#I'm not a writer in any way don't look at me
Explore tagged Tumblr posts
stellardeer · 22 hours ago
Text
I feel like a lot of people in various reblog chains of this post have kinda lost the plot, so I'm reblogging this version to bring the emphasis back on the AI "detectors".
Whether something like Grammarly is considered AI or not is a little irrelevant, but most people consider using a spelling/grammar checker to not "count" as AI (despite the fact that you may be able to write out a bunch of nonsense and have Grammarly correct it over and over until it passes as a sentence)
And what a teacher will generally use an AI detector for is to check if the student wrote the paper or prompted an AI to give them a paper. As far as I know, Grammarly can't finish your entire document for you based on prompts (but I haven't used it so feel free to correct me) so I feel like a lot of the notes trying to argue whether it counts as AI or whether auto correct is useless now are just getting away from the point this point was supposed to be making:
You can't trust an AI detection software to accurately predict whether something was AI generated.
And part of the reason for that is that AI-detection software could ALSO be considered a form of AI. It is limited both by the dataset being fed to it to determine whether something is or isn't AI, and by any biases of the human who programmed it. If the programmer writes a program that says "look for anything that isn't perfect English and flag it as AI", they are showing that they don't trust anything written in broken English. I'm not sure why it might flag a word like "devoid", but if the AI detector is looking for patterns amongst known AI samples and the word "devoid" comes up a lot, it might just assume that any text using the word "devoid" has a higher chance of being AI generated.
Let's go back to the Both Of These Are Bad part.
It shouldn't need explaining why AI detectors falsely flagging ESL writers' works as AI is just bad and just contributing to systemic racism, so let's talk about the ways in which it can be harmful to native English speakers.
As stated above, it's interesting that an AI detector might flag words that seem "complex", while much of mainstream writing is trending towards simplification, for better or for worse. It could mean that since a lot of non-AI writing is so simplistic, anything that deviates from that is considered abnormal. Or it could, again, just be a programmed bias of the author of the program. I think this is more the point that thebibliosphere might have been trying to make, not that Grammarly specifically is evil AI that's making everyone write bad, but that a larger cultural shift to more simplistic language is happening and when things like Grammarly tell you to simplify your phrases or an AI detector tells you that your essay was AI generated because you used a big word, it's encouraging this simplification at a much faster rate than if human editors and teachers were directing their writers/students to do so.
Grammar software is perfectly optional for professionals, of course, but if a student is going to fail a class because their essay can't pass an AI detector, well, they can't really opt out of that. They have to change their wording to something that might not be as vibrant as what they originally wrote, or risk failing and potentially worse action depending on a school's plagiarism policies. It's essentially going to train kids to write in specific ways to get around it, and they might not understand why their paper was flagged or what AI even is yet, they're just going to assume that their writing was wrong and needs to be fixed. And let's not assume that only the kids writing their own essays are doing this, either. If kids can write a whole paper using AI and then change a couple of words so that it passes the detector, they're going to do that too!
Again, the point here is that the AI detectors are not infallible, often make racist assumptions, and cannot be the only method used to check whether something was AI generated.
I don't really have a good conclusion because I don't have the answer to this problem, because it goes beyond students in a classroom and you won't always get a document history to check. I just felt like this post was losing it's direction and I needed to clarify it for my own sanity.
Tumblr media
38K notes · View notes
Text
Tumblr media
Chapter 14: Don't Be A Bundt Cake
Pairing: Soldier Boy x f!reader, Reader POV, Soldier Boy POV
Summary:  When you decided to work with Butcher and his merry band of supe hunters to take down Homelander, you never expected to be saddled with a sullen, grumpy, jerk like Soldier Boy when the job was done. The more you're around him the more you hate him, but you can't help but wonder, is he really as big a jerk as you think? Reader is a supe with plant powers. This takes place in an AU about a month after the end of The Boys Season 3, in which Butcher has let Soldier Boy continue to work with him on his team.  (I'm real bad at summaries, please forgive me!)
Tropes: Enemies to Lovers (Not in this chapter), Slow Burn, Age Difference (Reader is in her 20s), Soft Ben/ Soldier Boy, Protective Ben/Soldier Boy, Miscommunication Trope
Word Count: 13.1K
Warnings: I'm going to label this 18+ because Soldier Boy (he's a warning and everyone knows it), Swearing, Mentions of Sex, Sexual Innuendo, Talks of Death, DENIAL, Idiots in Love, Pining by the Reader (and SB, but he won't admit it) Depressing Thoughts, Mentions of sexual assault/rape (not detailed at all, really just in passing) Talks about weed, Sexist comments, Ben makes derogatory comments, Threatening Ben/Soldier Boy might be a little bit OOC.
Note: This is told from Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. If you don’t like, don’t read, but if you do like, you’re my favorite!
Internal monologue is in italics and is in first person.
Series Masterlist
Main Masterlist
A/N: I am so sorry this one took me a bit longer. The writers block was fighting me the whole way, but we are very closely nearing the end of this series and the moment the reader and Ben stop being so stinkin' stubborn.
Tumblr media
Reader POV
You lean your forehead against the cool window, watching the world flash by in a flurry of color. The wooded forests had vanished hours ago and all that was left were the yellowed sprawling fields of corn and grain and family farms that were laid sporadically along the interstate. Each one a little world that caught the flecks of golden sunlight as the sun began to peak above the horizon.
The bus rolled smooth and steady over the weathered pavement towards it's destination and was filled with an odd assortment of people young and old. There was man with a brightly colored parrot that had been singing "It's A Small World After All" since you left NYC, a woman with a little boy playing with an iPad and who refused to turn down the volume no matter how many times his mother asked him to, a group of teenagers a few seats up that continued to pass around a flask, and due to how far back you were sitting on the bus an uncomfortable smell emanated from the bathroom each time the door was opened.
But you didn't notice any of it.
The only thing on your mind were the events that happened almost twenty hours ago. They continued to circle your mind, playing over and over again like a perverted cassette tape making you sink further into the worn cloth covered seat at the back of the bus. The images were haunting, some new and some old, but all the more still horrible to re-live.
