#J Miles Dale

[scenesandscreens]

The Strain, Season Four (2017)

Directed by J. Miles Dale, Kevin Dowling, Norberto Barba, Thomas Carter, Paco Cabezas & Jennifer Lynch

[cinema-winding]

The Shape of Water

Kalabalıkta bile kendi sesimizi duymamaya mahkum canlılarız. Belki günlük rutinlerimizden kurtulup hayatın ötesine aşkın ötesine bakmalıyız. Bu ödüllü film kategorisinde olan film. Suyun ötesini göre geçmekten öte sezebilmek önemli metaforuna dayandırıyor ve bunu sırılsıklam bir aşkla yapıyor. Hislerinize güvenmeniz yeterli.

Aşk her zaman; dünden bugünden ve gelecek üzerinde ise şeklin ötesinde duruşu , iyileştirici ve tamamlayıcı gücüne şaşırmamak gerekiyor. Guillermo del toro bu ödüllü film ile lirik bir destanı avuçlarımıza bırakıyor.

Otoriteye, baskıcı iş ortamı , ırkçılığa, hor görülmeye, aşağılanmaya ve mutsuz hayatlarına rağmen kalplerinin ses ritmini dinleyerek baş kaldıran ve bunu korku sarmalına değil . Sakin bir ruh halinde olan insanları izliyoruz.

Elisa’nın otobüste yağmur damlalarıyla oynarken hayallere daldığı gibi. Hayatın bütün hoyratlığına rağmen umuda aşkla bağlanmalı her canlı.

Hayatın bütün kalıplarının dışında olup sakın hayata sıkışıp kalma. Bu ikilem çünkü hep vardı. Müziğin yumuşaklığı suyun sesine karışınca bir dilim gizli tariften yapılan turtanın tadına bakınca bütün duvarları yıkmaya başlamak hiç bu kadar eğlenceli olmamıştı.Ödüllü filmlerden olan bu yapım size keyifli bir tebessümü yüzünüze iliştirdi bile . Dahası ise fantastik ögelerle harmanlanan yapım sizi izlediğiniz koltuktan alıp suyun içine çeki veriyor. Bunun başlıca nedenleri ; senaryo, yönetmen ve oyuncuların gerçekliği.

Bütün efsaneler bir şekilde gerçeklere dayanır.

Aşkın tükenmeyen gücünden alan ödüllü film. Denizci hikayelerine ve mitolojiye dalgalarla göz kırpan bir ödüllü yapım. Alt metin olarak görsel olarak sizi o sahnelerin içine çekerken. Şiirin uyumuna sakın şaşırmayın. Bu ödüllü film fona tarihi bir atmosferi yanına aldı. Macera hikâyeleri ise denizin tuzu kıvamında.

Görsel açıdan büyüleyici ve gerçeküstü sahnelerle karşılıyor sizi bu ödüllü film.

Konusu ise :

Guillermo Del Toro'nun Venedik'ten Altın Aslan ödülüyle dönen filmi The Shape of Water, Soğuk Savaş'ın iyice kızıştığı 1963 yılında geçiyor. Elisa'nın temizlikçi olarak çalıştığı bir devlet laboratuvarına insansı bir su yaratığının getirilmesi üzerine gelişen olaylar bir çok kişiyi etkileyecektir. Yapılan deneylere şahit olmasıyla Elisa ve iş arkadaşı Zelda hapsedilen insansı bir yaratığı acımasız deneyden kurtarmaya çalışırlar. Bu uğraşları bir çok yaşamı değiştirirken tahmin ettiğinden daha zorlanacaklardı.

Suyun Sesi: Batık bir gemi gibi sulara gömülmüş insanların bütün zarafeti ile sudan çıkması belki yeniden suya kavuşmasıdır bir deniz kızı gibi. Suyun Sesi bir anlatıcının üst sesi, bize filmin masalsı dünyasına “hoş geldiniz “ diye sahneleri açıyor. Bu ödüllü filmde tasvirler ve betimlemeler peşi sıra gelirken siz daha hızlı filmde kendinizi buluyorsunuz. Ödüllü filmden olan replikte , “denize yakın ama geri kalan her şeye uzak” . Suyun Sesi’nde del Toro bu sefer hikâyesini Soğuk Savaş dönemi ABD’sine yerleştiriyor. 1963 yılındayız. Başkahramanımız Elisa, gizli deneylerin yürütüldüğü bir askerî üste temizlik işçisi olarak çalışan dilsiz bir kadın .

