#Jack McHugh

[badmovieihave]

Bad movie I have Dr. Jekyll and Mr. Hyde 1920

[lgspears]

for the live action Scooby-Doo series on Netflix, i nominated Jack Champion, Jordan Elsass and Ty Simpkins as Fred Jones, Isabel May, Violet Brinson and Addison Rae as Daphne Blake, Mackenzie Foy, Lia McHugh and Nico Parker as Velma Dinkley and Milo Manheim, Mason Cook and Maxwell Jenkins as Shaggy Rogers.

[fangirlsarchive]

Arc of a Scythe Fancatsing! Pt. 3!

Welcome back Scythes! If you're new here please go read part one and two! okay lets get into it!

High Blade Xenocrates of MidMerica: Jack Black Yes, we understand that Xenocrates is a corrupt and cowardly leader, but to the point it's kinda... funny? Xenocrates is also affectionate and kind, especially to his daughter. he can be forgiving and generous, even though he must also keep his unruly Scythes in check. We are confident that Jack Black can portray all of these assets of Xenocrates personality, and that he can really bring this charachter to life.

Ben Terranova: Gavin McHugh Ben must be innocent, kind, and adorable. He's Citra's soft spot, the reason Citra takes the apprenticeship to begin with. We wholeheartedly promote Gavin McHugh for the role of Citra's little brother. His role as Christopher in 9-1-1 was just a perfect match for our interpretation of Ben.

Esme Xenocrates: Anniston Price Finding an actor for Esme was difficult, especially because of her age. We came up with Anniston Price though her acting is fantastic and really either of the twins would be perfect for this role.

Tyger Salazar: Brett Austin Johnson You know him, you love him, TYGER SALAZAR!!! Yes, Tyger can be shallow, but he must also be able to act those ESSENTIAL scenes with Rand. He is an important part of the plot, and his character growth in The Thunderhead is a big part of the character that must be seen and felt on screen. Johnson, especially through his role in Five Feet Apart (please go watch it, it's an amazing movie, but be warned, it is SUPER sad) Ginny and I completely agreed that Johnson was the perfect actor for this role.

Thank you guys for following along so far and I'm so sorry this one came so late. Thanks for bearing with us and keep a lookout for part 4!

Part four here!

[kermodefan94-blog]

Schroders Battle of The Brits. 2022 An Attendees Perspective .

Something a bit different from me from a content perspective but I wanted to offer something like a dedicated fans perspective following the event before Christmas

As a tennis fan currently based in Scotland. I’ve been in the incredibly lucky position to attend The Team GB Vs US Davis Cup tie in March and three out of the four grand slams over the last 15 years. Seeing Aberdeen chosen as the venue for the first live in-person staging of the Battle of the Brits exhibition event felt like some level of vindication for the city’s cultural and sporting…

[lousypotatoes]

♪Playlist♪

i got bored, and i decided to make a playlist for this series <33 im gonna be doing that for all my fanfics for now on

Singin' In The Rain - Cliff Edwards 

"I'm singin' in the rain

Just singin' in the rain 

What a glorious feeling

I'm happy again~"

I Did Something Bad - Taylor Swift 

"I never trust a narcissist, but they love me 

So I play 'em like a violin

And I make it look oh so easy~"

When A Man Loves A Woman - Percy Sledge 

"Well, this man loves a woman 

I gave you everything I had 

Trying to hold onto your high-class love

Baby, ooh, please don't treat me bad~"

Dangerous Woman - Arianna Grande

"I wanna savor, save it for later

The taste of  flavor, 'cause I'm a taker

'Cause I'm a giver, it's only nature 

I live for danger~"

Ain't Misbehavin' - Fats Waller

"I know for certain

The one I love

I'm through with flirtin'

It's just you I'm thinkin' of~"

you should see me in a crown - Billie Eilish 

"Count my cards, watch them fall

Blood on the marble wall

I like the way they all

Scream~"

All Alone - Al Jolson

"All alone, I'm so all alone

There is no else but you

All alone by the telephone

Waiting for a ring, a ting-a-ling~"

Killing Butterflies - Lou Bliss 

"Shiver like a leaf

Once you take a piece 

With your big old teeth

You will never sleep, no~"

Everybody Loves My Baby - Jack Palmer

"It's my sweetie, can't you guess?

Wild about her, I'll confess

Does she love me?

