#I've definitely been on projects that ended like that

[calchexxis]

Hey, I don't recommend fics very often, but this is a STRONG recommend.

Now, let me preface this by saying read the tags because this fic confronts a lot of really sensitive topics like self-harm. It is definitely not for everyone, but by that same token I think it's something that anyone who reads it can get something real out of it.

Next, you don't need to have watched the second Inside Out movie to be able to enjoy this fic. If you have, awesome, but if not, it's not that big of a deal. Go look up a picture of Valentina Ortiz & Riley Andersen, and you'll get the gist. You should probably have watched the first movie, though, but then, I think everyone should watch Inside Out at least once in their life.

Anyway, short synopsis, this takes place 5 years after the end of the second movie, Valentina 'Val' Ortiz has gone pro with hockey but an injury benched her for a few months, and she's spending her off time in Minnesota, hoping to reconnect with her high school crush, Riley. They meet, but it's almost immediately clear that Riley has not been doing well since they parted ways. Regardless, they do reconnect and finally start dating the way both of them had wanted to when they were younger. Still, throughout the story, there is a constant dread that follows Riley around, suggesting without saying aloud that something is very wrong.

I cannot praise the characterization of this story enough. Val is this over-achieving perfectionist who tries her best to be perfect for Riley. Riley, on the other hand, constantly feels as though she's undeserving of that effort and love. I don't know if I've ever seen a more perfect depiction of deep depression than here, with Riley.

Important note, it does have a happy ending, but I won't spoil anything for you. Please read this, because it's a powerful story and it deserves to be read.

[seaofreverie]

First day back at the university and I still suck at this exactly as much as I did 4 years ago

[ceramicbeetle]

Desperately trying to make sense of Alex's motivations in Season Two and you know, I do eventually have to wonder if maybe Alex wasn't actually lying in the majority of those tapes.

Like, we tend to assume that Alex's motivations have been a consistent throughline since the college years, but do we actually know that that's the case? Do we know for sure that Alex was acting in deliberate, calculated ways in 2006; or could it be that he's telling the Truth on those olds tapes when he says he's blacking out and can't remember what's happening to anyone? After all, if we're assuming that Season 2 Alex's motivations are the exact same as his motives in Season 3, then it doesn't make any sense at all that he spend months working with Jay to try to find Amy; Season 3 Alex would have attempted to kill Jay like, on sight just to get things over with as quickly as possible and contain the spread of contamination as best as he could.

But, maybe, if Alex really had been separated from Amy after the events of the 04-04-10 tape, and if he really doesn't know where she is, then maybe that could make things start to make more sense. Maybe he really had been watching Jay's channel, and seeing Jay start going through the same things he went through in college without things devolving into violence and disappearances, and wondered if things maybe could play out differently this time. Maybe he really did send that tape to Jay to ask him for help, maybe he really was just trying to find Amy.

But then, instead of actually being helpful, Jay makes it extremely clear that he's a lot more interested in stalking Alex than he is in finding Amy. Alex asked for help, and instead there's a bunch of masked dudes on Jay's heels that keep attacking him, Jay is breaking into his house, stealing his things, leading the Operator right to him all over again, keeps trying to get other people (namely: Jessica -- if Alex is being honest when he says that his call reassuring her that Amy had been found was an effort to make Sure she stayed away from everything that was happening) involved; and instead of anything getting better, instead of anyone finding Amy, things are just getting worse all over again.

It's not until after the incident at the tunnel that things seem to start rapidly devolving. Rather than a calculated attempt to finally follow through with his need to curb the spread of contamination, this is very clearly an outburst of rage and terror. Alex's "I told you not to follow me" line in conjunction with Jay speculating that Alex didn't know who that guy was, to me, pretty firmly seems to speak to Alex having mistaken that stranger for Jay. From his point of view, Alex knows that Jay and totheark know where he live, have broken in before, he suspects that Jay stole a key to make it easier to get into his house, and he's been followed on the daily for months -- Alex is sitting at the tunnel because he doesn't know where else he can go without being constantly surveilled, hunted, and assaulted. And instead of getting a moment by himself to breathe, Jay followed him out there all over again (it feels like Alex looks directly at the camera in Jay's footage of him from this day; he knew for a fact that Jay was there), and then to make matters worse now 'Jay' won't even keep his distance anymore.

So Alex lashes out. And it's not until afterwards that he looks down and finally recognizes that this wasn't Jay -- it was someone completely innocent. Things have finally reached the low point he was at in college all over again; maybe even worse this time. If Alex doesn't remember attacking anyone in college, but he was at least partially conscious of it this time, then things have reached an entirely new rock bottom, they've reached an absolute point of no return.

He has no idea what happened to Amy, and he's spent months trying to find her with no hint of where she could be; he doesn't know where Jay actually is or what additional trouble he could be causing at this point; he does know that now innocent people are getting caught in the crossfire (in regards to the stranger in the tunnel, and also Jessica now that Jay has her phone number, and the untold number of people Jay got involved when he started posting videos to the Marble Hornets channel); things are spiraling out of control and there's no one left to ask for help. The situation isn't getting better, it's getting worse; things aren't getting easier to handle, they're just getting more out of hand; the negative impact is spreading and who knows how much further it can still go?