Soğuk Savaş döneminde sinema, aşk ve efsane …

Ödüllü film sektörünün son yıllarda damga vuran Guillermo Del Toro’nun deniz canavarı efsanesi ile çıktığı yolculuk. Film boyunca bin bir çeşit dehlizler size çok eğlenceli gelecek.

Guillermo del Toro'nun yönetmenliğini üstlendiği bu ödüllü filmin oyuncu kadrosunda

Sally Hawkins, (Elisa Esposito) Michael Shannon (Richard Strickland) Richard Jenkins (Giles) Octavia Spencer (Zelda Fuller) Michael Stuhlbarg (Dr. Robert Hoffstetler) Doug Jones (Amphibian Man) gibi isimler yer alıyor.

-90. Akademi Ödülleri'ne 13 dalda adaylıkla damga vuran The Shape of Water (Suyun Sesi) Los Angeles'taki Dolby Tiyatrosu'nda düzenenlenen Oscar gecesinin galibi oldu. The Shape of Water (Suyun Sesi) En İyi Film, En İyi Yönetmen, En İyi Prodüksiyon Tasarımı ve En İyi Film Müziği ödüllerini kazandı.

-The Shape of Water (Suyun Sesi), 75. Altın Küre Ödülleri’ne 7 dalda aday olarak damgasını vurmuş; En İyi Müzik ve En İyi Yönetmen Altın Küre Ödülü kazanmıştı.

-23. Critics’ Choice Ödülleri’nde (Eleştirmenlerin Seçimi Ödülleri) de 14 adaylıkla adından söz ettiren 'Suyun Sesi', En İyi Film ve En İyi Yönetmen ödüllerinin kazandı.

-Venedik Film Festivali’nden Altın Aslan Ödülü’yle dönen film, Amerikan Yapımcılar Birliği Ödülü’nün de (Producers Guild of America Award) sahibi oldu.

Bazı masallar mutlu sonla bitmezler. Asıllarına dönen insanları temsil eder.

Peki siz kendi dinlediğiniz ya da anlattığınız masalların neresindesiniz ?

Sadece görmek istediklerinizi karşınızda olsun derseniz bitmek tükenmek bilmeyen iyi ve kötünün kendi içinizdeki savaşına hazır olun.

Film gözleri kapatırken derin bir nefes almayı unutmayın hafızanızdan asla silinmeyecek olan bir ödüllü yapım.

Bu ödüllü filmle bir kere daha anlıyoruz ki . Hiç bir şey asla göründüğü gibi değildir. Aşk bile! Her zaman aşkın ötesini görebilmenizi ve geçebilmenizi dilerim iyi seyirler.

-Asırlar önce bir aşığın fısıldadığı o şiir.

“Tasavvuf edemem suretini

Çünkü her yerimi sardın

Varlığın gözlerimi doldurur aşkın ile

Kalbim oyunu bilmiş

Zira sen her yerdesin”

[sincericida]

“When you have a strong father figure, it's a big part of our lives. This version of Frankenstein very much goes down that thematic road. So, I feel like this is the third film in Guillermo's father trilogy.” — producer J. Miles Dale

[theriddletrades]