The song "Nights In White Satin" floating into the backseat of your family's car, the flash of unnatural light you knew was never lightning, the caskets at your parent's funeral covered in flowers that were much to pretty to lay on something so morbid, Elijah's body succumbing to the poppies that ripped him apart, the proud sneer on your brother's face when he admitted to killing your parents, Darren's broken and bloodied body strewn in pieces over the street with the creature standing over him with a dripping red maw, the ruined building that housed "Please Don't Die" reduced to nothing more than rubble, and the look on Ben's face when you turned your back on him and fled the scene.
For some reason that particular image seemed to cling on to you and refused to fade. You'd never seen him look that way, almost… helpless and a little fearful. In all the time you'd known him, Ben had never looked at you that way. Sure you'd seen him proud, angry, cocky, lustful, mischievous, but never fearful. And you were sure that it wasn't an emotion that he was used to feeling, but that begged the question… why?
Why was he looking at me like that? Why wouldn't he let me go? And what was he afraid of?
The creature curled in your lap snorts something in it's sleep, turning it’s head further into the cradle of your elbow to shut out the brilliant early morning sunlight. It was now the size of a toaster and had warranted several odd looks whenever you got off to change buses, but you didn't care.
You weren't sure about anything anymore. Everything your brother confessed to you made you feel like you were living a lie and the revelation of exactly what your powers could do- take life from plants to heal yourself, create whatever the hell it was on your lap, and speak to plants… it scared you.
You thought for so long that you knew everything about your powers, that you were in control, but now you weren't sure.
You felt different, as if something had unlocked deep down that you couldn't shut up again.
You'd felt different after you killed Elijah, but this was more alive, weaving and twisting in the pit of your stomach. You felt more connected to the earth, to the world outside the bus even though you were divided by glass and metal. You could feel the energy that thrummed through the body of the creature on your lap, bending to your will, the life force of the plants it was formed from molding with you, becoming a part of you.
You felt so different than the person you had been before Darren entered the shop, so uncertain, and there was only one place you wanted to be when you felt like this… home. You couldn't wait to run up the worn front steps of your grandmother's house and into her arms. She always knew what to say in times like this.
And you desperately needed the comfort of her embrace.
The phone in your pocket buzzes again and you flip the screen to see the ridiculous selfie Annie and you had taken on Halloween last year. The one that you'd both spent dressed up as the two brothers from your favorite paranormal tv show. It wasn't the first time she'd called. Annie had called and texted you more times than you could count over the past twenty hours but you didn't answer her. You didn’t want to.
It was the first time that you didn't want to talk to her, but talking to her meant that you'd have to re-live all of it again and you were clawing at the last shred of sanity you had left to keep it together.
The overwhelming waves of emotion kept pummeling you, dragging you deeper beneath the white surf. Each one brought the memories of what happened surging over you and were followed by everything that Darren said to you. Years of taking care of Darren and doing whatever he wished were tearing at your soul, years of giving up little things in your life to make him happy, and years of taking care of a man who you thought cared about you, but hated you enough to kill your parents and try to kill you too.
It made your skin crawl. Each time your brother told you that he loved you was an even bigger lie and now that you knew the truth and saw him for what he was, it felt like you were drowning. The darkness that ebbed just on the edge was begging you to leap into the abyss, but you were resisting the best you could.
The tears had stopped falling miles ago, but you couldn't stop the memories or the emotion that formed a cold ball in the pit of your stomach.
A sigh works it's way up and you pull your legs on the seat underneath you, jostling the creature on your lap that raises it's head for a moment to blink it's black eyes at you sleepily.
It was surprisingly docile right now, especially considering that twenty hours ago it had ripped your brother to shreds. In fact it seemed to understand how upset you were and had spent the better part of the last twenty hours rubbing it's head against your arm as if trying to bring you some comfort. It was settled on your lap, the weight of it a comfort, almost like a weighted plushy that gave you something to focus on.
"It's alright buddy." You whisper, scratching him under his chin. "We're almost home."
The phone in your jacket pocket buzzes again, but when you pull it out to turn it off, you catch a glimpse of the screen, and you hesitate. Because this time it's not Annie who's calling, it’s Ben.
The picture that flashes on the screen under the contact name "Gramps" is the picture of Mr. Fredrickson from Up. It always made you smile whenever he called you and you saw the picture because Ben did often remind you of him. He was certainly just as grumpy as Mr. Fredrickson and just as out of touch, but you thought it was cute.
Your thumb hovers over the answer button and you think about talking to him.
But what would I say?
You weren't sure what to say to him, or why you wanted to speak to him so badly, why you wanted him to be sitting here on the bus with you as you went home, and why you wanted him to hold you against his chest while you allowed yourself to break, but you did. You wanted to feel his awkward shoulder pat and his awkward version of hand holding and you wanted to hear him try to tell you to "buck up" or whatever he thought that a comforting word should be.
He's really not the best at that.
You smile to yourself at the memory of how he tried to comfort you back at the hospital, but the longer you sit there and look down at the picture on the screen the worse you feel.
Maybe that scared you more than your newfound powers, how much you were realizing that you needed him, how much you depended on him when things got too much for you to bear. The memory of him appearing as soon as you needed him back at the shop, another of him grabbing Darren and throwing him into the street as soon as Darren insulted you comes in a flash, and finally followed by the memory of Ben carrying you out of Elijah's office while you curled into his chest. You couldn't remember too much from that moment, in fact you'd thought that Ben had kissed you on top of your head, but you ascribed that to the haze of pain you'd been in from your broken arm.
What you did remember was how wonderfully warm he was after you'd been trapped in that damn freezer and how nice it felt to be in his arms. Another memory of Ben sleeping on the couch at the hospital bubbles up and you feel something in your chest begin to crack open. And you try your best to tell yourself the same thing that you always do when you feel like Ben might care more about you that he was letting on.
