#I'm not great at traditional drawings but here's these rough doodles

[amischiefofmuses]

Halloween costume doodles. Kurt, Cable and Wade.

[aidenlydia]

How long have you been drawing? I really like your art styl. I've been wanting to learn how to draw, but I'm worried I won't ever be able to pick it up or have the patience or know how to start.

(video includes some of my art from 2017-2019)

Drawing has always been a hobby of mine, but I only got serious about it around 2017. The most important thing is motivation, that's why a lot of people get started with fanart and learn the fundamentals through it. Try drawing things you love! References are your best friend, I have entire folders for every character I draw.

All artstyles are a combination of process and appearance preference: I don't use multiple layers for lineart (my sketches are the lineart and I clean them up with an eraser) and semi-realism is the easiest for me because I was mostly into traditional realism at first - I learned I like fine details, clean but sketchy lines and rough textured brushes. It's kinda like handwriting, you already have your own unique way of drawing, but you can shape it to your developing tastes with practice.

For most folk anime and comic styles are usually easier to learn, because they simplify everything already. Especially at the very beginning copying other people's art and manga/comic panels is a great way to get into drawing, figuring out your preferences and build up muscle memory (don't upload copied art, but traced photos are fine).

Remember that the art you enjoy seeing and the art you enjoy making can look vastly different. Having multiple styles, changing over time and experimenting are very natural things.

To this day I struggle drawing chibis and cartoons because I've only studied realism :') Even semi-realism has only recently clicked for me by closely looking at other people's art, so don't stress yourself with only focusing on the fundamentals.

Another tip that really helped me understand better in the beginning was watching various artists draw in real time, just observing them can really clarify the process and break it down. It's also a lot less lonely than learning all alone - there's lots of art youtubers and tutorials.

Here are a few:

How to start drawing for beginners

What our brains do when we draw

How to learn to draw (as an adult)

Learn the sketching basics

Obligatory Drawfee episode

Tips for changing artstyles/get unstuck from patterns

Doodle date (caus they're wholesome and fun)

Guided drawing practice with Nathan

[mokutone]

🌿🌱 Mokutone Masterpost 🌱🌿

Hi! Welcome. This post will function sort of as a FAQ and will be updated as such. You don't need to read it, but if you've had these questions, here are my answers:

"Do you take Commissions?"

Not yet! I do, however, have a Ko-fi, where I'll do some little thank-you doodles!

"Do you have a shop?"

No, not at the moment! I am considering it though...

"What materials do you use?"

By far the questions I get asked the most are about this, so this will get very long and I'm going to put it under a readmore. I will address the papers, inks, watercolors, dip pens, brushes, and other materials that I have used.

I also answer questions about my materials under the "my ninja tools and scrolls" tag, and give art technique advice under the "my jutsu" tag. Yes it's silly, but this is a Naruto art blog. this is what we all signed up for.

Mostly, this will be a list of my traditional materials. I will address the paper, pens, inks, and various types of watercolor that I use!

��� PAPERS: 📄

—Strathmore 400 Series Heavyweight Drawing Pads 100lb/163gsm. (these numbers refer to the weight/thickness of the paper. thicker paper is less likely to buckle) ———> This paper is extremely cheap (a 9"/12" pad is often under 10 dollars), takes inks EXCELLENTLY, but it's a much lighter paper, and it will buckle under watercolor. For this paper, it's good to only paint small sections, to paint very slowly, or to paint with the paper taped down to another surface.

—Fabriano Hot Press (Hot Press means the paper is smooth, not rough) Watercolor Paper, 140lb/300 gsm ———> I use this paper the most because it's fairly cheap to buy in bulk, while still being good enough quality that my picky watercolor teacher approved it, Lol. I can usually find a 9"/12" block of it with 50 pages for about $20 if i look hard enough—and the paper is hardy enough that if I'm careful, I can paint on both front and back of the paper. Bad for archival purposes maybe, but great for having fun and not spending more money. [Example]

—Vision Cold Press (Meaning the paper is rough and textured) Watercolor Paper, 140lb/300 gsm ———> My watercolor teacher said this stuff was garbage, but...I don't really care! It is DIRT CHEAP and YES it buckles a little despite being thick, and YES it feels like cardboard in your hand, and YES it ONLY comes in coldpress, but the texture is grainy and even and nice... and like. when I say dirt cheap I mean dirt cheap. I used to get the 6"/9" 30 page pad for like 6 or 7 bucks. [Example]