SWEENEY TODD - BROADWAY - JANUARY 2024

Sweeney Todd | Broadway (3rd Revival) | 2024, January | MP4 (12.25 GB, 2160p) | The Riddle’s master Cast: Josh Groban (Sweeney Todd), Annaleigh Ashford (Mrs. Lovett), Daniel Yearwood (Anthony Hope), Maria Bilbao (Johanna), Jamie Jackson (Judge Turpin), Daniel Marconi (Tobias Ragg), John Rapson (Beadle Bamford), Ruthie Ann Miles (Beggar Woman), Nicholas Christopher (Adolfo Pirelli), Stephen Tewksbury (Jonas Fogg), Jonathan Christopher (Bird Seller), Taelar Cyrus (Ensemble), Timothy Hughes (Ensemble), Paul-Jordan Jansen (Ensemble), Alicia Kaori (Ensemble), Raymond J. Lee (Ensemble), Mia Pinero (s/w Ensemble), Lexi Rabadi (Ensemble), Nathan Salstone (Ensemble), Kristie Dale Sanders (Ensemble), Stephen Tewksbury (Ensemble), Daniel Torres (Ensemble), Felix Torrez-Ponce (Ensemble), DeLaney Westfall (Ensemble)

Notes: Excellent 4k capture of Josh and Annaleigh’s last show with the company. One long blackout during the Ballad of Sweeney Todd due to usher activity (unfortunately, there is no video of Josh's entrance), and the beginning of “God, That’s Good!” is audio only due to latecomers/usher activity. A few other occasional blackouts due to usher activity. Video takes a while to get settled in act one, but once it does, action is followed well with a mix of mediums, wides, and zooms. Minor obstruction from a railing and heads from time to time. Includes Josh and Annaleigh’s goodbye speeches.

NFT DATE: AUGUST 1, 2024 Sales only until NFT date; price is $18

email theriddletrades@gmail.com if interested Screenshots: https://flic.kr/s/aHBqjBbC85

[haggishlyhagging]

The role of women - and the issue of women's rights - within the Abolition movement, precipitated a division in 1840 in the ranks of the Anti-Slavery Society, for, as Stanton et al. comment, ‘Many a man who advocated equality most eloquently for a Southern plantation, would not tolerate it at his own fireside’ (ibid.). For the World's Anti-Slavery Convention in London, an invitation had been issued to all Anti-Slavery organisations in America and accordingly, say Stanton et al. ‘several American societies saw fit to send women, as delegates, to represent them in that august assembly’ (ibid.). If the issue of woman's rights had split the Anti-Slavery societies of America, it was to be no less divisive and disturbing at the Convention in London.

After going three thousand miles, say the editors, ‘it was discovered that women formed no part of the constituent elements of the moral world. In summoning the friends of the slave from all parts of the two hemispheres to meet in London, John Bull never dreamed that woman, too, would answer his call. Imagine then the commotion in the conservative anti-slavery circles in England, when it was known that half a dozen of these terrible women who had spoken to promiscuous assemblies, voted on men and measures, prayed and petitioned against slavery, women who had been mobbed, ridiculed by the press and denounced by the pulpit were on their way to England’ (ibid, pp. 53-4). And imagine what happened when on 12 June 1840 the women arrived to present their credentials - ‘The excitement and vehemence of protest and denunciation could not have been greater, if the news had come that the French were about to invade England’ (ibid., p. 54).

The issue of whether or not to admit women was debated at length (and is well covered in the History, vol. I pp. 54-61, and not only makes for enlightening reading but puts paid to the notion that the battle for women to appear in public was peculiar to America). One man on the committee, who had issued the invitations, said: ‘As soon as we heard the liberal interpretation Americans had given to our first invitation, we issued another as early as Feb 15, in which the description of those who are to form the Convention is set forth as consisting of “gentlemen”’ (ibid., p. 55.) ‘The Rev. J. Burnet, an Englishman,’ state the editors, ‘made a most touching appeal to the American ladies, to conform to English prejudices and custom, so far as to with draw their credentials, as it never did occur to the British and Foreign Anti-Slavery Society that they were inviting ladies. It is better, said he, that this Convention should be dissolved at this moment than this motion (to admit women should be adopted’ (ibid.).

