#Is this the real life? Is this just fantasy?

[bacchuschucklefuck]

space sweepers but they're delivery people and are at no point on screen through the entire movie

[beemovieerotica]

a lot of criticisms of jkr's antisemitism still revolve around goblin imagery from her books which is worth talking about but surely we should include much more recent events from her wizard world alternate timeline, where she could have just...not included the holocaust---but she asserts that her wizards could have stopped the holocaust, but it would have resulted in a much worse world (???) which is why they didn't intervene (???) and why dumbledore specifically wanted to kill the guy who was pushing for intervention(???)

like if I could give any advice to fantasy writers, it's that you don't have to engage at all with how your characters would have / could have intervened in major genocides through history. this is both specifically creeping into fantastical white saviorism territory AND minimizing the real world harm that was caused, by submerging the events in a realm of "what ifs" where (your usually young) readers are asked to imagine away real life atrocities and divorce their thinking from historical reality. don't do it.

[coco-loco-nut]

007 - part two

pairing: oscar x reader

summary: maybe a soulmate isn’t the worst thing to happen to you

masterlist part one part three requests open

——————

Oscar sent you a text that night. He was a little disappointed when it took you a couple days to reply, but that was quickly made up when you sent a time and location. The mystery around you is thrilling to him.

You wait in the corner of a cafe for Oscar, sipping a flat white. Your eyes immediately find him when he walks in, locked in on him. He quickly orders and makes his way to you. Oscar barely gets in a hello before you get down to business.

“I need you to know something before anything happens. I live a very dangerous life and I don’t plan on stepping away any time soon,” you leave certain things unsaid, like the very real chances of you dying. “It’s hard for the soulmates of those in my line of work. Suddenly the danger meter means more to them, and it can disrupt their lives,” you lean forward a little, subtly emphasizing how important it is.

“I’m a Formula One driver, I am familiar with the risk of dying. I know the risks associated with being your soulmate,” Oscar says and you bite back a remark about his job still being safer than yours. You need to try and be less standoffish.

“Right. Well, I can’t say that I know how to proceed with this. I’m a bit new to the whole thing,” you are a little embarrassed.

“I am too. We can handle it together,” Oscar smiles. He wants to reach across the table to hold your hand, but he doesn’t want to push it so he sips his coffee. “Tell me more about you, all I know is that you do a really dangerous job,” Oscar prompts you.

“Bold statement coming from someone who also has a really dangerous job. I really enjoy traveling, dislike paperwork. When I’m not working, I like reading or taking small trips. Um, I have a cat who is the light of my life,” you pause as Oscar lets out a laugh. “Tell me more about you, more than what your background check tells me,” Oscar sees the playful glimmer in your eye.

“Well, I’ve been getting into cricket and basketball. When I was a kid, I went through this phase where I thought I was a car,” Oscar admits.

“I would always sneak around as a kid, acting like a spy. I guess both of our childhood fantasies worked out,” you hide your bittersweet feelings. Oscar notices but doesn’t push it.

“So I guess you would be the Holly Shiftwell to my Lightning McQueen,” Oscar tries to bring up your mood but you give him confused look.

“But they were never romantic partners?” you say, a little confused with how happy Oscar looks. He’s just happy you have seen the movies and seem to like them enough.

“Semantics. What are you doing now that you aren’t chasing down criminals in the paddock?”

“You mean your soulmate? I’m being forced to take a break from missions right now. Apparently I’ve been hogging all the action and need to help in HQ for a few months,” your distaste for the orders is clear on your face.

“You can join me at a race. If you want to,”

“Really? I don’t want to be a distraction and I don’t know anything about Formula One,” you hesitate, not wanting to impose.

“I want you there. Who better to teach you the sport than me?” Oscar reassures you.

“Well, I guess I will have to take you up on it,” you take the little leap of faith. It’s not something you would normally do. But your soulmate is worth it… right?

You and Oscar agree to a race that is around a month later, giving you time to get to know each other and for him to teach you different aspects of the sport. The month still doesn’t seem to be enough as you arrive at your first race as his soulmate.

“Hey,” Oscar pulls you into a hug as you stand at his hotel room door. He presses a kiss to your forehead before taking your bag as you walk in.

“How was media?” you ask, making yourself comfortable on the bed beside him. It’s clear that he hastily straightened up the room when he got back from free practice.

“Boring, I was counting down the minutes until you got here,” he wraps his arms around you, holding you close as you hum in response. You relax into his warmth, taking in the familiar scent that you’ve found comfort in.

“I couldn’t wait to get out of the office too,” you admit a few moments later. You left a little early to catch a flight here for the weekend.

“Still stuck on paperwork? I must admit, it’s nice not having your danger meter spike,” Oscar murmurs, a little sleepy.

“What’s on your mind?” Oscar observes your distant look when you don’t immediately reply, having learned how to read you more.

“What would you say if I left my job?” you say quietly, almost a whisper. Oscar sits up, needing to properly look at you.

“I’d be a little confused because you love it, but ultimately it’s your choice,” Oscar says, silently asking you to elaborate.

“Well, as soon as someone finds out who I am my cover is blown, putting both of us at risk. It’s a lonely life, and when it was only Boots and me that was okay, but I don’t want to be alone anymore,” you admit, not expecting to feel emotional about it.