Oh yes~!"

Looking At Me - Sabrina Carpenter

"I could make it nice and easy

I'ma take the lead

They ain't even looking at you, baby

They're looking at me~"

Always - Irving Berlin

"I'll be loving you always 

With a love that's true always.

When things you've planned

Need a helping hand,

I will understand always.

All Around Me - Flyleaf

"Take my hand, I give it you

Now you own me, all I am

You said you would never leave me

I believe you, I believe~"

I Can't Believe You're In Love With Me - Jimmy McHugh

"Your eyes are so blue 

Your kisses too

I never knew what they could do

I can't believe you're in love with me~"

Need A Favor - Jelly Roll

"Hangin' in there just barely

Throwin' up prayers like Hail Marys

If You're still there, Lord spare me

Oh, my God, oh, my God, Hail Mary~"

I Wanna Be Loved By You - Bert Kalmar

"I wanna be kissed by you, just you,

Nobody else but you,

I wanna be kissed by you, alone~!"

A Sky Full Of Stars - Coldplay

"'Cause you're a sky, you're a sky full of stars 

Such a heavenly view

You're such a heavenly view

Yeah, yeah, yeah, ooh~"

The Song Is Ended - Irving Berlin

"The song is ended

But the melody lingers on

You and the songs are gone 

But the melody lingers~"

Dusk Till Dawn - ZAYN, Sia

"I'll hold you when things go wrong

I'll be with you from dusk till dawn

I'll be with you from dusk till dawn

Baby, I'm right here~"

The Night We Met - Lord Huron

"I had all and then most of you 

Some and now none of you

Take me back to the night we met~"

Crazy = Genius - Panic! At The Disco

"Other boys you may have dated

Serrated your heart with a slice 

But the cut of your love never hurts 

Baby, it's a sweet butter knife~"

Don't Stop The Music - Rihanna

"Do you know what you started? I just came here to party

But now we're rockin' on the dancefloor, actin' naughty

Your hands around my waist, just let the music play

We're hand in hand, chest to chest, and now we're face to face~"

Control - Halsey

"And all the kids cried out, "Please stop, you're scaring me"

I can't help this awful energy 

God damn right, you should be scared of me

Who is in control~?

Good For You - Selena Gomez, A$AP Rocky

"Gonna wear that dress you like, skin-tight

Do my hair up real, real nice

And syncopate my skin to your heart beating~"

You're Never Fully Dressed Without A Smile - Donald Craig

"Your clothes may be Beau Brummely 

They stand out a mile 

But brother

You're never fully dressed

Without a smile~!

Sway - Micheal Bublé

"Like a flower bending in the breeze

Bend with me, sway with ease

When we dance you have a way with me 

Stay with me, sway with me~"

Strange Fruit - Billie Holiday

"Here is a fruit for the crows to pluck 

For the rain to gather, for the wind to suck

For the sun to rot, for the tree to drop

Here is a strange and bitter crop~"

Fly Me To The Moon - Frank Sinatra

"All I worship and adore

In other words, please be true

In other words, in other words

I love...you~"

[chernobog13]

BEGORRAH! 'TIS AN IRISH SUPERHERO!

Superman meets Ireland's resident superhero, Jack O'Lantern, in DC Comics Presents #46 (June, 1982). Written by E. Nelson Bridwell. Art by Alex Savior and Pablo Marcos. Colors by Gene D'Angelo. Letters by John Costanza.

This was Jack's first appearance in the DC Universe continuity, but not the first time in comics. He, along with the rest of the international superhero team he belonged to, the Global Guardians, was first introduced in Super Friends #8 (November, 1977).

Super Friends was based on the Hanna-Barbera animated series that was broadcast on Saturday mornings at the time. As such, its stories were not considered part of the canon of DC's stories. However, after the Super Friends comic was cancelled in 1981, writer (and Global Guardians creator) E. Nelson Bridwell was able to insert the Guardians into the DC Universe-proper with this story in DC Comics Presents.

Jack O'Lantern was Daniel Cormac, a farmer who was granted a magic lantern by a fairy, presumably the leprechaun on his shoulder in the picture above (who, as far as I know, never made another appearance). The lantern granted Cormac several abilities: super strength, flight, energy projection, illusion casting, teleportation, and fog generation. Because of its magic properties, the lantern (and Jack's powers) were strongest at midnight, and non-existent at noon.

