#Im not following it because my music taste is too pretentious to like the kinda bland pop songs that mello is 90% of the time

[imjustli]

Mello is fun because sometimes it'sthe breakout performance for a newbie who puts their heart into it and fucking kills it, sometimes it's an established artist who half-asses it for a cash-grab, sometimes there'sa performance which creates the hit song of the year, and sometimes you get a song that is so absolutely dog shit you wish whoever decided to put this on the roster should end the performance by killing themselves live on stage

[michaelmilkers]

I saw in one of your tags that you mentioned how 21 pilots made emo pretentious and im actually curious about why you say that (not hate i just never knew about them that much)

my friend you have asked me about a topic i am very knowledgeable and very angry about so prepare yourself for what you have wrought

it isnt just twenty one pilots but theyre just the biggest and most popular example

like. take my chemical romance in the early-mid 2000s aka the peak of emo. it was very melodramatic and theatrical, the way emo should be. there was a presence of “we are not like other people” in a lot of the songs, but it was never just that. it was more of a “we have been cast out and we kinda suck but thats okay.” one of the best examples of this is, ironically, i’m not okay.

take, for example, the opening to the mtv music video:

[Ray] You like D&D, Audrey Hepburn, Fangoria, Harry Houdini and croquet. You can't swim, you can't dance and you don't know karate. Face it, you're never gonna make it. [Gerard] I don't wanna make it, I just wanna...

this immediately establishes the song as being about social outcasts and people who dont fit the mold. the fucking tag line of the song is “i’m not okay” ffs, that really tells you all you need to know about the song. but the important thing is it doesnt take itself too seriously either. the music video takes place in a private school, and shows scenes of the band members eating lunch alone, being bullied by jocks and preps, etc., but it ALSO shows scenes of frank putting swim goggles on in chemistry class and ray drawing on his test with a crayon and then licking it, and at the end they all ambush and beat the shit out of a guy in a mascot costume. all of this is cut up by text saying things like “if you ever felt alone” “if you ever felt wronged” “if you ever felt anxious”

do you see the juxtaposition here? the music video could very very easily be a fake deep bullying psa, but its not, because while theyre getting bullied and playing their music in a garage they are also, unequivocally, total fucking losers for obvious comedic effect. it is a very exaggerated and lighthearted version of real phenomena, which makes it more relatable to a wider audience.

the same can be said about the song itself. it has some pretty heavy and angsty lyrics (”i’m not o-fucking-kay”) but the instrumentals are punchy and energetic and catchy and gerard’s vocal delivery is very theatrical but also very deliberate and he still puts real emotion in the words. it sounds like its taking the piss out of not being okay, which is exactly what i as a clinically depressed 13 year old needed, and i bet a lot of other people can say the same. i’m a loser and thats okay. i fucking suck in school and thats okay. i feel shitty and thats okay. i’m not okay and that, in itself, is okay.

with twenty one pilots, on the other hand, there is no theatrics, theres no taking the piss, theres no over-the-top melodrama that made emo what it was. 

take, for comparison, the opening lines of heathens:

All my friends are heathens, take it slow Wait for them to ask you who you know Please don't make any sudden moves You don't know the half of the abuse

and this presents, immediately, one of my biggest criticisms of twenty one pilots: their rampant appropriation of mental illness.

because my first thought when hearing this is as an abuse survivor and someone with ptsd they can kiss every single square inch of my ass.

Welcome to the room of people Who have rooms of people that they loved one day Docked away Just because we check the guns at the door Doesn't mean our brains will change from hand grenades You're loving on the psychopath sitting next to you You're loving on the murderer sitting next to you You'll think, "How'd I get here, sitting next to you?"

they try to do the same kind of nuanced poetic lyrics that my chemical romance did and in my opinion is just doesnt fucking work because they take themselves SO. FUCKING. SERIOUSLY. it sounds JOYLESS. 

and the song closes out with this:

Why'd you come? You knew you should have stayed (It's blasphemy) I tried to warn you just to stay away (Away) And now they're outside ready to bust (To bust) It looks like you might be one of us

this is what i mean by pretentious. there is a clear separation of the person/people from whose point of view the song is told and the people the song is meant to be listened to by from the greater population, but theres no high energy or comedic self deprecation to counteract it. 

now take some lyrics from heavydirtysoul, a song i actually really like the sound of, im not just shitting on this band bc its not to my taste yall:

There's an infestation in my mind's imagination I hope that they choke on smoke 'cause I'm smoking them out the basement This is not rap, this is not hip-hop Just another attempt to make the voices stop

