#Iain Forsyth
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20,000 DAYS ON EARTH (2014) dir. Iain Forsyth and Jane Pollard
#mine#nick cave#warren ellis#nick cave and the bad seeds#nina simone#20000 days on earth#music documentary#food cw#cw food#push the sky away#iain forsyth#jane pollard#iain forsyth and jane pollard
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Title: Paradise Lost?
Rating: NR
Director: Iain Forsyth, Jane Pollard
Cast: Florence Pugh, Toby Sebastian, Sean Harris, Henry Rollins
Release year: 2015
Genres: drama, fantasy, thriller
Blurb: Two people explore the Barbican...and what lies beyond.
#paradise lost?#paradise lost#nr#iain forsyth#jane pollard#florence pugh#toby sebastian#sean harris#henry rollins#2015#drama#fantasy#thriller
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Do You Love Me Like I Love You, Part 13: Abattoir Blues/Lyre of Orpheus - A documentary by Iain Forsyth and Jane Pollard about the album by Nick Cave & the Bad Seeds
#music#nick cave and the bad seeds#nick cave#mick harvey#martyn casey#conway savage#warren ellis#james johnston#jim sclavunos#thomas wydler#nick launay#wendi rose#documentary#iain forsyth#jane pollard#beth orton#mark arm#paul banks#dave gahan#annie clark#alan vega#alexander hacke#max décharné#manon duursma#terry edwards#martin creed#jamie byng#dele fadele#ben goldberg#nick cave & the bad seeds
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“Born Susan Ballion in 1957, she was the product of post-war suburban life which, like many, she grew up to resent entirely … She was 14 when hospitalised with ulcerative colitis and it was while watching Top of the Pops on a children’s ward in 1972 that she saw David Bowie’s performance of “Starman” – a magical, rupturing event for many of her generation, and one that had a profound influence on her … Susan Ballion was one of the first to understand the radical possibilities offered by Bowie’s cut-up aesthetic, clearly and slowly began remaking herself as Siouxsie Sioux. Sioux’s image would become a violent but not haphazard mix of Charlotte Rampling in The Night Porter, the incarnation of David Bowie she had seen from her hospital bed, and Elizabeth Taylor as Cleopatra, and would draw upon the sharp lines of Kabuki masks and the leather and steel of S&M gear … Siouxsie’s “monstrous” look combined with her innovative musical vision had a profound impact on those around her …”
/ Excerpts from the catalogue to The Horror Show exhibit (2022/23) by Iain Forsyth and Jane Pollard /
Light a black candle (or at least don a black T-shirt), grab the hair crimpers and can of Aqua Net - today marks a sacred occasion! Haughtily composed high priestess of punk, spooky voodoo doll frontwoman of the Banshees (and The Creatures), perennial eyeliner role model, perfecter of the death glare and Chislehurst’s finest, Siouxsie Sioux (née Susan Janet Ballion, 27 May 1957) turns 67! For generations of punks, goths, queers, malcontents and misfits, Siouxsie represents MOTHER! What a life-changing performer: it was seeing a black-and-white photo of Siouxsie in a magazine when I was in my early teens that planted the idea of moving to London. (I’m still unsure whether to be grateful to her or not!).
#siouxsie sioux#siouxsie and the banshees#punk#high priestess of punk#voodoo dolly#lobotomy room#punk diva#punk chanteuse#mother#the real queen of england#goth#kween#fierce#macabre#wraith cheekbones#morbidly beautiful#bromley contingent#chislehurst#siouxsie#black eyeliner#eyeliner role model#graham russell#bitterness personified
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names, most surnames (2)
Allow me to apologize again for this partial list of names in the library, titles available on request…
amis, acker kathy, ackroyd peter, abbey edward, aldiss brian, alcott louisa, m. anonymous, aldiss brian editor, ackroyd peter, allende isabel, acker kathy, adair gilbert, adams richard, asimov isaac, alcott louisa m., austen jane, azhayev vasili, asimov isaac, austen jane, ableman paul, amis martin, atwood marga,ret adams richard, abish walter, burroughs edgar rice, benn melissa, butler samuel, blyton enid, beckett samuel, beckett samuel, blyton enid, billington rachel, burnford. sheila, burroughs edgar r,ice bentley phyllis, burney francis, burroughs edgar rice, burroughs edgar rice, compton-burnett ivy, bryant arthur, burchard johann, bryant arthur, brame charlotte, bryant arthur, boll heinrich, buckeridge ant,hony boston l.m., buchan john, brightwen mrs illustrated by f carruthers gold, bronte charlotte, bradbury ray, banks lynne reid, barr pat, betto fre,i baxter stephen, banks iain, bronte charlotte, bryant arthur, banks iain m illustrated by nick day, bradbury malcolm, bell adrian, ballantyne r,.m. balzac honore de, benson e.f, barth richard, barrie j.m, bainbridge beryl, bronte emily, ballard j.g, bronte charl,otte borden mary, black lionel , bellow saul, introduced b,y j. michael walton wilde oscar, salgado gamini, ready stuart, besier rudolf, salgado gamini, euripides, euripides, williams t,ennessee sophocles, ionesco. eugene, ibsen henrick, marillier chri,stabel jonson ben, bennett alan, ionesco eugene, brenton. howard, stoppard tom, pinter harold, aristophanes, arnold mathew, daisenberger j.a., stoppard tom, eliot t.s., creeley rob,ert chaucer geoffrey - edited by walter w. skeat, cronin a. j., carr j. l., cooper edmu,nd colette, chevalier tracy, cosse laurence, christopher joh,n chatwin bruce, collingwood h, cather willa, cattieuchlan, crane stephen, calvino italo, collier eric, cela camilo c,ela crichton micheal, carpino f. brancaccio di, comrie margaret s., chabon michael, crofts freeman wills, carre john le, crace jim, michael co,x and r. a. gilbert cheever john, cardetti raphael, coolidge clark, chevallier gabr,ial coxe harmon george, cronin a. j., cheyney peter, conway hugh, cullum ridgwell, christian catherine, crace jim, crace jim, dickens charles, dickens charles, dunn nell, defoe dani,el bernheim emmanuele, doctorow e.l., chesterton g. k., donleavy j.p., bronte charlotte, duggan alfred, delany samuel r. - petaja emil, durrell gerald, dallek robert, dickens charles, dickens charles, dalby richard ed,. dickens charles, chang jung, delacorta, dickens ch,arles dickens charles, conan-doyle arthur, du maurier daphne, dostoyevsky f.m, durrant valentine, durrant valentine, donoso jose, delillo don, delillo don, defoe daniel, defoe daniel, duke neville, colette, camus albert, cheever john, egan frank, eastwood helen, england barry, duke of windsor, eden emily, egan greg, edwardson ake, franken rose, fowles john, frzer douglas, fielding henry, frankau gilbert, featherstone don,ald fyson j.g., fitzgerald f. scott, fyfield francis, fletcher h.l.v., ford madox ford, fuentes carlos, fuentes carlos, fossum karin, fielding henry, fielding henry, fox gardner f., forester c.s., flaubert gustave, forsyth frederick, fitchett w.h., faulkner willi,am gallico paul, garfeld leon, galsworthy john, gaskin catherine, goldring douglas, greene graham, fletcher j. s., goldsmith olive,r grey zane, faulkner william, grisham john, greene graham, green f.l., delany samuel r, fenn george manville, gide andre, grimwood jon courtenay , gordimer nadine, grisham john, greene graham, greene graham, grass gunter, galsworthy john, gray malcolm, gou xiaolu, goldsmith oliver, greene graham, harsch rick, hill weldon, hall radclyffe, hibbert christopher, hanley james, hemingway ernest, hardy thomas, horvath odon von, conan-doyle arthu,r scott-giles c.w., kollings ken, herbert a.p., houellebecq m,ichel hawes james, holt anne, hopkins r. thurston, huxley aldous, hawkins paula, holwell william, indridason arnaldur, inoue yasushi, ishiguro kazuo, houellebecq michel, hesse hermann, hemingway erne,st hamilton peter f., howard cecil, hyland ann, jewett sara,h orne - with a preface by willa cather joinville & villehardouin, jelinek elfriede, james m. r., jonke gert, moyle j.b. (translator) - justinian, johns capt. w.e., jerome jerome k, jenkins elizabet,h jenkins elizabeth, james m. r., kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, kerr j. lennox, kipling rudyard, kilvert rev francis, kipling rudyard, kipling rudyard, kent nora, kipling rudyard, king stephen, kipling rudyard, kipling rudyard, kipling rudyard, khadra yasmina, khadra yasmina, kipling rudyard, kipling rudyard, lovell ann, koontz dean, lucas-philli,ps c.e. kafka franz, leyner marx, linklater eric, kipling rudyard, kipling rudyard, kennard mrs. edward, kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, leskov nikolai, leyner mark, lewis norman, carre john le, lee laurie, kilver francis - edited william plover, leyner mark, laver james, lear edward, lever charles, laing e.t., carre john le, longmate norma,n lane jane, lewycka marina, baker margaret, llwelyn davis w,eeks forestier-walker and bor wenstrom o. edmund and harlock walter e., rensschler eric, st. claire byrne muriel, day mabel (edited by), linklater eric, linklater eric, linklater eric, martel yann, lewis c. s., lee laurie, longford elizabeth, lewis c. s., mason a.e.w, maupassant guy de, maclean alistair, masters john, reich-ranicki marcel, melwood mary, mathews basil, mackenzie fait,h compton maxwell w. b., macleod m kathleen, mcwilliam