Many of the arguments advanced for the exclusion of women were put forward by the clergy of both Britain and America, and after lengthy - and often ludicrous debate - finally, ‘the vote was taken, and the women excluded as delegates of the Convention, by an overwhelming majority’ (ibid., p. 60). They were forced to sit in the gallery, where they were fenced off behind a bar and a curtain. Wendell Phillips, who had supported their admission, was however 'gracious in defeat', and implied that women would no doubt follow the proceedings with as much interest from behind the bar and the curtain (ibid.). Stanton expresses her outrage at his failure to understand the women's position and says it is important to mention ‘that it is almost impossible for the most liberal of men to understand what liberty means for woman’ (ibid., pp. 60-1).

-Dale Spender, Women of Ideas and What Men Have Done to Them

[airmanisr]

NR526N, Curtiss Robin J-1 Deluxe "Ole Miss", NASM Silver Hill, Maryland, 09-08-1974 by Gordon Riley Via Flickr: Aviation's exuberant adolescence was also marked by a penchant for endurance records. In July 1929, Dale Jackson and Forest O'Brine set an impressive record in a Challenger-powered Robin, with the help of aerial refueling, remaining aloft for 420 hours and 17 minutes. When the record was extended by a Stinson monoplane the following June, they took off again in the Robin on July 21, 1930, and set a new mark of 647 hours and 28 minutes. The greatest record for sustained flight was set five years later in a Whirlwind-powered Curtiss Robin J-1 Deluxe named Ole Miss. After two unsuccessful attempts in 1934, brothers Fred and Algene Key took off from Meridian, Mississippi, on June 4, 1935, and landed again 27 days later for a total flight time of 653 hours and 34 minutes. There to greet the exhausted fliers on the evening of July 1 were 35,000 wildly cheering spectators. Among the dangers they had faced were severe thunderstorms and an electrical fire. During the flight, Fred and Al Key took turns manning the controls and sleeping on the extra fuel tank behind them in the cabin. They received food, fuel, and supplies 432 times through a sliding roof hatch from another Robin. A metal catwalk on the forward section of the aircraft made in-flight maintenance and lubrication of the engine possible. Their Wright Whirlwind engine consumed 6.500 gallons of gasoline, at a rate of 10 gallons per hour, and 300 gallons of oil. Their estimated ground track was 52,320 miles, or more than twice the circumference of the earth. Almost twenty years after its famous flight, the Key family offered Ole Miss to the National Air Museum. On July 2, 1955, Fred Key flew the famous Robin, now fully restored, to National Airport in Washington, D.C., where it was formally presented to the Smithsonian Institution.

[a-merman-not-a-guppy]

Lena's Muses as Lost Characters

Finn: Aaron. /j mostly. He's just my son. lol imma say Hurley probably? alternatively Walt? idk man. idk honestly. Shang: I didn't wanna say it, but yeah probably Jack =/ alternatively he could also be Jin maybe. But more likely Jack energy. Tad: Charlie ;-; good soft bean on and off drugs. Alternatively maybe Desmond? don't ask me to explain idk. it's a vibe thing. replace 'my brother' with 'my dude' and i mean eh? eh??? Pepper: Kate. I wish I could tell you otherwise. But it's Kate. Tink: Ana Lucia. yeah i know. Alternatively: Locke. DON'T TELL HER WHAT SHE CAN'T DO. but also unhinged bitch who kills people and then gets killed? yeahhh. Judy: Juliet? Or Claire. I can't decide between them tbh. She could also maybe be Sun.

Old muses- Anthony: Ben or Charles Widmore. ALTERNATIVELY: Anthony Cooper lmaooo fucked up pos. Arthur: Jack Ashley: Shannon Celia: Juliet probably too Clarion: Rose Dale: Hurley probably Dot: Alex Rousseau Fflewddur: the annoying brother of Charlie's that fucks him over Kanga: Danielle? Lottie: Libby mayhaps Louie: Charlie specifically for rockstar things, alternatively Boone Roxas: Miles Sora: Boone! Wilbur: he probably would've been Sawyer-esque in the asshole but working toward heart of gold thing slowly. idk idk.

[sportsufc24]

The Daytona 500: A Spectacle of Speed, Tradition, and American Racing Glory

The Daytona 500 stands as a pillar of American motorsports, embodying the essence of speed, tradition, and adrenaline-fueled excitement. As the premier event of the NASCAR Cup Series, it commands the attention of racing enthusiasts worldwide, captivating audiences with its blend of high-speed action and rich history.

