#Ian Becker

[withinthecode]

Or for individual ones

What are asa's (or ian's) favorite things to do?

-birb

Asa likes to go on hikes in the mountains around Suren. During the winter, he ends up doing a mix of hiking, ice climbing, and belaying. Eventually, he starts bringing some of the Knowns with him once they are old enough. He loves sharing the joy he finds up there with his family.

Ian liked to embroider. He embroidered at least one thing for each of his cousins and siblings, and had made some clothes for the youngest when they were older. Those clothes are treasured now that he’s gone, the embroidery one of the most important gifts to his family he gave them before he died.

[queer-book-character-tournament]

Characters, book, and author names under the cut

Cassandra Igarashi/Laura Wilson - The Wicked+the Divine by Kieron Gillen

Sam Becker/Jonathan Forest - 10 Things That Never Happened by Alexis Hall

Henry de Lyon/Ian mac Maíl Coluim - The Scottish Boy by Alex de Campi

Gideon Nav/Harrowhark Nonagesimus- The Locked Tomb by Tamsyn Muir

[ianthedebonair]

trying out a post-crash look

[glampire-rockstar]

JOE ANOA'I - Roman Reigns/Joe Leakee

GALINA BECKER - Zoie Jordan/Sierra Moore

JONATHAN GOOD - Jon Moxley/Dean Ambrose

RENEE PAQUETTE - Faye Wayland/Renee Young

COLBY LOPEZ - Seth Rollins/Tyler Black

SARAH ALESANDRELLI - Kourtney Scott/Danielle Morono

FERGAL DEVITT - Finn Balor/Jonah Arsene

VERO RODRIGUEZ - Amy Grayson/Jane Sharp

DANIEL GILLIES - Gavin Powers/Travis Dawson

ASHLEY FLIEHR - Charlotte Flair/Ashley Diamond

IAN SOMERHALDER - Hayden Evans/Brendan Smith

SARAYA BEVIS - Saraya Calaway/Paige Knight

JOSEPH MORGAN - Elijah Gonzales/Hunter Prince

REBECCA QUIN - Becky Lynch/Rebecca Knox

PAUL WESLEY - Isiah Alister/Zakai Danger

APRIL MENDEZ - AJ Lee/Mey Zodiac

═════•.·:·.☽✧✦✧☾.·:·.•═════•.·:·.☽✧✦✧☾.·:·.•═════•.·:·.☽✧✦✧☾.·:·.•═════

I've found the best characters for my AEW/WWE Fan-Fiction stories, I got the main boys from the Vampire Diaries and the Originals, and got the three married wives and a former girlfriend turned friend.

We know that most of the wrestlers here will be faces or heels, but I want them as the baddest bosses while the good guys are gonna be portrayed as sixteen newcomers who's shorter.

I got Jordan "Dan" Sweeto, Kayleigh "Wolfy" Smyth | Wolfychu, Patrick "Patty" Walters, Dorothy "Dottie" Martin, Johnnie Guilbert, Alexandria "Alex" Dorame, James Tyler Hagen, Shannon "Shan" Taylor, Nathan "Nate" Owens, Leda "Monster Bunny" Muir, Damon "Dee" Fizzy, Carson Fanikos, Luke Jeydon Wale, Samantha "Sam" Rochelle, Kyle David Hall, and Meghan Marie Hogan for the OC portrayals cause I like people within the goth/punk/emo/scene style.

I figured that modern day of straight history meets attitude era for their bad influence; my sixteen OCs doesn't care for the rules and are the most rebellious people in WWE.

This takes place from SummerSlam 2012 for the Fallen Angels and their first victory in Night of Champions: Gold Rush; Survivor Series 2012 for the Shield and their first victory in TLC; Royal Rumble 2013 for the Dark Gods and their first victory in Elimination Chamber; WrestleMania 29 for the Resistance and their first victory in Extreme Rules; they're known as the Pack of Lone Wolves.

For each OC stable...their names are the following; the Unholy Circle for the girls, the Genesis for the girls, the Blood Order for the boys, and the Demolition for the boys; they're the Pride of Wild Lions.

Comment down on ring names for my OCs and follow me at Wattpad on GlampireRockstar...sayonara guys!

[onceuponatimeinthe70s]

Can't Buy A Thrill

Paul Fitzpatrick: London In 1980 the late Ian MacDonald one of the UK’s most respected music journalists included the following in his review of Steely Dan’s Gaucho album,“Crassness is contagious. Fortunately, so is intelligence – which is why listening to Steely Dan is good for you”Smart guy MacDonald… he got it.The band who named themselves after a steam-powered dildo from a William Burroughs…

[thebutcher-5]

Tremors 5: Bloodlines

Benvenuti o bentornati sul nostro blog. Nello scorso articolo abbiamo parlato di animazione e abbiamo deciso di chiudere la piccola maratona dedicata a Hotel Transylvania, evitando il quarto capitolo che reputo pessimo, con il terzo film, Hotel Transylvania 3 – Una vacanza mostruosa. Il Conte Dracula inizia a sentire la mancanza di un’anima gemella nella sua vita e sua figlia Mavis, credendo che…

[boomgers]

Lo resolverán, tal vez… “Inestable”

Ellis Dragon es un empresario excéntrico, cuasinarcisista y admirado en todo el mundo por su trabajo en el área de la biotecnología para hacer del mundo un lugar mejor. Además, es inestable emocionalmente. Jackson Dragon, su hijo, es… bueno, nada de todo eso. ¿Podrá Jackson evitar que su padre y la empresa caigan en la ruina?, tal vez. ¿Y logrará reparar la relación entre ellos y salir de la sombra de su padre?, parece imposible.

