#I've been meaning to work on art for like the last few days and haven't gotten round to it and I keep being too worn out

[thethingything]

ugh I have drawing ideas I want to work on but I'm also so fucking tired and probably need to just lay down but I've already had to lay down so much today and I want to actually do shit

[xamag-draws]

BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[stringlessau]

IT'S STRINGLESS' 1 YEAR ANNIVERSARY (+ early concept art compilation)

Posting this dumbass little video to start off the day since we have a lot of little gifts for our awesome community today.

One of those things is something i've been wanting to do for a very long while: posting a lot of the original concept art for stringless (since ive always enjoyed seeing other people's early concepts) some of these i have posted massively before, some are completely unseen, so it'll be fun

This one is the page that started it all, his design is at the same time largely unchanged and also completely different

All i have to say is that it originally said (regarding spamton and swatch) "they bicker like an old married couple" but then i thought about it and i changed it so theyre literally just married

Didnt mean to make swatchton, made it anyway lmfao

Right after that, i got working on neo designs, I wanted to make him really scary looking, the original concept was to make him look skeletal and generally for him to look insane and like he had been reanimated from the dead, but a lot of people had told me over time that they didn't really like the design, I was very defensive over it but I ended up taking criticism and i actually really like the new neo, it balances the uncanniness of the original design with the sleekness of my new art

Payton was a natural next step, without someone to sell the thorn ring there'd be no neo, so although his design visually stayed almost the same, he went through a lot of color revisions (thanks mostly to @maskedalterego, who helped me to nail his final color palette), he suggested the gloves, and helped me to balance the saturation of the design since really I've never had a good eye for color.

His final design, color wise, was just me experimenting using the colors of my sona at the time on him, which I was hesitant to do but was so happy with the palette that I kept it.

It's interesting that he was originally intended to be the pink addison (since he sells one of the snowgrave required rings), and the reason he ended up being the blue addison was corey beepington (and the eviction notice short which I have taken one too many concepts from), this still influenced me to make his outfit pink initially, which still is a huge part of his character design

That exact same night, I created concept art for Raster (weirdly, I was sure I created them before Payton, but it might be because I was generally uninterested in Payton earlier on), their design is also largely unchanged, I just got better with shapes and color, I also ended up changing their cheek markings after seeing some swatchton fanchild art by ne0nbandit

A first until now, the first concepts for payton neo were made on paper

I took very long on this design, and I only updated it every few weeks to make tweaks because I felt the concept was too good but my execution didnt make it justice

I'm very proud of how the design looks now, as of the latest neo redesigns, I feel I could finally make this idea justice

Swatch's design went through some last minute changes, I wanted to use this color palette for swatch to contrast with spamton, but decided against it, then i changed their hair to be longer, to make their Stringless design distinct from their regular Deltarune design

Historically, these two are pretty important, the first pieces of art I ever made featuring Rakhin's old design, when he wasn't part of stringless and I was just befriending rope (he made me Payton fanart first, fell in love with his style), the contrast is beautiful

Now to finish this post, here's some unseen Snowgrave route art I made over the time Stringless has been in development, they're all pretty quick sketches, but i love them nonetheless

Thanks everyone for the insane reception this AU has gotten, I haven't been feeling very good this whole year for a huge amount of reasons I can't get into, but Stringless and its community always helps me to remember why I do the things I do

Thanks for everyone's comments and everyone's kindness, thanks especially to @theropeaaa , for being the literal other half of this AU, without whom I couldn't have ever done the Stringless pages, @maskedalterego for helping me and listening to my ramblings since the start, @scamp-boxx for being this AU's biggest hype man (the first ever comment on the first spamton concept art was by them, and they helped me nail so much of the snowgrave route), @boykisserwoah and @weirdohno , for also being here from the start and making an absolutely insane amount of fanart oh my god, @gutamajunk , for motivating me to create Raster, and writing several story outlines on the first days of stringless that were the foundation for the pages, and diaryous milch and rory, our friends that have helped with character designs, story ideas, voice acting and have generally been instrumental to what stringless is today

THANKS EVERYONE <3

-Nick

[viesanterieures]

𝑻𝒉𝒆 𝑴𝒖𝒔𝒆

Robert Fischer (Inception) x female Reader

summary: The reader works as an artist who has never had a breakthrough until she decides to paint Robert.

warnings: this is a kinda cute and funny story so… no warnings :)

word count: 2500+

Masterlist

The air was warm as Robert turned into the familiar driveway. It was late October in Sydney, summer was just around the corner and the driveway was full of flowers and other plants. Today was Sunday, one of the few days he had to himself and his friends. During the week, he worked from early morning until late at night, as befits the future CEO of a multi-million dollar empire. Before he had even rung the bell, the door opened and a woman with shoulder-length brown hair pulled him into her arms. "Robert, how nice of you to come. We haven't seen each other in at least two months."

He laughed a little and patted his best friend on the shoulder. "I've had a lot on my mind, I'm sorry, Rebecca." Robert had known her since they were children. They had gone to kindergarten together and Rebecca was two years younger than him. All the friendships of his childhood, youth and university days had not lasted because many people thought he was arrogant, but Rebecca had always been there for him. As a child, as a teenager, as a student, at his wedding... and also at his divorce three years ago.

"How is your father, Robbie?" she wanted to know. Suddenly the smile on his face faded. "It doesn't look so good. He'll probably have to go back into hospital next month for a surgery." Rebecca looked at him compassionately and nodded silently as she took his jacket. "I'm so sorry."

I'm glad I can at least visit you," he quickly changed the subject.

"I'm glad too, Robbie," she said with a bright smile again.

"YN is also here, I hope you don't mind."

"No Becca, that‘s cool," Robert said, following her into the living room.

YN was Rebecca's younger sister and Robert quite liked her. She was one of those people who believed in destiny, the supernatural, spiritual things and tarot cards, which Robert didn't think much of. But she had always been very warm and kind to him and Robert was sure that there wasn't a single bad bone in this woman's body. She was just the way she was. As far as Robert knew, she worked full time in a perfumery and in her free time as an artist, but she remained rather unsuccessful. Her face immediately lit up when she saw him and gave him a friendly wave. She was wearing a pink dress, her hair pulled back in a loose ponytail, gold earrings and red lipstick. She was really pretty.

"Robert, how nice to see you! I brought some cupcakes, would you like one? They're homemade." She held out a bowl of pink muffins with strawberries and sprinkles to him. Robert gratefully took one and sat down on the couch next to the two women.

"It‘s really good," Robert praised YN's baking skills after taking a bite.

"Thank you, Robert. I baked them at 3 o'clock in the night because I couldn't sleep... It was another full moon. And my moon calender says that I should concentrate more on housework now, especially cooking and baking“.

He tried to hide his surprised expression and took another bite. Rebecca didn't seem confused by the explanation, she knew her sister well enough. Finally, YN slowly bent down towards them. "And do you know what my horoscope said?" Robert and Rebecca shook their heads.

"That I'm going to have my breakthrough this month," she finally said excitedly.

"You mean with your art?" Rebecca wanted to know.

"Yes! I'm going to have a huge success. But I don't know what motif to choose." YN picked at her dress thoughtfully. "A portrait or a landscape... I'm not sure. I need a subject to practise on first. Just to get back into it. I haven't painted for months.

"You've painted me so many times," Rebecca said, rubbing her chin thoughtfully. "How about you painting Robert?"

YN's face lit up at the words. "That's a wonderful idea! Robert, you have such a beautiful face... Like an angel!"

Robert almost choked on his cupcake. "Please what?"

"Oh come on Robbie, she just wants to practise," Rebecca interjected.

Sighing, he looked into YN's bright eyes and shrugged. "Yes, why not..."

YN cheered immediately and hugged Robert happily. "But I can't sit still for like eight hours," Robert replied quickly.

