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mostlysignssomeportents · 7 months

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The majority of censorship is self-censorship

I'm on tour with my new novel The Bezzle! Catch me TONIGHT in SAN DIEGO (Feb 22, Mysterious Galaxy). After that, it's LA (Saturday night, with Adam Conover), Seattle (Monday, with Neal Stephenson), then Portland, Phoenix and more!

I know a lot of polymaths, but Ada Palmer takes the cake: brilliant science fiction writer, brilliant historian, brilliant librettist, brilliant singer, and then some:

https://pluralistic.net/2022/02/10/monopoly-begets-monopoly/#terra-ignota

Palmer is a friend and a colleague. In 2018, she, Adrian Johns and I collaborated on "Censorship, Information Control, & Information Revolutions from Printing Press to Internet," a series of grad seminars at the U Chicago History department (where Ada is a tenured prof, specializing in the Inquisition and Renaissance forbidden knowledge):

https://ifk.uchicago.edu/research/faculty-fellow-projects/censorship-information-control-information-revolutions-from-printing-press/

The project had its origins in a party game that Ada and I used to play at SF conventions: Ada would describe a way that the Inquisitions' censors attacked the printing press, and I'd find an extremely parallel maneuver from governments, the entertainment industry or other entities from the much more recent history of internet censorship battles.

With the seminars, we took it to the next level. Each 3h long session featured a roster of speakers from many disciplines, explaining everything from how encryption works to how white nationalists who were radicalized in Vietnam formed an armored-car robbery gang to finance modems and Apple ][+s to link up neo-Nazis across the USA.

We borrowed the structure of these sessions from science fiction conventions, home to a very specific kind of panel that doesn't always work, but when it does, it's fantastic. It was a natural choice: after all, Ada and I know each other through science fiction.

Even if you're not an sf person, you've probably heard of the Hugo Awards, the most prestigious awards in the field, voted on each year by attendees of the annual World Science Fiction Convention (Worldcon). And even if you're not an sf fan, you might have heard about a scandal involving the Hugo Awards, which were held last year in China, a first:

https://www.nbcnews.com/news/world/science-fiction-authors-excluded-hugo-awards-china-rcna139134

A little background: each year's Worldcon is run by a committee of volunteers. These volunteers put together bids to host the Worldcon, and canvass Worldcon attendees to vote in favor of their bid. For many years, a group of Chinese fans attempted to field a successful bid to host a Worldcon, and, eventually, they won.

At the time, there were many concerns: about traveling to a country with a poor human rights record and a reputation for censorship, and about the logistics of customary Worldcon attendees getting visas. During this debate, many international fans pointed to the poor human rights record in the USA (which has hosted the vast majority of Worldcons since their inception), and the absolute ghastly rigmarole the US government subjects many foreign visitors to when they seek visas to come to the US for conventions.

Whatever side of this debate you came down on, it couldn't be denied that the Chinese Worldcon rang a lot of alarm-bells. Communications were spotty, and then the con was unceremoniously rescheduled for months after the original scheduled date, without any good explanation. Rumors swirled of Chinese petty officials muscling their way into the con's administration.

But the real alarm bells started clanging after the Hugo Award ceremony. Normally, after the Hugos are given out, attendees are given paper handouts tallying the nominations and votes, and those numbers are also simultaneously published online. Technically, the Hugo committee has a grace period of some weeks before this data must be published, but at every Worldcon I've attended over the past 30+ years, I left the Hugos with a data-sheet in my hand.

Then, in early December, at the very last moment, the Hugo committee released its data – and all hell broke loose. Numerous, acclaimed works had been unilaterally "disqualified" from the ballot. Many of these were written by writers from the Chinese diaspora, but some works – like an episode of Neil Gaiman's Sandman – were seemingly unconnected to any national considerations.

Readers and writers erupted in outrage, demanding to know what had happened. The Hugo administrators – Americans and Canadians who'd volunteered in those roles for many years and were widely viewed as being members in good standing of the community – were either silent or responded with rude and insulting remarks. One thing they didn't do was explain themselves.

The absence of facts left a void that rumors and speculation rushed in to fill. Stories of Chinese official censorship swirled online, and along with them, a kind of I-told-you-so: China should never have been home to a Worldcon, the country's authoritarian national politics are fundamentally incompatible with a literary festival.

As the outrage mounted and the scandal breached from the confines of science fiction fans and writers to the wider world, more details kept emerging. A damning set of internal leaks revealed that it was those long-serving American and Canadian volunteers who decided to censor the ballot. They did so out of a vague sense that the Chinese state would visit some unspecified sanction on the con if politically unpalatable works appeared on the Hugo ballot. Incredibly, they even compiled clumsy dossiers on nominees, disqualifying one nominee out of a mistaken belief that he had once visited Tibet (it was actually Nepal).

There's no evidence that the Chinese state asked these people to do this. Likewise, it wasn't pressure from the Chinese state that caused them to throw out hundreds of ballots cast by Chinese fans, whom they believed were voting for a "slate" of works (it's not clear if this is the case, but slate voting is permitted under Hugo rules).

All this has raised many questions about the future of the Hugo Awards, and the status of the awards that were given in China. There's widespread concern that Chinese fans involved with the con may face state retaliation due to the negative press that these shenanigans stirred up.

But there's also a lot of questions about censorship, and the nature of both state and private censorship, and the relationship between the two. These are questions that Ada is extremely well-poised to answer; indeed, they're the subject of her book-in-progress, entitled Why We Censor: from the Inquisition to the Internet.

In a magisterial essay for Reactor, Palmer stakes out her central thesis: "The majority of censorship is self-censorship, but the majority of self-censorship is intentionally cultivated by an outside power":

https://reactormag.com/tools-for-thinking-about-censorship/

States – even very powerful states – that wish to censor lack the resources to accomplish totalizing censorship of the sort depicted in Nineteen Eighty-Four. They can't go from house to house, searching every nook and cranny for copies of forbidden literature. The only way to kill an idea is to stop people from expressing it in the first place. Convincing people to censor themselves is, "dollar for dollar and man-hour for man-hour, much cheaper and more impactful than anything else a censorious regime can do."

Ada invokes examples modern and ancient, including from her own area of specialty, the Inquisition and its treatment of Gailileo. The Inquistions didn't set out to silence Galileo. If that had been its objective, it could have just assassinated him. This was cheap, easy and reliable! Instead, the Inquisition persecuted Galileo, in a very high-profile manner, making him and his ideas far more famous.

But this isn't some early example of Inquisitorial Streisand Effect. The point of persecuting Galileo was to convince Descartes to self-censor, which he did. He took his manuscript back from the publisher and cut the sections the Inquisition was likely to find offensive. It wasn't just Descartes: "thousands of other major thinkers of the time wrote differently, spoke differently, chose different projects, and passed different ideas on to the next century because they self-censored after the Galileo trial."

This is direct self-censorship, where people are frightened into silencing themselves. But there's another form of censorship, which Ada calls "middlemen censorship." That's when someone other than the government censors a work because they fear what the government would do if they didn't. Think of Scholastic's cowardly decision to pull inclusive, LGBTQ books out of its book fair selections even though no one had ordered them to do so:

https://www.nytimes.com/2023/05/06/books/scholastic-book-racism-maggie-tokuda-hall.html

This is a form of censorship outsourcing, and it "multiplies the manpower of a censorship system by the number of individuals within its power." The censoring body doesn't need to hire people to search everyone's houses for offensive books – it can frighten editors, publishers, distributors, booksellers and librarians into suppressing the books in the first place.

This outsourcing blurs the line between state and private surveillance. Think about comics. After a series of high-profile Congressional hearings about the supposed danger of comics to impressionable young minds, the comics industry undertook a regime of self-censorship, through which the private Comics Code Authority would vet comings for "dangerous" content before allowing its seal of approval to appear on the comics' covers. Distributors and retailers refused to carry books without a CCA stamp, so publishers refused to publish books unless they could get a CCA stamp.

The CCA was unaccountable, capricious – and racist. By the 60s and 70s, it became clear that comic about Black characters were subjected to much tighter scrutiny than comics featuring white heroes. The CCA would reject "a drop of sweat on the forehead of a Black astronaut as 'too graphic' since it 'could be mistaken for blood.'" Every comic that got sent back by the CCA meant long, brutal reworkings by writers and illustrators to get them past the censors.

The US government never censored heroes like Black Panther, but the chain of events that created the CCA "middleman censors" made sure that Black Panther appeared in far fewer comics starring Marvel's most prominent Black character. An analysis of censorship that tries to draw a line between private and public censorship would say that the government played no role in Black Panther's banishment to obscurity – but without Congressional action, Black Panther would never have faced censorship.

This is why attempts to cleanly divide public and private censorship always break down. Many people will tell you that when Twitter or Facebook blocks content they disagree with, that's not censorship, since censorship is government action, and these are private actors. What they mean is that Twitter and Facebook censorship doesn't violate the First Amendment, but it's perfectly possible to infringe on free speech without violating the US Constitution. What's more, if the government fails to prevent monopolization of our speech forums – like social media – and also declines to offer its own public speech forums that are bound to respect the First Amendment, we can end up with government choices that produce an environment in which some ideas are suppressed wherever they might find an audience – all without violating the Constitution:

https://locusmag.com/2020/01/cory-doctorow-inaction-is-a-form-of-action/

The great censorious regimes of the past – the USSR, the Inquisition – left behind vast troves of bureaucratic records, and these records are full of complaints about the censors' lack of resources. They didn't have the manpower, the office space, the money or the power to erase the ideas they were ordered to suppress. As Ada notes, "In the period that Spain’s Inquisition was wildly out of Rome’s control, the Roman Inquisition even printed manuals to guide its Inquisitors on how to bluff their way through pretending they were on top of what Spain was doing!"