Estreno: 30 de marzo de 2023 en Netflix.

La serie cuenta con las actuaciones de Rob Lowe, John Owen Lowe, Sian Clifford, Alison Becker, Fred Armisen, Emma Ferreira, Rachel Marsh, Ian Massimino, Tom Allen, Aaron Branch, entre otros.

Ted Sarandos y el elenco de la serie atendiendo la premiere el 23 de marzo de 2023 en el cinema Netflix Tudum en Los Ángeles, California

[jademickian]

fictional world tag game:D

thanks for the tag @lupeloto @mybrainismelted @mickeysgaymom @mickittotheman @transsexual-dandelions !!

favorite fictional character from a movie? i literally couldnt think of anyone but i wanna say wallace wells from scott pilgrim

favorite fictional character from tv? aside from the very obvious mickey milkovich, there's also anne from anne with an e!!

favorite fictional character of all time? if i dont say mickey im probably held at gunpoint

if you could be irl friends with any three fictional characters, who? im gonna say more than three bc you cant stop me: anne from anne with an e, jo march, hazel from bottoms, percy becker from no hard feelings

favorite fictional couple: ian and mickey undefeated

okay, you can only choose one fictional character to get stranded on and island with: percy jackson lmao

one fictional world you would hate to be a part of: man idk the last of us probably

one fictional world you would love to be a part of: whatever is going on in bottoms

your “HEAR ME OUT” fictional couple: FIONA AND NESSA. ive been keeping it inside for so long

and finally, something you’re looking forward to this week? honestly just, for it to end already 😭 and for me to pass out on the bed and finally get 8 hours of sleep (its such a busyyyy week for me. as every week is honestly).

tagging @lingy910y @transmickey @blue-disco-lights @em-harlsnow @sillygoofygoobersstuff @anthruser if u wanna join!!

[boyfridged]

jurisprudence & criminology intro reading list.

this list is not an exhaustive guide to any of these fields. my main goal here is to propose some key concepts so that you can start exploring theory on your own. it should also go without saying that it is not composed merely of scholarship that i consider good or even truthful; getting familiar with historical themes is very much beneficial for the broader context. additionally, while jurisprudence and criminology are closely related fields, and having some general idea about jurisprudence makes studying criminology easier, it's not a requirement, so feel free to skip sections as you please. lastly: this is a mix of more theory-heavy and also relatively light reading; if something is difficult to understand, google and youtube are your best friends, and there's a good chance other texts will appear more accessible.

jurisprudence

one of the main questions of jurisprudence is: what is is the proper relationship between law and morality? the following texts focus mostly on that question.

main schools to explore:

legal naturalism notable names: ian fuller, john finis. (naturalist-leaning): patrick devlin. proposed readings: 1. devlin, p. (1959) morals and the criminal law, 2. fuller, l. (1964), the morality of law 3. finnis, j. (1980) natural law and natural rights.

legal positivism notable names: jeremy bentham, john austin, h. l. h. hart, joseph raz. proposed readings: 1, stanford encyclopedia of philosophy: the legal positivism entry, 2. hart, h. (1961) the concept of law, 3. hart, h. (1963) the legal enforcement of morality, 4. raz, j. (1979) the authority of law.

legal interpretivism notables names: ronald dworkin proposed reading: 1. stanford enclycopedia of philosophy: the intepretivism entry, 2. dworkin, r. (1978) taking rights seriously.

critical theory (generally legal positivist in the simplest terms, but not necessarily comfortable with that label) & sociology. notable names: max weber, emile durkheim, carol smart (feminism), achille mbembe (postcolony) proposed reading: 1. smart, c. (1989) feminism and the power of law. 2. hardar, p. (2008) law, orientalism and postcolonialism: the jurisdiction of the lotus-eaters.

criminology

main topics to explore:

biological theories (look: phrenology, degeneration theory, atavistic theory of crime.) notable names: cesare lombroso, b.a. morel. this is mostly historical content; most textbooks on criminology will have a section on it. google is also your best friend. original source texts are mostly pseudo-scientific so i recommend looking into them only if you're specifically curious.

functionalism & structuralism notable names: emile durhkeim, robert merton proposed readings: 1. durkheim, e. (1972) crime as normal behaviour, 2. merton, r. (1938) social structure and anomie

marxist criminology notable names: willem bonger, thorster sellin proposed readings: 1. bonger, w. (1916) criminality and economic conditions, 2. sellin, t. (1938) culture conflict and crime

control theory notable names: jackson toby, travis hirschi. proposed readings: 1. pratt, t. (2011). "key idea: hirschi’s social bond/social control theory." in: key Ideas in criminology and criminal justice.

labelling theory notable names: howard becker proposed readings: 1. goode, e. (2018) labeling theory.

penal theory

in terms of penal theory, you can find plenty reliable sources and reading lists online. here are some of my personal theory-heavy picks.

key readings:

the iep entry on punishment,

the stanford encyclopedia of philosophy entry on legal punishment,

carlen, p. (2013) against rehabilitation: for reparative justice.

davis, a. (2003) are prisons obsolete?

foucault, m. (1975) discipline and punish: the birth of the prison.

johnstone, g., (2002), restorative justice: ideas, values, debates,

johnstone, g. (ed.), (2007), handbook of restorative justice.