"You don't have to do that," YN said. "You can come with me to my studio, I'll draw the outlines and a sketch, then I'll take a photo of you to paint the details later. If you like and have the time, we can start right away. It would mean so much to me, Robert, really!" He smiled and nodded again. He just couldn't look away from YN's eyes.

***

"Nice studio," Robert said, breaking the awkward silence. He looked around curiously. YN's studio was a bright room with large windows letting in the daylight. There were easels full of canvases and tubes of paint everywhere and the smell of fresh paint was in the air.

"Robert, I told you not to move," laughed YN, who sat behind a canvas. The two had left for YN's that afternoon. Now the sun was already setting outside and Robert felt as if he had been sitting on the floor in front of her for ages.

"I'll be done with the outlines in a minute."

"Good, because my butt is already hurting," Robert grumbled.

A short moment later, YN put the brush down, clapped her hands and grabbed a camera lying on a chair next to her. "Well, I'm done for today. Let's take the photo quickly."

Robert moved back into position and looked a little tiredly at the camera. A few seconds after YN had taken the picture, he collapsed. "My God, this is more exhausting than I thought."

YN laughed. "I believe you. I've been a model too."

"Can I have a look?" Robert asked curiously, sitting up with a groan.

"Sure, come here." YN turned the canvas a little.

"Oh, this is definitely... Art." If Robert was honest, he couldn't really make out much on the canvas. It looked more like a wild doodle of a man who, with a lot of imagination, could look like him. And for this he had been sitting in an uncomfortable position on the cold floor for almost two hours?

"I'll start working on the details tomorrow. I'll let you know when it's ready."

Robert forced a friendly smile, YN pulled him into a tight hug to say goodbye and he left the house, a little disappointed.

Days and weeks passed without Robert hearing a word from YN. He didn't know how far she'd got with the painting, or if she'd even thrown it away. But then, one Saturday evening, she finally called him to say that she had finished the painting and that he could come and see it tomorrow. Of course Robert couldn't resist the opportunity, as he was actually quite curious to see how the painting would look now, although he had little hope that it would be any better than the last time.

He finally arrived at YN's door at 10am the next morning. She immediately greeted him friendly and offered him a cup of tea, which Robert gratefully accepted.

"Nice of you to come," she said and excitedly pulled him by the sleeve into her studio. "Close your eyes."

Robert did as she asked, although he was a little confused by her instructions. YN carefully led him to the easel in the middle of the room.

"And open your eyes."

Robert looked curiously at the painting in front of him, but then his jaw dropped and he couldn't get a word out.

"I've thrown away the old painting and made a new one. Isn't it gorgeous?"

He couldn't believe his eyes. The painting was insanely beautiful. It must have taken an eternity to work out all the details. He'd never seen so much care in YN's work, who usually painted in a rather chaotic way. Every single strand of Robert's dark hair was painted perfectly and precisely, and you could almost count every single eyelash. But most striking of all were the eyes, which stood out almost ghostly from the rest of the rather dark picture.

"It's so beautiful," he marvelled, running his finger carefully over the dry canvas. "But why am I wearing a sheer white shirt? I wore a normal black shirt that day. And my eyes look almost inhuman."

"Artistic freedom," YN quickly replied. "I wanted you to look a bit ethereal in the painting."

Robert nodded slowly with a raised eyebrow, then smiled again. "It‘s still so beautiful."

"You can have it if you want," YN offered.

He shook his head immediately. "No, no, keep it. It must have been so time-consuming that I don't want to take it away from you. I'm sure it's better off in your studio than in my house. But... promise me you won't sell it, okay?"

She nodded quickly and looked Robert straight in the eye. "No, I won't. I've made another artwork that I'm going to submit to the art competition."

Robert looked at her, confused. "To what?"

"Oh, I haven't told you yet. The art museum is running a competition this month. If I win, my painting will be on display there, isn't that great? Mrs Buchanan from the museum is coming to see the painting tomorrow. She's a good friend of my aunt's."

"That's great. Then I'll be rooting for you to win!"

Eventhough Robert had recently doubted YN's talent, he'd wished her all the best, especially now that he'd seen the beautiful portrait.

"And here it is," she joyfully pulled a cloth from a easel beside her.

"Oh, um... what is it exactly?" Robert asked, a little embarrassed as he couldn't make out more than a few patches of dark green on a grey background.

"The painting is called 'The Fog Forest'. The theme of the competition is 'Between reality and fiction: a journey into imagination'," explained YN. "The green stands for the trees of the forest and the grey is the fog and shadows, where you can easily get lost and dream.

"Oh, um, very nice." Robert forced a smile. "I'm sure Mrs Buchanan will recognise it immediately, also the deeper meaning, unlike me. You know I don't know much about art."

"I know that, Robert. But it's so kind of you to support me," she said softly, taking his hand and squeezing it gently.

"I'm sorry, but I have to go now, I have another appointment. Busy schedule as a future CEO... you know," he replied quickly, then looked at her pretty face and felt his heart beating in his chest.

***

"Becc, when I tell you! I've never seen such a beautiful painting." It was just after half past seven the next evening and Robert was glad to be off work. He stood in his kitchen, his phone wedged between his shoulder and ear as he chopped vegetables into small cubes.

"Are you sure, Robert? I've known YN long enough and she's never painted anything else than a few dots and lines," Rebecca's voice came over the loudspeaker. Robert thoughtfully placed the pieces of vegetable in a pot.

"I've seen it with my own eyes. Maybe she was possessed by the ghost of Leonardo Davinci that night or something." At this moment Robert's doorbell rang. "I have to hang up, Becc, I'm sorry. I'll call you tomorrow again." Confused, Robert wiped his hands on a towel and hurried to the front door. Who the hell was that? As he opened the front door, he saw a familiar face but also an unfamiliar one. In front of him stood YN, as always in one of her summer dresses and her big earrings, and next to her a tall, slim older lady with a tight bun and a blazer, looking at him curiously.

"Hey YN... what are you doing here? And who are you?" Robert wanted to know, frowning in confusion.

"Oh, it's him! I recognise him," the unknown lady said excitedly as she looked at him more closely.

YN tapped nervously with one foot and took a deep breath. "Robert, this is Mrs Buchanan from the art museum, she wants to have you."

"Wait, what? She wants to have me?" Robert laughed confused.

"Not you. The painting of you." The lady quickly clarified. "It's really gorgeous. What a work of art. It perfectly reflects our theme for this month. Between reality and fiction... Almost like a modern version of the Dorian Gray's portrait," she enthused.

Robert's jaw dropped and he looked at YN, stunned. "But... but you submitted a completely different painting to the competition. The one with the forest."

"Oh, please, sir, you couldn't even see any trees, forest or anything in the picture," she replied sharply, and Robert didn't miss YN's sad face. "I saw this masterpiece in the corner of her studio and asked her if she wanted to submit this instead of that… Fog-Forest... thing."

"This is not possible, I‘m sorry," Robert replied firmly.

"Why not?" Mrs Buchanan asked.

"I am a serious businessman, madam, about to take over a company worth millions. What would my employees and clients think of me if they saw the painting of me as an…an…ethereal creature? I have to maintain a certain respectability." Robert bit his lower lip as soon as he said these words. He realised that this was YN's last chance and that she might have to give up her dream of becoming a painter.

"It's okay, Robert“, YN said quietly. "I understand." Forcing a smile, she turned around together with Mrs Buchanan.

For Robert, the world seemed to stand still at that moment. He didn't want YN's dream to be shattered like his own. He had always aspired to become a professional musician and study music, but his father had always stopped him because he wanted him to take over the company one day. Even though Robert didn't even think he was the right person for this huge job.

"Wait, YN." The echo of his voice sounded down the driveway, the two women, who were about to get back into the car, immediately turned around.

"Let‘s do this, YN."

****

"A glass of champagne, sir?" asked an elegantly dressed lady next to him, balancing a small tray in front of her.

