#JACOB ANDERSON YOU WILL BE FAMOUS FOREVER.

[thepixiediaries]

'what is left to endure for? claudia is dead.'

[bloodcoveredgf]

jacob anderson as louis de pointe du lac i love you forever and ever and you will always be famous

[prince-everhard]

Prince’s Whumptober 2020 masterpost

Gonna have links, titles, summaries, and all that jazz under a readmore because i decided to really push myself and do all 31 prompts separately. Thank you to everyone who liked and reblogged my work; your support means the world to me and makes me want to keep writing! 

multiparters here have been listed in chronological order rather than posting order for ease of reading. 

FAHC

No 1. LET’S HANG OUT SOMETIME Waking Up Restrained | Shackled | Hanging

Title: another duck joins the flock Fandom: FAHC Character(s): Geoff, Michael Rating: T Warning(s): blood, handcuffs Wordcount: 728 Summary: Or how the Fakes gained their most famous muscle. [tidied up/expanded this never-to-be-posted fahc wip for whumptober]

Naruto

No 2. IN THE HANDS OF THE ENEMY “Pick Who Dies” | Collars | Kidnapped

Title: and the worst part of waiting is the anticipation Fandom: Naruto Character(s): Team 7 Rating: T Warning(s): blood, vomit Wordcount: 951 Summary: Team Seven gets captured. [part of the whumptober au]

No 3. MY WAY OR THE HIGHWAY Manhandled | Forced to their Knees | Held at Gunpoint

Title: A Teaching Moment Fandom: Naruto Character(s): Sakura, Kabuto Rating: T Warning(s): none Wordcount: 498 Summary: Kabuto makes her an offer she can’t refuse. [part of the whumptober au]

No 29. I THINK I NEED A DOCTOR Intubation | Emergency Room | Reluctant Bedrest

Title: Graduation Fandom: Naruto Character(s): Sakura, Kabuto, Rating: T+? Warning(s): blood Wordcount: 835 Summary: Kabuto has one more test before Sakura can be considered a true medic-nin. [part of the whumptober au]

No 15. INTO THE UNKNOWN Possession | Magical Healing | Science Gone Wrong

Title: Arboreal Fandom: Naruto Character(s): Sakura Rating: T Warning(s): needles Wordcount: 803 Summary: It was only a matter of time before Sakura found something that could help her escape. [part of the whumptober au]

No 9. FOR THE GREATER GOOD “Take Me Instead” | “Run!” | Ritual Sacrifice

Title: no good deed goes unpunished Fandom: Naruto Character(s): Naruto, Teuchi, Kyuubi Rating: T Warning(s): violence against children Wordcount: 972 Summary: Something goes wrong on his seventh birthday. Naruto might never be the same again.

No 26. IF YOU THOUGHT THE HEAD TRAUMA WAS BAD… Migraine | Concussion | Blindness

Title: Degradation Fandom: Naruto Character(s): Kakashi, Sakura, Naruto Rating: T Warning(s): dismemberment ment Wordcount: 187 Summary: Kakashi knows that power comes with a price.

Dragon Age

No 6. PLEASE…. “Get it Out” | No More | “Stop, please”

Title: Like Dogs Fandom: Dragon Age Character(s): Female Tabris, Shianni, Soris, Nelaros Rating: M Warning(s): implied/offscreen rape, violence against women, blood Wordcount: 1640 Summary: It was supposed to be a good thing, getting married. It wasn’t. [this is really just a love letter to the origin that fucking shooketh me]

No 19. BROKEN HEARTS Grief | Mourning Loved One | Survivor’s Guilt

Title: all’s fair but war is not without casualties Fandom: Dragon Age Character(s)/Pairing(s): Female Cousland, Alistair; ex-Alistair/Warden Rating: T Warning(s): none Wordcount: 695 Summary: Ten years after the Blight ends, Elissa Cousland runs into someone she never thought she’d see again. It, uh, doesn’t go quite as planned. [mostly canon compliant; Loghain is spared and becomes a warden]

No 11. PSYCH 101 Defiance | Struggling | Crying

Title: Duty Fandom: Dragon Age Character(s): Female Cousland, Eleanor, Bryce Rating: T Warning(s): blood, betrayal, last stand Wordcount: 633 Summary: Even without interference, history marches on. A what-if scenario if Duncan wasn’t there to recruit the Cousland. [part of iron & ash]

No 23. WHAT’S A WHUMPEE GOTTA DO TO GET SOME SLEEP AROUND HERE? Exhaustion | Narcolepsy | Sleep Deprivation

Title: To Ostagar Fandom: Dragon Age Character(s): Female Cousland Rating: T Warning(s): none Wordcount: 545 Summary: Jasmine is determined to get vengeance for her family. [part of iron & ash]

No 14. IS SOMETHING BURNING? Branding | Heat Exhaustion | Fire

Title: Consequences Fandom: Dragon Age Character(s): Female Surana Rating: T Warning(s): none Wordcount: 368 Summary: Surana helps her best friend escape the Circle, and the consequences are more than she bargained for.

No 21. I DON’T FEEL SO WELL Chronic Pain | Hypothermia | Infection

Title: Corrupted Fandom: Dragon Age Character(s): Female Mahariel, Duncan Rating: Gen Warning(s): none Wordcount: 192 Summary: It’s a long journey from the Brecilian Forest to Ostagar for someone with blight sickness.

No 31. TODAY’S SPECIAL: TORTURE Experiment | Whipped | Left for Dead

Title: Big Sister Instinct Fandom: Dragon Age Character(s): Female Hawke, Unnamed Templars Rating: T Warning(s): torture, violence against women Wordcount: 325 Summary: Marian Hawke would rather die than betray her family. She might even just get the chance to do it.

Mass Effect

No 4. RUNNING OUT OF TIME Caged | Buried Alive | Collapsed Building

Title: never forget to bury your regret (before it buries you) Fandom: Mass Effect Character(s): Male Shepard, Human OC Rating: T Warning(s): cave-in, blood, character death Wordcount: 450 Summary: Survival training goes south in the ICT.

No 7. I’VE GOT YOU Support | Carrying | Enemy to Caretaker

Title: First Contact Fandom: Mass Effect Character(s): Turian OC, Human OC Rating: T Warning(s): injuries, broken bones, vomit, vehicular crash Wordcount: 1150 Summary: Decimus isn’t ready to die, but he’s especially not ready to die on a stupid scouting mission to a stupid alien colony. [set during the First Contact War; probably not canon-compliant but idgaf]

No 18. PANIC! AT THE DISCO Panic Attacks | Phobias | Paranoia

Title: what doesn’t kill you makes you stronger (and what does makes you scarred forever) Fandom: Mass Effect Character(s): Female Shepard, Edi, Tali’Zorah, Garrus Vakarian Rating: T Warning(s): panic attack, open space Wordcount: 662 Summary: Shepard isn’t afraid of getting spaced. No, really. [a closer look at the geth dreadnought mission]

No 28. SUCH WOW. MANY NORMAL. VERY OOPS. Accidents | Hunting Season | Mugged

Title: Torfan Fandom: Mass Effect Character(s): Female Shepard, Major Kyle Rating: T Warning(s): blood, guns, drugging Wordcount: 589 Summary: How the Butcher came to be.

