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thesinglesjukebox · 1 year ago

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SHAKIRA X BIZARRAP - BZRP MUSIC SESSIONS #53

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Separation, Shakira-style!

[8.35]

Nortey Dowuona: FC Andorra are 7th in the Segunda Division; Karol G is on the Barbie soundtrack. I say this divorce was the best thing to ever happen to them. [9]

Peter Ryan: A comprehensive public clobbering, an icy-caustic bookend to the relationship that wormed its way into her discography with the ebullient "Me Enamoré", stuffed with double entendre indictments sharp and specific enough to preemptively render any rebuttal pathetic. Structurally it ranks among her most ambitious, all polyrhythms and quasi-freestyle character, the latter part no doubt owing to the BZRP Music Sessions format. There's catharsis in her kicking open the door on the private strife about which she'd previously stayed tight-lipped, and in the meta-narrative of the megastar shaking off the dead weight and finding creative reinvigoration. While they've become fewer and farther between in the last decade, she hasn't lost her knack for creating a Moment -- I heard this at the corner store, wafting out of passing car windows, on the dancefloor -- she wasn't kidding about cashing in. [9]

Alex Ostroff: The main attractions here are Shakira's righteous and yet somehow still icy fury and her impeccable wordplay. She wishes her ex the best with her "supuesto reeemplazo", but makes it absolutely clear that nobody is capable of actually replacing her. In someone else's version of this revenge-pop anthem, your husband absconding with a woman half your age might be a source of insecurity, but for Shakira it's another sign of his cluelessness -- at 44, she's worth two 22-year-olds and presents it as a simple and obvious fact. Bizarrap initially seems to take a backseat, but he brings plenty to the table, evolving his production and adding details that accentuate and complement hers. Tonight, I'm obsessed with the way he brings in that reggaeton-esque percussion right at "Me dejaste de vecina a la suegra/Con la prensa en la puerta y la deude en Hacienda" and how that propels the song into Shakira's triplet of creíste/heriste/volviste rhymes. Shakira's best material in the post-Fijación Oral era of her career has consistently been her Spanish albums, but until the restructuring of streaming and Billboard chart metrics in recent years, their popularity (and pop excellence) was never properly reflected. Of Pique's many, many sins, the one I'm most angry about was causing Shakira to relocate to Spain -- away from her main collaborators and recording studios -- and thus keeping her away from the radio at a time when audiences' engagement with global pop (and especially music in Spanish) seems much bigger and more permanent than the limited crossover moments of the 90's and early 2000's. Her post-BZRP releases have mostly been collaborations with an extremely varied list of rising Latinx stars in a wide range of genres, from a reggaeton heartbreak diss track with Karol G to a regional Mexican polka track with Fuerza Regida about labor rights and Pique firing the nanny who snitched on him for cheating. I have absolutely no idea what to expect from Shakira next, and I couldn't be more excited. [10]

Harlan Talib Ockey: 1) Cultural reset. 2) I love mess. 3) We now go live to Pique stepping on a rake. 4) Infinitely more energy than "Te Felicito" or "Monotonía". 5) Actually, Shakira hasn't sounded this forceful in a long time. 6) Bizarrap at the top of his own game rather than trying super hard to make corridos, for example. 7) "¡LAS MUJERES YA NO LLORAN, LAS MUJERES FACTURAN!"="margin:> [9]

Aaron Bergstrom: As a non-Spanish speaker, I'm probably missing out on some of the nuance here, but allow me to offer a brief letter of recommendation for 1) listening to this for the first time with minimal context, 2) focusing only on Shakira's inflection and intonation, 3) picking out a few lines where she sounds especially pleased with herself, 4) thinking "ooohhhh, I bet these are daggers," and then 5) looking up the English translation and confirming that every single one is just as vicious as you'd hoped. Because let me tell you, it is a delightful experience. [8]

