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archaeren · 5 months ago

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How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

#creative writing #writers block #writblr #writers on tumblr #writing #writers and poets #writerscommunity #fanfic writing #writeblr #writing advice

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thankskenpenders · 5 months ago

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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eff-plays · 1 year ago

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Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)

He calls Astarion his "horrible little vampire boy"

He loves seeing the fandom around Astarion<3

He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion

Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens

He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from

They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(

According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it

"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."

"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."

Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough

The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that

Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around

Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)

He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors

The way Astarion moves and poses is "all Neil"

Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")

There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution

However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)

It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)

However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.

The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members

They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.

Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.

He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!

Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.

No discussion about Astarion's romance unfortunately, but that's that!

#bg3 #baldur's gate 3 #astarion #anyway ... after dragon age it feels so mindblowing to have writers who aren't apologists for their characters

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reiderwriter · 5 months ago

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🗝 Don't Back Down 🗝

Pairing: Unit Chief! Sub Spencer Reid x dom! BAU Reader

For the CM Kink Bingo Challenge 24

Requested: Hello!! You are an excellent writer, and I hope you don’t mind a random request. :)!Basically, Spencer breaks protocol and endangers himself - runs after an unsub without backup, takes off his vest, etc. whatever it is - the reader is either there or finds out and is PISSED. She’s obviously not above him in the BAU, so she can’t punish him at work, but she can punish him in bed through toys/edging.

Warnings: 18+ MINORS DNI, brief mentions of details, minor gunshot wound, sex toys, punishment, BDSM themes, male sub Spencer, cock ring, dildo, masturbation (f), squirting, overstimulation (male), multiple orgasms, begging, messy sex, slight cum play, implied oral sex (f), boss/ subordinate relationship, partial established relationship, FWB dynamic. Implied switch x switch.

A/N: Hello! I really loved writing Unit Chief Spencer for my first Kink Bingo fic, so I've decided to bring him back a second time, and I'll be rounding out the challenge with a third part in the Unit Chief saga in July! You don't have to have read the first part, but if you want to, you can find it here~♡ I'm still enjoying the challenge of interpreting all the bingo challenges and this marks my very first bingo line! Let's see if I can get a full board!!

Masterlist || Bingo Board

His tenure as Unit Chief may have been temporary and wholly unwanted, but you admired Spencer's commitment to actually taking care of every member of the team he was left in charge of.

He'd supported JJ in interviews, actually taking care of the press very effectively, and made sure Garcia was calm and stable. Hell, he'd even made Rossi feel better about his work on cases. And for you - well, he'd taught you to shoot straight. That and more.

He'd held you in the middle of the night on the tougher cases, letting you sob into his bare chest the day you'd first killed an unsub. He'd distracted you from cases with his tongue, and his fingers and his dick, he'd given you pleasure where the job gave only pain and stress, and you loved him.

You loved him, even if he was going to get himself killed.

At first, it had been pulling Luke out of the way of a moving vehicle, being almost mowed down himself when on a case. Then he'd walked into a scene without his gun and had actually taken off his vest in exchange for JJ and Tara being able to back away to safety. He'd closed a door between him and Rossi and an active bomb that had only just been deactivated in time, and more recently, he'd taken two bullets for you.

It was like he wanted to die.

Th bullets, of course, had hit his vest, but a third had scraped his shoulder, and the cry out of pain had you nearly hysterical. Luke had taken down the unsub immediately, but you were a flood of tears already, panicking and having and dropping to your knees as you shook, the anxiety of almost losing him flooding your body with adrenaline.

After all that, he was still the one comforting you.

“Y/N. Y/N, shhh, it's okay, I'm here. I'm okay. Don't cry were both safe, I saved you. We're safe.”

You pounded at his chest, but with the others surrounding you, there was nothing to do but stand and pull yourself together, even if you wanted to rage at him and tell and scream.

He gave out orders and was escorted away to an ambulance, and you wiped your tears and got to work. You'd fucked Spencer, sure, you had been fucking him for months now, but it wasn't a relationship. It certainly wasn't anything your coworkers knew about, and you knew they'd have words if they did know.

So you wiped your tears, and you put your head down and finished up your work. Then you made your way back to the jet, back to your home, back to your bed, and waited for him to make an appearance.

You weren't in a relationship, but you knew he'd come. You heard his keys in your door, rolling your eyes at how naive you'd been handing it over - in case of emergencies, really, he had Luke and Penelope’s spare keys as well because they lived alone, it'd be safer.

You sat up in your bed and waited for him to come in, scoffing when he knocked on your bedroom door.

“Was there a point to that, Spencer?” You asked, calling him in.

He looked dishevelled, slightly worse for ware, but god did he look good. He wore a new shirt, a bullet hole ripped in the last one, sleeves pushed up to his elbows. The top buttons were undone, and he discarded his jacket on your chair before stepping closer.

“Y/N…” his voice was so tired you almost forgot how angry you were. Almost.

“No. Don't come to me like that after you pulled that stupid shit today, Spencer.”

“He was going to shoot you-”

“He was going to miss. You're taller than me. And if I'd stayed where I was, I would have fired off a round before he could even get one shot in. But you pushed me out of the way and almost got yourself killed instead.”

He stood with his hands on his hips in front of the bed, a scowl on his face as he struggled with words to find next.

“I won't apologize for saving your life.”

“No, you won't because you didn't save my life. You almost ended yours.”

“Y/N-”

You knelt on the bed now and grabbed his shoulders, pushing him to his knees.

“No. I'm done listening, and you're done talking. If you're not going to stop walking into near death experiences, you don't get to walk in here and fuck me.”

He sank to his knees easily, his eyes wide as you sat up on the bed in front of him. You thought of leaving him there the entire night, of kicking him out into the living room to sleep on the couch. If you hadn't been through so much that day, you'd just send him home.

But sat there on his knees, you saw a flash of desire in his eyes, big and round and needy.

His gaze flicked to your core, and you suddenly entertained different ways to punish him, to train him out of destructive behaviour.

“Handcuffs,” you said, holding out your hands for them. He passed them up, and you left the bed, restraining his hands behind his back quickly and grabbing two items from your draws.