"No, thank you, madam. I don't drink alcohol at the moment," Robert declined her offer in a friendly voice.

"And for our winner? On the house, of course," she asked YN, who was standing next to him. She gratefully accepted a glass. The exhibition was in full swing. Many different artists were exhibiting that day, but no artwork attracted as many glances as YN's. Rebecca joined them and patted her sister on the shoulder. "I looked at it again, it really is amazing. How did you do it?"

"I don't even know it myself. It's as if my hands painted it themselves," YN replied, taking a sip from her glass.

"That supports Robert's Davinci theory," Rebecca chuckled.

YN looked at her, confused. "What?"

"Nothing," Rebecca replied quickly, pointing to the glass in her sister's hand. "Hey, where did you get the champagne?" she wanted to know.

"From that lady over there," YN replied with a grin and immediately Rebecca was gone in the crowd.

"I'm so sorry," Robert said quietly. "For what?" she wanted to know in surprise.

"For underestimating you... You and your art... You‘re such a wonderful, strong and unique woman."

YN bit her lip and Robert felt that she was about to cry. "Thank you, Robert." They remained silent as they watched the visitors pass by the artworks.

"So my horoscope was right after all," YN told Robert. "I really had my breakthrough. Do you believe in them now?" she wanted to know.

"Maybe," Robert replied thoughtfully.

"Do you know what else he said besides success?", she asked him.

Robert shook his head and smiled curiously.

"That I will also find love this month," she said quietly, putting her glass down on a small table beside her. "Maybe it was the love I felt for you when I painted that picture that made it so beautiful. Maybe that was the reason for all the success.“

Robert looked into her eyes and gently stroked her soft hair. Finally, he slowly pulled her into his arms and their lips touched immediately.

- 𝑡𝘩𝑎𝑛𝑘 𝑦𝑜𝑢 𝑓𝑜𝑟 𝑟𝑒𝑎𝑑𝑖𝑛𝑔

[thelunarsystemwrites]

Lunar's mental health. An update.

TW: bad mental health, EDs, depression, s/h, personal stuff, suicidal thoughts, anxiety, vent, self hate, heavy topics.

Sorry I haven't been posting!!

An update on me.

...Hi, you might know me as Lunar, or, TheLunarSystemWrites! I'm just an artist on here, trying to do things I like.... right?

Well, unfortunately, real life doesn't really... care. It doesn't care if I have friends to talk to, art to make, things I like to do.

I've been exhausted, physically and mentally. I've been busy working a lot in our home. (Painting, building, packing, inside work, cooking, etc) and it's always stressful... we're starting to get a little tight on money.

I've spent majority of my time in my bed. I don't wanna face my family members, so I've hidden away. It's hard to get up every day, and try to find the will to take care of myself.

I also recently relapsed with Bulimia, a disorder that, essentially means I throw up whatever I eat. I've been purging since September 16th, 2022. But I had awhile where I only purged once a day or none, but I'm back at it with full force. So my body doesn't have any energy left. I've also now lost my periods do to it.

I don't sleep well. It's much easier to stay up all night than waste my only free time sleeping. So I have no energy from sleeping well unless I sleep a whole day away, which makes me groggy.

Self harm is also something bothering me too, I'm too tired to do it and yet I keep doing it. Wasting precious spoons on it, I literally can't be clean for a whole year this year, that dream is dead. But, I am a few days clean as I type!

Suicidal and intrusive thoughts have been.... pesky. But I can't just leave my friends, plus I have prizes to make.

But, I'm unmotivated. I can't seem to write or draw anything. All my art is looking... regressed, to me. Everything is repetitive.

I've hated myself now more than ever in my life, I'm in a pretty bad place and I hate how self aware I am.

SPEAKING of regression! I have like, regression block. My brain isn't working with me, isn't regressing unless Involuntary. So my main coping mechanism is.... out of order.

I've been angry at the world, really pissy and moody. Tired, hungry, sad, then happy but not much. Numbness is a huge factor, I'm feeling depressed.

Not to mention, there's drama everywhere I look. This creator gets bullied, that one turns out to be disgusting. People get doxxed over opinions... it's constantly anxiety that I'll be wrongly accused, ridiculed, or abandoned. It's terrifying that people will go at each other's throats. It's exhausting to deal with it and be dragged into drama with problematic people.

Every day has been the same for me for the past 3 years. I'm tired, bored, understimulation controls me.

My friends are my lifeline right now.

I feel uncomfortable in my own body all the time, unsatisfied with my art, everything is essentially falling apart in my life.

Depression, anxiety... not a good mix to wake up disoriented and anxious, then gave zero spoons throughout the day. I'm not in a good home situation right now.

So... I kinda just... haven't been posting, role-playing, answering DMs, answering asks, etc...

I'm burnt out.

I feel like I'm a walking corpse.

Useless even.

I don't feel like myself anymore, I barely have the energy to talk to friends, every little bad things sets me back. I just can't bring myself to really engage much anymore.

So... sorry. I'm sorry, if I wasted your time. Or if this isn't like what you wanted to hear. I'm just not okay anymore, April was the last good month I had this year. APRIL.

I just wanted to update you all, there's a lot of other stuff I didn't share because it's nit important. I swear I'll get to the prizes eventually, I just ain't up to it right now. Might not be for awhile, apologies in advance!!

Hope you guys can understand, I might or might not be back to doing art, who knows. But I'll definitely get things done before that if I ever stopped. It just doesn't bring me joy, I used to hope I'd make an AU people cares about, and I've barely achieved that ^^"

Hope you're all well!! Stay safe, take care!! Remember to hydrate and to try eating if you can, you're spectacular!!!

Daily clicks!! ^^

Previous pinned post.

[theambivalentagender]

Hello all! So if you follow me, you likely also follow my comic Valley Echoes as well as any of my other art drabbles. You may also know that I've been financially limping along for some time.

For context, my day job is dog grooming. It's a "career" I came into relatively recently and honestly love. However, my location has recently been incredibly dead. I haven't been able to make commission from lack of dogs and my hours have been cut drastically.

I'm currently looking into finding extra work where I can that will still fit with my technically full time schedule. This has been a big part of why the comic updates have slowed considerably in the last few months.

In the meantime, however, I did want to show that I am available for commissions at this time. This is the first time I'd be getting into commissions, so if folks do request I just ask for patience as I figure it all out, but I'd love to be able to draw your requests. I have a vgen account that's still being set up at the moment.

I also want to plug my Patreon again - honestly, the fact you all give this much for what I do now is incredible to me. I recently met the fun "milestone" of Patreon temporarily locking access to my withdrawals because I had made enough money this year to require filling out a tax form before my funds could be released, which I did. Maybe it's silly but it made me a little happy. I also have a Kofi though that's updated less.

This next part ended up being much longer and more personal than I expected so I'll put it under a cut.

Anything at this time would help immensely. Cost of living is insane, I just turned 30 and keep wondering how much longer I'll be able to keep renting, let alone ever saving to afford a home. I'm very, very lucky in that I have support from my dad, who has honestly been one of my strongest lifelines for years. But I obviously don't want to have to keep taking so much of that support from someone who should be enjoying retirement.

There are a lot of expenses I keep having, and things I'm putting off. The ipad I use for art has been cracked for months, but is still functional thank god. I recently finally bought myself clothes that aren't falling off my body after losing over 100 lbs in the last year. I have to buy and maintain my own tools for my grooming job, and I have to maintain my own health, both mentally and physically. My left hand/arm probably has nerve impingements and muscle strains science hasn't even named yet lmao. And of course there's taking care of my two terrible feline children who cause nothing but chaos in my home and who I love dearly.

Even if you don't give monetary support though, I so, so greatly appreciate every one of you who shares, likes, or comments on my work. I just recently got an anon who I mean to reply to soon gushing about they love Valley Echoes. Nothing makes my day more than waking up to see a million notifications that's just one person liking each of my comics as they read through it the first time.