No 25. I THINK I’LL JUST COLLAPSE RIGHT HERE, THANKS Disorientation | Blurred Vision | Ringing Ears

Title: Rest Fandom: Mass Effect Character(s)/Pairing(s): Female Shepard, Anderson; referenced Shepard/Vega Rating: T Warning(s): blood, character death Wordcount: 1018 Summary: A father-daughter moment after they open the arms of the Citadel. [part of Alder]

No 5. WHERE DO YOU THINK YOU’RE GOING? On the Run | Failed Escape | Rescue

Title: they found you on the floor Fandom: Mass Effect Character(s): Female Shepard Rating: T Warning(s): alcohol, vomit, underage drinking Wordcount: 348 Summary: Like mother like daughter; Shepard deals with her trauma after Mindoir. [part of Gloria Shepard]

No 22. DO THESE TACOS TASTE FUNNY TO YOU? Poisoned | Drugged | Withdrawal

Title: there’s easier ways to die Fandom: Mass Effect Character(s): Female Shepard, Ashley Williams Rating: T Warning(s): DTs, vomit mention Wordcount: 368 Summary: Shepard takes a stand against her own demons. [part of Gloria Shepard]

No 17. I DID NOT SEE THAT COMING Blackmail | Dirty Secret | Wrongfully Accused

Title: you crawled up on your cross Fandom: Mass Effect Character(s): Female Shepard, Jacob Taylor Rating: T Warning(s): alcohol Wordcount: 645 Summary: Shepard gets a morale boost from a crewmate. [part of Gloria Shepard]

No 16. A TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY Forced to Beg | Hallucinations | Shoot the Hostage

Title: Cornered Fandom: Mass Effect Character(s): Garrus, Female Shepard Rating: T Warning(s): broken bones Wordcount: 1281 Summary: Garrus gets into some trouble. [part of the omega non-reaper au]

No 20. TOTO, I HAVE A FEELING WE’RE NOT IN KANSAS ANYMORE Lost | Field Medicine | Medieval

Title: Ancient History Fandom: Mass Effect Character(s): Female Shepard, Garrus Rating: T Warning(s): injuries, death, self-destructive/suicidal actions Wordcount: 1223 Summary: Jane is an enigma and Garrus just wants to figure her out. [part of the omega non-reaper au]

No 8. WHERE DID EVERYBODY GO? “Don’t Say Goodbye” | Abandoned | Isolation

Title: After Fandom: Mass Effect Character(s): Garrus, Female Shepard Rating: T Warning(s): injuries, death Wordcount: 440 Summary: Jane comes for Garrus after the gangs’ assault. [part of the omega non-reaper au]

No 30. NOW WHERE DID THAT COME FROM? Wound Reveal | Ignoring an Injury | Internal Organ Injury

Title: Debt Fandom: Mass Effect Character(s)/Pairing(s): Garrus, Female Shepard, Mordin; mutual pining Shakarian Rating: T Warning(s): painkillers Wordcount: 590 Summary: After the gangs’ assault, Garrus overhears something. [part of the omega non-reaper au]

Undertale

No 13. BREATHE IN BREATHE OUT Delayed Drowning | Chemical Pneumonia | Oxygen Mask

Title: Drowning Fandom: Undertale Character(s): Toriel, Asgore Rating: T Warning(s): character death, child death Wordcount: 156 Summary: Asriel brought Chara home one last time.

[replacing no. 27] Alt 7. Found Family

Title: The Door Fandom: Undertale Character(s): Frisk, Papyrus, Sans Rating: Gen Warning(s): none Wordcount: 357 Summary: Just a little look at what could be a meeting with Gaster

Red vs Blue

No 12. I THINK I’VE BROKEN SOMETHING Broken Down | Broken Bones | Broken Trust

Title: Being a twin is a Hard Thing Fandom: Red vs Blue Character(s): South Dakota Rating: T Warning(s): psychological trauma Wordcount: 281 Summary: In the days before Wash finds them, South gets… introspective. [canon compliant? taken from a wip I was never going to finish so I fleshed it out for whumptober instead]

Original Fiction

No 10. THEY LOOK SO PRETTY WHEN THEY BLEED Blood Loss | Internal Bleeding | Trail of Blood

Title: please leave a message Rating: T Warning(s): blood Wordcount: 537 Summary: A detective’s work is never done. Antonia deals with the news that her most famous case’s subject is on the run again. [original fiction]

No 24. YOU’RE NOT MAKING ANY SENSE Forced Mutism | Blindfolded | Sensory Deprivation

Title: Secondary Location Rating: Gen? Warning(s): kidnapping Wordcount: 143 Summary: Antonia wakes up on the wrong side of the city. [original fiction]

[writemarcus]

The Civilians Announces Tenth Annual R&D Group

The Civilians will present the newest members of The R&D Group, marking the Group's 10th season, and The Civilians 20th Anniversary Season. The R&D Group is comprised of playwrights, composers, and directors who work together as a writing group for nine months to develop new plays and musicals. The season culminates in the Findings Series, a works-in-progress reading series anticipated taking place in June 2021. The artists were selected from a competitive application process. The open call received a record number of 268 applications, a 60% increase from last year.

The members of The Civilians' 2020-21 R&D Group are Galia Backal, Nana Dakin, Isabella Dawis, Jacinth Greywoode, Jaime Lozano, Emily Lyon, AriDy Nox, Reynaldo Piniella, Tylie Shider, Tidtaya Sinutoke, Rachel Stevens, Ken Urban, and Noelle Viñas.

Led by R&D Program Director Ilana Becker, the artists share work as it develops, discuss their creative processes, and provide a community of support for one another. Each project develops according to its unique methods of creative inquiry, offering new approaches to the idea of "investigative theater." Methods may include interviews, community engagement, research, or other experimental methods of inquiry. The artists will meet twice a month, virtually.

"The sheer talent and curiosity we encountered in this year's applicants proved exceptionally heartening. This season's R&D Group artists, in particular, inspired us with their visionary and deeply personal approaches to questions that demand illumination," said Becker. Artistic Director Steve Cosson added, "I am overjoyed to mark the 10th Anniversary of The Civilians' R&D Group with these exceptional artists; I'm immensely excited as they embark on the process of developing these vital new projects."

Ken Urban's project, THE MODERATE, joins the group through The Civilians' new work development program; his play is commissioned by the EST/Sloan Project, developed by The Civilians, and will receive its first reading at EST. This season, Cosson and Becker will also hold two virtual roundtable sessions with Finalist Directors in order to better get to know their work, and to expand community.

The 2020-21 R&D Group projects are as follows:

SUNWATCHER

Libretto by Isabella Dawis, Music by Tidtaya Sinutoke, Directed by Nana Dakin, with support from Producer/Cultural Consultant Ikumi Kuronaga

SUNWATCHER, a Noh-inspired musical, is the story of astronomer Hisako Koyama (1916-1997) - intertwined with the ancient Japanese myth of the sun goddess Amaterasu, in a retelling inspired by the structure of classical Noh theatre. Hisako was a woman with no formal scientific training - also a survivor of the 1945 US air raid of Tokyo, the deadliest bombing in history - who managed to rise to the stature of Galileo. She did so by drawing the sun in painstaking detail every day for 40 years, a landmark achievement for solar science. SUNWATCHER is a celebration of Hisako's extraordinary dedication to ordinary observation, reminding us how seemingly small acts can have an immense impact over time and space.

BLACK GIRL IN PARIS

Music by Jacinth Greywoode, Book and Lyrics by AriDy Nox

BLACK GIRL IN PARIS is a musical about one of the most famous and least known black women in the American historical canon: Sally Hemmings. It hones in on her years spent in Paris, a point in her life where she both had the most access to freedom ever afforded her and the beginnings of the relationship that would forever define her legacy. Black Girl in Paris seeks to explore the inherent contradictions of an enslaved young black woman held in bondage in a city where slavery has been outlawed, under a man widely considered to be one of the architects of one of the greatest articulations of the necessity of freedom in the western world. It also centers an ensemble cast of Ancestors who chide and guide Sally along her journey, interweaving fables and history to craft the nuanced world Sally is forced to grapple with. At the heart of this musical is the question "What does it mean to be free?", a question black Americans have been grappling with since the original kidnapping and enslavement of Africans for The American Project.

DESAPARECIDAS (Working Title)

Lyrics and Music Jaime Lozano, Directed by Rachel M. Stevens, Co-Created by Lozano and Stevens

Told through the lens of Mexican folklore, our story explores the psychology behind societal suppression and the strategic erasure of female voices in the fight to end gender-based violence and the killing of women and girls. A female ensemble assumes a community of characters in a tapestried play of dramatized accounts, fictionalized scenes and musical sequences to unearth and dismantle the moral behind the 'myth' of violence against women.

DISSENTARY

Written by Reynaldo Piniella, Directed by Emily Lyon

Tasked with escaping your neighborhood, you inevitably run across environmental hazards that impede your progress. Especially if you're Black, Indigenous or Latinx. Dissentary takes inspiration from the classic game The Oregon Trail and adds an environmental justice lens; your group can do one of two things - leave in pursuit of clean air, water and healthy food, or stay and defeat the corporations focused only on profits. Dissentary will both be a participatory theatrical piece as well as an accompanying card game that will allow people to play the game off-line themselves, thus giving access to people who normally don't have access to the arts.