Jessica Doyle: Cuando era niña, en mi escuela podría estudiar solamente francés; no empecé a aprender hablar español hasta desde cuatro o cinco años. Hoy tengo una cita cada día con Duolingo y puedo comprender unas frases, pero quiero apreciar el idioma mucho más, y lo que me motiva, es esta canción. Shakira canta como sus palabras tienen pesos y formas; se puede esucuchar y sentir cuando ellas se chocan con el suelo--"mastique' y trague', trague y mastique'," "con la deuda a la Hacienda." Además, ella gana confianza y acelera, asi que cuando ella canta, "Yo valgo por dos de 22," no es un cope defensivo, es una declaración de hecho. El idioma es su arma y su poder. Y el ritmo es único; ella no lo podría haber canto en inglés. Entonces, escribí este blurb en español; no lo escribí en inglés y traducé. Sé que hay muchos errores (Google Translate me dice que "I translated" no es "traducé," es "traduje"), pero creo que sería un error más grande hablar de esta canción en inglés. La escucho y me hace querer estudiar y aprendar más. [8]

Will Adams: An undersung aspect of what makes "Pa Tipos Como Tú" so compelling is how Bizarrap's beat switch-ups throughout the song propel it forward. It begins as an icy breath of Italo that recalls She Wolf's more delirious moments. Midway through the second verse, the floor caves in to reveal a heavy, rhythmic groove, as if gathering power for the next attack. The second chorus arrives with a walloping synth bass, reminiscent of "Padam Padam" but even more menacing. It makes for one of the most exciting listening experiences of the year, instilling an uncertainty of where this thing is headed next. All the while, Shakira floats on top, mercilessly delivering a brutal takedown that leaves nothing in its wake. [8]

Tara Hillegeist: The last time anyone on Shakira's level tried to write a song about how mad she isn't like this, it was over a decade ago, and "Irreplaceable" that effort absolutely wasn't, drowned in goopy self-affirmation and breathy lack of confidence. Compare the liquid contempt swirling around every syllable, here, the bared-fang sharpness of the enunciation as she howls "You thought you'd hurt me, you only made me stronger/Women no longer cry, women get paid". Shakira's fury isn't the fury of a woman left abandoned, with only scorn as her cold comfort -- as one of pop's inarguable queens, she has an entire country at her back. It's only natural that she can't simply settle for destroying her ex's memory alone, when there's an entire dancefloor waiting to destroy it in her honor instead. Pity Shakira's ex-husband, who will go down in pop-cultural history as nothing more than the expertly character-assassinated trophy this song leaves behind to hang on the she-wolf's wall, alongside all the others who thought to make a prize of her instead, only to find, as ever, that it's not their world to rule, but hers. Or don't; the viperous specificity with which she approaches the subject matter in question makes it readily apparent that from her perspective, this reckoning was only ever held at bay by the love he squandered in the first place. The other woman should probably count herself lucky Shakira only holds her accountable for thinking herself entitled to taking Shakira's place in his affections; if there were any other reasons, Shakira clearly wouldn't have hesitated to include them. Let the dancefloor show mercy, then, if there's any to be found. [9]

Katherine St Asaph: Shakira's hips don't lie; their involuntary sway, she's said, is how she identified Bizarrap's track as a Depeche Mode homage too chilly to pass up. And yet the track is not nearly as cold as the way Shakira vaporizes her song's targets from on high. That her specific complaints are relatively petty -- basically, that getting cheated on has stuck Shakira with a lot of rich person problems -- is beside the point. Repeatedly, she drops the real names of two real-ass people, syllable by syllable via careful wordplay, as if putting a scope into place. Her vocal is mixed loud, processed past any human timbre, and arranged to fill all space in the track. She sounds less like an individual jilted woman than a metallic weapon, than the genderless, pitiless, all-judging voice of God. Finally comes the killing smite: "and now you're with someone just like you." It's not often that experiencing a punching-down feels this bitter and inevitable, this compelling and correct. [10]

Rose Stuart: I said in my review of Olivia Rodrigo's "Vampire" that, in the year of breakup songs, hers was the only one that wasn't full of posturing. This is the only song where that posturing feels earned. Where other songs made neither their pain nor strength convincing, Shakira comes out triumphant, coming for blood with each finely picked detail in every savage line. The song never stops going in, even using the name of her ex's partner for some masterful wordplay. I've heard many breakup songs that try to go at the singer's ex, but this is the first time I've actually felt sorry for the song's subject -- after all, it must be hard to show your face in public after being roasted this thoroughly. [9]