[withinthecode]

A list of all the Droid-raised kids

Full names in parentheses, age when adopted, age at erasure, and pronouns

First Gen

Sahra(Sahra Tolev) 13 AA, 32 AE. Xe/xer/xers

Arsaa(Arsaana Tyim) 14 AA, 31 AE. She/her

Asa(Asaan Myer) 10 AA, 29 AE. He/him

Triv'vi(Utrivæ-Viit Enrza) 12 AA, 29 AE. Va/vas/vas, Ze/zim/zis

Jax(Jaxar-Amka Mosad) 12 AA, 28 AE. He/him, Dae/daer

Jaz(Javier-Amka Mosad) 12 AA, 28 AE. Ci/cir/cirs, E/er/ers

Lani(Belania Ozofa) 8 AA, 27 AE. She/her

Encra(Encra Isar) 16 AA, 25 AE. She/her, Dey/dem

Anipr'a(Canipr-Arre Adair) 7 AA, 24 AE. They/them, Fir/firs

Carwyn(Carwyn Prichard) 9 AA, 24 AE. They/he

Seren(Seren Prichard) 9 AA, 24 AE. Ze/zem

Ami'va(Amira-Vaar Urebe) 7 AA, 24 AE. Ae/aer

Fari(Infari Eduze) 5 AA, 23 AE. He/him, Ve/ver/vers

Aniv'a(Anivir-Arre Ombisa) 6 AA, 22 AE. Te/ter/ters, ve/vem

Mau(Mauta Ayad) 8 AA, 21 AE. They/she/he

Obirah'a(Obirah-Arre Eisaa) 11 AA, 21 AE. Xie/hir

Demea(Demeate-Viit Kaslov) 11 AA, 20 AE. Dir/dirs, She/her

Gandr(Gandr-Arre Banco) 7 AA, 18 AE. He/she

Gears(N/A) 0 AA, 17 AE. They/them

Aanx(Aanx Chambi) 4 AA, 17 AE. Li/lir/lirs, Tey/tem

Second Gen

Elena(Elena Maai) 2 AA, 14 AE. She/her

Yor(Yor Baru) 4 AA, 13 AE. He/they, Xe/xet/xets

Ian(Ian Becker) 2 AA, 13 AE [13 at death]. He/him

Tara(N/A) 0 AA, 9 AE. Per/pers

Molly(Molly Weist) 3 AA, 9 AE. Tey/tem

Trace(Trace Scoel) 2 AA, 4 AE. She/it

Liv(N/A) 1 AA, 4 AE. They/them, Xe/xem

Sali'a(Salina-Arre[later -Viit] Byrne) 3 AA, 3 AE. Fae/faer

Leo(N/A) 0 AA, 3 AE. He/they/it

Cors(Cors Ito) 0 AA, 2 AE. Ce/cer

Naas(N/A) 0 AA, 0 AE. He/him

[joker1315]

All the actors you can find on this blog

Use the following link and insert the tag you want to see:

a: adam croasdell - aiden turner - aimee garcia - alan rickman - alan tudyk - alex kingston - alison sudol - allen leech - amanda abbington - amir wilson - amita suman - anatol yusef - andreas pietschmann - andrew garfield - andrew scott - aneurin barnard - annette badland  - anthony hopkins - anthony mackie - antony starr - anya chalotra - august wittgenstein

b: barry bostwick - bellamy young - ben barnes - ben mckenzie - benedict cumberbatch - benicio del toro - bernard cribbins - bill nighy - billie piper - billy boyd - brendan gleeson - brent spiner - brianna hildebrand

c: calahan skogman - cameron monaghan - candice bergen - carla gugino - caroline dhavernas - cate blanchett - catherine e coulson - catherine tate - catinca untaru - chadwick boseman - charlie chaplin - chris addison - chris cooper - chris evans - chris hemsworth - chris malcom - chris pine - christian bale - christian clemenson - christian tramitz - christiane paul - christina ricci - christopher eccleston - christopher lee - christopher lloyd - cillian murphy - colin firth - colin odonoghue - colin woodell - corey johnson - cory michael smith - craig parker

d: dakota fanning - daniel brühl - daniel craig - daniel radcliffe - daniel sträβer - danielle galligan- david bowie - david dastmalchian - david duchovny - david morrissey - david tennant - david thewlis - david wenham - deforest kelley - diego luna - dietrich hollinderbäumer - dominic cooper - dominic monaghan - dominic west

e: eddie karanja - elijah wood - elizabeth olsen - elton john - emilie de ravin - emily beecham - emma thompson - emma watson - ethan hawke - eve myles - ewan mcgregor