candia, mee arthur, marquez gabriel garcia mendoza plinio apuleyo, maurois andre, maclean alistair, mankowitz wolf, masefield john, marryat captain, macnamara brinsley, morris william, murdoch iris, mandelstam. osip, morris william, murdoch iris, mustoe anne, morris william, morris william, bradbury ray, gifford barry, miller henry, maturin charles, millet lydia, mitchison naomi, michener james, mcewan ian, miln lousie, jordan mitford mary russell, menglong feng, munthe. alex, moran lord, nicholl charles, new yorker the editors, oppenheim e.phillips, o'neill jamie, oppenheim e.phillips, nin anais, nairne a, hughes-pa,rry j. powell anthony, ponsonby d.a., price anthony, pangborn edgar, pollard velma, priestley j.b, barry n. malzberg & bill pronzini, powell anthony, nabokov vladimir, porter sheena, peacock thomas love, pratchett terry ian ,stewart and jack cohen powell anthony, percy w. s., needham violet, raymond diana, russo richard, rice margery spring, rabelais, reed thom,as baines russ joanna, remarque erich maria, pearson hesketh, rezzori gregor v,on rolfe fr- frederick baron corvo, sayers dorothy l. sayers (translator), renault mary, raphael frede,ric phillips adam, robertson e.arnot, pavic milorad, robinson heath, rendell ruth, read miss, robinson heath, rice elmer, rackham arthur, rutley c. bernard, renault mary, steinbeck joh,n smith alexander mccall, spyris johanna, sabatini rafael, spalding francis, stables gordon, camus albert, sinclair upton, stowe harriet b,eecher shem samuel, sienkiewicz henryk, swift jonathan, samuel maurice, scott sir walter, scott paul, stowe harriet beecher, scott sir walter, skinner john, sterne laurence, sewell anna, stevenson d.,e. sitwell edith, strang herbert, surtees r. s., sidney sir phi,llip stout william, sigurdardottir yrsa, solzhenitsyn alexander, scott sir walter, stephenson neil, self will, styron william, scott sir walte,r scott sir walter, scott sir walter, slavicsek bill, sebold alice, smith f seymour, slaughter frank, seth vkram, trollope jo,anna henry fielding, trevelyan g. m., thelwell normal, trevor elleston, thompson flora, thompson flora, tey josephine, tyler j.e.a., tutton diana, tuchman barbara, tolkien j.r.r, duke of windso,r wheatley dennis, wilkinson gerald, wells h.g, rawnsley c,.f. and wright robert white patrick, winchester simon, waugh evelyn, wodehouse p.g,. walsh j. m., welles orson, wood mrs henry, wren p.c, waugh auberon, white. t. h., white t. h., westo kjell, webster jason, wain john, quin b. g., westall rob,ert white t.h, wodehouse p.g, wodehouse p.g, westerfield sc,ott wodehouse p.g, zweig stefan, wodehouse p.g, urquhart r.e., wyndham john, wodehouse p.g, wodehouse p.g, waugh evelyn, wallace edgar, vine barbara, white patrick, virgil, vesaas tarjei, varesi valerio, vine barbara, updike john, young francis brett, vaizey george, wilde oscar, verne jules, wheatley dennis, updike john, markham mrs, vine barbara, vine barbara, kilvert rev francis, kilvert rev francis, new towns act 1946 -, leyser henrietta, perry anderson malcolm bull jan breman rob lucas david simpson rachel malik alexander zevin marco d'eramo, shaw george bernard, shaw george bernard, shakespeare william, shaw george bernard, shakespeare william, shaw george bernard, shaw bernard, shakespeare william, shaw bernard, shakespeare w,illiam shaw george bernard, shaw bernard, shaw george bernard, shaw george bernard, shaw bernard, sturgess keith (edited), euripides, matsumoto ,seicho lewis naomi, lang andrew, goethe, aristop,hanes pevsner nicholas, alvarez a., de la mare walter, larkin phillip, townsend sue, kyd thomas, euripides, lawrence d,. h. anderson w.e.k., marvell andrew, allan c.f., de la mare ,walter illustrated by edward ardizzone mitchell tony, plath sylvia, hobbs jack and hobbs margaret, spender stephen, whittier john greenleaf, millay edna st. vincent, bridges robert, steakley james , arkell reginald, thompson francis, arkell reginald, townsend sue, stamp l. dudley, keats john, farmer john s. , gollancz sir isr,ael and day mabel and serjeantson mary s hood thomas, milton john, walsh michae,l (editor) barkow al, british sociological association, burgess tyrrell, bentley michael, braudel fernand, de botton alain, ardrey robert, barrow r. h., bennett joan, aylward j. d., albert marvin h., alford violet, ali ayaan hirsi, cookson mrs. nesfield, cecil david, cudlipp hugh, conway gregory j., ccta, beard patten, clarke mike, deighton k, doyle clare, cottrell leonard, the ecologist, ellis chri, furmston m.p. and simpson a.w.b, elton lord, arellano ro,bert williams reese, brandys kazimierz, rich adrienne, lee laurie, khorsandi shappi, midgley mary, blackburn robin , butler samuel, butler samuel, burroughs william s, brooke nichlas, d.s.pugh d.j.hi,ckman c.r.hinings moliere, hamilton ronald, hill christopher, hackforth-jones g,ilbert hartley john, hervey h.e., kynaston david, herrmann paul, gregory otto, clay a.j. mackenzie, gombrick e.h. and kris k, kingsmill hugh, lloyd christopher, jarvns matt, labour party research department, jacob e. f., krake ken, longmate norman, golding louis, jackson major ,donovan james philip, lethbridge t. c., liechti elaine, ladurie emmanue,l le roy morris desmond, malina f.j, p.m., mundy, john h. carroll noel , middleton john , perniola mario, maxton james, paz octavio, menzies gavin, plaskitt harold and jrdan percy, woodward c. vann, rowntree b.seebohm and lavers g.r., weill herman n., wellman paul i, victor weybrigh,t and henry blackman sell scruton roger, smith j.c., taylor g. rattray, the times, thompson james westfall, taylor arthur, kulke hermann and rothermund dietmar, thomas mary, diamond jared, bacigalupi paolo, johnston william r., woods william, woodward sir llewellyn, shaw josephine, williams christopher, sidebotham helen m., williamson james a., tuchman barbara, smith wm. dr. (on the plan of), tafuri manfredo, bussi michel, rose richard , rawlinson george, rayner robert m., tisserand robert, ibsen henrick, ackroyd peter, powys t. f., sansom william, byatt a.s., bertrand a. and guillaumin a., bryant arthur, palgrave francis t., trewin j.c, morton a. l., mathews hazel, c. johnson a. h., gregory e. w., brogan d.w, tuchman bar,bara howard elizabeth jane, howard elizabeth jane, kerr philip , burton mauric,e borman tracy, kumar manjit, bryant arthur, moers ellen, simpson jacqueline, longmate norman, leasor james, piggott derek, lewycka marina, duncan f. martin and duncan l.t., armstrong karen, rankin nicholas, catton eleanor, harrison harry and stover leon e., prose francine, jacob naomi, lovell terry, webb marion st.john, sheppard elizabeth sara, dickinson g. lowes, king laurie r, hawthorne james, levy yank, ley wilfre,d rooke kelman janet harvey and rev theodore wood, agar winifred and others, blom eric, house rich,ard field robert, van loon hendrick, hayward gallery, eitlinger l.d. a,nd holloway r.g. fougasse and mccullough, davison philip, turnbull agnes sligh, harrison sidney, ashley maurice, oakeshott w. ewart, steingarten jeffrey, linna vaino, brecht bertholt, benni stefano, winbolt s. e., plumb j. h., bryson bill, prebble john, knight margeret, quarrie bruce, spry constance, squires patricia, smith ali, hadley tes,sa eng tan twan, virno paolo, wilson sloan, campbell alan, cumming charles, pedly robin, clegg alec and megson barbara, holt john, laurie peter, motley john lothrop, beumarchais repertoire general du theatre francais, de la mare walter. mackenzie compton. farjeon elea,nor lord dunsany blackwood algernon etc... betz, bjork samuel, campbell alan, archer thomas ,and amelia hutchinson stirling dollimore jonathan and sinfield alan, deegan denise, holdsworth r.v., durband alan, douglas lloyd c., ash william, dyer gillian and baehr helen, lindop audrey erskine, percival maciver, bellamy h.s., robbe-grillet alain, frith henry, barnett richard, bumpus t. francis, bartholomews, harrow school, martin george, hayward gallery, ducros louis, defrates joan,na ali tariq, lowry malcom (edited by harver briet and margerie bonner lowry), colour, robinso,n francis benton dr micheal j., rankin robert, leonard. jonathan norton, edey maitland a., trippet frank, norton-taylor duncan, hamblin dora jane, edey maitland a., hicks jim, knauth. percy, dancona p and aeschlimann e, urwin e.c., joyce graham, leslie doris, oakeshott w. ewart, department of scial, and administrative studies oxford university grossman vasily, sinclair andrew, quennell marjorie and c.h.b, smith alexander mccall, crispen edmund, kipling rudyard, oscar wilde mervyn peake, proust marcel illustrated, by phillipe julian proust marcel, chesterton g. k., kipling rudyard, ardrey robert, pakenham elizabeth, bradford ernle, kohn george childs, mcmahon katherine, introduced by j. michael walton, allegro j.m., leakey richard e. lewin roger, sobel dava, lancaster john, ferguson neil, westlake mike, proust marcel ,illustrated by phillipe julian euripides, corvo frederick baron, ambler eric (editor), peacock thomas love, hamilton edward, schiller eric, rabelais, barnes ju,lian manchetter jean-patrick, indridason arnaldur, macculloch j.a., holwe w.v. and p,ountney m.t. burnell r.d., symons julian, kipling rudyard and balestier wolcott, farmer bernard j., macaulay rose, fisher h.a.l., winston richard, eliot