RESET: RACE and CULTURE CONTACTS in the MODERN WORLD

Written by Tylie Shider

an investigative work of theatre

about how incidents between police and black Americans

continues to reset race relations in the country.

THE MODERATE

a new play by Ken Urban, directed by Steve Cosson, commissioned by the EST/Sloan Project and developed by The Civilians.

ACCEPT. ACCEPT. REJECT. ACCEPT. REJECT. For a minimum of eight hours a day, with a target of at least 2,000 videos a day, Frank evaluates the videos and photos uploaded on the world's largest social media site. What Frank sees, he can't un-see, but he soon realizes he has the power to change the world. Playwright Ken Urban and director Steve Cosson will interview scientists, researchers and policymakers in order to dramatize the hidden human cost of the internet and imagine a future when a free exchange of knowledge and information is possible again. This project is an EST/Alfred P. Sloan Science & Technology Project Commission.

EL CÓNDOR MÁGICO

Written by Noelle Viñas, Directed by Galia Backal

El Cóndor Mágico examines the events of Operation Condor, the US-backed campaign of right-wing dictatorships and repressive regimes in South America throughout the 1970s-80s via oral history, research, and satire. It will also explore the American fascination with magical realism, a Latin American narrative tool rooted in history in a region where people have been known to "disappear," problems miraculously go away, and corruption can serve as a curtain behind which history does tricks. Research will unravel how the political imprisonment of over 400,000 people, varied intimidation/torture tactics taught by the US, and unknown thousands of "disappeared" people set a precedent for relations between the US and Latin America that haunt us today. With an eye on Operation Condor's long shadow and impressive wingspan, it asks: who is the magician behind the "magical realism" when it comes to the relationship between Latin America and the US?

FINALISTS

In honor of the overwhelming amount of talent and curiosity displayed amongst this year's applicants, The Civilians are pleased to share the exceptional finalists considered for this season's R&D Group:

Finalist Projects were proposed by Calley N. Anderson; Masi Asare; Helen Banner; Aaron Coleman; Sara Cooper & Kira Stone; Annalisa Dias; Dominic Finocchiaro & Stephen Bennett; Franky D. Gonzalez; Suzy Jane Hunt; Rachel Gita Karp, Ben Hoover & Jacob Russell; Divya Mangwani & Kate Moore Heaney; Talene Monahon & Adam Chanler-Berat; Brett Robinson; Dominique Rider & Nissy Aya; Marcus Antwan Scott, Ryan Kerr, & Dev Bondarin; David B. Thomas, Nick Hatcher, & Sheridan Merrick; Xandra Nur Clark; and Sim Yan Ying "YY" & Alvin Tan.

Finalist Directors are é boylan, Britt Berke, Matt Dickson, Joan Sergay, Noam Shapiro, Emerie Snyder, Leia Squillance, Alex Tobey, and Michael T. Williams.

[nearlynorth]

Butterflies Chapter Three

Charlotte collapsed on her bed after she had ended the call with Teddy. A smile was plastered on her face as she stared at the ceiling. He was ridiculously funny, the only thing that she needed to cheer her up.

"Honey?" Charlotte's mom called up from the lower level of the house. Caroline Ramsey was patiently waiting at the bottom of the stairs for her daughter. "We have to leave soon if we are going to make it to the gallery on time. We are meeting your brothers there."

"I'm coming, Mom!" Charlotte said as she straightened her dress and made some last minute adjustments to her hair. She looked in the mirror to check her makeup, making sure the burgundy lipstick she had applied earlier wasn't smudged. When she saw that it wasn't, Charlotte left her room and descended the stairs to meet her mother.

"You look lovely, dear." Caroline said as she took in her daughters red dress that matched her lipstick. "Red is your color."

"Thanks Mom." Charlotte grinned before flipping her hair over her shoulder. "I know. It always and forever will be my color." She laughed before exiting the house to go sit in the car.

Charlotte's father, Jacob Ramsey, was already sitting in the car, waiting for his youngest daughter and his wife. When Charlotte sat in the backseat of the car, he twisted around in his seat to talk to her. "Are you excited to see Aurora?"

"I'm super excited!" Charlotte grinned. "Her paintings are always fantastic." They were going to a Muggle art gallery to see the paintings. Aurora had a talent that wasn't related to magic, and she pursued it after Hogwarts. The entirety of the Ramsey family supported her in it, and Aurora had quickly become quite famous in the art community. This was her second art show in as many weeks. Charlotte wasn't able to go to the ones that occurred during the school year, so she did her best to go to the shows that happened over the summer.

"We have very talented children." Charlotte's father smiled over at her mother before he backed the car out of the driveway. He carefully maneuvered the car around Mrs. Anderson's cat.

"We do." Caroline smiled back at her husband before continuing. "I wonder where they get that from?"

Charlotte watched her parents laugh together, a smile gracing her own face. Her parents were so in love, so happy together. That was what she wanted in her life, something she hoped that she could get with Teddy. But he didn't feel the same about her. She was always going to be the best friend, and never anything more. Charlotte wrapped her arms around herself and sighed, shaking her head at herself.

When Charlotte and her parents arrived at the art gallery, her brothers were waiting for them at the door. Both brothers immediately grinned at the sight of their youngest sister and parents. Acrux, the oldest of the Ramsey siblings and an auror, waved them over as soon as he saw them. Charlotte ran over to her brothers and immediately hugged both of them tightly. She hadn't seen them for a while and was going to miss them while she was at Hogwarts.

When Charlotte pulled away, Brandon ruffled her hair. "Hey little sis. Nice nose piercing." He smirked as Charlotte hurriedly righted her hair and blushed.

"Oh, shut up." Charlotte smiled and her tone was light. "My friend dared me to do it and I wasn't going to back down. I would never have been able to live that down if I had. And I kind of like it."

"Alright, alright." Brandon smiled. "So what's new with you?"

"I'm Head Girl!" Charlotte grinned.

As soon as she said this, Aurora walked up to the family. "You are? Charlotte, that's so exciting!" Aurora hugged her little sister before pulling her off to the gallery. "See you all later!" She called out to the rest of her relatives.

"Rory, don't we need to wait for them?" Charlotte said, slightly confused. She had thought that the whole family was going to get to see the paintings, and voiced as such.

"Don't worry about them! They'll get to see the paintings eventually. But I wanted to show you one on your own, and to talk about your call to me last night." Aurora said, leading Charlotte down a hallway filled with paintings.

Charlotte responded with a groan. "Do we really have to talk about that?"

"We do. So, Teddy Lupin huh?" Aurora smiled mischievously as she teased her younger sister. "He's pretty cute."

"He is, but don't let Anna hear you say that." Charlotte blushed and laughed with her sister.

"Oh as if!" Aurora scoffed. "He's cute, but not my type. How was the concert?"

"It was great! The Weird Sister's are my favorite band. Teddy really knows how to choose a gift." Charlotte sighed as she thought about Teddy. "Did you know that Teddy is Head Boy?"

"I did not. This is new information. This is great! You two have to do patrols together now!" Aurora said, still leading Charlotte down a hallway. It was a long hallway.

"I know." Charlotte groaned. "It's going to be awk-" Charlotte's voice trailed off as she caught sight of the painting at the end of the hall. "Is that, is that me?" Aurora just nodded.

The base of the painting was a black and white image of Charlotte, nose stud and all. Color was almost bursting off the canvas, bright splashes of gold and red and yellow. Charlotte gasped. "It's beautiful."

"Thank you. It's really you that makes it beautiful." Aurora hugged Charlotte. "Mum sent me the photo, and I just had to paint. You inspired me. I did one of Anna too." Aurora pointed to an equally as beautiful painting to the right of the one of Charlotte. This one was done in blues and greens and purples.

"I, I don't know what to say." Charlotte was almost speechless. In all the years that Aurora had been painting, she had never painted Charlotte. "I can't tell you how much this means to me."

"That was almost the exact same reaction as Anna. She almost cried." Aurora shook her head as she smiled. "But I'm glad you like it. It's Gryffindor themed too."

"Well, you know red is my color." Charlotte giggled.

Her parents and brothers chose that moment to appear. "Oh Rory, they are beautiful." Her mother cried. Besides the paintings of Charlotte and Anna, there were sunsets and landscapes. There was even an especially beautiful painting of what looked suspiciously like Hogwarts.