Cormac and the Global Guardians remained a part of DC continuity after Crisis On Infinite Earths. However, the group fell on hard times and split-up after the UN decided to sponsor Justice League Europe/International instead of the Guardians.

Jack then fell in with the villainous Queen Bee and was a bad guy for a brief period, even tangling with the aforementioned JLI. He eventually redeemed himself and became a hero again before eventually passing away from natural causes.

His cousin, Liam McHugh, then became the new Jack O'Lantern, with a different costume. McHugh was able to internalize the powers of the lantern, and no longer needs to use it. He was a member of the Global Guardians, the Leymen (from Primal Force), and the Ultramarine Corps (from Grant Morrison's run on JLA).

[givehimthemedicine]

so @aemiron-main's recent post pointing out Hopper mentioning some girl named Alice got me thinking how it's strange how many minor randos mentioned have names that get reused later on the show.

definitely weird that Alice and Henry both get recycled. those are the big ones, but there are more.

not going anywhere with this, but fyi I think this is Henry. I don't know if it's the same Henry who went missing, but seems likely.

whoever Bev Mooney is, we have another BevMo in the mix - the news anchor who reports Chrissy's murder is named Beverly Moss.

and speaking of Chrissy:

Chrissy Carpenter is awfully similar to Chrissy Cunningham.

also the Creel family's car is an Oldsmobile

"give me those names again" LOL okay: we've got little Petey McHugh / Peter Bingham / Peter Ballard / Lab Peter (I've lost track of the various Peters of petergate), Reefer Rick, Lt. Colonel Jack Sullivan, and... whoever this Jack is:

a flayed Hawkins High student, presumably.

I was calling this a coincidence until I got literally here in the post realized that all of these are mentioned by/to/in connection with Hopper, and are all people introduced in Season 4.

the only s4 exception I've thought of so far is

btw I swear didn't somebody say something about Henry and owls once? "attacking heads"... "four years" being mentioned yet again in the first episode (when the kids are leaving Mike's garage)... '79-'83... I feel like I'm seeing something out the corner of my eye here. Eleanor Creel I'm rooting for you

that's all I've got off the top of my head, if you can think of more please jump in, I would love to see if there's a pattern here that holds up??

[mayamidnightmelody]

The Eternals, a group of superhuman beings created by Jack Kirby in 1976 for Marvel Comics, have long been an integral part of the Marvel Universe. Known for their immense powers, ancient origins, and complex mythologies, the Eternals have captured the imagination of comic book readers for decades. In 2021, Marvel Studios brought these characters to the big screen in the film "Eternals," directed by Chloé Zhao. This article delves into the differences and similarities between the movie and the comics, examining how the film adapts and reinterprets the rich source material.

Origins and Creation

Comics

In the comics, the Eternals were created by the Celestials, god-like beings who visited Earth millions of years ago. They performed genetic experiments on early humanity, resulting in three distinct groups: the Eternals, the Deviants, and baseline humans. The Eternals were granted near-immortality and vast powers, which they used to protect humanity from the destructive Deviants.

Jack Kirby's original vision was heavily influenced by mythology, science fiction, and his earlier work on the New Gods for DC Comics. The Eternals were presented as almost god-like figures themselves, with a rich tapestry of stories intertwining their existence with the myths and legends of human history.

Movie

The film adaptation retains the essential elements of the Eternals' origin, including their creation by the Celestials. However, it expands and reinterprets these elements to fit within the larger Marvel Cinematic Universe (MCU). The Eternals in the movie are sent to Earth to protect humanity from the Deviants, following the orders of the Celestial Arishem. The film emphasizes their role in guiding and observing humanity throughout history, contributing to the development of civilization while adhering to their mandate not to interfere directly in human conflicts.

Characters and Relationships

Comics

The core group of Eternals in the comics includes Ikaris, Sersi, Thena, Makkari, Ajak, Gilgamesh, Sprite, and others. Each character has a distinct personality, power set, and role within the group. For instance, Ikaris is often portrayed as the noble and powerful leader, while Sersi is known for her hedonistic and adventurous nature. Thena, inspired by the Greek goddess Athena, is a fierce warrior and scholar.

The relationships among the Eternals are complex and often strained. Despite their immortality and shared mission, they have different views on their purpose and how to interact with humanity. These differences lead to internal conflicts and evolving dynamics over time.