So, Alex decides to go scorched earth. He disfigures the body with the rock either to hide evidence or to make sure the guy would actually stay dead and not just get back up to start his own cycle of contamination in a few years. He tries to give Jay one last chance to back off, and Jay instead admits he's been talking to Jessica, acts obstinate and lies about not having Alex's spare key, and then breaks into Alex's house a second time (minimum). If Alex doesn't stop him now, who will? Alex met with Jay planning to kill the others, and then himself, so he could put a stop to this once and for all and keep things from getting any worse than they already were.

Maybe it makes a lot more sense if, rather than being a strangely incomprehensible detour on what should have been a straight path, the events of Season Two were the breaking point that put Alex on that path to begin with.

[ink-going-insane]

it's been 3,000 days since i started playing mystic messenger! damn i've been here for a long time...

soo i just wanted to essentially show off my progress on the game since then lol

all endings, dlc, and photos in the photo album! (also got both rfa and mint eye packages cuz i wanted the merch lol)

also all guests! the guests were a bit of a pain cuz i had to replay some of the routes i had already 100%'ed but it was still fun!

i know it's definitely been done before and i'm not the first person to accomplish this, but i'm still really really happy with what i've done. i love mystic messenger a very normal amount i swear lol

[fyrets]

I know this is a PB blog that has been very VERY open about their support of the project, so it would be uncouth to say anything negative about it but I'm thinking about how extremely unprecedented PB is in.. a way that isn't necessarily bad but, weirdly off-putting when thinking about it.

this got long so under the cut it goes

PB is the most funded petsim on Kickstarter. It raised over $80,000. That's an incredible achievement, and they absolutely deserve it! But that already puts it in an incredibly unprecedented position. Petsims using crowdfunding platforms for their projects is already pretty uncommon all things considered, at least historically in the grand scheme of things where most are just passion projects made in the spare time of a handful of people. many of them manage to stick around through the sheer force of will a dedicated userbase can bring, but most stay pretty small and more completely fade into obscurity. And that's fine, y'know? A little sad for the ones that go dark, but it is what it is.

But ever since FR's success I think a lot of people have almost forgotten that a petsim becoming a smash hit isn't the norm, or at least they don't realize just how uncommon it is and how much work goes into making something as successful as FR past the KS stage. probably the most notable examples are Dappervolk (the previous holder of the "most funded petsim" title) and Lorwolf (most recent KS funded game that is quite derivative of FR to launch).

Now Dappervolk is a bit of an outlier by virtue of it being a pretty different game to the typical petsim and it being more of an avatar game but yeah yeah yeah everyone around me at the time called it a petsim so I'm counting it. It's pretty well known that it had a very strong start with a pretty big playerbase during beta and launch, but people lost interest rather quickly for a lot of reasons. I'm admittedly out of the loop for those reasonings (my reason for dumping DV was I Just Forgor) but from what I've heard it was a combination of the gacha system, heavy grind, and some paywalled monthly content. Now I have heard that it has gotten better recently, but I wouldn't know myself and it still hasn't recovered the numbers it once had.

Lorwolf is a much more relevant point of comparison both because of recency (fully launched earlier this year) and it operates a lot more like FR in many aspects like having limited color slots, a wheel of pre-selected colors, and a bunch of other little stuff, making it a more direct competitor to FR. I didn't find out about LW until after the beta period but I was managed to sign up for the "Early Access" it had, and it was pretty good! Spirits were very high and though the full launch got delayed, when it came around it made a big impact. Much like DV did in its launch, lots of people rushed to cross-site trade their FR stuff for LW, indicating a lot of confidence for the game and its future. Unfortunately, things aren't looking good now 6 months out from full launch. There is a lot to consider when assessing how we've gotten to this point of very low morale, but I guess the biggest thing would be the community having to deal with feelings of being unheard and abandoned as a result of very inexperienced developers. I genuinely hope things turn up sometime soon, but I'm not sure for how long I can keep that hope.

So what am I getting at with all of this? Am I expecting PB to fall a similar fate of having a very big beta and launch only to bleed players months later as a result of people either realizing the game doesn't suit their playstyle or because the game is seemingly abandoned with radio silence from devs? No! I have a lot of hope for PB to deliver a game that has something for everyone, and based on how well they've handled communication along with knowing so far I doubt we would be left in the dark. Despite my hope though, the odds are stacked against PB having the same level of success as FR.

But what if it does manage it? What if PB manages to be a smash hit and it stays a smash hit? What lessons will the people who hope to make their own games take from it? Will their takeaway be that this game was successful because it made the most money ever (and got additional investment!)? Or will people try to see what commonalities it and FR had and try to do the same? Will we see more projects try and fail to achieve success? Or will they manage to crack some kind of code and join the ranks of giants? Just what sort of impact will PB have?