Censors have always done – and still do – their work not by wielding power, but by projecting it. Even the most powerful state actors are not powerful enough to truly censor, in the sense of confiscating every work expressing an idea and punishing everyone who creates such a work. Instead, when they rely on self-censorship, both by individuals and by intermediaries. When censors act to block one work and not another, or when they punish one transgressor while another is free to speak, it's tempting to think that they are following some arcane ruleset that defines when enforcement is strict and when it's weak. But the truth is, they censor erratically because they are too weak to censor comprehensively.

Spectacular acts of censorship and punishment are a performance, "to change the way people act and think." Censors "seek out actions that can cause the maximum number of people to notice and feel their presence, with a minimum of expense and manpower."

The censor can only succeed by convincing us to do their work for them. That's why drawing a line between state censorship and private censorship is such a misleading exercise. Censorship is, and always has been, a public-private partnership.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/02/22/self-censorship/#hugos

#pluralistic #ada palmer #worldcon #hugos #china #science fiction #fanac #publishing #censorship #systems of information control during information revolutions #scholarship

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razistoricharka · 4 months

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Very interesting + concise article, pertinent with how much I've seen the joke about that "sadness in his eyes you only see in east european gay porn". Warning for pretty much everything you can expect.

Describing the wave of Eastern European gay pornography that flooded the US market following the dissolution of the USSR, Jones said: “They were products of a crude imperialist enterprise: cheap and nasty looking, with an atmosphere of coercion and cultural misunderstanding pervading them. Customers adored these videos, and expressed their breathless admiration whenever given the chance”

It gets pretty rough from here onward.

The Fall… opens with a short clip of a young man in profile, undressing. He looks uncomfortable, alternating between staring forward and glancing in the direction of the camera, his eyes showing a mix of discomfort and contempt. Jones’ voiceover states: “even in an unlikely place, it is possible to find traces of recent history” followed by b-roll taken from the aforementioned porn films including maps of the former USSR, market scenes, beggars and street footage. Their purpose in the aforementioned films appears to be part exoticism and part poverty fetishism, attempting to show the former glory of the Eastern nations as an emphasis on their subsequent fall. They’re an essential part of the set-up, speaking directly to what made this genre of pornography appealing to a western, primarily American, market. It’s easy to comprehend the mixture of exploitation and exoticism that made these videos popular in the US, but Jones goes further, aiming to establish a firm link between the booming Western economy and a more global, less visible form of exploitation.

The latter half of the film compounds the atmosphere of coercion, focusing specifically on the casting and screen tests of performers. The voice from behind the camera probes the subject on their sexual preferences, their motivations for being filmed: “I’m doing it for the money” “That’s a very good reason” Western audiences were turned on by the idea that the performers were under some form of duress—the ostensibly straight man either consuming their sexuality through the guise of pornography, or in the case of several scenes, the performer showing visible discomfort at either the sex or the presence of the camera. The films are low budget, low production value and low brow—by intention, rather than necessity. Jones speculates that the developing Eastern European sex industry, with the influx of Western producers and a Western market in mind, could be seen as an indicator of fertile ground for fascist ideologies—an aspersion confirmed by the global rise of far-right ideologies in tandem with the economic pressure of late-stage capitalism, a point at which more contemporary comparisons can be made.

The brief conclusion on the contemporary form of this exploitation aesthetic is also noteworthy:

In the same way that the fall of communism was exploited by the West, the financial and social insecurity of a generation living in recession, under permanent austerity, is exploited now. The aesthetics utilised in Jones’ film are still broadly present, albeit perhaps in a slightly altered form, now accompanied by a new visual language born from a culture numb to being told to “like, comment, share and subscribe”.

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joeypetter · 2 years

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Hardware

Services

Professional Services

Consulting Services

Implementation Services

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ïƒ˜ Government

ïƒ˜ Retail

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artsekey · 10 months

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Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”). She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too! Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

#wish #disney #review #magnifico

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ghostlyferrettarot · 5 months

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✨️💎Jupiter and the signs💎✨️

❗️All the observations in this post are based on personal experience and research, it's completely fine if it doesn't resonate with everyone❗️

✨️Paid Services ✨️ (Natal charts and tarot readings) Open!

🌟If you like my work you can support me through Ko-fi. Thank you!🌟

💎Masterlist💎

♣︎Jupiter in Aries: They tend to be more enthusiastic, assertive, energetic, and full of ideas about how to initiate, promote, or expand ideas. You can also be more stubborn and very persuasive in getting people to embark on your plans and ideas. As Jupiter represents the principle of growth and the notion of something higher, the actions of those born under the influence of Jupiter in Aries can lead to personal development more easily.

♣︎Jupiter in Taurus: indicates a predisposition to use money and material resources correctly and beneficially. Jupiter in the sign of Taurus has a strong tendency to attract wealth and have a good sense of the value of things. Those who obtain it like to enjoy material comfort, good food, various forms of art and the good things in life in general. They appreciate what is good and what has personal value, even if it is expensive.

♣︎Jupiter in Gemini: they tend to be intellectually curious, they can read a lot or be that type of person who is always on the Internet looking for new information, news, curiosities and teachings. Their curiosity can be aroused in different areas, so they tend to be mentally restless and enjoy movement. Valuing communication is an essential part of those who have this position, for example Working in the communication industry, whether with journalism , advertising, public relations or tourism.

♣︎Jupiter in Cancer: these individuals focus on family experiences, knowledge base, past and personal roots. The place where they belong and call their own, is also a place where friends and acquaintances can find greater comfort in case they have problems guiding the course of life. There is a desire to create a safe, comfortable, friendly, welcoming and prosperous family environment that can also be used for educational and fun activities.

♣︎Jupiter in Leo: Optimism, generosity and a kind way of being are highlighted. You tend to like to be admired and valued. Jupiter in the sign of Leo brings the tendency of leadership. Its natives generally arouse enthusiasm in other people, and therefore have the potential to be good leaders. The generosity, firmness and reliability of these natives stands out.

♣︎Jupiter in Virgo: The person will care about the details and the precision of his behavior. It influences the person to appreciate the details, the kind that he can do a lot with a little. They have a superior, prudent, intellectual, analytical and practical nature; They differentiate what is essential from what is not essential, truth from fiction, what is valid and what is not. Their judgment is generally excellent.

♣︎Jupiter in Libra: They are people who tend to worry about the moral principles that guide society, their unions and their interpersonal relationships. Natives with Jupiter in Libra believe that love and justice can create a much more harmonious social order, being more generous people and, for this reason, more popular and loved. These personal characteristics can make them develop activities related to the public. It is not uncommon for people with this position to be attracted to becoming diplomats, salespeople, presenters, etc.

♣︎Jupiter in Scorpio: tends to have a greater appreciation for everything that is hidden, secret. They like to investigate and delve into other people's minds, as well as more ethereal topics, such as death, the occult and religion, for example. Jupiter in Scorpio can discover secret information about the private affairs of others in an extremely natural way. People have the potential to become more resourceful and have very strong and resolute opinions regarding their beliefs.

♣︎Jupiter in Sagittarius: One of the main interests of those who have Jupiter in Sagittarius is higher knowledge. Topics such as philosophy or religion, education and foreign cultures have a lot of meaning and are appreciated. They tend to choose their own system of thought that will govern their behavior and the way they view life. This is the type of attitude that can earn a person the respect and admiration of others in many situations.

♣︎Jupiter in Capricorn: You can demonstrate greater economic or political responsibility, being prudent, cautious and trying to be fair in your judgments. For people with Jupiter in Capricorn, management, status and recognition tend to gain more importance. Due to Characteristics such as ambition, patience, administrative ability and the wisdom to deal with the resources acquired throughout life, those born with this position generally manage to save money and own property.

♣︎Jupiter in Aquarius: they tend to enjoy interacting with people of all classes, races or creeds, without much distinction or prejudice. They tend to be more tolerant and understanding, recognizing more easily that everyone has their place in the world and that in all positions there are lessons to learn. Jupiter in Aquarius are more likely to engage in philanthropic activities aimed at helping others.

♣︎Jupiter in Pisces: they tend to be more emotional, understanding and endowed with a greater sense of compassion. Having spiritual or philosophical convictions, with this positioning, becomes more possible; People can develop a more comprehensive, universal and fulfilling spiritual understanding. Because of this greater search for elevation, they tend to eventually enjoy moments of isolation, becoming more introspective. By meditating, you can better develop this intuition and renew yourself spiritually.

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art · 8 months

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Creator Spotlight: @jijidraws

Jiji Knight is a latina pinup illustrator. Her work is overall geared toward thick ladies and dedicated to fat positivity out of a purely selfish need to create art she wished she had seen growing up. She often features sexy and soft macabre themes on vibrant or sweet colours and takes great joy in making folx feel good about themselves with her work. She holds a Bachelor of Fine Arts in Illustration and operates out of her very sunny hometown of Las Vegas.

Check out our interview with Jiji below!

Have you ever had an art block? If so, how did you overcome it?

Oh my gosh… I have art blocks all the time. My favorite way of overcoming it is by making fanart. Funnily enough, that’s something I don’t do in my own work anymore. But there are still IPs I return to that still bring joy to my heart. I love returning to drawing Sailor Moon like when I was in first grade. Or I’ll even look up the last fashion week and start drawing the fashion week outfits from the Paris or New York show. Stuff like that is what gets my creative juices flowing.

What medium have you always been intrigued by but would never use yourself?

Resin. Resin art is so stunning. People make the most amazing and beautiful sculptures using resin, and I don’t think I could ever bring myself to play with something so complicated. There are a lot of ways to cure it, and sometimes, it doesn’t cure properly…I already work with enough chaos as it is! I respect resin artists, but I don’t think I would ever touch it. I’ve admired it from a distance. There is an artist I follow who does these resin layer paintings. So they’ll paint a layer of resin, then cure it, and paint on top of the cured layer. They build up these amazing paintings using resin…I could never. Maybe one day!