“I’ll support you either way, but I don’t want you to quit just for me. What would you do if you left?” he asks, feeling a little guilty.

“The longer I stay in action, the more dangerous my missions will be. Most of mine before didn’t interact with targets, but things will get more dangerous from here. It’s what I’ve worked for my whole life. As for what I would do if I left…” you pause for a second, letting Oscar absorb everything. “Well, your security is seriously lacking, and as your soulmate I think I should do something about that. I was also offered a higher up position that would take me out of action for good,”

“Having my own personal security guard who is also my soulmate? That could be dangerous,” somehow you don’t think Oscar means the kind of danger that would raise your meters.

“Oscar!” Your cheeks flush as you bite back a laugh, acting scandalized. “Alright, I’m going to shower before bed,” you slide out of his arms, looking back at him, knowing what he is about to suggest. “No, you can’t join,” you laugh as he pouts. You two aren’t there yet, but he is proud at how comfortable you are around him.

Oscar leaves early in the morning for free practice, promising to meet you at the gates when you arrive for qualifying. You happily take the extra time to sleep.

Qualifying is your test run. You get a feel for the team and race environment while keeping a low profile. Arriving for the race is a different thing.

“Ready?” Oscar asks as he parks at the circuit. He looks so cozy in his hoodie, and to be fair, you woke him up half an hour before having to leave.

“Yeah, let’s go,” you nervously smile. You are never nervous, but this is different. You are dressed fashionably, but nothing that makes you stand out too much. Your dark sunglasses help hide some of your features as you walk in on Oscars arm. You both look happy as you walk in, and the media notices.

“Oscar!” Logan calls him over, you recognize the American from your initial background check.

“Hey. This is my soulmate, Y/n. Y/n, this is my best friend, Logan,” Oscar introduces both of you.

“Hi, it’s nice to actually meet you,” you hug Logan, taking him by surprise.

“Aww, you talk about me?” Logan coos at Oscar.

“You came up in her background check on me,” Oscar says causing Logan to let go of your hug.

“Weird, but I like it. We are going to be great friends, Leiter and Bond,” Logan rolls with it. He remembers the first time Oscar mentioned you and that’s enough for him.

“You are a sexier James Bond, license to kill and all,” Oscar chimes in, trying to flirt and joke at the same time.

“Oh baby, no. That is nothing like what we do,” you accidentally slip up, and Logan’s eyes widen.

“I thought you were joking. I will keep this to myself though. That’s so cool. Can we watch those movies together?” Logan quickly says, not wanting you to worry. Your initial coolness that Oscar described to him over the past month makes more sense to him now.

“We should get going, I don’t want Zak and Andrea to get mad,” Oscar says, leading both of you away.

“This is the McLaren motorhome, you are welcome to sit in the drivers lounge or in my room while I am in the meeting. Afterwards, I can introduce you to Charles and his girlfriend,” Oscar offers as you look around.

“They should have better security here,” you tut, looking at all the different ways you could easily get in.

“Don’t worry, other teams aren’t coming in and stealing our secrets,” Oscar kisses the side of your head as he leads you upstairs to his drivers room.

“I could always do some recon,” you slyly smile, anything to help him win.

“That’s okay, I don’t need that to win. I have you motivating me,” he smiles, one which falters as a man with brown curly hair comes barreling towards you.

“OSCAR! Is this her? Hi, I’m Lando,” the man, Lando, says, extending his hand.

“Y/n,” you coolly reply, defenses going up as he pulls you into a hug once you take his hand. Oscar can tell you are uncomfortable, Lando springing himself on you.

“Let me help her get settled and I will be down,” Oscar says, cueing Lando to go to the meeting without him. “You are going to look Lando up, aren’t you?” he asks with an amused smile once you are in the safety of his room.

“Yeah, get ready for all his dirty laundry to be aired,” you lightly laugh.

“I look forward to it. I need more blackmail on him. I’ll see you soon, this meeting won’t take long,” Oscar promises, leaving you alone. You spend the half hour he is away looking up his teammate and some other drivers.

“Did I do something wrong?” Lando asks Oscar on their way back to the drivers rooms.

“No, she just wasn’t expecting you. Y/n is pretty guarded around new people, it stems from her job. She will warm up to you,” Oscar replies, not wanting his teammate and soulmate to hate each other.

“Does she work for the government or something?” Lando jokes, a little too accurate.

“Or something, don’t worry about it,” Oscar says, excited to see you again. You wait at the door for Oscar.

“For a professional driver, you have a lot of traffic violations,” you tell Lando, who notices the amused glimmer in your eye and relaxes. Whatever you did during the meeting seems to have worked.

“I have the need for speed,” Lando smiles, happy that you’ve warmed up a little. “Wait, how did you-“

“Don’t worry about it, we will see you later,” Oscar cuts him off, taking you to Ferrari.

“So, Charles is your fake adoptive dad? He has a fairly clean record, I couldn’t find much on him,” you comb over what you learned in your mind.

“Oh, Max is going to love you. You both have cats and you could prep him for whoever he is meeting with,” Oscar laughs, glad that you are taking the time to know his coworkers even if it isn’t the traditional route.