—Arches Watercolor Pad/Block, Hot Press, 140lb/300 gsm ———> This is that expensive shit. I got a pad of it for a class back in college, and I dip into it now and again—I also bought a little bit more when there was a sale recently, a 12 page. It's 100% cotton, and it takes pigment based watercolor REALLY well, but it's not so good about dye based (I'll discuss the difference between those later) [Example]

🎨 WATERCOLORS: 🎨

DYE BASED:

Dye based watercolors, because they are based in dyes instead of pigments, are not lightfast. They are not archival. If you expose them to sunlight, they will begin to fade, and some will fade rapidly. That said, if you hoard your art in a dark place once you've documented, go hog wild! The fact that they're all liquid already makes them really easy to use.

—Ecoline Watercolor [Liquid] ———> These are a little watery, but they are cheap and easy, and I used them for the majority of my early watercolor art on this blog!

— Dr. Ph. Martin's Radiant Concentrated Watercolors [Liquid] ———> They are expensive, and sold in small quantities. They are, however very bright, like that label isn't lying! They're super concentrated! I have not actually run out of any of the ones that I bought (at a store closing sale bc otherwise they're too expensive lol) because they only use a small amount at a time

— Dr. Ph. Martin's Synchromatic Transparent Watercolors [Liquid] ———> They are also expensive, and also sold in small quantities. They aren't really made for paper either. They're fine. Probably not worth it though!

PIGMENT BASED:

—Black Sheep Art Supply's Pans And Half Pans! [solid watercolor] ———> These have been very enjoyable for me to work with!! They're very bright, affordably priced, and the paints are from a small business, as well as being handmade and from the first Black-owned art supply store. I've had wonderful experiences ordering from this store, and I wholeheartedly recommend them!

[EDIT: apparently the shop is on a break or something! oh well]

—Dr. Ph. Martin's Hydrus [liquid watercolor] ———> These are liquid watercolors, like the dyes, but they are archival and somewhat light-fast, which means they can be exposed to moderate amounts of sunlight without fading. I haven't gotten to use them much yet, but they seem fine. You do have to shake them a lot to mix the pigment in. They can also be a little difficult to rewet, and may appear somewhat flaky.

—Turner Professional Artists' Watercolors [tube/semi liquid] ———> These are watercolors stored in tubes, you know, the traditional way! I used these for class, back in college. They're cheap, but well pigmented as far as cheap watercolors go. If you're really on a tight budget, this is probably the best pick.

—Holbein Artist' Water Color [tube/semi liquid] ———> My best friend (the one who got me into naruto!) gave these to me! Usually they can be very expensive. They're very high quality, and gorgeous. I'm so enamored with them and touched by the gesture that I use them very rarely, I don't want to lose them! They're special to me!

✒️ INKS: 🖋️

I only use permanent inks which will not bleed (much) when water is applied, due to working in watercolor. This list will reflect that

—Dr. Ph. Martin's Bombay Black India Ink ———> I use this the most frequently. It's a little shiny, but not too bad, and it is completely waterproof once dried. Of the Ph. Martin inks, it's the cheapest by far, and a 1oz bottle (which lasts me months) can be found for about $5. —Dr. Ph. Martin's Black Star (Matte) Ink ———> Very waterproof, does not shine much at all. If you record your art with photography rather than scanning, this may be useful to you! Unfortunately, it's about $10 a bottle. —Dr. Ph. Martin's Black Star (Hi-Carb) Ink ———> Very waterproof, very shiny. I don't use this much because I don't like my ink to shine, but it can be very nice with the right application. Unfortunately, it's also about $10 a bottle.

—Yatsumoto Sumi Ink ———> you can get this stuff cheap. Like, you could get a 12oz bottle of it for like $12. That's very cheap. Unfortunately it's not completely waterproof, and if you agitate (rub the brush vigorously) over the ink, it may seep into the watercolors. If you're careful though, this won't be a huge problem. It's also good for ink-only work.

—Liquitex Acrylic Ink ———> This is also very waterproof, but it also takes longer to dry than the other inks, so I find myself smudging it a lot. It's also about $7 for a 1oz bottle, but about $20 for a 5oz bottle, so if you're committed to the ink, it can be cheap to buy in larger sizes.