[fettery-fetterie]

GIRL HELP WDYM I REACHED 30 TAGS??????? OMG???? I WASN'T EVEN DONE YET

ANYWAYS 31st: and that compared to a relationship where the communication lines are basically none or very fucking weak then yeah it is an upgrade I think. Idfk I was never in a relationship I'm just picking from the ones I've seen in my life

[eclarinet]

same soup... different day

[moongothic]

I have a lot of scrap materials. Scrap wood, foam, fabric, and god knows what else. Just, a lot of leftovers from previous projects.

So I figured I could try to MAKE something out of them, just to put those materials into use so they could become something instead of just sitting around uselessly, taking space and collecting dust.

I thought making a footstool could be a fun, easy-ish project for me to do this winter.

So here, come along with me on this journey of making a wonky, scrap footstool

So key thing here is that I very specifically wanted to avoid buying ANYTHING for this project. I did end up buying two things, a pullsaw (which is a general tool I can use in other projects, so I figured I could get away with it), and one itty bitty thing that ended up costing like, what, 2€?

But yes, my goal was to use things I already have and give them a purpose, not accumulate any MORE scrap materials. This is important because through out this project I ended up using many Unideal Methods For Doing Things, mainly because I didn't have enough material to do it The Ideal Way.

This is not a tutorial for efficiency, this is my journey to repurpose garbage. Just wanna be clear about that. There are better ways to build a footstool.

Anyway, I started the project from arguably the weirdest part; figuring out how much fabric I had from the chair project

The thing was that I wanted to make the footstool as big as I possibly could with the material I had, so I had to start this project by figuring out the maximum size I could do with the fabric I had.

So I figured out the dimensions I could do (even cut the fabric pieces while I was at it), and then using those dimensions as a guide, I went off to figure out the wood pieces I would need for the frame of the stool, as well as the feet. Once I had things measured out, I cut the pieces and boom

Wood pieces obtained.

Sidenote, yes, a 90 degree angle on the corners would have looked much prettier than what I did, I just figured that this would be easier to cut (I cut those pieces before I bought my new pullsaw), also, I wasn't sure how I would perma-attach the pieces if the corners were done like that. Like, with these corners, I could fortify them with dowels or nails or whatever, but clean corners at an angle? I have no idea how to pull that off, and I don't have the energy to to try anything fancy, man, I wanted this to be semi-easy

(There was no way in hell I was gonna attempt somekinda dovetail joint here, I didn't have enough wood to work with (there was a point where I was actually worried I wouldn't have enough wood to build the frame at all) and god knows I'm nowhere near good enough at wood working to pull something like that off)

Anyway, I did originally intend to attach the wood pieces with dowels, since they'd be hidden and look neat (by not being visible at all), but when I drilled the first hole for the first dowel, I realized that 1) I didn't have a drill bit large enough for the dowel to fit in, and 2) I did not have it in me to actually do it. Like, to make sure the wood pieces would allign correct I would have to make sure I was drilling Very Straight into the wood, not once, not four times, but 16 times (since I was planning on using 2 dowels at each joint). If I didn't drill the dowel holes perfectly straight and perfectly aligned, the frame wouldn't come together, and I did not want to risk fucking that up, man, no

So I took the easy way out.

Nails.

I do kinda regret picking these nails, I should've used less obvious ones OR waited until the wood was painted before nailing them together because these are kinda pretty nails, so it ended up being kind of a waste to use them (since there was no way I was gonna AVOID these nails while painting the wood). IDK I was worried the glue alone wouldn't hold the wood strong enough while I was working with the frame or something and chose poorly here. But it is what it is. (On the plus side, we seemed to have exactly 12 of these nails, which was the exact perfect amount)

Anyways, yes, I chose to paint the frame because I have leftover paint (and primer) from the previous project so I figured I might as well use it up. Even though I hate this fucking paint so much

Two or three coats of primer, a gentle sanding after them, the wood was perfectly smooth and lovely

Then came the paint and it looks like shit, just like last time

I did like. What, four coats of paint. Sanding between the coats. Dilluting it so it wouldn't be so thick. And yet. And yet it looks like shit. Just like last time, with the chair I refinished. I mean I knew it was gonna turn out like ass but I'm still kind of shocked by how bad it turned out.

Anyway. Ideally you'd probably make a cushion onto some random piece of plywood (or something similar) that you would slot into the frame of the stool. I did not have any plywood pieces, nor did I have enough wood to make a small, thinner frame to slot into the main frame. So.

To create a bottom I used this ribbon that I have an entire fuckload of (since I bought it for that fucking lamp before realizing I couldn't use it and couldn't return either, literally have nothing better to do with it so here it goes) to weave a bottom onto the frame. And a bit later I attached a piece of fabric on top of the weaving (another leftover from the lamp project), as this would be what I'd glue the cushion onto.

But first, I had to make a cushion!