You moved to the bed and knelt again as he looked at you with dark eyes, suddenly aware of what was happening to him.

“Y/N-”

“I didn't say you could speak,” you said as you quickly peeled off your nightdress, leaving yourself bare on the bed.

Usually, you'd feel embarrassed being naked. Even when he undressed you, you felt the urge to cover your tits, to squeeze your legs shut so he couldn't see all of you, to let him pry your hands away, to coax your legs apart.

Now, you sat confidently, spine straightening as you looked down at him.

His eyes took in your body, and he winced as if pained when you touched yourself, knowing that usually he alone had that honour.

“Y/N…”

“One more time, and you won't return to this bed for days. Do you understand?”

Learning, he nodded and sat up again to watch your fingers play with your nipples, twisting them either way as you moaned and sighed above him.

His breathing hitched as you let your hands trail lower and lower until they reached your cunt. You didn't touch yourself yet though.

“Open,” You said, leaning forward and tapping his chin. He complied, opening his mouth and you shoved two fingers inside.

“Get them nice and wet for me.”

He licked and sucked your fingers for two minutes, never breaking eye contact as his spit rolled down your hand.

“Good boy,” you said, pulling them away as you began to touch yourself. Sitting back on your ass, you rubbed your clit, rubbing his spit into your sensitive button, letting him know how good it felt, how close you were to cumming with his spit on your cunt. You plunged one finger in and then another as you watched him bite his tongue, careful not to let even a small sound slip out.

You didn't even have to glance down to know he was hard. It was in the set of his shoulders, the rapid breaths he took. It was the way he sat back on his heels, rocking back and forth to feel some goddamn friction.

You couldn't have that.

You placed your foot on his uninjured shoulder and tried to hold him in place.

“Don't fucking move,” you said, slipping a second finger inside yourself ad you picked up the pace. Your hips bucked ad you watched him watch your cunt, paying attention to every twitch you made, every moan, breath, gasp, and shudder.

“I'm gonna cum, fuck, I'm gonna- shit! Shit-”

You came with a spurt, squirting your cum across his face as he leaned closer, desperate to taste you. You grabbed his hair and forced him backwards though, grabbing the two toys beside you as you dropped down to the floor.

“You're not touching my cunt today, Spencer, not even for a taste. You're not touching anything today.”

You pulled his cock free from his pants and spat on it, not bothering to touch it properly before pushing the cock ring onto him and pressing the on button.

In a minute he was a moaning mess and you smiled at the painful pleasure disrupting his features.

“Eyes open, Spencer, you have to keep watching.”

You kept your eyes locked with his, his mouth open wide in a silent moan as he tried not to cum, desperate to hold out for you as long as he could.

You climbed back onto your bed and spread your legs again, this time accompanied by a translucent plastic cock. You teased your hole for a few seconds, grabbing Spencer's attention before pushing it in.

His eyes were stormy as he watched you fuck yourself with your old companion. You hadn't used it in a while, basically since you'd started fucking Spencer. He had rules, and one of them was that you couldn't use the dildo without his permission. He'd never given permission.

The look on his face now was worth whatever punishment he'd had out in the future, a mixture of anger and pathetic arousal, his eyes never leaving your cunt even as his own dick started spurting.

He came quickly, splashing up his shirt, ruining his pants.

You left him there like that, though, even as he winced from the overstimulation.

He didn't make a sound still, even as his dick got hard again almost immediately after deflating the first time.

“Look at what a mess you made. You're such a little pervert that you just came all over your shirt and pants. I hope you bought a spare, Spencer.”

His fight was gone as he looked at you again, only lust left as he panted and writhed beneath you.

You kept riding the dildo, burying It between pillows so you could ride it easier without needing to hold it.

He watched transfixed as his cock twitched again, vibrating still right on his balls.

“Tell me how good it feels, Spencer.’

“Hurts… Y/N, so good…. it hurts.”

You smiled down at him and kept asking him questions, knowing he'd never be able to stay quiet now.

“Do you want to cum again?”

“Fuck…yes, please, Y/N, please.”

“Do you want to cum all over yourself one more time?”

“N-No… messy, want to cum…in you.”

“What a shame, Spencer, but that isn't allowed. I won't let you cum in me if you're going to try to take a bullet in the field.”

“Y/N… p-please,” he whined, and you heard his voice break, hips thrusting up into the air now as he watched you.

“No. You're going to cum on yourself until you promise not to do it again.”

He shook his head, closing his eyes as he tried to resist cumming for a second time, so out of control. “Please-”

“You can do it. Promise me.”

“Y/N, p-please let me cum” he moaned again, his hands pulling at the restraints so he could get this infernal cock ring off of him and bury himself inside of you.

But it was too late, and his second orgssm stretched out longer than the one before.

You'd leaned in so close you'd caught a drop of cum on your face, but most of it pooled on him instead. He collapses backwards, his cum coating his stomach and chest, his shirt going translucent in places as the ring kept buzzing.

His moans were loud now, and immediately, he knew it was too much to wish for round three.

“I promise! Y/N, I promise, please fuck, I promise.”

You quickly fell to the floor, turning off the cock ring and slipping it off as you kissed him tenderly, thanking him and praising him for doing such a good job for you.

You rolled him onto his side and removed the handcuffs, immediately pulling them into your lap and massaging them, feeling a bit guilty about the red marks.

“Spencer?” You asked after a few moments when he seemed to have regained his breath and his senses.

“Mmm?”

“We should get you in bed. You need to rest.”

He nodded and weakly sat himself up, falling into bed beside you. He threw the dildo across the room and nuzzled himself into you, head buried between your breasts.

You pulled away and came back with a wash cloth, stripping his shirt and pants and cleaning the cum off him as best you could so he could sleep comfortably.

“I prefer when you do that with your mouth, you know?” He joked, and you playfully hit his leg. He couldn't still be thinking about sex after that.

But he was. As careful as you were to not overstimulate him again, his cock still rose again, and he pushed your hands away, pulling you up to him.

“I came twice, but you only did it once,” he whispered between kisses.

“It seems like we need to get even.”

With that, you knew that your turn being in charge was over, and he was the leader now.

