#India Stock Photo

[indiapicturebudgetipb]

Buy Stock Videos - Elevate Your Projects with Indiapicturebudget

Visuals are essential to today's technological world, allowing audiences to learn and absorb information more quickly. From creating promotional videos to social media posts, through to corporate video presentations for corporate training High-quality stock video clips can be a valuable asset. Indiapicturebudget stands out as an exceptional source for stock videos at competitive rates; here, we explore why Indiapicturebudget is your go-to source and why you buy stock videos and that will help you to achieve your creative goals more successfully.

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Diverse Options: Stock video libraries provide access to abundant footage on various topics and styles - whether cityscapes, nature scenes, or dynamic business settings are your subject of choice. The chances are reasonable, and you can find exactly what you need here!

Consistency: Stock videos help maintain consistency throughout your project by maintaining consistent quality and style across its components. It is precious to work with multiple pieces of content requiring one cohesive visual theme.

Indiapicturebudget Is an Excellent Platform for Stock Videos

Indiapicturebudget is a leading stock video provider offering an expansive selection of high-quality footage explicitly tailored for every need and budget. Here's why Indiapicturebudget should be your go-to platform when buying stock videos:

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Quality footage is paramount in stock videos, and Indiapicturebudget is unparalleled. Their footage is captured using state-of-the-art equipment and techniques, producing crisp visuals that meet professional standards - whether HD or 4K resolution is needed, Indiapicturebudit consistently provides quality that enhances any project.

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Navigating stock video platforms can sometimes be tedious, but Indiapicturebudget makes the experience effortless through its user-friendly interface and search functionality. Keyword search capabilities enable quick retrieval of footage you require using keywords, categories, or filters, while detailed video descriptions and previews facilitate informed decisions prior to purchasing footage.

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Visual content is always changing, but Indiapicturebudt remains ahead of the game by regularly adding relevant footage to its library. With Indiapicturebudt's commitment to modernizing its collection with fresh footage that stays current with the latest trends and styles, your projects will always look their best!

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Watch How to Maximize Stock Budget Videos

Consider these suggestions when purchasing stock videos:

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Buy Stock Videos from Indiapicturebudget andmake an excellent solution for projects looking for high-quality, cost-effective footage. Their extensive library, competitive prices, and commitment to quality make Indiapicturebudget an invaluable source for creating professional and engaging content - visual storytelling or other projects. You can elevate visual storytelling by tapping into Indiapicturebudget's offerings while realizing outstanding results in all your endeavors!

[stocknse]

Indian Stock Market Today Live Method

Study And Visit Now :

[indiapicture]

How to Save Money and Legal Headaches with Royalty Free Photos

Today's digital world requires visuals for content production across numerous platforms - from websites and blogs to social media and marketing materials. However, finding images can often be expensive and legal risks when done incorrectly; royalty-free photos offer an affordable yet secure solution to individuals and businesses alike. We will examine ten critical points on how royalty-free images help save you time, money and legal headaches!

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2. Legal Safety:

Copyrighted images that are not used with proper permission could result in legal consequences, such as massive costs and legal actions. Clearly defined usage rights protect images that are free of royalty. They permit users to use the photos to fulfill their purpose without worrying about infringing other people's intellectual property rights.

3. Vast Variety:

Royalty-free photo libraries feature an expansive library of stock photos, illustrations, vectors and videos suitable for diverse project requirements. Users can quickly source appropriate visuals that enhance their content without compromising quality or creativity.

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Royalty-free photos can easily be accessed online, making the search selection and download process quick and painless for users compared to commissioning custom photography or dealing with copyrighted imagery rights acquisition processes.

This saves time and energy compared to creating customized imagery or acquiring copyright usage rights through complex processes such as licensing them directly from copyrighted sources.

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Before downloading and using any royalty-free image, reviewing and understanding its license agreement in detail is vital. Be mindful of usage restrictions, such as prohibited uses or distribution limits, to avoid potential legal complications and ensure full compliance.

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Search reputable websites and platforms offering high-quality royalty-free images from reliable sources such as Indiapicture, Indiapicture budget or Getty Images with clear licensing agreements to minimize risks of inadvertently using content belonging to others without permission. These options usually offer professionally curate photographs with clear licensing terms that lower any chance of accidentally using copyrighted material by accident.

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9. Compliance and Updates:

Stay abreast of changes or updates to the licensing terms for royalty-free images you utilize. Review license agreements and usage rights regularly to ensure compliance and avoid potential legal issues. By staying informed, you can continue reaping the advantages of royalty-free photographs while mitigating risks.

Royalty free photos are a cheap and legal option for businesses and individuals requiring high-quality photos. When you understand the meaning behind royalty-free licenses and observe guidelines for use, you can cut costs while avoiding the legal issues of illegal images. By following the proper method, you can enhance your website with beautiful images and reduce the risk of copyright violation.

