#IM SORRY THIS COULD BE SO MUCH BETTER

[stoopidstapler]

SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.

[tubbytarchia]

got an urge to design ponies oops

[ofswordsandpens]

Riordan: And the grand lesson that Percy needed to learn over the course of hoo, the culmination of his character arc of this series, the moment where the fate of the world hangs in the balance because of a single decision he has to make... is realizing when he needs to take a step back :)

Me:

[honeycreammilkshake]

"you are me."

i have a lot of thoughts on this whole scene, both shipping and non-shipping ones. the relationship between yuuji and sukuna is honestly the most fascinating and complex one that i have seen in anime, and one of the reasons for that is just how much these two actually understand each other, which i don't think a lot of people realize. yuuji and sukuna see right through each other, more than anyone else does, and i think that's why their bond is far more personal than it seems to be.

yuuji and sukuna are enemies. they hate each other for their opposing ideals and characteristics. yuuji is caring, empathetic, protective, kind, and willing to put his life on the line for both friends and strangers. sukuna is narcissistic, self-absorbed, indifferent to suffering, murderous, unfeeling, and unconcerned with any life other than his own. they seem to be polar opposites in every way, so why would yuuji say something as contradicting as "you are me" to sukuna?

i think it's widely overlooked just how complex yuuji's character is. he's overall a "sweet" person, but he isn't very stable (he has been described by quite a few characters as being a bit "crazy"), he has a high tolerance for disturbing or gory things (he took learning about curses and fighting them very easily), he doesn't question the danger he's been put into (he actually runs headfirst into it), and he can be really violent and vengeful as well.

this is all explored very well in his confrontation with mahito, where he also says "i am to you" to the curse.

why are these scenes so different? mahito and sukuna both killed people yuuji knew and cared about as well as strangers that yuuji would die to protect. shouldn't yuuji be approaching sukuna with the same hate, disgust, and vengeance that he shows to mahito? shouldn't he be lashing out and making sukuna pay for all that he did?

why is he showing his "crazy side" to mahito but not to sukuna?

to give some context to this scene with mahito, the curse wanted yuuji to accept their similarities. and, in the end, yuuji did.

yuuji is acknowledging that he serves as nothing more than a weapon to keep killing the curses of the world, perhaps with no other deeper purpose than that. just like curses only exist to bring misery and prey on humans, yuuji's sole existence at this point is just to act on the orders of sorcerers: to keep eradicating curses and eventually help kill sukuna by dying with him. he doesn't need more meaning or roles than that.

but sukuna doesn't see yuuji as just another cog. he doesn't respect yuuji, true, and he loathes to give the brat any kind of credit. but he knows yuuji is the only one who really, truly cares about sukuna's devastating impact. the death of innocent strangers doesn't affect others quite as much as it does yuuji (even nanami in the vs mahito arc noted how much yuuji cared about the suffering of others).

and many of the other sorcerers are also not as horrified or repulsed by sukuna's actions as yuuji is. in fact, sorcerers and curses alike look up to sukuna. gojo actually seems to respect the king of curse's lifestyle. it feels like yuuji is really the only one to truly despise sukuna for his actions and ideals.

and sukuna knows this. sukuna knows how much the suffering of others gets to yuuji. which is why he gives yuuji such special treatment: he saves a unique brand of torment just for yuuji that he doesn't really give to anyone else.

sukuna intentionally returned control to yuuji's body just for yuuji to witness the massive damage and death that sukuna's domain expansion caused. it killed thousands of people, innocent strangers included.

it led to yuuji breaking down, even wishing for his own death. but yuuji is strong and, deep down, sukuna knows this. yuuji doesn't give up and instead uses his rage to fuel his fight with mahito, where he snaps and shows us his vengeful side. he doesn't need any other reason than mahito being a curse to want to kill him, over and over. that is yuuji's purpose. which seems like an uninteresting and boring one to someone like sukuna.

but for all that sukuna keeps calling yuuji uninteresting and boring, he shows a lot of investment in yuuji's growth and in their fights.

he's even invested enough to show disappointment when yuuji lost to choso. (if he thought yuuji was so weak, why did he seem so bothered by yuuji's loss here?)

