#Jamband
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A.L.M.A
#alma#jazzfusion#jazzmusic#jazzmusicians#jazzart#jazzy#jazzculture#jazzhiphop#jazzgroove#jazzrock#jamband#valentinobaos#spotify#spotifyplaylist
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happy birthday Tsutsumi Kanon (supporting character jamband member) !!!!!! [7 nov] !!!!!!
(kanon in Music Maker MX2)
Tsutsumi Kanon is a member of JamBAND, the band that tsurumaki maki is part of (little more about jamband on jul 11 post). kanon does not have a vb as far as im aware, but she is voiced by Himari in jamband products/ software. kanon is illustrated by Umetani Ataro. i assume kanon was introduced in 2010, as her 10th anniversary art was uploaded to the voiceroid fandom wiki in 2020 and i cant find anything else to go off of. kanon is the tallest of all the jamband members. her character birthday is nov 7. she sometimes says self-deprecating things. she is Tsutsumi Rizumu's younger sister.
10th anniversary art
#bday#vocal synth#vocal synthesizers#vocal synths#vocalsynth#vocalsynths#jamband#tsurumaki maki#ahsoftware#supporting character#tsutsumi kanon#kanon tsutsumi#november#nov 7#thinking about it now i feel its a bit weird of me to post about characters that literally do not have voice banks#like at all#but shes related to maki maki#so blegjhhgj who cares
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8/4/24, Madison Square Garden, for Phish. Occasionally, I wear my cardiophile shirt. It shows my interest in hearts.
#Phish#Phishhead#gone phishing#cardiophile#cardiohead#madison square garden#cardiophilia#concert#jamband#jamming#grooving#funky#heartbeats#heart sounds#stethoscope#groove#funk
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Almost 20 Years since I saw @moetheband at @the_orange_peel…tonight is my 28th show, what will they play?? So excited to hear Nate with the band, and of course to see Chuck back in action🤘🍊 32 Things? Brent Black? Buster? Meat? Awesome Gary? Wind It Up? She? lylelovit? Bullet? Spaz Med? Can’t wait to see some #moerons in Asheville!!!! Cheers!!! (❤️ ya @mjb1004) #moe #moetheband #orangepeel #theorangepeel #jamband #jambands #livemusic #asheville #ashevillenc https://www.instagram.com/p/CqI-hhcg6pl/?igshid=NGJjMDIxMWI=
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November 19 - Live at The Emmet Ray
Join us in Toronto at The Emmet Ray!
Tuesday November 19 9:00pm
924 College St
Reserve a seat by emailing [email protected] and get $5 off the cover charge!
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The Disco Biscuits' Aron Magner shows off all of the keyboard gear that he uses while onstage! Watch the video at https://bit.ly/4h5Ik1U
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#music#jamband#rock#rocknrolla#singersongwriter#spotify#soundcloud#amwriting#pagan#checkthegateband#jambands
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Fuck me, Fuck The Algorithm is fucking fucked-up …
… in a fucking good way, obviously.
Eclectic is an over used term in music reviews: usually merely indicating that a country/Americana act strays occasionally into CSNY territory, or a blues outfit manage at least once to leaven their relentless Chicago dumpa-dumpa-dumpa-dumpa with a splash of NOLA syncopation …
And there’s nothing wrong with either of those, but in the eight tracks of manic, maniacal, genre-mangling mash-ups of Fuck The Algorithm Mango Thomas redefines ‘eclectic’ as an ADHD chameleon on acid in a kaleidoscope during a laser-strobe light-show.
The opening track alone, Pjunkle, careens between a blizzard of high-speed machine drum, guitar and incandescently furious growled vox, and Eastern-spiced spacey electronica interlaced with lithe bass lines, burbling synths and melodic harmonised guitar… via a metal-cum-drum’n’bass maelstrom. Oh yeah, plus a closing ferocious excoriation of the www.
Musically that pretty much sets the template (of there being no template) for what comes after: a relentlessly-grinding deconstructed boogie opens Punk Bitch, breaking down to a beats-and-Parklife-on-steroids rap interspersed with fusiony guitar squiggles and playfully venomous music-hall psychedelia; a surprisingly stonery laid-back late-night jazz passage from electric piano and loose-limbed drums gives way first to minimalist jamband death metal twin-guitar lines, then a double-speed pogoing anthem, before a hanging close reprise of the ‘stoner jazz’ piano…
Hypnotically deep trancefloor bass, bubbling marimba-like accents and textured string synths underpin the increasingly urgent mantra of Whaddya Want, which canters (via some nice 80s samples and a Moroderesque hook) into a wall of melodic prog-fusion guitar and tricksy timings, ending in a staccato, punchy dead-stop.
Headlock almost convinces you it’s just the one thing: the complex percussive techno banger runs nearly half its 4-plus minutes with no more quirks beyond a bit of rapping and an occasional (very accomplished) noodling fretless bass… until that bass line returns in a full-on rendition augmented with guitar and increasingly abandoned multi-voice wordless “Na, na, na-na”s sounding like a terrace-chant Bond theme, rising to a wild peak.
As with Mango Thomas Goes De.EP his previous release, Fuck The Algorithm includes a trio of mini-tracks: Did You Mean’s spoken voice/SFX humorous rant against the Siri-tyranny of patronising suggestions; #fuckthealgorithm, a reprise of the polemic from Pjunkle set over a rather Hawkindish interstellar overdrive start-up; and Frosty Mornings, which actually does stick to its single groove of smoothly-swaying soully electric piano, heartbeat pulse rhythms and lush synth strings (although the swirling modulation, panning and phasing add an unexpected off-kilter spacey edge).