"Thanks mum." Aurora grinned sheepishly. "Thanks for the photo of Charlotte."

"It was not problem. If that's what you turn them into, I'll certainly send you more!" Caroline told her oldest daughter.

"Oh!" Aurora snapped her head up from where she had been examining a painting. "Anna wanted me to say hi to all of you for her. She had class today, so she couldn't come, but she said that she wished that she could."

"Tell her that we say hi back." Charlotte told Aurora, grinning.

"Will do." Aurora nodded. "Why don't we all go out to eat? I'm starving!"

The whole family laughed at her, but agreed.

"The Leaky Cauldron?" Someone suggested, and the family agreed. Going their separate ways to get there, they met back up again outside The Leaky Cauldron.

"Nice to see you, Tom." Acrux tipped his hat to the bartender before the family settled into a booth and began digging into their food.

"Sho argh yfu rqdtd forsh shoeh?" Brandon asked, chasing the table to erupt in laughter.

"Don't speak with your mouth full! I've seen First Years with better manners than you, Brandon!" Charlotte said teasingly.

Swallowing his food and clearing his throat, Brandon continued. "So, are you ready for your last year at Hogwarts?"

"I am! I'm excited to be Head Girl, but I'm kind of sad that it's my last year. How were your last years?" Charlotte asked her family.

Her parents shared a look. "Ours were kind of crazy. Your mother was Head Girl and I was the captain of the Quidditch team. It was an action packed year." Her father said, holding hands with his wife.

"I started dating Anna during Seventh Year, so that was a plus. I also had finally figured out what I wanted to do with my life. That was also a plus." Aurora told Charlotte. "Seventh Year was good."

"Tonks convinced me to become an Auror that year when I went to visit the Ministry over holiday. We saw each other in the elevator. All she could talk about was Teddy and becoming and Auror." Acrux said, noting the blush that spread over Charlotte's cheeks at the mention of Teddy.

"The coach of the Appleby Arrows recruited me for after Hogwarts after seeing me play that year. I was very excited." Brandon grinned as he revisited the memories of that year that he had. "Good year."

"I'm excited," Charlotte said again. "It's going to be a good year."

And it would be. For both Charlotte Ramsey and Teddy Lupin, it would be a good year.

[nightmareonfilmstreet]

8 Films We Can’t Wait To See at The 2018 Overlook Film Festival

The Overlook Film Festival descends on New Orleans in just a few short days, and this year’s lineup is jam packed with horror films, interactive exhibits and panels. A 4-day celebration of all things horror, this year’s festival begins April 19, 2018 in America’s most haunted city: New Orleans, Louisiana. A city brimming with ancient voodoo and restless spirits, New Orleans is also home to a ghost said to be Stephen King’s inspiration for The Shining‘s Grady Twins. Ghosts aside, The Overlook Film Festival is the most incredible film festival you will ever attend, and you should absolutely make the trip out this year to immerse yourself in a mind-bending weekend full of kickass movies, and kickass people.

The 2018 line-up is full of movies every horror fan is dying to see, including A24’s upcoming Hereditary and Blumhouse’s surprise sequel Unfriended: Dark Web. Also making an appearance are festival favorites Revenge, Tigers Are Not Afraid, and The Ranger which our very own Stephanie Cole called, “a great genre remix that gets to the heart of why horror fans keep coming back for more“. We’re crazy excited to take-in everything Overlook has to offer but here are 8 Movies that may not already be on your radar.

  Blood Fest

  Director: Owen Egerton Cast: Robbie Kay, Jacob Batalon, Seychelle Gabriel, Tate Donovan, Barbara Dunkelman, Nick Rutherford, Zachary Levi United States, 2018When the most exciting horror festival in the country turns the tables on its zealous fan base by trapping them on the grounds and murdering them en masse, a group of teens armed with the knowledge of a thousand horror movies must fight their way through the bloodbath in this hilarious send-up of horror culture.

  St. Agatha

  WORLD PREMIERE Director: Darren Lynn Bousman Cast: Sabrina Kern, Carolyn Hennesy, Courtney Halverson United States, 2018

Horror film impresario Darren Lynn Bousman, director of SAW II, III and IV, modern experiments REPO! A GENETIC OPERA and THE DEVIL’S CARNIVAL, not to mention the groundbreaking ongoing immersive property The Tension Experience, brings to life his latest vision, a period piece concerning a troubled woman running from her past who finds herself kept hostage by a coven of vicious nuns.

  Don’t Leave Home

  Director: Michael Tully Cast: Anna Margaret Hollyman, Lalor Roddy, Helena Bereen, David McSavage, Karrie Cox Ireland, 2018 An American artist accepts a strange invitation to a secluded Irish manor to construct an original sculpture for a priestly painter whose work has been shrouded in a sinister urban legend involving the disappearance of an 8-year-old girl in this creepy, offbeat cinematic discovery from indie stalwart Michael Tully (SEPTIEN).

  Ghost Stories

  Director: Jeremy Dyson & Andy Nyman Cast: Martin Freeman, Alex Lawther, Andy Nyman, Paul Whitehouse United Kingdom, 2017 After stumbling across a long-lost folder of material from his childhood hero, Goodman, a TV investigator known for debumking psychic hoaxes, digs deep into three cases of ghoulish hauntings. Determined to find rational explanations, Goodman quickly realizes he’s in over his head. Featuring Martin Freeman, this spine-tingling anthology, adapted from the hit stage play, tells enough tales to keep you up for nights to come.

  Good Manners

  Director: Juliana Rojas & Marco Dutra Cast: Isabél Zuaa, Marjorie Estiano, Miguel Lobo Brazil/France, 2017 A surprising, imaginative and engaging twist on classic genre stories told with a sophisticated cinematic technique, GOOD MANNERS begins unassumingly with a near destitute nurse becoming the caretaker for a wealthy, isolated pregnant woman exhibiting strange behavior. But soon her habits turn into a sleeping hunger that changes both of their lives forever.

  Satan’s Slaves 

  Director: Joko Anwar Cast: Tara Basro, Bront Palarae, Dimas Aditya, Endy Arfian, Nasar Annuz, Ayu Laksmi, Egy Fedly Indonesia, 2017 When Mawarni, a famous Indonesian singer, dies of a mysterious illness, her husband and four children are left behind to pick up the pieces, only to discover that they are being haunted by a pack of rabid spirits headed by Mawarni herself. Technically billed as a remake of the 1982 Indonesian remake of Don Coscarelli’s PHANTASM, celebrated director Joko Anwar’s SATAN’S SLAVES is its own chilling throwback to 70s supernatural thrillers, packed to the brim with jump scares and iconic imagery.

  What Keeps You Alive

  Director: Colin Minihan Cast: Hannah Emily Anderson, Brittany Allen, Martha Macisaac, Joey Klein, Charlotte Lindsay Marron Canada, 2018 For their first wedding anniversary, Jackie and Jules retreat to a cozy cabin near a beautiful lake. The sudden appearance of Jackie’s childhood best friend sets off a chain of unlikely events that turn a quiet vacation into the deadliest game of cat and mouse in Overlook Alum Colin Minihan’s (writer of STILL/BORN) claustrophobic survivalist thriller.

  Puppet Master: The Littlest Reich

  WORLD PREMIERE Director: Sonny Laguna & Tommy Wiklund Cast: Thomas Lennon, Michael Paré, Barbara Crampton, Udo Kier United Kingdom / United States, 2018 During a roadtrip to a convention for the 30th Anniversary of the infamous Toulon Murders, a comic book nerd, his new girlfriend and his best friend come face to face with a set of sadistic nazi puppets out for blood. A reimagining of the Charles Band classic, this uproarious horror comedy starring Thomas Lennon, Udo Kier, Barbara Crampton, Nelson Franklin, and Charlene Yi pays homage to the Full Moon features of the late 80s, early 90s.

  The Overlook Film Festival run April 19-24, 2018 at the Bourbon Orleans Hotel in New Orleans, Louisiana. Festival Passes and individual tickets can be purchased HERE. And if will be attending the festival this year, let us know on Twitter, Instagram, Reddit, and in the Horror Fiends of Nightmare on Film Street Facebook group!