f: ferdinand kingsley - frankie adams - freddy carter - freema agyeman

g: gareth david lloyd - gary oldman - geoffrey rush - george eads - george takei - georgia tennant - georgina haig - gillian anderson - ginnifer goodwin - gwendoline christie - gwyneth paltrow

h: hadley fraser - harrison ford - harvey keitel - hayley atwell - heath ledger - helen mccrory - helena bonham carter - henry cavill - hugh dancy - hugh jackman - hugh laurie - hugh skinner - hugo weaving

i: ian mckellen - imelda staunton - inbar lavi

j: jack davenport - jack wolfe - jackie earle haley - jake gyllenhaal - james mcavoy - james spader - jamie lee curtis - jared padalecki - jason isaacs - javier bardem - jayne brook - jeff goldblum - jenna coleman - jennifer connelly - jennifer lawrence - jennifer morrison - jensen ackles - jeremy renner - jim beaver - jodie foster - joel rush - joey batey - john barrowman - john boyega - john hurt - john larroquette - john rhys davies - john simm - johnny depp - jonathan frakes - jose pimentao - joseph gilgun - josh dallas - jude law - julia stiles - julianne moore - julie covington - juliette binoche

k: kacey rohl - karen fukuhara - karen gillan - karl urban - kat dennings - kate capshaw - kathryn hahn - keira knightley - kevin alejandro - kit young - krysten ritter - kyle maclachlan - kyra sedgwick

l: lana parrilla - lara pulver - lars mikkelsen - laura allen - laura dern - laura fraser - lauren german - laurence fishburne - laurie kynaston - laz alonso - lee arenberg - lee pace - leonard nimoy - lesley ann brandt - lesley sharp - lindsay duncan - lisa vicari - liv tyler - lizzy caplan - louise hofmann - lucas till - luke evans

m: mads mikkelsen - maggie gyllenhaal - majel barrett - margo martindale - marion cotillard - mark gatiss - mark pellegrino - mark ruffalo - mark sheppard - mark strong - mark waschke - martin freeman - matt smith - max schimmelpfenning - may calamawy - meat loaf - megan boone - mel gibson - melinda clarke - melissanthi mahut - meret becker - mia wasikowska - michael benyaer - michael bully herbig - michael cumpsty - michael des barres - michael fassbender - michael gambon - michael raymond james - michael sheen - michelle gomez - mikael persbrandt - miranda otto - misha collins

n: natalie portman - ncuti gatwa - neil patrick harris - nell campbell - nichelle nichols - nicolas cage - nicole kidman

o: olivia colman - orlando bloom - oscar isaac - owen wilson

p: paddy ohagan - patricia quinn - patrick stewart - paul bettany - paul chahidi - paul lux - paul mescal - pedro pascal - penelope wilton - peter capaldi - peter falk - peter hinwood - philip glenister - phoebe waller bridge - pierce brosnan - pip torrens

q: qorianka kilcher - quentin tarantino

r: rachael harris - rachel weisz - rafi gavron - ralph fiennes - rayner bourton - reece shearsmith - rene russo - rhona mitra - richard armitage - richard obrien - rob benedict - robbie kay - robert carlyle - robert downey jr - robin lord taylor - robin williams - ronald guttman - rose mciver - rupert graves - rupert grint - russell crowe - ruth negga - ryan gosling - ryan reynolds

s: sam neill - samantha smith - samuel l jackson - scarlett estevez - scarlett johansson - sean astin - sean bean - sebastian stan - sherilyn fenn - shohreh aghdashloo - sky du mont - sophia di martino - stanley tucci - stellan skarsgard - steven strait - susan sarandon

t: tan caglar - taron egerton - tilda swinton - tim curry - tim roth - toby maguire - tom conti - tom ellis - tom felton - tom hiddleston - tom holland - tom payne - tom sturridge - tomer capone - tony curran - tony curtis - tricia helfer - troy garity

u: una stubbs

v: val kilmer - vanesu samunyai - viggo mortensen - vivienne acheampong - vladimir burlakov

w: walter koenig - william shatner

y: yasmin finney

z: zachary quinto

[palmviewfm]

mw counterparts?

this  list  got  a  little  bit  longer  than  anticipated.  as  there's  soooooo  many  counterparts  to  consider  choosing  from  !  so,  i  put  it  under  a  read  more  for  you  !