As you can see, I have a lot of scrap foam

(Yes I've kept the original foam from the styrofoam chair, I did cut it down to get rid of the damaged edges (after taking this photo) but otherwise the foam is fine, shhhhhh) (Also the white foam is what I bought for the chair project, the yellow foam is something my mom had bought years ago that we've had laying around for ages)

I wanted the cushion of the stool to have some height to it, but I didn't have any thick pieces of foam, so I figured I could just make a thick foam piece from the scraps I had, with some help from the foam glue I have (the same stuff I bought for the styrofoam chair but wasn't able to use since it melted the styrofoam).

Started by figuring out the rough dimensions of the foam piece I'd need (from the biggest, cleanest piece I had)

And I got started making a Foam Sandwich

Let me tell you my hands were an absolute mess during this whole process, I was essentially washing my hands with fucking nail polish remover (I just noticed the foam glue smelled like nail polish remover and realized it would probably get rid of the residue on my hands, which it did, thank fuck), it was nasty

But yes, Big Foam Sammich. I did start lowkey cutting it WHILE I was building the cushion, since my goal here was to not waste materials so. Y'know. I tried to make sure I wouldn't waste materials.

After the cushion was formed, I let it dry for a good while before I went in to shave the edges and cut it down. After that I used this floofier scrap foam to cover the sandwich. I could have glued it on, but I figured I had killed enough of my braincells while making the foam sandwich and breathing in the glue fumes that I decided that sewing would be good enough.

Two flooffy foam pieces were enough to cover the cushion, I just sewed them together on top and sewed them to the bottom of the cushion. It was quite easy indeed.

With that all done, I could attach the finished cushion onto the frame!

Brought the glue back out so I could just glue the foam onto the fabric that was stapled onto the frame, and I allowed it to dry (upside down, with some weights)

And yes, ideally you would staple the foam down onto a separate piece of wood, but since it was going directly on top of the frame and I didn't want to staple it onto the frame, I didn't. I wanted the wood (and my shitty paint job) to be visible, and the fabric would need to be stapled onto the frame anyways, so the glue just had to do the job here.

ANYWAY, UPHOLSTERY TIME

Since the fabric pieces were long done, I could just get straight into it. I pinned the fabric pieces down and handsewed the whole thing. I do admit I regret not ironing the fabric before I started though, I forgot and by the time I realized it was too late, and there was no way I was going to lift the fabric off the stool at this point. I learned my god damn lesson with the styrofoam chair, I know there would've been no way for me to put the fabric back down as neatly as it had been before, it was not worth it.

Anyway, I sewed the fabric and to finish things off I stapled the bottom of the fabric down, onto the frame. And yes I did a wonky ass job, shush

And here comes the one thing I ended up buying for this project, the thing that cost me like 2€

Decorative ribbon to hide the staples! Since I couldn't think of any other way to hide the staples.

And y'all, I understand now why people normally just glue this shit on, it took me like FIVE FUCKING HOURS to sew the ribbon onto the stool!! Mainly because my smallest upholstery needle was WAY too big for this job, and my thinner straight needless were too hard to use for this. My fingers were hurting so bad even the next day, like I understand what thimbles are for now, holy shit

Also. I did not have black sewing thread. So I ended up using yellow thread and then gently went over it with a black (waterproof) marker so the thread wouldn't be visible over the ribbon. (I didn't take photos of it so you'll just have to take my word for it)

So yeah. Shit took forever, I wish I had a hotglue gun but I don't, so it just had to be done the hard way. All things considdered though, it worked out alright, and the ribbon is nice and secure on the stool.

Now, you might've noticed that I haven't mentioned doing anything to the feet of the stool. That's because I haven't finished them.

It's the middle of winter. It's cold. I can't be bothered to go outside to stand the cold for hours to finish the feet of the stool. I need to shape them, I need to sand them, I need to make sure they're all the same lenght etc, all this before I can even prime and paint them and attach them to the frame. But since I can't access our patio, I can't use my orbital sander to speed things up. And I can't be bothered to do all that word by sanding the wood by hand. I am far too lazy for that man, nah

So I'm going to finish this project when the weather gets nicer and our patio isn't covered in a meter of snow.

I'll finish the feet of the footstool later.

So there will probably be a follow up to this post later

But yeah, here's my unideal, imperfect footstool, made almost entirely out of scrap materials.

It looks like ass, but hey I've never tried to build a piece of furniture before, give me a break, I'm a comic artist not a furniture maker

[tagidearte-spam-sb]

My space scrapper dca fic, which originally was reader x sun x moon... is slowly starting to turn into platonic reader & sun/moon, where the romantic part is trying to get these stupid robots to admit their feelings for each other.

I am really just slowly turning this story into "please someone intervene so that these space jesters stop behaving like a divorced couple". And I am loving it.

I mean. I still want us to have a romance with them... but this dynamic is sounding really fun now. A full platonic fic with a ship bonus of sun and moon being the romantic endgame, but reader still being their super important bestie? We'll see.

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[cosmicporos]

What Arcane characters would gift you for Christmas!

