#IDK WHAT TO SAY!!!! augh

[dromaeo-sauridae]

good caption here

[toffeebeantable]

YOU THOUGHT PRIDE MONTH WAS OVER? WELL IT AIN’T OVER TIL I SAY SO

[wasyago]

so, would you?

nothing important under the cut, you don't need to look haha

[itslilacokay]

do you ever

[risingsunresistance]

who would win, god of the realm or one (1) hog 🐖

[okaioh]

I miss when cucurucho sent everyone on these little side quests during Christmas and get the reward of seeing their kids in cute christmas outfits </3 - everyone's reactions to their kids all dressed up makes me want to tear me hair out and cry they loved their kids so much :((

[claitea]

going to bed but before i do. i'm trying to find a quote that was smth along the lines of "some pokemon having hearts shut up so tight even n cannot understand them", but i dont remember who said that if its even a thing at all. i'm just trying to factcheck for smth i'm writing

[maskyartist]

chidori i love u im so sorry i did u so dirty

[runayachi]

okay so you know when takeda manages to get ukai to come watch karasuno play for the first time and kagehina show off their freak quick and ukai is like "sensei how long have those two been paired together" and takeda is like "oh kageyama and hinata? they just met this year i've heard it was rocky at first but they're getting along well now" and ukai is like "what a shame". do you think he goes home and looks into them and finds out that kageyama's the lonely king and that his teammates abandoned him. do you think he looks and looks for hinata but can't find him until finally he stumbles across a no-name school that barely had a volleyball team and their only match lasted 31 minutes. do you think he wonders about how lonely they were. a coach can't replace teammates but do you think he decides to try and make sure that no one on his team feels lonely again.

[many-gay-magpies]

HELLO FOLKS. part three of the scallisaac au is UP. scott's POV this time! and god was the summary fighting me.

Scott is enough for this, though. Enough to hold Isaac in the dark, and take his pain, and sooth him to sleep.

Enough to love him.

And—fuck, he does. It’s not just attraction, and it’s not just a crush. Scott still loves Allison, but he knows that he loves Isaac, too. He’d hold Isaac in a heartbeat; hold him close with arms and hands and heart alike, but so too would he hold him back from every violence, if only to know it would keep him safe.

Scott’s heart doesn’t do things halfway. It never has before; he doesn’t know why he expected it to start now.

—

In the midst of grappling with the alpha pack, the Darach, and his encroaching true alpha status, Scott falls in love with Isaac—while still being just as in love with Allison. To say the least, it’s confusing.

[maraschinotopped]

stumbling into the tumblr blog covered in blood. hey guys i think pendog creative library is pretty cool. you should check it out.

[mbat]

thinking about the eredar and how they couldve so easily just been like 'fuck off' about them and let them be mindless soulless irredeemable monsters who have hurt and killed countless people across the galaxy for centuries

but they chose to redeem them. to make them work toward redemption, even if they never achieve it in the eyes of most... or anyone, even. to make them people just like the other characters, and rejoin their people that had to separate from them a long time ago.

and how you can play as one now, technically. you can gain customization options to become an eredar and play as one. and thats wild to me, but in a good way. its just neat

[vaguely-concerned]

obsessed with what we're meant to read out of rook's expression when taash starts to walk away in this scene. it feels like such an emotionally dense response from them, especially since they've only known taash or anyone else involved in these scenes for all of five minutes

sorry about the abysmal gif quality one day I'll learn how to make gifs properly yet that day is not today. but hello. rook. rook hello. what is this about. what's up with that. what are you thinking about. (also taash seeing that reaction and turning around to clarify that it IS what they wanted before they leave because they're upset, not unkind. aww.)

also flashback to this set of expressions rook makes later on, after the fangscorcher fight, if rook tells taash they're actually a lot like them beneath it all. taash apparently just consistently brings out some very tender rueful rook faces I guess haha

[samuelroukin]

they need to do so much tip touching but there's so little time </333

[yanderespamton78]

Spamton x mettaton is such an interesting ship to me. Mettaton is everything spamton wants to be. It feels like some weird fantasy. Guy who's unhealthily obsessed with the other x guy who loves the attention. You X the guy she tells you not to worry about. Idk just something about it scratches my brain

They'd love eachother sure but it would be weird. Obsessive. It feels like an obsessive parasocial relationship where the famous one genuinely falls for the weird creep

Something I said to my friend the other day was that a convo between them would probably go something like

"I WANT TO CRAWL INSIDE YOU'RE [skin]"

"Kinky"

Idk. Just something a think about. Btw not against the ship at all I think it's fun just I find it interesting. It's a strange dynamic

[cacowhistle]

thinking about the fionna and cake finale and. i've been seeing people upset or annoyed that betty & simon's story focused on how simon had to learn to recognize that what they had was unbalanced and not necessarily fair, because they wanted betty to also realize that she placed too much of her self worth in simon, and they wanted her to learn to live for herself.

i think these people forgot about the episode in adventure time that does this. mainly because, at the end of the episode, it seems like she didn't learn anything at all.

In s10e11, "Temple of Mars," Finn, Jermaine, and Betty have to go through a mind maze to find Jake--and many parts of the maze are relevant to Betty's obsession with Simon/Ice King.

The second room of the "maze" has a chalkboard with a long and complicated equation on it. Betty tries to solve it, thinking it will help, while an Ice Thing messes up the equation as she tries to solve it, preventing her from doing so. It's meant to represent how trying to "solve" the crown's curse is leading nowhere, and that Betty is trying for a hopeless cause.

The last room is the most important to Betty's story, though--it's a window into her past, where she realizes that she needed to take more time for herself. She needed to focus on her, instead of dropping everything for Simon. She makes this realization and changes things for the hypothetical, maze room version of Betty--but naturally, this can't change the past. She's made her choices, and she has to live with that.

I think at the end of the episode, when she takes the "wrong" message away from all of this--she dedicates herself to trying even harder to "fix" Simon--it's mostly because she's scared to accept that she... not wasted, but lost so much of her life because she was so focused on what Simon wanted, or what she thought that Simon needed. She's also still under the effect of the Magic Man hat, so she's still affected by the sadness/madness of that, which likely twisted her view of the situation as well.

But then in the AT finale, she makes her choice to leave Simon. She does it through wishing for his safety, sure, but she still makes the choice to leave him. And in Fionna and Cake, what we see of her--or what's left of her, because we don't know how she's changed, really--is something bigger than what she was before. GOLBetty seems to have realized her own part in the unbalancing of the relationship between them. But that's not what Fionna and Cake is about--it's about Simon, and how he has to move on. Betty has already moved on by the time we see her again. She's showing Simon that, and she's showing him that he has to move on, too. But it's her choice. She could have stayed with him, but...

She takes the bus to the airport. And she takes it without him.