Nah, I didn't understand a thing you said If I didn't know better I'd guess you're all already dead Mindless zombies walking around with a limp and a hunch Saying stuff like, "You only live once." You've got one time to figure it out One time to twist and one time to shout One time to think and I say we start now Sing it with me if you know what I'm talking about

right back at it again with that appropriation of mental illness symptoms! and some dumbass critique of our generation that doesnt fit in with the rest of the song at all, closing out the verse with “we are not like you” shit. the vocal delivery at least has more energy than heathens, but the lyrics just feel like a mishmash of different points theyre trying to make that have nothing to do with each other.

the best line of the song is undoubtedly “death inspires me like a dog inspires a rabbit” but its poetic just... for the sake of being poetic? its one of those lyrics that sounds like someone came up with and was like “bro we gotta put that in a song” but then couldnt actually figure out how to fit it into a song in a way that would flow. another example of this is “i cant drown my demons they know how to swim” in bring me the horizon’s can you feel my heart. not shitting on bring me the horizon, i really like sempiternal, but thats another line thats just poetic for the sake of being poetic. and to be put on t-shirts. i know this because when i was 12 i had a shirt that said “i cant drown my demons they know how to swim” on it.

i could do more analysis on other mcr songs, namely welcome to the black parade and famous last words, but i would be here for literal hours and idk if people actually care that much.

to sum my points up:

they take themselves too seriously. they appropriate and romanticize mental illness (forgot to mention that top’s website, at one time, described their music as “schizoid pop” lol). they pull a lot of “We Are Not Like Other People..,.,.,,...” shit. 

that last point is not inherently a bad thing, for example the new slipknot album is literally called “we are not your kind” but the song that contains that line as a lyric is all out life, and corey taylor is screaming that entire song and the instrumentals are reminiscent of speed metal with how fucking energetic they are. its edgy and its GREAT. twenty one pilots just sounds like they think theyre the shit.

also, and i want you to read the following sentence in a bass boosted voice to best understand how i feel when i say this:

the twenty one pilots cover of cancer is an embarrassment that completely misses the point of the original song and changed it into a weird amalgamation of lo-fi synth pop.

emo music is dead. thank u and goodnight.

[wardencommanderrodimiss]

chapter 11.5 -- okay, 12, it’s chapter 12, fine, fine. I should stop trying to predict how long my chapters will be. I’m always wrong. the Fae AU keeps escaping all my predictions. it’s fine. it’s cool. 

[Beginning] [Chapter Masterlist] [ao3]

It is not, as Apollo expects, the worst road trip he has ever been a part of. Trucy likes to sing along to the radio – she has a surprisingly good voice – which stops Clay from starting up his usual road trip tradition of bellowing out “Ninety-Nine Bottles of Beer on the Wall” and seeing how much he can get through before someone slaps him. Trucy claimed shotgun, as “the woman with the magic map”, meaning Apollo is shunted to the back with Ema, who upends her bag on the floor to pull from it a jumbo-sized pack of Snackoos and offer a handful to him.

“None for us?” Clay asks, pouting in the rearview mirror.

“Backseat privileges,” Ema replies.

Trucy cranks the radio up as a familiar guitar riff begins.

If it’s extortion, it works; she and Clay have not finished the first verse, Trucy’s almost-operatic interpretation running up against Clay’s off-key warbling, before Ema is shoving the Snackoos up between their seats, offering a trade of chocolates for an end to the car-vibrating force of Guilty Love.

“Not a fan?” Clay asks.

Ema groans. So does Trucy. “Don’t get me started,” Ema says.

“Yeah, please don’t,” Trucy adds.

“He’s a pretentious fuckin’ diva who—”

Trucy begins yelling out the chorus to the song over the second verse emitting from the radio.

They are all still arguing – Ema berating Clay’s taste in music while Trucy moves into an attempt to sing My Boyfriend is the Prosecution’s Witness to the tune of Guilty Love and Apollo tries to turn the volatile atmosphere anywhere else – when the song ends. Trucy shushes everyone, violently, smacking Clay on the arm and then flailing back at Ema, and turns up the radio. A DJ is in the middle of saying something.

“—announced today on their social media. While fans are disappointed, no one can say that the break-up comes as a surprise, after the sentencing of guitarist Daryan Crescend for murder in July, and the three months of, ahem, radio silence that’s followed. And earlier this week, leader singer Klavier Gavin’s brother was indicted on a second count of murder – I can’t say I blame him for maybe wanting to duck out of the spotlight. Gavin’s brother was previously charged in April, for—”

Trucy changes the channel. A commercial for a local furniture outlet doesn’t help break the awkward spell fallen over them. “Yeah,” she says, after a full minute, during which time they discover their new channel is a country music channel. “No real surprise.”