"But only if you beg for it," you smirked, looking up at him, but he easily flipped you over, pushing you up so you were kneeling on the sheets above him again, him undernesth you.

You happily followed him as he pulled your dripping core over his mouth, and he pulled you in for one last taste, begging you for forgiveness with his tongue again and again.

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docholligay · 5 months ago

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Do you think authors sometimes don't realize how their, uh, interests creep into their writing? I'm talking about stuff like Robert Jordan's obvious femdom kink, or Anne Rice's preoccupation with inc*st and p*dophilia. Did their editors ever gently ask them if they've ever actually read what they've written?

Firstly, a reminder: This is not tiktok and we just say the words incest and pedophilia here.

Secondly, I don't know if I would call them 'interests' so much as fixations or even concerns. There are monstrous things that people think about, and I think writing is a place to engage with those monstrous things. It doesn't bother me that people engage with those things. I exist somewhere within the whump scale, and I would hope no one would think less of me just because sooner or later I like to rough a good character up a bit, you know? It's fun to torture characters, as a treat!

But, anyway, assuming this question isn't, "Do writers know they're gross when I think they are gross" which I'm going to take the kind road and assume it isn't, but is instead, "Do you think authors are aware of the things they constantly come back to?"

Sometimes. It can be jarring to read your own writing and realize that there are things you CLEARLY are preoccupied with. (mm, I like that word more than concerns). There are things you think about over and over, your run your mind over them and they keep working their way back in. I think this is true of most authors, when you read enough of them. Where you almost want to ask, "So...what's up with that?" or sometimes I read enough of someone's work that I have a PRETTY good idea what's up with that.

I've never read Robert Jordan and I don't intend to start (I think it would bore me this is not a moral stance) and I've really never read Rice's erotica. In erotica especially I think you have all the right in the world to get fucking weird about it! But so, when I was young I read the whole Vampire Chronicles series. I don't remember it perfectly, but there's plenty in it to reveal VERY plainly that Anne Rice has issues with God but deeply believes in God, and Anne Rice has a preoccupation with the idea of what should stay dead, and what it means to become. So, when i found out her daughter died at the age of six, before Rice wrote all of this, and she grew up very very Catholic' I said, 'yeah, that fucking checks out'.

Was Rice herself aware of how those things formed her writing? I think at a certain point probably yes. The character of Claudia is in every way too on the nose for her not to have SOME idea unless she was REAL REAL dense about her own inner workings. But, sometimes I know where something I write about comes from, that doesn't mean I'm interested in sharing it with the class. I would never ever fucking say, 'The reasons I seem to write so much of x as y is that z happened to me years ago' ahaha FUCK THAT NOISE. NYET. RIDE ON, COWBOY.

But I've known some people in fandom works who clearly have something going on and don't seem to realize it. Or they're very good at hiding it. Based on the people I'm talking about I would say it's more a lack of self-knowledge, and I don't even mean that unkindly. I have, in many ways, taken myself down to the studs and rebuilt it all, so I unfortunately am very aware of why I do and write the things I do most of the time. It's extremely annoying not to be able to blame something. I imagine it must be very freeing. But it ain't me, babe.

Anyway, a lot of words to say: Maybe! But that might not stop them from writing it, it might be a useful thing for them to engage with, and you can always just not read it.

Also, we don't censor words here.

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slyscoutess · 7 months ago

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paring: charles leclerc x fem!social media! reader [ has faceclaim ] summary: Strange comments started circulating about your image, your networks and even your work, all because of a viral video, now your boyfriend, not at all jealous, can no longer hide your relationship. writer: The faceclaim of choice was @ mharessa on Instagram, but there is a reason for the choice, everything here is a funny story that is kinda of happening right now in Brasil, with some modified details, I hope you like it ;3

liked by charles_leclerc, carlossainz55, olliebearman and 111.051 others

scuderiaferrari From the grid to your feed. 😎🇯🇵

tagged: carlosssainz55, charles_leclerc

view all 2.075 comments

pipesancheez55 y/n knows exactly what we want to see. Charles and Carlos

charlooos and who's that??? pipesancheez55 she is the admin and social media for Ferrari, and close friends with both boys 55sainz_ now say it in a velvety voice: thank u yourusername

leciceecream admin I hope your metabolism is not accelerated, we are praying for you sweetie!!!

c2loover admin, do you know you are getting married???

bearbooy admin girl, i don't know how to tell you this, but it seems like you were invited to a wedding and you're the bride

carlitoswifey she needs to get a protective order leclerclnoffspring Charles please protect our mother

ln554 I think she's so cute with charles, such a shame she's going to marry that ugly

lestappenheart wtf is going on in this comment section????

liked by andferrari007, joris_trouche, yourusername and 1.611.648 others

charles_leclerc 愛しています日本 🤍

tagged: andferrari007, joris_trouche, yourusername

view all 4.116 comments

yourusername oooh how pretty are this pictures!!! who take them???

charles_leclerc annoying random girl in the last picture, think she is a stalker or something like that lechairpastry oh well, your stalker is being stalked, charlie

drawstaars16 you're neve beating the babygirl allegations

lechairbbg allegations?? that's 100% confirmed supermaxmaxmax he is the definition of babygirl

vanillaleclerc y/n in the last picture, she's hagging with her boys before her marriage

cliatalianfanclub charles, did y/n ask you to be her bestman???

scuderiafanclub charles, ask y/n if her metabolism is accelerated

pastrypapaya we alredy know she has THE called to greatness lestcarlando and the looks does match

mariaferrari ask y/n how the wedding preparations is going!!!

lestappenheart IN HERE TOO??? WTF

liked by iamrebeccad, scuderiaferrari, yourusername and 1.002.910 others

carlossainz55 choose your race week face

view all 5.249 comments

carlandochild when he raises his eybrows >>>>>

ascescuderia I busted 3 time confirmed scuderiacharlos soo true

sainzthinker I just know yourusername take the pictures

yourusername I actually did, and receive no credits for it, can you believe it??? xxemilian I can believe that you have a accelerated metabolism

lec16r did y/n already send you the invitation for the wedding???

beccacarlosluv so when is y/n's wedding???