[gojoreo]

Seeing this image used with this quote is wild

This is from the movie 'The Great Indian Kitchen'

The man and woman here are married. They live in the house of the boy's parents. The women do housework while men relax.

The women cook a fresh 3 meals every day, do sweeping and mopping, wash the clothes by hand, prayers and so on.

The mother in law of the girl eventually has to leave the house to go to her daughter's house (It's a tradition in many parts of India for a pregnant woman to be cared for by her maternal family).

The girl is suddenly pressured with a lot of housework and misogyny. Eventually she gets her period and is treated very badly by her husband and father in law because of it.

During the beginning of the movie, there's a leaky pipe in the kitchen. The husband refuses to call a plumber or fix it or do anything to fix it. The girl has to put rags to soak up the water and a small jar under the pipe-hole to collect the water and throw it away routinely.

At the end of the movie, she is asked to make and serve tea to all the men who mistreat her and consider her impure because she is a woman and because she menstruates.

She fills two cups with the dirty water from the pipe-hole and leaves them there. Her husband and father in law arrive to beat her. She throws the whole jar of dirty water on them and locks the door and leaves.

She divorces him, gets a job (which her father in law and husband had refused to allow) and get's her own car and basically becomes independent.

Her ex-husband remarries and mistreats the 2nd wife as well.

This is the most insane image you could have used for this quote.

You can watch the movie for free on YouTube. It's in Malayalam but there are captions. I don't know Malayalam and I recommend this movie to anyone who reads this.

I'm not saying that being a submissive wife or traditional wife is wrong. Just talking about the absurdity of using this image for this quote.

*Please excuse any spelling or grammar mistakes

[mariacallous]

Browsing through the official photos of the annual BRICS summit in the Russian city of Kazan last month yields intriguing surprises. In several of them, Russian President Vladimir Putin holds a mock-up banknote featuring the flags of the five core BRICS countries—Brazil, Russia, India, China, and South Africa. Looking at the pictures, one could be forgiven for assuming that the BRICS had just launched a common currency. This is exactly what Moscow would like the world to think as part of its bid to demonstrate that Russia is far from isolated on the global scene.

To the Kremlin’s chagrin, however, things did not go according to plan in Kazan. No BRICS currency was launched, and the official captions to Putin’s pictures do not even mention the banknote. The Kremlin also failed in its efforts to push for the adoption of BRICS Bridge, a financial mechanism that would help the group’s economies bypass Western channels. Interest from other BRICS members was so lukewarm that the scheme did not even make it into the final summit communiqué. Russia is unlikely to stop pressing, however: Developing non-Western financial mechanisms is an almost existential imperative for Moscow—and it highlights how finance has become a new arena for great-power competition.

In Kazan, the Russian summit hosts had a simple goal: to launch as many financial schemes as possible in order to mitigate the impact of Western sanctions on Moscow. Proposals include BRICS Pay (a scheme that would allow visitors from BRICS countries to make payments in Russia); BRICS Clear (an attempt to circumvent Euroclear, Clearstream, and the other Western firms that provide the global infrastructure for trading securities, such as stocks and bonds); BRICS (Re)Insurance (a bid to mitigate restrictions on the provision of insurance for Russian-owned aircraft and ships); a BRICS ratings agency (an alternative to the Western giants Standard & Poor’s, Fitch, and Moody’s); and the BRICS Cross-Border Payments Initiative (a scheme to facilitate payments between BRICS countries in their own currencies, such as the Russian ruble or the Brazilian real).

All five mechanisms matter, but attendees in Kazan quickly understood that Russia cared even more about a sixth scheme—BRICS Bridge. The project’s goal is both simple and ambitious: getting rid of intermediaries for international transactions made with central bank digital currencies (digital coins issued by central banks and stored on mobile phone wallets). To understand BRICS Bridge, picture a long-haul flight between, say, India and Brazil. Instead of having to go through an airport hub (a correspondent bank that is often located in the United States), these systems allow payments to make a direct trip between Indian and Brazilian banks. The benefits of going direct are obvious: Financial transactions do not need to make a stopover in a correspondent bank likely to be located in the United States or go through Swift, the Western-controlled global payment system between banks.

The symbolic dimension of BRICS Bridge is massive. As Brazilian President Luiz Inácio Lula da Silva said in 2023, “Every night, I ask myself why all countries have to base their trade on the dollar. Why can’t we do trade based on our own currencies?” This is not only about countries wondering why they need to settle cross-border trade using the greenback instead of their own currencies. Another aspect of the frustration is linked to the dollar being the currency of choice for issuing sovereign debt, putting developing economies at the mercy of the monetary policy of the U.S. Federal Reserve.