Wayne Weizhen Zhang: A swaggering, sexy encounter that has me simultaneously wanting me to say "I'm too good for you, bitches!" and "Step on my face, mother!" [9]

Jacob Sujin Kuppermann: lol hell yeah [8]

Alfred Soto: With any insignificant number of synths per track signifying as "1980s" the response to this track was a given, but the thudding insistence of its beat muscled past those assumptions. As alert as a burglar with good tools, Shakira talks so much shit that the judgment fades before the verdict. Imagine if they'd released this at the height of the 2010-2011 EDM epoch. [8]

Jonathan Bradley: Bizarrap's sleek, gleaming disco sets off the lack of adventure in Dua Lipa's 2023 comeback; these cool synths glide with a propulsive sense of drama. Shakira, uncharacteristically, is the weak spot though, allowing herself to recede into the background. She doesn't always command attention, but even her reserve is usually compelling all on its own. Here, she's content to vibe, waiting for someone else to make something happen. [5]

Brad Shoup: Impeccably imaged: we're used to that from Shakira. But the chilliness is something else: a brisk disco kiss-off that fogs up the anguish she's audibly fighting. The way she paces herself is really cool: icy pop in the first verse, a switch to reggaeton cadence at the end of the second that fully detonates in the third. She's acting as her own feature rapper: just another power move. [8]

Ian Mathers: I was the high mark last time we covered Shakira, but even if I was going to be here (doubt it!) it'll clearly be for very different reasons. With "Don't Wait Up" it was that fucked-up little organ (or whatever) riff, and while Shakira was good, her performance wasn't specifically what drew me to the track. Here, while the production is good, it's her performance that's much more central. Even before my monolingual ass looks up a translation you can kinda just tell from the vibe that someone is getting it in the neck, and/or Shakira is feeling her oats ("and," as it turns out) and then once you do... "Sorry, I already took another plane" is a hell of a way to start. Plenty of specific detail lurking in there, but the repeated "I was too big for you and that's why you are with a girl just like you" fairly blisters as it goes past. [8]

Taylor Alatorre: All else aside, it must really suck to not only have the Tsar Bomba of diss tracks dropped on you, but to have that track sent out to the world with this podcast episode-ass title. Like, at least Jay-Z can boast that he's part of the reason we all say "ethered" now; no such consolation here. The tossed-off nature of the release, while adding insult to injury -- you don't even get an album track! -- makes it harder to admit this into the pantheon of the greatest diss songs of all time. But I get the sense that legacy is not really what Shakira is concerned with here. This is a crime committed in the heat of the moment, in broad daylight, and everyone will remember where they were when they witnessed it. For her, that is enough. [7]

[Read, comment and vote on The Singles Jukebox ]

#shakira #bizarrap #music #music writing #music reviews #music criticism #the singles jukebox #Youtube

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antennaweb · 4 months ago

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delusionaltom · 7 months ago

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ME, BUT HAPPY

I would like to thank you, personally, for always making me feel like I'm cooler than a giraffe wearing sunglasses.

When I'm around you it's like I'm full of electricity but in a fun, non-lethal way that's possibly giving me a boner. I want to thank you

for making all the love songs mean something again. Now when Sam Smith comes on the radio

I still roll my eyes but I do it while air humping. The best part of being in love with you is

that I never HAVE to brush my teeth, but gosh darn it do l want to. You're the best thing

that's happened to me since I was, like, born. You make me want to do pointless, actually dumb things, like

learning to play the flute or voting.

In the list of things I love about you, maybe the second or third entry

is the way you turn all my awful days into awful days with phó.

Have you ever smashed your face

into a whole bunch of cool, wet sand? You should, cause that's pretty much what it's like to hang out with you.