george, cairncross alec, disraeli benjamin, litvinoff emanuel, cotterell arthur , peynet raymond, mitchison naomi , trevelyan g. m., ibsen henrick, euripides, thayer george, white patrick, froissart, muir anne ross, acton lord, fisher h.a.l., innes arthur d,. innes hammond, acton lord, trevelyan g. m., stein gertrude, minister of health and the secretary of state for scotland, royal commission on local government in england, committee on the management of local government, committee on the management of local government, committee on the management of local government, soros george, ullman james ramsey, girls own paper, girls own paper, fowles john and horvat frank, moore gerald, whyte william, h. taylor a. j.p., whitelock dorothy, zdenek marilee, valentine c. w., walker kenneth, thompson e. p., ward barbara and dubos rene, wedgewood c.v., robertson alec and stevens denis, ackroyd peter, aira cesar, aira cesar, skinner paul , johnson samuel, drinkwater john, wilson daniel h, stross charles, ackroyd peter, hoeg peter, aylett stev,e oman carola, jelinek elfriede, rohan zina, roberts ada,m vandermeer jeff, vandermeer jeff, vandermeer jeff, miske karim, russell sarah, naipal v.s., carrington neil. brodies notes, freeman anthony, corvo frederick baron, aylett steve, lovegrove james, baudouin charles, green miranda, gilliland alan, gll anton, hendy phil,lip kunstler junger, toulouse-lautrec henri (t.w. earp and g.w. stonier (translated into english by).), jefferson alan, richardson joy, lyons lewis, mathews john and mathews caitlin, pratchett terry, pratchett terry ,and baxter stephen robbe-grillet alain, west paul, pratchett terry and briggs stephen, mccaffery juliet, robert marcel and parmeggiani luigi - ilo-, storr vernon f., pratchett terry, mann philip, morris mary and o'conner larry , pratchett terry and baxter stephen, mcphee john, kightly char,les reeves compton, picard gilbert charles(editor), strong roy, clifton-tay,lor alex rupp gordon, tullii marci, goldsmith oliver, pinnow hermann, millington mal, atwood margaret, dickens charles, sterne laurence, everyman, caeser caius julius, wells h.g, kempis tho,mas a wynne pamela, pepys samuel, sterne laurence, scott sir walter, balzac honore de, jones edmund d., du maurier daphne, hutchinson lucy, weyman stanley j., browning robert, shakespeare william, chesterton cecil, stevenson r.l, trollope anthony, conan-doyle arthur, osborne charles, bresson robert, chalres pictet de geneva, lambourne nigel and renoir, parker steve, thomas graham stuart, watkin david, hill ian, hlasko ma,rek lee harper, kureishi hanif, boyle t. coraghessan, gombrowicz witold, gombrowicz witold, gombrowicz witold, gombrowicz witold, gombrowicz witold, gombrowicz witold, gombrowicz witold, montergueil g., liu ken, robbe-grillet alain, banks iain, hobb robin, murphy derv,la gooch steve, dallek robert, giordano mario, tourtellot arth,ur bernon mcewan ian, orton joe, stoppard tom, stoppard tom, dorfman ariel, clifforfd leech, gerlech lynne, mishima. yukio, kurkov andrey, sante luc, robbe-grillet alain, heinlein robert, shute nevil, benacquista tonino, carofiglio gianrico, powers richard, steer john, johnson b.s., edgeworth maria, lowry malcolm, lowry malcolm, willis roy , le queux william, committee on the ,management of local government delillo don, perry sarah, expenditure committee (trade and industry sub-committee), pratchett terry, jencks charles, ewing julia horatia, vandermeer jeff, carpentier alejo, acker kathy, sudjic deyan, lindsey martin, reitz deneys, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, eggers dave, yurick sol, emecheta buchi, bryson bill, bryson bill, smollet tobi,as kapitanial thomas, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, stengers isabelle, browning. robert, walbank f. alan (,ed1ted and arranged by) roberts adam, kipling rudyard, ruskin john,
ellis john, hinton michael, chamoiseau patrick, martinez guillermo, willis connie, nemirovsky irene, rhys jean, joyce james, delillo don, mantel hilary, parker k. j., parker k. j., parker k. j., wilhelm richard, topol jachym, perez-reverte arturo, mcevoy j.p. and zarat,e oscar atwood margaret, sloterdijk peter, unit for research on the urban environment, perry steve, anderson kevin j, zahn timothy, hambly barbara, massey d, tucker paul hayes, anderson kevin j., smith p. robert, semprun jorge, crace jim, reynolds ingrid and nicholson charles, reynolds ingrid and nicholson charles bell ann, carre john le, grossman lev, tallis frank, hornby nick, tallis frank, newberry linda, coelho paulo, bryson bill, harris joann,e bond terance james, hopkins gerard manley, haviaras stratis, hoban russell, benson peter, pears iain, gray robert, wiggins todd, price richard, perez-reverte arturo, hoeg peter, flaubert gu,stave ivan illich irving k zola john mcknight, runyon damon, frei max, chaponnie,re paul fischer tibor, reynolds alastair, asher neal, vallois g. ,n. morton h.v., kalweit holger, gibbons stanley, brookmyre christ,opher holt anne, hemingway ernest, surtees r. s., reeves-stevens, judith and garfield kipling rudyard, gane chriss and sarson trish, hodgson joan, saadawi ahmed, barnes julian, hadley tessa, pratchett terry and baxter stephen, hijuelos oscar, johnson kenneth and lsbeth marguerite, phillips jayne anne, aylett steve, kube-mcdowell, michael p. tyers kathy, daley brian, wolverton dave, allen roger mac,bride mcintyre vonda, anderson kevin j, smith l. neil, zahn timothy, zahn timothy, zahn timothy, hamilton peter f., wells h.g, waugh evelyn, hughes roberts, earnshaw brian, confucius alfre,dd doeblin bates h.e, leuchenburg william e., gibson william, gibson william, twining william and miers david, terence morris and angus stewart, tolkien j.r.r, stewart. mary, corvo frederick baron, aldiss brian editor, perez-reverte arturo, king ronald, harris sam, harris sam, harris sam and hawaz maajid, klein richard, nabokov vladimir, lowell robert, euripides, harris sam, maugham w.somerset, pynchon thomas, nabokov vladimir, chand meira, jardine lisa, jardine lisa, reynolds alaistair, sartre jean-paul, gifford barry, de teran lisa st aubin, lanchester john, chen da, kafka franz, frei max, lefebrve noemi, mcewan ian, gray john, gray john, clowes daniel, foucault miche,l gray john, kant immanuel, ferrante elena, chambers becky, levy roger, claudel phillippe, dick philip k, wray j. jackso,n pratchett terry and baxter stephen, chambers becky, fiske john and hartley john, hebdige dick, maitland f.w., dick philip k, butler samuel, butler samuel, butler samuel, murdoch iris, murdoch iris, murdoch iris, pratchett terry and baxter stephen, glass rodge, de chirico george, hornby nick, lethem jonathan, coetzee j. m., millar martin, stallman richa,rd m. parrinder patrick, gombrowicz witold, hornby nick, hornby nick, gee maggie, dixey anne, hawes james, maconie stu,art hornby nick, hornby nick, roberts adam, roberts adam,de teran lisa st aubin, ocampo silvina, lewis oscar, delillo don, perri francesco, gass william, hennessy peter, cumming charles, maconie stuart, twain mark, cleeves ann, corbett thig,pen & hervey cleckley milner gamaliel, sobel dava, hornby nick, hornby nick, leon donna, gardner helen , williams reese, nesser hakan, simon nicholson and sikina jinnah , sterling bruce, o'brien martin, sciascia leonardo, housing monitoring team, melville herman, thompson hunter s., roberts adam, helgason hallgrimur, malouf david, delillo don, chabon micha,el solomons natasha, marriott edward, holt tom, holt anne, whitehouse david, taylor mildred d., sillitoe sir percy, miller john, dostoevsky fyodaor, denny norman (compiled by), roberts adam and verne jules, coe jonathan, barker nicola, junger sebastian, conan-doyle arthur, khoo thwe pascal, heller joseph, cortvriend. v.v., bryson bill, took barry, gifford barry, murphy c. e., charlesworth monique, kingston maxine hong, kingston maxine hong, coover robert, harrison colin, sharp margery, mailer norman, liu cixin, liu cixin, liu cixin, russo richard paul, vandermeer jeff, pears iain, vandermeer ,jeff ryman geoff, dick philip k, holt anne, stephenson, neil stephenson neil, ogilvy audrey a, finighan w. r., department of t,he environment grimwood jon courtenay, asher neal, asher neal, asher neal, du maupassant guy, reynolds alaistair, asher neal, burroughs w,illiam s harkaway nick, satie erik, beethoven, koontz dea,n atwood margaret, kimhi rabbi david, garrison jim, austen jane, harkaway nick, dawson r.f.f, department of employment, department of employment, department of employment, economis commission for europe inland transport committee, jones tobias, shriver lione,l baxter stephen, macleod ken, powell anthony, asher neal, cheek mavis, montalban manuel vazquez, hughes bettany, bach rachel, mcdevitt jack, reynolds alastair, asher neil, atkins will,iam levin ira, meynell alice, strugatski arkady and boris, bach rachel, leduc violette, paretsky sara, eastland sam, eastland sam, bechdel alison, fitzgerald conor, hart miranda, higashno keig,o marshall michael, wodehouse p.g, wodehouse p.g, wodehouse p.g, rohmer sax, runcie james, fleming peter, bellow saul, mccullers carson, defoe daniel, greene graham, lawrence d. h., faulkner william, faulkener william, o'brien edna, o'brien edna, spark muriel, spark