What is one interaction you had with a fan of yours that has stuck with you over the years?

I still remember…It was my first and only Flame Con in New York. I had a fan come up to my booth. They didn’t say hello or that it was nice to meet me. They started to cry! They cried, and the first words out of their mouth were, “I’ve never seen myself in artwork before.” So, of course, I started to cry! So we were just crying across the table at each other. It was just one of the sweetest interactions, and it really sticks with me still to this day.

What is a recent creative project that you are proud of?

My latest collaboration with the artist Missupacey. We’ve been collaborating for two years now, and our last collaboration was for Midsummer Scream. It was two very cute clown girls, and I designed our T-shirt. It was one of the most fun projects we’ve done in a long time. We love doing collaborative work because it keeps working in the art industry fresh—being able to bounce ideas back and forth. So we do it where someone picks the color palette, and someone picks a theme. We’ll get references together, put them on a big board, and send each other sketches. It’s really nice to work with somebody else.

How has technology changed the way you approach your work?

Honestly, it changed everything. I mean, I used to draw for myself a lot. And while I still do that, I now predominantly draw for my Patrons. For a while, I was drawing for the internet. So I was drawing stuff people wanted to see in terms of plus-sized versions of characters—a plus-sized Poison Ivy or a plus-sized Sailor Moon. My Patrons have allowed me to start drawing for myself again. But technology, for a while, essentially dominated what direction I was taking with my art, so I’m grateful to take some of that power back.

If there is one thing that you want art enthusiasts to remember you by, what would it be?

Body positivity. I would love for them to remember that there is an artist making work that is making people feel good about themselves and about the way they look at themselves.

Top tips on setting up an Artist Alley booth?

Have a method of taking money, have a method of displaying your work, and have a way to take a break. I have a plastic picnic cover that costs like a dollar at any store. All I have to do is clip it to my display grates, and it covers up my entire display. I feel secure enough to take time for myself in a 10-hour workday to eat something, go to the restroom, or even take a moment to breathe and reorganize my inventory. So it’s so funny that this one-dollar piece of plastic is like the most life-saving item in my display of items.

Who on Tumblr inspires you and why?

@mayakern comes to mind. She is another body-positive artist who expanded into making body-positive clothing. She’s amazing, and just to see someone else out there promoting body positivity. Maya’s been doing it longer than I have, I believe. It feels good to know that I’m not alone. Her work is always stunning, and I love her body-positive DnD characters and the fact that she’s still plowing through the clothing industry. For example, she’s expanded from skirts to button-downs and even custom-wrap shirts. I love to see what she’s doing, and it inspires me to pursue different avenues with my own work.

Thank you so much for stopping by and sharing, Jiji! Be sure to check out their Tumblr blog over at @jijidraws.

#creator spotlight #artists on tumblr #jijidraws

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rboooks · 1 year

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If you take requests can you do a dc x dp with dead tired ship?

I love requests~! I really hope I got dead tired, ship, right. I need to find out the ship names. It's Tim/Danny, right? If not, let me know, and I'll fix you another one.

Tim really wasn't looking forward to meeting the new heir to Vladco. Usually, his parents didn't want anything to do with new money, as they thought that new money was too close to no money, but Vlad Masters was different.

The difference? He bought out almost all of Drake Industries' shares, and now Tim honestly thinks he owns more of the family company than his parents. Jack and Janet hoped to make good connections with the man and slowly but surely trick him into selling the shares back to the Drakes.

Tim thought if he was smart enough to get the people that bought shares of his family company generations ago, not just once but at least eight times, then Vlad Masters wouldn't be as easy to trick as they thought.

Then again, his parents aren't the best businessmen around. If they were, they wouldn't be flying through the family wealth, leading them to bankruptcy.

Tim would know.

One day, he looked at their books when he was bored a few months after discovering Batman's identity. He tried to tell his mom about it, but she told him that he didn't understand the business well enough to tell.

So he signed himself into college-level business courses online to learn it. She didn't appreciate his initiative.

"Remember, Tim, Daniel Masters is who you must befriend," Janet says for the third time as they climb out of their car. " Friendships are the ladders to climbing up in the world."

"Yes, Mom." He tries to smile at her, but all Tim wants to do is go back to the roofs of Gotham and watch the Bats.

Jason is supposed to start his solo patrols tonight, which is a big deal, and he's missing it. His parents weren't supposed to be back for another month. However, their latest job was canceled due to locals complaining.

His dad grumbled about people getting in the way of history, but Tim thinks it has more to do with his parents wanting to dig up an old cemetery......apparently the locals like their grandparent's resting place to be left alone.

Tim also thinks it's not lovely to dig there just because the locals are poor, so he may have hacked into the country's files and flooded the internet with the disrespectful attempt that his parents were trying to make. It received the right amount of backlash to stop the whole operation.

He then sent the community an anonymous donation so they could fix it up, get the gravestones washed, and the stories of the buried people turned into a book. It's the least he could do.

Tim's parents didn't realize the loss of funds only because he carefully hid his tracks with shell companies.

They are greeted at the door by Vlad Masters. He gives his father a handshake, compliments his mother's dress, and even offers Tim a gentle hello. Masters is known for being a bit of a humble hermit, soft-spoken but with sharp, intelligent eyes.

Everything he expects new money to be, down to his mannerism and even the way he stands. Tim would have been able to clock him miles away without even knowing his name.

"This is my son, Daniel," Masters says, patting the head of a frowning boy Tim's age. He stands just a bit away from Masters as if he does not want to be near him. Tim notes the way he shies away from Master's hand.

Interesting.

"It's Danny." The boy hisses. Mom's face tightens at his manners. She never liked children being heard instead of seen. Danny takes a small breath before smiling at the Drakes with a friendlier composure.

The hostility was only toward his father?

"Please call me Danny. It's my real name, not a nickname," He says, offering his hand for a shake. Tim fights a wince. As the son of a wealthy family and not the head, Danny is not supposed to initiate a greeting with Tim's dad.

He just told the Drakes he needs to be aware of high society rules, making him easy pickings. His parents jump onto that weakness like a lion on a trap gazelle.

"Daniel. It's lovely to meet you. " Mom's articulation is just a shade away from being mocking. Danny's smile falls off his face closing down into a near-emotionless mask. "How old are you, deary?"

"I'm old enough to still hear correctly, unlike you. That's not my name. It's Danny." He says much to mom's surprise. Tim guesses she's not used to people challenging her so directly. He learned that, too, while he was running Gotham.

The elites always made passive-aggressive backhanded comments to insult each other. The poor told you to fuck off to your face.

"You do not speak that way to my wife, Daniel-" His Dad starts, but Danny holds up his hand.

"You either call me Danny or don't talk to me." He says. "I don't need to waste my breath repeating myself."

Wow. Tim thinks, watching the red growing on Dad's face. He's cool.

"Are you going to let him talk to me like that?" Dad demands, turning to an amuse-looking Masters. The other man raises a brow, his gentle smile still on his face, but somehow it looks more....dismissive now. As if he was looking at a child demanding the impossible.

"Why ever do you mean?" Masters asks, "Your tone implies you were insulted, but that would mean you are upset with a child asking to be spoken to with respect. Surely, a man of your standing knows children deserve respect?"

"They need to respect their elders." Mom cuts in her voice like ice.

"He is my son, so I am his elder. Not you." Master counters, "But not to worry, I will remedy this issue. Danny will no longer be speaking to you disrespectfully, as I will not allow him to be near you."

His parents had a few seconds of looking smug until Masters waved his hand back towards the driveway. "Have a lovely night, Mr. and Mrs. Drake."

"Excuse me?" Mom cries, and Tim can't believe his eyes. The rest of the wealthy guests have caught on to the issue and have gathered near the windows and doorway to watch.

"That's Fruitloop for You can leave now." Danny chirps starting to look more like his father by the amusement on his face. "Except for him. He's cool."

He points to Tim, who flushes at the attention. He had been staring at Danny, taking in every detail of his expression and body language, fascinated by the fact he did not once seem intimidated. He didn't even look bored.

He seemed comfortable in his slightly slouched posture and confident in his skin and abilities. But his earlier behavior implied that just as he is confident in himself, he also doesn't think very highly of himself.

Tim's never seen anyone like that. It's strange. New. Exciting.

Heck, it was exhilarating.

Tim wanted to break Danny Masters' head open and figure everything about him out. It felt like a new case just begging him to uncover.

"I am?" He asks in a slight daze, and the other boy offers him a dazzling smile.

"Yeah, you respect the dead. The spirits adore you."

What?

"Oh, this is the young boy who protected that cemetery in Guatemala?" Masters asks with genuine warmth this time. "A fine job, Timithoy."

"It's Tim." He hears himself say, and Masters nods.

"A fine job Tim."

Danny offers him a wink, and Tim thinks his stomach just fell out of his body. What is this-?

"Timothy, we are leaving!" His mother screeches, tugging on his arm and yanking him away. The rest of the guests laugh as the Drakes are driven away. Tim knows he will never be allowed near Danny after this, so he turns his head around to give the boy one last look.

He meets the glowing green eyes of the Masters, who wave their fingers at him.

Tim starts following Danny around after that.

(Danny and Vlad know he's there and think it's cute. That's how ghost courts, so they don't see it as a problem. What is problem is getting along long enough for them to figure out a way back to their home dimension. Danny allowed Vlad to overshadow people just so they could have the means to eat, but he's getting really sick of Gotham. At least the soft clicking sound of a camera lures him to sleep at night.