love4wags you proclame yourself y/n's big brother, are you the one who's going to walk her down the isle??

carlandobaby Do you think she will lose the baby weight fast??

mickrussel are you going to the wedding or is Lewis taking your seat there too??

lestappenheart you guys are kind of impossible right now WTF IS GOING ON??

liked by carlossainz55, lovingwags, yourusername and 21.224 others

iamrebeccad Editorial for russhmagzine

view all 201 comments

carlossainz55 😍

wtfisakmsargeant i'm going to steal your gf carlando_mclaren so early

beccasaainz ARE YOU GOING TO BE THE MAID OF HONOR???

verstappen1655 you are y/n's friend, do you know if she have a accelerated metabolism????

yourusername Forget that spaniard, let's runaway together I BEG

iamrebeccad already packing wait a minute charloslovers y/n's fiance did you know you lose to a woman???

scuderiawaglovers is y/n a woman of god???

lestappenheart I give up honestly . . . Looking good Rebecca!!!

liked by charles_leclerc,scuderiaferrari, iamrebeccad and 21.648 others

yourusername Alexa, play Lost in Japan by Shaw Mendes

tagged: joris_trouche, charles_leclerc

view all 2.116 comments

babygirllechair did she leave the church??

trixpastry girl, did you asked for restriction order already??

supermaxmaxmax CONGRATS ON THE WEEDING, such a shame is not with charles

vanillaleclerc this is not very curch lady of you

sainzz55_ Charles is going to be the bestman and going to cry for the lost of the love of his life on the wedding

landonorris Please, let me be in the weeding

pastrypapaya NOT YOU TOO lestcarlando HE IS SO CHRONICALLY ONLINE

stalkerusername what a beautiful picture, it's a shame that your clothes are apparently becoming less and less cloth, but that will never take away your beauty

lestappenheart oh now I know what is happening

stories responses in instagram dm

scuderiasainzz SUCH A CUTE BABY

ynthinker I just know you were giggling like a proud mother on the bts of this

csj55_ HOW CUTE

sargeantblues Did you loose the baby weight fast after giving birth to this one?

norrizsainsz Is he the one who will take the rings on your wedding day?

stalkerusername God has blessed you with immeasurable talent, and these boys are so lucky to be with you while you are still working

charles_leclerc stories responses in instagram dm

charlieleclec I love how good of a friends you guys are, hope it keeps that way when she marries

cslestappen4 MAMA AND PAPA

maypastrylover Yes, Charlie, keep her mettabolism accelereted!!!!

druvoichmaxie She does seem to have it all in his check list

kikagaaasly Training to be best man in her wedding??

alobonorussel Saying your goodbyes before her husband makes her quit her job to be a full time church lady???

yourusername stories responses in instagram dm

xoxoleclerc SUCH A POOKIE

scuderiaicecream your future husband will not like this

tsunodagaasly going to make a quick time travel to see who you marry in the end

chaynloverrs don't make risk runaways with charlie, you have a stalker

monacopredestinado Are you speeding up his metabolism too?

scuderiawags4life DON'T GO BACK TO MONACO, I BEEEG

liked by scuderiaferrari,lilymunh, yourusername and 1.543.698 others

charles_leclerc showing beauties hidden behind cameras 🤍

tagged: yourusername

view all 4.116 comments

yourusername you take more pictures of me than I take of you, and me taking pictures of you is my job

charles_leclerc some beauties deserve more attention than others lechairsainz He says this and there are more photos of Carlos

ln1644 I wanted their friendship for me

alonsovettel friendship? they are clearly dating and this is a hard launch carlandofishy okay grandma, let's take you back to bed

lecvanillaas I love her being his best friend

jorisfavwag suddenly no one is asking about her metabolism

scuderiahamilton charles ruinning a wedding

pastrypapaya such a homewrecker lestcarlando I hope her future husband knows that her and Charles' friendship comes first

cliqueleclerc future husband screaming, crying and throwing up now

lestappenheart His gallery is just her and everyone else thinking it's friendship

liked by vertappwifey,rosinglovers, mhefandoom and 8.585 others

lovingwags Tired of everyone calling it friendship, possessiveness or worried about obsessed fans?

Either way, Charles Leclerc just kissed Scuderia Ferrari social media manager in front of everyone during his post-race victorious celebration. We need to comment that apparently he had an unsuccessful hard launch yesterday and in recent days we saw a man saying he would marry his, now assumed, girlfriend.

When asked about the matter, Charles simply replied that they had "already taken care of it and the man would never come close to his lover, there was no saint or religious entity that would do otherwise." Charles is known for being jealous, his jealousy being one of the rumors of one of his old breakups, this may have been what sparked the fire for him to admit his girlfriend to the world. What do you think?

view all 475 comments

verstappenmothering Delulu twitter girls WERE RIGHT

yummylechair FUCK YEAH WE WERE yncliquee WE KNEW OUR PARENTS VERY WELL

ynthinker Where were you when the photo of her sitting on his lap on the beach went viral? The photo he reposted on his launch

miniverstln MAMA AND PAPA. MAMA. AND. PAPA

lechairyourname the position of his hands, this man needs to be touching her 24/7

norrizzcunt THE CRAZY STALKER LOST IN MONACO AND SHE KISSING CHARLES IN CHINA

maziemillian SHE'S A VERY LUCKY WOMAN sainnzchair and he's a very lucky man

whatamaxemmil Thank u random dude for making my parents hard launch their relatioship!!!!!

liked by landonorris,carmenmundt, yourusername and 1.789.309 others

charles_leclerc I try one more time to make it clear, the one right there is mine 🤍 If there is anyone in this world who will marry her, it's me, the ring hidden in the closet proves it.

tagged: yourusername

view all 4.116 comments

yourusername I love you so much cutie patotie, pookie bear, literally the man of my life and for my life

charles_leclerc i love you way more, my princess, i love u more than italian man love me riddleleclec FUCK THAT ROME ASS AND JULI GIRL, I WANT WHAT THIS BITHCES HAVE

yourusername WHAT RING??? RUE ( joris_trouche ) WHEN WAS THIS???