By seven tracks in, we’re all Mango Thomas veterans now, so Algorithms’ light and airy acoustic picking and mellow folky troubadour vox-led ‘love song’ aren’t fooling anybody… sure enough, the expected Oi-meets-Nu-Metal explosion of syn-drum and gutsy guitar heralds a blokey belted-out “We’re all algorithms” denunciation of the foregoing syrupy delusions, topped with very Frippish atonal guitar and a deconstructed brassy jazz-funk finale.
Now, this might all sound like a recipe for disaster, or at least a cacophonous dog’s dinner, and in the hands of someone less adept it could well be... but Mango Thomas pulls the feat off with considerable aplomb. Fuck The Algorithm is one of a handful of home-grown albums that has had me grooving and grinning simultaneously and, even more rare, laughing out loud at its invention, audacity and sheer joyous insanity. It’s fucking brilliant!
Oh yeah, almost forgot…
*****PARENTAL GUIDANCE*****
... both for the album and this review!
First single Pjunkle will be available to stream from 9th February 2024 (with subsequent releases following every 2 months) - click here for links to pre-save singles, buy the album, merch, and much more: https://linktr.ee/mangothomasmusic/
#mango thomas#fuck the algorithm#breakcore#rock#IDM#funk#folk#metal#chillhop#punk#heavy mental#jamband
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This week while on vacation, my brother {Clifton Stringer} and I did a series of "Live" recording on Twitch. Here is a link to said music. It is like #Synthwave and #ElectroPop all rolled in a song! Please enjoy!!!
DjRenigade · Dj Renigade Ft Grackle Augury - Treadway Secessions
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Dele play
#jazz#jam#piano#bass#drums#valentinobaos#valpo#festivaldejazzdevalparaiso#valparaiso#chile#instachile#chilegram#jazzchileno#me#jamsessions#jamband
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happy birthday to YANHE(vocaloid 3) and Tsutsumi Rizumu(voiceroid ?? supporting character ???? member of jamBAND) !!!!!!! [jul 11]
YANHE
Tsutsumi Rizumu
YANHE is a chinese synth released in 2013. she formerly developed by Bplats, Inc. with MERCURY INC., under YAMAHA, but was created in collaboration with Shanghai HENIAN. shes voiced by Seira Ryu. on 12 feb 2023 yanhe received a v5 vb. her v3 was illustrated by MQ, and her v5 by TID. yanhe's design was chosen through a competition. she is part of vsinger. she is 170cm tall. Shanghai HENIAN's official website used to say that yanhe is 17yo, but this was later removed and never mentioned again. yanhe's vb was originally intended for zhiyu moke, but this was later changed. her ace virtual singer banks is currently in development, but a public beta has been availabe since 6 may 2023 (i think). her ace concept was drawn by Sainker.
Tsutsumi Rizumu is a member of jamBAND (tsurumaki maki's band) ("jamBAND is a special edition of "Music Maker Producer Edition" which is a DAW released by AH-Software that uses "cute girl" mascots to represent it. jamBAND is also featured on other AHS software such as "Sound Pool"." from voiceroid fandom wiki). she is voiced by Nashimoto Yuri, and illustrated by Umetani Ataro. im not sure when rizume was released but ill say its probably 2010. she is Tsutsumi Kanon's (another jamBAND member) older sister. she built robota (posted on may 21). her catchphrase is qawsedrftgyhujikolp (qあwせdrftgyふじこlp). she writes most of her lyrics in the bathtub. i dont think she herself has a vocal synth bank on any software ?? i could be wrong thoguh i have no idea. (please help what even is jamBAND im on my knees anyone tell me anything)
#bday#vocal synth#vocal synthesizers#vocal synths#vocalsynth#vocalsynths#vocaloid#vocaloid 3#vocaloid 5#ace#ace virtual singer#voiceroid#jamband#tsutsumi rizumu#rizumu tsutsumi#tsutsumi rizumu jamband#yanhe#yanhe vocaloid#vsinger#bplats inc#mercury inc#yamaha#shanghai henian#ahsoftware#ah-software#ah software#music maker producer edition#sound pool#july#jul 11
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What a night at @chsmusichall with @moetheband on 3.15.23! #Moe #MoeTheBand #CharlestonMusicHall #ConcertPhotography #LiveMusic #MusicPhotography #ConcertPhotos #GigPhotography #RockMusic #JamBand #LiveMusicPhotography #ConcertShots #ConcertPhotographers #jamband #fujifilm @fujifilmx_us (at Charleston Music Hall) https://www.instagram.com/p/Cp1SPW-OEND/?igshid=NGJjMDIxMWI=
#moe#moetheband#charlestonmusichall#concertphotography#livemusic#musicphotography#concertphotos#gigphotography#rockmusic#jamband#livemusicphotography#concertshots#concertphotographers#fujifilm
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April 2022 Photo Dump (Beer, friends, & the start to the work sabbatical!!!) #photodump #austinbeerworks #craftbeer #jamband #castellgrind2022 #lbj100 #rapha #rccaustin #bikes (at Austin, Texas) https://www.instagram.com/p/CnaQH8Vp2z6/?igshid=NGJjMDIxMWI=
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I love this band 💚💜💚💜💚💜
"Somewere on the mountian, they said is a potion
To make ypu truely happy and ininite in wisdom"
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hello Tumblr, my old friend.
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