pop.' Join us as we journey back to that unforgettable January evening in 1985 when icons of the music world came together to record the anthem "We Are the World." We'll share fascinating insights and our personal takeaways from the documentary, highlighting the most touching and revealing moments. From the anticipation-filled build-up to the powerful execution, we dissect what made this event so special and why it resonated so deeply with audiences around the globe. Our discussion will also delve into the song's monumental impact on charity and its enduring legacy in music history. We explore how "We Are the World" transcended its initial charity goals to become a symbol of unity and compassion, changing the landscape of celebrity philanthropy. So, plug in your headphones and join us for a heartfelt appreciation of a night that showcased the best of pop music while making a difference in the world. It's an episode filled with nostalgia, inspiration, and the reminder that when we come together, we can create something truly world-changing.

Visit our website: MusicMattersMedia.com All Music Matters Media links: linktr.ee/musicmattersmedia

The Music Video & Song: https://youtu.be/9AjkUyX0rVw?si=i0kZcHQsKogsWvLq

The Netflix Documentary: https://www.netflix.com/title/81720500

[rodpower78]

[djevilninja]

Just once, I want to understand Why it always comes back to goodbye. Why can’t we get ourselves in hand And admit to one another We’re no good without each other? Take the best and make it better, Find a way to stay together.

Quincy Jones feat James Ingram - Just Once

[radiomaxmusic]

Thursday, March 14, 2024, 2pm ET: Feature LP: Quincy Jones - Back On The Block (1989)

Back on the Block is a 1989 studio album, released November 8, produced by Quincy Jones. The album features legendary musicians and singers from across three generations, including Ella Fitzgerald, Miles Davis, Joe Zawinul, Ice-T, Big Daddy Kane, Sarah Vaughan, Dizzy Gillespie, George Benson, Luther Vandross, Dionne Warwick, Barry White, Chaka Khan, Take 6, Bobby McFerrin, Al Jarreau, Al B.…

[bootyandgeekeries]

This. This is one legendary grown & sexy R&B collab track.

Do you a favor and listen to this