“Brother and bandmate,” Clay says quietly. “Hell of a year.”

“Hell of a six months,” Apollo says. And he was there for all of it – he was there for more of it than Klavier ever was. Klavier wasn’t there in April, not when Kristoph fell, not when any of them could have had any idea what was ahead. How much magic would surround them.

“If my older sister had been convicted of murder, I was gonna crawl into the dirt and die,” Ema says, “so I’m with the fop on that one, actually.”

There is a worrying lack of hypotheticals in the second half of Ema’s scenario. No “would have”s. Like she was where Klavier is, but the trial had a different outcome, and the frozen expression on her face, her eyes gone blank, she looks like she has caught up with her own words. Said too much. Apollo doesn’t know much about her as a person, her life before failing the forensics exam, how it was that she knew Mr Wright, but he can sympathize with that fear of having given away too much, turned the conversation down a path that should stay blocked off.

“You have a sister?” Trucy asks, turning around in her seat. “You seemed kinda ‘only-child’ to me.’ “Yeah,” Ema says quietly. “Older sister. Her name’s Lana. We don’t… talk much.”

Apollo doesn’t know why the name feels like it strikes something in his brain, the way Ema’s did when she first introduced herself.

“Oh.” Trucy visibly wilts. “Sorry.”

Ema shrugs, slumping back against her seat, her arms folded. “It happens,” she says. Her eyes are glazed over, settled in Clay’s direction. Her mouth quirks in the beginnings of a smile. “She took me to the Space Museum once, not long after it first opened.” The wistful smile has grown a little larger. “Back when I didn’t know what kind of scientist I wanted to be, so I wanted to go everywhere, and she was like ‘Ema I’m not taking you to the fucking tar pits again, how about space?’, and—” She shakes her head. “Sorry. Your jacket got me thinking. Do you work there or something?”

And that is the question that Clay most likes to be asked, that or literally anything else ever about space, and that is the end of any of them getting a word in edgewise – but while Apollo’s heard it all before, Trucy has questions galore, and Ema sits forward, slowly losing the pretense of not being enraptured.

-

They have driven for over two hours by the time Trucy directs them to pull of the highway at an exit that tells them there is nothing for them that way but another 38 miles until Kurain Village. “Is that where the Fair Folk live?” Ema asks dryly, in her voice none of the nervousness that people tend to have. Apollo hasn’t spoken much with her about magic, doesn’t know what she thinks – but, well, she knows Phoenix. That’s clue enough that caution comes secondary.

“Not really,” Trucy says. “They just named it that. It’s part of our world. Sometimes some of the fae do show up and hang around, I think – Maya tried to convince Daddy to move out here, once, apparently, but he wouldn’t leave the office.”

“Who’s Maya?” Apollo asks. Sometimes he realizes how little he knows about Phoenix’s personal life, too.

“Daddy’s friend. She’s – wait, stop! Here! Turn down this road here!”

“This is not a road,” Clay says, hunching over the steering wheel. “This is some dirt, off the road, not even in the shape of a dirt road.”

The car groans as Clay turns it off of the asphalt into the dirt. Trucy pops open the door and stands, holding herself between the door and the car roof and turning her face to the sky and the no-longer-distant mountains looming above them. She says something, muffled, and points into the trees. “We’re close,” she says, ducking back inside the car. “Let’s park and go – we’re close.”

“Park right here?” Clay asks, raising a doubtful eyebrow.

“Barely anyone comes this way,” Trucy says. “Like, one bus, except I’m not even sure if this is on its route. It’s fine.”

“I’m more worried that this is some sort of sacred ground that we’re stomping on,” Clay says, but he turns the key and then smacks his head against the top of the wheel. “How much are we going to regret just walking out there?”

“Probably we won’t,” Trucy says. She flings the door open and jumps out, stretching her arms up into the air. “C’mon already!”

“So what are we doing now?” Ema asks, crumpling the Snackoos bag back into her bag and tumbling forth from the car like a liquid spilled. “Just walking into the woods until we find treasure or a bear?”

“We do have a map.” Trucy waves it at her. “But yes. That’s what we’re doing.” She lowers the page halfway to her side and then stops, tilting her head back. “I’ve been here before,” she says. “Grandpappy and I – sometime – sometime after my mom died.” She takes a few slow steps toward the treeline, her movements uneven, as in a daze. “It was just the two of us. And we came here, and we buried—” She spins around, eyes wide, looking at all and none of them. “We buried his grimoire.”