Ben doesn't want that. He's made it perfectly clear. He doesn't want a relationship. He's only wants one night, that's why he goes out with all those women-
You hesitate, thumb still hovering over the answer button as you do, the memory of the week you'd spent at the apartment with him flickering in the back of your mind. The week where he refused to leave you alone in the apartment, where he refused to do any jobs for Butcher, where he took care of you the best way he could, when he sat with you on the couch and made you laugh with his ridiculous movies, and the week where he hadn't had one date.
Your finger itched to answer the phone, but you couldn't, because you didn't want to feel this way about Ben, not when he'd told you countless times that you kept romanticizing him, not when he told you that he didn't want a relationship, and not when you could feel yourself beginning to fall for someone you thought was the wrong man.
For just a moment you tried to pretend that it was different, that he was different, but you didn't want to. It only made it hurt more.
The phone stops ringing, but the pit in your stomach still gapes open at you and for the first time in twenty hours you feel tears begin to fall. You didn't know why you were crying about this, why the thought of not picking up Ben's phone call seemed to hurt more than everything that had happened, but something made it hurt.
The bus driver announces over the overhead that you're reaching your final destination as he takes the exit for your hometown. The familiar buildings that line the streets are sheathed in a honeyed glow from the sun, the long shadow of the bus darkening them momentarily as it rumbles down the small streets to the bus station.
When it rumbles to a stop at the bus station you wait for everyone else to get off, trying to summon the strength to stand, and swipe the back of your hand across your face to rid yourself of the remaining tears.
The bus station was about a thirty minute walk from your grandmother's house, and you still hadn't called her. You didn't know what to say, didn't know how to tell her that Darren was dead and that he was the reason why your parents were dead.
The creature crawls up your body to drape it's warm body over the back of your neck as you stand. It wasn't bothering to hide, besides the people in your hometown already thought that you were odd because you were a supe and you'd always welcomed it. You give him a scratch on top of his head and his warm tongue flicks on the bottom of your earlobe as if thanking you before it curls further into the side of your neck, seeking warmth.
The first few steps on solid ground are shaky, but you find the strength while taking in a deep cleansing breath of the outside world, letting the gentle warmth of the sun and the tickle of the autumn breeze pull at your coat. You hadn't stopped at your apartment before coming here, instead you had stumbled your way to the bus station covered in dust, flecked in blood, and demanded the first ticket back to Illinois. It was lucky that the next bus was leaving immediately, because you didn’t want to spend another second in NYC, not when all you wanted was to be home.
Plus you were worried that someone had recorded what exactly happened outside the plant shop and you didn't want to get arrested.
It was self defense anyway. Maybe Jake would represent me in court.
The thought of Jake makes you twinge. You hadn't checked to see if he was alright before you ran from the scene. Not to mention you'd destroyed the shop he'd put all his life savings into after he stopped being a lawyer.
Oh fuck, what if he sues me? He can't exactly sue Darren…
You hear someone call your name and you open your eyes.
Your grandmother is standing in front of the same baby blue pickup truck that she'd had longer than you've been alive, wearing a long multicolored skirt and a pressed white blouse tucked elegantly into it. Her silver hair is loose and long, curling over her shoulders in gentle waves. She looks the same way she looked one week ago when she left, and you've never seen anything so beautiful in your life.
You're running before you can stop yourself, crumbling into her warm embrace, with more tears streaking down your face, but she doesn't mind.
"Shh. It's alright honey." She whispers, rubbing her hand over your back, her embrace steady and surprisingly strong. "Let's go home."
Tumblr media
Her home is the same as it's always been. A two story Victorian house painted in a happy yellow shade, with a white wrap around porch and two white rocking chairs sitting empty on the front porch. You'd spent more nights than you could count rocking silently beside her with a crochet project in your lap listening to the rain fall and soak the world outside, while the plants sang praises with every gentle bend beneath the heavy droplets.
You could barely remember the home you spent in your early years with your parents, not when you'd spent most of your childhood spending the night here and after your parents died living here permanently. There was still a large oak tree were a wooden swing swung in the slight breeze on the left side of the yard, a gardenia bush that stretched as high as the second story on the right side of the house and brushed it's soft leaves against the sunshine colored outer walls, a garden filled with both flowering plants and herbs that perked up on both sides of the front yard as you walked up the path, and a cobblestone path that Annie and you had spent hours of your shared childhood covering in chalk art.
Neither of you were good, but when the rain would fall and smudge the clean lines, you'd jump in the puddles that pooled along the walkway singing the lyrics to ABBA's "Cassandra" not quite understanding what it meant.
Standing here outside your house made you miss Annie and feel worse about not calling or texting her back, but you didn't feel like talking about what happened and you were sure that Butcher filled her in. The only thing that you wanted was to collapse in your bedroom upstairs and curl under the comforters.
Despite everything the house was a welcome sight, but at the same time it was different. You could feel the plants calling out to you, asking for you, bending towards you just to touch your shoes as you walked by. You'd never felt so connected with them before, not even when you were in your apartment or working at the shop.  It was overwhelming.
And although a part of you was frightened by it, another part of you rejoiced in it. You didn't feel alone, didn't feel weak, and you knew that you never would ever again.
The creature nuzzled into the side of your neck with a sigh, soaking up the sun's healing rays as you walked up the front steps with your grandmother following behind you silently. She hadn't spoken since she picked you up at the bus station and you hadn't supplied anything in the ten minute car ride back to her house.
You didn't know where to start and you were still trying to process everything yourself.
The inside of her house was just as cozy and warm as it was the day you moved out. There were photos of your parents and you covering the walls (Darren's had been placed in the closet long ago), half-finished knitting projects sorted in different baskets on both the dining room table and the living room coffee table, spools of yarn were strewn over the couch sorted by color, and the fresh smell of gardenia wafted through the open windows on the breeze.
It was home. This was what you'd been missing the moment everything began to crash over you, but as you stood there in the familiar living room it felt like something was missing. Something tugged at the back of your mind, but you couldn't put your finger on it.
There was something or rather someone that should be here, but you didn't know what or who. And your mind supplied Annie, but you weren't sure that's who you meant.