Jinx, Vi, Ekko, Viktor, Jayce

(Semi crack Drabble… sorry for going super long with Viktor’s and Jayce’s HCs. I LOVE THEM SO MUCH)

(Jayce is Hispanic in my hc :3)

ENJOY AND HAVE FUN LOVE YALL<3

Not proofread

JINX

Hear me out… the first thing she would plan to gift you are decorated safety googles.

As a matter of fact everything she gifts you is handmade!

She knows you love to spend time with her when she’s in her workshop and the extra spare of googles she had were pretty crappy…

“Ugh, these old things? Pfft, they look like they’ve been through a freakin’ explosion… oh wait, they probably have! We gotta get you a new pair soon toots!”

They’d be totally decked out! Lots of character as she calls it.

“Okay toots check it out! Maximum protection but most importantly! They got style!”

The googles themselves would be in her classic style, very colorful paint, cute little heart scribbles all around! And of course lots of glitter….

“"I mean, you've got to stay safe while causing mayhem, right? And hey, if we're blowing stuff up together, you'll definitely need these. Plus, I made them perfectly for you. No one else will have goggles like these... trust me!"

I totally see her adding little handmade jewelry from her gears and spare parts, would totally make you a belt or choker out of spare bullets.

Vi

She would totally panic on what to get you for Christmas. Like what if you suddenly hate the thing you’ve loved since the very beginning she’s known you???

Would end up both buying and making you something!

She’s make you something small but meaningful

“Okay Okay fine! You can open mine now. Just don’t laugh too hard Cupcake…”

You’d open the poorly wrapped gift to uncover a bright pink scarf she knitted you! The stitching is a mess.. there a hole’s through the project (no doubt a missed stitch) but in all honesty it so cute you feel like your heart might explode.

"Yeah, I know I'm not, uh, the best at this kind of thing," she mutters, scratching the back of her neck, "but I figured you could use something to keep warm... and, you know, 'cause it's winter. And... you're important to me."

Guys please tell her she did an amazing job PLEASE.

She would also totally buy you a pair of combat boots! Totally saved up for months in advance.

She loves the idea of being able to match and have a bit of her style on you!

Ekko

Just like Jinx (sobs) he’d also make something for you!

The first thing he’d give you would be a little sketch book full of drawings of you from random moments throughout your relationship he remembers oh so clearly.

"I've been working on it for a while... It's... it's just a bunch of drawings. I mean, not just anything. Stuff that made me think of you. Stuff we've done, or things I hope we do. I don't know, it just felt like the best way to show how I feel about... well, us."

Okay he would also totally make you matching jewelry (matching clock hand necklaces?)

You’d force him to take the hour hand since it’s shorter (heheheh little man)

Once you explain your reasoning as to why he should take the smaller one he sighs disappointedly…

"Okay, okay, I get it," he finally says, a little less playful now, his voice softening. "I guess if you want me to wear it, I can..."

Then, a grin creeps back onto his face as he adds, "But don't think I'm letting you off the hook with the minute hand. You're wearing that one for sure." He places the hour hand necklace around his neck, the smaller pendant resting there, and looks up at you with that mischievous gleam in his eye.

He pauses, holding up his necklace, "I'm still the one with the bigger job. You'll just have to keep up." A proud smug smirk now rests on his face.

Viktor

FUCK WHERE DO I BEGIN I LOVE THIS MAN

o k a y. He would just like Vi panic… not because he doesn’t know what to get you but because he totally is going Christmas shopping late… very very late.

As much as I would love to say he’d make some little invention to make your day easier and give it to you for Christmas I don’t see it happening.

Not because he wouldn’t do it but because he already does it all the time! A little example, you’re late for work often? A little robot that hits you with a plastic squishy hammer every morning at 7 am waking you up when he can’t!

He’d definitely want to make Christmas special, I see him buying you something and then doing something special for you too!

Christmas morning would be greeted with warm hugs and kisses along with an even warmer bowl of potato soup!

He wanted to make sure he perfected his mother’s Bramboračka recipe. It was a once a year meal him and his mother shared every Christmas day.

He’s not a good cook by any means… but this is the one dish he can make and oh boy can he make it.

"Don't expect perfection," he says with a small, self-conscious smile, as you catch him sneaking a taste of the soup. Viktor looks up, his gaze softening. "I hope you like it," he says, and despite his usual perfectionism, there's a quiet pride in his voice. You take a sip, and the rich flavors of mushrooms, potatoes, and herbs immediately comfort you, just like his mother's love must've comforted him all those years ago.

OKAY for the making gift he planned I see him commissioning something due to the fact a lot of his inventions lack aesthetics.

Specifically I see him commissioning a music box that functions as a a jewelry box as well! He would have loved to make it himself but he was worried he wouldn’t have gotten the look right.

"Do you like it?" he asks, his voice softer than usual, as if he's worried about the reception. "I had it made... I thought... it might remind you of us."

The detail was breathtaking-floral patterns etched into the surface, with tiny gears and delicate metalwork accenting the edges. The craftsmanship was stunning, and you couldn't help but run your fingers over the smooth finish.

you lifted the lid, and a gentle, lilting melody began to play. It was slow and sweet, a tune that felt timeless, and as you stared at the tiny figurines inside, your breath caught.