Tim approaches Robin before his hero can go to Ethiopia. He doesn't understand what he is experiencing as his first crush and concludes that the Masters are aliens planning on luring small children by making them fall under a spell through their glowing eyes. Jason takes this very seriously and agrees to wait on his mission overseas. He realizes early on what's actually happening but, by that point, thinks Tim is hilarious and just edges him on.

He, too, thinks the Masters are aliens, but he's not about to tell Bruce.)

#dc x dp crossover #The Masters are aliens Au #Requested Prompt #Danny Fenton/Tim Drake #Bad parents Jack and Janet Drake #Tim is 13 here #Danny is 14 #Vlad just thinks this all hilarious #Dimension travel #They call DC dead “spirits” and not ghost cause they lack more ecotplsm

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deliciousangelfestival · 2 months

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"Darling, bad luck seems endless." - Bucky Barnes

Summary: You've always been haunted by bad luck your entire life, despising it deeply, until you meet someone who finds it amusing.

Character: dark!Bucky Barnes x Female!Reader

Author's Note: Hello, everyone; this story is for the sleepover event hosted by @the-slumberparty. What I chose is a strawberry sundae with gummy bears as the topping.

Chapter 1 , Chapter 2 .

Main Masterlist || support: Ko-fi

Thank you to anyone who gave a like, reblog, and left a comment. It motivated me to write more.

Bad luck.

You always felt that bad luck followed you everywhere. Growing up, you didn't realize it, but it became clear to you after becoming an adult.

There was one time when you had prepared for an exam, but two days before, you got a high fever and had to take the exam all by yourself.

When you got an offer to study piano abroad, your father's business went bankrupt.

Then, when you finally got into your dream college, your father's business went bankrupt. Again.

When you wanted to study and paid for an extra course, the teacher lied and told you to study alone. It turned out you could learn everything from the internet. You were taken in by his sweet talk because of his experience working in the industry.

After you graduated, you went to work at a studio, but it went bankrupt because the owner embezzled the money to buy a Ferrari.

Then, you were introduced by a relative to an investment. Because you saw her enjoying the profit, you put all your money into the investment. For eight months, it went great, but after that, everything went to hell because it was a scam. You lost the money, the money that your father had left you. It still pains you.

Each time it feels like life is going your way, it soon comes crashing down when you face another misfortune.

As a last resort, you went to a priest but received no answers. You visited a shaman but still found no answers. Then, you went to a paranormal who said, “Bad luck fucks you like Zeus fucks his prey.”

‘Well, shit,’ you thought.

Not knowing what life would bring you, you tried to find another way to make money by taking a class in jewelry making. You pretended to hate it and not enjoy making jewelry.

You were scared that each time you enjoyed or liked something, bad luck would come like judgment day with no warning and take all the joy from you.

But bad luck can't be fooled. It appeared again in another form. It turned out the jewelry store owner was actually a gangster in the diamond business. It was a risky job, but it helped to pay the bills.

Sir Galileo, with his grey hair and special glasses that he always wore to appraise diamonds, was an eccentric man. He always dressed as royalty and wore white gloves. He insisted from the beginning that you call him a 'sir.'

He always brought you with him whenever he went to see a client. Specifically, your job was to drive the car, take notes, and design jewelry for clients. The clients were unique, too: mafia, drug dealers, etc.

Of all the clients, there was only one that caught your attention. You liked him because he was a regular customer and always paid upfront.

James Buchanan Barnes, or his nickname ‘Bucky’. You didn’t know much about him, but he was loaded with money. His mansion, his vintage car collection, and the rings he wore on his fingers were all testaments to his wealth.

Every time you met him, it was always at a different place. It was never the same location.

Damn, each gold and diamond in his rings could solve world hunger. Even Sir Galileo respected Bucky.

Today, Bucky called both of you again.

When you both arrived at a new location, another mansion, you couldn't help but be impressed by its grandeur. The sprawling estate was surrounded by lush gardens and towering gates. The mansion itself was a blend of modern architecture and classic elegance, with large windows reflecting the sunlight and intricate details on every corner.

Bucky looked at you while opening his arms wide. “My Da Vinci,” he greeted warmly.

You blushed when he called you that. His nickname for you always made you feel a mixture of pride and embarrassment. You looked down briefly, trying to hide your flushed cheeks.

“I can't wait to see the design you've made,” he said, turning to Sir Galileo. “And I want you to take a look at that ruby stone I got.”

“Sure,” Sir Galileo replied with a nod.

Once everyone was seated in the lavishly decorated living room, you grabbed your tablet and showed Bucky the jewelry design you had created for him. Instead of the usual ring or bracelet, you had designed a watch that fit his character perfectly—sleek, elegant, and powerful.

Bucky inhaled his cigar, examining the design closely. “This is great,” he said, a rare smile forming on his lips.

You felt a surge of pride when your work was appreciated, but you quickly dismissed the feeling. You didn’t want another bout of bad luck to hit you like a truck.

“How did you get this ruby?” Sir Galileo asked, still scrutinizing the stone with his special glasses.

“Tsk,” Bucky clicked his tongue. “Don’t remind me. My man got hurt getting that.”

“Another incident?” Sir Galileo inquired, raising an eyebrow.

Bucky exhaled smoke from his mouth, his expression darkening. “We’ve never had a casualty like this before. I feel like we have bad luck.”

You flinched when you heard ‘bad luck.’ Could it be that your bad luck had moved to Bucky?

You hoped nothing bad would happen to Bucky because you enjoyed working for him.

But once again, bad luck visited you. This time, it came in the form of a bullet shooting through the window. It was a surprise attack.

“Fuck,” Bucky cursed as he shielded you from the bullet and hid behind a chair.

“Are you okay?” he asked, his face close to yours, making your heartbeat quicken.

“I… I'm fine,” you stammered.

Bucky took a peek out the window, his eyes narrowing. “How did they find out my hideout?” he cursed.

You stayed quiet. Could it be because of you?

Sir Galileo, hiding behind a table, said urgently, “We should run.”

“No shit,” Bucky responded. He called his guards to prepare for an escape.

The three of you stayed low until you reached the garage. You all piled into a black SUV, the engine roaring to life.

Never had you imagined you’d be in a car chase. The adrenaline pumped through your veins as the SUV sped down the driveway, bullets ricocheting off the sides.

The roar of the engine filled your ears as the black SUV tore down the narrow streets. Bucky was driving with a fierce determination, weaving in and out of traffic, while Sir Galileo barked directions from the passenger seat. Behind you, the pursuing cars kept gaining, their headlights piercing through the dusk like the eyes of predators closing in on their prey. Bullets shattered the rear window, and the vehicle swerved violently as you tried to avoid the onslaught.

The situation felt hopeless. You could see the grim set of Bucky’s jaw, the way Sir Galileo’s hands gripped the dashboard. They were in danger because of you. You had to do something. You took a deep breath and made a decision.

“Leave me here,” you said, your voice trembling but resolute.

Bucky glanced at you, confusion and anger flashing across his face. “What? You've got nothing to do with this.”

“I think I do,” you whispered, feeling the weight of your bad luck pressing down on you. You reached for the door handle and flung the door open, the rush of wind pulling at you.

“You're crazy!!!” Bucky yelled, reaching for you, but you were already tumbling out of the car. The asphalt rushed up to meet you, and you hit the ground hard, rolling painfully to a stop. Your body ached all over, but you forced yourself to sit up. Through the haze of pain, you saw Bucky’s car speeding away. Relief washed over you, knowing they had a chance to escape.

“Click.”

The unmistakable sound of a gun being cocked froze you in place. You looked up to see several men emerging from the pursuing cars, their guns trained on you.

“You’re coming with us,” one of them said, his voice cold and devoid of emotion.

They hauled you to your feet, roughly searching you for weapons. You winced at the pain but felt a grim satisfaction knowing Bucky and Sir Galileo were getting away. The men shoved you towards one of their cars, and you knew your fate was now in their hands.

🍀🍀🍀🍀

The days blurred together as you sat in a dimly lit room, the only illumination coming from a bare bulb hanging from the ceiling. Your captors had bound your wrists to the chair, and the rough rope chafed against your skin. They had been relentless, taking turns to interrogate you, their questions a mix of frustration and suspicion.

“Tell us about Bucky,” one of them demanded, leaning in close, his breath reeking of tobacco and stale beer.

“I’m just a jewelry designer,” you insisted, your voice hoarse from hours of questioning.

“No. You’re more than that,” he sneered. “Barnes never invited the same person more than twice. You must mean something to him.”

You blinked in surprise. That was news to you. Bucky had always seemed so casual, so composed. You had no idea he had such strict rules.

“I told you, I’m just a designer,” you repeated, trying to maintain your composure.

‘BANG.’

Suddenly, an explosion rocked the hideout. The walls shook, and dust rained down from the ceiling. Panic spread through the room as your captors scrambled, their plans falling apart.

“Fuck! Nothing’s going our way!” one of them shouted, his voice tinged with fear.

You couldn’t help but think that maybe this was your fault, that your bad luck had followed you here and was now wreaking havoc on these gangsters. The thought made your stomach churn with guilt.

Then, you heard gunshots. The sharp cracks echoed through the building, and you instinctively covered your ears, trying to block out the chaos. Moments later, the door burst open, and you saw Bucky standing there, a fierce determination in his eyes. He quickly dispatched your captors with a series of precise shots, his movements fluid and lethal.

“Fuck,” Bucky muttered, surveying the scene before his eyes locked onto you. He holstered his gun and hurried to your side, cutting the ropes that bound you.

Bucky helped you stand up, his eyes searching your face. “I still can't believe you."

“Me?” you began, trying to find the right words.

Bucky cut you off, a rare, almost gentle smile touching his lips. “You’re the only woman willing to sacrifice for me.”