Movie

The movie introduces a diverse cast of Eternals, retaining many of the key characters from the comics but with some notable changes. The gender and ethnicity of several characters are altered to create a more inclusive and representative ensemble. For example, Ajak, originally a male character in the comics, is portrayed by Salma Hayek, and Makkari, traditionally male, is reimagined as a deaf female character played by Lauren Ridloff.

The film delves deeply into the relationships and emotional lives of the Eternals. Ikaris (Richard Madden) and Sersi (Gemma Chan) share a central romantic subplot, highlighting the tension between duty and personal desire. Thena (Angelina Jolie) and Gilgamesh (Don Lee) have a profound bond, forged through their shared experiences and Gilgamesh's role as Thena's protector. The film also explores Sprite's (Lia McHugh) struggle with eternal youth and the limitations it imposes on her desire for a normal life.

Themes and Motifs

Comics

The Eternals comics explore themes of immortality, duty, and the nature of godhood. Kirby's storytelling delves into the philosophical implications of living for millennia and the burden of immense power. The Eternals' interactions with humans raise questions about free will, interference, and the ethics of their protective role.

The mythological underpinning of the Eternals' stories is a significant motif. Kirby weaves elements from various mythologies, creating a rich tapestry that connects the Eternals to the gods and heroes of ancient cultures. This connection to mythology enhances the grandeur and epic scope of their adventures.

Movie

The film adaptation retains many of these themes but adapts them to resonate with contemporary audiences. The theme of duty versus personal desire is prominent, as the Eternals grapple with their mission to protect humanity while longing for personal fulfillment and connections.

The film also emphasizes diversity and inclusion, reflecting modern societal values. The diverse cast and varied backgrounds of the characters underscore the universal nature of the Eternals' story, suggesting that heroism and virtue are not confined to a single culture or ethnicity.

Another central theme in the movie is the concept of faith and questioning authority. The Eternals' blind obedience to the Celestials is challenged, leading to a critical examination of their purpose and the morality of their actions. This theme aligns with broader narratives in the MCU, where characters often grapple with the responsibilities and consequences of their powers.

Visual and Stylistic Differences

Comics

Jack Kirby's art in the original Eternals comics is iconic, characterized by his dynamic compositions, bold lines, and imaginative designs. The visual style is grand and operatic, reflecting the epic scale of the Eternals' stories. Kirby's use of intricate details and cosmic imagery creates a sense of awe and wonder, befitting the god-like nature of the characters.

Subsequent artists who have worked on Eternals comics have brought their own styles to the series, but the grandeur and mythic quality established by Kirby remain a consistent visual thread.

Movie

Chloé Zhao's "Eternals" brings a distinct visual and stylistic approach to the MCU. Known for her work on intimate, character-driven dramas, Zhao combines this sensibility with the epic scope of a superhero film. The cinematography, by Ben Davis, captures sweeping landscapes and grandiose celestial imagery, creating a sense of scale and majesty.

The film's visual effects bring the Eternals' powers to life in a way that is both spectacular and grounded. The design of the Celestials is particularly impressive, maintaining their awe-inspiring presence from the comics while integrating them seamlessly into the film's aesthetic.

Zhao's approach to storytelling is more contemplative and character-focused than typical MCU fare, allowing for deeper exploration of the Eternals' internal struggles and relationships.

[citizenscreen]

At a 1931 party given by the Jack Oakies:

Cesar Romero, Otto Kruger, and Frank McHugh in the foreground and Mrs Jack Oakie, Alice Faye and Claire Windsor in the back.

[docrotten]

DR. JEKYLL AND MR. HYDE (1920) – Episode 160 – Decades Of Horror: The Classic Era

“Damn It! I don’t like your tampering with the supernatural.” What if he just tinkers with it a bit? Join this episode’s Grue-Crew – Daphne Monary-Ernsdorff, Doc Rotten, and Jeff Mohr – as they make the Decades of Horror’s fourth encounter of a strange kind with Robert Louis Stevenson’s story as depicted in Paramount’s Dr. Jekyll and Mr. Hyde (1920).

Decades of Horror: The Classic Era Episode 160 – Dr. Jekyll and Mr. Hyde (1920)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/

Dr. Henry Jekyll experiments with scientific means of revealing man’s hidden, dark side and releases a murderer from within himself.