"Let's have some tea." Your grandmother says from behind you and you feel her soft hands come down on your shoulders to steer you through the familiar creative chaos and into the large kitchen at the back of the house.
The kitchen isn't spared from the madness, it rarely was. There are boxes upon boxes of cookies in different stages of being packaged all over the counter, dirty bowls and a measuring cup stacked in the sink, and a large opened bag of chocolate chips spilling over the flour covered kitchen island.
It wasn't unusual to find the kitchen or the house in a state of chaos, your grandmother always said that a house should look lived in and that the mess was part of the fun of any major project as long as you were responsible enough to clean it up.
"Bake sale?" You ask as you sit down in the breakfast nook, uttering the first words that you'd said to another human being in twenty hours.
The next breath that you inhale was supposed to be cleansing, but you can still feel a weight pressing down on your chest, the same one that settled in the moment everything happened with Darren.
You contemplate again how you're going to tell her that Darren is dead and was the reason why your parents died.
Damn it Darren.
"Mhmm." She hums, filling the well used red kettle. "Annie's mother practically cornered me in the supermarket yesterday and begged me to make cookies. I love Annie, but her mother needs someone to pull that stick out of her ass. It's been up there for so long that I'm sure it's rotten."
The creature crawls down from your shoulders and down your arm to sniff at one of the chocolate chip cookies nearest you. It hadn't eaten since…
Darren.
You wince slightly at the thought and hope that you hadn't created something that needed and craved human flesh. The last thing you wanted to unleash on the world was Audry two especially in the wake of Homelander.
Truthfully you were waiting for the guilt at killing your brother to come, but it never had and you wondered if it ever would.
Probably not. He deserved that, he killed our parents, he tried to kill me, he tried to kill Ben.
The thought of Ben again makes a lump form in the back of your throat. You didn't know what was happening to you only that you felt guilty for leaving him like that, for yelling at him to let you go, and just vanishing on him when he probably thought that you were going back to the apartment.
He doesn't know where I am. Maybe that's why he tried to call, because he got back to the apartment and couldn't find me there and he was worried. You press your lips together. Yeah. Worried. Right.
"Honey?" Your grandmother says in a soothing voice
You look up from the box of chocolate chip cookies that you didn't remember picking up. Even the creature is looking at you with an expression that you can only explain as worry.
"Yeah?" Your voice shakes slightly.
She's leaning back against the counter, arms crossed over her chest, head tilted slightly to the side, her beautiful grayed hair pulled up in an elegant bun, but in her eyes you can see genuine concern. "Fuck." She sighs after a minute.
You blink in surprise. It was the first time that you'd ever heard her say that word in your entire life.
"I shouldn't have left." She breathes. "I told Ben to look out for you. I told him, that little bastard was bound to show up again and what did he do? He left you at that plant shop alone with no protection!"
You'd only seen her really angry a handful of times in your lifetime. Like you, your grandmother often had a gentle disposition and didn't get angry unless the situation called for it.
I mean, Darren admitted to killing our parents and then got fucking ripped apart. But how does she know about any of that? I haven't told her…
"How did you know that he left me there? Did Ben call you?" You ask putting down the box of cookies.
An odd expression crosses her face, as if she's contemplating something. "No." She hesitates again. "I saw it."
"No." Your grandmother hesitates. "I saw it."
"You saw it?" You repeat, confused.
What's going on?
"Too late of course, but I'm a little rusty. I was able to warn Ben that Darren was coming back. That's how he got there so quickly or rather-" She shrugs sheepishly. "He got there in time to make sure that Darren didn't get you to forgive him. Which you shouldn't have at all, but I know he's always had a talent for manipulating you."
"What?"
Is she saying what I think she's saying?
Instead of explaining further your grandmother walks out of the kitchen, leaving the kettle behind on the stove and you in a state of utter confusion.
Is she saying that she can see the future? Because that would mean that she's a supe and there's only one supe in history that I know of that can do that. A supe that no one has seen in over forty years.
You can hear her open the door to the closet under the stairs and the sound of her sifting through all the junk that the two of you had shoved in there over the years instead of finding the right place to put it.
When she comes back into the kitchen, she's holding a giant cardboard file box that you'd never paid attention to each time you opened the closet to find something. Your eyes shift from the box to her still not comprehending exactly what she was saying.
"I probably should have told you this a while ago, but…" She trails off and nods her head at the box before turning back to the kettle on the stove that has begun to scream. "I kept putting it off."
The box is old, worn at the edges, and theres a musty black fabric beneath a collection of yellowed photographs. You pull out the one on top to examine it.
Ben is standing there in his full Soldier Boy regalia outside of Vought tower and the woman standing next to him is Soothsayer. The outfit she wore was familiar, a black-skin tight suit with a blind fold tied over her eyes.
Soothsayer was a supe who could see the future and who was apart of Payback, a supe that had vanished a year before the mission in Nicaragua and no one knew where she went. There were rumors that she'd died and that she'd been a Russian spy, but you'd never believed them. You'd heard Butcher talk about how he tried to find her when he was trying to figure out what happened to Soldier Boy, but he never had. Said that the trail went cold.
But now you knew where she went, because she was standing directly in front of you.
She's Soothsayer? Holy fuck that's why Ben kept accusing her of cheating in the poker game because he knew that she could see the future.
"You were Soothsayer?" You gasp. "But why didn't you say anything? Why didn't you tell me?"
She continues to measure the tea leaves. "I didn't tell anyone."
"Grandpa didn't know? But he was alive when you were a supe?"
Your grandfather had never spoken about a history with supes that you remember.
"No." She turns to look at you, a hurt expression crossing over her face for a minute. "Well, I know that I said I was going to have tea, but if we're going to talk about this I'm going to need something a little bit stronger."
Your grandmother opens a cabinet under the stove an pulls out an enormous bottle of scotch. Truth be told you'd never seen her drink more than just a glass of wine, to see her like this was about as shocking as seeing a polar bear sunning itself on a Florida beach.