I've never made out with Jesus, but I imagine that's kind of like holding your hand. If I had rickets,

it'd be all right because l'd have rickets with you. I'd clear the snow off of twelve driveways in negative

twenty degree weather just so I could leave you a voicemail. I would like to thank you for never, not once,

making fun of me for crying while

I watch the same scene from Parks and Rec for the twenty-fifth time. If you had it your way,

every day I would meet a puppy. Every night would be trivia night. Every morning I would get to wake up and punch

Ben Affleck in his stupid face.

I always try to be, like, cool

and stuff, but it's hard to act like I don't

care when you're so pretty

all the goddamn time. Our way of saying "I love you" is to just use the number twenty-three. We can't really be sad if we're both sad in the same place right?

I would like to thank you for wanting me to be me, but happy. I don't know why we re both here, but since we are, let's make out until we're dead. Before I met you

I wanted to be dead all the time. I still do, because of the, you know, mental illness, but now that you're here I don't want to want to

die anymore. If you were a breakfast cereal you'd be called "Reason-to-Wake-Up Os." If you were a book you'd be titled

"Your Perfect Life, Right Here." Sure, there are probably infinite dimensions, but I'm

with you in this one, so why would I try to find them?

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powpowhammer · 1 year ago

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I've mostly been reblogging Nibposting only with tags, but as @thenib draws to an on-its-own-terms-as-much-as-possible-given-the-circumstances close, I wanted to say how much I've enjoyed and learned from everyone participating in it over these past years. I was a founding Kickstarter, Inkwell subscriber, turbo ultra with extra cheese member et cetera, and got a number of my friends to sign up after seeing the magazine and so on. I've treasured every moment of it.

In my opinion, sequential art--the ten-dollar word for good old comix--is the best way to learn about something. And to think about something. And there's a strong case to be made that it's the best way to tell a certain kind of story, too. There are struggles and joys I never would've considered without the watchful eye and deft pens of Nib cartoonists, who I have just realized could have been called Niblings this whole time. Seeing the artists and writers enter and graduate from the political cartooning stable (Matt, I have your books. Looking forward to your future work!) as well as evolve as people like Pokemon reaching their stronger stages (Mattie L graduating into a certified hottie!) made me realize that it's been a movement and I've been here the whole time. I think it would take too long and be even more boring if I just kept naming names, but please trust me when I say that if you contributed to The Nib, I became your fan (or preened smugly as an already-fan). Every single person made me think and laugh.

The Nib ain't just millennial comic upstarts, neither. It really made me feel like it was a link in the chain when long-suffering old hands like Tom Tomorrow (if you see this, Tom, between me and my father we own all your collections!) and Ward Sutton (new Sutton Impact collection when?!) joined the crew. You even got Keef Knight, the one comic artist I'd trust to be able to moonwalk on command! And of course there's the star-studded webcomicker roster of contributors that makes you point and go "Hey, I know that guy!". And a special shoutout to Rob Rogers, who I watched the PPG dump like a foolish knave in a cautionary fable killing their golden goose. (Rob, my relatives STILL love getting those greeting cards you did that they stock in every jiggle. I hope you get royalties for those. And I love your book!) When I saw that he had strips up on The Nib I did a little dance. The Nib provided a brief country for old (not just old!) men (not just men!).

There's a pretty cogent piece of (cynical, perhaps accurate) criticism that political cartooning on the left is an inherently doomed effort, like talk radio. (We are always pouring one out for Air America.) That a medium that by its nature cannot communicate deep nuance and benefits from superficial appeal will be doomed when trying to advocate for a deeply nuanced tent in a world with deeply nuanced problems. Much easier to draw a dinosaur labeled TAXES (or DEBT) and call it a day, like the somehow-collecting-a-paycheck hacks in your racist uncle's favorite rag. But for a long time (longer than Air America, ha!) The Nib made it work, and by howdy. They got the nuance in there! The Internet (and its infinite canvas, thank you Scott McCloud for burrowing into my brain like an antlion) allowed for long-form comicking that pried open issues to their guts and took us to new places. And told even funnier jokes.