His fingers fidgeted with the edge of his cane, his gaze flicking between you and the music box. "I commissioned it," he admitted, his voice quieter now. "I had the craftsman use a sketch I made. It's how I see us... in my mind. How I feel when I hold you." He paused, his expression softening. "I thought... I thought you deserved something that would remind you of that. Of... how much you mean to me."

Jayce

Oh hon… Jayce would spoil you rotten.

I’m talking presents are overflowing underneath the tree.

You thought you lost your favorite piece of clothing? WRONG! He commissioned for more to be made in different colors and textures for you.

All the fragrances in the world he knew you would enjoy.

Cozy adorable pajamas we would give you Christmas morning so you could cuddle up drinking hot chocolate.

Spends Christmas Eve spoiling you and cuddling and being so tooth rottenly sweet.

It’s Christmas Eve, the scene was almost overwhelming. The living room looked like a perfectly curated holiday catalog-twinkling lights, a roaring fireplace, and, of course, an absurd number of gifts. Jayce sat cross-legged beside the tree, an excited grin lighting up his face as he handed you the first box. He had merely grinned, sheepish yet unrepentant. "What can I say? I got carried away?.”

"Open this one first," he urged, nearly vibrating with excitement. Inside was a bottle of an exquisite fragrance, the glass etched with delicate, swirling designs. It smelled divine-rich, warm, and entirely you.

"I figured you'd like that," he said eyes carefully watching everyone expression you make. You swear if he had a tail it would be swishing uncontrollably right now.

Christmas Day would be you spending Christmas day at his mother’s house!

(Listen I’m hc them as hispanic because for one HIS MOMS NAME HIS XIMENA… and two because why not :3 )

You have a great relationship with his Mother, she absolutely adores you and sees you as her daughter.

There’s lots of yummy food she’s prepared… perhaps too much for just 3 people?

Nonetheless, a pot of pozole, tamales de puerco and de dulce! And of course she made jayce’s favorite choco flan!

God she urges to to eat until you nearly pop! You have to undo your belt by the end of the night…

"Come, sit!" his mom insisted, pulling out a chair for you. "Jayce told me you've never had my tamales. That's a crime! Here, start with this." She placed one on your plate, her eyes twinkling.

Jayce sat beside you, his grin widening as you took your first bite. "Good, right?" he asked, nudging you playfully.

You could only nod, savoring the perfectly seasoned masa and tender filling.

Later in the evening, when everyone was too full to move, Jayce leaned over and slipped his hand into yours. His eyes were soft, his voice low as he said, "I'm glad you're here. This—" he gestured to the lively scene around you, "—feels perfect with you."

[calocreek]

OK here it is, a ton of 'production' stuff for the Hot Guy Comic Zine! I've never been part of a project like this. Even though I was working on my comic mostly solo (shout-out to my editor Violet!), the world-building and story arc planning was completely collaborative. For example:

We started out on the world-building by voting on character's superpowers! Plenty of powers were almost unanimously agreed on, but Cuteguy was a HUGE campaign. We were pretty much 50/50 split between can fly/can't fly. Propaganda was exchanged LOL, like this piece where I campaigned for limited flying capabilities 😂 And thats what we ended up settling on!

From there we worked on a ton of brainstorming/world-building that I mostly spectated with an occasional doodle like these haha. I'm new to such elaborate AUs!

Pitch time!! I had pitches for each era and they were all pretty light and banter-y, so my year 1 pitch ended up fitting the vibe the best. My original pitch was 'HG + CG learn some key things about each other and plan to set up a base they can use together.' But when I started my script, I got really caught up in how they were navigating a partnership without knowing each others identities. The more I wrote through that, the more I wanted my story to be ABOUT that! So thats where my script started coming together.

Designs! I'm definitely not a confident costume designer. I was trying to go for low-tech + practical since it was early in their careers, and of course, easy to draw 😂

Process went more or less like this! Full color comics take a LONG TIME but it was a total labor of love. I had the graffiti bgs in mind from the very start since I knew it was dialogue heavy, I wanted to make sure the art was interesting and worth spending time looking at. Oh lord did I get carried away. I'm OBSESSED with the symbolism the fandom has put to the life series and so I tried to sneak in as much meaningful symbolism as possible. AND THE RESULT:

Guess I did pretty well! 😂😂😂

Anyway, I can't overstate how proud I feel to have gotten to work on this project. My whole goal as a hobbyist is to get to work with other artists I look up to and respect so this was a dream come true! Thank you everyone for reading, for 15k downloads (!!!), and for just being an awesomely creative fandom space to make art in! I hope to do more stuff like this again some day 💕

[freezethebeez]

HAD A DREAM YOU BLOCKED ME & I CRIED ETC. Hi FreezeTheBeez how are you. How has your day been. I really liked the last chapter I'm So glad you she/her'd Ranboo. She deserves it. Put her in a dress make her cry a bit. Great as always. Have a good day Freeze TheBeez

