#INCLUDING TECH

[foxslightsaber]

Mayday meeting Crosshair's batch and looking at Hunter and then side-eyeing Crosshair for the rest of the night

Mayday: do you just like long hair, is this a thing for you?

[isurrendertoclones]

I was rewatching the trailer (of course) and uhhh

That’s not Hunter’s blaster

That is most definitely a Firepuncher. And a tall person with a familiar backpack.

[bluesgras]

new turtle sona i definitely didn’t forget to post no sir ree

Zinc!

my gremlin child who will steal many knees

[bootlegpals]

Some cameras. The second one is a knockoff of the Barbie jelly camera.

Source

[kathaynesart]

Will I be the only one who knows this stupid reference? Let’s find out. Will I possibly make these designs into shirts just for myself? Also likely.

For those curious my friend reminded me of this gem of a short from 2001 called “Rejected” by the mind-bogglingly talented Don Hertzfeldt. If you are unfamiliar please educate yourself with the dumbest/best Oscar nominee HERE. (Note: pretty sure it’s rated Mature so tread carefully kids). Fun fact he also directed my favorite Simpson couch gag.

[jadeharleyinc]

for every insufferable twitter ai bro bragging about replacing artists with compliant robots, there is a "writeblr fandom blogger" bragging about how humanities majors can do better work than those worthless programmers any day of the week

if you want a picture of the future, imagine an endless cycle of loser nerds fantasizing about dunking on a different kind of loser nerds they see as inferior, forever

[littletroggo]

a slighty late techtober day 12: free slot! every day of the year is a day to appreciate tech

it was a lot of fun to do this prompt list! i saw a lot of cute and creative entries too. i'm not gonna say no to more love for my favorite little slicer <3

[maipiichii]

Bon Appétit!

[packitandgo]

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[finchfaes]

😘 I love them so much and just want to keep drawing them always

[cloned-eyes]

Casting old magic last minute

[archivewriter1ont]

Bad Batch on Pabu Incorrect Quotes

Phee: I like my men like I like my coffee -- sweet and strong.

Tech: I like my women like I like my coffee, as well.

Phee: How is that?

Tech: *smirks* Black and hot.

Crosshair, Wrecker, and Omega: *gagging* We're right here, guys!!

Hunter: *gestures to Omega* There is a child present!

Echo: At least he’s getting better at social interaction. *sips tea*

[rockpaperscissuhs]

HISPANIC HERITAGE MONTH + BAND OF BROTHERS:

ANTONIO C. "TONY" GARCIA

Born October 15th, 1924, in Inez, Texas

Died August 18th, 2005 (age 80), in Burlingame, California

Tony Garcia was born in Texas but he grew up in Cheyenne, Wyoming. His parents were from Mexico and had immigrated separately into the States. Tony and his siblings grew up speaking English and Spanish. He decided to drop out of high school in order to enlist, and even borrowed a friend's prescription medicine to cover up a heart murmur for his Army physical. He was accepted for training in 1943, and he served a Technician 5th Grade with Easy Company from Holland all the way through the end of the war. After the war, Tony returned to Cheyenne where he finished high school, then he moved to San Francisco, working and attending college. Later, he met his wife, Nancy, and started a family. They were married nearly 60 years, and had four children together. When he wasn’t working at the department store warehouse which he managed for three decades, he enjoyed spending time with his family, traveling, dancing, and reading. He was described as a kind, generous, and gentle man, with a “playful sense of humor that belied his quiet demeanor.” The Band of Brothers series bible describes him as “very gung-ho and game” and a “family man and extremely compassionate.” He kept in touch with several of his friends from Easy, and he participated in many Easy Company reunions and events in the U.S. and in Europe. His family has said that he was very reluctant to talk about his combat experiences, but he did like to talk about the people he met, and the families who helped him. Appears in Episodes 3-5 and 7-10, portrayed by actor Douglas Spain

Sources below

SF Gate Obituary for Antonio Garcia

[ganondoodle]

me: finally im able to cope with how much i hate totk and can fuel that energy into other things :)

nintendy: the shiekah tech just dissappeared and no one knows why or cares enough to investigate it lol. lmao. its gone bc the calamity is gone or something even tho it literally isnt bc ganondorf is right there haha lol, stop asking, why do you care. just forget it existed and look at that sexy goatman and glue instead!! glue! isnt that wild?? also its totally a direct, 100% same universe and exact same characters, despite them act totally out of character, sequel to botw-

[muchmossymess]

okay but the unexplored potential of a revali and purah dynamic

revali is so keen to be the best of the best and push himself past all conceivable limits, and purah wants to find the limits of sheikah tech and magic only to barrel past them and nearly become god

so one day, purah comes to revali "how high can medoh fly?" and he pauses bc he hasnt thought about that much, which he realises is asinine how has he not thought of taking her higher "well her resting altitude is x but its possible to go higher, though i dont know her limits" and they just look at each other bc well now they have too know-

and it continues like that, purah coming to revali with questions about medoh or the rito or his wind magic or eventually just requests for assistance "i need you to fly this up there for me, clear out this monster camp, ect ect" and revali loving the attention and the chance to show off, and that hes able to prove himself as truly better (he often tries to rope in the other champions to compare) and purah is loving all the data and the chance to work so closely with a pilot and they both compliment each others personalities quite well, both sassy and intelligent and where purah is overbearing and bubbly revali is insecure and sulky

anyway this is all pre calamity stuff, i want them to be very good friends and cause chaos together and push each other to constantly better each other, and purah would scoff at revalis creative insults but internally laugh and file them away to use later, and revali may act uninterested when purah talks for hours about conclusions shes come to and different approaches they could take hes actually paying complete attention and thinking of ways to use this knowledge in piloting or training