Ever since I was 6 years old I wanted to be a storyteller in some way. I used to draw my own Dilbert and Far Side comics, and I constantly wrote wild fantasy stories. But after going through college, dealing with a huge amount of stress, burnout, and just one random person online telling me that I needed to hear the harsh "truth" that my writing skills were garbage, that spark was just gone. Excluding occasional stuttering starts, I didn't really write for years.

Doing this "silly" comic and getting the feedback I have is starting to rekindle that spark. I have so many stories of my own that I'm starting to make tentative plans on producing in some way. But even if I never become some official published recognized author, I feel like just putting out this comic is fulfilling that dream I had as a kid. So thank you again, as cheesy and long winded as this post has become.

[amee-racle-ofmyown]

Hey, Amee!! I hope you’re doing well <3

If by any chance you’re up to it, could you please write a fic about Heist Mark being super jealous of Yancy because he and Y/N clearly seem to be into each other?? I LOVE your art and writings and I couldn’t get this idea out of my head <3 (Obviously no pressure, though!)

I'm so happy to hear you enjoy my work, thank you🥺💖 and thank you for your request! it got me out of a terrible writer's block. on that note, sorry this took quite some time, I've been in a bit of a funk of on and off general creative block, and unable to finish any writing at all for even longer. this was a pretty fun challenge! I myself view Yancy platonically so I wasn't quite sure where to go with this initially, and I had to fight every urge to just make this heist mark x y/n dfsjsjsv. that said, it did end up being more heist mark-centric than maybe you intended? in which case, I'm sorry, I couldn't help myself😔 yancy is there but very briefly haha

Don't you tell me that you never even thought, 'maybe we could run'

2,603 words | Read on AO3

‘We're all gonna be rehearsing tomorrow so youse best get some sleep.’

You nod as you close the gate to yours and Mark's shared cell, stifling a yawn.

‘Goodnight, Yancy.’

You hold each other's gaze for a moment, before he turns and heads off, a tattooed hand over the back of his neck and a sweet smile still on his face. You watch as he disappears into the outer hallway and a guard appears to lock up your cell for the evening.

Your long-time accomplice and friend stands at the edge of your vision, arms folded.

‘Having fun with your new boyfriend, buddy?’ he asks, sounding unimpressed and slightly strained.

‘Oh, shush, Mark,’ you chide, but your stomach flips at the notion.

‘Yeah… Well, while you were busy playing Broadway,’ he glances to either side of the cell outside and continues in a lowered voice, ‘I've been hard at work hatching our escape. And I'm telling you, it's foolproof.’

‘Uh huh. As foolproof as your other three failed plans? I really don't wanna get thrown in solitary again.’

‘Please, that was one time! — and I don't see you bothering to come up with any ideas. Even though you pretty much got us into this mess.’

That accusation ticks you off, but you're quick to retaliate.

‘Are you seriously still hung up on that? How is this my fault? You couldn't fly a helicopter, why would you assume I can? You shouldn't have even presented it as an option!’

Your exclamation earns you a couple looks from other inmates slowly filing into their cells for the night.

‘Nevermind that now,’ Mark says, infuriatingly placatingly, ‘do you wanna hear the plan or not?’

The thread of uncertainty that you've been avoiding coils tight in your chest and you pause, wondering how to bring up what's been nagging at you for days.

‘Um, so, I've been thinking. What if… what if we don't try to escape?’

‘Ha ha. Funny joke, pal.’

‘I'm serious, Mark. We could just… stay here and wait out our sentence, if we play it safe we might even get our time reduced on good behaviour. We could be gone in like a decade. Or a few years! Maybe. Probably. Maybe.’ Wishful thinking, perhaps.

He scoffs, as if the idea isn't even worth considering.

‘There is no way you're genuinely telling me to just wait it out. Maybe you haven't noticed since you've been in la-la land lately, but we're not on vacation, we're in prison,’ Mark spouts, voice growing thick with agitation. ‘What was supposed to be the heist of a lifetime, would've set us up for decades to come, is still on the line! And we're on a bit of a time crunch here — I don't trust that warden guy one bit with the Box, or in general,’ he sneers. ‘I mean what kind of name is Murder-Slaughter? Ugh, do we even know for sure if he still has it?’

‘Yancy mentioned seeing it in his office the last time he was there, which was earlier today, so yeah, probably.’

‘Ugh, there you go again about Yancy. It's always Yancy this, Yancy that, blah blah blah, Yancy!’

‘Wh– I was just answering your question!’

‘Y'know what? I'm sick and tired of being the only one taking this seriously while you act like it's all a big party.’

He places a hand on his hip, the other poking a finger towards you as he speaks. It would be comical, if he wasn't acting like a jerk.

‘What's up with you?’

‘What's up with me? What's up with you? You seriously wanna stay in this— this shithole, ‘cause of what? Some pretty face you've known for all of like, less than two weeks??’

‘Oh my God, Mark, it's not that terrible, and Yancy is actually my friend, he's been nothing but welcoming and kind since we got here, and—’

‘Oh, did you forget that he tried to beat you up when you first met? Real interesting, how you let that little detail slip.’

‘We just got off on the wrong foot, he's really—’

It's then that you see it — something in the slight hunch in his gait, the furrow of his brow, his pursed lips and tense jaw — and you wonder why you hadn't noticed before. It's not just anger and frustration, it's something bitter and personal.

‘Mark… are you jealous?’

Bingo. His eyes only widen a sliver, for a fraction of a second, but you're so used to reading him that even the most imperceptible of reactions on his usually very expressive face have become familiar to you.

‘Psh. I'm not jealous.’

‘You so are jealous! Oh my god, you're super duper jealous,’ you say with a grin, revelling in this new information.

‘Shut up, why would I be jealous?’ he protests, trying to sound nonchalant. But it's too late. You've already seen through it.

‘Is that what this is about?’ you say with a laugh. ‘You just want my attention back or something?’

He stares blankly for a moment.

‘Are you serious right now? You actually think the only reason I'm mad is because some random dude just waltzes in and starts acting all buddy buddy with you and you fall head-over-heels,’ he jeers with his hands either side of his face, fluttering his eyelashes mockingly. ‘Hook, line and sinker.’

‘Mark—’

‘I mean, never mind your partner, right? You know, your best friend who you've known and worked with for years? Who cares what he thinks?!’

‘Mark, I—’

‘In fact, he can get punched through a wall for all you care! You won't even bat an eye, as long as there's a random spontaneous musical number immediately afterwards, it's all in good fun!’

‘Ok, that's not fair,’ you push back. ‘Of course I was worried! But I was also surrounded by violent criminals at the time, we've been over this!’

‘Oh, so they're “violent criminals” now? But they're simply “hurt, misunderstood souls” when it suits you?!’ he shoots back, making air quotes to emphasise his point.

‘They're people, Mark! They're allowed to be… multi-faceted!’

‘Lights out, everybody,’ comes a guard's voice, ringing through the hallway as it suddenly becomes dark, save for the glow of dim lamplight emanating from one or two of the other cells.

‘Whatever, let's just get some sleep,’ Mark grumbles under his breath.

‘You always do this!’ you whisper harshly, but inadvertently let the volume slip back into your voice as you feel your blood boil. ‘You try to cut things off and act like the “bigger person” just to get out of an argument that, newsflash, YOU'RE LOSING.’

‘Oh, whatever, what-f*cking-ever!’

‘You're being so damn overdramatic, Mark! It's not like I'm trying to break up our team.’

‘Yeah, well– well maybe we should!’

You don't know why it jolts you like a gunshot when he says it, but it does. His words, the force and resentment behind them, pierce you to your core. It stops any quick-fire response you had at the ready in its tracks.