I think a whole new cohort of people around the world have become aware of the power of cartooning to send a message, to advocate, to educate, and of course to entertain even when nothing seems particularly funny. There were times when I needed the relatable-millennial-problems comics even more than the reminders-that-the-world-is-bonkers-not-me comics. And The Nib was happy to supply plenty of both. I will be following EVERYONE'S careers with... great interest.

I guess I'll let legendary @daygloayhole Ben Passmore's last panel for the site sign us off.

The Nib closes today, September 1, 2023. I hope you enjoyed it as much as I did.

(Thank you for everything.)

Here it is‚ the last comic for The Nib. Thanks for reading all these years!

#alex hates comics and loves comics and would die for comics. alex spends paychecks on comics and breathes comics #alex cries for comics like mary in a pieta.#alex dreams of a better world. a world not dying under capitalism and base cruelty.#a world where just for starters one could make comics and not starve to death.#according to this email I have the website will remain up in perpetuity.#I should probably do a top ten list of nib comix at some point.#sorry this is on your post matt bors. share it with the crew if you want.#the nib #comix #comic #powstuff

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vonnegutchild · 9 months ago

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I just saw a post that did this, and I wanted to make my own version! (I’m definitely cheating via ties, changing whether articles count, etc.) My A-Z book list:

A: Alchemyst (of the Nicholas Flammel books)

B: Brave New World

C: A Confederacy of Dunces (or Cien años de soledad, or Cloud Atlas, or La caverna de las ideas; tie #1)

D: The Day the Sun Died by Yan Lianke

E: Emma by Jane Austen

F: Fun Home by Alison Bechdel

G: Galápagos by Kurt Vonnegut

H: Hard-Boiled Wonderland and the End of the World

I: Infinite Jest

J: Jane Eyre (haven’t read yet)

K: Kiss of the Spider Woman (Beso de la mujer araña)

L: Las intermitencias de la muerte

M: The Master and Margarita

N: The Name of the Rose by Umberto Eco

O: Of Mice and Men

P: Pride and Prejudice and Zombies

Q: FUCK IT DON QUIXOTE GETS THE Q SPOT FUCK THE RULES

R: River of Teeth

S: Serve the People! by Yan Lianke

T: This is How You Lose the Time War (or The Terror, I can’t pick 😭 or Turn of the Screw fuck you)

U: Uzumaki by Junji Ito

V: The Vine That Ate the South

W: When We Cease to Understand the World

X: I’d rather keep this list authentic than pretend I have a book that starts with X that I can recall that have strong feelings about.

Y: *radio static*

Z: The Zombie Survival Guide (eyyy middle school throwback)

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infinitelradio · 7 months ago

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IL Radio Show Production

In the Mix with DJ Shyheim (ITMWDS) - Highlights DJ Shyheim’s Mix & the Indie Music Spotlight Check out the “In the Mix with DJ Shyheim” show on Thursday, May 2nd @ 7:30 pm PST, 10:30 pm EST.

During the first half of the show the host DJ Shyheim will be playing a music mix of his choice. The second half will be dedicated to the “Indie Spotlight” where the DJ will play songs by various independent artists from various genres. Our motto for this show is…. “More Music & Less Talk”… That “Feel Good” Music. Tune Into the show <Here> If you want to know more about IL Radio/IL Ent please visit our website at www.infinitelent.com. If you would like to get your song played on the IL Radio Show.… You can submit your music either by email at [email protected] or via MusicSubmit . ______________________________________________________________ SHOW INFO DJ: “DJ Shyheim” IL Radio Show’s Creator/Content Producer: “L” DJ Mix 1st half of show provided by: DJ Shyheim Songs for the Indie Spotlight provided by: IL Radio VIDEO INFO Banner/Video Credit: Infinite L Designs Music Provided By: DJ Shyheim

IL Radio: <Listen Here> IL Radio IG: @infinitelent Youtube: www.youtube.com/@infinitelent IL Ent Website: www.infinitelent.com DJ Shyheim IG: @shyheim_28

#music #infinite l radio #infinite l ent #il radio #blogtalkradio #indie music #independent music #blogalkradio #infinite l #DH Shyheim #music submit

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day6source · 1 year ago

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youtube

New episode from KBS CoolFM!