muriel, doyle lynn, camus alber,t allingham margery, allingham margery, allingham margery, rhys jean, newson john and elizabeth, mann thomas, allingham margery, allingham margery, o'brien edna, leonard elmore, evans ifor, spark murie,l webster john, moravia alberto, spark muriel, pym denis (ed,ited by) trevor elleston, bronte charlotte, homer, geoffr,ey of monmouth gaskall elizabeth, heilpern john, joyce james, peter cheyne,y spark muriel, rushdie salman, mitford nancy, hardy thomas, moore john, wells h.g, hardy thomas, lawrence d. h,. murdoch iris, walpole hugh - beckford william - shelley mary, orwell george, hyland stanley, christie agatha, sayers dorothy l., haggard william, wells h.g, cervantes miguel de, target g. w., donleavy j.p., mitford nancy, taylor a. j. p., wodehouse p.g, dolley christopher edits, thompson hunter s., fitzgerald f. scott, doyle a.conan, thurber james, allingham marg,ery garnett richard, peake mervyn, prebble john, gough richard, smith stevie, peake mervyn, liu cixin, orwell geo,rge belloc hilaire, beerbohm max, bowles jane, tacitus, hemingway ernest, theroux paul, thirkell angela, waugh evelyn, wilson angus, wilson angus, lawrence d. h., lawrence d. h., lawrence d. h., orwell george, perelman s. j., green f.l., hill susan, greene graham, forester c.s., mccarthy mary, esslin. martrin, o'brien flann, le carre john, stribling t.s., lawrence d. h., durrell gerald, sagan francoise, chevalier gabrie,l anstey f., graves robert, doyle lynn, joyce james, thompson flora, delacorta, lawrence d. h., donleavy j.p., hrabal bohumil, briggs asa, colette, gaskall ,elizabeth landolfi tommaso, france anatole, christie agatha, bone david w., hawkes jacquetta, hammett dashiell, de teran lisa st aubin, bates h.e, isherwood christopher, hemingway ernest, brahms caryl and simon s.j, duffy maureen, kilworth garry, berger john, fielding henry, miliband ralph ,and saville john wilder thornton, achebe chinua, mascaro juan (new translation by), schnabel jim, braine john, james henry, waugh evelyn, waugh evelyn, peake mervyn, williams tennessee, sagan francoise, hughes richard, weldon fay, waugh evelyn, buchan john, graves rober,t boll heinrich, weldon fay, wodehouse p.g, tillyard e. m., w. lee laurie, lessing doris, updike john, amis martin, hardy thomas, chandler raymond, wodehouse p.g, manning olivia, lessing doris, spark muriel, masters john, o'brien edna, mann thomas, traven b., pevsner nicholas, dickens charles, white t. h., shakespeare william, douglas norman, woolf virgina, murdoch iris, blackwood algernon, lawrence d. h., gide andre, edward albee jack richardson murray schisgal athur miller, iwamoto kaoru, arenas reinaldo, andrzejewski jer,zy joyce james, de botton alain, mauriac francois, simenon georges, lawrence d. h., texier catherine, forster e. m, allingham mar,gery allingham margery, allingham margery, allingham margery, crofts freeman wil,ls hoskins w. g., sebald w.g, macleod ken, amis kingsle,y cain james m, wodehouse p.g, o'brien edna, allingham mar,gery mccullers carson, harrison harry, cheyney peter, christie agath,a cheyney peter, chandler raymond, crystal david, shaw george be,rnard sophocles, haggard william, colette, borges j,orge luis borges jorge luis, borges jorge luis, lowry malcolm, lowry malcolm, dostoyevsky f.m, schnitzler arthur, drabble margaret, boll heinrich, aristotle, heyer georgette, chandler raymond, douglas alfred, ackroyd peter, ackroyd peter, basho, steinb,eck john wodehouse p.g, gaskall elizabeth, mottram v.h, walker kenne,th davis hugh sykes, evans ifor, evans ifor, harrison g., b. sayers dorothy l., innes michael, womack jack, thubron coli,n wodehouse p.g, leonard elmore, innes michael, innes michael, innes michael, innes michael, innes michael, du maurier dap,hne gardner erle stanley, gaskall elizabeth, greene graham, sartre jean-pa,ul lodge david, gaskall elizabeth, farmer philip jose, austen jane, rabelais francois, ekelof gunnar, karolyi otto, sartre jean-p,aul cabell james branch, didion joan, borges jorge luis, de monfried henry, doyle a.conan, chandler raymond, miller arthur, merriman henry, seton gaiman neil, innes michael, innes michael, drabble margar,et harrison g. b., kawabata yasunari, west john anthiony, buchan john, highsmith patricia, pineda cecile, nabokov vladimir, spark muriel, needleman jacob, grayling a.c., lurie alison, hay ian, thubron colin, cameron james, stein gertrude, dickens charles, linklater eric, plato, plato, plato, plato, yalom irvin d., jungstedt mari, plato, stagg guy, mcdonald ed, knausgaard karl ove, knausgaard karl ove, harvey graham and hardman charlotte, pope dudley, james henry, woolrych aus,tin conrad joseph, pollard tony, dyer geoff, chaing ted, marquez gabriel garcia, colette, bennett robert jackson, nesser hakan, mootoo shani, coe jonathan, higson charlie, marquez gabriel, garcia banks iain , brown alan, schine cathleen, christopher adam, fesperman dan, rohmer sax, michaels anne, saunders john, lessing doris, becker jurek, krabbe. tim, shaw bernard, anthony piers, hunt stephen, gurdjieff, gibson wil,liam gaarder jostein, pears iain, euripides, shepard lu,cius prawer jhabvala r, bach rachel, coover robert, westerfield sc,ott brookmyre christopher, craig amanda, bacigalupi paolo, okri ben, buffett jimmy, milligan spike and antrobus john, shakespeare william, o'hara john, trevor elleston, leonard elmore, ageyev m., hill susan, robbe-grillet alain, rinaldi patrizia, adiga aravind, feist raymond, mankowitz wolf, miller arthur, mccarthy mary, rowling j. k., wilson robert, corey james a., corey james a., runyon damon, shakespeare william, shakespeare william, shaffer peter, davidson robyn, lethem jonathan, chekov anton, esposito roberto, gardner john, palmer philip, barnes john, mcmahon thomas, robinson kim st,anley mankell henning, grazier james, grass gunter, hamilton pete,r f. hardy thomas, jack albert, coupland douglas, parris s. j., ozeki ruth, reynolds alaistair, mason zachary, mason zachary, delacorta, kerr phillip, coupland douglas, betjeman john, parker john, cortazar julio, lewis sinclair, du maurier daph,ne mcewan ian, fowles john, troyes chretien de, lethem jonathan, eggers dave, aristotle horace longinus, bolano roberto, giuttari michel,e bernard st, baudrillard jean, schrader helena p., frayn michael, chomsky noam, min anchee, morrison toni, von arnim eliz,abeth lethem jonathan, calvino italo, calvino italo, roberts michel,le hardy thomas, mccarthy mary, murdoch iris, symons a. j. ,a. connolly joseph, connolly joseph, lethem jonathan, scott-wilson sio,n flint shamini, tejpal tarun j., camilleri andrea, safranski rudiger, agamben giorgio, vichi marco, moers walter, bennett arnol,d heyer georgette, euripides, butler samuel, butler samuel, butler samuel, butler samuel, butler samuel, butler samuel, butler samuel, butler samuel, butler samuel, miloszewski z,ygmunt hoban russell, lewycka marina, lewycka marina, lethem jonathan, rankin ian, rankin ian, fraser george macdonald, fraser george macdonald, del rey lester, neville kris, longmate norman, greenwood duncan, and king robert mortenson greg and relin david oliver, farmer philip jose, asimov isaac, harding d. e., ferris joshua, gill a. a., smith ali, lawrence d,. h. fletcher martin, general register office, general register office, general register office, general register office, general register office, general register office, general register office, general register office, general register office, general register office, general register office, general register office, general register office, general register office, corey james a., corey james a., corey james a., rankin robert, tilley patrick, tilley patrick, turner george, hedquarters library department of the environment, george woodford kirstine williams nancy hill deper,tment of the environment general register office, general register office, general register office, general register office, general register office, general register office, general register office, general register office, general register office, general register office, frayn michael, general regist,er office general register office, general register office, general register office, general register office, haddon celia , catling b, delillo don, fitzgerald c,onor murdoch iris, garcia-roza luiz alfredo, carofiglio gianrico, vichi marco, williams jen, ramirez david, eastland sam, roberston al, lyotard jean-francois, catling b, williams jen, carter angela, townsend sue, bendis brian micheal and maleev alex, bendis brian micheal and maleev alex, mcauley paul j., bendis brian micheal and maleev alex, shaw john h., simmonds posy, cochrane james, (edited by) barth john, jeter k. w., dunn euan , lynch richa,rd warwick christopher , fraser george macdonald, barnes djuna, neuvel sylvai,n kepler lars, durrell lawrence, durrell lawrence, durrell lawrence, durrell lawrence, shakespeare william, waugh evelyn, puig manuel, crais robert, houellebecq michel, durrell lawrence, grant morrison, p,hil jimenez, steve yeowell eriksson kjell, jordan robert, slavnikova olga, story jack trevo,r boll heinrich, crussi f. gonzalez, dick philip k, ackerman diane, perec georges, stross charles, ashman howard, rosen michael, mcllwraith a. k., packer nigel, haasen carl, hesse herman,n hesse hermann, lewis norman, ballard j. g., maupassant guy, de perry sarah, dickey james, friedman kinky, friedman kinky, durrell lawrence, ings simon, jones diana wynne, forrest katherine ,v. weldon fay, sophocles, mitchison naomi, kermode frank, firestone shulamith, webster john, gosse edmund - introduction by, conrad joseph, palmer frank, trollope anthony, bronte charlotte, durrell lawrence, prose francine, murphy devla, lyall gavin, fraser georg,e macdonald fo dario, fleming peter, disch thomas m. and sladek john t., marlowe christoher, rosewicz tadeusz, nunez raul, shakespeare william, webster john, poliakoff stephen, murakami ryu, neuvel sylvain, eliot t. s., fitzgerald penelope, fergusson francis, curie ewa, geoff dyer, (contributor) lila azam zanganeh (contributor) leanne shapton (contributor) alain de botton (contributor) alice rawsthorn (contributor) swann ingo, le carre john, nabokov vladimir, evans julian, ahndoril alexander, gonzales tony, chu wesley, gentle mary, solnit rebecca, barnes john, fitzgerald penelope, hamilton geoff, jordan robert, sterbenz carol endler, mcnaughton colin, david peter, innes clive, banks lynne reid, miller henry, hartley l. p., smith e. e. 