and then sukuna looked surprised and curious when choso got hit with some kind of false memory empathetic attack that included yuuji in it. he's having a lot of strong reactions to someone he claims isn't interesting enough for him.

sukuna also loves to aggravate yuuji, somehow knowing how to provoke a strong reaction from him.

there's a lot of interesting things about this scene, one of them being that yuuji refers to sukuna as a "curse" which is technically untrue. sukuna is a sorcerer who used a set of cursed objects to send his soul into the future, but he isn't a curse himself.

but to yuuji, sukuna is nothing more than a curse because he doesn't show any sort of positive traits. sukuna's mindset reflects that of a curse since he only exists to please himself and loves to cultivate the kind of negative emotions curses are born of (fear, hate, jealousy, selfishness, etc).

there's also a clever reference to sukuna being a cannibal through yuuji saying "let's see if you can chew up me and my suffering." yet what we've seen throughout this story is yuuji essentially cannibalizing sukuna by eating his cursed fingers, which he calls the taste really gross. so i wonder... what would yuuji taste like to sukuna?

every human has a unique taste but all of them are fleeting to sukuna. there's no actual meaning or savoring to it. it's just a way for him to pass the time until death.

both yuuji and sukuna are cannibalizing as a form of destruction. but while yuuji is eating the cursed fingers so that he can hold all of sukuna inside of him for them to be exorcised together, sukuna was eating humans simply because he wanted to. he ate whatever he wanted because he was at the top. he is an apex predator with no real rivals or threats. it was for a completely self-absorbed and depraved indulgence while yuuji is giving up his life on this plan to save others.

yuuji and his suffering is the complete antithesis to how sukuna's eating only serves himself. which is very interesting to see when yuuji challenges sukuna to "chew him up." yuuji is proving to be more predator than prey and is far more of a challenge than sukuna wants to admit.

but maybe something about yuuji's resilience does please sukuna? maybe he actually finds worth in yuuji never giving up?

though he still underestimates and discredits yuuji's strength, he actually looks impressed with yuuji and seems even a bit eager to take him on again.

for someone who claims to find yuuji not worth his time, sukuna is showing yuuji far too much special treatment that he doesn't give to anyone else. he even calls yuuji a specific name (kozou) that he doesn't use with anyone else. others are just various offensive terms, but only yuuji seems to have a name just for himself.

sukuna is a really contradicting and complex character, and his relationship with yuuji really shows that.

i've seen a lot of anti-sukuna sentiment after his death, and i understand why a lot of fans hate him and celebrated when he died. however, i think a lot of fans have this somewhat inaccurate view of him being nothing more than a static villain with zero complexities and no chance of any kind of character development.

some of sukuna's most underrated and interesting traits are that he is actually pretty smart (he has an overall plan and is making all the right moves to get there), he's cultured (a poetry snob who hired a chef just to cook him humans instead of eating them raw, and perhaps he even knows more about flowers than he lets on), he shows respect to those he deems worthy and even seeks to learn from them, and he might not actually be the most "evil" person in jjk (which I consider to be kenjaku, but that warrants another post).

overall, sukuna is and has always been more than what he first seems, but a lot of fans don't want to see this or they overlook it.

after sukuna reveals he was an unwanted curse of a child, there was pushback against fans who interpreted this line as sukuna having a tragic backstory that explained his current self.

i understand why these fans don't want sukuna to be a sympathetic villain and i've read posts on how gege writes his villains to be intentionally unsympathetic.

from here (https://x.com/soukatsu_/status/1520796590612566022)

sukuna is the perfect example of a villain that is unsympathetic. he is horrifyingly strong, lives as he pleases, murders people for fun, is a literal cannibal, acts and appears monstrous, and makes our protagonist yuuji suffer over and over again. he represents exactly all the ideals and traits yuuji despises and the two of them are fighting each other because of this.

however, one thing i want to point out is just because sukuna is completely unsympathetic now doesn't mean he couldn't have had an actually tragic past that made him into this.

i believe that sukuna was seen as a curse from his birth on. much like how jogo wanted curses to be the true humans (sukuna calls this jogo essentially wanting to become human) sukuna became purely curse-like to escape being human. whether or not you empathize with him is irrelevant, because after he became the king of curses, sukuna has committed countless irredeemable horrors that even i, as a sukuna fan, don't ever want him to be forgiven or easily justified for doing.