He still can't believe that a girl like you, whom he only knew as a designer, was willing to sacrifice for him. Bucky has been interested in you because of your background, wondering how a good girl like you could end up working with Sir Galileo.

“It’s all…” You started, but then you felt something cold press against the side of your forehead.

'Click.'

You gasped in shock, your heart pounding as you realized Bucky was pointing a gun at you.

Bucky’s smile turned cold and frightening. “Now, dear, tell me why you said it’s all because of you before you jumped off the car.”

“Because I'm bad luck,” you whispered, your voice trembling.

“Huh?” Bucky's eyes narrowed.

“You probably think I’m insane, but I bring bad luck wherever I go,” you explained, your voice shaking.

“Hah!” Bucky's eyes widened for a moment before he burst into laughter. “Hahahaha…”

He laughed so hard that he wiped a tear from his eye. “This is getting more interesting.”

His laughter sent chills down your spine. He found it amusing, but to you, it was a curse. His grip on the gun didn’t waver as he stepped closer, his presence overpowering.

Bucky leaned in, his breath warm against your skin. “We’ll get along just fine,” he said, his voice a low, dangerous whisper.

Taglist:

@thezombieprostitute

@thetravelingtyper

@scott-loki-barnes

@mostlymarvelgirl

@chemtrails-club

@dexter99

@seresingirlie

@missvelvetsstuff

@kjah97

@tfatwsoldir

#bucky barnes x y/n #bucky barnes x reader #bucky x you #bucky x y/n #bucky barnes #bucky x reader #bucky barnes au #james bucky buchanan barnes #james bucky barnes #buckybarnes #dark!bucky x reader #bucky au #soft!dark bucky #bucky barnes x you #bucky x female!reader

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shdysders · 9 months

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the fallout

pairing: jenna ortega & female reader

summary: in which you and jenna unexpectedly run into each other after a long complicated time, which makes things take a big turn for you.

word count: 4.8k

warnings: 18+ heavy topics; depression, suicide, unhealthy weight loss.

authors note: my longest imagine so far, but also the darkest one i would say. please tell me if it’s too confusing bc i feel like it might be. the ending is a little rushed, so tell me if you have any questions about it.

The weird thing about relationships is that they have a way of defying expectations. Just when you think you have it all figured out, love throws you a curveball, leaving you both bewildered and amazed. Especially when you're in a relationship that's all out in the public, everybody knows about it and is all up in your business. Not that any of that mattered if were deeply in love.

Although the lack of privacy and a judgmental crowd could ruin som parts of it, you wouldn't trade it for anything in the world.

Your girlfriend Jenna, was everything you had ever wanted, not because of the fame, nor the money, but because she was the epitome of your dreams. She embodied everything you had ever hoped for, ever since you were a little girl.

When the news about the it-girl's new girlfriend got out, the whole media was astonished. The movie star had never shown any interest towards girls publicly, or any romantic feelings at all for that matter.

After the surprising information about your relationship with Jenna, you guys quickly became a huge favorite among the fans and admirers, known for being the biggest love-birds on the internet. Every paparazzi picture that was ever taken of the two of you contained heart eyes full of admiration while the two of you looked at each other.

Everyone made it their goal in life to find love like the two of you had.

The life in the spotlight was a whole new experience for you. You had no clue about what it was going to be like til you got pushed into it in one day. But you didn't complain, thanks to the relationship with your girlfriend your dreams of becoming a musician came true, and before you knew it; you were known as one of the biggest rising stars in the music industry.

To say your life was complicated would've been an understatement. Considering both of you had very different careers, you guys barely made as much time for each other as you did before.

Jenna was barely home due all of the big jobs and interviews she was assigned for, which obviously hurt your relationship more than it should've. It felt like every moment she got the chance to be home with you, was about her being filled with anger and stress; taking it out on nobody else but you.

In other words the American 'it couple' wasn't as perfect as the public thought, they had painted up these perfect expectations that they were sure you guys lived up to, and that was one of the main reasons on why the media was aghast when the news about the thing leaked out.

The break up.

The separation shocked the whole audience, mainly fans that had followed you guys since the beginning, but also people that barely knew who you were. Everything happened so unexpectedly, nobody could ever see it coming.

For some reason, the break up almost became more known than the time you were actually together. Mainly because news leak out rather quickly, but also because nobody could figure out the reason for it, and Jenna's ignorance did not help when it came to solving the mystery.

Only one week after the incident Jenna was back at set, doing interviews and events, acting like nothing had changed. Which the media found extremely strange, some people even thought the break up didn't happen at all.

They didn't have much information about the reason for the break up, only a discreetly taken paparazzi picture of you leaving Jenna's apartment in full on tears; that was quickly leaked on the internet with all sorts of captions and headlines.

That was the last picture the paparazzi could ever take of you before you disappeared from the spotlight completely. Nobody knew why, not even you.

The day Jenna broke up with you, was the day your whole life fell apart. She was everything you had, due your parents always being neglecting or gone for work trips. Jenna was the only thing you were living for. That's why you went home that day, and barely went anywhere else.

You wallowed in your small apartment for days, eventually the days turned into weeks, the weeks turned into months, and the months turned into years. You would go a long amount of time without eating or drinking, and you couldn't remember the last time you had gotten a proper night sleep or eaten a full meal.

This was a big deal for the media, what could've possibly happened that made the next rising music star disappear completely? Some people actually thought that you and Jenna didn't break up at all, just that you decided to keep it private.

Some tried to convince the public that maybe the singing career wasn't for you and that you might've just started working as something else, but nobody believed that considering the fact that Jenna had said you looked happier than she had ever seen you when you were on stage. Well, that was in an interview when the two of you were still together. Nowadays you could never catch the actress talking about you.

It was never revealed why the separation happened or who was responsible for it. The only people knowing about being you, Jenna, and your families.

Jenna had broken up with you just a few weeks before your birthday. She claimed that both of you had completely different goals in life, that you were heading in different directions and we're holding each other back. You tried convincing her that all you would ever want in life was her, even if it meant dropping everything you had. But it didn't work.

After hours of pleading and crying, Jenna had instructed for you to go home. To your "home" that in your mind wasn't nearly close to a home, it wasn't somewhere you wanted to be. You wanted to be with her, in her apartment, like it had always been.

That's when the photos were taken of you, but the tears in your eyes and panic feeling in your throat stopped you from noticing. So did your depression from seeing the news and articles about you.

Time passed, and you still didn't get better. You didn't try to get better either, seeing no point if your future wasn't with who you wanted to. You tried telling yourself that you would wait for her to come around, she would realize how much you belonged together and would eventually come back to you. That was worth living for. The only thing worth living for.

Since the depression made time feel like it just flew by, you weren't really surprised when already two and a half years had passed since the break up, and the more days that passed, you were starting to doubt that Jenna was ever gonna come back.

In your mind, Jenna was thinking about you every day, trying to find the right way to come back to you, but whether it was true or just your brain trying to start a war with you, you didn't know, nor care.

But what you also didn't know; due to the lack of time you spent checking the news or social media. Jenna's life had changed way more than you thought and imagined.

She had met someone new.

***

Walking down the busy streets of New York was basically a part time job while living there. Jenna was an expert about it if anyone, and in her state right now, it was even tougher to make it through, like an intense workout.

Finally making it to one of the calmer streets, she made sure to catch a breath; like the doctor had told her if anything felt too heavy while moving, she was carrying extra pressure after all.

Walking through the city, carefully sneaking glances into the shops she passed, curious to see who was in the different areas today.

After for what felt like hours she finally made it to the library, where she was supposed to borrow some books for herself to keep her entertained for all the following weeks were she supposed she would just lay at home, waiting for something to happen with the growing thing inside of her.

The bell above the door greeted her with a ring as she opened the door, the librarian giving her a small smile before going back to her work at the front desk.

Jenna returned a small smile, trying her hardest not to let out a loud sigh from all the walking as she held her stomach, her footsteps making the carpeted wooden floor creak as she walked.

The library looked fully empty, it usually was considering it was a pretty small one, not one of the best looking either; smelled like dust and looked like it was something from the early 2000s. But it was her favorite one, it always had the books she was looking for available.

Looking through the different shelves, trying to find the right one she was looking for, letting out a few grunts when she had been standing still for too long, flipping through the books. She heard a creek of the floor coming from the other side of the 'corridor' in the small library.

Carefully directing her head towards the sound, she noticed a slim figure standing there, delicately flipping through the pages of a book in her hands.

A recognizable feeling ran through Jenna's body as she watched the person. The hair gracefully draping over the shoulders, exuding an aura of elegance and charm, as if it were a scene from a captivating book.

But when she tucked a strand of hair behind her ear, revealing her side profile and the wide eyes curiously scanning the text on the pages of the book. Jenna's eyes could process who it was, and the sight made her throat feel thick and cold sweat beginning to form on her body. Despised that, she still couldn't stop herself when she walked forward, calling your name.

"Y/n?" Her voice creaked out.

The voice calling your name quickly made your head turn to where she was situated. And when your eyes met hers, you could swear you felt your heart finding a place in your stomach. She looked just as the day she broke you, although her face was a little bit more swollen than the last time.

You wanted to smile, you wanted to hug her and tell her how much you had missed her. But your body didn't move. Did she search you up? Did she come here to take you back?

Your eyes were filled with admiration as you inspected Jenna's face. You couldn't say the same for her eyes, they were filled with worry and was scanning your whole body.

You barely looked like yourself. Your eyes that was once bright and full of life, was now replaced with tired ones with a red waterline, the wrinkles that used to be visible under your eyes from smiling so much, was now replaced by dark eye bags that told her that you hadn't slept for ages.

Your body didn't look the same either, the clothes you were wearing practically swallowed you whole, your face had sunken a huge amount and the exposed part of your collarbone showed that you had lost a ton of weight.