joris_trouche We went out to choose around the third week of your relationship landonorris LMAO WHAT A SIMP charles_leclerc no need to expose this here

olliebearman MAMA 'N PAPA

nenasainzz OLLIE norrizlala ONE OF US FOR REAL

lewishamilton I'm happy for you both, wish all the love in the world for your relationship ❤️

sebastianvettel I'm glad you can finally show your love to the world ❤️

yourusername omg thank u, just know you are my all time favorite driver ( and ferrari driver ) and the best father in law I could ask for!!! charles_leclerc your boyfriend and bestfriend are both drivers IN FERRARI???? carlossainz55 we are catching strays here

iamrebeccad GIRLFRIEND STEALER ALERT

francisca.cgomes we need to start plan b to get our girl back iamrebeccad okay . . . but what is plan b? carlossainz55 forgetting plan b just like me, how cute cariño yourusername leave my girl alone, sainz 🫵👊 carlossainz55 That's it, I'm notwalking you down the isle anymore 😤 yourusername no need to get aggressive, let's talk ☹️

cliqueleclerc I AM A CHILD OF A FUTURE HAPPY MARRIED COUPLE 😭😭

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tangents-within-tangents · 2 months ago

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Echo canonically being sentimental (and a sweetheart)

With his armor, there's also the "For Hevy" memorial, the fact he kept Rex's handprint, and that he put the Bad Batch skull on his armor before he even joined them

Echo holding 99 as he died has always stuck out to me as one of the saddest/sweetest things in TCW (especially since the show rarely actually shows clones mourning/expressing much emotion)

I also noticed that Echo is often the one to mention his brothers by name, and make sure they're remembered. And of course his entire thing about saving his brothers and leaving no one behind. (Also that he turned the call signs into this like nickname/inside joke thing with Omega is so adorable to me ahh)

And then there's whatever this is:

Not even a reaction to the name (and we know they are good at implying expression under those helmets)! I know this is old news but it bears saying lol. They had the perfect opportunity here to not only address Echo's loss, but also to honor Fives and the sacrifice he made to discover the chips. A sacrifice which saved Ahsoka, Rex, and now the Bad Batch. This is obviously not the first time Echo and Rex talked about Fives, he knows he's dead (I firmly believe he would not have left the 501st if Fives was still alive), but come on! This did the bare minimum to check the box of 'mention Fives.' How about you cut Wrecker getting attacked by a sarlacc or whatever and give that screen time to show us an actual conversation?

Like I found this bit in an interview:

While the conversation obviously never happened onscreen, Corbett says that doesn't mean it never happened, suggesting the two talked offscreen, saying "For Fives, I imagine that Rex and Echo had that conversation after he was rescued off of Skako Minor, and I know in Season 1 we did have Rex reference Fives on Bracca," adding "So, in my headcanon, they've had many conversations about Fives."

And I'm just like... Jennifer! You don't have to have headcanons, you are literally the writer! Show us!!

(Also he should have gotten his handprint again no I will never let this go)

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pygmi-cygni · 3 months ago

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STOP DOING THIS IN INJURY FICS!!

Bleeding:

Blood is warm. if blood is cold, you're really fucking feverish or the person is dead. it's only sticky after it coagulates.

It smells! like iron, obv, but very metallic. heavy blood loss has a really potent smell, someone will notice.

Unless in a state of shock or fight-flight mode, a character will know they're bleeding. stop with the 'i didn't even feel it' yeah you did. drowsiness, confusion, pale complexion, nausea, clumsiness, and memory loss are symptoms to include.

blood flow ebbs. sometimes it's really gushin', other times it's a trickle. could be the same wound at different points.

it's slow. use this to your advantage! more sad writer times hehehe.

Stab wounds:

I have been mildly impaled with rebar on an occasion, so let me explain from experience. being stabbed is bizarre af. your body is soft. you can squish it, feel it jiggle when you move. whatever just stabbed you? not jiggly. it feels stiff and numb after the pain fades. often, stab wounds lead to nerve damage. hands, arms, feet, neck, all have more motor nerve clusters than the torso. fingers may go numb or useless if a tendon is nicked.

also, bleeding takes FOREVER to stop, as mentioned above.

if the wound has an exit wound, like a bullet clean through or a spear through the whole limb, DONT REMOVE THE OBJECT. character will die. leave it, bandage around it. could be a good opportunity for some touchy touchy :)

whump writers - good opportunity for caretaker angst and fluff w/ trying to manhandle whumpee into a good position to access both sites

Concussion:

despite the amnesia and confusion, people ain't that articulate. even if they're mumbling about how much they love (person) - if that's ur trope - or a secret, it's gonna make no sense. garbled nonsense, no full sentences, just a coupla words here and there.

if the concussion is mild, they're gonna feel fine. until....bam! out like a light. kinda funny to witness, but also a good time for some caretaking fluff.

Fever:

you die at 106F (40.5C). no 'oh no his fever is 107F!! ahhh!" no his fever is 0F because he's fucking dead. you lose consciousness around 103, sometimes less if it's a child. brain damage occurs at over 104.

ACTUAL SYMPTOMS:

sluggishness

inability to speak clearly

feeling chilly/shivering

nausea

pain

delirium

symptoms increase as fever rises. slow build that secret sickness! feverish people can be irritable, maybe a bit of sass followed by some hurt/comfort. never hurt anybody.

fevers are a big deal! bad shit can happen! milk that till its dry (chill out) and get some good hurt/comfort whumpee shit.

keep writing u sadistic nerds xox love you

also - this post was not an invitation to share a bunch of enormously traumatic stories. stop messaging me things like 'related to ur last post' and then it's a really upsetting recount of an assault you experienced. this is a writing blog, not a medical newsletter. I'm muting the notifs because I don't like seeing it pop up in my feed - if you have a genuine writing question, please dm me, i'd love to hear it. thank you.

#whump writing #hurt/comfort #fever #sickness #injuries #writing tips #correct medical scenarios

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pathologicalreid · 2 months ago

Note

I'm a terrible writer but always get good ideas lmao

Idk if you've ever seen friends or not but there is this one scene where Rachel and Ross go to a sonogram appt and she has a whole breakdown cause all she saw on the sonogram was a blob and not a baby. (I'm pretty sure it was like their first appt or something idk)

I'm a sucker for dad!spence and you're one of my favorite writers for him.