having a tragic past doesn't justify his crimes, it only provides a catalyst for them. it explains why he, who was born human, became more of a curse than some curses are. you don't need to have sympathy for him after that. just like he has no sympathy for those he considers weak and inferior, he has no more reason to be a tragic character.

a lot of people acted like sukuna potentially having a tragic past that turned him into the monster he is now makes him "uncool" or "uncharacteristic" of himself but, to me, it makes his character all the more detailed without changing the fact that he is still purely "evil" and irredeemable.

but does this all make him incapable of character development?

i personally believe that yuuji has been affecting sukuna throughout the whole series, especially in these last few chapters.

i recently came across a post on reddit on why sukuna could never be more than a static villain character. one of the arguments was that gege never intended for sukuna to have any kind of redemption arc.

(https://www.reddit.com/r/Jujutsufolk/comments/16vphxl/sukuna_is_different_from_other_strongest/?rdt=36326)

(now, i couldn't find the original source where this interview came from, and it's not worded very well so i'm thinking it's been quickly translated. and there's always missed meanings and alterations to the original message when translations have been made, especially with japanese. i'm also not sure if the "him" being referred to is mahito or sukuna, but i'm assuming it can apply to both of them.)

this post was made about a year ago, so i assume this interview with gege is also a bit dated now. i think gege is intentionally vague in their interviews because they don't want to reveal too much, but my own interpretation of this post is that gege never intended for sukuna to get any sort of redemption because he is incapable of being redeemed through any kind of love.

and i agree with that. i don't want sukuna to get redemption. what he has done is unforgivable and i don't want him to get off easy for it. but him showing character development is not the same as him getting redemption. and him being affected by love isn't the same as him fully accepting it either.

in these last few chapters, yuuji has offered mercy to sukuna multiple times, despite how even he himself considered it to be a lost cause.

as i wrote earlier, yuuji is the only character who really understands how terrible and curse-like sukuna is. he hates sukuna on this fact alone. yuuji told mahito that his purpose is to kill curses, and sukuna - in the end - is nothing more than just another curse.

so why did yuuji suddenly change all that up and show empathy and genuine concern for sukuna in these last few chapters? why was he trying so hard to convince sukuna that they can co-exist?

one of my sukuita-cult friends (flight-of-death) pointed out that during his fight with yuuji, sukuna explicitly recalled his conversation with kashimo about not needing another person to fulfill him.

while sukuna saying he didn't anyone else to fulfill him was relevant during his discussion with kashimo, it's very interesting that he was remembering his own exact words about it while facing down yuuji, who was making sukuna doubt some of his previous statements.

my friend has convinced me that sukuna and yuuji have found a "reluctant fulfillment" in each other. and i think this is proving to be very much possible.

yuuji was alone most of his life. without wasuke there for him, he could have turned into a ruthless monster like sukuna. yuuji has so much physical and emotional strength, but it was the catalyst of wasuke's death that motivated yuuji to use that strength for good. he might have chosen to be selfish and only concerned with his own wants and needs like sukuna did, but wasuke provided the role yuuji needed to be the selfless person he is now.

i think that yuuji, in all his loneliness, found a kind of closeness to sukuna, even if it was unwanted. and sukuna has definitely been affected by yuuji, too.

as sukuna is dying, megumi finally regains control. he notices how sukuna seems to be scared of death.

sukuna genuinely does look concerned about dying. his mouths are in the shape of a grin but are turned upside down and look more like actual dread. for someone who claimed that eating people was only a way to pass the time until death, sukuna now looks unwilling to die.

i think that this shows that sukuna gained some sort of respect for life, even if it was only in his will to keep living. he does seem to want to keep existing, and it's interesting that it's what yuuji offered him.

yuuji was created by kenjaku to be sukuna's vessel. the sorcerers wanted to use yuuji as a vessel to hunt down all the cursed fingers so that yuuji and sukuna would die together. no matter how you see it, sukuna and yuuji were bound to end up either living or dying together. that is their fate. but now that he has more power in making his own choices, yuuji seems to genuinely want to share the kinder fate with sukuna: to live together. and if you think about it, them coexisting makes a lot of sense.