'doc', smith e. e. 'doc', silitoe alan, bonnot xavie,r-marie pratchett terry, lessing doris, bowen elizabeth, allen woody, hamilton peter f., hamilton peter f., millar martin, barker howard, barker howard, steinbeck john, hardy thomas, smith zadie, johnson air vice marshall j.e., lewis sinclair, gentle mary, izzo jean-cl,aude forster e.m, webb beatrice, kiefer anselm, harkaway nick, cheever john, cordell aleander, plener pytan, council for c,hildren's welfare lovecraft h. p., harrison harry, mah adeline yen, heinlein robert, smith e. e. 'doc', knausgaard karl ove, bartlett jamie, feist raymond, osbourne lawrence, renoir jean, paasilinna arto, thirlwell adam, trollope anthony, twain mark, bataille georges, bataille georges, bataille georges, bataille georges, emily morris kevin pask marco déramo kristen surak wolfgang streeck frederic jameson hung ho-fung, gaston sean, shannon samantha, nash ogden, st john madelaine, hill susan, de botton alain, reynolds alaistair, reynolds alaistair, fine. anne, rushdie salman, allingham margery, grimwood jon courtenay, welsh itvine, melville-ross antony, swift graham, hiaasen carl, beeton mrs, mcguane thomas, cheever john, crisp quentin, klossowski pie,rre barker george, rankin ian, mayne andrew and shuttleworth john, wainwright gordon, ivor noel-hume and audrey noel- hume, heller joseph, wilson barbara, reynolds peter, newman ernest, pickering kenneth, rankin ian, van horn er,ica tchaikovsky adrian, leon donna, lerner ben, brantenberg, gerd martinez guillermo, musil robert, baxter stephen, markaris petros, gaiman neil, deren maya, virilio paul, ballard j. g., heller joseph, sahgal nayantara, marshall bruce, chadbourn mark, nesser hakan, glade merton, shepard lucius, theilkuhl wolfg,ang sawyer robert j., moore christopher, glendinning victoria, vesey-fitzgerald bria,n bennett vanora, smith alexander mccall, allingham margery, allingham margery, e.c.bentley and h. warner allen, allingham margery, simenon georges, gide andre, walker martin, iyer lars, ings simon, allingham m,argery friedmann john , marcus ben, marcus ben, southam b. ,c. enright anne, drinkwater olive, asher neal, asher neal, sullivan caitlin and bornstein kate, bradley a c, lahiri jhumpa, hiaasen carl, westerfield scott, johnson diane, cheek mavis, faulks sebas,tion asimov isaac, edwards ruth dudley, lackey mercedes, blunden edmund, mckinley robin, duffy stella, steinbeck john, davies andrew, donoghue emma, asher neal, grimwood jon courtenay, villalobos juan pablo, asher neal, asimov isaac, berlins marcel and wansall geoffrey, leonard elmore, proulx e. anne, tennyson alfred, dyer geoff, reynolds al,aistair reynolds alaistair, reynolds alaistair, roig jose miguel, yevtushenko yevge,ny livio mario, hardy thomas, head bessie, mill j.s, tanizaki junichiro, pinborough sarah, pinborough sarah, williams nigel, jonathan ross and tommy lee edwards, tor krevor andre singer thomas piketty goran therborn teri reynolds perry anderson josh berson william davies marcus verhagen, robin blackburn perry anderson wang lixiong jacques ranciere micheal hardt geoffrey ingham terry eagleton peter lagerquist timothy bewes gunter grass pierre boudieu, n. e. thing enterprises , donoghue emma, coupland douglas, mankell henning, fred halliday er,nest mandel heather maroney riccardo parboni satyajit ray
pablo iglesias mike davis francis mulhern joann wypijewwski joshua rahtz emma fajgenbaum r taggart murphy, evgeny morozov gopal balakrishnan wang chaohua mauricio velasquez franco moretti jeffrey r. webber anders stephanson barry schwabsky, joshua wong frederic jameson joetrapido emilie bickerton sebastian veg adam tooze achin vanaik franco moretti, gopal balakrishnan bhaskar sunkara daniel finn francesco fiorentino enrica villari micheae denning blair ogd,en vivek chibber susan watkins ching kwan lee neil davidson nancy ettlinger alex niven timothy brennan joshua rahtz emilie bickerton,mike davis giovanni arright, g tamas peter nolan koza yamamura asef bayat benedict anderson tariq ali ian birchill kheya bag regis debray, dark horse comics, dark horse comics, warren ellis lee bermejo david baron, warren ellis lee bermejo david baron, warren ellis lee bermejo david baron, damon hurd with pedro camello, brian wood / becky cloonan, chris claremont jim lee scott williams, dark horse comics, jeph loen carlos pachego jesus merino, morrison grant, morrison grant, morrison grant, morrison grant, amis martin, mike carey sonny liew marc hempel, groening matt, jenkins johnson faucher, dark horse comics, damon hurd rick smith, damon hurd rick smith, brian wood becky cloonan, brian wood becky cloonan, brian wood becky cloonan, grant morrison frank quit,ely *, mike carey sonny liew marc hempel, grant morrison philip bond d'israeli daniel vozzo, bendis brian micheal and maleev alex, brian wood becky cloonan, damon hurd with pedro camello, mike carey sonny liew marc hempel, brian wood becky cloonan, jim valentino chance wolf dan davis, mckelvie gillen, mckelvie gillen, mckelvie gillen, mckelvie gillen, mckelvie gillen, veitch and baikie, pienkowski jan, berenstain stan and jan, martin ruth, jones terry, palmer jessi,ca williams ursula moray, pratchett terry, farmer penelope, hunter norman, dahl roald, cresswell helen, rumble adrian (collected by), norton andre and madlee 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beckett chris, roth philip, marshall smith michael, armesto felipe fernandez, almond david, bolano robert,o goscinny f - uderzo a, goscinny f - uderzo a, lowe helen, arnott jake, reynolds alaistair, frith r. j., lena levinas ousmane sidibe gabrial piterberg kristen surek franco moretti tom mertes jan breman emilie bickerton, anderson perry, anderson perry, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, higgins jack, hoban russell, rolfe fr- fred,erick baron corvo busby f.m, kepler lars, barnes julian, machiavelli ni,ccolo sebald w.g, priest christopher, martin sean, gibson gary, banks iain m, gibson gary, gibson gary, gibson gary, gibson gary, gibson gary, mclellan david, grady james, tilley patrick, van vogt a.e, boyd william, swartz richar,d bennett alan, cortazar julio, anders charlie jane, lowe helen, stagg guy, banks iain, banks iain m illustrated by nick day, banks iain m, banks iain m, flint james, larsson 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gonzale,z forrest richard, delany samuel r., cadigan pat, damasio anto,nio damasio antonio, ackroyd peter, evans i. o. 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(editor), simenon georges, clarke arthur, mossman keith, okuda michea, and denise, gibson william, daly mary, sterling bruce , rankin ian, evans peter, j. coleman gabriella, edmund spencer, edmund spencer, patrick hamilit,on alexander moszkowski, jane austen, alexander moszkowski, christine brooke rose, helmuth plessner, zubrowsky
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It Must Change ∞ ANOHNI and the Johnsons
directed by Iain Forsyth and Jane Pollard with British social justice activist Munroe Bergdorf
from her upcoming album My Back Was a Bridge for You to Cross released on July 7th, 2023
#newmusic#greattrack#itmustchange#greatartist#anohni#newvideo#munroebergdorf#awesomeband#anohniandthejohsnons#newalbum#mybackwasabridgeforyoutocross#cool#bestof2023#love#artifactsandbeyond
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“20.000 Dias Na Terra”, sobre Nick Cave, vai ser exibido em Lisboa, Faro, Matosinhos, Gaia, Almada e Aveiro
DR O Filme do Mês de novembro é uma reposição da ode inventiva e lírica à criatividade de Nick Cave assinada por Iain Forsyth & Jane Pollard. A inovadora dupla de artistas visuais que tem colaborado extensivamente em vários projetos com o artista que se tornou num ícone musical e cultural internacional, documenta as suas perceções surpreendentemente diretas num retrato íntimo do seu processo…