Without another word of warning, she dashes into the woods, sending them scrambling to catch up to her. It’s colder here than in the city, though Apollo didn’t think they went up too far in elevation. Leaves thickly coat the ground; do they hide rings of flowers beneath them or do those in their magic break through? They finally reach Trucy when she, focused on her map, walks straight into a tree and takes some time to properly reorient herself.

“Do you know why here, of all places?” Apollo asks. “Is it because of the mountains, and he was…?”

He stops. Does Trucy know what her grandfather was? Phoenix didn’t say. Of course he didn’t.

“He said this is where he landed,” Trucy replies, crunching a leaf beneath her foot. “He said he fell, and this is where he landed.”

“Was he—” Clay’s sense, that question that they all know they shouldn’t ask, that question that Apollo has asked again and again anyway, wars against curiosity, against more than wanting to know – needing to know, to understand what is Trucy’s family. “Was he, erm, one of – Them?”

He can’t even bring himself to offer up one of the epithets. This close to the mountains, Apollo isn’t sure that he could bring himself to speak of them plainly like he has learned to.

“Yeah,” Trucy says. “But I’m human. Don’t worry.” She flashes a grin, one of her usual grins, but it is tempered by the speed with which is vanishes from her face again, replaced by a frown of concentration. “I think we must be close, but not quite yet.”

“Hey, Trucy?” Ema asks. She pushes a branch out of the way and it snaps back to nearly strike Clay in the face. “Not to pry, but – if your grandfather was one of the Fair Folk, are you the changeling, or was it your mother?”

Trucy stops.

“Wait,” Ema says. “Not a changeling – that’s the fae child. The human kid, the one swapped out. Is there a word for that?”

“I don’t think so,” Trucy says. She hops over a log. “I don’t think there’s a name for people like that.”

She doesn’t answer the first question. Maybe she doesn’t know, either.

“When you say you buried it,” Apollo says, aware that there is nothing subtle about this lifeline he is throwing to pull her away from questions best left avoided (am I a child stolen away, raised by the fae? Did they take me from the life I should have had?), “have we come all this way to be foiled for want of a shovel?”

“Oh fuck,” Trucy says.

“Hey!” Ema barks, her sharp rebuke the manifestation of that urge Apollo feels to scold her for that. “Language, young missy!” She folds her arms across her chest, her glare a fond one. “Where did you learn that?”

“My daddy’s a card shark,” Trucy says, countering Ema with a smug grin of her own.

“I thought he was a piano player,” Clay says.

“Only because you’ve never heard him play,” Trucy replies. “Easy mistake to make.”

“Considering it was all magic that hid the map,” Ema says, with nary a pause to acclimate everyone to the idea of throwing the conversation back past that latest sharp turn, “wouldn’t it be magic to hide it again, logically speaking?”

“Where’s the logic here?” Clay asks. Ema snaps a twig off a bush and flicks it at him. “And I mean, if it’s just covered up with some illusion, couldn’t anyone stumble into it?”

“Maybe it takes the map, too,” Apollo says. “Or maybe only a Gramarye can unveil it.”

He steps up onto a tree stump, like the extra five inches can grant him some kind of special insight or a better view in the forest of brown. Then he is falling, the wood rot giving way beneath his foot, a sharp jolt running up his leg from the twist of his foot. “Shit!”

Trucy winces. “Ouch. Poor Polly. I—”

“Apollo,” Ema says, very seriously, but somewhat muffled by her hand over her mouth. “Move. Move right now.”

“What?” He sits up, dislodging his foot from the stump, and looks about himself. The forest floor of dead leaves has cleared, as though by a strong, concentrated wind, revealing browned dead grass encased by a perfect circle of blue flowers. “Oh. Oh shit.”

Without an ounce of grace, still on his hands and knees, he scrambles and rolls his way out of the faery ring. “So according to the map,” Trucy says, and above his head Apollo hears the flutter of the paper, “I think we found it.”

“Only a Gramarye, huh,” Clay says dryly.

“That was only supposition!”

“So who’s gonna stick their hand in a rotten tree stump?” Ema asks, producing a flashlight from her bag and shining the beam down into it. “I volunteer Trucy, because she’s wearing gloves, and is our Gramarye.”

Trucy kicks up the leaves on her approach, searching for hints of another ring around the stump, more than just Apollo’s that sits adjacent to it. “If I get bit by a squirrel and get rabies and die, it’s your fault,” she says, kneeling down next to the stump and brushing her hair back to peer down into it.

“Statistically, your chance of getting rabies from a squirrel is negligible,” Ema says. “That shouldn’t be your worry.”