The post 8 Films We Can’t Wait To See at The 2018 Overlook Film Festival appeared first on Nightmare on Film Street - Horror Movie Podcast, News and Reviews.

from WordPress https://nofspodcast.com/overlook-film-festival-2018-watch-list/ via IFTTT

[sci-fantasy]

The Annotated “Playback”

Tomorrow, Friday October 20, begins OVFF 33, the annual Ohio Valley Filk Fest, the biggest filk convention (certainly in stature; probably in people too?).

I am thus pleased to announce that after months of on-again-off-again work, and the assistance of several friends including @animatedamerican​ and @jchance4d4​, I have finished the project envisioned here, and annotated all of the references in Andrew Ross’s “Playback.”

(Well, as much as I could. One or two were not identifiable fully.)

A lot of people commented approving of this idea when @seananmcguire​ reblogged this, so I hope you see the fruits of our labor.

Song above the cut; references below.

“Playback” to the tune of Billy Joel’s “We Didn’t Start the Fire” filk lyrics by Andrew Ross

Mary Shelley, HG Wells, people meeting at hotels Rudyard Kipling, people singing ditties at the bar Gilbert, Sullivan, rounds of Young Man Mulligan Poul and Karen Anderson, songs in Key of R Martha Keller, Tolkein, songs of worlds as yet unseen TH White’s Arthurians, Frederick Pohl’s Futurians Tom Lehrer, Mondegreens, Slan Shacks, fanzines Music circles, Reprints, Jacobs has a misprint! We shouted “MacIntyre!” It’s our cry of battle for the Old Dun Cattle We shouted “MacIntyre!” And we haven’t parted since the circle started Amazing Stories Annuals, Pelz’s Filksong Manuals Dr. Demento tunes, Callahan’s Crosstime Saloons Hope Eyrie, Leslie Fish, bounced potatoes off the dish Robert Aspirin, Gwen Zak, Dawson’s Christian, Captain Jack Off Centaur, Teri Lee, making love in zero-G Filthy Pierre, Longcor, black market Tullamore Juanita Coulson, Red Lions, badges marked with Dandelions Dorsai have a Fan Club! Jello in the bathtub! Don’t set the cat on fire It will only fight it if you try to light it Don’t set the cat on fire And we haven’t parted since the circle started Peter Beagle, Consonance, chili cursed with sentience HOPSFA, NESFA, ConChord, and the Pegasus Award PFNEN, Ose, Amway, Talk Like a Pirate Day Dandelion Digitals, Julia Ecklar and the gulls Bob Laurent, Asimov, Jeff and Maya Bohnhoff Rocky Horror Muppet Shows, Frank Hayes feeling indisposed Bill Sutton DIY, Marischiello goodbye Challenger! Final tour! What else must we all endure? We saw the sky on fire While the world was staring, we were Jordin Karing We saw the sky on fire And we haven’t parted since the circle started Kathy Mar, Next Gen, Tullamore is back again Steve Macdonald, Elfquest, Interfilk funds a guest Tom Smith, 307 Ale, Lee Gold, Heather Dale Phoenyx, Keepers of the Flame, Filkontario’s Hall of Fame Echo’s Children, Bab-5, need a fool to feed the drive Hamlet done by John Woo, Marilisa Valtazanou GaFilk, Urban Tapestry, lives rich in fantasy Airwalls down at Orycon! Firebells at Baycon! We didn’t start a fire We were all but deafened, and began Kanefin’ We didn’t start a fire And we haven’t parted since the circle started Blake Hodgetts, Proteins, Vixy, Tony, Thirteen Stone Dragons, Moxie, Zander, Heather into Alexander Bill and Gretchen, dead mouse, alligators in the house ConFlikt, Judi Filksign, Tragedy at East Hill Mine Mary Crowell, Faerieworlds, brony boys and Wicked Girls Britain’s Talis Kimberly, Seanan’s Kellis-Amberlee Doubleclicks! Browncoats! Cats! FuMP! Toy Boat! Release the Cello! Sasquon! Thor! Pass another Tullamore! We didn’t start the choir It’s been so cathartic for the longest bardic We didn’t start the choir But when our turns have gone, it will still go on and on until the dawn…

Mary Shelley: As in, the writer of the first science fiction novel, Frankenstein, or the Modern Prometheus.

HG Wells: Wrote The Time Machine and War of the Worlds and, along with Jules Verne, is considered one of the fathers of science fiction by people who don’t count Mary. (Jules pioneered “hard” SF, where he justified as much as he could with science; HG was busy making social metaphors.)

People meeting at hotels: AKA “conventions.” The first SF con was (debatably) Philcon in 1936, when ten people from the New York SF club went down to Philly to meet those guys. They called it a convention because the Democratic and Republican National Conventions had both been in Philly earlier that year, so it was a joke, see. The first World Science Fiction Convention was in New York in 1939.

Rudyard Kipling: English poet and journalist, famously a representation of British imperialism, but a lot of his stuff got set to music by Leslie Fish (for whom see more later).

People singing ditties at the bar: AKA filk. Or karaoke. Or any other sort of thing that happens when people who sing are near people who sing.

Gilbert, Sullivan: Light operettists famous for patter. They get refilked a lot.

Rounds of Young Man Mulligan: "Old Man Mulligan” was a 1940 story from Astounding Science Fiction by P. Schuyler Miller; as far as I can tell it was a pretty standard adventure story but it featured the titular Old Man who’d been around forever. “Young Man Mulligan” is an SFnal version of "The Great Historical Bum” (aka “I Was Born About Ten Thousand Years Ago” or “The Bragging Song”; lyrics here); it opens “I was born about ten thousand years from now,” so you can see how it’ll go from that. It was one of the original “everybody keeps writing new verses” songs; Bruce Pelz published almost 70 in an early filkbook and many many more have been written since. (The Pelz lyrics do not appear to be available online.)

Poul and Karen Anderson: Poul was a Golden Age writing legend, one of the Grand Masters of SFWA, maybe one rung down from Asimov and Heinlein (maybe). Karen, his widow and sometimes co-writer, is among many other significant things the first person to deliberately use the term “filk music” in print. They both wrote their fair share of filk, and were inducted into the Filk Hall of Fame in 2003.

Songs in the Key of R: Another way to say “off key.” See this folk song (lyrics here) of...disputed provenance (I have found a few different claims of authorship).

Martha Keller: Poet and balladeer, born 1902, died 1971. A number of her poems from Brady’s Bend and Other Ballads were put to music by Juanita Coulson (see below) in 1984 on “Rifles & Rhymes” by Off Centaur Publications (see below).

Tolkien: Do I really need to? Fine. Wrote The Hobbit and The Lord of the Rings and basically created the modern fantasy genre on accident while he was busy with constructed languages and mythologies.

Songs of worlds as yet unseen: AKA “filk.” See also “Folk Songs for Folk Who Ain’t Even Been Yet,” by Leslie Fish (see below), which was the first commercially published filk album.

TH White’s Arthurians: White’s The Once and Future King is a distillation and to some extent modernization of the King Arthur legend; the first part was The Sword in the Stone and yes, that’s what the Disney movie was adapted from. And yes, there have been plenty of Arthurian filk songs over the years.

Frederick Pohl’s Futurians: An early group of SF fans, specifically New York area fans (several of them were part of the 1936 Philcon mentioned above). Famously, several politically-minded Futurians were arguably-banned (whether it was really a “ban” still gets debated today) from the first Worldcon in ‘39 for handing out political flyers; Pohl was one of those.

Tom Lehrer: He’s a retired mathematics professor who “hangs out” at UC Santa Cruz, but in the ‘50s-’60s he was an active mathematics professor and also a fairly popular political satirist. Despite having no love for folk music (see his songs “The Folk Song Army,” lyrics here, and even moreso “The Irish Ballad,” lyrics here, wherein he calls the folk song “the particular form of permissible idiocy of the intellectual fringe”), his stuff gets sung a lot in filk circles.

Mondegreens: Misheard lyrics, like the famous “‘Scuse Me While I Kiss This Guy” (for “Kiss the Sky,” by Jimi Hendrix). Named by Sylvia Wright in 1954 after her own mishearing of the ballad “The Bonnie Earl o’Moray; the line was “They hae slain the Earl o' Moray/And laid him on the green,” and she heard “and Lady Mondegreen.” The term caught on, and it and/or some individual mondegreens have been the inspiration for no small number of filk songs and at least one filk band.