“Max Verstappen? I don’t usually do hits, but I will take out his father for free if he wants,” the way you say it so casually causes Oscar to almost choke.

“I will let him know,” he says, a little unsure how one replies to that.

You are quick to befriend Charles and Alexandra, the latter offers for you to join her while watching the race. You politely decline, but promise to join another race. Oscar takes you around to some other drivers, including Max, before introducing you to more people at McLaren.

You settle into the garage as the race starts, nervous as you watch Oscar on a small screen. You are aware of cameras that are pointed at you, but you ignore them. They don’t know you, all they can do is speculate.

The race is going smoothly until lap 37. Oscar is fighting for position when you fell the sickening twinge of the meter on your arm increasing. Your eyes are glued to the screen as you listen to the team radio, feeling a pit in your stomach.

Carlos and Oscar made contact which at minimum punctured Oscar’s tires. You hear his frustration, but you are just glad that’s all it was.

“Check the front wing too,” you hear him say after confirming he’s okay. He makes it back to the garage safely due to the incident being close to pit lane, but they retire his car due to other damage. Oscar seems too calm to you as he exits the car. Even you would show more emotion in that scenario.

Oscar’s eyes meet yours and before you know it, you are on your feet walking to him. He wraps you in a hug and you gently rub his back. You hold each other for a minute, taking a moment ground each other.

“You okay?” you practically yell over the noise and he just nods, guiding you out of the garage.

“That’s not the win I wanted to give you,” Oscar sighs as you walk back to his room after he gets weighed.

“I hope I’m not bad luck,”

“Never. You are good luck, that should’ve been worse than it was,” Oscar reassures you. A small part of him is happy to be spending time with you.

“I’m sorry your race ended like that, you were driving so well,” you frown, as Oscar squeezes your hand.

“Nothing I can do now, next race is a new opportunity. I have to go do media, do you want to watch the rest in McLaren?” Oscar asks, wanting to know where to find you later.

“I’ll go to Ferrari and watch with Alexandra,” you decide, needing to have friends around here. Oscar nods, leading you to your new friend. He kisses you goodbye before you walk in.

“Hey, are you okay? Those are scary, no matter how minor,” Alexandra greets you when she notices you.

“Yeah. Osc is fine, I’m just upset for him,” you shrug. You’ve seen your partners in danger on missions, but this is a whole different ballgame.

“Grab a seat, want a coffee?” she asks, making sure you are comfortable.

“No, but maybe you can teach me better than Oscar,” you watch her face light up as she immediately dives into sharing her knowledge, explaining everything to you as it happens.

“Come and meet some of the others. Oscar will be pulled into meetings,” Alexandra says, pulling you away from Ferrari.

“Shouldn’t you be with Charles? He must be looking for you,”

“He can wait,” Alexandra waves your concern off as you galavant around the paddock.

Your great experience with the WAGs further conflicted you if you wanted to stay or leave your job. And it all came to a head when you were brought in on an emergency mission once you returned from your weekend away.

This might be your most dangerous recon mission yet. Your part is simple on paper, get in, copy the digital files, get out. It wasn’t simple in execution.

You just skimmed the files, getting crucial information that will stop the operation. Now for the hard part - getting out and getting away.

You slip out of the room, when you hear footsteps getting closer and closer. Just like the stereotype, you slide around a corner and hold your breath, praying they don’t turn your way. They are so close you can feel their body heat beside you. You focus on remaining calm, but this is the most on edge you’ve ever been. You close your eyes as you feel your stomach drop.

This is it. You can see Oscar’s face as he opens his driver room door, two agents standing outside. The agents are solemn as they deliver the news - you were captured and killed on a mission. Every word, every moment is played perfectly in your mind. And your cat, Oscar will have to take care of Boots, a constant reminder of you.

Oscar sits in his post FP2 meeting when it happens, feeling the sickening feeling of your danger meter telling him you were in danger. After it being normal for the past few days, his stomach drops at how high it is.

“I need five,” Oscar runs out like he’s about to puke. You promised in your hastily written letter that you’d try to be safe, but all you really said that you had to leave, couldn’t take your phone, and it was an emergency. He naively thought that you wouldn’t be in the field, that you were just needed on the sidelines. He wasn’t completely wrong, you helped from the side for everything but your part in the operation.

“Oscar? Hey, are you okay?” Lando asks, walking into the room where Oscar disappeared to.

“I- I don’t know,” Oscar looks at his arm, silently pleading for the meter to go down. Lando sees it and just sits beside Oscar.

“Wanna talk about it?” Lando says after a few seconds of silence.

“She left a few days ago with only a note and her cell phone behind. Got an emergency call while I was out. Poor Boots, he must miss his mom. And I know she’s not abandoning me, but I think I finally know how my mom feels about my career,” Oscar says after a minute.

“I assume she’s in the military, or like, a detective to be in danger, and that’s pretty badass of her. I know she came off as cold initially to a lot of us, except when she’s with you and some of the girls, but I can tell that she really likes you. And she seems like she holds her own,” Lando starts listing everything he likes about you from the couple interactions you had during the race day. It helps distract Oscar, calming him little by little.