“What should I worry about, then?” Trucy asks. “Can you bring the light a little closer?”

“Bats, racoons, foxes, feral cats and dogs, and right now, probably non-rabies Fair Folk curses, since we’re fucking around by a ring.”

“I’m still concerned about bears,” Clay says.

“I’m not,” Ema says. “I’ve already got my plan, which is to trip you into its path.”

“General ‘you’, or me, specifically?”

“You specifically. Nothing personal, though. I just know Trucy and Apollo better than you.”

“This is way heavier than I thought,” Trucy says, falling off-balance and dropping something dark and rectangular. “Oof! Okay. Okay. We got it!” She lifts it up onto her knees, a thick book with a black cover and a character emblazoned in flowing purple script on it. “I knew I remembered this.” Her voice is quieter as she opens the book and flips through the rough-edged pages. “Grandpappy’s grimoire.” She closes the cover again, reverently, and keeps it balanced on her legs as she turns back to the stump. “Light again, please. I thought I saw something else.” Trucy has her head nearly in the hole, which can’t help her with her light situation, and she sits back and plunges her hand in again. “Yep! This is a – a funny-looking magatama?”

She holds it up, the blue stone sparkling in the flashlight beam, but also seemingly with its own interior glow, and Apollo gasps.

Three sets of eyes turn to him.

“That’s a mitamah,” he says, and to his own ears he sounds like he’s choking, but he feels like he’s choking too, and maybe the others don’t notice but he doubts it. “That’s someone’s soul.”

Trucy drops it into the leaves.

“What?” Clay looks suspicious – Trucy looks horrified. “How do you know?”

(“There’s no reason to give away your soul,” Dhurke told them, sternly, the sternest he ever got. “Never.” And then they tried to argue, to come up with reasons, because of course they did, and he hugged them both close. “You’ll make great lawyers someday, always looking for reasons and other ways, but this one – promise me. Nahyuta. Apollo.” He prodded each of them in the chest. “Don’t let someone else get their hands on your soul.”)

“The tail of it is different.” Apollo picks it up, brushing off the dirt and leaf particles that cling to it, and points to the longer, squiggling protrusion that extends from the loop. It doesn’t fully connect like a magatama, either, more like a hook than a circle.

It feels warm in his hand, humming through his fingers and up into his ears. It reminds him of the office – familiar, but disturbing, because there is no reason that it should feel so familiar and comforting.

“Could it be your grandfather’s?” Ema asks.

“Wouldn’t that mean he’s still alive?” Clay asks. “Is that possible?”

“It couldn’t be,” Apollo says. If he stares at the mitamah he thinks he can see flecks of gold within the blue, like stars on a constellation chart. “The Fair Folk don’t have souls like we do. They can’t sell them or manifest them like this.”

“Is that why they want human souls?” Ema asks.

“How do you know?” Clay repeats.

Apollo’s heart has stoppered up his throat.

“It makes them stronger,” Trucy says softly. “When they buy names, or souls, it makes their magic stronger. But this – this can’t be that.” She hugs the grimoire up to her chest. “It can’t just be that.”

“Should we just… put it back?” Ema asks. “Someone’s probably looking for it, right?”

“It’s been seven years and no one has come before us,” Apollo says. The humming isn’t as steady now, seems more like a song, and familiar, damned familiar. “No, we can’t just leave her here.”

In the silence, even the song seems to stop. “What?” Apollo asks. Their three sets of eyes are on him again, even more piercing, Trucy’s wide and Clay’s narrowed and Ema’s narrowing too.

“‘Her’?” Ema repeats. “Why ‘her’?”

“I…” Apollo swallows his heart. “I don’t know, but I… I know?”

“I don’t think you should be holding that in your bare hands,” Clay says.

But the alternative seems to be dropping her in the dirt again, and Apollo’s fingers curl tighter around the stone. He can’t do that, either. Trucy unties her scarf from around her neck and silently passes it to him, letting him wrap the stone up in the red fabric and then cradle it close again. The song thrumming in his ears ceases. “I guess we should take it to Mr Wright and ask him if he knows what to do,” Ema says. “He’ll know what to do with it. Her?”

Trucy’s gaze is unfocused, her head slowly drifting away from the horizon back toward the stump. “Trucy?” Apollo asks. “Are you okay?”

“He wouldn’t do that,” she says. “Just buy up someone’s soul all for himself. He wouldn’t. There had to be some other reason. It wasn’t just power, there had to be a good reason.”

(“There’s no reason,” Dhurke said. “Never.”)

“He gave me magic, as a gift,” Trucy says. “He was a good man.” She looks up at Apollo, blinking her blue eyes furiously. “Wasn’t he?”

