#IT SOUNDED FAMILIAR

[zeawesomeness]

HOWDY

[missanthropicprinciple]

Just gonna leave this here.

The Usage of the Word “T’hy’la” or Lack thereof

So, a while ago I had this discussion with a fellow Trekkie about how canon K/S exactly is. When I brought up the Motion Picture Novel and the scene where Spock thinks of Jim as his T’hy’la, his final argument was (apart from the infamous footnote) that the word never actually made it into the series or movie franchise, and, therefore, couldn’t have been that much of importance.

But since I will fight anyone over this matter I thoroughly thought about this discussion, because he had a point. I mean the book still stands, but why didn’t Roddenberry or anyone else include the word? It seemed to be important enough and it became famous in the fandom almost immediately after it’s creation.

It took me a while, but then I re-watched WoK and the penny finally dropped.

Spock never used Vulcan Vocabulary with his captain (well duh, I know, but hear me out), because as far as we know Jim doesn’t understand Vulcan. 

And what is more: T’hy’la isn’t exactly a simple word. Due to it’s emotional intonation it’s probably a word derived from high Vulcan and it doesn’t even have a proper Standard translation. It is therefore loosely translated as: “Friend, Brother, Lover” since the word itself incompasses all three of them, but in Standard it’s untranslatable, because there is no comparism. (We, read: the fandom, translate it as soulmate, since this is probably very close. But this was never made official.)

So yeah, no point in confessing feelings that reach this deep to someone who wouldn’t understand the proper vocab, got it. 

That doesn’t mean that Spock never made Jim clear what he was to him. As I said, it took me some time, but I finally realized that Spock DOES use the word, he even says it directly to Jim. He just uses the Standard translation.

1. Superior officer = Brother (in arms)

2. Friend

3. I am yours = Lover

I could kick myself for not realizing this sooner. HE ACTUALLY DOES SAY IT! I mean, of course I’ve known since forever, that they love each other, but that Spock actually uses “T’hy’la” in the franchise is news to me.

This means exactly two things: that I am incredibly stupid sometimes (how many times did I watch this movie? 10?) AND that I can rub this under everyone’s noses. 

EXCUSE YOU MY OTP IS CANON!

[the-muppet-joker]

Having an obscure OTP is a similar pain, in my opinion, to experiencing homophobia.

[kjelmose]

[gutsby]

Easy to Please

Pairing: Sleazy Landlord!Joel x Reader

Summary: Months pass, and you can’t make rent—again. You find another way to pay your sleazy landlord. Again.

Warnings: 18+. Unprotected p-in-v. Oral (m!receiving). Dubcon à la power imbalance / sex for money. Infidelity. Pervy!Joel. Talks of abuse. Omitting one tag to avoid spoiling the ending—please read at your own risk.

Note: This fic was loosely inspired by my three favorite songs about female adultery—‘Thinkin’ Bout Cheatin’ by Mae Estes, ‘Lyin’ Eyes’ by The Eagles, and ‘Cheatin’ Songs’ by Midland. No, I don’t support infidelity. Yes, it makes for fun fiction.

Word count: 3.1k

You hate the face he makes when he cums.

You hate the way he tastes when he’s done.

You hate the grit and the heft of the man, every lone hair that sprouts silver from his chest, and the way he pats the open space beside him in bed after you roll away.

‘Never seen a girl so goddamn allergic to cuddling!’

What makes his observation worse is that you know you’re hating it more and more with every passing day.

Today you have seven Benjamins, two Grants, and a Jackson tucked into your purse. You walk with a sluggish gait, knowing you’re $310 short of making this month’s rent and last. But you go on anyway. It’s not like Joel can’t see you from where he’s seated on the porch.

The pleasantries you exchange are short. By now, you have only to breeze past him in his lawn chair and say, ‘I can’t stay long,’ and he knows the rest. He grabs his six-pack, then his Pall Malls, and asks after you all the same.

“How’s the wrist?” he says.

You sprained it over the weekend. You aren’t sure how he heard. At any rate, you ignore the question and set your bag down on the counter before going to the fridge. You deflect with a question of your own—what the hell happened to the lemonade? He had a full jug last week.

“Got thirsty,” Joel answers, shrugging.

You’re always thirsty, you tell him, and you eye the case of Heineken that he’s placed by your purse. You don’t need to see his face to feel the smile starting to form.

“Don’t I know it,” he says. Insinuating.