OMG I WOULD NEVER BLOCK YOU EVER!!!and yes Hi Hello my day has been good i am at work and i have coffee so everything is good right now :)

so so glad you enjoyed the she/her-ification of ranboo i love doing silly things with gender and pronouns heehee hoo

the next chapter is taking me forever for Real (it has been at least a month of writing and so much has happened but i still haven't gotten to the bit where tubbo moves out so we have quite a bit of work to do. proofreading it will actually be a nightmare. it is about 20 pages and only getting longer)

Have a good day as well ttrebizond o/

[noxtivagus]

suteki da ne

[potofsoup]

i love your fourth of july comics every year but this years feels extremely optimistic about biden’s abilities in the face of him letting roe get overturned and funding a gen*cide at worst or letting it happen at best by taking the bare minimum of regulatory action… i mean can he really be trusted at all anymore to do the right thing or act in line with the people’s demands? and how do we know the people behind project 2025 won’t just rig the election again to get in under false pretenses?

Hihi! Thank you for reading and enjoying my July 4th comics every year! I am in a non-US airport en route to a month-long trip in a place with sketchy internet, so sorry in advance for sloppiness in my response (and potentially going radio silent).

But:

I don't think he "let" Roe get overturned, since that was the Supreme Court's overwhelming conservative majority, which really started with Mitch McConnell refusing to approve Obama's appointee and forcing it into a 2016 election issue. The fact that Trump got to appoint 3 Supreme Court Justices is what got us here.

Re: Biden and the Israel/Hamas war ... on the one hand, there's definitely more that he could have done, but on the other hand, they are a whole other country over there. It's Hamas that initiated the Oct 7 attacks and took the hostages. It's Netanyahu and his right-wing government who decided to retaliate to such extreme extent. Biden can talk about how he would really like Netanyahu to stop fighting and step down, but at the end of the day that's not his call, any more than he can stop the Sudan fighting that is near-genocidal either.

So, to come to your question #1: "Can he really be trusted at all anymore to do the right thing or act in line with the people’s demands"?

For me, it's a resounding YES. Guyz, he has passed so much good domestic policies. My spouse works in green energy and the passing of the Inflation Reduction Act halved his anxiety and gave him legitimate hope. The tumblr post I linked to in my comic has links to many of the other great things that Biden has done. Tbh I voted for him in 2020 because "a moldy onion is still better than Trump", and I've been pleasantly surprised. Like how he tried to cancel student loans, the Supreme Court overturned it, and then he came back 6 months later with a different way to do it that didn't lead to a court challenge.

Is he perfect? Hell no. There's tons of stuff that I wish he did more about, or he went further on, but also he's just one guy heading one branch of government who is heading into an election year. (Just like FDR promising not joining WWII, while behind the scenes doing all the Lend-Lease Act stuff). And "the people" have lots of demands, many of them conflicting.

I'd also like to push at the unspoken part of your question... "Can he really be trusted to do the right thing..." compared to whom? Because right now the answer is "compared to Trump." And compared to Trump... I don't even trust Trump to respect the results of a legitimate election. Heck, he might just take his favorite state secrets, sell them to the highest bidder (or just show them off to someone for funzies), and then claim Presidential immunity. A decent Democrat who got stuff done vs someone who probably wants to pardon himself and all his friends and do Project 2025 stuff is not even on the same level. (Do I wish that there was a viable Democratic alternative to Biden? Sure! But who?) Heck, at this point -- imagine if it's Kamala Harris vs. Trump. Who would you vote for?

As for your question #2: "How do we know the people behind project 2025 won’t just rig the election again to get in under false pretenses?"

We don't. But also what can we do besides showing up to vote?

Actually, I need bullet points for this:

The 2022 midterm elections brought in fewer-than-expected election-deniers into crucial electoral offices at the state level, which means that hopefully most state electoral boards will continue to have integrity

Yes, voting is harder but at least we can still vote. So it's about getting out there and getting your vote counted. For some states, it involves waiting in 8 hour lines. For some states, it involves bringing 2 forms of ID. Document. Track. Make sure it's dropped off in a real ballot box and not a fake one. Don't believe messaging that the voting is happening on a different day or location, etc.

A 50.1% majority is easily challenged. A 55% majority, less so. Which means getting people out to vote.

The more people know about and think about the reality of a second Trump term (versus being disappointed by a Biden term), the more they will be motivated to vote against Trump.

Finally, let's be real here: I'm braced for a 2nd Trump term. That said:

I'm still going to go and vote for Biden, because the only way to prevent a 2nd Trump term is to vote.

A Trump term where either the House or Senate is controlled by the Democrats will be *very* different from a clean Republican sweep.

Even with a clean Republican sweep on the federal level, States have so much more power now, and voting the state level stuff will help shore up Democratic goals for the future. States get to draw voting districts however they want. States get to decide on abortion policies. If you live in a deep Red state, there still might be things to vote for that make it easier to live in now, and turn it purple a few elections down the line.