Bypassing Western financial channels also offers a layer of protection against sanctions from G-7 countries and their allies, since in most cases those sanctions only bite if the sanctioned country’s firms use Western currencies or have ties to G-7 economies. This highlights how BRICS Bridge is part of the effort by the West’s adversaries to sanctions-proof their economies by ditching Western currencies (in addition to reverting to old-fashioned barter, Russia now settles around 80 percent of its international trade in non-Western currencies) and building alternatives to Swift (like China’s homemade mechanism, CIPS). Dodging Western financial mechanisms also makes it easier to hide sensitive transactions that could trigger U.S. secondary sanctions, such as Chinese sales of military gear to Russia.

A final advantage of BRICS Bridge has to do with its digital nature. BRICS central banks could easily program a digital mechanism so that it blocks transactions that run counter to their interests or, in extreme scenarios, restricts Western access to their markets. Even short of these scenarios, the digital nature of BRICS Bridge would make it easier for surveillance-heavy dictatorships like Russia or China to track international transactions. By pressing ahead, BRICS economies could also be seeking a first-mover advantage in establishing a digitalized global financial architecture—betting that controlling emerging standards in the sector will enable them to weaponize global finance in the future.

Considering the potential benefits of BRICS Bridge, it may look surprising that Russia’s push for the mechanism’s adoption was met with lukewarm reception in Kazan. Moscow’s initial plans were to trial the scheme in 2025 before fully launching it around 2027. The fact that this timeline now looks unrealistic did not come as an entirely unexpected development for Moscow. A few weeks before the summit, China, India, and South Africa had already skipped a BRICS finance ministers’ meeting that was supposed to talk about the scheme.

The reluctance of other BRICS economies to get on board highlights three reasons why the development of non-Western financial mechanisms is unlikely to prove straightforward.

The first obstacle has to do with BRICS members’ diverging views of the urgency of such plans. At one end of the spectrum, Russia is the most enthusiastic backer of BRICS Bridge; the country has nothing to lose as Western sanctions already restrict its access to Western payments schemes. Other BRICS members are less convinced. China is doing preemptive work to have backup plans in case it were to be cut off from Swift or Western currencies, but it has no interest in ditching the dollar or Western financial channels any time soon. Meanwhile, Brazil’s plans to de-dollarize appear to have more bark than bite. South Africa and India are even less eager to connect to BRICS Bridge; bankers in both countries are uneasy about getting too cozy with non-U.S. financial initiatives for fear of antagonizing their Western partners.

A second factor hindering the development of BRICS Bridge is that the system can work only if all BRICS countries issue their own digital currencies. They are far from that point. Among them, only China has both a pilot digital currency in circulation—the digital renminbi—and the infrastructure in place for cross-border payments—through mBridge, a scheme that appears to have inspired the architecture of BRICS Bridge. (Shortly after the Kazan summit, the Bank of International Settlements, which led the development of mBridge, announced that it was withdrawing from the project after media reports suggested the scheme could help dodge sanctions.) Yet China’s extensive capital controls that restrict cross-border transactions will hamper the global rollout of the digital renminbi, including for use among the BRICS grouping. Without China on board, the mechanism is unlikely to have much global clout.

Basic economic theory highlights a final difficulty. With BRICS countries registering trade imbalances among themselves, it is hard to imagine how, say, Russian oil firms would not end up with huge piles of digital rupees for their sales to India. The issuance of a common BRICS currency would prevent such an issue. However, plans for what has been dubbed the “R5” (a potential joint currency replacing the rand, real, renminbi, ruble, and rupee) or for the “unit” (a potential gold-backed digital currency) can be dismissed as far-fetched for now if BRICS countries cannot even agree on launching BRICS Bridge. This looks a bit like a chicken-or-egg problem: BRICS Bridge is unlikely to launch before the five major BRICS economies have a common digital currency, but launching such a currency is useless if BRICS Bridge is not operational. As long as the BRICS countries do not come to a political agreement on the need for BRICS financial systems, these debates could last for a while.

Should Western policymakers lose sleep over BRICS Bridge? Russia’s invasion of Ukraine in February 2022 has turbocharged the fragmentation of the global trade landscape between geopolitically aligned blocs. It is therefore no surprise that financial systems are becoming increasingly geopolitical, as well. The threat posed by such schemes may be overestimated in the short term, since the dollar and Swift are nowhere near losing their global hegemony. However, we can bet that non-Western financial mechanisms will become more mainstream in the long run, further fueling the fragmentation of the global financial landscape. Perhaps the only certainty is that Russia will continue to pretend that it is successfully leading efforts to launch BRICS financial schemes—even when there are none to write home about for now.

[usafphantom2]

IMAGES: USAF Beale Air Base takes flight with silver TU-2S

Fernando Valduga By Fernando Valduga 02/18/2024 - 18:12in Military

The iconic U.S. Air Force (USAF) U-2 spy plane has many distinct features, such as its deep black paint. But this week, one of the Dragon Lady from Beale Air Base, California, is displaying a silver pattern.