Each February, the Daytona International Speedway in Daytona Beach, Florida, transforms into a battleground for the finest drivers and teams in stock car racing. The anticipation leading up to the Daytona 500 is palpable, as drivers prepare to navigate the iconic 2.5-mile tri-oval track in pursuit of victory.

For over six decades, the Daytona 500 has served as a showcase of automotive prowess, showcasing the latest advancements in technology while honoring the sport's roots in American ingenuity. From the thunderous roar of engines to the strategic maneuvers on the track, every moment of the race is a testament to the skill and determination of its competitors.

The significance of the Daytona 500 extends beyond its status as a mere sporting event. It represents a cultural phenomenon deeply ingrained in the fabric of American society, capturing the imagination of fans young and old alike. For many, attending the Daytona 500 is akin to a pilgrimage, a chance to witness history in the making and experience the thrill of motorsports firsthand.

One of the most iconic aspects of the Daytona 500 is its rich tradition of victory celebrations. The winner of the race is awarded the Harley J. Earl Trophy, named in honor of the influential automobile designer who played a pivotal role in shaping NASCAR's early years. Hoisting the trophy in Victory Lane is a moment of triumph reserved for the elite few who conquer the grueling 500-mile journey.

Over the years, the Daytona 500 has produced its fair share of unforgettable moments, from dramatic photo finishes to stunning upsets. Legendary drivers such as Richard Petty, Dale Earnhardt, and Jeff Gordon have etched their names into racing lore with multiple victories at the prestigious event.

Beyond the on-track action, the Daytona 500 serves as a platform for camaraderie, unity, and community engagement. Fans from all walks of life come together to celebrate their shared passion for racing, forming lifelong friendships and creating lasting memories along the way.

In an era defined by rapid technological advancements and shifting cultural landscapes, the Daytona 500 remains a timeless beacon of American racing excellence. With each passing year, it continues to captivate audiences with its unrivaled blend of speed, spectacle, and tradition, ensuring its place as a cornerstone of motorsports for generations to come.

[scenesandscreens]

The Strain, Season Three (2016)

Directed by J. Miles Dale, Ken Girotti, Deran Sarafian, TJ Scott, Vincenzo Natali & Carlton Cuse

[wutbju]

Guy J. Hefner, 91, of Hamilton, OH went to be with his Lord and Savior Jesus Christ on August 18, 2023 surrounded by his loving family. He was born on September 25, 1931, in Charleston, West Virginia to Ellodean H. and Guy H. Hefner. He was married to Colleen J. Tandy on December 28, 1954 in Miami, Florida.

Guy is survived by his two children, Carolyn Jan McAllister (Dale) of Hamilton, OH and Bradley Jay Hefner of Mason, OH; two granddaughters, Marilyn Joyce Cameron (Brooke) of Nashville, TN and Nancy Jan McAllister McLain (Matt) of Susanville, CA; and two great-grandsons, Griffin Allister Cameron and Lochlan Gunner Cameron of Nashville, TN.

Guy was preceded in death by Colleen, his loving wife of 66 years, his brother Dave L. Hefner, and his parents Ellodean H. (Drake) Hefner and Guy J. Hefner.

Guy was a very positive, loving man, dedicated to God and his family. He was an active member of 1st Baptist Church of Hamilton for 58 years, serving as Sunday School teacher, on the board of Trustees and as Moderator for many years. He excelled in football, playing for Graham High School in Bluefield, VA and later at Concord College. Due to an injury, he transferred to Bob Jones University where he met his future wife, Colleen Tandy. Guy graduated in 1955 with a B.S. degree in Art and History, and was commissioned a Second Lieutenant in the U.S. Marine Corps upon graduation. He served as a Marine for 15 years, both active and reserve, and was discharged as a Captain.