"Jenna..Hi." You almost shuttered out, unsurely moving your hands to put them in the front pockets of your pants.

She tried pushing the worry of your current state to the side as she tried to start a conversation with you. "Hi.." She smiled, noticing that you were trying so hardly to smile back at her.

"It's been so long, I– It's so nice to see you again." Jenna spoke almost eagerly, being quick to break the silence that tried to sneak through the two of you; knowing that silence was not something you loved as much as she did.

"How have you been doing?" She added to the conversation, when she in reality should've walked away the second she saw you. But she just couldn't, you had always had the ability to get her captivated by you, no matter what the situation was.

You swallowed thickly, trying your hardest to get your voice to sound normal. "Fine.." You spoke lowly, nodding a little receiving a small nod from her as well.

"Great, actually." You tried again, wanting to sound more confident this time. Because maybe there was a bigger chance she would take you back if she knew you were doing good.

"Yeah?" Jenna nodded bigger this time, smile growing bigger on her face. "What about the music? How's that going?" She asked carefully, hoping to receive that sparkle in your eye that she would see every time you got the chance to talk about your music.

But who was she trying to fool? She knew exactly what had been going on with you. She knew you weren't playing anymore, that nobody had seen you ever since your last concert almost three years ago.

Jenna would be lying if she said she never searched your name up incase there had been any news about you, because she did it every day.

She had been trying to text you a few weeks after the blow out, even trying to wish you a happy birthday when the day arrived. But she was never surprised to see that you hadn't answered any of the text messages she had written whenever she had the time.

And sure, the guilt was getting to her, basically everyone knew that the reason for your downfall was her, her mainly or her only, it didn't matter. Knowing that she might've been the reason you looked like this, made her heart fill up with a deep ache.

Her thoughts came to a quit when she noticed you ashamedly directed your head down, finding your shoes interesting. But Jenna didn't stop, she wanted to see that spark so badly that her mouth moved faster than she could process.

"Y–you're gonna have to tell me of you're having having a concert or something... It would be so much fun to see you again." Jenna spoke, the words falling out of her mouth before she had the chance to think them through.

You were now looking at her again, a mix of emotions painted on your face. But Jenna could see the forced smile that made its way up on your face.

But you were starting to grow impatient. Did she come here to take you back or not? That's why you softly tried to ask her the question you so badly wanted her to ask.

"Would you like to grab a coffee some day?" You felt your heartbeat quicken at your own words, even more when you saw her face lit up with a smile.

But the sentence meant totally different things for the two of you. For you it was a date, but for Jenna it was a friendly request, basically telling her you wanted to keep going as friends.

"Yeah I–I'd love that.." She nodded, almost laughing while talking, making her stomach feel heavier than before, which made her caress it carefully with one of her hands.

And then it came, the sparkle in your eyes she so desperately wanted to see again. It appeared in your eyes for a split second, making her breath hitch as she carefully watched you with a smile.

But your happy expression with sparkles in your eyes was quickly exchanged with a crushed one when your gaze followed down to where Jenna's hand was placed. Tears almost immediately filling your eyes as you looked down at the bump on Jenna's stomach, along with the diamond placed on her ring finger.

Jenna immediately noticed your change of emotions, almost feeling ashamed as she watched your breathing stop for a split second. She bit her lip nervously, trying to figure out your next move.

"I–I uhm.. I have to get home." You hurried out, quickly wiping your eyes before the tears had a chance to fall.

Jenna could feel her mouth open trying to say something, but nothing came out. She sadly watched as you quickly walked away from her and out of the library, making herself feel like she made a mistake by even walking up to you.

She didn't know you weren't aware of her pregnancy, because she thought you did, technically everyone knew about it. The whole world was in shock when the news about the pregnancy of the new it girl came out; posting it everywhere as soon as it was revealed.

But what Jenna didn't know was that you had deleted all social media platforms from all of your devices, not taking any chances of seeing fake news about yourself or headlines about Jenna being happier than ever; when you were about to let your bed swallow you whole.

You couldn't hear Jennas voice calling your name when you hurried out the store. The high pitched beep and the loud voices in your head taking over your thoughts.

She didn't come to take you back, she didn't plan to find you at all. She doesn't want you back in her life, she's moved on. She didn't think about you every day, she had someone else to think about now.

Your legs were moving so rapidly that you could barely feel them, the tears in your eyes refused to fall no matter how close to the edge they got. You didn't blink, you didn't think, nothing was worth it.

The quick steps turned into slow ones as the thoughts disappeared from your mind. Now that you got the confirmation about the things you prayed weren't true. There was nothing to live for.

If you were going to live a future without the person you had thought about for three years straight, there was no point.

***

The day at the library had been clouding Jenna's mind for two days straight, never leaving her alone no matter how hard she tried.

She couldn't stop thinking about your crushed face; that she could only see for a second before you rushed away. It reminded her way too much of the face you wore when she ended things between the two of you; the face that she had nightmares of for months.

She had tried to leave messages and calls to your number; she wanted to talk things out. She wanted to still know you, and based on the person she saw a few days before, she couldn't anticipate how difficult that process would be.

She didn't know who you were anymore, and the pain of not knowing the person that was once the most important individual in her life was eating her alive. She weren't in your life anymore, so that's why she was surprised to see your mother's name and number appear on her phone screen.

Both hesitation and worry filled her veins as she answered the call from your mother. You had never had a close relationship to your parents; they were gone for work trips the majority of your childhood.

Jenna tried to greet the woman on the phone, but quickly shut her eyes in embarrassment as she heard how shaky and questioning her voice sounded.

But your mom didn't seem to notice. "Jenna! Hi.." she sighed out of relief. Jenna could almost hear her sniffling on the other line, making her brows furrow out of confusion. "How have you been?"

"I've been great.." Jenna answered, uncertainty lacing her voice, "Sorry what is this about?" She tried to cancel the dry talking, feeling her worry growing bigger every second that passed.

"Oh yes of course.. sorry." She sniffled again, making the concern in Jenna only growing stronger.

"I uhm, I'm calling to say that..." Your mother paused, like the words that were about to come out of her mouth were poison. "Y/n is no longer with us.." She finished, a muffled sob leaving her mouth.

Jenna felt like her heart took a plunge, sinking into the depths of her being. "What?" She managed to breath out.

"She killed herself last night.." Your mothers shaky voice explained, followed by quiet sobs.

The whole world felt like it stopped. And for a second, Jenna could almost hear your laugh fill her eardrums, your smell filling her nostrils, your smile filling her eyes and your touch roaming her body.

This couldn't be true, there was no way. She was just about to make things right with you.

Jenna couldn't find her voice, it was like it had fallen the same path as her heart. Her mouth opening but nothing coming out, mind only focusing on you.

You, you radiated joy like a sunbeam, brightening everyone's day with your infectious laughter. Your magnetic personality pulled people in without hesitation, like a bees to a field of blooming flowers. Your heart was full of sunshine that spread warmth and happiness wherever you went. Your effervescent spirit bubbled over, filling every room with laughter. People were drawn to you like a moth to a flame, captivated by your vibrant and lively presence. And now you were gone.

The person she saw at the library just days before, was nothing like the person she once knew you as. She didn't know what destroyed you like that, but something did, and she felt the need to know what.

***

Jenna stared at the steam that was flying from the big coffee mug. She felt as if she was teetering on the edge of sleep, her eyelids heavy and her body yearning for rest.

She didn't get a single wink of rest that night, tossing and turning throughout the whole hours of darkness.

The tiredness was quick to disappear when she heard the sound of the bell ringing, signalizing that somebody walked in. She rapidly turned around to check who it was, careful not to make herself dizzy due the exhaustion.

When she saw it was your mom who walked into the coffee shop, she tried shooting her a tired smile, but it quickly disappeared when she saw your mothers state.

She had messy hair, red waterlines and faint eye bags under her eyes, but they were no where close to the ones she saw on your face three days before.

Jenna rose to her feet, ready to shake the woman's hand, but to her surprise your mom just walked straight into her, embracing her with a warm hug.

Your mom slowly pulled away, keeping her hands in a soft grip on Jenna's shoulders and looked into her eyes with a tired smile, almost inspecting her face.

Your mother had asked Jenna if she'd liked to meet up somewhere, just to talk. She accepted without hesitation, feeling like it was a must in their situation.

She was nervous tho, she hadn't seen you or your mom for about 3 years, and she didn't know how much you had told her about the break up. But your mom didn't seem to hate her like she would've thought, she didn't have a single look of hatred in her eyes when she looked at Jenna.

"So Jenna.." your mom sat down in the chair in-front of her on the other side of the table. "Do you have any new projects coming soon?" She smiled, picking up the coffee mug from the table and taking a sip.

Jenna couldn't help but feel at home, a smile creeping up her lips. "Yeah..Yeah I do actually. I have a few." Making your mom nod with an even bigger smile.

And she did, she did have a few coming out soon, but she didn't have any projects that she was currently working on. But she couldn't say that, because then your mom would ask her why, and she couldn't answer that. She couldn't say that she was pregnant when your mother had just lost her daughter. That's why Jenna wore a black coat, trying her best to cover it up; it was just for the best.

"We actually watched one of your most recent projects a few weeks ago.." She kept the conversation going, wiping her mouth with her sleeve. "And I really liked it. You're a very talented girl.."

Jenna could feel herself blush at the compliment, but it quickly faded when she realized that was what you used to call her. She was your talented girl, and you were hers.

"Thank you.. Thank you that means a lot. You're too kind."

Your mother smiled sadly, "Y/n loved it a lot as well." She tried, but maybe it was too early to talk about you.

The sound of your name falling out of your moms mouth made a thick layer of silence fall between them. Jenna felt like the room turned smaller, making it harder to breath. She gulped, but the woman in-front of her didn't seem affected by the words; her tired expression didn't change. But she looked down towards the coffee on the table as she started to speak.