—Diamine Registrar's Blue-Black Ink ———> Expensive. Really more of an interesting find than a practical ink for me. This is mostly waterproof, but a very thin ink, and you can feel the nib get scratchier when drawing with it. That's not a bad thing, it's just a textural thing. It's produced in a similar way to medieval inks, with iron and oak-galls, and because of this it has some interesting properties: When first applied to paper, it's a pale or sky blue, but it darkens rapidly as it dries, becoming almost black over time. It runs the rusk of corroding metal pen nibs due to its chemical makeup, and so nibs which use this must be washed extra thoroughly.

✍️ PEN NIB HOLDERS: ✍️

—Speedball Sketching Pen Set: ———> Easiest to get your hands on. Comes with two nib-holders and 6 different nibs to try out, available at most art stores, and usually around $10. It's also not bad quality—I don't use the tiny little nib-holder any more, but I use the standard black one all the time.

—Tachikawa Comic Pen Nib Holder, Model 40/ Model 36 ———> My Favorite. Thank god it has a little rubbery thing around it, because I grip pens hard 😭. It is able to hold standard-size AND small-size nibs. Occasionally, I find that some "standard-size" nibs might not fit, but I've never had this issue with the small size nibs.

Honestly, those are my favorites, but it's really hard to go wrong with pen nib holders. If they fit comfortably in your hand, and they hold a nib, they're good!

🖋 NIBS: ✒️

Nibs are difficult to acquire. They can be expensive too.

— Speedball ———> If you want to get a variety of nibs to experiment, this is my first recommendation. They have a wide variety of nibs to experiment, and find out what your favorites are.

—Tachikawa Pen Nibs ———> They've got less robust options than Speedball, and a little more expensive too, but they're very good nibs! The G-Nib is the standard nib used in comic making, and especially for lettering. It's a very stiff little nib, so it doesn't flex too much. This makes it pretty reliable, and especially good for lettering/writing.

—Manuscript Leonardt Pen Nibs ———> A lot of options for everything from caligraphy to cartography to sketching, also a little expensive—what is notable is that their pen nibs tend to be on the more flexible side, allowing the artist to get a lot of line weight variance. This is bad for lettering, but fun for drawing! They also have pens shaped like hands. Neat.

—Brause Pen Nibs ———> These were always super expensive where I was. I got a few. They come in this dorky plastic case with a sliding top, and I kinda wish they didn't bc that's a whole lotta plastic for something that coulda been stored in cardboard or paper, lol. I now use the cases to hold perfume samples. They're good pens, they're just expensive and the packaging is dumb.

—Whatever the hell is on Etsy. ———> People love to sell vintage things on etsy, and pen nibs are no exception. Often, you can find random samplers of pen nibs, or collections of pen nibs for sale. Sometimes you can find a whole box of one kind of pen nib, often times with a lot of nibs in it. I once bought one of these for like $45 and i don't even regret it because it's got a shitton of nibs and I realllly like using them. It will literally last me the rest of my life.

🖌 Brushes: 🖌

I don't have a lot to say about brushes! Ultimately, if it makes a mark on paper, and you like the mark it makes...I think that's a good brush.

I've been told you should go for ones which hold a shape, I think, and don't spread out in a big puff. Ones which use animal hairs are apparently best, but they are also very expensive. Generally, with watercolors, you will want to use "round" brushes, especially for beginners. If you want to experiment, I recommend Filberts, but there are also sword/dagger brushes if you're painting something like grass. Mostly I use:

—Creative Mark Mimik Kolinsky: ———> As the name implies, these are meant to mimic (synthetically) brushes made from Kolinsky fur. These are nice and I like them. They're cheap, but hold their shape well, and feel good in the hand. —Creative Mark Mimik High Performance Synthetic Squirrel Hair Watercolor Brushes: ———> What a name. I find these to be just as good for me as the Mimik Kolinsky, but a little bit cheaper. As long as ur careful not to treat them too roughly you'll be fine.

—Princeton Watercolor Brushes ———> Good. Expensive, but good. They have a variety of synthetic + natural materials, they are well made, if you have a little money to throw around + want a brush which will preform very well but will not destroy your bank, this is a solid brand. I've used ones from their Velvetouch, Mini-Detailer, and Heritage collections before, and enjoyed them all very much.