Regret immediately flashes across his face, but he quickly attempts to cover it with a steely, hardened gaze. ‘Clearly, we want different things. So maybe it's for the best.’

‘Hey!’ one of the guards calls out from across the hall. ‘Lights out means quiet, you two. Don't make us separate you into different cells.’

With a frustrated huff, you reluctantly traipse off to bed, yours being the lower half of the bunk while Mark settles above you.

It really is a rather decent bed. The mattress is nothing special, but comfortable, and the soft blanket is accompanied by an oddly luxurious, fluffy pillow. Definitely above what you'd expect is probably average prison standards. Frankly, you don't know what Mark's problem is with this place. It's honestly not half bad. As far as you expect jails go, it surely could be a lot worse.

You lay back and let your breathing even out, trying your best to allow some of the bubbling anger to die down. Eventually, you hear the guards leave.

Time passes, it could be minutes or hours; it's not like the passage of time has felt right at all to you since that last heist.

It's silent, save for the sound of your breaths and Mark's above you. You're still upset with him, but the sound of him breathing nearby has always been oddly comforting. The two of you have had plenty of close calls as a pair — even times when you had to patch each other up after jobs that went particularly badly. If you got injured on a heist, you couldn't simply call an ambulance or show up at a hospital in an emergency and risk having your whole operation blown. That was simply the nature of your line of work.

At the worst of times, as long as you could hear those steady, even breaths, you could tell yourself he would pull through, and things would be fine.

You idly watch the mattress above you, letting the rhythm of your friend's breathing become a gentle white noise, and think.

You think about that heist and the Box. Ancient, coveted, mysterious. Sitting atop its perch in the museum vault, in all its glory and allure, practically asking to be stolen. The gleam of the gem encrusted in its surface. You wonder if the prize held within would be worth all of this, if you managed to get it back.

You think about Yancy, a little rough and a little troubled and not seeing much point in trying to kick old habits; but fun and soft and sensitive and full of remorse. You think about the feeling of your hand in his when you practise a routine with him, how his whole face lights up when he's excited or falls when he's sad or pensive. You think about how he has made this penitentiary into a home, and these inmates into a family.

You think about Mark. Silly, stupid, steadfast Mark, snarky and thoughtful and loyal. Who isn't actually as dumb as he lets on. Who is resourceful and quick-thinking when a plan needs to be formed. Who makes bad puns and trusts you whole-heartedly, and who always lets you decide which course of action to take, no matter how much he disagrees, simply due to his unwavering faith in you. Mark, your co-worker, your friend, your partner in crime. Who is maybe a little enamoured with you, despite you trying to ignore it. Who you half-heartedly agreed to go on a date with, not having it in you to turn him down, nor prepared for the guilt that would be eating away at you now.

You think about one of the first things he told you when you landed yourselves at Happy Trails: About how he doesn't belong here, but maybe you do. What if he were to leave and you were to stay? The thought breaks your heart a little.

Then, a whisper from above into the quiet, gently interrupting your thoughts.

‘Hey, you still awake?’

‘...Yeah.’

You hear his voice, soft-spoken, but clear enough that you can hear the sincerity laced into it.

‘I… I'm sorry. I didn't mean to get so worked up.’

‘Yeah, I'm sorry too,’ you reply, matching his volume.

‘And I didn't mean it,’ he says, and you think you hear the slightest tremble in the statement, almost as if he's fighting tears, and for a second you wish you could see his face, ‘what I said before, about uh, splitting up. I know I joke about that kind of thing all the time, and not coming back for you… But you know I don't really mean it, right?’

You've certainly had your doubts in the past, but those moments seem so far away now; footnotes in a slowly unfolding tale, stepping stones on the journey the pair of you have taken together as you worked your way from theft to theft to get to this point. As much as you'd butt heads over the years, you could always count on each other and you always stuck together.

‘Right?’

‘Yeah, I know…’

‘...And, alright, your lack of interest in breaking out aside, maybe I am kinda jealous.’

‘Ha! I knew it.’

‘Yeah, yeah.’ He sighs. ‘It's just… it took us a while to be like we are now and yet, you're suddenly so close to him when it hasn't even been that long, it just doesn't feel fair. I dunno, it's stupid.’

‘Nah, I get it. I'm sorry if I made you feel left behind.

‘And I'm sorry if I ever made you feel pressured into something you're actually just not all that into.’

You feel a bit of tension leave your chest as a small smile appears on your face. ‘I appreciate that.’

In some ways you're grateful for the small bed separating you and preventing you from being face to face. You think it makes this easier for both of you.

‘I don't want to lose you, y'know? I mean, we're supposed to be partners. Ride or die, remember?’

‘Oh, Mark… You know I still trust you with my life…’ You pause, considering your words. ‘For the first time in ages, things feel a little more complicated than just being about us.’

A beat, then you hear him inhale, and he says your name, foregoing any of his usual nicknames.

‘...Are you… happy here? Does he make you happy?’

‘There's things I miss about freedom, sure, but it's not so bad here. And let's face it, our crimes were probably gonna catch up to us eventually, one way or another, right? And Yancy…’ You let out the smallest huff of laughter, smiling to yourself once again. ‘You're right, it hasn't been very long… There's just something about him, I guess. I know he might be a little much at times but I enjoy being around him, and he honestly seems like he wants to make up for things he's done in the past by being here. Maybe nothing will come of this but even so, in a weird way, he kind of makes me want to do better?’

Mark breathes a good-natured huff of laughter as well, and the two of you take a moment to muse on the irony of that sentiment.

‘I just– I can't handle being stuck here,’ he finally says. ‘But you're right, nothing I've tried so far has worked, anyway.’

‘Y'know… Yancy knows all the ins and outs of this place. He could probably help us if we wanted it.’

‘Do you want it?’

Do you want to leave or stay? The real question beneath it all.

You're quiet again, and it feels as if every possibility is laid out before you, only obscured.

‘I don't know,’ you say eventually. ‘I need more time to think. I just don't want you to think I'm making a choice between you or him, there's so many other things I need to consider. That we need to consider.’

‘That's fair… Just don't take too long, ok? Not like we can pause or rewind time, haha.’

‘Right… In the meantime, could you at least try to get along with Yancy and the others? You might like them if you give them a chance.’

‘... Fine, I'll try,’ he acquiesces.

You raise a hand to your mouth to cover a yawn. A far more comfortable silence falls over the room, and you start to feel sleep overtake you.

‘... Hey, Mark?’

‘Yeah?’

‘We're still partners.’

If nothing else, you hope this will reassure him.

‘...Ok. Sweet dreams, partner.’

[ateez-himari]

[240823] MORNING BREEZE

[NEW UPLOAD FROMM HIMARI]

[AM 7:31] good morning atiny, please enjoy this sighting of my angel being sleepy...i did her hair, it looks nice right ? - mingi

[AM 7:31] ㅋㅋㅋ it looks this soft because i brushed it for two whole minutes, it just felt so nice - mingi

[AM 7:31] You're right it's too early to be awake on a day off 😴 But it's because I went to see my parents and I like going early when no one is there yet, plus I wanted to see them before leaving. The other members wanted to come too so everyone's having breakfast together

[AM 7:32] Ah no, my biological parents. The cemetery their tombs are in is pretty far so we had to travel there by train, we also bought incense on the way

[AM 7:32] I usually like being alone with them unless it's a special occasion, since I don't get to come by very often. Today I was happy they came to say hi though, Yunho oppa even prayed with me, then I prayed alone

[AM 7:33] I wouldn't say I'm religious, I do have spiritual beliefs because my mom followed the Shinto religion, my dad was atheist though but he would often take part in rituals and pray with her

[AM 7:34] I value protection a lot. Actually I have a bracelet that I wear all the time, Hanzo nii-chan made it for me out of pieces from a stone tower he built to pray for my health. Apparently Jungkook oppa came to visit to pray too

[AM 7:35] ㅎㅎ no I don't call my biological brother 'oppa'. When we moved to Korea my mom wanted us to keep our Japanese heritage so I use that honorific instead. That's why neither of us changed our names after getting adopted

[AM 7:35] Ooh, babytinys, that's exciting! I do have a Korean name, it's Hayun, my dad gave it to me a few days after I was born. Both of my names have similar meanings actually. Himari can be read as 'sunflower' or 'ball of light' and Hayun means sunlight! It's pretty cool

[AM 7:36] ㅎㅎ Jongho oppa wants to make sure everyone knows he says hi, he said to look forward to his update because he's gonna post picture of us

[AM 7:37] Oh the festival ? Please don't worry about that, it was just really hot so performing was hard, but I'm alright. I've been a little reckless with my health lately but our captain is watching over me closely now

[AM 7:37] Yeah, I have supplements, Seonghwa oppa got me a cute case for them. We also have a doctor with us at all times so if anything happens we'll be taken care of right away so don't focus on that too much!