The TU-2S '1078', the "T" meaning coach, is back in the skies after almost three years on the ground, or 1,030 days, undergoing a series of regular repairs and maintenance, according to Beale Air Base.

During its time in the 21-month repair area, the 1078 had its iconic black paint removed, exposing the silver panels of the fuselage.

Although the '1078' is back in the sky, it still needs to undergo a series of airworthiness tests before receiving a new layer of black paint.

Beale Air Base said the training aircraft is halfway through the reintroduction process before coaches and interns can use the spy jet again.

Beale, located in Yuba County, is the only United States Air Force Base operating the U-2 Dragon Lady and hosts the entire stock of U-2S and T-U2S.

On January 11 of this year, another TU-2S Dragon Lady (number 1065) of the U.S. Air Force made its final flight, being deactivated after 41 years of services provided in the training of pilots of the iconic jet.

Tags: Military AviationU-2 Dragon LadyUSAF - United States Air Force / U.S. Air Force

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Fernando Valduga

Fernando Valduga

Aviation photographer and pilot since 1992, he has participated in several events and air operations, such as Cruzex, AirVenture, Dayton Airshow and FIDAE. He has works published in specialized aviation magazines in Brazil and abroad. He uses Canon equipment during his photographic work in the world of aviation.

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Cavok Brazil - Digital Tchê Web Creation

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[iseo58]

Kalbeliya Gypsy Traditional Dancers and Snake Charmers Indigenous Nomadic People of the Rajasthan Desert Pushkar India Stock Photo - Alamy

[nailamoonsi]

antonio chandrani and his fraternal twin raj rivera continuing their afternoon journeys.

Continuing yesterday's Blue Horizon Halloween series! The second row is in Bangladesh, and I added a splash of Texas with the last rose arch for the day.

Tomorrow I'll do an afternoon journey to Mexico since the triplets are part-fantasy counterpart-Mexican as well as fantasy counterpart Bangladeshi (+ Bengali). They'll go to Egypt too (for no reason).

[Part 1 | Part 2 | Antonio's break together with a cat. | Fernando's theme. | Part 3. |Antonio's break with another cat. (Last.)]

All stock photo credits are under the cut!

Here's the background for the first art, a stock photo by Sam Operchuck.

Here's the background for the second art, a stock photo of the Taj Mahal by by Victor Lavaud taken in Agra, India.

Here's the background for the third art, a stock photo by Amit Chowdhury in Chittagong, Bangladesh.

Here's the background for the fourth art, a stock photo by Adil Ahnaf taken in Chittagong, Bangladesh.

Here's the background for the fifth art, a stock photo by Karol Wiśniewski in Poland.

Here's the background for the sixth art, a stock photo by Thomas Park near Austin, Texas.

Here's the background for the seventh art, a stock photo by Robert Ritchie at Cannon Beach, Oregon, US, taken at 2am.

[sharmakanika]

Stay Updated with Top Hindi news live updates in India from Oneindianews

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We deliver the National news portal, Breaking News, live updates from India and around the World. It gives you Breaking stories, in-depth analysis & expert opinions.

Crack the competitive exams with our latest current affairs and other education news in India from Oneindianews. Get Hindi and Gujarati topic related current affairs and science, political, financial, entertainment etc.24/7 hours.

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In today's fast-paced world, staying informed about the latest news is more important than ever. With so many news channels and websites available, it can be challenging to find a reliable source that provides accurate and timely information. Oneindianews.com is a leading news website that has made its mark by offering comprehensive and up-to-date news coverage, especially in Hindi.

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[walks-the-ages]

Ya know, I thought being a Faction Paradox fan meant it could be hard to find books.

But the things I'm finding while looking up Arsène Lupin books? Which are public domain, with some very rare, very expensive first editions from 1908-onward still floating around?

hoooooooo boy, some of the literal scams I've come across...

... First, there's this monstrosity.

first, you know something is up already when you see the cover:

(functional ID: ) The book itself is yellow, and the entire "cover" is just a medium-sized, plain white rectangle with plain text that reads "Arsene Lupin Versus Herlock Sholmes (1910)". The only bit of color outside the yellow background is a tiny rectangle at the bottom of the white section, that has a simple red rose in it, and at the bottom on the yellow portion, it says Maurice Leblanc and Georgie Morehead; they are the author and english translators respectively.

Not only is this cover incredibly ugly and boring....

They didn't even put the accent on the è in Arsène !

Now, granted, I still don't know the key-combination needed to type out the è (on a regular keyboard, that is; mobile is much easier), but I also literally have a pinned tab leading to the Arsène Lupin wiki so I can literally just copy and paste his name whenever I need to, lol. I'm also not a supposedly wide-spread, professionnel publisher who specializes in reprinting rare books....

speaking of reprints!