sukuna has been described as a natural disaster, so how can yuuji have any kind of empathy for something as devastating and unfeeling as an earthquake or a tsunami? in truth, the human race has been coexisting with natural disasters since the beginning - especially japan, which has weathered many terrible calamities. yuuji is a lot like the embodiment of the resilience and strength needed to survive such disasters, so i think he's more than capable of handling a life with sukuna, especially if sukuna is far more subdued.

and sukuna being allowed to live isn't redemption at all. though it would be a form of character development for him, it would still be one of the most selfish things he could do, as it would mean condemning yuuji to an indefinite amount of time with sukuna.

but yuuji seems to want that. he is willingly offering up the rest of his life to sukuna, for them to live together.

personally, i don't consider this to be a form of redemption in any way. he is proving sukuna's mindset wrong, not forgiving him. just accepting his nature and still offering a way to coexist.

i think that by offering this to sukuna, yuuji would essentially become that person that sukuna claims he doesn't need to feel fulfillment. but it's clear to me sukuna wasn't satisfied with his life in the past, since he couldn't offer an explanation to kashimo about why he chose to cross the ages as cursed objects. he is obviously lying or beginning to doubt his own words.

and i think that's why he chose death.

accepting yuuji's mercy, finding that fulfillment sukuna denies needing, would be very un-curselike of him and he can't have that. he would rather be seen as an inhuman monster than something capable of accepting love.

so in the end, sukuna is doing exactly what gege said he would: rejecting love and rejecting anything that makes him less of a curse.

but yuuji isn't easily pushed away. he kept coming back for wasuke and i think that if he really does care that much about sukuna, that if he's wiling to live with him even if no one else accepts it, he won't let sukuna go without more of a fight either.

they can still find fulfilment in each other. they are capable of coexisting. and if sukuna decides to make that change, it doesn't necessarily mean he's completely broken character. and if they don't get to survive together in this lifetime, there's still a good chance for change if they're reincarnated.

[suntails]

(mild gore)

fealty

[fatuismooches]

Your brain for Star Rail!Dottore omg...

I always think he would've been like Ruan Mei, only more extreme... he's will be pathless at first but if he's under genius society then he'd follow nous...Meta/game play wise he'd be 5 star Ice Nihility or Erudition DPS who focus on break and freeze team (So his good team would have Ruan mei on it because they're both my fav).

Also, since Star Rail doesn't have designated weapons, creative liberties could be taken, no?? (Ratio did use a chalk and a book as weapons, so there's many possibilities for him. Hmmm, Dottore fighting with syringes, or chainsaw, or surgery knife would be nice lololol

His lightcone could be of like Boothill's but instead it's just the creations his segments on a lab (does he still need segments in this universe?we'll never know) and his splash art would be so cool if it were lab centric since most star rail splash art focuses more on scenery.

His phone case....it would be plain boring black-grey-blue color that probablyhave blood splatter on it...and his expression when looking at phone could've be like welt. His texts would consist of talking about how expensive it is the equipment to do experiments these days, or asking the trailblazer to hear his new experiments or just him complaining. And when he visits the astral express, he'd be curious about Pom-Pom and the machinery of the astral express.

If Dottore were ever be a genius society member and got invited to simulated universe collab he would get his own Occurrence and Curio (There's this one curio in divergent universe, a new endgame mode which was a syringe that cause you to go auto for the rest of the game and i thought it was funny lol) I think Dottore's Occurrence would be "The Wise Doctor" and it would give you options something along the lines : You are approached by a figure, a charming doctor who need a volunteer for his bext experiment "Are you willing to help this doctor's experiment" And the choices are :

1. Give in and help the doctor (Your party lose 50% of their HP and given one blessing of 2 star rarity)

2. Refuse the doctor (You will lose 99% of your HP and gain a negative curio)

His curio will either be his mask or the wise doctor's pinion with effects, including: Whenever you enter a domain (up to 3 domains), you lose 10% of your HP. After the curio is destroyed, you will lose 1 Blessing of 3 star rarity. (I THINK his curios will mostly have negative effects, lol)

This is a different section if he's with fragile!reader:

1. Dottore definitely would make an appearance in their lightcone and splash art, maybe them running in the field of flowers whilst dottore follow close behind??? Or maybe them dancing with dottore...that would be cute...