-

It takes them another forty-five minutes to stumble out of the woods and find Clay’s car again. Ema makes everyone nervous talking about the odds of them stumbling across a body decomposing in the undergrowth – “I have zero desire to ever get caught up in one of your murder investigations,” Clay says, picking up a branch from the bushes and brandishing it like a baseball bat – and bears. The two of them are at least doing a good job of filling the silence left by Trucy, uncomfortably quiet, walking in a trace. Apollo tugs her by the arm out of the way of trees. He could put the mitamah in his pocket but hasn’t, has kept it held close to his chest.

The story that Phoenix spun of the Gramaryes is gnawing at him. A woman, on the bad end of a deal with Magnifi – Apollo doesn’t want to think about the possibility.

(Trucy must be thinking about the possibility, mustn’t she?)

She crawls into the back seat of the car, depositing the grimoire in the middle, and Ema makes a mad dash for the front seat, leaving Apollo to sit on the other side of the grimoire, separated by it from Trucy. The only time she speaks is to call Phoenix and ask him if he is at the office – he is, because she directs Clay to go back to the office.

It is a long, quiet ride home, some subdued conversation between Ema and Clay about their fields of science rising over the country music still on the radio. Trucy taps Apollo’s hand and beckons him to hand her the mitamah. She takes off one of her gloves and weighs it in her hand with an ever-deepening frown until she wraps it back up and passes it back to Apollo.

Ema shouts “Yellow car!” and hits Clay on the shoulder. He hits her back and tells her that she needs to specify no punch-backs next time.

-

Phoenix is sitting on the floor leaning against the couch with two notebooks and a stack of papers spread out in front of him, the coffee table shoved to the side, a pencil in his mouth and another tucked behind his ear, when they stagger into the office. Apollo is mediating an argument about the merits of Eldoon’s for a late lunch – Ema does not want to brave it, while Clay wants nothing more than to do so. Phoenix does not look up.

“Hey, Daddy,” Trucy says wearily.

His head snaps up, dislodging the pencil behind his ear. “What’s wrong?”

“You always complain about your back hurting, and now look what you’re doing.” Trucy’s words sound forced through a smile. Phoenix’s frown deepens. He watches Trucy walk past him to deposit the grimoire on his desk.

“We went looking into the envelope you gave her the other day,” Apollo says. “The real last page.”

Phoenix doesn’t look back from Trucy right away. “A full expedition team, huh?” he asks, raising one eyebrow as he looks over Ema and Clay. “Who’s this?”

“Er, oh, yeah. I’m Clay Terran. Apollo’s roommate.” Clay points with his thumb at Apollo, even though they all know there is only one Apollo that they know. “You’re Mr Wright, yeah?” He doesn’t do a good job of feigning enthusiasm.

“I know that look,” Phoenix says, standing with a wince and an audible crack of some of his joints. “That’s the ‘I’ve heard about you and it’s nothing good’ look.” He lets Clay splutter for a full two seconds before he grins crookedly and adds, “That’s fair.” Almost immediately, his expression flattens out to something stern and almost entirely foreign. “Trucy,” he calls. “What’s wrong?”

“We found my grandfather’s grimoire,” she says, sitting on the desk and holding it up, only for it to slip from her hands and crash to the floor. “And Polly has the other thing that was with it.”

Apollo unwraps the mitamah.

Has he ever seen Phoenix surprised? The man spent seven years an unbeaten poker player, and this past half-year absolutely inscrutable to Apollo’s eyes. There is nothing controlled in his reaction; his mouth falls open and his eyes go wide, turning blue immediately and staying blue, horror apparent in how they linger on the mitamah. “Oh,” he breathes. “That is – yeah.”

He reaches forward with trembling hands and scoops up the scarf spread across Apollo’s hands. He holds it cradled close, too, his free hand cupped beneath the one holding it, prepared to catch the stone should it slip, but still not having touched it with bare skin. “So,” he says. “The ‘source’ of Magnifi’s magic – that grimoire, and this soul.”

“But,” Trucy says, “that…” She stops. She chews on the inside of her cheek. Mr Hat, the wisp, is visible, bobbing frenetically around her shoulders. “It’s…” Her shoulders slump. “Do you know what to do with that, Daddy? Is there a way to know what person a soul belongs to?”

“Not from looking only at the mitamah,” Phoenix answers. His eyes still hollow blue when he turns them back to Trucy. “I am not particularly familiar with mitamahs, honestly, but I’ll look into it and see what I can do to get it back to her.” He takes the stone in one hand and offers Trucy her scarf back. “If the fae who has possession of a soul is still alive, they can just give it back – not that many are willing to, mind – but since he’s dead – well.” He shakes his head. “Thank you, though. For helping Trucy, and bringing this back.”