Slan Shacks: Early term for an SF clubhouse or house filled with fans; named for A.E. van Vogt’s 1940 novel Slan which was an early version of the persecuted-superior-race-of-beings story (think X-Men). Fans in the ‘40s-50s picked up the phrase “Fans are Slans” in yet another example of the weird ostracism/superiority cycle that pervades fandom to this day.

Fanzines: The internet before the internet. When fans wanted to communicate over long distances and all they had was printed paper, they printed papers. They made little bound fan-made magazines (hence, fanzines, or just zines) of their songs, stories, jokes, and opinions and mailed them to each other. A lot of early filk was in the pages of fanzines.

Music circles: How filk typically happens--people sit in a circle and sing. They usually take turns. See below for “bardic” and “chaos.”

Reprints: Printings again. A lot of filk didn’t necessarily get them, but some did, including some early albums, some early filkbooks like the NESFA Hymnal, see below, or the Westerfilk Collection.

Jacobs has a misprint!: While Karen Anderson (see above) was the first person to deliberately use the word “filk” in print, the first use of the word at all was a typo in Lee Jacobs’s essay, which ended up being called “The Influence of Science Fiction on Modern American Filk Music.” It spread in conversation as a funny typo for a while before Karen fixed it in a tangible medium of expression.

We shouted “MacIntyre!” (and the rest of that chorus): “When the Old Dun Cow Caught Fire” or “The Old Dun Cow” or “Macintyre!” is a very classic music hall song (written 1893) that gets performed by basically every folk or filk group that aims for that “British Isles drinking song” feel. See here for pedigree, lyrics, and recording.

Amazing Stories Annuals: In 1927, Hugo Gernsback published Amazing Stories Annual, a pulp magazine of “scientifiction” (the term “science fiction” hadn’t been coined yet). It sold so well he made it quarterly almost immediately; he lost the rights a few years later and the magazine ended up falling to the 800-pound gorilla that was Astounding Science Fiction. But it was arguably where all this started.

Pelz’s Filksong Manuals: Bruce Pelz, a legend of California fandom, was among other things one of the first creators of bound, organized, and published filkbooks (complete with sheet music!), which were titled the Filksong Manuals. (He’s mentioned under the “Young Man Mulligan” entry; it was one of the Manuals that had those 70ish verses to “Mulligan.”) Pelz was inducted into the Filk Hall of Fame posthumously in 2007.

Dr. Demento tunes: Barry Hansen, AKA “Dr. Demento,” was a DJ in 1970 when he realized that “novelty” tunes lit up the phone banks more than rock and roll, and created the “Dr. Demento” persona for a syndicated radio show of novelty, comedy, and otherwise unusual music. It was on the radio weekly until 2010 and is now produced weekly online. He’s played a fair amount of filk over the years, reintroduced Stan Freberg, Tom Lehrer, and Spike Jones to a grateful world, and both inspired and launched “Weird Al” Yankovic’s career.

Callahan’s Crosstime Saloons: Callahan’s Crosstime Saloon by Spider Robinson and the various “Callahan’s Place” stories that followed had more than a few filk songs among the lyrics (Robinson is a songwriter himself), and at one point a couple of filkers (Jordin and Mary Kay Kare, see below) appear as characters to sing their filk song about Callahan’s.

Hope Eyrie: Listen here. Considered by many to be the “anthem” of filk, or possibly of science fiction fandom (inasmuch as it’s possible). Written by…

Leslie Fish: One of the most significant filkers in history; not only did she write “Hope Eyrie,” she also wrote the infamous-beyond-infamy “Banned from Argo,” created the subgenre of “Kipplefish”  by setting Rudyard Kipling’s (see above) poetry to music, had the first commercial filk album (see above), helped to popularize filk music, wrote some of the earliest Kirk/Spock slash fiction...she’s pretty important, is what I’m saying. When the Filk Hall of Fame was founded in 1995, she was one of the first three inductees.

Bounced potatoes off the dish: At Westercon XIX in San Diego in 1966, the hotel was legendarily bad. Most notably, the Guest of Honor banquet featured completely inedible food, prompting Poul Anderson (see above) to set a filk to the tune of “Waltzing Matilda,” entitled “Bouncing Potatoes.”

Robert Aspirin: SF writer active from the late 70s until his death in 2008, Bob was also the founder of the Dorsai Irregulars (see below), and one of the people who brought early filk from private hotel rooms into public spaces, by (among others) holding a bit all-night filksing in celebration of the Irregulars’ formation in 1974. He was another of the first Filk Hall of Fame inductees in 1995.

Gwen Zak: One of the more spiritually-focused filkers, Gwen is a Pegasus Award (see below) winner for “Circles” and nominee for “I Am Lord” (cowritten with Leslie Fish).

Dawson’s Christian: A filksong by Duane Elms, written 1987, about a ghost ship. It’s been refilked more than a few times itself, including “Dawson’s Concom” (where it’s about ghost...convention runners).

Captain Jack: Not Pirates (probably), not Torchwood (probably), but the titular character of Meg Davis’s 1975 song “Captain Jack and the Mermaid.”

Off Centaur: The first filk music publishing house, Off Centaur Publications produced much of the early commercially-released filk albums, thus making filk available outside of a convention/fandom setting for the first time. They were the third of the three initial 1995 inductees into the Filk Hall of Fame. OCP was founded by Jordin Kare, Catherine Cook, and...

Teri Lee: Who went on to found Firebird Arts & Music, one of the more active filk publishers working today.

Making love in zero-G: A recurring topic in filk songs, including “Home on LaGrange,” and most notably, “A Reconsideration Of Anatomical Docking Maneuvers In A Zero-Gravity Environment, or The Zero-G Sex Song,” the latter being the most direct reference given its first line.

Filthy Pierre: Erwin “Filthy Pierre” Strauss was one of the prime movers in early filk on the East Coast of the US in the 1970s, creating some of the first songbooks, lists of top songs to know, and a lot of filk evangelism. To this day his melodica is a recurring feature at larger East Coast and world-level conventions. Pierre was inducted into the Filk Hall of Fame in 1998.

Longcor: Michael “Moonwulf” Longcor has been a major figure in Midwestern filk since the 1970s; he has no fewer than ten published music albums, was twice King of the Middle Kingdom of the SCA, and was inducted into the Filk Hall of Fame in 2014.

Black market Tullamore: Tullamore Dew, a brand of Irish whiskey, was Bob Asprin’s preferred drink (because it was cheap, or so the story goes), a preference that he passed on to the Dorsai Irregulars and filk community both. “Tully” is a commonly mentioned in songs about the DI, about filk itself, or about alcohol.

Juanita Coulson: Filker since the 1950s and still going strong, Juanita was one of the earliest filk encouragers, welcoming and encouraging new people to filk circles. She had several early OCP albums, brought Martha Keller’s (see above) poetry to the attention of many filkers, and was inducted into the Filk Hall of Fame in 1996.

Red Lions: Red Lion Hotels (now bought and owned by Doubletree) were the sites of many filk conventions, especially in the Pacific Northwest.

Badges marked with Dandelions: Kathy Mar (see below) and Lindy Sears founded the “Dandelion Conspiracy” to encourage general SF conventions to be filk-friendly and to push back against the somewhat unsavory reputation of filkers among conrunners. In Kathy’s words:  “In taking the dandelion as the filker's symbol, I hope to convey, as gently as the flower-power movement did, that filk is almost impossible to root out. If disturbed, it tends to proliferate. It can be beneficial at times, and it can even be beautiful in spite of its weedy reputation.”

Dorsai have a Fan Club!: At the Worldcon in Toronto in 1973, various security-type duties were the purview of local rent-a-cops, who...did not mesh well with fan culture, and more critically, did not understand fan valuation. This especially manifested in their Art Show duties; a very valuable Kelly Freas painting was swiped from the show because the rent-a-cop checking receipts didn’t know enough about the painting to realize that the receipt he was being shown did not nearly cover the value of the painting the thief was claiming to have bought. Bob Aspirin (see above) decided that Something Must Be Done, and formed an organization by fans, for fans, and of fans to do various convention-running duties on a by-contract basis. He named them the Dorsai Irregulars, a reference to the Childe Cycle of boks by Gordon R. Dickson about a planet of mercenaries, the Dorsai. (The joke being, if the “regular” Dorsai were off fighting in battles, doing con security was definitely a job for the “Irregular” Dorsai.) As mentioned above, the celebration of the Dorsai’s establishment was a watershed moment for filk, and to this day many Dorsai veterans are Midwestern filkers and vice versa.