DAY6’s Kiss the Radio With Young K 230804 with INFINITE

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fyeah-infinite · 1 year ago

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youtube

230801 Behind Press - Arriving at SBS Cultwo Show

#infinite #sunggyu #dongwoo #woohyun #sungyeol #myungsoo #l #sungjong #230801 #v:press #sbs radio #13egin #Youtube

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southernvangard · 1 year ago

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Episode 379 - Southern Vangard Radio

BANG! @southernvangard #radio Ep379! First and foremost, y’all wish Meeks a big Happy Birthday if you haven’t already. We weren’t able to celebrate last week on the show, so we’re making up for it in every way this week. When we say making up for it - we mean it - how about THREE, count ‘em THREE WORLD EXCLUSIVES from EDDIE MEEKS & DJ POCKET’S upcoming project, “TOXIC MASCULINITY”. Throw a few glasses of 130.2 proof courtesy of Old Forrester and you got yourself a show for the ages. Oh, and that bday gift for Meeks - just head to SOUTHERNVANGARD.BANDCAMP.COM and cop our new book for a cool twenty spot. THAAAAANK YA and YOU WAAAAALCOME!!!!! #SmithsonianGrade #WeAreTheGard #YouWaaaaalcome // southernvangard.com // @southernvangard on all platforms #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK

Recorded live October 29, 2023 @ Dirty Blanket Studios, Marietta, GA

southernvangard.com

@southernvangard on all platforms

#SmithsonianGrade #WeAreTheGard

twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks

Pre-Game Beats - Jansport J

Talk Break Inst. - "Longdale Dr." - Nottz

"Be Better" - Eddie Meeks (prod. DJ Pocket) ** WORLD EXCLUSIVE **

"Halfprice" - Domo Genesis & Graymatter

"Forever" - Eddie Kaine & BP Infinite

"Globe Holders" - P.U.R.E. ft. Inspectah Deck

"Close the Market" - Freddie Black ft. Tash (prod Spliftout, cuts Tone Spliff)

"Better Days (MiLKCRATE Remix)" - JRoberts x IMPERETIV x L-Biz x Rasheed Chappell

"Y'all Clowns" - Stu Bangas ft. Psycho Les & Celph Titled

Talk Break Inst. - "The Gardener's" - Nottz

"Bet You Wont Say That Shit (In My Face)" - Eddie Meeks (prod. DJ Pocket) ** WORLD EXCLUSIVE **

"The Tale Of 2 Cities" - Kxng Crooked & Joell Ortiz (prod. Hesami)

"Fupa" - AG Da Coroner & Doza The Drum Dealer ft. OSVN, D. Goynz, Mo BUks, William Bostick, Kaeson Skrilla, & Cargo Qell

"Inhumans" - Stu Bangas ft. Apathy

"Very Superstitious" - Verb T & Vic Grimes

"Luxurious Apartheid (MiLKCRATE Remix)" - Napoleon Da Legend x J Scienide x DJ Jon Doe

"Nothing Is Freestyle" - The Alchemist

Talk Break Inst. - "W. Tanners Creek Rd." - Nottz

"Neuschwanstein" - Crimeapple (prod. Bohemia Lynch)

"Halloween Havoc" - Creasy x Uncle Fester

"Fendi In The Night (Hypebeast Edition)" - RU$h & Mike Shabb

"No More" - Kxng Crooked & Joell Ortiz (prod. Heatmakerz)

"Finagle" - Al.Divino

"Jerkin" - Frog Brothers ft. Bobby Craves & Fazeonerok (prod. Montega Mateos)

"Baltimore Protest Joint" - Eddie Meeks (prod. DJ Pocket) ** WORLD EXCLUSIVE **

Talk Break Inst. - "Cedarwood Ct / Rosemont Middle" - Nottz

SOUNDCLOUD

https://on.soundcloud.com/rynXd (SHORT LINK)