  Director: John S. Robertson 

Writers: Robert Louis Stevenson (novella, 1886); Clara Beranger (scenario) (as Clara S. Beranger); Thomas Russell Sullivan (play) (uncredited)

Selected Cast:

John Barrymore as Dr. Henry Jekyll / Mr. Edward Hyde

Brandon Hurst as Sir George Carew

Martha Mansfield as Millicent Carew

Charles Lane as Dr. Lanyon

Cecil Clovelly as Edward Enfield

Nita Naldi as Miss Gina

Louis Wolheim as Music Hall Proprietor

Alma Aiken as Extra (uncredited)

J. Malcolm Dunn as John Utterson (uncredited)

Ferdinand Gottschalk as Old Man at table in music hall (uncredited)

Julia Hurley as Hyde’s Landlady with Lamp (uncredited)

Jack McHugh as Street Kid – Raises Fist to Mr. Hyde (uncredited)

Georgie Drew Mendum as Patron in music hall (uncredited)

Blanche Ring as Woman at table with old man in music hall (uncredited)

May Robson as Old woman outside of music hall (uncredited)

George Stevens as Poole – Jekyll’s Butler (uncredited)

Edgard Varèse as Policeman (uncredited)

The Classic Era Grue Crew takes in another silent scream with this 1920 version of Dr. Jekyll and Mr. Hyde, starring John Barrymore. The makeup-lite early versions of Hyde soon develop into something far more terrifying, augmented by Barrymore’s excellent acting and use of body language. Throw in a quality supporting cast and one of the freakiest dream sequences the crew’s ever seen, and you have a top-notch silent scream!

To check out the other Decades of Horror episodes focused on Stevenson’s novella check these out:

DR. JEKYLL AND MR. HYDE (1931) – Episode 122 – Decades of Horror: The Classic Era

DR. JEKYLL & SISTER HYDE (1971) – Episode 175 – Decades of Horror 1970s

THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE (1968) – Episode 71 – Decades of Horror: The Classic Era

If silent films are your thing, check out these episodes of Decades of Horror: The Classic Era focused on silent screams:

THE CABINET OF DR. CALIGARI (1920) – Episode 13 

NOSFERATU (1922) – Episode 21

THE PHANTOM OF THE OPERA (1925) – Episode 42

THE CAT AND THE CANARY (1927) – Episode 60

HÄXAN (1922) – Episode 79

PHANTOM CARRIAGE (1921) – Episode 85

THE GOLEM (1920) – Episode 99

FAUST (1926) – Episode 145

At the time of this writing, Dr. Jekyll and Mr. Hyde is available to stream from Tubi, Amazon Prime, Hoopla, Kanopy, Screambox, and Crackle. The film is also available as a DVD from multiple sources. Unfortunately, the Kino Classics Blu-ray is no longer available.

Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule, as chosen by Doc, is The Alligator People (1959) featuring Lon Chaney Jr., effects makeup by Dick Smith and Ben Nye, and the cinematography of the legendary Karl Struss!! Put your hip-waders on for this trip; they’re going to the swamp!

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at feedback@gruesomemagazine.com To each of you from each of them, “Thank you so much for watching and listening!”

Check out this episode!

[scotianostra]

Happy Birthday Emun Elliott the Scottish theatre, film and television actor.

Born in Edinburgh n 28th November 1983 as Emun Mohammadi, and brought up in Portobello, and Duddingston, his father is of Persian descent. Emun was educated at George Heriot’s School before going on to Aberdeen University and the Royal Scottish Academy of Music and Drama.

Elliots first break was appearing in an episode of Monarch of the Glen in 2005, we then saw him in the Scottish Cop sitcom, Feel the Force.

In 2009 Elliott starred in a TV mini-series called “Paradox” in which the lab he works at as a physicist is named ‘Prometheus’ and he has a “chance’ to change the future because he has insight to the future. In Elliott’s real future. Three years later, he would star in Ridley Scott’s film named 'Prometheus’ as a character named  Chance, Mark Bonnar also starred in the series.

One off appearances in Inspector George Gently and Vera were followed up with Game of Thrones, where he played the character Marillion in four episodes. He was then in the Glasgow Drama series, Lip Service on BBC Three and another sitcom Threesome. His biggest role to date was arguably in the BBC period drama, The Paradise, where he played John Moray, the shop’s owner. We saw him in the 2017 series Trust Me, which was set in his home town Edinburgh and starred Jodie Whittaker. Elliot also cropped up in the latest Kingsmen movie last year.