counterparts:  monica  geller, ross geller, joey  tribbiani,  chandler bing, janice litman, mike hannigan, ursula buffay, aria  montgomery,  emily  fields,  spencer  hastings,  mona  vanderwaal,  alison  dilaurentis,  caleb  rivers,  maya  st  germain,  toby  cavanaugh,  betty  cooper,  veronica  lodge,  cheryl  blossom,  archie  andrews,  reggie  mantle,  toni  topaz,  tabitha  tate,  quinn  fabray,  rachel  berry,  brittany  pierce,  olivia  baker,  layla  keating,  jordan  baker,  jaymee, spencer  james,  lucas  scott,  peyton  sawyer, brooke  davis,  quinn  james,  julian  baker,  anna taggaro, rachel  gatina,  blair  waldorf,  serena  van  der  woodsen,  dan  humphrey,  nate  archibald,  callie  adams  foster,  mariana  foster,  buffy  summers,  willow  rosenberg,  tara mclay, kendra young, faith  lehane,  cordelia  chase,  heather  mcnamara,  marissa  cooper,  summer  roberts,  seth  cohen,  angel, anya jenkins, ryan  atwood,  taylor  townsend,  elena  gilbert,  caroline  forbes,  bonnie  bennett,  stefan  salvatore, anna zhu, enzo  st  john,  sandy  olson,  betty  rizzo,  frenchy,  danny  zuko,  marty, jan, sonny,  jackie  burkhart,  donna  pinciotti,  eric  forman,  laurie  forman,  belly  conklin,  sloane  peterson,  ferris  bueller,  duckie  dale,  bianca  stratford,  kat  stratford,  patrick  verona,  mia thermopolis, sabrina spellman, harvey kinkle, libby chessler, barbie  roberts,  ken  carson,  jenna  rink,  allie  hamilton,  noah  calhoun,  brandon  walsh,  david  silver,  brenda  walsh,  kelly  taylor,  donna  martin,  conrad  fisher,  jeremiah  fisher,  steven  cokin,  taylor  jewel,  sarah  cameron,  jj  maybank,  john  b  routledge,  kiara  carerra,  pope  heywood,  cleo, topper  thornton,  prue  halliwell,  paige  matthews,  piper  halliwell,  phoebe  halliwell,  meredith  grey,  arizona  robbins,  jackson  avery,  callie  torres,  april  kepner,  derek  shephard,  alex  karev,  cristina  yang,  lizzie  stevens,  callie  torres,  jo  wilson,  addison  montgomery,  lexi  grey,  atticus  lincoln,  nancy  drew,  lucy  grey,  sam  montgomery,  austin  ames,  jen  lindley,  pacey  witter,  dawson  leery,  katherine  pierce,  rebekah  mikaelson,  hayley  marshall,  tatum  riley,  sidney  prescott,  casey  becker,  tara  carpenter,  samantha  carpenter,  beca  mitchell,  chloe  beale,  jessica  day,  winston schmidt, cece  parekh, laney  boggs,  dewey  riley,  gale  weathers,  georgina  sparks,  elle  woods,  francesca  bridgerton,  daphne  bridgerton,  penelope  featherington,  sookie  stackhouse,  karen  smith,  regina  george,  gretchen  weiners,  janis  ian,  cady  heron,  aaron  samuels,  dj  tanner,  stephanie  tanner,  marcia  brady,  cindy  brady,  greg  brady,  carrie  bradshaw,  cher  horowitz,  kirby  reed,  jim  halpert,  michael  scott,  kelly  kapoor,  pam  beesly,  peter  parker,  mary  jane  watson,  analise  keating,  olivia  pope,  tony  stonem,  effy  stonem,  joey  donner,  john  bender,  allison  argent,  scott  mccall,  lydia  martin,  olive  penderghast,  maggie  greene,  marty  mcfly,  bella  swan,  alice  cullen,  charlie  swan,  emmett  cullen,  jacob  black,  carlisle  cullen,  esme  cullen,  jane  volturi,  morticia  addams,  donna  and  sophie  sheridan,  lorraine  banes,  jennifer  parker,  sam  winchester,  luke  danes,  dean  forester,  tristan  dugray,  lane  kim,  paris  geller,  logan  huntzberger,  jeanie  bueller,  simon  basset,  kate  sharma,  colin  bridgerton,  shiv  roy,  gerri  kellman,  roman  roy,  olivia  benson,  clary  fray,  isabelle  lightwood,  jace  herondale,  simon  lewis,  daphne  blake,  shaggy  rogers,  velma  dinkley,  fred  jones,  cinderella, ariel, tiana, jasmine, tom  wambsgans,  kendall  roy,  greg  hirsch,  lestat  de  lioncourt,  louis  de  point  du  lac,  and  claudia  !

[beguines]

Economics is an academic discipline premised on "the failure to recognize power relationships in society", as Robert Chernomas and Ian Hudson has recently put it. Economists tend to depict the capitalist economy as the outcome of voluntary agreements between free and equal individuals; as a sphere in which domination is excluded a priori. The economy is defined from the outset by the absence of power. For economists, the expression "free market" is a pleonasm, whereas for Marx, it is a contradiction in terms. This denial of power is the result of a twofold intellectual operation. First, the market is presented as the determining moment of the economic totality, which means that a part of the economy is abstracted from the totality and represented as the whole. This primacy of exchange was already visible in classical political economy, despite its emphasis on production, but it only really came to the fore with the so-called marginal revolution in the 1870s. In neoclassical economics, market exchange is presented as "the central organizing principle of capitalist society", reducing production to "a means of indirect exchange between the present and the future". And, not only is the market presented as the essential feature of the economy as a whole, in some strands of modern economics—most notably in the work of Gary Becker—the voluntary exchange of goods between rational and utility-maximising agents is elevated into a prism through which all social phenomena, including crime, discrimination and politics, can and ought to be understood.