In 1957 in Atlanta, GA, Guy began his 35-year career with The Prudential Insurance Company as a District Agent. A promotion to Sales Manager in 1961 relocated him to Birmingham, AL. Then in September of 1965, Guy was named the new District Manager of the Hamilton, OH District Office, serving 27 years until his retirement in 1992.

In 1993 Guy pursued his dream and thru hiked the 2,155 mile long Appalachian Trail. Then again in 2003, he completed the A.T. as a section hiker.

Guy enjoyed many special trips with his family, and was such a wonderful husband, father, and grandfather, supporting his children and granddaughters in their many activities. Popa was so very proud of his granddaughters, Marilyn and Nancy, and great-grandsons, Griffin and Lochlan. Guy and Colleen spent 66 wonderful years together and are now once again united. Even though he will be greatly missed, we all look forward to seeing Guy, Daddy, and Popa in Heaven some day!

[ramascreen]

Official New Trailer For SEX/LIFE Season 2 Starring Sarah Shahi

Netflix has released this official new trailer for SEX/LIFE season 2 Release Date: March 2, 2023 Created by Stacy Rukeyser Executive Producers: Stacy Rukeyser, J. Miles Dale, Jordan Hawley Starring: Sarah Shahi (Billie Connelly), Mike Vogel (Cooper Connelly), Adam Demos (Brad Simon), Margaret Odette (Sasha Snow) Recurring Cast: Cleo Anthony (Kam), Craig Bierko (Mick), Darius Homayoun (Majid),…

[cinetres]

Guillermo del Toro hará serie antológica de terror para Netflix

Guillermo del Toro hará serie antológica de terror para Netflix

Luego del éxito de la serie animada Trollhunters, el ganador al Óscar, Guillermo del Toro, alista su siguiente proyecto con Netflix. El gigante del streaming ha dado luz verde a una serie en acción viva de terror y antología a cargo del mexicano, que llevará por título Guillermo del Toro Presents 10 After Midnight.

El proyecto televisivo con la plataforma, es descrito (vía Netflix) como“una…

[letters-from-x]

A radical feminist’s reading list-

Classic

The Second Sex by Simone de Beauvoir

The Feminine Mystique by Betty Friedan

Sexual Politics by Kate Millett

On Lies, Secrets, and Silence: Selected Prose, 1966-1978 by Adrienne Rich

The Beauty Myth by Naomi Wolf

Fiction

The Power by Naomi Alderman

Salt Slow by Julia Armfield

The Handmaid’s Tale by Margaret Atwood

Native Tongue by Suzette Haden Elgin

The Vagina Monologues by Eve Ensler

Her Body and Other Parties by Carmen Maria Machado

The Gate to Woman’s Country by Sheri S. Tepper

History

Women’s Work: The First 20,000 Years by Elizabeth Wayland Barber

Caliban and the Witch: Women, the Body, and Primitive Accumulation by Silvia Federici

The Living Goddesses by Marija Gimbutas

The Creation of Patriarchy by Gerda Lerner

Who Cooked the Last Supper? The Women’s History of the World by Rosalind Miles

Women of Ideas: And What Men Have Done to Them by Dale Spender

Headstrong: 52 Women Who Changed Science-and the World by Rachel Swaby

Intersectional

Women, Race & Class by Angela Y. Davis

Ain’t I a Woman: Black Women and Feminism by bell hooks

It’s Not About the Burqa by Mariam Khan (editor)

Sister Outsider: Essays and Speeches by Audre Lorde

This Bridge Called My Back: Writings by Radical Women of Color by Cherríe Moraga (editor) and Gloria Anzaldúa (editor)

Lesbian

Unpacking Queer Politics: A Lesbian Feminist Perspective by Sheila Jeffreys

The Disappearing L: Erasure of Lesbian Spaces and Culture by Bonnie J. Morris

Homophobia: A Weapon of Sexism by Suzanne Pharr

Compulsory Heterosexuality and Lesbian Existence by Adrienne Rich

Liberal vs. radical

Female Erasure: What You Need to Know about Gender Politics’ War on Women, the Female Sex and Human Rights by Ruth Barrett (editor)