You’d hit him over the head if you’d been able to reach. He’s still smiling when your shoulder checks his—closer to his elbow, from the feel of it—and when you leave the kitchen, he leaves too. He trails behind you with an ease that says this is the sixth time this has happened since August, and you’re hardly a week out from Halloween.

It’s not just rent you need to pay; it’s other things. Transmission in your truck’s gone to shit. Phone’s been on the fritz since you dropped it in the tub. Talking heads on TV say the country’s on track to get hit with another recession, and from the way your boss has been slashing your hours in half, you think they may be right. The crack in your bathroom window was tiny last week. Today it’s gone, because your husband put his fist through the thing on Sunday. You patched the hole with duct tape.

Joel’s covering the cost for the pane to be replaced, but that’s because he has to. He’s your landlord—proud owner of the Delta Commons trailer park since ‘97—and that’s what landlords do. Everything else is yours to pay.

You’re a part-time student, part-time waitress, and a full-time caretaker for your ailing spouse, or so you call him. Joel knows Stetson’s not sick, just perennially unemployed and drunk. You pay for most things, and it’s rarely enough to cover your rent. Stetson doesn’t care.

And that’s where Joel comes in.

No pun intended, but in his mind, there’s really no nicer way to say it: you fuck his brains out to make up for the shortfall in rent. You blow him before work to make sure your husband and you will have enough to eat that week. You bite the warm, freckled skin between his shoulder and his neck while you ride him, because you know that gesture will get you a little extra cash when you leave. You smile after swallowing him, and Joel knows that it tastes like shit. You’ve gotten good at faking it lately.

What he hopes isn’t totally fabricated is the way you call him big. Strong. Handsome. So stupidly well-endowed that you have to wince for the first few seconds when you sit on it, and go slow when he takes you from behind

“O-ow!” you whine presently.

His dick isn’t even in you yet. You just stubbed your toe on the edge of his dresser on your way to the bathroom.

“You alright?”

“Fuck me!”

I will, he thinks.

“Want me to get an ice—”

“Let go-OW! FUCK!”

Joel barely even touched your wrist and you were flinching away with a brand new pain. You rub it, almost defensively, then pin him with an icy glare. Nice going.

“I’m sorry,” he mumbles.

Now he’ll be lucky if he can swing a half-hearted handy from the one that isn’t hurt. That’s how mad you look.

You turn your body away, and for a second, Joel assumes that his fate has been sealed: you’ll bumble over to the rug by his bed, toss a pillow on the floor, and assume what he already knows to be your least favorite position. You’ll kneel, and talk of migraines and your long, grueling day and in the end find an excuse not to use your mouth. That’ll be okay. But with the debts you owe him now, it also won’t be enough, and Joel will have to ask you back again. He hates sounding needy, but baby, deal’s a deal.

Luckily you don’t give him the chance to use that line. Much to his surprise, you get on the bed. You lie down. You seem to take a little more care settling in this time, but you take off your clothes. It’s a lime green tank top and some ratty jean skirt, but it’s enough to tempt him.

And not just tempt, but oblige him to accept, unblinking. He crawls over the bed to get to you, and he finds that his spit’s filling his mouth a little quicker. His hands are starting to shake as they slide over the duvet, and the tree trunks he once called his legs are runny, like eggs.

He has to remind himself, bluntly, of your last name, the shiny ring on your hand, your husband’s name, your—

“Age—what’d you say your age was again?” Joel asks.

You look confused for a second, but you tell him.

“Twenty-one.”

Way too fucking young to have gotten hitched three years ago. But then he remembers this is Leakey, Texas, and your family hasn’t strayed more than ten miles from the center of town in four generations. You told him that.

“I thought you said twenty,” Joel says, a little uneasy.

“I did. Up until this past Sunday I was.”

“Oh.”

A beat.

“Happy birthday.”

You blink.

“You gonna take your pants off or what?”

And he does. Maybe embarrassed at first, but then the jeans come off, and his boxers go next, and without so much as a word or a breath, his worries are sliding away like water off his back. Like his clothes now peeling off.

Like your smile growing thin at the sight of him half-stripped on the bed in front of you. Joel doesn’t flatter himself to think he’s even half as handsome as he was in his youth, but he knows he has his draws. What endears him to you today is, unfortunately, his wallet. But that doesn’t mean you can’t be convinced to like him more.

More than Stetson, he thinks without humor.

Dumb son of a bitch can’t tell his ass from his elbow and yet he’s won himself you, living it up these last three y—

“Oh.”