Emun appeared in the dark comedy drama Guilt an excellent series, where he again teamed up with Mark Bonnar. Fresh Meat and Gary: Tank Commander star Greg McHugh, the lovely Phyllis Logan, featured in the second series, the third and final season is being filmed in Scotland just now, and should be on our screens next year.

The past year Emun showed up in the sitcom  Hullraisers and a British indie film, Phea. Emun has a few irons in the fire as well as Guilt,  Walking to Paris, I mentioned last year is still in post production, but a trailer was released in the spring, The Peter Greenaway film, set in the early 1900s, the story takes place when Brancusi was 27-year-old and follows his 18-month trek from Bucharest to Paris to reach the metropolis of world culture.  Northern Comfort is also in post production and co-stars the excellent Timothy Spall. He is also filming  The Gold a TV Series with fellow Scot  Jack Lowden, the BBC drama will  tell the story of the Brink's-Mat robbery.  And finally one I am really looking forward to is a prequel, a Paramount+ series called Sexy Beast, it  will track the origin story of the Gal Dove, originally played brilliantly by Ben Kingsley.

[byneddiedingo]

Cast: James Cagney, Joan Blondell, Ruby Keeler, Dick Powell, Frank McHugh, Guy Kibbee, Ruth Donnelly, Hugh Herbert, Claire Dodd. Screenplay: Manuel Seff, James Seymour. Cinematography: George Barnes. Art direction: Anton Grot, Jack Okey. Film editing: George Amy. Choreography: Busby Berkeley.

Busby Berkeley's great trifecta of 1933 also includes 42nd Street (Lloyd Bacon) and Gold Diggers of 1933 (Mervyn LeRoy). Footlight Parade is the least distinguished of the three by virtue of having the most inane of plots, but it has a wonderful performance by James Cagney as the harried impresario Chester Kent, who creates "prologues" for movies -- live action musical numbers designed to precede feature films, a phenomenon that survives today only at Radio City Music Hall. Cagney not only gets to display his typical volcanic persona but also gets to strut his stuff as a dancer. As in other early Berkeley films, the great mad production numbers are not spread throughout but instead clustered at the end. First comes "Honeymoon Hotel," which is a string of double entendres about the fact that people have sex in hotels and aren't necessarily newlyweds: e.g., everyone registers as "Mr. and Mrs. Smith." Then there's the lavish "By a Waterfall," which anticipates (and excels) the swimming pool numbers that Berkeley would later craft for Esther Williams at MGM. And finally, Chester Kent gets to save the show by going on for a lead dancer who comes down with stage fright in the "Shanghai Lil," number with Ruby Keeler in yellowface, dancing on the top of waterfront bars with Cagney -- her clunky, anxious tapping is an odd mixture with Cagney's stiff-legged style. (We are fortunately spared one of Kent's more appalling ideas, a musical number about slavery in which the female dancers would appear in blackface and be captured by the male dancers.) The whole thing is good, mildly ribald pre-Code stuff: Joan Blondell's Nan, who crushes on Chester Kent, introduces the predatory Vivian Rich (Claire Dodd) by "accidentally" almost pronouncing her last name with a B, and comments that as long as there are sidewalks, Vivian will never be without a job.

“By a Waterfall” sequence in Footlight Parade (Busby Berkeley; Lloyd Bacon, 1933)

“Berkeley came up with the idea when someone asked him how he was going to top the numbers in Gold Diggers of 1933. When he suggested the first on-screen aquacade, Warner screamed “Stop right there! It will take the Bank of America to keep you going.” But a few weeks later, he suggested that Berkeley try the number in Footlight Parade. The set, complete with an 80-by-40-foot swimming pool, took up an entire soundstage. Berkeley had the pool lined with glass walls and a glass floor so he could shoot the swimmers from every possible angle. Then he designed the swimming suits and bathing caps to create the illusion that the women were almost naked. He rehearsed the number for two weeks, then shot it in six days as technicians pumped 20,000 gallons of water a minute over the set’s artificial falls. The results were so spectacular that the audience at the premiere gave the number a standing ovation and threw their programs in the air. Broadway impresario Billy Rose even tried to steal Berkeley from Warners to stage his aquacade.” (x)

[aristocratslog]

FALL OF THE IBIS KING from FOTIK on Vimeo.