This is their reprinting statement in the book.

[ID: plain text on a white background that reads: "Printing Statement: Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text, possible missing pages, missing text, dark backgrounds and other issues beyond our control. Because this is such an important and rare work, we believe it is best to reproduce this book regardless of its original condition. Thank you for your understanding. end ID]

Now, all this wouldn't be so monstrous.......

Except this is what it looks like, reading the book.

[ID: A photo of the inside of the book, showing an unnumbered page which is mostly blank, with extremely large margins around the top, bottom, and sides of the relatively tiny "inner page" of text, which is originally labeled as page 171.

So, on top of admitting they have having zero quality control for their reprints, they're also not even selecting the correct page or printer size for their "rare reprints!" Literally so much paper is being wasted here.

"Arsène Lupin vs. Herlock Sholmes" is 350 pages long in its original 1910 First Edition. That's with text that actually filled up the original page. If they'd at least chosen a smaller page size to fit their clear PDF-print, it would have been fine....ish.

But they didn't, so now this book is 350 pages long, and probably wasting half of those pages on pure blank paper.

Also, they're charging $30-$40 for these, "brand-new" on Amazon; going to their publishing website just leads any search to a generic Amazon page, full of the same extremely blatant ripoffs, including "leather hardcovers" from a print of demand location they can't even be bothered to not use a stock photo that requires them to blur out three different titles on the spine for each different angle.

Oh, and the real kicker?

Here's the exact Archive.org listing they're scraping to reprint for exorbitant amounts of money:

Literally down to the exact title, without an accent.

And this isn't the worst one I've found, either; another "public domain scraper" as I've taken to calling them, has taken this book:

and downloaded the ancient, autogenerated Epub from the Internet Archive, and without any human being looking at that Epub, converted it into a PDF and sent it off to a Print-On-Demand company to make those same generic, leather-bound hardcovers for $30+.

Would you like to know what the ancient, auto-generated epub looks like for this very old, very old scan of a book looks like? The one these scammers are reprinting and selling for an arm and a leg without anyone actually looking at the contents of what they're selling?

As a reference, this is what the original, old scan looks like:

[ID: a black and white image of two pages of text from an old book, the text is cramped, slightly blurry and tilted, and is difficult to read; the scan is from an old enough time that, from the shape of the pages not being physically joined together, that the book had to be manually cut page by page to be scanned. There are artifacts, dots and smudges throughout. end ID]

So, you ready to see what these scammers are selling to paying customers with no warning?

[ID: A screenshot of the Calibre ereader app, showing a page from the auto-generated epub from the old scan described above, showing a message in bold across that top that reads "The text on this page is estimated to be only 39.04% accurate." followed by a paragraph of complete gibberish; numbers, symbols, sanskrit letters, various special characters, etc, with no rhyme or reason. End ID.]

I don't know if this scam listing is still out there, I reported the one I found on Abe books, but they're also probably out there with a million duplicate listings on various websites.

So, yeah. Please,

If you are looking for physical copies of the Public Domain Arsène Lupin books, please make sure you carefully check what you are buying before ordering, especially online.

Make sure the 'è' in Arsène has the accent; make sure there's actual quality control, and for Arsène's sake, make sure what you're buying isn't slapdash gibberish.

If you don't know already, most of the Public Domain books that are in English and are PD in the USA can be found on Project Gutenberg (18-19 are PD in the USA this year if you include the play and its subsequent novelization; Gutenberg has 16 of these (including the play) , and you can read them completely for free, 100% legally:

I highly reccomend having the wiki page for Arsène Lupin opened up as you're reading through the books for the first time, because many of the books released at various times (and in various languages) with multiple different titles, so no two reading guides use the same title and leads to sheer confusion.

https://www.gutenberg.org/ebooks/author/1358

if you speak French, you can also read all of Maurice Leblanc's Arsène Lupin books, barring 1 that wasn't published until 2012, 75 years after his death, which you can read in french on:

Since USA and French Copyright law are different, if you are in the USA you cannot use any books published after 1928 (except post-humous) for derivative works, as France has a shorter copyright term of 75 years after death (except post-humous), while the USA is based on 95 years after publication, so us poor Lupin fans in the USA have to wait until 2037 before they all are Public Domain :'(

TL;DR: If you're a fan of a series which is Public Domain, you can read them online for free 100% legally; if you're looking to buy phyiscal books and you're shopping online, please take care to check for quality to make sure you're not getting scammed with an extremely poor quality ""book"" which could be complete gibberish, and/or a huge waste of money and paper.