So at the end of the day, it's "Vote AND". Vote and keep living your best life. Vote and tell others about Project 2025. Vote and have hope. Even if Trump wins, at least you'll have voted against him. Vote and stay to build up a progressive wave for the next election.

[mortalityplays]

Forgive me if I'm mistaking you for another person, but I remember you speaking at multiple points on the unsustainability of free social media services (I think especially in response to the cohost collapse?), and I'm curious on what your thoughts on bluesky are so far. I'm not an expert on the subject, but from what I've read previously it seemed like they were on track to be financially sustainable, but I don't know if the recent floods of users has thrown those projections off. Sorry if I'm mixing you up with someone else on my timeline, in that case just ignore me.

bluesky will almost certainly follow the same trajectory of monetisation => bloat => enshittification => decline as every other major platform built on venture capital and user hoarding. it's a terrible model that only works in the short term as a mirage for attracting funding and making founders look good for a year or two before they sell.

you can see the same effect in the decline of all the subscription box services that came into vogue just before covid: they feel great to use for as long as the initial injection of venture funding lasts, because the purpose of that funding at that stage is to attract users and impress the next round of funders with how pleasant/intuitive/efficient/ethical/good value the service is. that's the stage where they're handing out freebies and bowling over influencers, and every ingredient in the box is fresh and high quality and locally sourced. wow what a good deal, what a great system!!! why hasn't anyone done this before? the answer is because it's unsustainable by design. they rack up good reviews, sign on a billion new users, attract new funding from a bunch of much more credulous investors, and then gut all of the expensive parts. portions get smaller, ingredients get worse, packaging gets flimsier, prices go up, freebies turn into "5% off your first 9 boxes when you invite 3 friends", and customer service vanishes.

with social media (and platforms like discord) the logic is the same, it's just a little less glaringly obvious to the end user because they're not coming home to leaking packages of rancid chicken on the doorstep. bluesky has an advantage over tiny operations like cohost because it was founded by a billionaire making a point for the sake of his own image. it got a really significant chunk of startup funding, and the owner had existing connections and rep in the space to attract more. That's why it has survived the goldrush period, why it still feels good to use, and why users who have been burned so many times before are finally accepting it as a stable, reliable option. It's still in its venture capital honeymoon phase where the only thing worth spending money on is making the service attractive to users.

What I expect we will see next, with another mass influx of users from twitter and new funding from a rogue's gallery of tech venture sickos led by Blockchain Capital is a strong ramp up into monetising that userbase. They've already been pretty forthright about how they plan to do this, and I think it's a solid roadmap of how Bluesky will bloat and decay over the next few years:

this is a huge lol. don't worry, we're not going to hyperfinancialize the social experience through NFTs. the thing even crypto freaks started feigning amnesia about a year ago. real "our health conscious sodas are 100% arsenic free" messaging here. They know perfectly well that rubes users are suspicious of their typical 5 dimensional tech finance chess games and are patting our hands about last week's bogeymen so nobody worries too hard about whatever 'decentralised developer ecosystem' just happens to be helmed by a bunch of crypto guys. this definitely means something good and based and not a google-like single sign on user data harvesting operation.

This is the same shit that's currently rotting the floorboards of discord. Bluntly, there is no way to run a platform on this scale without gating functionality behind paid services. Discord has been squeezing free-tier file uploads and call quality etc. down steadily and cranking up subscription costs over the last year or two, throwing in chaff like animated avatar frames to try and justify the user cost. They're also doing the same misdirection thing again here, pointing to Thing We All Hate to deflect from thing we might not like very much when they do it. Booo elon booo we all hate elon!!! wait how do we feel about subscription models again,

watch out for this to kill porn on bsky like it has killed porn on every other social platform 👍 boooo we hate elon boooo stupid idiot and his 'everything app' booooo wait why do you need my tax information, what's that about mastercard,

Look, we are all aware social media is a money pit. Let's not forget dorsey was looking to sell twitter in the first place, long before elon's very public plunge into total online derangement. Subscription services are not going to plug the hole, so we are gradually going to see more and more spaghetti thrown at the wall while early funders shuffle cards and do their pyramid scheme bit bringing in stupider and stupider investments. this is the window in which bluesky will be temporarily worth using for us, for the idiot public, the poorly rendered crowd jpegs in the background of their venture capital MOBA. it's in their interests to slow and pad the decline as much as possible, because that is how they get maximally paid.

Given the scale of the money involved, and dorsey's weird ego investment, I think bluesky will probably manage a controlled drift for a good few years before it gets really bloated and painful. and by then we will all be so used to the *checks notes* decentralised developer ecosystem that we'll just be posting through it, watching another generation of columnists call another collapsing platform 'their beloved hellsite' and passing around that meme about not getting out of our chairs no sir until idk we all get on a fediverse neurolink alternative to stick it to the elongated muskrat and our brains pop peacefully in our sleep. which I guess is the closest thing to viability any social media platform can achieve.

anyway diogenes the cynic is also on bluesky