[AM 7:38] Hmm I'm not sure...I have a dinner date tonight but we don't have any plans in between. I might go buy some more art supplies, Hyunjin oppa found a new store last time he came here

[AM 7:38] Here, these are the pieces I've worked on recently (I finished the second one yesterday after the fan meeting)

[AM 7:39] These ones were made with markers actually! I usually use ink but since we've been travelling lately, it's complicated to transport it without spilling

[AM 7:40] I promise I'll tell you more later, but Sannie oppa just came back from the washroom so we're off to eat now!

[AM 7:40] ㅎㅎNo we haven't had breakfast, we just came to this shop for coffee because Momo unnie recommended it, she texted it to me yesterday!

[AM 7:40] Oops, I really have to go now, Hongjoong oppa's grumbling about being hungry (as usual ㅎㅎㅎ) ♡ Love you so much, kisses!

[stoukadraws]

I've been having an issue with Tumblr for a few days now, for some reason I can't view images and they're stuck as the gradient type image if you know what I mean.

I thought it would only last up to a day or two but it didn't and I'm getting worried. This is happening in both the website and mobile app, I even went to other devices not connected to my account but it's also facing the same problem.

I've tried refreshing, logging out, but nothing seems to be working. I tried to look up solutions, but it also looks like other users are also facing the same problem. I don't see many people talking about it so I'm bringing it up right now.

This is a problem only in Tumblr, everywhere else is pretty much fine. I haven't contacted staff for help yet but I'm not sure if it would do much, but if it does help then I'll write to them about it.

I planned on posting more recently and already have a post ready, but if this issue still isn't fixed then unfortunately I won't be able to post art for a while until it's fixed.

If anyone has any idea on how to fix this please let me know.

[smellslikemultifandomimagines]

hi can I request a smut or blurb of Jason where the reader is Starfire’s younger sister (Jason’s age ofc) and there is something about her that Jason can’t resist and he can’t stop thinking about her especially during training then he eventually gets frustrated and does something about it

[❤︎] pairing: Jason Todd x starefire!sister!reader [❤︎] warnings: [❤︎] word count:

requests are open🖤 request guidelines✨ 🌻masterlist🌻 smut night masterlist 💦

JASON KNEW YOU WERE OFF LIMITS. Kory had made that very clear from day 1 of you living in the tower. While she could appreciate his skills in the vigilante world, she would never trust him to be with you. Jason knew that, Dick knew that, hell even Rachel sided with Kory. Jason wasn't to be trusted around you.

But there was certainly a fire in you (no pun intended, of course) that kept Jason on his toes. He first noticed in one of the first training sessions you had with Gar, Jason and Rachel. Your skills in martial arts blowing them away immediately. He quietly paid attention to you, taking mental notes on that you liked and didn't like.

At first, he found it cute that you were oblivious to his flirting. Though, you were warned by pretty much everyone, that Jason was a massive flirt. But as more time passed, the more he couldn't stop thinking about you. He wanted, needed even, to be with you. It was odd, he thought, that you are the only one in his house that keeps him level headed. You weren't even together, let alone close enough friends, so how do you manage to do that?

Training got even harder too, the more you pinned him to the wall or the floor, or even did that to the others, the more infatuated he got.

"That's it. I'm gonna ask her out," he tells Gar. The two had been talking about you about the better of a half hour now. Of course Gar noticed Jason's little crush, and he told Jason that it wasn't long before everyone else figured it out too, that is, if they haven't already.

"Dude, you can't. Kory-"

"I couldn't give two shits about Kory right now. I can't keep waiting around for [y/n] to make a move on me, so why-"

"It's a dumb idea."

"I don't care."

"Well, don't tell you I told you so if Kory finds out," Gar throws his hands up in surrender.

"She won't find out," Jason tries to argue, but failing. Even he could see how weak of a point that was. He sighs, rubbing a hand over his face, "She consumes my every thought. This obsession, this - I don't even know what this is - it's too much. Of course you'd never understand, I mean-"

"Hey, who said I've never had a crush before?" Gar defended himself with a slight chuckle.

"You know what I mean," Jason rolls his eyes. He flops down on his bed, a heavy sigh running out his mouth. He rubs his face in his hand again before standing up. "Right, well I'm going to blow off some steam."

Jason stops in his tracks when he sees you in the training room, looking as flawless as ever. Your hair's a mess, strands coming out of your bun from every angel, sweat glistening over your forehead and chest, tired hands gripping the sword as you try another trick.

"Hey," you smile at him, noticing his presence. He can barely get a word out, so all he can do is give you a small wave. "Wanna train together? I've been trying this new thing, and I think it'll work better if I actually have someone else here," you laugh charismatically.

"Uh, yeah, sure." You've learned not to take Jason's tone too seriously. There's no point in getting upset over an angsty, brooding guy. Jason was cute though, there's no doubt about that. Rough around the edges, sure, but over the last few months that you've been here, you've gotten to know him better. A lot more than he thinks.

Jason grabs a sword and positions himself to get ready to fight. The two of you start sparring, swords clinking together from contact. As impressively good as he was, he seemed distracted.

With a flick of your wrist, you easily caught him off guard and made his weapon drop from his hand. “Everything okay? You don’t seem yourself?”

“What makes you say that?” Jason rubs the back of his neck, his eyes boring into yours. He needs a plan, and he needs it now. If there’s any time to ask you out, or at least try to, it had to be now.

“Your footings off. Your footing is never off,” you stand closer to him, a hand on his shoulder. It was a simple gesture, really. A sign that meant he could trust you no matter what. But the sensation jason felt all over his body was too much. He pulled away, not wanting too, but his body seemed to do it for him. Almost like your touch caused a knee-jerk reaction. Your brows not together.

“Jason-“

“I like you, okay! I know Kory’s sworn me off as the bad guy, but you-you’re just so-“ he couldn’t even put into words on how to describe you. Your eyes softened, hands cupping his checks as a soft, flattered laugh slips your lips.

“Took you long enough.”

[iheartgod175]

Some Quick Thoughts

--Sorry I've been on and off of here, everyone! Work's been crazy, and so has home life, but I'm starting to come out of the dreary tunnel now, meaning that I should be back on here a lot more often now.

--My writing motivation has been on and off for the last few weeks, mostly due to getting back to work after getting hit with the 'Rona (after my birthday, which was a double whammy). The project that I was working on before getting sick was The Zula Patrol: Dreamscape Crusade Remastered, but now it's shifted to a few other projects that I haven't worked on in years or are on hiatus. Those projects are Mirror, Mirror, and Sodor Magic Crusaders.

--I haven't really been into Thomas the Tank Engine in a hot minute, but I have kinda been into Nanoha again. And I'm about 45% through the actual sixteenth chapter, where things go wrong for multiple characters. I also had a cool idea to switch up how Emily is handled in this story, since I don't want it to be a total cut and paste from the canon events in Nanoha (the fic itself already plays fast and loose with canon as many Devices that appear later in the series appear in the first installment, Mid-Childa doesn't exist, and rather than the Jewel Seeds, we get the Book of Transformation).