[pleistocene-pride]

Columba livia, better known as the rock dove, the rock pigeon, rats with wings, or the common pigeon, is a member of the dove and pigeon family Columbidae, and the wild ancestor of the domestic pigeon (Columba livia domestica), which includes about 1,000 different breeds. Common pigeons are initially native to mainland Europe, North Africa, the middle east, india, and parts of central asia, where they inhabit rock formations including cliffs, canyons, caves, buttes, and outcrops near water and open vegetation. Common pigeons where first domesticated at least 5,000 years ago with some evidence pointing to as early as 10,000 years ago, and domestic pigeons have a long history of being raised for meat, eggs, as pets, and famously to carrying messages across long distances in the form of carrier pigeons. Because of this humans ended up bringing pigeons with them where ever they traveled, particularly during the age of sail, meaning that the common pigeon has near global distribution often residing in villages, towns, and cities where they utilize buildings for shelter and nesting sites. Common pigeons are gregarious living in flocks of 50 to 500 birds. They are omnivorous feeding upon a variety of nuts, grains, seeds, fruits, worms, insects, arachnids, as well as discarded human food. Common pigeons are common prey for various raptors, sea birds, raccoons, carnivorous marsupials, reptiles, and felines. Reaching 11 to 15 inches (29 to 37cms) in length, 8.4 to 13.4 ounces ( 238 to 380g) in weight, with a 24 to 28 inch (62 to 72cm) wingspan, the common pigeon typically sports a dark bluish-grey head, neck, and chest with glossy yellowish, greenish, and reddish-purple iridescence along its neck and wing feathers.A grayish to black beak with a off-white cere and purplish red feet. However centuries of domestication have greatly altered the rock dove, and individuals may appear in all manner of colors and patterns. The rock dove breeds at any time of the year, but peak times are spring and summer. They are a typically monogamous species which mates for life, however these birds may form bonds with more than one mate occasionally resulting in trios or quartets. Nesting sites are along rock faces, as well as the artificial structures like buildings. The nest is a flimsy platform of straw, sticks, and other materials built on a ledge where 2 eggs will be laid then incubated by each parent for 17 to 19 days. After hatching the young are cared for by there parents until they fledge at around 30 days. Under ideal conditions a common pigeon may live upwards of 15 years.

Art used can be found at the following links

[indiapicturebudgetipb]

The Role of Stock Photos and Videos in Modern Media

Visual content plays a pivotal role in communication in today's digital environment, and stock photos and videos have become indispensable tools for content creators to create compelling narratives with high-quality media available immediately. This article delves deeper into their use in modern media production.

Understanding Stock Photos and Videos

Stock photos and videos are professionally taken photographs and video clips available for use in various media projects, from landscapes and cityscapes to people and objects and typically licensed for specific services to help avoid copyright issues for creators.

The Rise of Visual Content

Social media and digital marketing have promoted visual content giving it greater engagement share ability and efficiency than textual material. Stock photos and videos known for their vast selections and high-quality images and footage have become invaluable tools in crafting compelling visuals for various marketing channels.

Stock Photos and Videos in Digital Marketing

In digital marketing, stock photos and videos draw audiences in. These visuals can be found everywhere, from social media posts, blog articles, and website banners to digital advertisements, providing marketers with visual context to share their brand stories more effectively.

Stock Photos and Videos in Journalism

In journalism, stock photos and videos play an essential role in storytelling. They serve as visual supports to news articles that help readers grasp context better; additionally, they're often employed by documentaries or news broadcasts as visual evidence or to illustrate concepts.

Stock Photos and Videos in Education

In education, stock photos and videos are often used to create engaging learning materials that help explain complex concepts visually - making learning more enjoyable and effective for students.

Stock Photos and Videos in Entertainment

In the entertainment industry, stock photos and videos have many uses. They may feature as part of narrative or background visuals in film/TV production, music videos/games, and multimedia productions like music videos.

Legal Considerations

Stock images and videos offer numerous advantages, yet it's essential to be aware of legal considerations when using them. Most stock photos come with license agreements governing how they may be used - it is vitally important that readers and viewers read them to avoid legal complications down the line.

Selecting Stock Photos and Videos

Finding appropriate stock images and videos is essential to creating compelling visual content. When choosing photos and videos for use in your visuals, please consider factors like relevance to your topic, quality of image/video quality, diversity represented and its ability to evoke an emotional response.

The Future of Stock Photos and Videos

With technological innovations such as 4K, 8K resolution video production and virtual/augmented reality (VR/AR), the future of stock photos and videos appears bright. Creators will now have more ways to produce immersive and high-quality content with these technologies at their fingertips.

Stock Photos and Videos have revolutionized how we create and consume media, providing an easy, cost-effective method of improving visuals to make content more engaging and impactful. As we move into the digital era, their role will only become even more significant in modern media production and consumption.

[stocknse]

Investment and stock advisory services

Investment and stock advisory services specific to the Indian stock share market

[indiapicture]

Why Royalty Free Photos are a Content Creator’s Best Friend

Royalty-Free Photos have transformed how content creators work, providing an indispensable resource streamlines their work while saving time and money.