Jello in the bathtub!: At the 1974 Worldcon in DC, Joe Haldeman (presumably, hopefully, jokingly) remarked that his ultimate sexual fantasy involved a bathtub full of green jello. By the end of the con, his bathtub had been jello-ed, with a couple of naked girls for, ahem, flavor. (Or perhaps texture.) The incident got inevitably filked about, though not many of those appear to be available online.

Don’t set the cat on fire (and the rest of the chorus): A four-line version of Frank Hayes’s (see below) “Never Set the Cat on Fire” (lyrics here).

Peter Beagle: Writer of The Last Unicorn (novel and screenplay) and numerous other works; also a filker himself, with an album (cassette, of course) of his live performance at Baycon 1986.

Consonance: Bay Area filk convention since at least 1992, probably longer.

Chili cursed with sentience: Beware of the Sentient Chili by Chris Weber (lyrics here).

HOPSFA: The Johns Hopkins SF club. They put out a filkbook, the HOPSFA Hymnal, in the 70s.

NESFA: The New England Science Fiction Association. They put out the NESFA Hymnal in the 70s, too.

ConChord: A filk convention held in the LA area starting in the early 80s, and closing its doors in the 2010s due to low attendance.

The Pegasus Award: The main community award (think the Hugo Award equivalent) for filkers, given out annually at the Ohio Valley Filk Fest (OVFF) every fall since the late ‘80s.

PFNEN: A fanzine (see above) called Philk-Fee-Nom-Ee-Nom, published by Paul Willett in the ‘80s. It was nominated for a Hugo in 1984.

Ose: A common musical style of filk, for sad, depressing stuff. The joke being it’s “ose, ose, and more ose!” (As in, “morose.”) Since a lot of the folk music tradition is similarly depressing, it was inevitable.

Amway: OK, I’ll admit, I’m not 100% on this one. I suspect it’s how “Amway salesman” could be considered one of the most mundane of mundanities, as in Roberta Rogow’s song “A Use for ‘Argo,’” but that’s all I got.

Talk Like a Pirate Day: The “holiday” on September 19 every year, wherein people, well, talk like pirates. Tom Smith, see below, wrote the official Talk Like a Pirate Day Song in 2003 see here.

Dandelion Digitals: Since the Dandelion Conspiracy (see above) was a thing, it’s no shock that a label called Dandelion Digital would spring up. They put out some of the first filk CDs in the ‘90s.

Julia Ecklar and the gulls: Julia Ecklar is a very well-known filker, one of Off Centaur’s (see above) most prolific artists; she has nine Pegasus Awards (see above) and also won the John W. Campbell Award for Best New Writer in 1991. By all accounts, she has a fondness for birds--if I’m reading this right she works at the National Aviary in Pittsburgh. Beyond that, I’m not sure about the gulls.

Bob Laurent: Californian filker and fan; he founded Wail Songs in the ‘80s to distribute tapes of live convention recordings, and also founded Consonance (see above) and Interfilk (see below). He was inducted into the Filk Hall of Fame in 1996.

Asimov: Isaac Asimov, to be precise, one of the Golden Age of Science Fiction’s most famous writers. He didn’t coin the word “robot” but you’d believe he had. He also, inevitably, wrote a couple of filksongs himself back in the day.

Jeff and Maya Bohnhoff: Californian musicians and filkers with a half dozen albums (see here), a recording setup to help other filkers record quality albums, a couple of Pegasus Awards--and Maya’s an SF writer in her own right with an impressively long bibliography.

Rocky Horror Muppet Shows: There really are no words. Just a link. Written by Tom Smith (see below) and performed a couple of time, originally in 1987 and twice more in the 2010s

Frank Hayes feeling indisposed: Frank Hayes is yet another leading light of filk. He wrote the infectiously upbeat “Never Set the Cat on Fire” (see above) as well as many other songs, but he’s most known for Frank Hayes Disease: that is, forgetting his words. And causing other filkers to forget theirs. (It’s been known to happen that someone will borrow his guitar and suddenly forget lyrics they’ve had cold for decades.) Frank was inducted into the Filk Hall of Fame in 2009 and is married to Teri Lee (see above).

Bill Sutton DIY: Bill Sutton is a filker from Indiana; he and his wife Brenda have a couple of albums. Bill’s most famous song is “Do It Yourself,” which he describes as “a vintage song about vintage computing.” (“You can build a mainframe from the things you find at home,” it proclaims.)

Marischiello goodbye: Bill Marischiello was inducted into the Filk Hall of Fame in 1996...but had died in 1986. (I’m sure it’s this because this is chronological, as see…)

Challenger!: Space Shuttle Challenger, as you’re probably aware, broke apart on liftoff in January 1986. The song “Fire in the Sky” by Jordin Kare (see below) is largely about that and the other successes and failures of the Space Program.

Final tour! What else must we all endure?: This reads like fluff that rhymes, to me.

We saw the sky on fire (and the rest of the chorus): As mentioned above, this is all based on Jordin Kare’s “Fire in the Sky.”  (Link is to the version on the album To Touch the Stars.)

Kathy Mar: Cofounder of the Dandelion Conspiracy (see above), part of the second annual induction into the Filk Hall of Fame in 1996, winner of seven Pegasus Awards, and yet another of Those Names.

Next Gen: As established, this is chronological, so we’re into the late ‘80s. Star Trek: The Next Generation premiered in 1987.

Tullamore is back again: I can’t find confirmation of this, but I seem to recall hearing that Tully was hard to find for a few years in the ‘80s thanks to the Troubles.

Steve Macdonald: “Smac,” as he is affectionately known, is a member of the Dorsai Irregulars (see above), a 2006 inductee in the Filk Hall of Fame, winner of six Pegasus Awards, once administrator of the same to great effect, and is known as Gallamor the Bard at Renaissance Faires.

Elfquest: The legendary long-running comic book fantasy epic is one of those properties that filkers seem to really be fond of. There’s been an album of Elfquest filk, a songbook of filk about Elfquest, and, well, see for yourself.

Interfilk funds a guest: Interfilk, founded in 1992, is an organization dedicated to the cross-pollenation of filk, by paying to send filkers to conventions in other regions. They are a registered nonprofit, and most filk cons do an auction of donated goods (rare music, songbooks, knick-knacks, food, drink…) to raise money.

Tom Smith: The World’s Fastest Filker, fourteen-time Pegasus Award winner (and 34-time nominee), 2005 inductee into the Filk Hall of Fame. Along with “Rocket Ride,” his paean to the Golden Age of Science Fiction, his most famous song is...

307 Ale: ...the story of a few MIT geeks who managed to brew beer inside of a tesseract and got a liquid that’s 153.5% alcohol--that is, it has a proof of 307. (He saw 307 ALE on a license plate and ran with it.)

Lee Gold: California SF fandom, publisher of the filk zine (see above) Xenofilkia since 1988 (and still going). Inducted into the Filk Hall of Fame in 1997 and publisher of several posthumous filk collections (that is, collections of deceased filkers’ work; she’s still alive).

Heather Dale: Filk by way of the SCA, officially a Celtic bard-style performer with something like 20 albums to her name. She’s been at numerous filk conventions, won four Pegasus Awards, been nominated for another four.

Phoenyx, Keepers of the Flame: Celtic fusion rock band Phoenyx, founded by Heather Alexander (see below), had one album, “Keepers of the Flame.” Long out of print.

Filkontario’s Hall of Fame: The Filk Hall of Fame, mentioned extensively here; inductions happen at FilkOntario (FKO), an annual filk con--guess where.

Echo’s Children: Filk duo Echo’s Children, Cat Faber and Callie Hills, four-time nominees for Pegasus Awards for performance; Cat won seven times for writing/composing or individual songs. In addition to several songs about various tabletop RPGs they were in, and a few about other media, a lot of their songs are about…

Bab-5: Babylon 5, the TV show created by J. Michael Straczynski, which was doing long-form arc storytelling in the mid-90s in syndication. Besides Echo’s Children, a few other filkers have done songs about it; Tom Smith (see above) did a whole-show summary to the tune of Barenaked Ladies’ “One Week.”