"Do you still want the blueberry tea or do you need something a little stronger?" She looks back over her shoulder at you as she pulls down a glass for herself.
"I think I need something stronger." You answer honestly.
Learning about everything Darren had done was one thing, but finding out that your grandmother used to be a famous supe and that she never told you about it was another thing. It was like looking at another person. You'd always loved your grandmother's gentle way, her care for her community and her family soft, but now you weren't sure you really knew who she was.
She sits down across from you and hands you a glass of the amber colored liquid. There's a heavy silence that hangs between the two of you as she tries to find a way to start. The photo of her and Ben is laying on top of what you realize is her uniform inside the box and she smiles down at the photo, just a little twitch at the corner of her lips.
"I met Ben when I was twenty three years old." She begins taking a sip from the glass. "Legend 'discovered' me. I had the injection of Compound V maybe two years before that, not when I was born, but I hadn't gotten popular. Other powers were much more flashy and by then there were so many heroes coming out of the woodwork that someone with the ability to see the future didn't seem as marketable."
There's something reflected in her blue eyes, the same eyes your father had, that you can't place. "I had just moved to New York, I had no money, and the way I was getting it was by pretending to be a fortune teller and betting on some sports events on the side. It wasn't hard to prove that I could see the future, the past was more difficult, but Legend somehow stumbled into my shop and figured out that I was a supe. And he didn't think I was too bad looking so he helped me get big."
"You pretended to be a fortune teller?"
She snorts into her glass. "Mhmm. People really will believe anything if they're desperate enough and back then there was so much turmoil going on with Russia that people were scared and wanted to feel comforted. My job provided some of that."
"But why did you walk away from it if you were such a big hero." You ask. "Everyone knew your name, you were-"
Your grandmother raises an eyebrow at you and you fall silent so she can continue. "When I got onto Payback that's when everything exploded for me, the films, the commercials, the ridiculous ads." She sighs. "That's also when I met Ben."
You take a sip from the glass in front of you, sputtering slightly. It was stronger than you were expecting. "And you two were-"
Please don't say dating, please don't say dating, please don't say…
"Friends. Just friends." Diana sits back against the back of the breakfast nook, sinking into the navy blue pillows. "But he is almost as charming now as he was then."
You cringe at the thought of Ben coming on to a younger version of your grandmother.
She taps her glass with her index finger deep in thought. "But I think that I was the only person that Ben actually talked to, the only person that he was comfortable being around."
"What do you mean?" You ask confused. "Didn't he talk to Countess and to Legend?"
Her expression hardens at the mention of Countess's name. "He didn't talk to her the way he talked to me. Ben is difficult, he always has been and I think that most of the people he meet him write him off as this asshole with a chauvinistic look on the world, but he's not. At least, not all the time. There are so many people that he's met that are never willing to take a chance on him. To trust that there is really something beneath all of that bravado."
It was what you had been thinking for the past week, that there was more to Ben than he was willing to let people see, but you were slowly realizing that Ben was letting you see those parts. In the quiet moments at your shared apartment when he sat with you while you read or made you laugh or walked you to and from work you saw another side of Ben that you never saw when he was around anyone else. The guilt rises again when you think of how you ran from him, how you turned your back and left him standing there to clean up your mess.
I shouldn’t have done that, but it was all just so overwhelming and I didn't want to talk to anyone.
"I think that Ben is the most loyal friend I ever had. No one ever seems to believe me when I say that. That we were just friends, but nothing happened between us."
"You didn't date? Or sleep together?" You ask cautiously. It was difficult to imagine Ben being friends with a woman and not having a sexual relationship with her.
Well. We're friends, but that's different.
The last thing you wanted to think about was Ben and your grandmother having sex.
I would need so much therapy after that. You sigh. Yeah, because after all the shit I've been through and found out about my life in the last twenty hours, the knowledge that Ben fucked my grandmother is what's going to push me over the edge.
"No." She shakes her head with a small smile. "About a week after I met Ben, I was running late to a movie shoot and I stepped off the crosswalk without looking. There was a car coming and I didn't see it. Ironic isn't it?" She laughs at herself. "I can see the future and I didn't see a car coming, but your grandfather did and he grabbed the back of my jacket and yanked me onto the sidewalk, saved my life. And the second my eyes locked with his I saw our future. I saw our wedding, our first house, I saw our son take his first steps and I saw how much I would love him and how much he would love me." She clears her throat for a minute, her fingers tighten on the glass, and her gaze drops to the wedding ring on her left hand. “The future is never set in stone, it’s fluid. It morphs and shapes with your decisions, but in the future I saw, I was so happy. And I didn’t want to lose that.”
Your grandfather had passed a few years ago, but you knew it weighed on her everyday. She had spent the week after he died in her room not saying anything to anyone. And sometimes she'd look out the window into the backyard with an odd expression, but you knew that meant she was thinking of him.
Growing up you'd seen how in love the two of them were, more so than your parents. Seen the flowers your grandfather always brought home just because he was thinking of her, watched him do little things around the house without being asked, saw how they never walked away angry from one another, and seen the soppy expression he'd get when he watched your grandmother move around the kitchen baking with a grace that you'd never possessed.
You reach across the table to touch her hand and she takes it gratefully.
"I didn't want to tell him that I was a supe, and at the beginning I thought I could balance it all, but then Ben started dating Countess." She takes another sip from her glass. "She hated me."
"What? Why?" You ask. The creature crawls across the table to sniff at the glass in front of you, before it snorts and falls into your lap, curling into a ball.
"Countess was a bitch." Your grandmother says mirthlessly, her expression hardening. "She wanted to possess Ben completely. Only loved how famous he was, how popular it made her, and he threw himself at her feet, in his own way, not understanding that love didn’t look that way. He’s never had a good example of it in his life. And she never understood that Ben and I were just friends. By then I had been dating your grandfather for a few months and things were getting serious. It was about a year before everything that happened in Nicaragua."