You step around the corner as soon as the voices fade and come face to face with a security guard. You quickly land a few punches, knocking him out. In the moment you are grateful for your disguise and the cameras that are currently disabled thanks to your team. As you quickly exit the building, you notice another guard tailing you. You quickly get into your getaway car, turning it on and pressing the throttle. It lurches under you, making a hasty exit as they chase you.

Glances in the rear view mirror tell you that you aren’t out of the woods yet. You send a small prayer that Oscar’s talent will be enough as you speed down the street. The car just isn’t fast enough, you are being hunted and the hunter keeps creeping closer and closer. Once again you hope your luck hasn’t run out as you will the car to go just a little faster.

Lando stays seated beside Oscar, trying not to stare at the meter on his teammates arm. He watches the tears run down Oscar’s face as the meter creeps higher, higher, then drops.

[goldenshrikecomic]

I just started reading your comic, and I was wondering, what are the names of all the different deer… species? Groups? In it? I love how they all have different in lore names than what we call them irl :D

This page names the most common ones. Then there's fielders, coastians, stonekrovn, mixed... and plenty of others that won't get screen time because I'd die.

I want to underline the fact that these are not real life deer with fantasy names! All animals, plants, continents, everything is fictional.

[jewishdragon]

Ok so now ive watched all the episodes of batman caped crusader

here are my thoughts (HUGE SPOILERS)

YOU HAVE BEEN WARNED

they said evil lesbian rights :D

Harley Quinn is straight up insane just off the bat she's her own unique brand of clown crazy without the even a whiff of the joker and im here for it

Ohmygod two-face's scars are disgusting its actually hard to look at that's a trigger warning yall huge Trypophobia warning (fear/reversion to holes in skin. NO BLOOD THO)

Actually the show is very bloodless but its still VERY violent they somehow managed to include a LOT of brutality without any gore, be aware of this.

The show is mostly about mundane corrupt gotham but also there are real ghosts and vampires giving it a just the right dose of comic book urban fantasy

Speaking of fantasy the racial and queer diversity for what is vaguely the 1950s america is a big fantasy but im also here for it. racism what? homophobia who? (basically there are a lot of POC, men and women, in positions of power and this is never questioned or brought up or pointed out. Also queer people can just go out for dates and engage in PDA without any issues).

batman regularly beats up cops :D

Anyways this show is not mindblowing, it's straightforward (except for the gays). The character designs are top notch, but the storytelling isnt revolutionary. what it IS is decent fresh batman stories. The fantasy 1950s is great because the lack of high tech means the power-levels of the villains and heroes feels very tangible and less unconscionable (sorry superman youre my favorite but its hard to comprehend the scale of destruction and power)

Nothing that is making me sit back and go "wow that was the best thing i experienced in my life" and more "that was really nice, it was exactly what I wanted. classic batman stories set in a fantasy version of a bygone era and new takes on the classic villains that feel well thought out"

[sarasade]

It's been pretty interesting to follow the

"Why Didn't Viren Get Redeemed vs Viren Got What Was Coming To Him"

discussion after The Dragon Prince's 6th season got released.

Hot Take

I think Viren got redeemed.

Because to me Viren humbling himself and acknowledging the hurt he has caused was redeeming. His conversation with Soren was the main event. His rather heroic death was only the cherry on top of the character development cake that has been baking since s4.

I think Viren dying wasn't as significant as what he did before that and how he tried to provide Soren with some kind of comfort and closure, you know, as a parent should, before going. Viren's redemption wasn't just him dying for Katolis but acknowledging his wrongdoings and trying to salvage what he could.

That was pretty redeeming for me at least. Viren did the right thing even when he knew there wouldn't be any reward for it. Even if he couldn't stop Aaravos from destroying Katolis or manipulating Claudia even after his death. Like, man, I kinda feel for the guy.

I think it has always pretty easy to feel sympathy for Viren. Viren wants to matter and wants to be important. However, his grandiosity, as psychologists would call it, keeps him from creating genuine connections with others. His friends, wife and children are only there to prop up his ego or get rejected if they fail to live up to his expectations. It's also pretty damn tragic that Viren opens up about his deep insecurities to Aaravos of all people. Someone who was the most likely person in the world to exploit these insecurities for his own gain.

Viren had to taste his own medicide but I don't think TDP says that's an objectively good thing per se or that we should enjoy this sort of revenge fantasy uncritically. Viren is still portrayed rather sympathetically and of course there is the part about his actions affecting others and the world in unpredictable ways. It's still a tragedy because Viren's actions and personal problems have caused so much collateral damage. The Why behind Aaravos exploiting Viren and Claudia is part of that tragedy, too. There are no winners here. In a way Viren is a victim of his own narcissistic tendencies, too.

This isn't just about the final episodes of Viren's arc. To me it's essential to ask What was Viren's biggest sin he should be redeemed or punished for? Depending on your answer you may have a relatively different reading of s6 story development compared to mine.

To me it's not a specific action he took but his whole worldview. Viren is a fictional character (duh!) so his story isn't exactly literal but metaphorical, a representation of certain values and morals real people and society holds. In s3 TDP draws a pretty straightforward, though brief, comparison between Viren and reactionary right-wing ideologues. It's not exactly subtle.