He sounds like an owl now. His clothes are off, and you’re rubbing him, pumping him gently in your hand, which you were so kind to make wet with your saliva. It even sounds better than his, the way it squelches with every flick. Joel can only say so much in strangled breaths.

He tries anyway:

“Feel like a dream, sweet pea.”

Sweet pea.

Your pace quickens. Joel swears he can see the corners of your lips twitch, but then he thinks you’re just wincing. You move down to the floor beside the bed. Kneel almost politely while you nestle yourself between his parted legs

Your mouth is warm. It’s always warm. Joel wouldn’t expect a girl’s tongue to greet his dick like ice, but yours is always heated to a thousand degrees, it feels like. He enjoys the sting. Your lips envelop his big, leaking tip, and he swears he can stay like this forever—in you.

On you, too. He’s got his palm resting flat on your head, and he doesn’t mean to, but he pushes. He bunches your hair in a fist and drags your face to make you swallow.

Mean old man, you must be saying in your head when he stuffs your mouth full. Makes your eyes prick with tears.

Sweet girl. My sweet pea, he thinks, affectionately, and continues to rub your scalp. He holds your teary gaze.

And then you’re moving up. Down. Coating his length with shiny spit and tiny whimpers as your lips move gently back and forth, again and again. Joel’s grip tightens in your hair, and he begs for more. More.

“More,” he orders, jaw clenched, “Fit a little more’a me.”

From where you’re kneeling below, you look put off.

Then you pull off, and you wipe your wet chin.

“Chokin’ me,” you grumble, “‘S’too big.”

Normally, Joel loves to hear that.

Now, however, he’s sliding his touch to your chin and tilting your head up to him. Thumbing at the spit dribbling out on either side of your mouth and subsequently coaxing your lips further apart.

He slides back in, and you don’t fight it. You like it. Holding his gaze in a soft, docile look while your lips stretch deliciously around his shaft, you must love it. Every inch and every twinge of pleasure from the brush of his cock going in and out must be your favorite thing.

Joel hopes it is, anyway. He holds your face now, and your throat convulses involuntarily. You’re so pretty.

“Such a good, sweet girl, ain’t ya?” he presses, watching the coarse grey hairs at the base of him tickle your face.

You respond well to praise. You preen under those words, and try to nod. But his cock is so deep down your throat you end up choking again. Joel watches all of it smiling.

Petting your head and not pushing again. Grinning.

“Love my cock nice and stuffed in that pretty throat?”

You blink instead of nodding, but it’s more than enough.

“Love me deep?”

And the head of him sinks somewhere he’s never been. Your eyes are like two wide pools, and your lips leak everywhere—your chin, your cheeks, your neck.

Joel’s smearing it all with his palm and smiling so wide that he thinks he might pull a muscle. He pants heavily.

“Just what you’re made for. Just what you need.”

You look like you might agree. He keeps going.

“My fuckin’ mouth. My pretty, pretty mouth.”

He holds your face. He thinks he might cum.

“Ain’t a damn thing Stetson can do for this mouth, huh?”

And then he doesn’t. Joel barely blinks, and you’re already bucking your head out of his hold, mouth skittering away while the spit spills out. You’re practically drenched down to the chest when your face rears back. Your eyes are alight and no longer smiling when you grit:

“Don’t.”

Joel should’ve known better.

He’s hit a raw nerve, and now he really wishes he hadn’t.

It doesn’t stop there—but it doesn’t get better, either. Things progress in much the same way as they always have but with none of the need, or the warmth, of before. You climb back up and straddle him quick. Not meeting his eye, you just sit down, and slide down, and don’t wince at all. You don’t tell him that he’s big, and he doesn’t get the chance to even groan at the first influx of pleasure before you’re riding him. Bouncing and grinding your hips against his with all the passion of someone perusing the newspaper. You don’t whimper or moan.

Of course, Joel enjoys the feeling. He also wants someone to punch him in the throat for what he’s done.

“Hey, hon—” he starts, voice strained, “Hon, I’m sorr—”

“Shut up,” you snap.

Your movements hardly falter, and now your hand is seizing the headboard. You’re clenching him tight inside your wet, drooling cunt, and it’s obvious you’re trying to make him cum as quickly as possible. You swallow hard.

Joel isn’t sure what to do. On the one hand, his body is being flooded with pleasure, and on the other, he fears you may never do this with him again. Quickly fixing on the latter, he cups your face in one hand. It’s still wet.

His fingers smear the spit, and somehow you look even prettier. You keep grinding your body in desperate little fits above him, and really, you feel fucking amazing, but Joel is too focused on other thoughts. He squeezes you.