2. Since there's phones and all I really agree with what you said dottore does not care for his phone!! It's reader who teaches him how to use camera and messaging apps and teases how he's a genius but have a hard time keeping up with phone technologies lol

3. If they're playable, meta wise they will have harmony path, wind or ice...their kit would go well with Dottore maybe increasing weakness break efficiency or atk% (kinda like Ruan Mei lol) I would want to make their kit to focus on frozen enemies only but that would make them niche in meta ?? AND THEIR EIDOLONS....oof I imagine if they still have their sickness here it would be them in their comatose state while looking very troubled (like a nightmare) :( but in this happy universe they're just smilling peacefully!!

4. Would see them as the type to be traveling around the cosmos. They love collecting trinkets and gifts from their visit!! Also, they would be a big fan of Robin, me thinks... dragging Dottore to her concerts or just blasting her song in his lab.

5. They would!! Love!! Pom Pom!!! They would much want to take Pom Pom home.

Overall, they're just happy in this universe living their lives to their where they don't have to suffer :((

I have been having the biggest star rail dottore brain rot ever!!! I hope you don't mind me writing it out here!!

(x) YES. He would definitely be more extreme than Ruan Mei (who is also one of my top favs, her and Reader would be besties because I said so! I'm sure Trailblazer would make some catcakes of you and Dottore, which you happily take off their hands. Dottore is unsure of how to feel with the two things constantly stacked on each other and staring at him...)

I also love how unique HSR weapons are - it could quite literally be ANYTHING. I've always imagined Dottore using syringes, for his skill, he'd switch the size, fluid, and quantity of it for an enhanced attack, the mysterious liquid inside anyone's guess. I'm not sure if he could have segments in HSR, just because he was only able to create the segments thanks to having a very good test subject (Scaramouche) so he would need to somehow have an equally good experimentation partner in this universe. If he did though, it'd be amazing - he'd get so much done by sending his other selves to different planets...

His lightcone would be similar to Natasha's - a doctor helping their patient, except in his case, the "doctor" will be doing the opposite. His blood-red eyes would pair well with the blood stains on his hands. For a soft route, Dottore falling asleep on his desk and Reader placing a blanket over him. For an angsty route, Reader being injured and he has to hold your dying body. (Poor Pom-Pom... they'd hide behind a crew member the whole time, in fear Dottore might snatch them up for some experimenting... Even more, they would NOT be amused with you trying to constantly pet them.) And yes! I feel like besides his negative curios, they would be high risk, high reward - you're going to have to prove yourself to him if you want his help!

If you want to be soft, Reader's lightcone would be them flustered as another pair of hands (Dottore) place a carefully woven flower crown on their head. If you want to be angsty, it would be them sickly laying in a bed as Dottore scrambles to do anything to keep them stable. Reader and Dottore's E6 would be like Hanya's and Xueyi's - they hold hands with each other! Except they would be more intimate with each other, they would bring each other's hands closer to their lips for a small kiss. Or perhaps they would have a hand over each other's hearts.

You steal Dottore's phone often. You have like... a dozen games installed on his phone, and although his phone is always on Do Not Disturb, sometimes he scrolls through and just sees tons of notifications from random apps... he texts you as to what the hell you did with his phone and you just beg him to log on and do your dailies. He leaves you on read.

You would love traveling about too. (Kind of like Himeko - she was unable to fulfill her wishes in HI3 but now she can!!) You bring back so many items that you have to use Dottore's storage rooms to fit them all (he's not amused.) You probably even got a Warp Trotter as a pet somehow... OMG AND YOU'RE SO RIGHT ABOUT ROBIN... you have her playlist blasting during research time and he's just... not amused once again!! Reader falls back dramatically into Dottore's arms once they meet her...

I love the pookies dearly...