It's just one way TDP goes to show how toxic and abusive Viren's core values are. that gets reflected both in Viren's personal life aka how he treated Lissa, Soren and even Harrow and Claudia (last two more indirectly). Since he also had a ton of political power as a high mage and briefly as a king we see what he did with that power. It's a pretty clear take on people who dehumanise others, fetishise power and see all living things as something to exploit. TDP explores that both philosophically and psychologically through Viren. Dark magic encapsulates this philosophy well since using magical creatures like tools or objects is essential for it to work.

Also also- I don't really get why people see redemption or atonement as something black and white. It's not bad or anything but Redeeming Yourself For Your Sins is a very Christian concept and Christianity isn't the only way to understand villain story arcs. Like I wish there could be more discussion about WHY redemption is the main analytical framework we impose on villains when villainous characters have a ton of variety anyway.

I don't really have anything to complain about Viren's death itself and I'm not surprised that he ended up dying (for real this time). Aaravos seemed like someone who'd turn against Viren the moment he stopped being useful to him so Viren's life has been hanging by a thread since s4. Viren was the best part of TDP and every scene he's been in had been a delight, well expect the s5 dream sequence because it was too long-winded and obvious, anyway, I'm sorry to see him go and I look forward writing AU fix-it fics where he and Aaravos are married and run a hot brown morning potion shop with all their four totally not dead children. RIP Viren. You lived like a messy bitch and died like a messy bitch. Iconic.

[elbiotipo]

The D&D kind of approach to magic makes me lose my mind because sometimes (and I'm aware this is a special case) you see characters that are supposedly "clerics" without paying any attention to what kind of god/belief they're serving. If a powerful entity gave you supernatural powers by your unshakeable faith, you would think that would play a more important role in your life, right? Apparently not, all you need to care about is how many spells slots you have.

Now you will say "but that's just a gaaaaaame", though I would argue that if you're playing a role playing game, you should try to do roleplaying. But you can see this approach to magic ("game magic" where you request and get spells as tools without thinking too much about it) creeping into the popular conception of fantasy. And that's, in my opinion, a shame, because you're welcome to write whatever you want, but I love wizards, I love real life spirituality, mysticism, religion and the supernatural, and I feel those themes are better served with an air of mystery and the unknown, of folklore and tradition, of an attempt to understand what can't be understood, instead of a fireball dispenser.

[drdemonprince]

Hello. Just read your article on asexuality and fetish (was looking through your substack and the title got me curious) and holy shit you have no idea how much it resonated with me. It's something I have been contemplating lately after having some sexual experiences that I found not as much actively unpleasant as just downright boring. I was considering the possibility of asexuality which would have explained nearly everything but for the fact that I do seem to have sexual fantasies even if only involving specific circumstances or scenarios (similar to the thing you mentioned about not needing it to be a specific person: mine always had little to do with actual real life people and more with various characters I would conjure up that would fit the situation) despite having very little attraction to people? I could always tell who would be considered attractive or not and had some general idea of what features I might like over others but none seemed to be mandatory in terms of physical attraction. I really did think I was stuck in some strange sexual purgatory situation and was trying to come up with ways of finding a concrete answer, always with the assumption that it would either be that I am asexual or I am not (due to what I thought was evidence to the contrary), but reading that article was really comforting, knowing that somebody else has that very same experience. Probably going to watch the movie you mentioned in the article while I'm at it too lol. Anyway, much love, hope you have a good day!!

Yeah!! Glad it was helpful to you. As is the case with SO many things, the operative question isn't really "what identity am i" / "is my identity valid/make sense/does it explain what i am accurately" -- the real question is "well, what the hell do I feel like doing?" and there's an endlessss array of possible ways to do sexual or sensual stuff with other people, or to just explore your fantasies. it's all good

I hope you enjoy That Boy with Peter Berlin!!!

[shrimshrim4fun]

Headcanons for L.L.

Note: I’ll be posting more bout her soon :D Well I hope I do :( Probably lots of angst if I’m doing her, her back-story is so sad 😢 I hope this was good, I rushed this before bed 👍

SFW:

-Has a chip in your device so even though she’s not with you, she can still somewhat communicate with you. Manty sometimes come visit you when she can’t

-Even though she always texts you how she’ll be so happy and joyful when you come visit her when you actually do she’s very nervous. Stutters a lot when she’s with you but slowly starts getting more comfortable with you

-Overthinks a lot. Especially the fact that one day she doesn’t do something right and you’ll try to leave her, the anchor that keeps her will to live alive. She’s scared that you’ll find her boring one day and toss her aside like her parents did

-When she steps out the tub she likes to hang out with you in private. No eating out or big crowds, she finds peace in just having you two together. Finds the social anxiety unbearable and doesn’t do well when talking to someone. Loves it when you cook her meals or hanging out with her in general

-Gets jealous very quickly. At first she doesn’t grasp this feeling and only thinking of it as you think she was somewhat boring. But the itching feeling in her heart tells her otherwise, and you explain to her later on that it’s a feeling called jealousy. Always ask questions if your unsatisfied with her if she finds out you were hanging out with someone else

NSFW:

-Most of the times when you get intimate is when your in some sort of water. Bathtub, shower, etc. Or in a virtual world of just you two

-In that world she does whatever you want to. If you want her to take the lead, she will. If you want her to lay still, she will. Anything you want she wants to. The true feeling of desire for both, a tangled mess of lust.