End of Equality by Beatrix Campbell

Feminisms: A Global History by Lucy Delap

Daring to be Bad: Radical Feminism in America, 1967-1975 by Alice Echols

Gender Hurts: A Feminist Analysis of the Politics of Transgenderism by Sheila Jeffreys

Freedom Fallacy: The Limits of Liberal Feminism by Miranda Kiraly (editor) and Meagan Tyler (editor)

The Sexual Liberals and the Attack on Feminism by Dorchen Leidholdt (editor) and Janice G. Raymond (editor)

The Transsexual Empire: The Making of the She-Male by Janice G. Raymond

We Were Feminists Once: From Riot Grrrl to CoverGirl, the Buying and Selling of a Political Movement by Andi Zeisler

Pornography, prostitution, surrogacy & rape

Against Our Will: Men, Women and Rape by Susan Brownmiller

Slavery Inc.: The Untold Story of International Sex Trafficking by Lydia Cacho

Pornland: How Porn Has Hijacked Our Sexuality by Gail Dines

Being and Being Bought: Prostitution, Surrogacy and the Split Self by Kajsa Ekis Ekman

The Industrial Vagina: The Political Economy of the Global Sex Trade by Sheila Jeffreys

Only Words by Catharine A. Mackinnon

Know My Name by Chanel Miller

Not a Choice, Not a Job: Exposing the Myths about Prostitution and the Global Sex Trade by Janice G. Raymond

Women as Wombs: Reproductive Technologies and the Battle Over Women’s Freedom by Janice G. Raymond

Psychology & trauma

Why Does He Do That? Inside the Minds of Angry and Controlling Men by Lundy Bancroft

Delusions of Gender: How Our Minds, Society and Neurosexism Create Difference by Cordelia Fine

Trauma and Recovery: The Aftermath of Violence – From Domestic Abuse to Political Terror by Judith Lewis Herman

Toward a New Psychology of Women by Jean Baker Miller

Theory

Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions by Chimamanda Ngozi Adichie

We Should All Be Feminists by Chimamanda Ngozi Adichie

Gyn/Ecology: The Metaethics of Radical Feminism by Mary Daly

Last Days at Hot Slit: The Radical Feminism of Andrea Dworkin by Andrea Dworkin, Johanna Fateman (editor) and Amy Scholder (editor

The Dialectic of Sex: The Case for a Feminist Revolution by Shulamith Firestone

Feminism is for Everybody: Passionate Politics by bell hooks

Feminist Theory: From Margin to Center by bell hooks

Against Sadomasochism: A Radical Feminist Analysis by Robin Ruth Linden (editor), Darlene R. Pagano (editor), Diana E. H. Russell (editor) and Susan Leigh Star (editor)

Toward a Feminist Theory of the State by Catharine A. Mackinnon

The Sexual Contract by Carole Pateman

Other

Without Apology: The Abortion Struggle Now by Jenny Brown

Close to Home: A Materialist Analysis of Women’s Oppression by Christine Delphy

Doing Harm: The Truth About How Bad Medicine and Lazy Science Leave Women Dismissed, Misdiagnosed, and Sick by Maya Dusenbery

Beauty and Misogyny: Harmful Cultural Practices in the West by Sheila Jeffreys

Are Women Human? And Other International Dialogues by Catharine A. Mackinnon

Invisible Women: Data Bias in a World Designed for Men by Caroline Criado Perez

A Passion for Friends: Toward a Philosophy of Female Affection by Janice G. Raymond

How to Suppress Women’s Writing by Joanna Russ

Man Made Language by Dale Spender

Counting for Nothing: What Men Value and What Women are Worth by Marilyn Waring

[ml-quinn]

✨🪐Fancy a Trip in The Box?🌍✨

A 100 Song Thirteenth Doctor Era Playlist

genre: various (predominantly pop & alternative)

runtime: 6 hours 9 minutes

recommended play order: shuffle/as-is

themes:

the woman who fell to earth (gender, sexuality, feminism)

the fam (current & former companions)

the timeless child (loss of identity, trauma, grief)

[Full Track List & Links Under the Cut]