It’s a firm end to the conversation, not that Apollo knows what more to ask about a soul. Ema, though, is frowning, her arms crossed, her mouth twisting like she is puzzling out something. “We were gonna go get noodles at Eldoon’s,” Apollo says. “If – if you wanted to come, Trucy.”

“Oh!” She looks surprised, like she hadn’t expected to be addressed. “Um.” Her heels bounce against the desk. “Thanks, but I’m okay.”

Her hands, curled around the edge of the desk, shine red. Apollo doesn’t even need that to know she’s lying.

-

“We all agree she’s not okay, right?” Clay asks.

They were silent for a block down from the office, Ema not even complaining about losing the Eldoon’s battle. (Apollo was prepared to tell her that she didn’t have to come, but she had attached herself to them without a cursory protest.)

“Definitely not,” Ema says. “I guess she doesn’t want to believe that her grandfather was the double-dealing type of Folk – which, I’ve read the case file on his death, I’d believe that about him in a hot second. There’s nothing worse than a blackmailer like that. Also.” She plants herself firmly in the sidewalk. Apollo and Clay both bump into her. “None of us referred to the mitamah as ‘she’ or ‘her’, right? Like you were, Apollo.”

“None of us but Trucy even talked about it,” Apollo says. Clay nods. “Why?”

“Because Mr Wright did.” Ema’s forehead creases. “He said he would ‘get it back to her’. He wasn’t even touching it, was he?” Apollo shrugs. Ema shrugs too. “He knows something. More than he said.”

“He always does,” Apollo says.

They reach Eldoon’s, and Ema says that it’s weird to see the stand without a corpse attached. The look that Clay gives her makes her and Apollo both laugh. Once they have their noodles, they walk another few blocks to People Park and find a bench not far from where the noodle-stand crime scene once stood. Apollo has learned to be grateful for the mouthfuls of broth that taste of so much salt to sting. It feels a little more like safety, like salt across a doorway.

He starts to say what he’s thinking, that Trucy might be worried that the mitamah is her mother’s, or at least he is, but the words die on his tongue, shriveled by the salt. He doesn’t feel right to tell Clay and Ema about Trucy’s mother’s death, when he has no idea if Trucy knows or not. Phoenix has made him the guardian of family secrets that aren’t his and something about that feels wrong. Maybe necessary in some way, to understand the case, to understand what happened with Kristoph, but still wrong.

Instead, he helps Ema explain to Clay her earlier comments about Magnifi and blackmail. You can’t refuse, and we both know the reason why – Trucy can’t know he did that. She seemed to idolize him. What a hard way to fall.

He’ll text her tomorrow, Apollo decides. Check in, see how she’s doing.

(There’s probably someone else he should check in with, too, the events of this week all considered.)

[quitbeingbanished]

Changing my genre (Charlie x Jo)

Title: Changing my genre

Pairing: Charlie x Jo

Prompt: Songfic for #kimsbirthdaychallenge @ilostmyshoe-79

word count: 1215

warnings: AU where Jo is an edgy larp girl and Charlie is normally not into that, Larping, Charlie being awkward and adorable

song: Changing my Major from Fun Home OST

a/n: I had two other fic idea I tried to do with this but...this happened. this is my first wlw fic I’ve written since I came out as trans. I did have my lovely assistant @becomingmyinnerdemons help me make sure it wasn’t uncomfortable. As such pretty rated G and kinda fluffy.

tagging: @brewsthespirit-blog , @smallreferencepools​

Charlie totally loved LARP. She considered herself a bit of a larping queen actually. But she preferred high Fantasy, elves, dragons and magic. She felt comfortable in that setting. She could min-max her way to being the baddest bitch on the game floor. She read books like Harry Potter and the Hobbit. She liked fantasy, it was a happy place where the heroes always won—well, except for Song of Ice and Fire. It was an escape, a warm blanket of an escape. She liked fantasy. She had no interest in dark and gritty settings. Comics in the 90’s had been terrible. Batman was overrated.

She’d seen the source material a few times in her local game store. Books that were marked ADULT as if somehow playing vampires or werewolves were the mature thing to do. Charlie had plenty of adult encounters while in Middle-earth, thank you very much. But when there had been a flyer in her local gamer den for a new larp on the local college campus? Yeah, Charlie had decided to give it a go. Not because she was interested in this pretentious system but because her main game was in its offseason.