Feel free to totally ignore this if this is trash lol💓

amorphous | S.R.

your first appointment goes exactly how you expected it to, but not at all how you wanted it to

who? spencer reid x fem!reader category: fluff w/ comfort content warnings: pregnancy, ultrasounds, doctors, pregnancy symptoms, emetophobia warning word count: 795 a/n: i have never seen friends but i hope that this fic does your request justice. ilysm.

You put on a brave face as you accepted your appointment card from the secretary, thanking her for her time before sliding the card into your pocket, trusting that Spencer would remember the date and time of your next appointment.

Everyone had tried to prepare you for this appointment. At eight weeks, all you were going to do was confirm that you were actually pregnant and make sure that you were measuring accurately. The internet told you that was going to happen. Spencer told you that was going to happen. Your OB told you that was going to happen.

None of that prevented the sheer disappointment you felt while leaving the obstetrician’s office. You lagged behind Spencer, taking the steps to the parking lot considerably slower than he was.

It didn’t take him long to notice, keenly aware of your every move as if he had developed a paternal superpower, your husband waited for you at the bottom of the steps. “What’s wrong?”

You opened your mouth to respond, gesturing over to the building before shrugging, “I thought it would help,” you confessed, sticking out your bottom lip in disappointment.

Spencer’s gaze softened as he ushered you off to the side and out of other people’s way. He knew you had been struggling with the lack of visibility that early pregnancy had. You hadn’t told friends and family yet, the only people who knew – aside from medical professionals – were the two of you.

“I just wanted to see it,” you mumbled, looking sheepishly to the ground. “I thought it would make it feel real.”

He nodded in understanding, using the pads of his thumbs to deftly wipe away any stray tears on your cheeks, “You saw the screen though, right?”

You thought you had been looking at the screen, but maybe you had been so distracted by the transducer that your brain hadn’t processed what you had seen. The baby hadn’t been in a good enough position for you to hear the heartbeat.

“Here,” Spencer said, setting his hands on your upper arms before guiding you over to an empty bench. Once you were sat, he dug through your purse and produced the sonogram images that you had been given.

Suspiciously, you eyed the black and white pictures that Spencer had gently set in your lap, “It just… it’s just a little white blob.”

Maintaining your attention, Spencer pointed at the picture, “Do you see this part here? That’s the head,” he dragged his finger over slightly, “There’s the body,” he showed you. Guiding you through the sonogram, showing you every part in hope that it would console you.

“I just…” you faltered, looking at the photos as you tried to see it as a baby instead of a blob, “I don’t have a bump, we couldn’t hear the heartbeat, I guess… I guess I wanted some sign that they’re okay in there.”

Crouched down in front of you, Spencer cocked his head to the side, “Honey, what’s the first thing you did this morning?”

Your eyebrows furrowed in confusion, “I showered?”

Spencer shook his head, “Even before that, the very first thing you did this morning,” he encouraged you.

Your face warmed as your eyes flittered up to his, “I threw up.”

“And do you know what made you so sick?” He asked pointedly. Smiling timidly, you looked down at the photos with a newfound fondness, “The baby.”

He nodded, “Every morning that you wake up nauseous and every time you’re tired in the middle of the day are all little signs that they’re doing just fine.”

You sniffled slightly, wiping tears from your face with the sleeve of your sweater, “I’m sorry,” you murmured, “You probably think I’m being so dramatic.”

“I think you’re scared, and it’s okay to feel that way,” he reassured you. “We’re gonna see them again, okay? Next time we go they’ll be more than three times bigger. Our little blob will have tiny arms and legs.”

You frowned down at the pictures, still frustrated that this was all you had, “Twelve weeks feel so far away.” You had scheduled your nuchal scan for the end of next month, which felt like eons into the future.

Spencer smiled at up at you, “It’ll be here before you know it,” he told you softly, “No more tears, okay? I still have an hour before I have to go to work, did you want to get something to eat?”

Nodding softly, you put the photos back in your purse before standing up, “Yeah, maybe something with raspberries? That’s how big my phone says the baby is – the size of a raspberry.”

Tilting his head back slightly, Spencer chuckled at your proposition, “Absolutely, we’ll find the best raspberry dish in the district.”

#criminal minds #spencer reid #spencer reid x reader #criminal minds fanfic #spencer reid fanfic #criminal minds fanfiction #spencer reid x you #criminal minds hurt/comfort #spencer reid hurt/comfort #criminal minds fluff #spencer reid fluff #spencer reid fanfiction #spencer reid fic #criminal minds fic #spencer reid x fem!reader #margot's requests #spencer reid dilf agenda #written by margot #q

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good-griief · 3 months ago

Text

losing game pt. 1

HEYYYY i'm actually back with a lil smutty angsty ellie fic bc i needed to write for this woman... anyway here's part one its only a lil angsty i just wanted an excuse to write rly gay smut so enjoy and p2 tmrw!!

as most of yall know any reader i write (as a poc writer) has no race, i just wanted to use a picture of taylor momsen bc i love tpr and that's definitely the vibe of the music in this fic

part two part three

read me click me

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Being in the rock scene was your dream. You started with small gigs, then small venues and festivals, and now you had a band to go along with your music. Your career was kicking off and it felt like heaven; every performance, every song, all the adrenaline made for some of the best nights of your life.

When you picked your band, you hand-selected each member, and to say you picked your guitarist for any reason other than how pretty she was would be a lie. Yes, she was amazing, but you also couldn’t speak when she walked in for her interview. She just smiled, laughing at the way you stared at her before your manager started talking for you. He often did, she came to realize.

She still accepted the moment you offered her the position, but she made it clear that she didn’t like your manager. She accepted for you; to be with you.

And she slowly became your favorite part of performing. You had this way of connecting with each other — of course, you were close with all of your band members, but she was different. You’d spend time together one-on-one, smoking a joint and talking about nothing until one of you had to force yourself to go. You’d get coffee together, have dinners, and even spend the night at each other’s apartments. Whenever someone asked about you two, you said you were best friends. Even when she was waiting for you at the end of the carpet, and you both laughed at your answer like it was some kind of inside joke.