Need a fool to feed the drive: “Fool to Feed the Drive” by Jordin Kare (see above) is a refilk of “Fuel to Feed the Drive” by Cynthia McQuillin--McQuillin being a multiple-Pegasus award winner herself and 1998 Filk Hall of Fame inductee. “Fuel,” the original, is a sad elegy about a spaceship that runs out of fuel in deep space, doomed. “Fool” points out that fusion drives use water, and humans are mostly water…

Hamlet done by John Woo: Oh, Andrew...this is a bit of self-promotion from the writer of this song, Andrew Ross. Andrew was nominated for a 2011 Pegasus Award for his song “Crispy Danish,” which is, well, a retelling of Hamlet, Prince of Denmark as a John Woo film, set to “Sheep Marketing Ploy” by Tom Smith (see above).

Marilisa Valtazanou: Oh, that’s why--he needed something to rhyme! Marilisa has been nominated for over a dozen Pegasus awards, alone or as part of a group, and helps run the annual UK Filk Convention.

GaFilk: The start of the filking New Year, GAFilk is held the first full weekend of the year in Atlanta, GA (hence the name). One of the more well established filk cons.

Urban Tapestry: Canadian filk trio of Debbie Ridpath Ohi, Allison Durno, and Jodi Krangle; they’ve won two Pegasus Awards and released three albums, and were inducted into the Filk Hall of Fame in 2011.

Lives rich in fantasy: “Rich Fantasy Lives,” by Tom Smith (see above) and Rob Balder, is in contention for “Filk anthem” with “Hope Eyrie” (see above) and its ilk. It celebrates the joy of having more worlds than one to visit on occasion. Best sung in a crowd.

Airwalls down at Orycon!: OK, this one I can only go off of what @jenroses said: “The Airwalls at Orycon was one of those legendary disasters that ended up sparking the best filk circle I’ve ever been at.”

Firebells at Baycon!: This one got filked by Bob Kanefsky (see below): it’s the mostly-true story of a massive problem at Baycon in 2002. The fire alarms kept going off. Every five minutes or so.

All night.

We didn’t start a fire (and the rest of that chorus): See above. “Kanefin’” refers to Bob Kanefsky, considered one of the grandmasters of the refilk. 2007 Pegasus Award winner for Writer/Composer and nominee for specific songs, Bob has a legendary habit of taking one song by a singer, and rewriting the lyrics (often to make it another song by that same singer)...and then convincing the original singer to sing the filk--he got verbed. To Kanef is to sing your mashup-filk parody of a specific filker’s work at said filker. He has several albums of just that. One of the greatest parodists in filk.

Blake Hodgetts, Proteins: Filker Blake Hodgetts, two-time Pegasus Award nominee for writing, has a song called “Proteins” which is a sci-fi version of one of those cowboy ballads about a cowboy who meets a Mexican girl, they get together briefly, share no language, spend the night, then they part...in his version, it’s an alien, and our lonely singer remembers too late that biochemistry mismatches can lead to anaphylactic shock...

Vixy, Tony, Thirteen: Filk duo Vixy and Tony from the Pacific Northwest, two-time Pegasus winners; their first album was “Thirteen,” and at time of writing was their only album. (Their second came out in 2016.)

Stone Dragons: Canadian filk duo of Tom and Sue Jeffers. Tom was inducted into the Filk Hall of Fame in 2012.

Moxie: Play it with Moxie is the nine-member “house band” at GAFilk (see above), which plays the annual GAFilk Banquet.

NOTE: These next two pieces discuss trans individuals, and use their “deadnames”--the names they went by before transition. In both cases, the individuals are public about their transitions and former names, so I am given to understand that this is not considered a breach of etiquette.

If it is, I apologize and will edit the post.

Zander: Zanda Myrande describes herself as “still recovering from the trauma of being Zander Nyrond for several decades,” but still gives “ house room to Zander and the rest of the deadbeats who populate her head.” Zanda is a UK filker, two-time Pegasus Award winner, and writer of the song that UK filk has claimed as their own anthem, “Sam’s Song.”

Heather into Alexander: Celtic musician and filker Alexander James Adams, the Faerie Tale Minstrel, describes himself as “the Heir to Heather Alexander,” who went to the lands of Faerie (thus invoking the “Changeling Child” tale). He has a handful of Pegasus Awards, and wrote the archetypal song of battle, “March of Cambreadth.”

Bill and Gretchen, dead mouse: Bill and Gretchen Roper, filkers from the Midwest, literally own the domain filker.com. Bill has three Pegasus Awards, one with Gretchen; that one is for “My Husband, the Filker,” and includes a snippet about a dead mouse to the tune of “Our House” by Crosby, Stills, and Nash.

Alligators in the house: Filk about exactly what it sounds like. Written by Betsy Tinney (see below) and performed by Betsy, Alexander James Adams (see above), and S.J. Tucker as Tricky Pixie.

ConFlikt: A relatively new filk convention in the Pacific Northwest, foudned 2007.

Judi Filksign: Judi Miller is a talented filker, singer, and musician in her own right, but is primarily known in filk as an ASL translator. Many filk concerts see her at the side of the stage, signing the songs. She won the Pegasus Award for Best Performer in 2006 and was inducted into the Filk Hall of Fame in 2007.

Tragedy at East Hill Mine: “The Wreck of the Crash of the Easthill Mining Disaster” by Brooke Abbey (formerly Brooke Lunderville), a Canadian pharmacist and filker.

Mary Crowell: That’s Dr. Mary Crowell to you, punk! Dr. Crowell is a piano, composition, music theory, and music appreciation professor from Alabama, a four-time Pegasus winner (including once with Play It with Moxie, see above) with another dozen-plus nominations, has two albums and major parts on several more, and is one of filk’s roving accompanists; she can provide a piano backing on the fly.

Faerieworlds: A music festival in Oregon, which has featured a number of filk musicians, including S.J. Tucker and Alexander James Adams (see above) both individually and as Tricky Pixie (also see above).

Brony boys: A lot of fandom subcultures develop their own filk; Harry Potter has Wizard Rock, Doctor Who has Time Lord Rock, and yes, My Little Pony has its own filk. (Note: This was written before “Brony” stopped being considered anything except a warning sign of the Sad Puppies and the like. Look that one up yourself if you want, this is long enough as is.)

Wicked Girls: The fourth album of filker and author Seanan McGuire, six-time Pegasus Award winner. Wicked Girls was the first single-artist filk album to be nominated for a Hugo Award (To Touch the Stars, see above, did it earlier but was multi-artist), for Best Related Work in 2012. “Wicked Girls Saving Ourselves,” shortened to “Wicked Girls,” is also the central track of the album.

Britain’s Talis Kimberley: Talis Kimberley, UK filker and activist, has been nominated for 32 Pegasus Awards and won 9, released over a dozen albums, and was inducted into the Filk Hall of Fame in 2014.

Seanan’s Kellis-Amberlee: Under her open pseudonym of Mira Grant, Seanan McGuire (see above) wrote the Newsflesh series, in which a manmade virus called Kellis-Amberlee causes zombification upon death.  (The similarity to the sound of Talis’s name is a coincidence.)

Doubleclicks: A nerd-rock duo--they they don’t self-identify as filkers, but they’re well regarded and friends with many Pacific Northwest filkers.

Browncoats: The organized fandom for Firefly, densely populated with filkers.

Cats: One of the most common subjects of filksongs that aren’t actually about fantasy or science fiction.

FuMP: The Funny Music Project, a loose affiliation of comedy musicians that has considerable overlap with the filk community (including Tom Smith and the Great Luke Ski, among others).

Toy Boat: Toyboat, a hard-rock filk band from the Midwest.

Release the Cello: An album by filker and cellist Betsy Tinney (see above).

Sasquon: Sasquan, the 2015 World Science Fiction Convention, which was the current con when this song was written.

Thor: The God of Thunder, Mighty Thor! This probably refers more to the Leslie Fish song, though--she was doing that sort of thing before the Marvel Cinematic Universe made that version a household name.

Pass another Tullamore: Tullamore Dew (see above).

for the longest bardic: At filksings, “bardic” refers to a style of turn-taking in which the opportunity to sing and/or play (or, in some variations, request a song of someone else) progresses around the circle in order.  This contrasts with “chaotic”, a style in which there are no set turns and anybody can request to perform next.