"Y'know.. I thought she had gotten better since the.." Your mom abruptly halted her words, as if they were toxic and she couldn't utter them. "Her last attempt." She sighed out, rubbing her temple gently.

Jenna furrowed her eyebrows, her mouth opening before she could even think. "What?"

Your mom returned the furrowed brows, not understanding the younger girl's confusion. "Her last attempt." She repeated, suddenly in a much more questioning tone than last time. "Last year." She tried to explained further.

Jenna's posture that she had previously straightened now fell, a small 'oh' falling from her lips. She didn't know about that, but what did she expect? You hadn't talked to each other in over three years, of course she didn't know about that.

"It was so nice of you to interrupt your filming just to check up on her." Your mom was now smiling at Jenna again.

It felt as if her entire being was in a state of disarray, with every fiber of her being unsure and bewildered. "Check up on her? Wha– I didn't do that." Jenna stuttered like a messed up vinyl on a record player.

Maybe it was rude to admit such a thing, and in such a confused tone as well. But Jenna couldn't help it, she had no idea what the woman was talking about.

Your moms smile faded as a confused expression took over her face. She opened her mouth to speak, but Jenna broke her to it.

"Mrs L/N, me and Y/n have been broken up for three years." She hesitated while speaking, unsure if it was the right thing to say. Maybe she already knew?

But based on the shocked reaction she got showed that she didn't til now. "Three years?" She questioned, not sure if she had heard it right.

Jenna just nodded as a response; her mouth too dry to say anything more. The grimace on your moms face made her nervous, not having a clue on what was going to happen next.

Your mom didn't lash out like Jenna thought she would, she just put a hand over her mouth, tears almost visible in her eyes.

Jenna began to panic, did she ruin it all? Is your mom going to hate her now? All kinds of questions flashing through her head, you had clearly not told your mom the whole story, how much did you tell?

Without having to ask the question herself, your mom spoke up, like she could've read Jenna's mind. "She told me you guys broke up three weeks ago.." The tears almost fell from her eyes, nothing but confusion and sadness pooling in her eyes.

Jennas mouth opened and closed like a fish in the water, not knowing what to say at all. Why would you lie?

"And she called me the night before, rambling about how she saw you and that you wouldn't want her back like she had wished. I didn't understand what she was talking about.." Your mother spoke rapidly, almost too quickly for Jenna to recall what she was saying.

Jenna's mind went blank, her ears shutting your mothers voice out as she continued talking. The last part she heard was that you had told your mom it was your first time going outside of your apartment in months; aside from going to your therapist.

That's when it all clicked; it was her fault. She was the reason you had flipped and didn't want to live any longer.

You had spent all of your three years waiting for Jenna to take you back, and she didn't. Instead she found another man, got pregnant and engaged to him.

You had waited for her the whole time, but your anticipation was left unappreciated, by her and her only.

#jenna ortega x fem!reader #jenna ortega x reader #jenna ortega #angst #female

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sujiri · 2 months

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ᯓ★🎬٠ ࣪⭑ beyond the spotlight

𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬: actor!sukuna x fem!reader, ooc sukuna, modern!au, fluff

ryomen sukuna who's a famous actor ever since he was a teen. he's been dating you for half a year now and somehow, the dating allegations about him was too chaotic. he's always rumored to be a womanizer, red flag, and a bad news when it comes to women. how can they came up with the conclusion when they haven't heard any official relationships about him? everything about stepping on the spotlight can be the huge difference of his acting and personal life. that's why sukuna always try to make things private about his family and personal relationships. if he was asked, he will only say few words that's enough for people to know. and that includes being in a relationship with you.

sukuna was at first, a bit hasty when he wants to be your man. he values you and his privacy, he knows how crazy the media and internet could get. of course, he won't deny that he's dating you, but settling for a more private time and life is his priority. whenever you and sukuna go on a date, he makes sure he wears his cap or glasses to conceal his presence. sometimes, you can't help but to laugh whenever he does it. the poor man knows how hard it is to spend a day outside like a normal living being. but after all of that, you know it's for the best.

not until you were both taken some photos while spending time together. some ‘fans’ have actually spotted you and sukuna out. it went viral on social media in the meantime. some were curious if he's dating a model or an actress. the funny thing is, you don't work in any of those said industry. you're just an ordinary citizen who casually met sukuna way before when he's alone and spending his time.

after days of the dating issue of sukuna, he was greeted by a lot of reporters after his taping. asking about his upcoming film, events, and especially the dating rumor. he didn't deny it, of course he says that he's dating someone, however he didn't say anything more about you except your name. he's too private.

days turns into weeks then weeks turn into months. you have gotten used to sukuna's actor life. you saw a lot of users in the internet telling some random rumors about you and your boyfriend. they were even pictures of you and sukuna when he brings you to the red carpet. that was the first time the media has seen you clearly. sukuna on the other hand will almost make sure you are safe and alright throughout everything. holding your hand when you feel tense, kissing your temple when you're talking to him, holding you by your waist, and lastly he keeps that confident and proud face whenever he introduces you to his co-actors and actresses. even with the cameras? even with the cameras.

#sujiri's fics #sukuna ryomen #ryomen sukuna x reader #ryomen sukuna #ryomen x reader #jjk x reader #jjk fluff #jjk #jjk x you #jujutsu kaisen #jjk sukuna #sukuna x reader #sukuna fluff

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caustinen · 3 months

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thinking about hollywood! clegan au 🤭

John Egan is a beloved actor who had his big break 5ish years ago and been doing a steady stream of hit movies ever since, 2-3 a year over all genres

Hollywood’s heartthrob but also a versatile actor who’s amazing at talk shows, considered very cool but also your grandma’s favorite celebrity

Has always been very private about his life outside of the films, always manages to make a joke out of everything when he’s (often) asked about his personal life, just wants to talk about his dog and whichever project he’s promoting

He’s been connected to a bunch of singers and actors (he loves a good party and isn’t aftaid of physical contact so he’s shipped with pretty much everyone he meets)

The absolute SHOCK that goes through entertainment world when he shows up to a premiere with a beautiful man on his arm

There are some speculations about this being another goof to get everyone confused but the picture of John looking at the man and rounding his arms around the his waist at any given moment on the red carpet go viral in relationship pages (they’re used in the type of pics “if your man doesn’t look at you like this…”)

Internet detectives quickly discover the man’s Gale Cleven, a publicist at the firm that represents Egan (not his publicist tho they keep work separate from their relationship)

He’s considered one of the best in the industry but hates spotlight and has stayed away from the media completely so far

However… After dating for 5 years John popped the question and Gale said yes, and as a part of their deal with how to deal with all of that Gale allows John’s long-awaited dream of being able to scream his love from the rooftops

He wasn’t kidding either, every single social media post after that is about how much he loves his fiancé, and the wedding plans are pretty much all he wants to talk about in interviews as well (aside from their dog, of course)

The negative side of it is that the internet also starts to thirst after John’s man and it becomes a new widely shared joke, like everytime John goes to talk shows after that the questions are all centered around ‘Hey, is your fiancé single?’

John is a good sport about it but in private he takes any excuse to mark Gale as his, weather it was a seemingly carelessly placed hand on him any chance he gets or a hickey just visible over his collar and esp when they have sex John never shuts up anyway but now he’s particularly keen on reminding Gale he belongs to him

Gale doesn’t care about the public attention one bit but he loves how happy John is about showing him off, and every time he’s nervous when they’re photographed together John makes sure to make him laugh and relax even on red carpets when everyone is trying to get their attention

The one time they give an interview together the internet goes nuts because Gale is so shy but so sweet and John laughs at everything he says and the two of them are just so clearly smitten with each other people can’t help but root for them

It’s also clear form the interview that while Gale hasn’t been at previous premiers or public outings he’s John’s work’s biggest fan/supporter, John’s telling some story about how they managed to keep their relationship secret while also living an active life like ”Oh and while I was doing promo for this project Gale lived in London with me” and Buck’s always very nonchalantly like ”No actually it was for this project dear” because he’s more aware of John’s work than he is and John will always tease him like ”oh you’re right thank you baby you’re so smart” and Gale would fail to hide his smile behind his hand

(additionals: john’s insta — gale’s insta — how they met — media/friends instas — how they first said i love yous — domestic hcs — gale//red carpet look — troubles with media/fans — jealous bucky — pda video leaks — candid pics — discussions about going public+proposal — going viral during award season — buck’s reaction’s to bucky doing sex scenes — stalker attack — reunion — sickfic — stalker attack cont. — photoshoot — divorce rumors — fanfiction — short n sweet)

#so many wips……… will i ever actually manage to write one who knows #buck x bucky #clegan #mota #masters of the air #gale cleven #john egan #buck #bucky #writing #hollywood au

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mostlysignssomeportents · 2 months

Text

Private equity rips off its investors, too

I'm coming to DEFCON! TOMORROW (Aug 9), I'm emceeing the EFF POKER TOURNAMENT (noon at the Horseshoe Poker Room), and appearing on the BRICKED AND ABANDONED panel (5PM, LVCC - L1 - HW1–11–01). On SATURDAY (Aug 10), I'm giving a keynote called "DISENSHITTIFY OR DIE! How hackers can seize the means of computation and build a new, good internet that is hardened against our asshole bosses' insatiable horniness for enshittification" (noon, LVCC - L1 - HW1–11–01).

It's amazing how many of the scams that have devastated our economy and everyday people owe their success to the fact that we assume that rich people know what they're doing, so if they're doing something, it must be real.

Think of how many people lost everything by gambling on junk bonds, exotic mortgage derivatives, cryptocurrency and web3, because they saw that the largest financial institutions in the world were going all-in on these weird, incomprehensible bets.