She presses her lips together as if remembering what happened to Ben there. "She was jealous, possessive, and she came to me one night. Ben was out of town for a film so she knew we wouldn’t be interrupted. She threatened to tell your grandfather who I really was and threatened to kill him.” Her jaw sets. “My powers were never really as offensive as hers were. And she said that Ben wouldn’t ever protect me over her because he loved her and would do anything to make her happy. So I left and I never looked back.”
And here I thought I couldn't hate Countess any more than I did for what she did to Ben.
“You didn’t talk to him ever again?” You wonder out loud.
She left without telling him goodbye?
“There was the occasional phone call. Sometimes Ben would ask me to see who was going to win a ball game or something so he could make a few bucks. He stopped by to say hi a few times because he was in the neighborhood. One time he brought your father a baseball glove that was way too big for a one year old.” She snorts, the memory flashing in her eyes. “I always thought Ben would be a good dad some day. But I think seeing your father was when Ben realized how much he wanted to have kids. And I think seeing the way your grandfather treated me made him start to feel conflicted about Countess. But he respected that I walked away, he saw that I was happy.”
“But what about Nicaragua?"
A dark look crosses her face followed by something that looks suspiciously like guilt. “I saw what they were going to do to him.”
“What? But why didn't you tell him what they were planning? Why didn't you-"
"I tried." She snaps, shoulders tense, but then they drop. "I called Ben, but Stan answered. By then your father was turning two, your grandfather had opened up his practice, and Stan threatened me, he knew where we were and knew everything about us. So I kept my mouth shut and I’ll regret it for the rest of my life.”
You could feel your heart breaking for her.
Ben was her best friend and she had to sit by and watch them do that to him. She saw what they were going to do and they were going to kill her for it, kill my family for it.
The anger that surges in your chest makes the creature in your lap stir and grow a few inches, but you tamp it down before it gets bigger than a small dog.
“Does Ben know?” You ask her to distract yourself.
You didn't want Ben to hate your grandmother for this, didn't want him to hate her for something that wasn't her fault.
She nods. “Yes. I told him everything.”
“When?”
“The moment I saw him in your hospital room. I couldn’t keep it in any longer. I wasn't expecting him to be there, but it all poured out of me. I was so surprised to see him there. I hadn't seen a future where he came back."
“Was he mad?”
I mean… he didn't seem mad when I woke up, not to mention he was upset when she left to come back to Illinois.
“Not at me.” She shakes her head. “He knew how much I wanted a normal life and how much I loved your grandfather. He doesn’t blame me for any of it.”
“Good. I can’t believe you didn’t tell me.”
The glass in front of you is still more than half-full but you don't want to risk another sip of what you're sure is gasoline packaged to look like Scotch. Your grandmother reaches to pour herself another glass.
“I didn’t want to until you were ready.”
“And when would that be?”
Your grandmother shrugs. “Maybe on my deathbed.”
You weren't angry for her not telling you, more surprised, but now that you knew everything about her it was hard to see her the same way you had.
 You snort. “And no one knew?”
“Your dad figured it out.”
“How? When?”
“The moment you made that strawberry plant grow from your high chair.” She shakes her head with a smile. “It skipped a generation. Don’t know why, but you got it all somehow.”
“I was never injected?”
“No. That was a lie your father created. He knew that your grandfather didn't know and he knew that I didn't want your grandfather to know."
“Darren thought I was.”
“I know.”
At the mention of your brother's name, you watch her expression harden and she takes another swig from the glass in front of her, not flinching as the liquid goes down her throat.
“Did you see everything that happened?” You ask in a small voice.
You still weren't 100% sure how it was her powers worked, but you figured that she was able to see some of what Darren did and what he said.
“Yes.”
“You heard everything Darren said?"
“Yes.”
You chew the inside of your cheek for a minute hoping that she didn't take it as hard as you did. “Did you know that he killed them?”
“No.” She breathes, rolling the glass between her hands for a moment. “The night they died, I got a vision a few minutes before the car ran off the road. I was the one who called the police and who told them where to look, but I never saw that it was Darren or that it was anyone causing the accident. All I saw was the three of you in the car. I should have known.” Her voice breaks.
“It’s not your fault.” You squeeze her hand.
“And it’s not yours either.” She squeezes your hand back.
The memories are beginning to float up from the recesses of your mind and your teeth clench together as you try to keep them at bay.
“I know.” You breathe. The memory of the ruined shop flashes through your head. “I didn’t know that I could do something like that.” You gently touch your healed right arm and glance at the creature that is nibbling on the edge of the cardboard box with its sharp splinter-like teeth. “I feel so different and I don’t know how to go back to the way I was.”
“I don’t think you ever will.”
"Really?"
The thought was unwelcome. You were hoping that all of this was going to blow over, but you knew it wouldn't. Your powers had changed. There was an energy that thrummed in your veins now, stretching out of the house to the plants that grew in the garden. You could feel them all if you concentrated.
She frowns. “When you told me that you were working for Butcher I was worried about you getting involved in the supe world. I didn’t want that life for you, didn’t want you to suffer the way I did-“
“Was it really that bad?"
“Not all the time, just at the end. But I think that’s why I loved your grandfather so much. Because he was different than all the supes. He was down to earth, not just normal but-“ She shrugs. “I think Compound V does something to our minds, makes them more susceptible and when you’re surrounded by people using their powers and thinking that they’re gods it’s easy to lose who you are. I was glad I left when I did."
“Great." You huff, thinking about how your powers had grown exponentially since you killed your brother. It was scaring you to think that you would reach a point where you acted like Homelander, where you saw yourself as a god and killed anyone who stood in your way.
As tired as the stereotype of you only being able to make the flowers grow, you liked doing that. You liked healing plants, tending to them, and helping them grow. For you it had never been about using your powers the way that you had to kill Elijah and your brother and had always been about spreading a little more joy and love like your grandmother did with her kindness in her community.
Your mind flashes back to the first night that Ben stayed with you in your apartment and he'd asked you why you worked for Butcher and told you that he thought you "didn't fit."