Even when you were onstage, on your knees, singing your most sensual song to her as she melted to your level, smirking as her hips thrust against the electric guitar. Sometimes, she even sang with you. You’d hold her face, or thread your fingers through her hair as you held eye contact or rested your forehead against hers with shut eyes, and if there was a break in the song you’d kiss her hard — a stage kiss that the crowd would erupt in cheers over. But they happened offstage, too… after a shared joint or during a party. Nothing more.

She’d let you place your fingers on the strings of her guitar to find the chords as you stood behind her, her head leaning back on your shoulder in a way that showed the muscles on her neck as she breathed in heavy, hot breaths. She let you wrap your hand around her throat, groaning in your ear as fans caught pictures of you dragging your tongue over her sweat-ridden jaw or biting her shoulder as she grinned.

There was one night you let her take over the mic as you danced along. She played her guitar, singing and watching you until you sang with her. Your hands drifted down her thighs as you kneeled behind her, the crowd screaming as you lifted her shirt and came around to kiss the line of hair below her belly button. She smirked, stopping her playing and fisting your hair to pull your head back as you laughed.

Nights when you’d take off your shirt, tossing it into the audience and pouring your water on yourself before she came to lick it up, tongue dragging over top of your breasts as you sang breathlessly. There were times she had to wrap her arm around your back to keep you standing when she did that, the action so intimate, so arousing, that it was hard to remember why you were on stage and not in your dressing room, alone with her. Some nights she’d take her shirt off and give it to you if she didn’t want anyone else to see you, smiling at you with her shirt on before you came over to kiss her cheek.

There were moments with other band members, but none of them were like her. They didn’t make you feel the same — none of them were her.

So, when the end of her contract came up and she talked to you about leaving to pursue other things, you were devastated. You didn’t think she’d leave, but after a talk with your manager, her decision was set.

“I think you should,” you told her anyway. “Whatever makes you happy, Els, seriously. I’ll support whatever you do.” She smiled, taking your hand to kiss. On the inside of her fingers, and yours, you could see the matching tattoos you got months ago, threading your fingers together so they match up.

You dedicated your last show with her to her. It was a surprise, and she cried when you said it in the beginning, but she just turned away to shake it off quickly. At least, she did until you started crying during a song you wrote for her — it was another surprise from you and the rest of the band, but the minute she saw you crying she couldn’t keep it together. She came over to hug you, kissing the top of your head as she let you hide your face in her chest. The crowd awed, but Ellie took the mic to say you’d be back. She set it down and lifted your head to make you look at her. “I love you, pretty girl,” she said, away from the microphone so no one heard her, but they could sound it out if they wanted to. “Please don’t cry.” She wiped beneath your eyes, ignoring the camera flashes and screams from the crowd. “I hate that I can’t do anything about it right now.”

You smiled. “I’m gonna miss you so much.”

She laughed at you. “It’s not like I’m going anywhere.” She nodded to the microphone. “Finish my song, I wanna hear the rest.”

“You’re an idiot,” you said, now standing at the mic and making the audience laugh.

You were such an idiot.

She never told you what other things she wanted to pursue, but you should’ve known.

Of-fucking-course she was pursuing her own music. Of-fucking-course she was starting her own band. With yours. Of-fucking-course all of their contracts ending over the course of a few months would amount to this. Of-fucking-course each last show you dedicated to them meant nothing.

You couldn’t even be mad. It was smart. But you were beyond hurt.

And she still dedicated her first show to you. She texted you herself, asking you to come.

When would you learn your lesson?

“I just want to thank you guys for coming,” she said to an audience of mostly your fans. “You might know me — us — from a backup band, but we got a little tired of being backup, didn’t we?” The band laughed. “So, uh, my name’s Ellie if you don’t know… probably don’t,” she laughed as if you’d never thanked or introduced your band before. “And I just want to dedicate this show to the previous artist I worked with. I wouldn’t be here without her, so she means… a lot,” she said it so fucking snarky, “to me, and… I have a few songs for her… if you all wanna guess which ones they are.”

And her first song was the biggest Fuck You song you’d ever heard.

Still, she texted you after the show.

She didn’t ask you to come to another show, and maybe that was because you announced a break from music, or because she was getting so much attention that she didn’t care. You saw her at award shows sometimes, and she would cheer when you won. Of course, you’d cheer for her too, but it never went beyond that. Almost like it was an unspoken rule that you weren’t on speaking terms.

But the minute you came back to the scene, almost a year later, she texted you for the first time since her first show.

You didn’t reply at first. You hadn’t kept up with her at all during your break, your manager telling you to stay away from any of her and her band's promotions and interviews. He had you block all of them and their numbers, but you couldn’t bring yourself to block Ellie’s. And you were glad you didn’t. Usually, you didn’t have your phone on you until late at night, your manager having your assistant handle your messages and social media, but you were about to fall asleep when she texted. As if she remembered your schedule.

And it prompted you to look her up. Then her and you, and you could see countless videos.

every time ellie has mentioned “her” compilation was what you decided to click on. It was made by an account that was clearly a big fan of hers, so you readied yourself for any hate that’d be thrown your way.

The first clip was an interview, asking her why she split from your team. “You know, I really loved her and her team,” she said, “still really love her. It’s just hard being reminded, constantly, that you're a stepping stone and your time is running low, you know? We might’ve held her back if we stayed, and she was moving on to better things,” it sounded like she was quoting someone else. “—I mean, she always wanted us to shine, and I’m so grateful for her. I really miss being on stage with her, but I don’t miss anything else besides her and I think that says a lot.”

Another was on her way into a hotel, a reporter asking if you congratulated her on an award. You could remember seeing her at the show before your manager called you over just as she was walking your way. She laughed, “haven’t talked to her in months.”

Another of a sit-down interview with the whole band, your name being brought up and Ellie snapping at them, “You know I really wish people would stop asking me about her.” She got choked up as the others answered, nose reddening when the question finally circled back to her. “We’re not friends, we don’t talk, she doesn’t want anything to do with us, so...” She shrugged, pissed off.