Additional Supplies:

—Porcelain Palette ———> I highly recommend using a porcelain palette instead of a plastic palette, both because I like to cut down on plastic when I can, and because the porcelain palettes are just....so much more convenient. The glass-like coating means that they will be easier to clean, whereas all of my plastic palettes over the years have gotten permanent stains. They're a little harder to accidentally knock around because they're heavier, which probably isn't a problem for most people, but I can be kinda clumsy. I can't tell u the number of times I've sent a full plastic circle-palette of watercolors flying lol

[repost-this-image]

Tips For Aspiring Artists

I'm not an expert by any means, but here are some things I've figured out that I wish someone had told me sooner. 1 - 6 are for traditional artists, but the other tips work for digital artists as well.

Get artist-quality supplies. Crayola is nice, but Crayola costs less than artist-quality supplies for the same reason that Barbie's Dream House costs less than a real house: It's for kids to play around with. By all means feel free to practice with Crayola for now, but start saving up for the real thing. You may have to buy markers one or two at a time as you have funds, or ask a friend or family member to buy you that awesome paint set for your next birthday or whatever. Trust me, once you see and feel the difference, you will never go back. It is night and day.

Buy an artists' pen set if you're using traditional media. You know why professionally-inked art looks so good? Because they use a variety of line thicknesses. You know the easiest way to make that happen consistently? A set of artist's pens in varying thicknesses. This is a good set at a reasonable price, and the ink is phenomenal (read that description--your average writing pen doesn't have those qualities). I am not sponsored by Sakura; this is just the first really good pen set I ever bought and it's served me well.

India ink dries waterproof. Let me repeat that: India ink dries waterproof. It's also not alcohol-soluble, which means it's great for working with water- or alcohol-based markers or watercolor paints/pencils. Just make sure your ink has time to dry before you add color!

Prismacolor, Copic, and Spectrum Noir markers are REFILLABLE. This is why they cost more than the store brand. You are expected to keep the marker casing and buy a bottle of ink in a color you're running out of, and a set of spare nibs for when your marker nibs wear out. This is cheaper than buying all new markers, plus you're gonna run out of one or two of your favorite colors way before the rest and you'll be happy to have that ink on hand. These markers are meant for the long haul, and by George they're gonna make sure you can keep using them for the long haul.

Use the right paper for your tools. Sketch paper is great for pencils and some paints, but horrible for everything else. Marker pads are perfect for alcohol markers, but expensive. (I use white cardstock because of how expensive actual marker paper is. Gold leaf is less expensive per square inch.) Watercolor paper has a rough surface that isn't good for charcoal work but has the perfect amount of "tooth" for watercolor paints and pencils, and is thick enough not to pucker the way regular paper does when wet.

Painters, learn about gesso, thinners, and extenders. These items can make your time painting much happier, especially if you work with acrylics on fine details (like, say, doll customization).

Don't overwork yourself. If you're gonna do a marathon art session, set a timer for one hour. At the end of the hour, STOP. Put your supplies down. Get up and stretch your legs and do some wrist exercises. Then reset your timer and start working on your art again. You do not want to end up with carpal tunnel or chronic wrist pain by the age of 25 because you pushed yourself too hard.

Warm up before you start an art session. Nothing fancy--just get out a piece of regular paper and a pencil, and make some loop-de-loops, zigzags, and doodles for 5-10 minutes to loosen your hands up so you can get them to make the shapes you want.

Learn how to practice drawing That Thing You Suck At Drawing. Let's say you suck at hands, and you want to get better. Find a lot of photos of hands in various positions, shown from various angles. Study the way the light hits them. Trace the photos to get a feel for the shapes. Then and only then does it make sense to start trying to draw them freehand. Always refer back to the original photos, NOT to your earlier drawings, so you're less likely to repeat mistakes from your drawings.

Don't be ashamed to use tools that feel like cheating. Real, professional artists use rulers (or the straight-line tool in an art program) and compasses (or the circle program) and stencils (or the stamp tool) all the time. I hear people say things like "You're so talented--I can't even draw a straight line!" You know who can draw a perfectly straight line without help? NO ONE. Tools are there to help you. Use them. There is no special reward for doing things the hard way or Suffering For Your Art. It isn't morally better or a more "pure" form of artistry; it's just harder.

Break the thing you're drawing down into lines and shapes. You know those sketch layers in Photoshop, or those rough pencil marks in traditional art, or the perspective lines in a scene? Artists are basically using sketch time to plot out the general shapes and structures of their subject before fleshing it out more and making it look all pretty and polished. Everything you look at is basically made of lines, shapes, and regions of color. With time and practice, you get better and quicker at doing the sketching part. But you never really outgrow it.