Before you hadn't. You knew that. You weren't intimidating to look at or fueled by revenge or had a bone to pick with supes. You'd joined because you thought it was the right thing to do and because you wanted to be closer with Annie. She had been so involved in the supe world and you'd felt like you were losing your best friend. When in reality being at "Please Don't Die" was the only thing that felt natural for you.
You could feel yourself changing and you weren't sure that you wanted to and you weren't sure if you were changing for the better. Deep down you still felt like you, despite everything Darren had revealed, but your powers were greater than you'd thought they could be.
“No.” She squeezes your hand pulling you out of your head. “I don’t see you losing yourself in this.”
“You’ve seen-“ Your eyes widen.
“The future yeah.” Her lips twitch up at the ends in a smile. “It is what I do.”
“That’s so weird.”
You hadn't meant to say it, but you really didn't want to know too much about your future.
Well, not all that much. Maybe just a little.
“You of all people have no right to judge what’s weird. Not with Godzilla sitting in your lap.”
"Godzilla" yawns, flashing a mouthful of his pointy teeth, before settling back down on your thighs.
You smile for the first time in twenty hours, but then it drops. “I don’t like losing control. I thought I knew who I was but now I don’t-“ The emotions were bubbling up again, chest tightening, and lungs beginning to gasp for air. “I don’t know who I am anymore or what I am or what I can do and-“
“There’s nothing wrong with not being in control.”
“But what if I hurt someone? What if I kill-“ You body shakes as you think about all the important people in your life, Annie, Hughie, Butcher, Kimiko, MM, Frenchie- and then your mind stutters on Ben.
“Your powers are growing and there’s nothing to be afraid of or ashamed of. If you’re afraid of them it won’t get easier for you. You have to embrace the fear to see the lights that line the path through it.”
"I killed Darren, I killed Elijah-"
"Not because you lost control. You did it because you were protecting yourself and protecting your friends."
"But-"
"Who is it that you're scared of hurting? Annie?" Her expression turns sympathetic. "Annie is a supe and understands what it's like to lose control. None of us are in control all the time and it's ridiculous to believe that you won't lose control at least once."
Your throat clenches tightly, because when she asked the question you didn't see Annie's face, you saw Ben's. You knew that it was probably ridiculous to worry about hurting a guy with a nuclear reactor stuffed in his chest or a guy who'd been through every torture known to man, but you were. And you weren't entirely sure if you meant hurting him with just your powers.
Tears crest and fall down your cheeks as you sit there, throat thickening. "I don't want to hurt Ben."
"He's a little more indestructible than us sweetie." She cracks a smile, but you can't smile back and you don't answer because you're unsure how to.
She sits back against the breakfast nook and sighs, examining your face and slowly realizes what you mean. "Ben is complicated. He always has been. I like to think that most of it, is his father's fault. Has he told you anything about him?"
You shake your head.
"He was a dick. Made Ben think that he was a disappointment his whole life. I don't think that Ben has had someone love him unconditionally since his mother died. And loving Countess only made it worse for him. Her love was jealous, possessive, and I don't think that he's really come to terms with what real love should look like." She lets out a breath, tapping her index finger against the glass. "I never saw him as more than a friend, but I do love him. It's not a crime to love him."
"I don't love him." You say it immediately.
"Why not?"
"What?" You sputter. "I don't know what you're-"
"Tell me why you don't love him." Your grandma says methodically, as if she's trying to talk you through it.
"Because I-" The pressure was back in the back of your throat and you couldn't quite meet her eye. "Because-" You scramble for the answer, trying your darndest to keep your heart from clenching in your chest. "I want what you and grandpa had, what Annie and Hughie have, and what my parents had. A strong relationship with someone who sees all my flaws, the little parts, and the darkness and still choses to fall in love with me anyway. I don't want just one night I want every night. I want something real and Ben has said countless times that he-"
"So you've talked about it with Ben?" She raises an eyebrow.
"Only because he kept trying to sleep with me and I told him that I didn't want to have sex with him." You reply exasperated.
"You don't?"
"Gran!"
"What? He's attractive."
"It doesn't matter. None of it does. Because Ben has said that he doesn't have relationships, that he doesn't care about feelings, or emotions." Saying the words that Ben had told you countless times made something inside begin to shrivel up and die. "And I do. And I don't want to manipulate him into being something he's not or force him into a relationship that's doomed from the beginning. Ben is Ben. He's not changing or-"
"He has." She interrupts.
"What?"
"The Ben I saw in your hospital room is not the one I knew." She says it so matter of fact that makes it hard to breathe. "And neither was the one that I saw in your apartment when I stayed with you. I mean he is in essence Ben, but-"
"What does that have to do with anything?"
"He is changing. Not completely, but he's acting differently than when he was with Countess. I mean, I saw all the things he did for her. The way he was around her."
"Why does that matter?"
"Because he loved her."
The words make your heart seize in your chest. "Ben doesn't love me. He's my roommate and my friend-" It was the same thing that you kept telling yourself on repeat to beat back the other feelings that you hadn't quite identified yet. "And he's told me that he doesn't want a relationship and that I should try to meet other people."
That last part was a lie, but you honestly didn't know where she was going with this conversation or why it was getting so hard to breathe.
"Have you thought that maybe Ben doesn't want to love you because he's scared?"
"He doesn't love me and Ben isn't afraid of anything."
"He is. It might not look the same way on him as it does on everyone else, but if you pay close enough attention you can catch it." She hesitates. "And I think if you pay attention to you, you'll see what it is that you're afraid of too."
What does she mean? What the hell am I afraid of? Ben isn't afraid of anything, he's practically shouted that from the mountaintops like Julie Andrews.
"I already told you what I'm afraid of."
"I'm not talking about you hurting someone honey. There's something else that you refuse to admit to yourself because you're scared." She smiles sadly at you. "You should though, because when you embrace it, what comes after is really beautiful." There's a far off look in her eyes and you realize that she'd seen something further ahead that she wasn't letting on.