Track List

Someone New - Hozier

Constellations - The Oh Hellos

High On Humans - Oh Wonder

Won't Stop Running - A Great Big World

Don't Save Me - HAIM

Space Oddity - David Bowie

Lost in Time and Space - Lord Huron

Zero Gravity - Kate Miller-Heidke

Starry Eyed - Ellie Goulding

Rise Up - Andra Day

if i go to the moon - Shae Dale

New Constellations - Ryn Weaver

Until the Night Turns - Lord Huron

Don't Kill My Vibe - Sigrid

What You Know - Ali Dineen

Rise - Walk Off the Earth, Gabriela Bee

The Call - Regina Spektor

Saturn - Sleeping At Last

Family - Mother Mother

Clearest Blue - CHVRCHES

100 Years - Florence + The Machine

A Better Son/Daughter - Rilo Kiley

Night 13 - Auri

Chasing The Sun - Sara Bareilles

Louder in Outer Space - Skating Polly ft. Louise Post & Nina Gordon

Yellow - Jodie Whittaker

I'm Gonna Be (500 Miles) - The Proclaimers

I'm From Nowhere - Neko Case

Then She Appeared - XTC

Two Hearts - Bruce Springsteen

Floating in Space - The Apples in Stereo

Worlds Away - Strange Advance

Fugitive - Indigo Girls

Politics In Space - Kate Miller-Heidke

Darkness Keeps Chasing Me - Grace VanderWaal

Don't Be so Hard on Yourself - Jess Glynne

Anthem - Walk Off the Earth

Rocket Man - Elton John

Drops of Jupiter (Tell Me) - Train

Spaceman - The Killers

Clearly - Grace VanderWaal

Ground Control - All Time Low ft. Tegan and Sara

Astronauts - Rachel Platten

Fix You - Coldplay

Praying - Kesha

Rise - Katy Perry

I Choose - India.Arie

Not Ready to Make Nice - The Chicks

Back In My Body - Maggie Rogers

Haunted (Acoustic) - Taylor Swift

Galileo - Indigo Girls

Easy On Me - Adele

She Used To Be Mine - Sara Bareilles

Don't Feel Like Crying - Sigrid

Running If You Call My Name - HAIM

I See You - Phoebe Bridgers

Leave a Trace - CHVRCHES

Let It Be - The Beatles

Lonely Road - WILLOW

Sadness - Noah Cyrus

I Am Her - Shea Diamond

Walking with a Ghost - Tegan and Sara

Secret For The Mad - dodie

Holes in the Story - Alex the Astronaut

Bury It - CHVRCHES ft. Hayley Williams

I Don't Know My Name - Grace VanderWaal

Stranger To Yourself - Loving

Insecurities - Jess Glynne

The Future's Right In Front of Me- A Great Big World

Time Machine - Ingrid Michaelson

Uncharted - Sara Bareilles

All These Things That I've Done - The Killers

Change Is Everything - Son Lux

She - Alice Phobe Lou

Apple Tree - AURORA

Everything Has Changed - Taylor Swift ft. Ed Sheeran

She's A Rainbow - The Rolling Stones

Who Are You, Really? - Mikky Ekko

Man of a Thousand Faces - Regina Spektor

With A Little Help From My Friends - The Beatles

Like a Girl - Lizzo

Sum Of Our Parts - Mary Lambert

Who You Are - Jessie J

The Final Countdown - Gabriela Bee

I Did Something Bad - Taylor Swift

All of the Stars - Ed Sheeran

Little Lion Man - Mumford & Sons

Come Over (Again) - Crawlers

Geronimo - Sheppard

space girl - Frances Forever

The Man - Taylor Swift

The Last Day on Earth - Kate Miller-Heidke

Riversong - Ali Dineen

Help! - The Beatles

Time Machine - WILLOW

There Is an Answer - A Great Big World

You Don't Know Me - Ben Folds ft. Regina Spektor

Eleanor Rigby - The Beatles

How Big, How Blue, How Beautiful - Florence + The Machine

Rainbow - Kesha

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