-All your weirdest fantasies are made true, any position, any toy. All your fantasies can come true in this world. All your desires will be satisfied by her. As long as you’re happy she’s happy as well. Seeing you want her as much as she wants you drives her on

-Though this is totally reversed when it’s real life. She’s shy and doesn’t know how to express these pent up desires caused by you. Lots of foreplay and easing her into it. Loves it when your soft with her. Slowly moving your fingers as you help her reach her high.

-She gets to be a pillow princess, or water princess. (Get it cause you’re in a bath tub :D, I’m sorry) She feels cherished and cared for as your hands slowly move along her body. Your praises soft and sweet, like a soothing balm to her bruised heart. Mostly soft sex and pretty vanilla until she gets more comfortable

-Aftercare is a MUST for her. Staying a few hours with you in the water as you cuddle against her. Your words reassuring her as she hugs you tightly, like you were about to disappear if she didn’t cling on

[ssruis]

love seeing you hate on the showtime ruler set . keep up the good work

I appreciate it! but I don’t think it’s something praise worthy. I think speaking up about the issues with RMD should be the norm and it’s disappointing that it isn’t. You would think that “I don’t think the cultures of historically marginalized and oppressed groups should be used as costumes” wouldn’t be a hot take. but apparently it is.

On the subject of that: I’ve heard a lot of people say “it’s not really based on native Americans” and “they didn’t know any better.”

To the first point: that is probably correct. It most likely draws inspiration from the colonist idea of indigenous people in general, but more specifically the Ainu (indigenous people to Japan).

Which brings me to the second point - they absolutely should have known better (and saying otherwise warrants a discussion on the infantilization of East Asians as well as Japan apologism in general. but that’s off topic).

The Ainu have historically been subjected to absolutely horrific violence and oppression by the Japanese government, on par with how the US has treated Native Americans. They were viewed as primitive and barbaric. Their land was taken, Ainu women were sexually assaulted, they were forbidden from practicing their religion, they were put into Japanese speaking schools and forbidden to speak their own language. They were forced to assimilate by law. In 2008 there were ~100 native Ainu speakers. The Ainu weren’t recognized as an ethnically distinct group by the Japanese government until 2019, but they are still continually erased by the push for a homogenous national identity.

Portraying the colonization of indigenous people as a simple “well both sides were prejudiced against each other they just needed to hold hands and get along :)” erases the very real history of oppression against indigenous groups. It allows people to ignore the atrocities committed and their lasting impact. Native Americans and the Ainu (as well as other indigenous people) are still feeling the effects of colonization. It’s not an issue that can or should be viewed as a thing of the past.

Portraying indigenous people as a vague fantasy race/group or as a costume contributes to their continued erasure. It leads to people believing indigenous people and their culture no longer exist. The reality is replaced by the fictional representation.

Phrased more eloquently by Gerald Vizenor (and the person he is quoting) in Mannifest Manners:

“… other masters of manifest manners in the nineteenth century, and earlier, represented tribal cultures as the other; to them ‘language did the capturing, binding Indian society to a future of certain extinction,’ wrote Larzer Ziff in Writing in the New Nation. ‘Treating living Indians as sources for a literary construction of a vanished way of life rather than as members of a vital continuing culture, such writers used words to replace rather than to represent Indian reality.’

[…]

“Those who ‘memorialized rather than perpetuated’ a tribal presence and wrote ‘Indian history as obituary’ were unconsciously collaborating ‘with those bent on physical extermination’ argued Ziff.”

(P.8, emphasis mine)

Vizenor is speaking about Native Americans here, but I think it’s applicable to this situation as well.

This post goes into it a bit more, in terms of harmful tropes present in the RMD story itself.

There’s definitely character related reasons to dislike the RMD story, but I think it cheapens the discussion to center it around “why rui wouldn’t write that” because that is not the important issue and defending a fictional character from the colonization apologist allegations is like. A non issue. Considering everything else.

[velvet4510]

Everybody wonders about the opening scene of X-Men: The Last Stand, because Charles’ lack of paralysis and Erik’s presence at his side when they recruit Jean make no sense when it comes to the timeline.

Well, I have a theory.

What if the scene as we see it isn’t what really happened, but rather a happy “what if”?

Charles remembered the day he first met Jean, and in doing so created a fantasy where it had happened the way he wished it had.

Rather than approaching Jean alone in his wheelchair like in real life, Charles imagined his ideal version of events. In it, the beach divorce never happened, Charles could still walk, Charles and Erik stayed together, Erik came around to Charles’ dream of a mutant school, and they recruited (essentially adopted) Jean together while maintaining their old-married-couple repartee.

The result? What we see at the beginning of the film.

Maybe Charles imagined this right after the apparent loss of Jean in X2.

Or - get this - maybe Charles and Erik both imagined it in a shared La La Land moment as the Sentinels cornered them in Days of Future Past…

Dang it, I just made myself cry.