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Warpaint - 'Composure (Rough Trade Sessions)' Taken from Warpaint's album 'The Fool', out now on Rough Trade Records. Buy here: https://ift.tt/mS87eLq 'Composure' appears on Warpaint's 'The Fool' Deluxe Edition (out now) - a 2-disc set containing the critically acclaimed debut album 'The Fool', 'Exquisite Corpse' EP and more. https://ift.tt/mS87eLq Directed by Jane Pollard and Iain Forsyth - https://ift.tt/kYgLCKZ https://ift.tt/Y6TgEQI https://ift.tt/mSB2sCp Rough Trade Records on the web: https://ift.tt/RY8jqai https://ift.tt/L2Mk0WS https://twitter.com/RoughTradeRecs https://ift.tt/mSB2sCp Listen to Best of Rough Trade 2019 ➤ http://bit.ly/2PGkeib #Warpaint #TheFool #RoughTrade #RoughTradeRecords via YouTube https://www.youtube.com/watch?v=Ev_wo_5r40I
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An American oil company sends a man to Scotland to buy up an entire village where they want to build a refinery. But things don’t go as expected. Credits: TheMovieDb. Film Cast: Felix Happer: Burt Lancaster Mac: Peter Riegert Urquhart: Denis Lawson Ben: Fulton Mackay Oldsen: Peter Capaldi Stella: Jennifer Black Marina: Jenny Seagrove Moritz: Norman Chancer Geddes: Rikki Fulton Watt: Alex Norton Victor: Christopher Rozycki Rev Macpherson: Gyearbuor Asante Cal: John M. Jackson Donaldson: Dan Ammerman Roddy: Tam Dean Burn Ricky: John Gordon Sinclair Pauline: Caroline Guthrie Iain: Jimmy Yuill Mrs Wyatt: Karen Douglas Skipper: Kenny Ireland Mrs Fraser: Sandra Voe Fountain: Harlan Jordan Peter: Charles Kearney Gideon: David Mowat Anderson: John Poland Linda Fraser: Ann Scott-Jones Mr Bulloch: Ian Stewart Jonathan: Jonathan Watson Fraser: Dave Anderson Andrew: Ray Jeffries Edward: James Kennedy Sandy: Willie Joss Russian Girl: Tanya Ticktin Old Lady: Edith Ruddick Switchboard Operator: Betty Macey Switchboard Operator: Michelle McCarel Switchboard Operator: Anne Thompson Ace Tone: Brian Rowan Ace Tone: Mark Winchester Ace Tone: Alan Clark Ace Tone: Alan Darby Ace Tone: Roddy Murray Ace Tone: Dale Winchester Baby: Luke Coulter Crabbe: Buddy Quaid Film Crew: Producer: David Puttnam Original Music Composer: Mark Knopfler Lighting Camera: Chris Menges Editor: Michael Bradsell Screenplay: Bill Forsyth Art Direction: Frank Walsh Associate Producer: Iain Smith Production Design: Roger Murray-Leach Art Direction: Ian Watson Art Direction: Adrienne Atkinson First Assistant Director: Jonathan Benson Camera Operator: Michael Coulter Property Master: Arthur Wicks First Assistant Editor: Jim Howe Boom Operator: Mike Tucker Movie Reviews: CinemaSerf: Burt Lancaster is the multi-millionaire oil magnate “Felix Happer” who despatches one of his minions (Peter Riegert) to Scotland to buy up a village to turn it into an oil refinery. Once he arrives, he is taken for a bit of a ride by the canny locals as they try to milk him for as much cash as they can. In the days before cell phones; he has to call his boss from the phone box reporting his lack of progress and some astronomical sightings until eventually Happer comes over himself and immediately strikes up a rapport with Fulton Mackay who lives on the beach (and who is steadfastly refusing to sell). It is is simple story very well told with a slightly unpredictable, happy ending and a brilliant score from Mark Knopfler. Filipe Manuel Neto: **Slow, with boring characters and dialogues and a disjointed script, this film does not justify the “hype” around it.** This is one of those indie films that has won over a legion of self-confessed admirers. It’s a film that everyone speaks highly of, as if it were a solid masterpiece. I didn’t know that when I saw it for the first time, so I saw it without a lot of expectations. I’m glad I did it: despite recognizing some merits, I am convinced that the film has been well overrated. The proof is the way it fell into oblivion! If we exclude fans and movie nerds who know everything (and when they don’t, they make it up) who really remembers this movie? The film revolves around a story that is very simple: in the north of Scotland, there is a small bay with a beach and a sleepy village. When a rich oil entrepreneur decides to buy all that to build a huge refinery and a terminal for oil tankers, all those people are expectant, wanting to sell what they have for the best price. Only two people disagree: a marine biologist who want to preserve and study the local, and an old simpleton who owns a good part of that beach. The film had some potential, but it lacks solidity and a good script. Time is spent in sterile dialogue, rambling about comets, constellations and flirting. It is also very unbelievable, as a project like this would never be so consensual, there are always those who oppose it for financial or ecological reasons, or mere nostalgia. If director Bill Forsyth decided to close his eyes to the insipidity and fragility of ...
#aurora borealis#houston#Millionaire#petrol#rabbit#Scotland#seaside town#small town#Top Rated Movies#Village#village life
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20000 días de posibilidades infinitas
x Chan Tejedor - originalmente publicado en Revista Invisibles Dos caras de la misma moneda, dos rockumentales que en realidad funcionan como ensayos sobre la memoria: 20000 Days on Earth y The Possibilities are endless. Desde la abundancia de recuerdos hasta la imposibilidad verbal de narrar, ambos exceden lo meramente documental, son imágenes-poesía, crean mundo como cualquier expresión artística debería hacer y reflexionan no sólo sobre la niñez, el amor, la capacidad creativa y el trabajo cotidiano sino también sobre la memoria.
Este año que termina no vi tantas películas, o tantas como las deseadas o la cantidad que estoy acostumbrada a ver. Vi apenas, al día de la fecha, unas 165 películas, la mayoría decepcionantes, pocos estrenos interesantes y aquellas que considero obras maestras fueron en realidad, clásicos que volví a ver. Pero recordaré el 2015 como el año en que, creo, vi la mayor cantidad de documentales de rock y música. Desde Cobain: Montage of Heck hasta The Wrecking Crew, pasando por Mr Blue Sky: The Story of Jeff Lynne & ELO, Filmage: The Story of Descendents/All, los documentales que vimos casi todos gracias a la comodidad de Netflix: Keith Richards. Under the influence y What Happened, Miss Simone? y varios más.
De todos ellos, destaco dos que son en realidad del año pasado (2014), producidos ambos por Pulse Films y Film4 Productions y con el apoyo del British Film Institute. Se tratan de 20,000 Days on Earth de Iain Forsyth y Jane Pollard, el docuficción sobre el día número 20000 en la vida de Nick Cave; y The Possibilities are endless de James Hall y Edward Lovelace, un ensayo artístico sobre cómo Edwyn Collins tuvo que reconstruir sus recuerdos, sus palabras, su identidad y hasta el habla, luego de un derrame sufrido en el 2005, que lo dejó en coma profundo y del que al despertar sólo decía Grace Maxwell (el nombre de su mujer, quien además es su manager) y The Possibilities Are Endless. Ambos exceden lo meramente documental, son imágenes-poesía, crean mundo como cualquier expresión artística debería hacer y reflexionan no sólo sobre la niñez, el amor, la capacidad creativa y el trabajo cotidiano sino sobre la memoria y -como ha definido Borges a los clásicos- sobre las posibilidades inherentes de hacer, en este caso, un documental. Son por lo tanto, me atrevo a decir, futuros clásicos. Obras maestras e infaltables en la videoteca de cualquier fanático, no sólo de la música, sino del cine.
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En el afán de terminar de redondear un escrito comparado entre los dos films, hice el trabajo de ver las películas en synchro y me he encontrado varias sorpresas agradables. Prometo un futuro post con las casi 200 imágenes que capturé de las películas proyectadas al mismo tiempo, post al que lamentablemente le faltará el audio.
Las dos películas abren con el siguiente plano:
La televisación del recuerdo, Edwyn Collins en Late Night con Conan O’Brien, cantando su hitazo “A Girl like you”, y un wall de televisores que ametrallan en tan sólo unos segundos, los 20000 días en la Tierra vividos por Nick Cave. Queda claro desde el principio que la idea en ambos es hacer un skip al tipo de documental más obvio, brindando en menos de dos minutos iniciales (mucho menos que los 10 minutos que necesitaba Hitchcock), un zip de imágenes con la consigna tácita de “si quieren material de archivo, ya saben donde ir a buscarlo, porque lo que van a ver es algo completamente diferente” y lo es. Los directores de cada película están muy cercanos a sus objetos de estudio. Iain Forsyth y Jane Pollard son amigos cercanos de Cave y vienen trabajando con él desde hace aproximadamente 7 años, comenzaron haciendo un trabajo de método de imágenes al que inexorablemente, las palabras y el guión de Cave y Warren Ellis terminaron de dar forma a lo que sería un proyecto mucho más grande que el que se buscó originalmente. Por su parte, James Hall y Edward Lovelace eran fanáticos de Collins y Orange Juice, y también de Frederick Wiseman como referente de realizador documental. Enamorados de la historia por la que tuvo que atravesar Collins, le hicieron varias entrevistas de las que surgieron la composición de imágenes que traducirían el desafío de las posibilidades de contar la historia de una persona que prácticamente no puede hablar.