The second intellectual operation underpinning the disappearance of power relationships in economics, is the introduction of a set of assumptions and abstractions resulting in a conception of the market which excludes the very possibility of domination. The agents who engage in transactions on the market are assumed to be isolated, hyper-rational and utility-maximising individuals with infinite and infallible information and expectations. Such rational individuals comprises the Archimedean point of the social ontology of economics, a kind of sui generis substance which accounts for everything else. Assuming this transhistorical economic rationality, the need to explain the existence of capitalism conveniently disappears. From such a perspective, the capitalist economy is simply what appears spontaneously if human nature is allowed to unfold itself. This is why "[i]n most accounts of capitalism and its origin, there really is no origin", as Ellen Meiksins Wood notes. The market is perceived as the place where these rational individuals meet and enter into contractual relations with each other. In a competitive market, there are barriers to entry, and hence no monopolies, apart from the regretfully necessary so-called natural monopolies. The absence of monopolies means that a market agent is never forced to do business with a particular agent, which is why every act of exchange can be regarded as voluntary. Furthermore, when individuals show up on the market, they do so as owners of commodities, and as such they are completely equal. What and who these individuals are outside of the market relation is seen as irrelevant for economic theory, and the question of why they show up on the market to begin with is equally absent—generally, economics simply assume that people show up on the market to sell their commodities after having carefully weighed the possibilities open to them and reached the conclusion that this was in fact the most rational thing to do, i.e., the most efficient way to satisfy their needs. This is why it is possible for Milton Friedman to present "the technique of the market place" as a way of "co-ordinating the economic activities of millions" by means of "voluntary co-operation of individuals":

"Since the household always has the alternative of producing directly for itself, it need not enter into any exchange unless it benefits from it. Hence, no exchange will take place unless both parties do benefit from it. Co-operation is thereby achieved without coercion."

This passage is noteworthy because it explicates what is usually hidden as an implicit assumption in economics, namely that people have the possibility of reproducing themselves outside of the market. This is the assumption which makes the market appear as a sphere of freedom: not only are agents free to choose who they want to exchange their goods with, they are also free to choose whether they want to engage in exchange at all. This is why the market is usually understood as an institution providing individuals with opportunities, a concept "absolutely critical to the conventional understanding of the capitalist system".

These assumptions and abstractions form the basis of the highly idealised mathematical models so characteristic of contemporary economics. The transformation of economics into a discipline fixated on the development of formalised mathematical models has allowed it to present itself as "a nonideological discipline, aimed at providing positive, scientific answers to the policy questions". Economics has thus been able to live under the auspices of the natural sciences and present the economy as something regulated by transhistorical laws similar to the laws discovered by the natural sciences.

Søren Mau, Mute Compulsion: A Theory of the Economic Power of Capital

[drzito]

Las 242 peliculas que he visto en 2023 (parte 1)

Tarzan y su compañera (Cedric Gibbons, 1934).

2. El fantasma y la Sra Muir (Joseph L Mankiewicz, 1947)

3. Odio entre hermanos (Joseph L Mankiewicz, 1949)

4. Testigo accidental (Richard Fleischer, 1952)

5. El rastro de la pantera (William A Wellman, 1954)

6. El tigre dormido (Joseph Losey, 1954)

7. El quinteto de la muerte (Alexander McKendrick, 1955)

8. 40 pistolas (Samuel Fuller, 1957)

9. La maldición de Frankenstein (Terence Fisher, 1957)

10. Ocho horas de terror (Seijun Suzuki, 1957)

11. The Trollenberg terror (Quentin Lawrence, 1958)

12. La Venganza (Juan Antonio Bardem, 1958)

13. Un golpe de gracia (Jack Arnold, 1959)

14. A todo riesgo (Claude Sautet, 1960)

15. La evasion (Jacques Becker, 1960)

16. El sabor del miedo (Seth Holt, 1961)

17. Detective bureau 2 3. Go to hell bastards! (Seijun Suzuki, 1963)

18. The white tiger tattoo (Seijun Suzuki, 1965)

19. A traves del huracan (Monte Hellman, 1966)

20. El Tiroteo (Monte Hellman, 1966)

21. La soltera retozona (Silvio Narizzano, 1966)

22. Dimension 5 (Franklin Adreon, 1966)

23. Los Productores (Mel Brooks, 1967)

24. Un hombre (Martin Ritt, 1967)

25. Sebastian (David Greene, 1968)

26. El Bastardo (Duccio Tessari, 1968)

27. El lagarto negro (Kinji Fukasaku, 1968)

28. La louve solitaire (Edouard Logereau, 1968)

29. Aquel dia frio en el parque (Robert Altman, 1969)

30. Corazones en fuga (Michael Powell, 1969)

31. La bestia ciega (Yasuzo Masumura, 1969).

32. El bosque del lobo (Pedro Olea, 1970)

33. El grito del fantasma (Gordon Hessler, 1970)

34. Drácula y las mellizas (John Hough, 1971).

35. ¡Que viene Valdez! (Edwin Sherin, 1971)