The antagonist of a strange opera becomes increasingly unsettled, following the unlikely return of the former lead actor.

A film by Mikai Geronimo & Josh O'Caoimh Written by Josh O'Caoimh Animation by Mikai Geronimo, Giorgia McKenna, Josh O'Caoimh, Charles-Henri Sanson Additional Animation by Ina Albrecht, Marie-Liesse Coumau, Deither Kirby-Jay, Patrick O'Callaghan Background and Compositing by Josh O'Caoimh Music by Samantha Sack, Alex Voytenko (Kyiv, Ukraine) Sound Design by Nially Delahan, Stephen Hennesy, Cathal Hughes Sound Editing and Mixing by Karima Dillon Cast: Sean McManus, Ava Farrel, Eoin O'Sullivan, Jack McHugh, Anna Lawlor, Conor McNally, Aisling Smith Made at The National Film School, IADT

World Premiere at 78th The Venice International Film Festival European Film Award Candidate 2021 Qualified for the 2023 Academy Awards

Animation Grand Prize - Rhode Island International Film Festival Best Short Animation - Irish Film & Television Awards 2022 Honourable Mention - Clermont-Ferrand Short Film Festival Grand Prize for Student Film - Cinanima International Animated Film Festival Best Irish Short - Animation Dingle Best Student Film - Tirana International Film Festival Best Student Film - BALKANIMA Jury Special Mention - Milano Film Festival Grand Prix Irish Short Special Mentionm - Cork International Film Festival Honourable Mention for Best International Short Film - GIRAF Best Student Design - Los Angeles Animation Festival Best Student Film - Dublin Animation Film Festival Best Animated Short Film - Rabat International Film Festival Animation Winner - Student Royal Television Awards Ireland 2022 Best Student Film - MONSTRA Lisbon Animation Festival Best Animation - Martovski Film Festival Best Animation- Fastnet Film Festival Animation Special Mention - FEST – New Directors New Films Festival Best University Film - BANG Animation Awards Special Mention for Student Film - FICBUEU Best Animation U30 - Mladá kamera Best Animation - Silk Road International Film Festival Jury Special Mention - Flipbook Film Festival

[ulkaralakbarova]