Then there are the people who are convinced that online advertising is built around a mind-control ray, because tech companies claim that's what they have ("I am an evil dopamine-loop-hacking wizard and I can sell anything to anyone!"), and because huge, sober blue-chip companies hand billions to these soi dissant svengalis. Sure, online ads are a swamp of clickfraud and garbage, but would these super smart captains of industry spend so much on online advertising if it didn't work super-well?

http://pluralistic.net/HowToDestroySurveillanceCapitalism

From our worms'-eye-view here on the ground, it's easy to assume that rich people and the people who sell them stuff are all on the same side. "If you're not paying for the product, you're the product," right? If Facebook is tormenting you with surveillance advertising, it must be doing so on behalf of the surveillance advertisers, for whom Mark Zuckerberg has bottomless reservoirs of honest, forthright impulses.

The reality is simultaneously weirder, and obvious in hindsight. The reason Zuck is tormenting you is that he's a remorseless sociopath who doesn't care who he hurts. He rips off everyone he can rip off, and that includes advertisers, who have seen steady price-hikes and lower-fidelity targeting, even as ad-fraud has skyrocketed while Facebook draws down its anti-fraud spending:

https://www.404media.co/where-facebooks-ai-slop-comes-from/

This is not to say that Facebook advertisers have your best interests at heart, that they aren't engaged in active deception in order to better themselves at your expense. Rather, it's to say that there's no honor among thieves, and Zuck is an equal-opportunity predator. Moreover, both Zuck and his advertisers are credulous dolts, so the mere fact that they are pouring money into something (advertisers: FB ads; Zuck: metaverse) it doesn't follow that these are real or important or the coming thing.

For me, the Ur-example of "rich people are dumb, even when it comes to money" is the private equity sector. I've written a lot about PE, and how destructive it is to the real economy, from Toys R Us to pet grooming:

https://pluralistic.net/2024/08/05/rugged-individuals/#misleading-by-analogy

How they killed Red Lobster:

https://pluralistic.net/2024/05/23/spineless/#invertebrates

And how they actually created the death panels that Sarah Palin warned us about (it's OK, though: these death panels are run by the efficient private sector, not government bureaucrats):

https://pluralistic.net/2023/04/26/death-panels/#what-the-heck-is-going-on-with-CMS

The devastating effect of private equity on the real economy is increasingly well understood, and a curious side-effect of this is that people assume that if PE is destroying their lives, they must be doing so on behalf of their investors, who are making bank.

But – like Zuck – PE bosses are just as happy to steal from their investors as they are to to steal from the workers and customers of the businesses they acquire on those investors' behalf. They swaddle this theft in performative complexity and specialized jargon, but when you strip all that away, you find more fraud.

All the misery that PE inflicts on workers, communities and customers are just a convincer in a Big Store con, a bid to make the scam seem credible. For a certain kind of investor, any economic activity that destroys communities and workers' livelihoods must be a good bet. This is the dynamic at work in the pitch of AI image-generator companies, who spend tens of billions on technology that there is no substantial market for:

https://pluralistic.net/2024/07/25/accountability-sinks/#work-harder-not-smarter

AI image generators represent a high-profile, extremely visible example of "a job that AI can do." Nevermind that AI illustration went from a novelty to a tired cliche in less than a year. Even if you think that AI illustrations are a perfect substitute for commercial illustrations, that still won't come anywhere near making AI companies a profit. Add up the entire wage bill for every commercial illustrator in the world, hand it to Open AI, and you're not even gonna cover the kombucha budget for Open AI's staff kitchens.

Hell, all the wages of every commercial illustrator that ever lived won't pay back even a fraction of the money the AI companies spent on image generators. The pauperization of an entire class of creative workers is just a canned demo, a way to fool investors into thinking that there is a whole universe of similarly situated workers whose wages can be diverted to AI companies. This is the logic of small-time spammers, scaled up to the scale of the entire S&P 500. Smalltime spammers looked at AI and thought, "OK, I can generate as much botshit as I want on demand for free. Science fiction magazines pay $0.10/word. So if I generate a billion words, I'll get $100 million." But that's not how any of that works: sf magazines don't buy botshit, and even if they did, the entire market for short fiction adds up to what Sam Altman spends on a single designer t-shirt. The point of destroying these beloved, useful things isn't to make a lot of money by taking their markets – it's to convince dopey, panicked rich people to give you lots of money you can steal, because they think you can do this to every market and they don't want to miss out on the opportunity of a lifetime:

https://pluralistic.net/2024/01/15/passive-income-brainworms/#four-hour-work-week

Take "divi recaps": after a private equity firm acquires a company (by borrowing money against its assets), it typically declares a "special dividend," emptying out the company's cash reserves and pocketing them. A "divi recap" is when PE then takes out another massive loan against the company's (remaining) assets and pockets that:

https://pluralistic.net/2020/09/17/divi-recaps/#graebers-ghost

All of this happens under an opaque cloud, thanks to the light-to-nonexistent disclosure rules for PE. A public company has to open its books for the SEC, its investors, and the world. PE is private – and so are its finances. It is absolutely routine for PE bosses to put their spouses, kids, and pals on the payroll and hand them millions for doing little to nothing, all at the expense of their investors:

https://www.nakedcapitalism.com/2022/02/sec-set-to-lower-massive-boom-on-private-equity-industry.html

PE bosses charge huge fees to their investors – not merely the usual 2-and-20 (2% of the funds under management and 20% of any profits) – but also a wide variety of special one-off fees that pile to the sky. They also dip into their investors' funds to issue themselves massive loans that they use to make side-bets, without telling the investors about it:

https://pluralistic.net/2022/02/10/monopoly-begets-monopoly/#gary-gensler

PE investors are chickens ripe for the plucking: take "continuation funds," which allow PE bosses to soak the rich people and pension funds who supply them with billions:

https://news.bloomberglaw.com/mergers-and-acquisitions/matt-levines-money-stuff-buyout-funds-buy-from-themselves

Remember 2-and-20? 2% of all the money you manage, every year, and 20% of all the profits. You'd think that these would be somewhat zero sum, right? If you use some of your investors' cash to buy a company, and then sell off that company for a profit, you get the 20%, but now the pot of money you're managing has gone down by the amount you used to buy the company, and so your 2% carry goes down, too.

But what if you sell your portfolio companies to yourself, using your investors' own money? When you do that, you continue to hold the company on your PE firm's books, meaning you continue to get the 2% carry, and you can pocket 20% of the sale price as a "profit":

https://pluralistic.net/2023/07/20/continuation-fraud/#buyout-groups

This is straight-up fraud, wrapped up in so much jargon that it can successfully masquerade as "financial engineering" ("financial engineering" is really just a euphemism for "fraud"). PE bosses keep coming up with new, exotic ways to steal from their investors. The latest scam is "tax receivable agreements":

https://archive.ph/RczJ9

On its face, this is a tax scam. When a company goes public, early investors generally hold stock in the original partnership or LLC; this company ends up holding a ton of shares in the new, public company. When they sell those non-public shares in the LLC, this creates a (potentially gigantic) tax credit.

A TRA hustle involves tracking down these LLC shareholders and convincing them to sign off on dumping the LLC's shares, which generates a huge tax credit for the public company. The hustler offers to split these credits with the LLC holders.

All of this is especially attractive to PE bosses, who often take a company private, do a bunch of "financial engineering" and then take it public again, leaving the PE firm as the owner of those LLC shares that can be converted to a TRA and a huge windfall – which the PE bosses pocket, because they (not their investors) are holding those credits.

This scam is really doing big numbers. KKR – the monsters who killed Toys R Us – just diverted $650 million in TRA loot, prompting a lawsuit from Steamfitters union pension fund, which had handed these jerks millions of its members' money to gamble with:

https://archive.ph/kqQvI

This highlights another very weird aspect of the PE scam: they are absolutely dependent on pension funds. To add insult to injury, PE funds are notorious union-busters – they use union money to buy companies and destroy their unions:

https://pluralistic.net/2023/10/05/mr-gotcha/#no-ethical-consumption-under-capitalism

People who try to understand the PE business model often give up, because it seems to make no sense, leading many to assume that they're too unsophisticated to grasp the complex financials here. For example, PE is absolutely dependent on massive loans as a way of looting its businesses, but it also often defaults on those loans. Why do banks and investors keep making huge loans to PE deadbeats? Because – like the PE fund investors – they are credulous dolts.

The reason PE seems like a scam is that it is a scam. It is a fractal scam – every part of it is a scam. You might have heard about the "carried interest" tax loophole that allows PE bosses to avoid billions in taxes on the money they steal from their investors, creditors, workers and customers. Most people assume "carried interest" has something to do with "interest" on a loan. Nope: "carried interest" is a 16th century nautical tax rule designed for mercantalist sea-captains who had an "interest" in the cargo they "carried":

https://pluralistic.net/2021/04/29/writers-must-be-paid/#carried-interest

But rich people and other "sophisticated investors" (like pension fund investment managers) are no smarter than the rest of us. They are herd animals. When they see other rich people piling into some scheme or asset class, they rush to join them, which makes the asset price go up, which makes them think they're smart (until the inevitable rug-pull). When one plute jumps off the Empire State Building, the rest of them jump, too.

Which is why there's more money flooding into PE than at any time in history, $2.62T in "dry powder," handed over to greedy, thieving PE bosses in a poker game where everyone is the sucker at the table:

https://www.institutionalinvestor.com/article/2di1vzgjcmzovkcea8f0g/portfolio/private-equitys-dry-powder-mountain-reaches-record-height

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/08/08/sucker-at-the-table/#clucks-definance

#pluralistic #tra #tax receivable asset #financial engineering #private equity #two sided markets #pe #looters #sucker at the table #kkr #debt #dry powder

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