[monotone-artist]

[id in alt]

some idw redraws

[aether-weather]

SAGESUNE MIKU >:DDD

[pixlokita]

Well I want to be honest, my mental health hasn’t been the best the past few months. I’ve been really struggling to the point of crying about several different things and it’s not anyone’s fault. Maybe my situation irl is affecting how I feel online, and it sucks because everyone is so nice and kind but I feel like I don’t belong? Idk how to explain it. It’s a very awful feeling and I’m recovering from several traumatic things I thought I’d gotten over but they keep resurfacing, I think I need to organize my feelings and stop overthinking, but I wanted to explain myself too. I’ll be unfollowing several people and you’re free to unfollow me too 💖🙏 y’all have been nothing but wonderful and a source of inspiration but I need to work on myself ;v;)b

I wish everyone a very lovely evening tbh UwU you’re all the best, bless you 💖

[sprimps]

they're thinking about very different things

[skrunksthatwunk]

love like you / maternal pang

bonus under cut:

the first stephanie + the maternal pang tone destroyer i couldn't include bc it's a serious comic

[lost-in-fandoms]

I know maybe you're not in the mood right now but any thoughts about Tarzan!Max? I'd accept thoughts about any of your pics because everything is amazing tbh but there's something about Tarzan!Max discovering a new world through Daniel and discovering how amazing is to fall in love.

Does Daniel take him to his farm? I think Max in Daniel's farm would be hilarious, amazed by everything and finding a family in Daniel's family too.

babe i am always down to talk about my boy in all and any situations! sorry this took a while, i took a little nap and then couldn't think about anything but!!!

(the first thing I thought was like..how do you get a whole person through customs. obviously max doesn't have a passport or any form of id so would they have to go through a sort of immigration procedure? but he's not emigrating from anywhere???? i guess i'll leave that problem to them sdfbdjhbf)

I love the idea of Daniel taking Max to his farm.

I'm imagining like. The jungle is Max's home right? But I imagine he's a little less in contact with his monkey pack. He likes to wander around and he has his own little hidey holes and his own places to sleep. So when he imprints on Daniel, he sees Daniel's "pack" as his new family. (and I am now thinking about Max trying to "groom" Daniel or Josh or whoever, gently raking his fingers through their hair and fiddling with their clothes and cleaning dirt smudges away after licking his thumb).

So when Daniel asks if Max wants to go with them, both because he can't imagine leaving another human being in the jungle and because he can't imagine leaving Max behind, Max goes. And in whatever way they manage to do it, Daniel brings him to his farm.

He understands that Max will probably never be ready to live in a city or close to a lot of people, he needs to be close to nature, and even if the nature in Daniel's farm is different from the jungle, it's still better than most options.

I imagine at first Max will struggle to adapt. He is used to have a lot of space to roam, to have trees to swing from, a whole different climate, a whole different diet. and now Daniel asks he wears at least underwear and a tshirt most of the time, he has to eat different foods, it rains so much less? where is the rain? how is he supposed to be clean if there is no river?

Daniel has to really help him through a lot. it helps that Max is learning to communicate more and more every day, but sometimes they bump into a new roadblock that they weren't expecting, and Daniel is reminded about how different Max's life has been so far. (would love to explore an overstimulated-by-electronic-noises max when i have more energy maybe. or a deeply-sad-because-where-is-my-jungle max)

But I think Max also really enjoys learning new things. He is delighted by some of the simplest things, which makes Daniel look at life in a different way too. How did he never realise how amazing forks and knives are? why does he think so little about how incredible it is to be able to make ice in his own freezer? the wonders of a ceiling fan???

I can picture Max spending long minutes just staring at things. Clocks, the washing machine, the fan, the turned off television, the kitchen sink tap. turning lights on and off. flushing the toilet over and over. And I can also picture him taking apart stuff and then (try to) put it back together, like the toaster (was never the same), the blender (was left with several pieces on the counter), the tv remote (tried to eat the buttons).

Max being terrified of Daniel's phone and then, when he gets used to it, absolutely fascinated by it. Asking so many questions about everything that Daniel doesn't know the answer to and forcing him to look them up because Max will simply not stop asking until he has a satisfying answer.