“Baby—” he tries again, but you shush him just as fast.

Your hips are moving viciously now. No matter how sore your legs might have been from a long day toiling away—just a couple hours before your shift at your next job, if Joel’s remembering correctly—you’re working him well. Doing him in. Fucking his brains out, but you aren’t his.

His fingers smear the spit even more. Never will be his.

“Sweet pea—”

“Don’t fucking call me that!”

Now he can’t deny that his climax is close. But this isn’t how he wanted it to end—with you so incensed you can hardly look him in the eye. His hand rubs more, helpless.

And just when he’s seconds away from painting your insides white, losing it all to the pleasure, he sees it.

His wet, sticky touch has uncovered a residue.

Joel pulls his fingers away in a blink, and simultaneously, your eyes are fluttering closed. You’re focused now on climax; because of that, you don’t see what he sees.

What he’s stunned to find on his fingers: makeup.

Lots and lots of thick, heavy makeup on your cheeks. Concealer, he thinks he’s heard it called once or twice.

No matter the name, he quickly comes to see what it’s for. Just as you’re hitting your peak, squeezing the headboard behind him, and coming undone with a shockwave trembling all through your body, Joel pales.

The makeup that you applied so heavy tonight hides bruises. Black and blue and awful hues of greenish-purple too, your whole face, he sees, is engulfed.

He doesn’t speak. He won’t ask.

He won’t cum tonight, either.

He’ll finish something else.

You leave Joel’s trailer angry. You don’t say goodbye. The screen door screams shut behind you when you leave, and silently, you wonder why he didn’t cum. For once, you wish he had—and hadn’t said half of what he did.

Six hours pass like molasses, and by the end of it all—the close of your second shift—Stetson’s name still echoes in your head. The way Joel said it. It hums along the walls of your skull while you walk, and as you draw closer to home, you remember that strange and infuriating tone.

Then you remember your own less than two months ago:

Don’t talk to my husband. Don’t talk about my husband.

They were two simple rules, and Joel broke them both.

He must’ve defied the first when paying a visit to make repairs that week, and that’s when Stetson mentioned your hand: how you ‘slipped’ in the bath. Tripped and conveniently sprained your wrist the same night he almost tore your arm out of the socket for looking at a waiter a tad too long at dinner. You’d bet any sum of money Joel didn’t get to hear that part from Stetson when he came over to see about the window, though.

No, your twenty-first came and went without so much as a word about your wrist. Your arm. Your face—used to getting caked with concealer every third week or so.

You wince as you open the door. You walk slowly.

At first, you’re met with silence, and you sigh with relief. Then you hear it, and shortly drop your purse to the floor.

You all but fall down yourself at the sight: your husband doubled over across from you, in the kitchen. His head in his hands. You don’t need to see the face to know that it’s bleeding. Profusely. You tread ever slower into the room, thinking somehow, some way he’s going to blame this on you. And when he straightens a little and shows off the full, gruesome extent of his injuries, you blanch to think that it might be. His body’s been beaten to a pulp.

Your pulse hammers in your head so loud you can’t hear him groan. You see him, but you don’t really believe it.

And when Stetson reaches for you, you stagger back.

Your hands skim the counter, but your brain barely registers it. Your husband’s calling to you now, ‘Quit standin’ there lookin’ stupid, do somethin’, huh?!’ He’s screaming, and you’re not hearing it. Barely feeling like a sentient person at all but just a doll stumbling backward on two wooden legs. As you walk, your palm stays stuck to the laminate underneath it, and suddenly, you feel it.

An envelope.

In this state, you aren’t sure why you grab it, but you do.

You take the lone white paper, and you turn to leave. Your hands shake as you hold the thing, and your legs are hardly any better, but they carry you, miraculously, from the kitchen to the threshold of the back door. Then out. Stetson’s not just yelling but bellowing, loud, every last obscenity known to man as he holds his bloodied side and limps in his perilous, pathetic way. Fortunately, you’re gone just in time to miss the bottle he hurls.

Outside, you walk. And walk. And in the still of the night you’re obliged to find your way through a miscellany of trailers and trucks and old, creaking vans by moonlight, and the throbbing in your head begins to slow. You don’t rush to get far, and you don’t have your keys even if you wanted to drive off. You keep walking. Watching nothing.

When your eyes drift to the envelope in your hand, you barely see that either. You’re just blinking as you look, and breathing as you wait for the sight to make sense.