I'm also doing a total readthrough of the story to get up to speed with what's going on, and the difference between my old writing style and my current writing style is like night and day, haha! I'm still planning on rewriting a few chapters to make things clearer and clean up any errors/descriptions. At least, until I decide to get the ball rolling on The REMAKE 1st. And while SRBA was unanimously the top pick for a DCR-style remaster, a few people wanted to see this project, too.

--Mirror, Mirror's fifth chapter is something I've been working on for the better part of two years. I'm raising the stakes here in this chapter! Like SMC, I'm about 40% done with this chapter; just adding a few points from ideas and brainstorms I had, and working off of that.

--Sheriff Callie's Wild West has also been tickling the brain a little. I've been trying to get to chapter 7 of You've Got My Attention for the longest, but everything I've tried has not worked. Yesterday, though, I had a little idea on what exactly happened in Callie's past that's made her so closed off on love and why what those criminals did crossed the line. I haven't even started on this chapter yet, though, so please don't rush my inbox with messages about when it'll be done!

--A huge thanks to the folks who have been reblogging my ZP stuff from last year, including all the ship art ^^ Actually, thanks to everyone who's been reblogging/liking my art. Especially the art that I did with Chuck E, because I was not expecting that kind of response. It really makes my day!

--I do have a mini art bomb coming soon. I've been drawing more and want to share what I've been working on!

--And last but not least, I will get to doing my Animation Bucket List soon, because reading through my old Netflix Bucket Lists made me realize that I missed doing 'em. And since I've seen a lot of anime since then, I really want to share what I liked, hated, and am ambivalent on.

[aibouart]

admittedly, i am afraid to talk about this, but have wanted to for a long while. i don't see a lot of people discuss this kind of thing, but i decided to do so for the me who was struggling and didn't know. also i have no idea where i am going with this and it's very late for me rn so here's a whole ass ramble on vent art. and also a bit more on how it's impacting how i view my art, now. i am terribly sorry if it's not very cohesive, my thoughts on it aren't yet cohesive either WOOPS

i wanted to talk a bit about how vent art really impacted my mental health, and how the idea that art needs some kind of meaning to have meaning really has been weighing on me lately (i know this is a concept i am assigning to my work and is not actually the norm/standard expectation of others consuming art. but it IS a sentiment i have seen enough that does impact me).

i want to specify, obviously i am not saying vent art is bad.

nor that doing vent pieces, or vent blogs, will ultimately result in what i went through for a number of years. rather, that this did happen to me, and there is a near impossible chance i am a unique case in any experience i will ever have. if you do vent art and it helps you, that's good! im not judging anyone for anything here. if your experience does not match my own, that's what it's like to be human~. i am not invalidating anyone on purpose by sharing my own experience. sorry for the insane disclaimer but it will eat me alive if i go to sleep thinking "what if they think x cuz i didn't say y and think im a terrible person"

---

i used to do vent art frequently (you won't find much on here as it was uploaded to a personal at the time). anytime i felt down or had a line of dialogue in my head making me feel bad in a way, i would draw for it. but the way i had interacted with it was really unhealthy. it became a terrible feedback loop where i'd feel bad, draw how i felt bad, look at the art, and ruminate even more on how i felt bad, until it spiralled so out of control i would lose touch with reality and get lost entirely in feeling like garbage.

i would just get so lost in the cycle with vent art that it would make my mental space worse and worse, and i would use the vent art as a negative confirmation bias. the words that hurt me i wrote down and anytime i looked again, they would hurt me again. but i would keep looking, and i would keep drawing.

i have always used art as an outlet, but for some reason the way vent art impacted me was unhealthy. it wasn't a good outlet. and it took me years to cut ties with it. i relied on vent art for a long time, but it took a lot of introspection and thinking to realise it wasn't the release i thought it was. and it was hard to let go, too.

i haven't touched the blog in a few months, now. i haven't done much vent art at all since then and genuinely, i've been doing SOOO much better. i no longer ruminate nearly as much as i had done so, i no longer get caught in a feedback loop that lasts for days to weeks. i still feel like garbage like people tend to do, but i don't put myself in a cycle over it anymore. i have gone back to it a few times in moments of desperation, but what used to be every week/every few weeks is now once a month maybe. and not to the extent at all (i would oftentimes post ~20 images in one night, before).

but i keep thinking about how, while the way i had done vent art was bad for my mental health, i keep feeling that just because i do sparkly cute and happy drawings, now, or drawings with no real meaning, that my art has nothing beyond face value... i do like a lot of my vent art. i think their compositions, or hidden messages and meanings, or colour use, was interesting.

but it wasn't worth the price for me.

so i am a bit caught in an in-between, here. my favourite form of art is the expression of love-you liked something so much, you dedicated time to draw it. and yet i cannot ascribe that to my own work very often. i think that man i wish i could make art with some kind of deeper meaning, that speaks to people, that's more than just pretty colours or shiny shading or a character everyone likes, or a character i like. but i just... don't know if it's for me.

ultimately, i could develop a healthy relationship with expressing and exploring negative emotions or experiences through art, but... do i want to? do i have to? do i need to? is it not enough to just draw something because... i like it..?

of course, the answer is yes, draw what you want, draw how you want, it's your art. but i am still trying to come to terms with that idea. i dont want to be seen as some shallow artist who just draws what's cute and pretty because they can and it's all they can think of, but like what if that's just what i like to draw??

in the end, that alone is good enough, drawing because you like to, because it's fun, because you like the thing you're dedicating time to creating for. it's just hard to grapple with after discarding a type of art that i felt was the only way i drew "for real".

anyways i am sorry this is soooo fucking long, and for all the clarifications (IM STILL NOT SAYING VENT ART BAD AND EVERYONE WILL DO WHAT I DID!! Dx) and the fact i had no real point here (probably)

anyways i will continue to draw what i want because i like to, as i have always been.

[coralpolyp]

I'm not dead!

Hey look here's a redraw of the really terrible bit of digital art I did for last year's Mar13 day as proof! Apparently I didn't even finish the first one on time! Yikes!

I'm well aware that it's been a minute or two since I last posted anything on here or on AO3 - to be more precise, it's been since Splatoon 1 died and I wrote that 8000 word depressing thing - I don't know why 8000 words always seems to be my sweet spot, but it's good to know that I have one. That being said, and with Side Order: Dark Side Mix currently MIA, I thought it'd be a good idea to to have what it is that I'm doing right now on-record in some capacity, for the one or two people who were wondering.

The next few weeks are exam season, so I don't think it's going to be smooth sailing per se, but Dark Side Mix will be completed. After running into a snag with the opening act - namely with the fact that it sucks - I started reworking the entire fic from top to bottom under a new name...and then I lost motivation to do that because perfectionism set in, and I haven't really touched it in a little while.

In the time that I've been away from it, I feel like I've become increasingly aware of how that perfectionism negatively effects me and my work - namely the fact that very little of it actually exists. I mean, sure, people seem to like the stuff that does exist, but there isn't much, and a lot of things are unfinished - usually because I placed too much value on the potential of "the idea", and spent so long labouring over the start of it that by the 10,000 word mark I had realised the flaws of the idea and lost interest in it.

I can't help thinking that's a bit lame. Every other writer has 100s and thousands of words of terrible amateur works they can go back to and laugh at, before they created the masterpieces they're known for now, and my story is that I just kinda show up every once in a while.

I think there's a real beauty to that - creating for the sake of creation, with no fucks given. Maybe this isn't the finest example, but I finally started listening to My Dad Wrote a Porno recently and...I mean... the sheer lack of fucks given is well and truly a gift that keeps on giving. Same goes for Philosophy of the World. Or SMG4 back in like 2014. Or old Eddsworld stuff. There's just a certain carefree joy (or existential dread in the case of the Shaggs) to it all that you never get anywhere else. It's like the difference between a 30 second gesture drawing and 6 hours of carefully-deliberated-over anatomy.