On the other hand, Max taking care of the vegetable garden and the animals. Being so incredible at it that it becomes mainly his job. They're different from the animals he's used to, but he is amazed by the chickens and loves them so much. Sometimes he likes to just sit with them and pet them softly. He becomes best friends with the donkey and the alpacas. maybe Daniel gets him bunnies and at first he's worried Max will kill them when he's hungry, but Max is so so gentle with them and loves them all so much.

And in all this, Max loves Daniel. He does his best to make Daniel food, gives him little "gifts" (eggs from the chickens, tomatoes from the garden, a clean sweater straight from the drier, a glass of water with clinking ice), curls up around him at night because he always refuses to sleep in his own bed. He's very protective of Daniel and gets upset when Daniel needs to leave the farm for errands or other things.

And Daniel shifts from I am very fond of this weird jungle boy to I would very much love to sleep in your arms for the rest of my life with a side of oh my god when is this beefy jungle guy gonna rail me. He sees how gentle and sweet and smart Max is, how quickly he learns about things and adapt to this new life, how interested he is about everything, how he takes care of Daniel, the farm, the animals, and can't help but fall in love with it all.

And the first time Daniel kisses Max at the farm, they're on the couch, Max watching something on the tv, almost without blinking, and Daniel watching Max. He calls his name and when Max turns (because Daniel will always be more important than anything else, even if the guy in the tv is cooking beef and Max is kind of hungry) Daniel kisses him. Max stays still for a bit and then when Daniel pulls back Max licks his cheek in response. It's not perfect, but Daniel can teach him. and Max always learns.

[squuote]

comparing dialogue once again as you do. anyway. this cut dialogue from the other games ending vs the the 2011/ultra deluxe final game dialogue is interesting. frying my mind a bit.

no deeper meaning to this post i just think it is. intriguing. i love dialogue comparisons sorry </3

[tankgotstuckinthecircusgate]

my n1 guilty pleasure is thinkin that post m2 lauretta moved deeper into criminal after several years & ended up sentenced to jail somewhere in the middle of 1970s

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[navstuffs]

Hello, first of all, YOUR WRITING IS GOD’S WORK, second of all, I need a second part of “I know it’s thick”, bc that took me out 💀 It was fucking fantastic. And last but definitely not least, you seem very sweet, and like an amazing person, keep up the good work 🥰💕👏✨

"I know it is thick." - Part 2

Pairing: Boss!Carlos Oliveira x GN!Reader

Summary: It is thick, and now you know it.

Warnings tags: SMUT SO MINORS DO NOT INTERACT PLEASE, blowjob (m receiving), public sex, under-the-desk blowjob while jill is in the room, porn with feelings (sorta), carlos always brazilian in my fics (foda-se capcom ESSE HOMI É DO BRASIL), translations at the bottom

Author's Notes: ANON YOU ASK AND YOU SHALL RECEIVE!! the idea came to me while reading your ask and i was like WHY NOT? again, bear with me since smut is still a constant work in progress. also thank you so much for your kind words and requesting with me, i hope i deliver! <;3 @cerezzzita aqui miga 💖

part 1 | my carlos's masterlist

You would never have guessed you would end up like this. You see, after sending that text message, you thought you would have been fired or sued for sexual harassment within Carlos's rights.

Not that by late Friday night, you would be doing extra work. And by that, it means your legs spread apart, holding yourself back in the cabinets of the stockroom as your boss Carlos pounds into you, his big hands holding your hips with such strength it would probably hurt tomorrow. Not that you cared: since this whole thing started three weeks ago, you have discovered you had muscles that ached that you didn't even know existed.

As Carlos's ball hit against your ass, the slapping sound sounding pornographic to your ears enough to drive you crazy, you hold onto the cold shelves, your legs barely keeping you steady. Every thrust he gives inside you is more powerful than the other, seeming to reach deeper into you. It had to be that thick cock, you thank mentally. 

"Are you close?" Carlos wonders, and you imagine his bare ass looks delicious, his social pants on the floor.

You moan a pathetic yes and beg Carlos to touch you, and his hands find you, jerking in that delicious way only he could do it. It is unfair how well Carlos knew your body, although this only started a couple of weeks ago.

Three weeks since you stayed late and found out it was really that thick and you could barely fit in your mouth. Three weeks since this man gave you the best orgasm of your life. Three weeks doing extra work time.