Inside, you find seven Benjamins, two Grants, and a Jackson staring back. Next to them are a few dozen others—enough to cover August, September, October, and several months before that, if you had to guess.

You hope you’ll get the opportunity to thank Joel, and maybe tell him that you don’t really hate him, someday.

[critterbitter]

A trip down memory lane! Though the tower seems to have changed…

Celestial tower! Built during the direct aftermath of the Founding Unovan Civil War, it remains a cultural landmark in memory of those lost in the fire and storm.

Time has dulled the scars left behind by the twin dragons. Today, the tower is primarily used as a mausoleum (the preferred method of burial are urns) and, well, a tourism site. Legend says if you climb to the top of the tower and ring the bell, you can lay your ghosts to rest. But mostly? You can ring a GIANT bell.

Course, you gotta GET to that bell first.

Masterpost for more pokemon shenanigans here!

[batcavescolony]

New Camper #1: hi, we're new.

New Camper #2: yeah, we were told to-

Mr D: MY SONS! HOW ARE YOU? Do you have wine?

Chiron: he's not actually your father, he just wants wine.

Castor(new camper #2):oh

Pollux(new camper #1):so who is our-

Mr D: ...so funny story *waves hand*

Purple grapes symbol🍇: *appears over Castor and Pollux's heads*

Mr D: so about that wine?

[kj-beastboy]

"Kinky"

[fictionadventurer]

I love libraries.

I'm browsing the WWI shelves (as you do) and notice a very old book about the war. I glance at the first pages that talk about how one day the war will be over and we'll look at this place and not see any signs of the battlefield.

Then it hits me. And I check the publishing date.

This book was printed before the war's end. Not written. Printed. The physical object was created in 1918, while the war in question was raging and the end was as yet uncertain.

Now I'm standing on the other side of the apocalypse, with this physical link to that era in my hands. I'm living proof that the war did end and life did go on and we can all look at the end of the world as a long-ago memory.

Reading old books is cool enough, connecting our minds and hearts through the ideas of people who lived long ago, but there's something extra profound about holding a copy of the book that comes from the time that it was written. It's a physical link between the past and the present connecting me to those long-ago people. A piece of the past come into the future that gives me the chance to almost take the hand of some long-ago reader, to hold something they could have held, connecting not just mentally but physically to their era, a moment of connection across more than a century.

Excuse me while I go weep.

[namelessprince]

destiny calls, but it doesnt look familiar anymore

[infinitelystrangemachinex]

massages forehead So Ambessa hid Mel away because she was a weapon in the literal sense, a mage. But Ambessa came to Piltover for Hextech? And Ambessa had nothing to say to Mel about her powers having visibly awakened? Even when Mel offered to go with Ambessa, giving her the ultimate opportunity to make Mel a weapon for real? And Ambessa made no attempt to find or retrieve Mel - not just her daughter and the remnants of the family Ambessa professes to love, but also her ultimate weapon - when she disappeared? And Ambessa trusted Singed and Viktor on their home turf - neither of them hiding how insane and self-serving they are with every reason to take over Ambessa's soldiers or just blatantly turn on her as soon as it benefits them - more than she trusted Mel? While Caitlyn (and by extension Piltover) was visibly and clearly falling away from Ambessa's teachings before Ambessa's eyes? (as if getting rid of certain people allows piltover to get rid of fascism but we won't get into All That)

Not only do I struggle to be hyped for Mel's powers beyond how amazing and beautiful she looks, but I can't help but feel like Mel is somehow less powerful in season 2 than she was in season 1, and not in an interesting way. As if Mel's ability to bend all of Piltover politics and economics to her will in season 1 now means nothing in season 2? You can argue that Jinx's attack led directly to Mel losing ground in Piltover - because I expected Mel to have to claw back that power without being able to rely on people who are too easily seduced by Ambessa and authoritarianism, and she would have to get creative to go toe to toe with her mother. I expected pushback to her mage identity that she would have to navigate. But instead this went either unwritten, or was ignored or discarded. Instead Mel is removed from the main plot, cutting her off from what made her the most interesting - only for all of Mel's very real talents, her very real powers and abilities, to be not only translated but REPLACED with magical powers she doesn't know how to control, and by the finale, those magic powers are the only powers that are considered real. Mel takes a backseat to Piltover's governing and decisions, a backseat to Jayce of all people who was not only new to politics mere months ago but made poor governing, strategic, and diplomatic decisions when he had that power. In season 1 Mel stayed off the "throne" but she did pull its strings one way or the other, and she makes no attempt at this in season 2

In my least generous suspicions, Mel was gentled and quieted to capitulate to an agenda for other characters who had to be correct and heroic - or wrong and villainous - no matter what the leadup narrative said, given her powers to help sell the game and set up future shows, and was effectively ejected from the Arcane story with faceless soldiers and a role she doesn't want because she was inconvenient there

[chthonic-kids]

BG3 narrator? in my hades supergiant?