APPLE PODCASTS

SPOTIFY PODCASTS

YOUTUBE

GOOGLE PODCASTS

http://bit.ly/svrgooglepodcasts

TWITCH

MIXCLOUD

#SouthernVangard #DJJonDoe #EddieMeeks #JansportJ #Nottz #EddieMeeks #DJPocket #DomoGenesis #Graymatter #EddieKaine #BPInfinite #PURE #InspectahDeck #FreddieBlack #Tash #Spliftout #ToneSpliff #Milkcrate #JRoberts #IMPERETIV #LBiz #RasheedChappell #StuBangas #PsychoLes #CelphTitled #KxngCrooked #JoellOrtiz #Hesami #AGDaCoroner #DozaTheDrumDealer #OSVN #DGoynz #MoBUks #WilliamBostick #KaesonSkrilla #CargoQell #Apathy #VerbT #VicGrimes #NapoleonDaLegend #JScienide #TheAlchemist #Crimeapple #BohemiaLynch #Creasy #UncleFester #RU$h #MikeShabb #Heatmakerz #AlDivino #FrogBrothers #BobbyCraves #Fazeonerok #MontegaMateos

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parkerbombshell · 2 years ago

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inkandpaintleopard · 11 months ago

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Ooo oh god uhh…

I - It’s Alright (Mother Mother or Jack Stauber whichever you prefer)

N - No Children (The Mountain Goats)

K - Keepy Uppy (Bluey)

A - And So We Fall (The Stupendium)

N - Nowadays (literally any version (Chicago))

D - Devil’s Train (The Lab Rats)

P - Posin’

A - Amygdala’s Rag doll (Ghost and Pals)

I - Infinite (Sonic Forces)

N - Nothing Left To Lose (Tangled: The Series / Rapunzel’s Tangled Adventure (inferior title))

T - Tapes of Old (Kyle Allen Music)

S - Stressed Out (Twenty One Pilots)

N - Nobody Like U (Turning Red)

O - Orchestra Play For Me (Bubble Guppies)

W - Wait For It (Hamilton)

L - Like A River Runs (Bleachers)

E - Enemy (Imagine Dragons) (or Everything Moves by Bronze Radio Return I can’t decide)

O - Opinions (CG5)

P - Peppa Party Time (Peppa Pig) (I am not joking)

A - ACADECA (Equestria Girls: The Friendship Games)

R - Rabbit Heart (Raise it Up) (<- actual title) (Florence + The Machine)

D - Doowit (Pharrell Williams) (also literally any Despicable Me song)

*exhausted sigh* if this isn’t telling of the sheer extent of my music taste, idk what is (I haven’t even heard most of these in a while but every song I listen to is my favorite song)

I literally don’t know anyone so here’s some people whose existence I’m aware of

So sorry for bothering you with my existence:

@the-spooky-children @5hrignold @yamileth2561 @wolftails-funkin-arts @uselessalexis165 @steam-beasts

everyone else feels too cool for me to talk to so I’ll leave at that

Rules: pick a song for each letter of your URL and tag that many people.

i- I was all over her by salvia palth

n- no surprises by radiohead

a- a night to remember by beabadoobee and laufey

s- sunsetz by cigarettes after sex

t- there is a light that never goes out by the smiths

a- all I think about now by pixies

t- the blonde by TV girl

e- everything by the black skirts

o- one beer by MF DOOM

f- first love/late spring by mitski

c- cigarettes out the window by TV girl

r- rises the moon by liana flores

i- infrunami by steve lacey

s- see you again by tyler the creator and kali uchis

i- i can't handle change by roar

s- show me how by men I trust

(do I know 16 people??)

@rohza-is-a-bit-gay @rainnism @titan-god-helios @frogofalltime @etherealspacejelly @tiredlyvelociraptoring @chaotic-beannn @us-costco-official @chaoticrsstuff @werewolfenthusiast @person4924 @indecisivebitch3000 @ionlylook @transgirlsgetswords @asherwentinsanelol + anyone else whod like to join

#The amount of songs I put here and tried to squeeze in is just the top of the iceberg #“Tis but a scratch”#Me going into this: why do I have so many letters in my URL #Me coming out of it: I wish I had more letters in my URL #crossover-enthusiast #tagging game

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