With the way he is rubbing you, you don't take long to cum, biting your lips and closing your eyes to hold back a moan. Carlos gives you two final thrusts before you hear him muttering a curse in portuguese as he cums deep inside your walls. You stay silent for a moment, just the sound of your breaths before Carlos pulls out of you, his semen slowly dropping out of you.

You take a second to straighten yourself, your back hurting (it seems you are taking another ibuprofen tomorrow), when you feel Carlos pass a cloth between your legs, cleaning you gently.

"Oh, mhm, thanks?" You say unsure, and he smiles, giving you his handkerchief, with his initials sewn on it.

Carlos stares at you, wanting to say something. You are a little worried about it might be: yes, what you are doing is wrong, and you both know it. You are worried Carlos might want to end this sooner than later; you know he will have to. Or maybe he will finally invite you out? Maybe, you will end up fucking Carlos in a proper bed, not on top or under his desk.

"I will see you later, then." Carlos doesn't wait for your answer, and you ignore the pain in your chest, his handkerchief just the memory he left on you (along, well, with his cum). Again, this would have to end someday, right? It was just sex.

Two days later, you are under Carlos's desk a little after everyone leaves. You see, you went in there to end it all before Carlos could but, somehow, ended up with you on top of his desk, his head on the middle of your thighs. The things Carlos could do with his tongue were skills out of this world, and suddenly you can't remember what you wanted to do here.

You just didn't want him to stop.

So now, you are just repaying for the multiple orgasms from earlier, you tell yourself as his thick cock hits the back of your throat. It had nothing to do with the fact that you loved sucking him, the sight of his strong and hairy tights, hearing Carlos beg for your name, and how this powerful man seemed to melt in your arms because of you.

There is a sudden knock on Carlos's door, and you both seem to freeze. You look up, and Carlos gives you an urgent look, his eyes pleading for you to stay shut. "Please don't say come in," you beg mentally, but the door opens before Carlos can say anything, just with enough time to pull out of your mouth.

"Oh, I am so glad you are still here." Carlos's partner and your other boss, Jill Valentine sounds pissed. Carlos immediately pushes the chair into you, completely hiding your body, causing his dick to get close to your lips.

Jill vents about the challenging project the whole team has been working on, and for your relief, she doesn't pay enough attention to Carlos. Carlos gently tries to keep your head away from his cock, but you don't move. When he looks down in panic, you would have laughed if you could because Carlos knew exactly what was going through your mind.

When you test by licking the tip of his cock Carlos has to hold himself back against the chair, Jill still doesn't seem to notice. You try again, this time swirling your tongue around it, and Carlos curses.

"Puta merda."

"Did you say something?" Jill wonders, and you hold back a laugh.

"Puta merda this project huh, Jill?"

Jill continues her rant as your head goes down into Carlos's cock, slowly and torturous. Your boss has to hold himself into the table, his knuckles turning white as a low whimper dies down in his throat. His hands look for your head, you don't know if to pull you away or push you more down, but you don't stop.

"....and I am telling you, if this doesn't get solved by the end of the week, I swear I will cancel this whole deal!"

"Puta que pariu!"

"Well, I am glad you agree with me!" Jill exclaims, slamming the table. She finally looks at Carlos, who is sweaty, his chest rising up and down as he bites his lips. 

"Carlos, are you okay? You look feverish."

"I-I am fine, Jill. All good. Just sh-sharing your frustrations, that is it."

Jill thinks she heard a strange, slurping noise after Carlos says that, but the sound stops. Her phone rings before she can ask what it is, and she groans, frustrated.

"You know, we shouldn't work this late. Life isn't just work, you know?" Jill expresses, before leaving his office, waving goodbye.

You can hear the door closing, and Carlos roughly pulls out of your mouth. You gulp, anxious, wondering if you finally took too far and Carlos will end it all, when your boss's face appears under the table to stare at you, full of desire.

"You want to play like that? Fine. Let's see how long it takes for you to gag on my cock." Carlos' voice is low and threatening, bringing chills all over your body, especially your heat.

"Challenge accepted, boss."

Puta merda = Holy shit

Puta que pariu = Holyfucking shit