[cruel-hiraeth]

꒰ LOVE IS... ꒱ RORONOA ZORO X READER

a/n: love is a little reworked drabble about him.

Love with Zoro is intentional.

It doesn’t come easily. A man as unyielding as his swords, he remains steadfast in his convictions, devoted to the doctrines of honor and discipline. All hard lines and sharp edges, he’s deadly when wielded properly. But he’s his own master; he doesn’t allow the winds of fate to guide him—only of his own volition does he act.

Blades also harbor secrets. They’ve witnessed and wrought bloodshed that make even the strongest men pale and queasy. They’re accustomed to harsh conditions: to injuries, to biting words, to carelessness. They find comfort in the familiarity of violence and pain; how could they not, when that’s all they know? It’s a delicate balance, maintaining both the deadliness and the beauty of a weapon. Such a feat requires the precision of a gentle hand.

Getting to know Zoro takes patience and tenderness. Prying into the life of a man who has only ever known the sting of loneliness and death is difficult. He’s slow to trust and even slower to speak his mind. He has a sharp, brash tongue, though he meets his match. You each end up with a nick here and a scratch there (but nothing that will scar—ever).

You both learn to be forthright with your feelings, and come to the understanding that vulnerability and sensitivity aren’t weaknesses; communication is a skill to master; connection is the basis of humanity. While every sword needs a scabbard, every scabbard also needs a sword.

Perhaps, then, Zoro needs you. And perhaps, then, you need him.

As a man obsessed with self-control, the messiness that comes hand-in-hand with love terrifies Zoro more than anything else across the four seas. But when he looks at you—the radiance of your beaming smile, the headstrong glint of your eyes—he knows that it must be worth it. And it will be, always.

(So long as you’re willing to meet him halfway.)

[sadisthetic]

goop

[grimmweepers]

just a little something for those who know sukuna would drop to his knees and be totally smitten with us (because obviously, it's true)

— ★ contents: trueform!sukuna, fem!bodied reader, oral (fem. receiving), fingering mention, multiple tongue mention, established relationship, marking, possessiveness. MDNI 18+ ONLY | masterlist | byf/dni

It’s a shame that no one ever sees this side of the King of Curses.

To the world, he’s a figure who delights in the fear he instills, making a mockery of those who hold their heads too high, yet here he ironically is, setting a fine example with his head bowed low, nestled between your legs.

He moves his tongue with precision, diligently lapping up every drop of your essence as his nose grazes the hood of your clit— and his grunts vibrate against your core, sending tremors through your body. When his half-lidded eyes finally lock with yours, they’re filled with a potent mix of adoration and lust— a sight so tender it almost feels forbidden. In this moment, you’re grateful this isn’t the man the world fears.

You shudder as his grip on your thighs tightens, holding you in place with not one but two pairs of large, powerful hands. It’s during times like this that he often forgets your fragility, his nails digging into your skin and leaving marks. But it was his way of claiming you, reminding you that you belong to him just as much as he does to you.

Sukuna used to sneer at the idea of love, calling it worthless. But right now he pours every ounce of himself into pleasing you. His thick fingers move inside you with practised ease while his tongues work their magic over any spot you crave. Your cries are the music he lives for and there’s nothing he won’t do to draw them out of you.

With your fingers tangled in his hair, you lift his head just enough to see his face, “Sukuna, is this how you show you love me?” You ask, soft but sincere.

He smirks, something wicked and possessive glinting in his eyes, “Do you doubt it? Or should I stop and leave you wanting?”

“Don’t you dare,” you breathe.

His smirk deepens as he dives back in, determined to take everything you have to offer. Ryomen Sukuna, who once saw love as a weakness, is now lost in you. And he won’t stop until you’re a quivering, spent mess, completely undone by the pleasure he pulls from you.

As you teeter on the edge, you know that to him you’re worth more than anything— worth everything.

© 2024 grimmweepers — do not repost, copy, translate, modify my work on any platform

divider by @/chachachannah

[aidenwaites]

If I may I'd like to recommend a single player ttrpg I tried out tonight, VOID 1680 AM, a game about running a radio broadcast and building a playlist using a deck of cards and a six-sided die