36. Sangre en la tumba de la momia (Seth Holt, 1971)

37. El Otro (Robert Mulligan, 1972)

38. Hermanas (Brian de Palma, 1972)

39. Imagenes (Robert Altman, 1972)

40. Morgiana (Juraj Herz, 1972)

41. El ataque de los muertos sin ojos (Amando de Ossorio, 1973)

42. El programa final (Robert Fuest, 1973)

43. Flor de santidad (Adolfo Marsillach, 1973)

44. Lemora, un cuento sobrenatural (Richard Blackburn, 1973)

45. Messiah of Evil (Willard Huyck y Gloria Katz, 1973)

46. Una vela para el diablo (Eugenio Martin, 1973).

47. Daguerrotipos (Agnes Varda, 1975)

48. La noche de las gaviotas (Armando de Ossorio, 1975)

49. Picnic en Hanging Rock (Peter Weir, 1975)

50. El otro Sr Klein (Joseph Losey, 1976)

51. Terror al anochecer (Charles B Pierce, 1976)

52. El desafio del bufalo blanco (J Lee Thompson, 1977)

53. Largo fin de semana (Colin Eggleston, 1978)

54. El grito (Jerzy Skolimowski, 1978)

55. Los ojos del bosque (John Hough, 1980)

56. Alison’s birthday (Ian Coughlan, 1981)

57. Muertos y enterrados (Gary Sherman, 1981)

58. Wilczyca (Marek Piestrak, 1983)

59. En compañia de lobos (Neil Jordan, 1984).

60. Sangre Facil (Joel Coen, 1984)

61. Sole survivor: Unico superviviente (Thom Eberhardt, 1984)

62. Tasio (Montxo Armendariz, 1984)

63. El tren del infierno (Andréi Konchalovski, 1985)

64. El corazon del angel (Alan Parker, 1987)

65. Jovenes Ocultos (Joel Schumacher, 1987)

66. La chaqueta metalica (Stanley Kubrick, 1987)

67. El fluir de las lagrimas (Won Kar Wai, 1988)

68. Ensalada de gemelas (Jim Abrahams, 1988)

69. Kadaicha, la piedra de la muerte (James Bogle, 1988)

70. Pacto de Sangre (Stan Winston, 1988)

71. Avalon (Barry Levinson, 1990).

72. Misery (Rob Reiner, 1990)

73. La Teranyina (Antoni Verdaguer, 1990)

74. La Tutora (William Friedkin, 1990)

75. Morir Todavia (Kenneth Branagh, 1990)

76. La jungla de cristal 2 (Renny Harlin, 1990)

77. Solo en casa (Chris Columbus, 1990)

78. Alien 3 (David Fincher, 1992)

79. Mi novia es un zombi (Michele Soavi, 1994)

80. Nadja (Michael Almereyda, 1994)

81. Esto (no) es un secuestro (Ted Demme, 1994)

82. Dos Policias Rebeldes (Michael Bay, 1995)

83. El demonio vestido de azul (Carl Franklin, 1995)

84. Heat (Michael Mann, 1995)

85. Jovenes y brujas (Andrew Fleming, 1996)

86. Agarrame esos fantasmas (Peter Jackson, 1996)

87. Herbert's Hippopotamus: Marcuse and Revolution in Paradise (Paul Alexander Juutilainen, 1996).

88. La Roca (Michael Bay, 1996)

89. Tierra (Julio Medem, 1996)

90. 99.9. La frecuencia del terror (Agusti Villaronga, 1997)

91. Fallen (Gregory Hoblit, 1998)

92. Un plan sencillo (Sam Raimi, 1998)

93. El halcon ingles (Steven Soderbergh, 1999).

94. Ilusiones de un mentiroso (Peter Kassovitz. 1999)

95. Flores de otro mundo (Iciar Bollain, 1999)

96. Ravenous (Antonia Bird, 1999)

97. Wisconsin Death Trip (James Marsh, 1999)

98. Dagon: La secta del mar (Stuart Gordon, 2001)

99. Escalofrio (Bill Paxton, 2001)

100. Dracula: Pages from a Virgin's Diary (Guy Maddin, 2002)

101. 2 hermanas (Jee-Woon Kim, 2003)

102. Dos policias rebeldes II (Michael Bay, 2003)

103. Los Angeles Play Itself (Thom Andersen, 2003)

104. El reportero: La leyenda de Ron Burgundy (Adam McKay, 2004)

105. El Septimo Dia (Carlos Saura, 2004)

106. La vida que te espera (Manuel Gutierrez Aragon, 2004)

107. Los Edukadores (Hans Weingartner, 2004)

108. Misteriosa obsesion (Joseph Ruben, 2004)

109. Yo, Robot (Alex Proyas, 2004)

110. Hostel (Eli Roth, 2005)

111. Wolf Creek (Greg McLean, 2005)

112. Bajo cero (Frank Marshall, 2006)

113. El Inadaptado (Jens Lien, 2006)

114. Sheitan (Kim Chapiron, 2006)

115. The last winter (Larry Fessenden, 2006)

116. 30 dias de oscuridad (David Slade, 2007)

117. Borderland. Al otro lado de la frontera (Zev Berman, 2007)

118. Diarios de la calle (Richard LaGravenese, 2007)

119. Frontera(s) (Xavier Gens, 2007)

120. Hostel 2 (Eli Roth, 2007)

121. Water Lilies (Celine Sciamma, 2007)

[filmspun]

2023 Oscar nominations :

Best Picture

“All Quiet on the Western Front,” Malte Grunert, Producer

“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers

“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers

“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers

“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers

“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers

“Tár,” Todd Field, Alexandra Milchan and Scott Lambert, Producers

“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers

“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers

“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Director 

Martin McDonagh (“The Banshees of Inisherin”) 

Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 

Steven Spielberg (“The Fabelmans”) 

Todd Field (“Tár”) 

Ruben Östlund (“Triangle of Sadness”)

Best Lead Actor

Austin Butler (“Elvis”) 

Colin Farrell (“The Banshees of Inisherin”) 

Brendan Fraser (“The Whale”) 

Paul Mescal (“Aftersun”) 

Bill Nighy (“Living”) 

Best Lead Actress

Cate Blanchett (“Tár”) 

Ana de Armas (“Blonde”) 

Andrea Riseborough (“To Leslie”)

Michelle Williams (“The Fabelmans”) 

Michelle Yeoh (“Everything Everywhere All at Once”)

Best Supporting Actor

Brendan Gleeson (“The Banshees of Inisherin”) 

Brian Tyree Henry (“Causeway”) 

Judd Hirsch (“The Fabelmans”)

Barry Keoghan (“The Banshees of Inisherin”) 

Ke Huy Quan (“Everything Everywhere All at Once”) 

Best Supporting Actress

Angela Bassett (“Black Panther: Wakanda Forever”) 

Hong Chau (“The Whale”) 

Kerry Condon (“The Banshees of Inisherin”) 

Jamie Lee Curtis (“Everything Everywhere All at Once”) 

Stephanie Hsu (“Everything Everywhere All at Once”)

Best Adapted Screenplay

“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell

“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson

“Living,” Written by Kazuo Ishiguro

“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks

“Women Talking,” Screenplay by Sarah Polley

Best Original Screenplay

“The Banshees of Inisherin,” Written by Martin McDonagh

“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert

“The Fabelmans,” Written by Steven Spielberg & Tony Kushner

“Tár,” Written by Todd Field

“Triangle of Sadness,” Written by Ruben Östlund

All Quiet on the Western Front”, James Friend

“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji

“Elvis,” Mandy Walker

“Empire of Light,” Roger Deakins

“Tár,” Florian Hoffmeister

Best Documentary Feature Film 

“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer

“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov

“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman

“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström

“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

Best Documentary Short Film 

“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga

“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev

“How Do You Measure a Year?” Jay Rosenblatt

“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison

“Stranger at the Gate,” Joshua Seftel and Conall Jones

Best Film Editing

“The Banshees of Inisherin,” Mikkel E.G. Nielsen

“Elvis,” Matt Villa and Jonathan Redmond

“Everything Everywhere All at Once,” Paul Rogers

“Tár,” Monika Willi

“Top Gun: Maverick,” Eddie Hamilton

Best International Feature Film 

“All Quiet on the Western Front” (Germany) 

“Argentina, 1985” (Argentina) 

“Close” (Belgium)

“EO” (Poland) 

“The Quiet Girl” (Ireland) 

Best Original Song 

“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren

“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop

“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler

“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose  

“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne 

Best Production Design 

“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper

“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole

“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino

“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn

“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Visual Effects

“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar

“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy

“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick

“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Animated Feature Film 

“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley

“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey

“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift

“The Sea Beast,” Chris Williams and Jed Schlanger

“Turning Red,” Domee Shi and Lindsey Collins

Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud

“The Flying Sailor,” Amanda Forbis and Wendy Tilby

“Ice Merchants,” João Gonzalez and Bruno Caetano

“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon

“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

Best Costume Design 

“Babylon,” Mary Zophres

“Black Panther: Wakanda Forever,” Ruth Carter

“Elvis,” Catherine Martin

“Everything Everywhere All at Once,” Shirley Kurata

“Mrs. Harris Goes to Paris,” Jenny Beavan

Best Live Action Short

“An Irish Goodbye,” Tom Berkeley and Ross White

“Ivalu,” Anders Walter and Rebecca Pruzan

“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón

“Night Ride,” Eirik Tveiten and Gaute Lid Larssen

“The Red Suitcase,” Cyrus Neshvad

Best Makeup and Hairstyling 

“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová

“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine

“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow

“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti

The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley

Best Original Score 

“All Quiet on the Western Front,” Volker Bertelmann

“Babylon,” Justin Hurwitz

“The Banshees of Inisherin,” Carter Burwell

“Everything Everywhere All at Once,” Son Lux

“The Fabelmans,” John Williams

Best Sound

“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte

“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges

“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson

“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller

“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

[justanotherwastedyouth]

Racism was a very real problem that needed to be confronted before class solidarity could be built, but the two forms of identity were deeply intertwined. Marxists still experienced difficulties in conceptualizing issues of racial identity, with many militants considering it to be a form of false consciousness that distracted from the more important proletarian class struggle. Nevertheless, in terms of lived experiences, race and ethnicity repeatedly overpowered class in debates over which was more important. Mariátegui noted that Indigenous peoples, for good reason, often viewed mestizos as their oppressors, and only the development of a class consciousness could break through the racial hatred that divided these groups.

Marc Becker, “The Comintern and the Question of Race in the South American Andes” in Left Transnationalism: The Communist International and the National, Colonial, and Racial Questions, ed. Oleksa Drachewych and Ian McKay (Montreal & Kingston: McGill-Queen’s University Press, 2019), 277.