The next was another interview. It seemed she was just having to get used to being asked about you. “I’ve tried to reach out,” she said, “maybe she changed her number.”

Another. “She was my best friend, I miss her a lot. I hope she’s doing okay.”

And another, asking about her songs. “Yeah, I wrote a lot about her — No, I don’t regret it. I feel like it reflects a moment in time, you know? It was a really nice moment — I mean, I still have our matching tattoos,” she laughed, showing the tattoos on the insides of her fingers.

Another, after a show. She was always emotional after shows, and it made it harder to watch as she wiped her eyes when the interviewer asked what your relationship really was. “I don’t fucking know,” was her answer before she walked away.

Some of them were sweet, memories you shared that made you laugh. Others made you sick with guilt, like when she mentioned your lack of response or you blocking the band. Some just made you sad. And you felt like an idiot for doing this, but after reading the comments, some defending you for not running your socials or phone, or angry with you for the same reason, you played a compilation of the two of you together from the same account.

Then you called Ellie.

It rang once before sending you to voicemail and you just hung up. You kept your attention on the video to distract yourself from how much that stung.

But she called right back.

You stared at the phone for a moment, seeing the contact poster of the two of you at her last show with you lighting up your screen and feeling your words get caught in your throat as your eyes stung. You grabbed the phone, answering quickly. “Ellie?” It was silent, “Ellie, I just wanted to say, I had no idea… I understand if you never want to talk to me again, but I—“ You cleared your throat, trying not to sound like you were about to cry. “I’m really sorry.”

“I thought — I didn’t think you were going to — It feels so good to hear your voice,” was what she settled on after stammering through a few sentences. “You have no idea how much I’ve, just, wanted to talk to you…”

You bit down on your lip as you listened to her. She didn’t sound angry, but she clearly had so much to say to you. Her voice was filled with feeling as she went on, trying to get everything out as if she thought you’d hang up the phone at any minute. You just listened, shutting your eyes and bringing your hand over your face as hot tears spilled down your cheeks. You couldn’t bring yourself to understand why you were so emotional, maybe it was the fact that you misunderstood her so easily, or that your manager had ruined your relationship with her, or maybe it was even that you were just getting to hear her talk after so long, but she paused the moment she heard you trying to calm your breathing.

“Please don’t cry.” She already knew. “I hate it when you cry and I can’t do anything about it.”

“I’m sorry,” you mumbled. “Keep talking. What were you saying?” You looked at your computer, auto-playing something else of the two of you. It was clips of you on stage and during interviews, heads on each other's shoulders, hugging, kissing each other’s cheeks, singing together. You pursed your lips, tears coming quicker as you slammed your laptop closed. “Ellie,” you cut her off, biting at your lip as you looked at the empty spot on your bed she used to take some nights, “what are you doing right now?”

“I’m on my way,” she said quietly, and you could hear her shuffling on the other line. She was probably getting ready to go to sleep, and wake up to no response just like every other time she messaged you. And you would have woken up with no idea she even texted you. “Do you want me to stay on the phone?”

“If you’re already headed to sleep—“

“I’m coming over,” she said. “I’m already in the car, I’ll be there in ten, okay?”

“Okay…” Now you felt bad for making her leave her house, looking outside at the snowfall and sniffling as you tried to wipe your eyes. “I’ll see you soon.” You hung up the phone and groaned at yourself, shoving your head in your pillow.

You opened your laptop, typing in the song names people speculated she wrote for you and queuing them all. Not one was the one you heard during her first show, and it made you feel even worse by the time the doorbell rang. You moved off of your bed, wiping your eyes and going to the door to buzz her up to your apartment.

You waited by the door, balls of your feet kicking at the floor as you crossed your arms and waited for her to knock. It was the same rhythm she used to knock in, and where it usually made you smile, it made you cry more. God, you missed her, and you didn’t even realize how much until now. You took too long to open the door and you heard the lock click. She still had her set of keys, and that made you feel worse, too. She’d probably texted you about returning them, and you never got to see it. Nothing was making you feel better as she opened the door, and seeing her face just made it worse.

“God,” she muttered, immediately bringing her arms around your waist. She tucked her head into your shoulder, shutting her eyes as your arms went around her shoulders. Her hands held you like you’d disappear the minute she let go, thumbs running soothingly back and forth over your shirt. “I missed you so much,” she said. “They all wanted me to get over it, but I knew there was no way — I knew we had something more than just — fuck, I know you better than they do. I know I do.” Her lips brushed your skin with every word. “I missed you so fucking much,” she repeated, hugging you tighter.

Just her touch made your tears slow to a stop, relaxing into her hold and hugging her so tight, but she didn’t care. She was happy to be back in your arms. Your hand drifted to her hair, cradling her head to your shoulder. You could remember the nights you spent playing with her hair until you fell asleep and the thought made you run your fingers through it. She sighed, pulling her head back but refusing to let you go.

There was a silence as you moved her hair out of her face, tucking the strands behind her ear. Slowly, your hand cupped her cold, flushed cheek. She leaned into your touch, eyes falling to your lips as your thumb stroked her cheek.

“Ellie,” you muttered and she hummed, turning her head to kiss the inside of your palm. “I missed you, too,” was all you chose to say despite the wanting in the way you said her name. Her hand took yours as she kissed the inside of your wrist. “So much…” Her kisses trailed up your arm, with more of a meaning behind them than any of the kisses you’d given each other before.

You moved your hand back to her face, turning her head toward you. She met your eyes, hers shining in the low light. They fell to your lips again and she leaned in, kissing your cheek. She kissed away every tear stain, still wet and warm. She moved closer and closer to your mouth, but never kissed you, kissing away the stains on your other cheek instead.

Then you turned your head, catching her lips for a brief moment before she pulled back. There was a moment of hesitation, neither of you able to speak before she pressed her lips to yours. They were still cold from being out in the snow, but they warmed as you kissed her back, pressing your body impossibly closer to hers as she sighed into your mouth. She couldn’t tell you how long she had wanted this, but she knew it was long enough that her waiting for you was pathetic.

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