A teen winds up in over his head while dealing drugs with a rebellious partner in Cape Cod, Mass. Credits: TheMovieDb. Film Cast: Daniel Middleton: Timothée Chalamet McKayla Strawberry: Maika Monroe Hunter Strawberry: Alex Roe Amy Calhoun: Maia Mitchell Sergeant Calhoun: Thomas Jane Dex: Emory Cohen Shep: William Fichtner Ponytail: Jack Kesy Taylor: Thomas Blake Jr. Vice Principle Finney: Kimberly Battista Football Player: Christian James Wife at Beach House: Catherine Dyer Beach House Girl: Caroline Arapoglou Aunt Barb: Rebecca Koon Daniel’s Mom: Jeanine Serralles Summerbird Dad: Fred Galle Summerbird Brother: Flynn McHugh McKayla’s Father: Brian Kurlander Boss Man’s Lady: Kate Forbes Amy’s Friend #3: Rebecca Ray Amy’s Friend #2: Rebecca Weil Amy’s Friend #1: Hannah Kraar Blair: Alexander Biglane Okie: Reece Ennis Kendall: Holly Wingler Rollerskating Waitress: Kristina Arjona Teenage Girl #1: Sara Antonio Summerbird Sister: Lia McHugh Police Officer: Chris Hlozek Teenage Boy #1: Myles Moore Summerbird Wife: Sandra Elise Williams Preppy Summerbird: James Robinson Jr. Summerbird Girl: Anniston Howell Drunk College Guy: Josh Weikel Chester: Ezra Bynum Dishwashing Boy #1: Zack Shires Weather Reporter: Rick Chambers Stoner Guy: Cody Pressley Beach House Guy: Michael Steedley Annoying College Guy: Tyler Carden Young Boy: Rawann Gracie Dishwashing Boy #2: Logan McHugh Daniel’s Father: John Herkenrath BBQ Neighbor: Chris J. Beatrice Narrator: Shane Epstein Petrullo Trashy Girl: Lisa Marie Kart Ice Cream Parlor Girl: Raegan-Alexis Santucci Partier: David London Stoner Girl: Julaine Tackett Drive-In Attendant: Tyler Bilyeu Lobster Shack Patron: Augie Buttinelli Blair Buddy: Adrian Papa Sketchy Guy: Jonathan Robert Martin Daisy: Jessie Andrews Film Crew: Writer: Elijah Bynum Cinematography: Javier Julia Production Design: Kay Lee Hair Department Head: Carol Cutshall Original Music Composer: Will Bates Producer: Bradley Thomas Producer: Ryan Friedkin Producer: Dan Friedkin Casting: Courtney Bright Casting: Nicole Daniels Executive Producer: Jasmine Daghighian Unit Production Manager: Nathan Kelly Executive Producer: Casey Wilder Mott Art Direction: Evan Maddalena Set Decoration: Kim Leoleis Makeup Department Head: Sheila Trujillo-Gomez Production Supervisor: Erin Charles Executive Producer: Peter Farrelly Executive Producer: Allyn Stewart Executive Producer: Kipp Nelson Editor: Jeff Castelluccio Editor: Dan Zimmerman Co-Producer: Tom Costantino Music Supervisor: Liz Gallacher Visual Effects Supervisor: Chris Wells First Assistant Director: Rip Murray Second Assistant Director: Stephen W. Moore Stunt Coordinator: Jennifer Badger Stunt Coordinator: Johnny Cooper Stunt Coordinator: David Brian Martin Stunt Double: Niko Dalman Stunt Double: Jeremy Conner Stunt Double: Noah Bain Garret Stunt Double: T. Ryan Mooney Leadman: Nelson Hagood Construction Coordinator: Jay Womer “A” Camera Operator: Matías Mesa First Assistant “A” Camera: Jackson McDonald Second Assistant “A” Camera: Aaron Willis “B” Camera Operator: Danny Eckler First Assistant “B” Camera: Ryan Weisen First Assistant “B” Camera: Dan Turek Still Photographer: Curtis Bonds Baker Still Photographer: Guy D’Alema Boom Operator: Thomas Doolittle Costume Supervisor: Caryn Frankenfield Makeup Artist: Micah Laine Makeup Artist: Donna Martin Makeup Artist: Ashley Pleger Makeup Artist: Tracy Ewell Hairstylist: Jennifer Santiago Gaffer: Mike Pearce Production Coordinator: Shanti Delsarte Post Production Supervisor: Todd Gilbert Sound Re-Recording Mixer: Craig Mann Supervising Sound Editor: Bruce Barris Sound Effects Editor: Bruce Tanis Sound Effects Editor: Bill R. Dean Dialogue Editor: Chase Keehn Foley Mixer: Randy Wilson Foley Mixer: Ron Mellegers Foley Artist: John Sievert Foley Artist: Stefan Fraticelli Foley Artist: Jason Charbonneau Sound Re-Recording Mixer: Laura Wiest Sound Re-Recording Mixer: Adam Sawelson Sound Re-Recording Mixer: Kurt Kassulke Movie Reviews: Jacob: (79/100) There should be more films made that take place in ...

[bamboomusiclist]

6/27 おはようございます。 Incredible Bongo Band / The Return Of The Incredible Bongo Band PD6010 等更新しました。

Ray Brown Milt Jackson / Ray Brown Milt Jackson V6-8615 Marian McPartland / After Dark T699 Oscar Peterson Louis Bellson John Heard / The London Concert 2620111 Urbie Green His Trombone And Orchestra / Jimmy McHugh In Hi-Fi lsp1741 Stan Levey / Grand Stan Bcp71 VA / Tambor Yuka LD-3994 VA / Tumba Francesa LD-3606 Deodato / First Cuckoo mca-491 Incredible Bongo Band / The Return Of The Incredible Bongo Band PD6010 Azymuth / Tightrope Walker M-9143 Jack DeJohnette / Have You Heard MSP9029 Nana Caymmi / Nana Caymmi 7718 Joneses / Keeping Up With The Joneses Srm1-1021 Herman Kelly & Life / Percussion Explosion Ecs225 Isley Brothers / Givin' It Back TNS3008 Bahia Black / Capitao Do Asfalto 12AXM3 Kraftwerk / Tour de France 0-20146 General Caine / Let Me In GTR-1001

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