Content Creation with Visuals

Visuals play an essential role in content production. They capture attention, express emotions and aid storytelling - yet creating original visuals can be time-consuming and costly.

What Are Royalty Free Photos?

Royalty Free Photos are images available for use without recurring license fees, making them suitable for multiple reuses in different settings and contexts. Once acquired or downloaded from a royalty-free image provider, these can be reused multiple times across numerous projects and presentations.

Benefits of Using Royalty Free Photos

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Legal Safety: Using Royalty Photos reduces the risk of copyright infringement, providing content creators with legal security. * Ease of Access: Royalty Images are readily available across various online platforms, making it convenient for content creators to find precisely the image they're searching for.

Quality: These photos feature professional-grade images that enhance the overall aesthetic and feel of content creation. * Global Reach: Royalty Photos provide content creators with an opportunity to incorporate global perspectives in their works.

 Inspiring Content Creation: Sifting through collections of royalty-free photos can inspire content creators.

Customizability: Some Royalty Images come equipped with customizable files, enabling content producers to adapt the images according to their needs and tailor them as desired.

Community Support: Many platforms offering Royalty Photos feature active communities of creators that allow content creators to connect with photographers and other creative’s creating an atmosphere of cooperation and community spirit.

 Frequent Updates: These platforms regularly add new photos, providing creators with fresh content for their creative projects.

The Rise of Digital Content Creation

Digital content creation marks a new era in content production. Thanks to online platforms, content creators demand engaging pieces more frequently than ever necessitating high-quality visuals - making Royalty Free Photos an indispensable asset.

The Challenge of Creating Original Visuals

Generating original visuals is time-consuming and resource-intensive, necessitating specific skill sets and resources. Hiring professional photographers or graphic designers may be prohibitively costly. Organizing photo shoots or creating graphics from scratch can eat away at a valuable time that would be better spent crafting the message of content creation.

Royalty Free Photos

A practical solution to these challenges is free photos. Professionally taken photographs available online allow users to download and reuse them multiple times without incurring additional costs.

Wide Range of Choices

Royalty Free Photos offer content creators a vast selection of landscape and cityscape imagery and people and object images for their content creation, providing content creators with ideas that complement it perfectly and maximize its effectiveness and appeal.

Enhancing SEO

Images play an essential part in search engine optimization (SEO). When adequately tagged and described, images can enhance content's visibility on search engines, increasing traffic.

The Importance of Ethical Use

Royalty Free Photos can bring many advantages, but using them ethically is equally essential. Always abide by the terms and conditions outlined by your image provider; some images require crediting photographers or platforms and using images in inappropriate contexts could violate these rules.

Royalty Free Photos have long been considered the go-to solution for content creators in today's fast-paced content creation environment, offering cost-effective, time-saving, versatile and legally safe visual solutions to elevate content with high-quality visuals.

Royalty Free Photos have proven themselves as game-changers in digital content creation. By responsibly using these visual assets, content creators can expand their work, engage their audiences and stand out in today's competitive digital environment.

[xtruss]

Tolerance and Capitalism; Slavery and Swindle: the Mixed Legacy of the Dutch in New Amsterdam

— April 5, 2024 | By Wendy Blake

View of New Amsterdam 1664, Watercolor. Photos courtesy of New-York Historical Society

Two remarkable letters are on display in the New-York Historical Society’s installation “New York Before New York: The Castello Plan of New Amsterdam.”

One, a 1626 letter to the Dutch West India Company from an official in New Amsterdam, the seat of colonial government in New Netherland, describes the “purchase” of “the island Manhattes from the Indians for the value of 60 guilders” (converted by a 19th-century historian into $24). That letter is the only record of the infamous transaction.

1626 Letter Describing the “Purchase” of Manhattan.

The second letter, written by present-day Lenape chiefs whose ancestors inhabited the region when the Dutch arrived, declares the “purchase” invalid. Indeed, says Russell Shorto, director of the New Amsterdam Project at NYHS and exhibition curator, who reached out to the tribes for this response, the transaction was a swindle: The Lenape would have viewed the transaction not as a sale but as a land-use treaty, amounting to an economic and defensive alliance with the Dutch. The items valued at 60 guilders (kettles, knives, and such) would not have represented payment for land but gifts typically presented upon the sealing of a treaty.

The chiefs’ letter, addressed to “Ancestor,” decries the 400 years of devastation experienced by the Lenape people but proclaims that the surviving families have reconnected with “The Land and Waters of Manahahtáanung.”

The NYHS exhibition, which marks the 400th anniversary of the arrival of Dutch settlers, brings together rare items that document the ugly legacies of African enslavement and dispossession of Native tribes while also speaking to the valuable contributions of non-Europeans. It also describes two foundational elements of Dutch culture that positively influenced the city we know today.