Sometimes a girl just needs a larp fix, regardless of the genre.

   She had sent an email to the contact on the flyer for the online group for the game. Roads Not Taken was a silly name for a campaign but Charlie had once been in a D&D game called Elf Quest so who was she to judge? She joined the topic for new players where the Story Teller--how weird was that to call your game master?-- that told her the system was just humans who got tapped with powers to fight monsters. It didn’t sound as goth as she had been expecting.

  Charlie was wowed by just how normal and geeky everyone had seemed. Just normal geeks who were planning on starting a larp about hunting monsters. One of the other players offered to help her build a character for the system. Charlie was fairly sure she could figure out how to build a character by herself but the offer game with the chance to actually know someone before hitting the game floor so she’d agreed.

  They had chatted privately for a couple days before agreeing on a time to meet up before the game to go over the basics. Charlie learned her real name was Jo. Charlie loved talking to her if she was honest. She learned Jo had an older taste in music. She worked with her mom at a bar not too far away. Jo had a wicked sense of humor. Jo also apparently was super well versed in the system. She had pdf copies of all the books for the system that she had emailed to Charlie through an encrypted server. It wasn’t the first time Charlie had gotten a crush on a girl across the internet but she was falling hard for her.

  Charlie felt comfortable enough to talk about her own life. How she worked in IT. What her favorite books and tv shows were and how much she really missed having a game that ran on a set schedule. How her Hogwarts house was Gryffindor and Hermione was her favorite character. 

  Jo said that was adorable. Charlie had screenshot that exchanges to her phone and stared at it sometimes feeling her face go red every time.

  Her favorite character from Harry Potter was Ron. She considered herself to by a Gryffindor as well but Pottermore had sorted her into Slytherin of all things. Jo talked about her collection of fantasy swords as well as just knives in general. She mentioned her favorite shows were a little more mystery than fantasy. She liked terrible B horror movies as well as good horror.

  Jo even made Hunter the Reckoning seem interesting and three dimensional. Jo made it a very human story. How people could just be going about their lives when suddenly the powers that be pulled back the curtain and revealed the monsters that existed in the world. Jo made the dark and gritty world of darkness even seem kind of cool.

  Charlie learned from talking with Jo on her skype that Jo was in at least 3 other larps in the city. Charlie got to learn all the drama of the intersecting Organizations of larps, two vampires and one werewolf. She got to hear some off-topic stories about how her friend Dean was constantly in some new crisis in a game because he couldn’t ignore or not take the bait for a plot. She heard about how the politics of one vampire game screwed up all her fun in the other one.

  Jo even asked for her facebook. Charlie had been hesitant to give it at first, it was full of some memes and her different cosplay pictures. But she gave it anyway. She liked Jo. Jo seemed like a good person. Jo was gorgeous. Her smile in her photos was infectious. Charlie found herself smiling every time she got a text or IM from Jo anyways but now she had a face to go with it.

    Through facebook, she also got to put other faces to names. Jo started a small group chat with some of the other players going to the hunter game to have a slight chance at building a group that sort of knew each other. Charlie found she liked most of them thought Sam and Dean seemed to be constantly getting each other off track. Adam normally only seemed to communicate with memes. Castiel was the assistant Storyteller for the game and seemed to be trying to keep Dean from getting too out there. Charlie was falling in love with Jo’s friends too.

  The only thing Charlie couldn’t seem to ask was whether Jo felt the same way about how they were getting along. They were talking all the time now. Once facebook had been exchanged then Instagram and twitter followed. Charlie wondered if she had a Tumblr but was afraid to ask, her Tumblr was overflowing with personal posts gushing about how much she liked Jo, it seemed a bad plan to open that door right now.

  So when are we meeting tomorrow? Charlie texted Jo.

  Want to catch coffee tomorrow before game? I want to see if the Unicorn thing is as bad as everyone says. Jo responded.

  It’s a date. Charlie had responded without thinking.

  Hope that means you’re paying ;) Jo had texted back.

  Charlie had to lay on the bed and remember how to breathe.

   Charlie totally hadn’t driven herself crazy with what to wear to meet Jo for the first time. She wasn’t sure if it was a date-date or just a ‘gals being pals’ event. That would have been insane to hyper stress about what to wear. She had stuffed her character clothes in her bag and showed up fifteen minutes early to the coffee shop and tried to calm her breathing.

  When Jo walked in with a t-shirt of Captain America’s shield colored in the bisexual flag Charlie was sure she’d died and gone to heaven.

  “Cute shirt.” Charlie has said waving Jo over.

  “thanks. I only save it for first dates with cute girls.” Jo had grinned.