Contar a partir de un archivo respetuosamente guardado, con agentes del recuerdo que acceden a las fuentes con guantes de látex en el caso de Cave, un obsesivo que pudo atesorar su vida, sus palabras y sus verdades monstruosas en una especie de Biblioteca de Babel de los recuerdos; o contar desde el limbo, desde el vacío y con la gran ayuda de Grace, la guardiana oral de la historia de Collins. Dos caras de la misma moneda, dos rockumentales que en realidad eran ensayos sobre la memoria.
-"Qué es a lo que más le temes?” Le pregunta el analista de Cave en una sesión de terapia, y Cave contesta:
-“Hmm… Mi mayor miedo, supongo, es perder mi memoria. Me preocupa a veces que no vaya a ser capaz de seguir haciendo lo que hago y alcanzar un lugar con el que estoy satisfecho”
-”En qué sentido?”
-”Porque la memoria es lo que somos, creo que tu alma y tu razón de estar vivos está arraigada en la memoria. Quiero decir, creo que durante mucho tiempo he estado construyendo una especie de mundo a través de la escritura de canciones. Es una clase de mundo que se crea sobre la base de esos preciados recuerdos que definen nuestras vidas”
El mayor miedo de Cave es lo que le pasó a Collins en febrero del 2005 cuando sufrió dos hemorragias cerebrales que terminaron en una operación, período de coma y lenta recuperación de la memoria y el habla. Sufrió parálisis total del lado derecho, ya no puede tocar por sí solo la guitarra, aunque Grace lo ayuda a rasgar, tiene problemas para caminar, usa bastón y la afasia dificulta la pronunciación, hace que tartamudee y le conlleva severos problemas con los números y el pensamiento matemático. Collins también hace terapia, pero con un neurólogo, tuvo que aprender a escribir con la mano izquierda y recuperó sus dotes de ilustrador, tal cual había estudiado, a fuerza de dibujar aves, siguiendo la sugerencia de Grace, que lo notaba frustrado porque dibujaba repetidamente la figura de un hombre con parálisis, su propia figura. “Creo que mi recuperación real comenzó con mi primer dibujo de pájaros” dice Collins en su propia web.
Sin embargo, una solución al miedo de Cave, bien podría dársela Collins que siguió sacando discos y produciendo a otros artistas (el maravilloso disco Seven dials de su amigo íntimo Roddy Frame, ex Aztec Camera; por ejemplo) y que pareciera resumir, con la sencillez emocionante de sus letras que lo importante It's in your heart, Not in your mind, It's not in your mind.
A partir de la memoria se establece una idea de hogar “I’m Home again” canta Collins en el disco casi homónimo de 2007. Un verdadero punto de hogar fue volver a visitar el estudio West Health, fue la música y su ambiente el detonante necesario para un momento de recuperación acelerada en la terapia de Collins, simultáneamente en 20000 días en la Tierra, vemos a Warren Ellis con un coro de niños franceses grabando, también en estudios. En los estudios reviven las letras, las de Cave, rigurosamente escritas a máquina, las de Collins, con una caligrafía casi inicial. Hombre-Máquina y Hombre-Niño. La maquinaria de Cave para conservar esas letras que tanto hablan sobre la memoria y sobre el proceso disociado de creación. Las letras de sus canciones suponen de cierta manera, una verdad. La metáfora de la verdad dicha por Cave al final del documental, tan sólo la reflexión de esa metáfora, hace que 20000 días sobre la Tierra sea una película perfecta. Una metáfora de la verdad como monstruo que se asoma por la superficie del océano y deja ver su cresta, en un atisbo deja ver su cresta de verdad para luego sumergirse de nuevo en las profundidades, quizá para siempre. De las profundidades renace Collins, repitiendo apenas las palabras The possibilities are endless, las posibilidades son infinitas. El agua también termina siendo un contenedor y un conductor eterno de verdades. Qué hubiese dicho Bachelard con semejantes monstruos, no?
Y las verdades no funcionan por sí solas porque tienen centinelas y tienen asistentes infaltables: Las mujeres, sus grandes amores. Grace es básicamente la exteriorización del yo perdido de Collins “Puedo recordar a Grace, mi mujer, ella está haciendo que todo sea mejor. Ella es mi vida” dice Collins. Y con “es mi vida” descubrimos que es literalmente su vida ya que lo ayuda en absolutamente todo. En cambio Suzie, la mujer de Cave es una musa, apenas la podemos ver en el documental, durmiendo al principio de la jornada, soñando con algo que no podemos imaginar. Luego la volvemos a ver en una foto, proyectada mientras Cave la compara con Marilyn Monroe, Anita Ekberg y miles de símbolos sexuales más, en una secuencia imperdible, casi de lo mejor que tiene la película. Suzie es la madre de sus hijos mellizos, Arthur y Earl. A Arthur, quien murió en julio de este año en un episodio de alucinación por LSD cayendo desde un barranco, se lo ve comiendo pizzas abrazado al padre. Si para Cave lo más importante de su vida es la memoria y la memoria está hecha de letras que guardan cada momento y Suzie es la musa que inspira gran parte de esas letras, entonces también para Cave, Suzie es su vida, aunque quizá es una versión del amor más icónica y no tan iconoclasta como la de Collins.
20000 días en la Tierra y Las posibilidades son infinitas plantean la apertura de lenguajes poéticos, narran no necesariamente vidas, sino formas de vidas, las vidas de dos artistas únicos, irremplazables y eternos por el solo hecho de habernos regalado verdad. Y sólo las personas generosas pueden regalar verdades.
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https://www.scottishmusiccentre.com/iain-fraser
https://www.facebook.com/Capontreemusic
You can find his CD here:
https://iainfraser.scot/album/k-terana
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THIS IS OUR MUSIC: Nick Cave & The Bad Seeds - "More News From Nowhere"
THIS IS OUR MUSIC: Nick Cave & The Bad Seeds – “More News From Nowhere” “More News from Nowhere” is the second single from the album “Dig, Lazarus, Dig!!!.”, and was released in May 2008. The video was directed by British artists Iain Forsyth and Jane Pollard, who also directed videos for the other singles from this album. It was filmed at the Raymond Revuebar and featured cameo appearances…
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#Art Artists and filmmakers Iain Forsyth and Jane Pollard explore the cinematic qualities of Paul Delaroche’s ‘The Execution of Lady Jane Grey’. National Gallery
https://stratford-upon-avon-theatre.blogspot.com/2023/03/art-artists-and-filmmakers-iain-forsyth.html
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“Born Susan Ballion in 1957, she was the product of post-war suburban life which, like many, she grew up to resent entirely … She was 14 when hospitalised with ulcerative colitis and it was while watching Top of the Pops on a children’s ward in 1972 that she saw David Bowie’s performance of “Starman” – a magical, rupturing event for many of her generation, and one that had a profound influence on her … Susan Ballion was one of the first to understand the radical possibilities offered by Bowie’s cut-up aesthetic, clearly and slowly began remaking herself as Siouxsie Sioux. Sioux’s image would become a violent but not haphazard mix of Charlotte Rampling in The Night Porter, the incarnation of David Bowie she had seen from her hospital bed, and Elizabeth Taylor as Cleopatra, and would draw upon the sharp lines of Kabuki masks and the leather and steel of S&M gear … Siouxsie’s “monstrous” look combined with her innovative musical vision had a profound impact on those around her …”
/ Excerpts from the catalogue to The Horror Show! exhibit (2022/23) by Iain Forsyth and Jane Pollard /
Light a black candle (or at least don a black T-shirt), grab the hair crimpers and can of Aqua Net - today marks a sacred occasion! Haughtily composed high priestess of punk, spooky voodoo doll frontwoman of the Banshees (and The Creatures), perennial eyeliner role model, perfector of the death glare and Chislehurst’s finest, Siouxsie Sioux (née Susan Janet Ballion, 27 May 1957) turns 66! For generations of punks, goths, queers and misfits, Siouxsie is the real Queen of England! What a life-changing performer: it was seeing a black-and-white photo of Siouxsie in a magazine when I was in my early teens that planted the idea of moving to London. (I’m still unsure whether to be grateful to her or not!). I last saw her perform at the Meltdown festival in June 2013 – so ten years ago next month! Isn’t it gratifying to see Siouxsie’s recent reemergence as a mature artist, still fiercely glamorous and charismatic? For the record, my favourite Siouxsie and The Banshees song will always be “Arabian Knights.” Pictured: portrait of Siouxsie by Pierre et Gilles for the front cover of The Creatures’ 1999 album Anima Animus.
#siouxsie sioux#siouxsie#siouxsie and the banshees#the creatures#pierre et gilles#high priestess of punk#punk diva#punk chanteuse#goth#kween#fierce#lobotomy room
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External visit 1/2
Screaming! Crying! Scratching the Walls and Chewing the Door handles! They let me into The Horror Show Exhibition!