All that is to say - Dark Side Mix is a fundamentally flawed story. It is not high art, it never will be. I should probably just get it out there in it's entirety for the world to see in the time I have available to write, and then move on to the next "brilliant-idea"-that's-actually-just-ok. Nobody likes an "idea guy" - what good is it to spend one's entire life going around saying "I never finished this story, but it was great in my head, and the bit that you can actually read was alright too,"? Creativity should be about getting in there, making a mess, and having fun - let fanfiction be fanfiction, with that being addressed to nobody but myself, because nobody else needed to hear it.

Oh, also, another reason for my absence besides creative block and exams - I'm getting into comics! That, and practising my art fundamentals a whole bunch - I don't think my drawabox is particularly interesting to look at, so I haven't exactly been posting it. I've decided that I want to try giving an idea I had for what would've been another depressing Squid Sister 8000-worder the comic treatment, although you shouldn't expect to see that anytime soon, considering how long it's gonna take, and the fact that I would want to release something like that in no more than two parts.

[b1eeding-sun-rambles]

tell me abt your fma aus!!!!!!!!!!!!!! :]

Okay this is gonna be super long but you asked for it :)

Here's like the general senopsis of my FMA aus (plus some of the art I've made for them)

Some general head canons that I have that apply to all of my Aus:

Both Elrics' are autistic and Ed has ADHD (alchemist special interests for both of them obviously. Al also has a cat special interest)

Ed is trans. I love both transfemme and transmasc Ed but typically I lean toward transmasc because I'm transmasc and I am also Ed /hj

Hohenhiem is not white and by extension Ed and Al are mixed (in my modern au that means they are both half Iranian half German because Xerxise is based on the Persian empire which, in modern day, would be Iran)

Gonna start with the one that started it all: my modern au!

I made this au because I was super pissed off about people erasing the Elrics' disabilities in their modern aus lol. (See my #modern FMA rambles for incoherent rambling about that lol) I'm not certain of the specifics for what each character will be doing in that au (I mostly see highschool age Ed and Mustang as his chemistry teacher but I want to do something different) I know Ed lost his limbs in a house fire and I got really attached to the idea of firefighter Mustang so there's a few possibilities with that. I was also thinking the government as a corrupt college that Ed works at/attends could be fun but I don't know exactly how that would work.

The characters I have the most fleshed out are Ed and Al purely because they are the reason I made the au in the first place. Ed lost his right arm and left leg in a house fire. He has a prosthetic leg but no prosthetic arm (hand prosthetics other than hooks only really exists for people who still have their arm below the elbow and Ed's arm was amputated at the shoulder and I don't think Ed would want a prosthetic arm unless the technology got a lot better) I really want to dye his hair black because he totally would but I'm afraid that's a step to far in terms of recognizability :(

Al has an undecided genetic disorder inherited from Trisha yippee! He has issues with insomnia and depersonalization and he's gonna have an arc at some point experimenting with gender identity and expression but I haven't decided yet if he's trans lol. He's an ambulatory wheelchair user so sometimes he uses crutches but he typically just uses his chair. He also has a feeding tube (and list of things he wants to eat when he finally can again). He also has a cat named Cheeto and she's his emotional support animal (esa) because that's what he deserves God damnit.

I'm missing a few loose sketches for all these aus because they're back at my parents house :(

Bonus Ed because this is what his room looks like but I drew him with automail for some reason?

Okay onto my Ed and Mustang role swap au:

Basically Ed is a colonial in the military when Roy joins as a state Alchemist (at age 18). So there's all that goes along with that. The major focus of the story would pretty much be the original story but Ed is mustang and mustang is Ed. Unfortunately my pea brain has decided to focus on the 'that means Ed had to fight in the Ishvalin war of extermination' aspect of the story lol. Oh did I mention Al's armor rejected his soul so he's dead in this au? Because he's dead in this au :)

I've mostly been working out timeline stuff for this one rn. but yeah, this is the super angsty one lol.

Ed had to cut his hair for his service in Ishval.

Don't have much art for this one because it's the newest lol

Last but certainly not least my post cannon au aka the Marco didn't have that extra philosopher's stone au:

This one's pretty much what it says it is. I personally hate magical cures for disabilities and the ending for FMA always sat a little weird with me so this is pretty much mostly about mustang learning to adapt to being blind now :) he's still working in the military to make amends. Also black hyate is his seeing eye dog and I just get to draw a bunch of royai being a great team :))

It's also gonna focus a lot on Al's recovery because that's really important to me :))

Now you may be wondering 'is Niko actually capable of making a fluffy au????' because this all seems super fluffy so far. Wrong! There's a little bit of angst mostly just there is no fucking way that Ed's arm would be fine after getting impaled by a rusty piece of crowbar I'm sorry. So yeah Ed had to get his arm amputated right after getting it back I'm sorry. He doesn't really mind too much because he's used to having automail it's honestly just more of an irritation to him that he's now going to have to relearn how to write for a second time. Al feels awful about it though.

I don't have any of the art for this au anymore :((((( rip that one drawing I did of post cannon Ed that looked weirdly like Brosh you are missed.

I'll try to take pictures of the other au drawings and post them next time I'm at my parents house but no promises I'll actually remember.

[recurring-polynya]

Writing/Art Update (but not really) 8.29.2024

Well, that went worse than expected.

My summers are never good for creative activity--I'm off my schedule, my house is full of people, every week is some new thing to get ready for. I know this, and I tell myself to lower my expectations and just get through it, and then I always end up disappointed with myself anyway. So that's where we are.

Anyway, thank you to everyone who sent in requests for me to do! I didn't do as many as I had hoped, but I did do six of them (including one that I basically just pulled out of my drafts and dusted off, but at least I did it). I do want to reiterate that quite a few of the ones I didn't do was because they were specifically things that I have planned to show up in my regular fanfic. There were also two that I started and couldn't manage to finish, so there's always the possibility that I could finish them someday.

I actually got inspired and wanted to write a B-part for the last one I did, which I started the day after I posted that one, but then I left for vacation, and a whole lot has happened since then. I've gotten, like 1300 words of it written, but I just haven't managed to finish it yet. I'd been kind of hesitating to call the requests "done", because I wanted to get that out first, but I haven't managed to, so I'm calling the requests done, and if I finish that other thing, I'll post it, and if I don't, obviously I won't.

I'm frustrated because I had big plans to get back to writing this fall: I am steeling my nerves to finish a little in love, now and then, which has lingered on far too long without being finished. I was going to be all ready to go by the time my kids were back in school and...well...I am not yet ready. Everything just took a little longer than I expected and then my grandfather passed away (the funeral is this weekend), and it's all just been a lot at once, and I don't feel at all ready to take on a new project. I mean, I had a number of "getting ready" activities I was going to do, and I haven't done them, and I can still do them, it's just not where I expected to be right now. Kind of like last year when I got covid and took all of September having covid and recovering from having covid and being exhausted. How does anyone get anything done in this crummy world?!!

Also, I guess Bleach Returns is coming up sooner than I expected, in the sense that if I want to do anything for that (which I do), I should be working on that in the near term, except that I've put off a little in love for so long and I don't want to keep putting it off. I think maybe the answer is to try to do some drawing for BR instead of writing this year, and try to keep my efforts low-key.

The upshot of all of this is just that I'm not ready to get back to work even though I thought I would be by this time. I do intend to start these updates up again soon, but I just wanted to put this one out there so no one is expecting anything from me. I want to want to write, but I simply do not have the time or the energy or any ideas whatsoever, so I'm just trying to get thru the stuff that's in front of me, and we'll see what happens after that.