[babykiss3s]

Hey! 💞 I’m Nana (she/her), and this is my slutty little corner of the internet where I share my horny thoughts and fantasies 🥰 I’m a 22 years subby girl exploring life, learning about myself, and embracing kinks every day. ❤️

I have my asks open, and I absolutely love reading everything you have to say, so feel free to share or ask anything! As for DMs, I'm still pretty new to this, so while I'm open to them, I may not always respond right away. Thanks for understanding!

my kinks are:

praise, edging, bimboification, corruption, dumbification, degradation, breeding, brat taming, spanking, condescension, cnc, bondage, free use and others that i don’t remember now

my turn offs are:

knife play, blood play, cheating, real pregnancy, zoo, piss, feederism

i’m just a dumb toy 🧸 💖

[howlsofbloodhounds]

I think the only headcanon I like and remember consistently is Killer having attachment issues in the way

When any relationship gets too real, he does his best to push the other one away. Actively doing things he knows the other one won't like so they'll leave him, because he doesn't deserve any kind of good-ish relationships. He thinks they'd do better in life without him. Uhh I think it's just a case of self-hatred, if I know my emotions right(which I don't)

Yes i agree. Although I think the reasons behind this isn’t as straight forward as it seems. Very important to keep in mind that Killer has a dissociative disorder—this will affect his attachments. Such as in his Stages.

For Stage 2, i genuinely think he is not interested in emotional connections, or at least is convinced he is. He views them as a threat to his independence and emotional detachment, and views himself as not capable of having them.

He prefers to live his fantasies out in his mind where it’s safer and less risk—where he has control. The second anything comes too real, and he starts filling engulfed, he will detach himself and start actively self sabotage to make them leave. This is to protect himself, and only himself.

There isn’t exactly a sense of “I don’t deserve this/you,” exactly. The most I can see this mindset cropping up is in his relationship with Color. For everyone else it’s more like, “I don’t need you. I don’t need anyone.” (Which is rich, considering his entire codependency shit with Nightmare. Silly little un-self aware bastard he is.

Although with Nightmare he doesn’t really have to worry about giving a shit about Nightmares emotions genuinely unless they impact him—he just does what he’s told or what he has to, and in return he gets purpose and direction.)

This is his schizoid and antisocial tendencies. Which i headcanon killer to have traits of in Stage 2. I think Stage 2 would have a dismissive avoidant attachment style.

In Stage 1, it’s much like you said—feeling undeserving—but also feeling deeply afraid of being engulfed, controlled, rejected, or abandoned or hurt again—although he deeply craves emotional connection and validation and safety.

For me, personally, Stage 1 is either anxious preoccupied attachment style, or fearful avoidant.

I’m not quite certain about how it’d manifest in Stages 3 and 4—mostly because killer doesn’t really attach much in these states. These two have bigger things to worry about than getting attached—and possibly don’t even conceive things like relationships.

Which, yeah, these are dissociative adaptations meant to keep killer alive or avoid suffering in ways that may be outdated to his current situation. Based on certain interpretations, Stage 3 is more likely to be entirely focused on the immediate moment and himself—nothing and no one else. Stage 4 is entirely unlikely to be focused on itself at all.

This would likely change and develop when Killer manages to form genuine connections and escape the dangerous abusive environment he is in— such as with Color, and then perhaps eventually with the rest of the Epic Sanses and the Chromatic Crew. And of course, the Stages are all still the same person— so there will be ripple effects.

[familyromantic]

Some antis lack brains it seems. Because they see a comshipper/l0licon/etc. and immediately go "If you like that in fiction, you must like that irl"

My guy, have you never in your life liked something in fiction or in your fantasies that you don't in real life? Cause then your life is really boring if you lack imagination that much. It doesn't have to be anything dark.

People who don't want to date their friends like reading friends to lovers, people who hate cops like a fictional policeman, people have a crush on fictional characters different to their preferred gender. That just happens, and I doubt you'd whine in that case.

[lemon-natalia]

Nona the Ninth Reaction - Review

firstly, i just wanted to say thank you to everyone who has taken an interest in and encouraged me in doing these liveblogs! this has been such a fun project to work on, and reading these books for the past nine months or so has been a bright spot in what has otherwise been a relatively tough period of my life. i’ve really enjoyed getting to theorise about all of the lore of these books and make horribly ill-advised emotional attachments to inevitably doomed characters

more fun statistics that no one asked for: this liveblog was the longest, at about 20,000 (!!) words. my GtN liveblog was 12000 words for comparison. i have no excuse other than i like to talk

NtN definitely was an interesting diversion from the other two books so far. it wasn’t exactly a breather, since it was still incredibly heartbreaking and horrifying, but it was fun to see a part of the worldbuilding very different from what we’ve seen before. as much as I missed both Harrow and Gideon, i liked that it gave other characters time to shine outside of interacting with them. it was fun to see more of Palamedes, Camilla, and Pyrrha, and how those characters act in a vastly different environment to the Nine Houses

although NtN was essentially telling two different narratives, John chapters vs Nona’s, it still didn’t feel particularly disjointed - i think it was thematically held together by being a bit more grounded than the other books so far, sci-fi and fantasy elements notwithstanding (contemporary issues like climate change and nuclear war, & John’s world being a setting far closer to our own vs Nona’s domestic life & very real problems of living in a warzone)

i also loved getting John’s perspective in the chapters narrated by Harrow, his point of view and recollections were equal parts funny, terrifying, and fascinating. he’s certainly got a … unique perspective on the world. it was just a slow horrifying journey trying to figure out how the world ended, knowing that it was doomed but not exactly how it happened