On Friday the 10th of February, I visited the Horror Show exhibition in Somerset House, London, co-curated by Iain Forsyth, Jane Pollard and Claire Catterall. This was an exhibition that married together otherworldly and often convoluted material with the progression of the political landscape of the UK over the past 50 years. Displayed as a tryptic, there had been three overarching themes: Monster, Ghost, and Witch. Within this blog post, I will detail my own experience chronologically through the space, and provide my own insight into how the work fits into my understanding of contemporary art history and how / why that understanding has evolved. All of the artists whose work will be included in this post can be found HERE.
WARNING: this post will contain artworks depicting death and features blood and gore material
DISCLAIMER : Within this blog I will try with the utmost importance to be extremely transparent with any biases that may affect my opinions and impressions of an exhibition, equally when they have been challenged or altered. This being said I am a morbidly avid fan of Noel Fielding and his works, so this should be kept in the minds of any readers continuing with this blog entry in particular.
The Entrance
The exterior of The Somerset House had been changed to reflect the inner exhibition, with teeth at the doorway, and eyes and nose images displayed in windows. This was married with an immersive audio of beastly sounds, unfortunately I didn’t record this audio but as a spectator I personally found it very immersive and intriguing. The range of this audio had only extended around 4/5 meters from the ‘mouth’ of the building, so the disruption to pedestrians would be at a minimum showing a consideration to the outside environment.
From an accessibility perspective focusing on the entrance, although they do make it very clear in the email, and outwardly with the decoration which entrance to find the exhibition, provided with a ramp next to the staircase, the actual entrance to the exhibition was poorly labelled. Me and my friends found ourselves in the bathroom straight ahead of the entrance, and re-tracking our steps realised that the entrance is around 2 meters in on the left wall, blending in with what I believed to be wallpaper. This posed no genuine issue and could have been done intentionally as to add another element of convolution to the exhibition. I believe it just to be a structural limitation of the venue, and this could’ve been slightly amended to encompass the experience of brisk walkers. Below is a photograph taken by myself showing how the door entrance blends in with the rest of the wall.
(Chloe Griffiths, 2023 Entry door to Somerset House Horror Show Exhibition [photograph])
Part One of Exhibition: Monsters
Looking at the ‘Macabre and grotesque delving into the social and political turbulence of the 1970s and 1980s’ (Somerset, 2023) . The chronological nature of the curatorship physically moves you through each era. The presence of the political influence was established early, and both in the material and with the text provided there was a brash and unashamed link to these themes.
Main focal points consisted of the influence of Margret Thatcher, understandably given her social influence and impression during this time.
‘Thatcher's reforms helped revive Britain's economy, but did it with wrenching economic reforms that dramatically altered society, sometimes causing violent upheaval’ (Morning Edition, 2013).
The above images was one of the first things you see upon entering the exhibition, a puppet imitating Thatcher from popular 1980s TV show ‘Spitting Image’. Again by using popular media from the 1980s, the motif of the horror themed content being associated with this era is reinforced. This was the first time this model of Thatcher had been put on public display, having previously stayed in Cambridge University Library.
Elements contributing to the disturbing feel of this work include the dimmed lighting of the room, the addition of the external text ‘Misrule Britannia’ on the outer casing and what appears to be an electric chair head piece, of which a paper crown is fixed, with Thatcher's head angled upwards. This could be an interpretation of the effects of ruling a nation, with the social death of Thatcher's reputation among many being synonymous with her ‘Misrule’ of the nation. (Thatcher’s personal view was in support of capital punishment, and she had been open to always voting in favour of it, with interview footage HERE on the matter, whether this personal preference of hers was further influence of the curator or coincidence I am unsure) .
Further ahead there had been direct links to punk influence, a custom designed ‘Siouxsie and the Banshees’ leather jacket. Although known more for their alternative rock innovations, their post punk influence is reiterated on the block ‘cut up’ lettering (popularised by William Burrows and his innovations in counter culture in the mid 1960s).
The fashion of the 1980s was then the final aspect of the ‘Monster’ section, an immersive exhibition of innovative pieces and documentary series. One of which being the continuous filming of the entrance to a popular 1980s club, where these themes of rebellion, identity and non-conformity were echoed and expressed in the versatile fashions. I found this finale of the exhibition to encapsulate the outer influences of the work, providing a more interpersonal and human aspect, although they like the rest of the works demonstrate the same motifs, to see that this had influence outside of the immediate artistic analysis into the lives and expression of the general public reaffirmed the influence of the times I was not alive to witness.
With the revival of post punk music, fashion and icons such as in the 2021 film Cruella, to immerse myself in the origins and connectivity between politics and art allows for a better understanding of its’ contemporary influences.
Part Two of the Exhibition : Ghost
Next in the floor was Ghost, found after climbing a glass spiral staircase to reach the next floor, I didn’t see any signs or indication for more accessible routes, though equally I didn’t ask so these options can’t be completely ruled out.
A more eerie tone was set by audio mixed by Nick Ryan and Laura Grace Ford. The above image was part of the first installations of this section, an interactive element in two parts, one wall where you could speak into artificial ears, and then move towards the shown skulls where you could hear back the audio recorded. This movement from visceral and emotive work to figures that hold semantics with death provided a noticeable transition in reference of the works. As this would relate to the 1990s-2010s, with emphasis on the 2008 financial crisis the drop in environmental pressure left me as an observer understanding the empty and disorientated feel of the time.
Motifs of a stagnant and observant air permeated through this section, and I personally felt this was the most oppressive and lifeless section of the exhibition.
This line of thought meant I had a little laugh at the poor fellow I bumped into next:
This sculpture by Jeremy Miller, the modern clothing, visceral position and theme married with the artificial stage lighting punctuates the social death of the early 2000s, with financial failures dampening down to effect not just the most vulnerable of society but also people within the mean brackets of income.
This being a time period I am more familiar with, I was more prepared to explore the themes being exhibited, in contrast to the prior Monster section, where I had only recognised key themes through culture referances, I had a more tactile understanding of this era. In addition to this, there had been elements within Ghost that drew me in more so than the more ‘artistic’ pieces. As with Monster there had been memorabilia from the era to show an actuality to the messaging behind the work, but it wasn’t until I saw the mask from costumes like Bollo the Gorilla from the Mighty Boosh, script extracts from Garth Marenghi's Darkplace and a solitary Nintendo DS behind a glass screen that genuine connections between me and the world I lived in with context of the political climate had been made. I would believe that similar emotions would be found in older generations earlier in the exhibition, and this realisation brought with it a heightened appreciation for the decision making process in what ‘historic’ pieces would best accompany the art and theory, forming a new link within the analysis of each era, shifting towards a triangle between the art, the socio-political climate and the average person, I felt more immersed and included in this narrative which strongly reinforced the messaging.
Part Three of the Exhibition: Witch
The final element of this exhibition was Witch, bringing us into the modern age, with a stark and attention grabbing entrance made from textile, shown below:
With motifs in observation with the large eyes emerging from the piece, follows nicely from the hyper vigilant motifs of Ghost, the slightly hinted themes of female genitalia in this piece also signal the main focuses of this segment, the movements made by fourth wave feminism from 2012 onwards.
Textiles often historically considered to be a feminine industry, the use of complex and mastered techniques in garments and installations highlights the skill, ability and creativity of this era. There was notably less media based ‘memorabilia’ within this section, focusing more on physical work and short films/ video installations, this could be determined through the fact that we haven’t marinated in this social climate long enough to reap strong connections in theme with the exhibition, or , in my opinion, that given to the fact that everyone within the exhibition would be present at the current time, at the end of the exhibition they would be able to leave the venue and witness for themselves the impact on their day to day materials.
For the work that had been present, there was visible connections to prior feminist waves, though as the title suggested, this aspect was more in tune with the modern revival of paganism, witchcraft and naturalistic lifestyles. Being on any social platform in the modern day, viewers would be able to recognise the influx of these influences especially on younger generations. Described by the exhibition blurb: ‘ As our hyper-networked links shrink into the palm of our hands, a magical impetus is taking hold.’
The intersectionality between technological social advances and feminism is a concept I have always associated with body image and similar avenues of conversation, and the dialogue pertaining the interconnectivity between people becoming stronger globally leading to a heightened spiritual and personal development was something I hadn’t realised I had observed. I can’t say for certain how many high impact wiccan influencers had existed in popular media in the past, but I believe there may be a trend in an ever expanding complex nuanced globalisation of media, that in a pendulum swing of identity, fundamental often ritualistic and emotive based practices are making a resurgence with those who are often the most harshly scrutinised by the media.
I greatly enjoyed this exhibition, perhaps for completely biased reasons, but the content was insightful, critical, engaging, emotive and all encompassing of the modern British experience. It did vastly alter my perceptions not only on contemporary art, but also in choices in curation/ curatorial methodology, alongside providing me a better insight into how our environment shapes artistic products. This I believe spans further than Contemporary Art, as it furthers my awareness for different more long spanning periods of time. I hope that moving forward I can apply this to older works from differing regions, and garner a more human appreciation for the works, rather than seeing them as a fixed and separate piece of material divorced from my life and experiences.
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Bibliography
Morning Edition (2013) ‘Washington, D.C: NPR’ The Thatcher Era's Effect On British Music
Informal Section
I was brought oh so very close to tears and did in fact walk though a total of 7 times through the exhibition. Noel fielding's paintings ?????? A mask from Dave Brown ?????? A script by Richard Ayoade and Mathew Holness ?!?!??!???!??!? Haroon Mirzas Little Techno Things !?!?!?!?!?!?! The stars aligned to make me look like a creep and despite boring my friends out of their minds and perhaps pulling my zygomaticus Major, I can not to date name a more fun thing to have witnessed.
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