“The Dutch brought a tolerance that was unusual in Europe at the time—in fact, intolerance was official policy in France, England and Spain,” said Shorto in an interview with the Rag. “You had this mix of people speaking different languages and worshipping different ways. [The Dutch] showed in effect that tolerance of others was a recipe for economic success.”

As inventors of the stock market, they also imported capitalism. “They were a practical, seafaring people, and it was in their interest to have an entrepôt [a global trading post],” said Shorto. “Everyone in New Amsterdam was a trader. They would put money back into particular ventures and voyages.”

Business in the New World centered on the fur trade—particularly the “soft gold” of beaver pelts, which were secured by Native trappers—paving the way for New York to become a commercial hub. But the city would also become a center of the slave trade.

The Castello Plan, Showing the City of New Amsterdam Around 1660.

The earliest known map of New Amsterdam, known as the Castello Plan, is a highlight of the exhibition. Drafted by Jacques Cortelyou, the surveyor general for the Dutch territory in the New World, and illustrated by cartographer Johannes Vingbooms, the map offers a bird’s-eye view of the city at its peak, around 1660. It depicts 300-some houses, home to about 1,500 people; extensive gardens; a windmill; a fort; and a church attended by Christians of many denominations, including enslaved Africans—all south of the fence that would become Wall Street. A 3-D rendering of the map allows visitors to tour the city virtually, taking them down a canal and under bridges.

The map is on loan from the Laurentian Library in Florence, Italy. (It was sold in Amsterdam to Cosimo III de’ Medici, an Italian grand duke, and went missing for over 200 years before turning up in 1900 at the Villa di Castello in Florence; hence the name.)

Though it resembles a small frontier village, the city depicted on the map offered great opportunities for wealth-building, especially for white Europeans. A 1655 book encouraging European emigration to New Netherland (the Dutch-claimed territory that included large parts of the northeast and mid-Atlantic) said the Dutch “regard foreigners virtually as native citizens” and that in the capital, New Amsterdam, “anyone who is prepared to adapt can always get off to a good start.”

But not all were welcomed with open arms. On display is a petition to the city from Asser Levy, one of New Amsterdam’s 24 Jewish residents, who sought burgher status. Peter Stuyvesant, director-general of New Netherland from 1647 to 1664, had barred Jews from being burghers (citizens), which meant they couldn’t serve as guards for the city. Adding insult to injury, Stuyvesant then taxed them for not serving. Levy’s initial petitioning to become a burgher was unsuccessful, but Jews eventually won their case.

The exhibition introduces us to Native figures of the time, such as Seweckenamo, a chief of the Esopus people living north of Manhattan, who in 1664 proposed a treaty to Stuyvesant by carrying a branch to New Amsterdam and promising peace as “solid as a stick.”

It also reveals how Dutch leaders in Europe, appalled by a two-year war between the settlers and the Native population, condemned Stuyvesant’s predecessor, Willem Kieft, for “abominations” against the tribes and recalled him. Kieft had ordered soldiers to massacre Indigenous people in their sleep, sparking a war in which over 1,000 Native people and hundreds of colonists were killed.

Bones, Pottery Shards, and Other Fragments Used By Africans in Traditional Healing.

Most surviving artifacts from New Amsterdam relate to European settlement, but in 1984, a special group of objects – presumably collected by an enslaved African – was unearthed near present-day Pearl Street. This “mpungu” collection, found buried in a basket covered by a Dutch plate, includes shell fragments, shards of pottery, marbles, and a copper thimble. It was a Central African belief that the objects had to be broken and previously used so that a healer could engage with their energies.

Despite centuries of rapid and unceasing changes on Manhattan island, the original street grid of New Amsterdam remains remarkably intact. But the Dutch colony itself came to a quiet end in 1664, when its citizens surrendered control without resistance to the British. Shorto, whose books include Island at the Center of the World, a history of Dutch Manhattan, says he’ll be writing about the British takeover next.

Wendy Blake, who writes about arts and culture for the Rag, is a descendant of Jacques Cortelyou, the surveyor general of New Netherland who drafted the Castello Plan.

“New York Before New York: The Castello Plan of New Amsterdam” will be at the New-York Historical Society, at Central Park West and 77th Street, until July 14.

[steinstein]

i went to see aliens but all i found was heart.

Heaps of colour and black and white film photos of the wild place of India. First print run was printed in a rush (after being on hard drive for years), look forward to making a double sided fold out poster with the next run. 52 pages, A4 size. Let you know when the next lot’s ready to go.. Gratitude to the people in the pages, high chances I will never see any of you again. Hope you’re happy how you look!

If anyone knows somewhere that’d stock such a mag pls lettuce know, otherwise order on steinmagazine.tumblr.com , insta me or on fb Al Bl.

Sab Kuch Milega -  सब कुछ मिलेगा  - everything is possible !