Muir really has a talent for endearing you to a protagonist, and Nona was no exception, I absolutely loved her, and just, her whole story and how tragic it was physically hurt me. i also wasn’t expecting to get as attached as i was to Hot Sauce and the school gang - i hope we get just even just a mention of what happens to them in AtN

tldr: 11/10. reading this series is like the emotional equivalent of voluntarily getting stabbed in the heart repeatedly. i have absolutely no clue what I’m going to do with my life now that this is over for the meantime, other than go crazy in a locked room with a red string conspiracy board trying to figure out whats going to happen in Alecto the Ninth

speaking of, obviously its not a pressing issue since to my knowledge there isn’t even a release date yet, but i’m not sure if i’ll do a liveblog for Alecto when it comes out? on one hand the most fun bit about liveblogging has been the reaction from everyone who’s already read the books and we’ll all be in the same boat of not knowing what’s going on when Alecto comes out, so i don’t know how much of a point there is? on the other i would very much enjoy doing it anyway, and i’m a perfectionist so it would be nice to have completed all of the books like that. so i guess it depends on how impatient i am to read the whole book when it comes out lol

[yannaryartside]

Tragicomedy

Okay I am gonna add my opinion that nobody asked for to the “is a comedy?” Debate. Is not like I know what reason they used to classify it in awards (and there is some part of me that thought they did that because the Bear is considerably modest in budget in comparison to the most resent winners in the drama category and they wanted a fighting chance).

But there is an outlet for them to be in this category…

The tone

Now, I studied film, there are plenty of definitions for what a comedy is…some of them have to do with duration/format/overall mood. If you go on a count of quantity of jokes or mood the Bear is definitely not that.

For some people, the defining aspect of a comedy is that there is a element of “fantasy” to it, in the sense that nothing that you do will have a logic, real world consequence, like those movies where you can throw a guy from a roof for comedic effect and not suffer real consequences like criminal charges or mortal injuries. The Bear is not like that.

But there is also something called a tragicomedy, a genre that is normally used in theater. Is a gender that explores the absurdity inside tragedy and humor and hope in the face of adversity. Some of this pieces will ridicule suffering and others will have a happy bittersweet ending. At some levels you could say the Bear is like that.

I would have put it in the category of drama because I am more of a “mood overall makes the essence of the story” kind of person. If drama and consequence are more powerful in the mood that the humor (such as s3) you should be a drama. You could say the bear is a drama and a tragicomedy, there is no mutual exclusion in writing.

If you think of “themes” and using the “absurdity/irony of suffering” (how we are our own worst enemy) it technically is comedy and can be judged in that aspect because is not “just a drama”

(and they decided to be judge as a comedy to have a chance imo).

Shameless was also a tragicomedy that made the spectator think they were watching a “suffering porn” kind of show where the struggle and absurdity of situations was the norm. There is precedent, so…

The performances

A little bit of a tangent, this is me and my opinion. Opinions are like asses, to each their own…but I understand why is unfair to some to judge a comedy actor vs a drama actor.

Saying that drama actors have more chances to make “remarkable performances” than comedy actors…I get it. We see this at the Oscar’s every time where they reward the actors that are portraying mentally ill people and historic tragic figures. The darker the character the more “difficult” the performance…to some people. IMO a person that is always happy could be as easy to perform as a person that is always sad. Acting is intellectual, physical and even spiritual. Acting is about bringing to life what is on the page and tone should not had anything to do with it. There is acting that is effective because is subtle and some over the top. And you can find that in any genre.

There are performances in comedy that are very impressive and difficult, not to mention that not everyone can act comedy. Comedies that treat with very deep/philosophical/social issues. Judging an overall performance because of how much time they are portraying “difficult emotions” is…idk, but that seems to be the norm.

I understand that is frustrating to see your fav comedy actor be judged next to someone that had to act drama and comedy and feel like is unfair. You want the actor to be rewarded as a comedy actor and their capacity to make you laught and cry (inside the expected format of a comedy) not a drama actor that sometimes makes jokes in a show with a lot of dark themes. You could also say the format expected from a comedy doesn’t allow for elasticity in character arcs and therefore performances. That is very true in some cases. The comedy that most people are used to has characters that have to remain a certain way for the plot to make sense.

I will also argue the reason the acting in the bear is so acclaimed is because there is a lot of nuance under it. You can see a million hidden details in fishes, I had to watch it 3 times to notice the exact moment where the drugs hit Michael. Jon was portraying a character that was also pretending to be something else. Is very impressive. They have a fighting chance against the other dramas imo but the comedy category was more convenient for the format of the show.

So yeah, is kinda unfair, but is not like they are “cheating” because the element of tragicomedy is the gender/theme that shapes the story.