"And it's all I want for you. To be happy." Your grandmother stands from the other side of the booth "I think you need some rest. You drove all night long and I doubt you got any sleep. And I have to package all of these before Annie's mother calls down the four horsemen of the Apocalypse on me."
"Wait-"
"Please sweetie." She lays her hand down on your arm. "I think you'll feel a little better about all of this when you've had some rest." Her fingers raise to push back some of the hair that's fallen forward into your eyes. "Hmm?"
You didn't want to rest, you wanted to talk about this, but you knew better than to argue with her. Not to mention she was right, you hadn't slept.
"And when you wake up I'll make your favorite for dinner, alright?" She smiles, but there's something behind it that you can't place.
"Okay."
And this time you don't argue with her. You go up the worn staircase that you have your entire life and collapse onto your bed, wondering exactly what it was she saw your future hold, and what it is that you won't admit to yourself.
Tumblr media
Soldier Boy POV
There was no light in the apartment save from the burning red tip of Ben's blunt and the bluish glow emanating from the tv that caught the dips and sharp edges of his face. But it was nothing more than background noise.
His hand absentmindedly stroked along Bean's back, his eyes focused on the ceiling above the couch. He hadn't moved in hours. It had been over twenty four hours since everything that happened at the plant shop, since you'd summoned a creature from the depths of the store, since Darren had thrown Ben through the plate glass windows of the bakery, and since Ben had last seen you.
He didn't understand why you hadn't let him take you back to the apartment and why it was that you had to leave. Ben hadn't liked the feeling that stabbed him in the chest when you turned your back on him and ran away. He'd felt the urge to comfort you the way he'd watched Hughie do for Annie in the car a week ago, but you hadn't let him.
Instead all he'd done is stood there and watched you run, still covered in dust, rubble, and blood. Worse was you hadn't let him check you for injuries and Ben hated the thought that you were hurt somewhere and he didn't know where you were.
You were so much more fragile than he was. He was realizing that more every day, was acutely aware of it after everything that happened with Elijah. Honestly, sitting there in the hospital with you laying there asleep with nothing that he could do, but wait for you to wake up had been agony. Not to mention that looking at the bruises around your throat, over your eye, and the bright green cast only made him feel worse. He'd never felt so helpless in his entire life and he hated it. Because Ben wasn't some helpless damsel in distress, he was a man and a man shouldn't wait on anyone or feel out of control, or at least, that's what he told himself.
Ben hears someone walk down the hallway outside the apartment and he perks up to listen, hoping that it's you finally coming home. Ben's mind stutters on the word "home." He'd lived many places in his life, apartments that felt more like way-stations, and the drafty cold mansion back in Philadelphia where he grew up, but neither felt like home. And although he hated how small your apartment was, it was the first place that Ben liked living in. He was starting to understand the word home.
But the feet keep moving past the apartment and Ben sinks into the couch cushions. Even Bean seems to be disappointed. "It's alright buddy." Ben mutters. "She'll come back."
But he wasn't sure.
Ben also wasn't used to feeling this way. It was close to the way that he felt when he went to Boston and was sitting in that damn hotel room waiting for something to happen and he still didn't understand what it meant. He didn't understand why he couldn't stand it that you weren't back yet. It made him feel like a woman waiting for her husband to get home from work when he told her that he was "running late." He'd tried to distract himself by looking at some possible prospects on Tinder, but just like the week after you'd come home from the hospital and just like the date he had in Boston, no one held any appeal.
His mind was awake and roaming around, pacing back and forth. The blunt was supposed to help, but it hadn't.
His phone chirps and Ben picks it up to look at the screen, but it's not you, it's Jake.
Jake: I know that I'm not your favorite person, but thank you for what you did.
Ben huffs and turns his phone face down on the couch once more. "What a fucking pussy."
When you left Ben had realized that Jake was still inside the building and as much as he wanted race after you, he understood that you'd be even more upset if you'd killed Jake. So Ben had tromped back through the building and found him trapped beneath some rubble. Jake was okay, just unconscious, but Ben had carried him out and put him on the sidewalk before he high tailed it out of there. The last thing that he wanted was to be caught with a shredded body outside a ruined building.
I didn't do it for him. I did it for her. Ben thinks to himself, looking down at the text message.
As much as he hated the thought of saving your future boyfriend, he didn't want to see what it did to you if you found out that you killed Jake, so he'd done it to avoid watching you cry again.
Ben didn't understand why he hated watching you cry.
Women cry. They're damn emotional all the time. He tries to reason with himself taking a puff from the blunt pinched between his thumb and forefinger. And she fucking cries way too much.
The image of you crying outside of the shop in the wake of everything that happened pricks something under his ribcage. Fuck.
Ben didn't feel remorse for what happened, well, the only thing he regretted was not getting there sooner and getting to fuck Darren up himself. When Diana had called him to tell him that Darren was coming, Ben had practically ripped the apartment door off in his haste to get back to you. He hadn’t wanted to leave you at the plant shop, but Butcher had told Ben, that he had a possible location for Darren, but it came up empty and Ben had been at Butcher's apartment chewing him out for sending him on a fucking wild goose chase.
It only made Ben more angry to allow Darren to speak to you, but he was trying to let you handle it even though he wanted to handle him. But it had brought him an unholy amount of joy to throw Darren in front of that minivan and to watch that creature tear him apart while the final whitish blue pulses of electricity jumped and crackled down the street making the streetlights shower sparks everywhere.
But Ben was more upset that Darren had been able to land a few hits on you before you killed him.
Ben remembered the giant lizard that crawled out of what was left of "Please Don't Die" and felt his lips quirk up into a smile. As much as he hated the entire situation, Ben couldn't help but feel a little surge of pride at what you'd done to your brother. He'd never seen you look so powerful standing there in the street, your eyes glowing a brilliant green, arms outstretched, and the ground trembling around you as the world begged to be unleashed.
Of course he'd been just as surprised as you were at the fact that you'd healed your broken arm. He wasn't sure if you'd noticed it yet, but you looked different too. There weren't as many lines on your face and your hair was more springy, the few silver hairs that Ben had noticed in passing were no longer there.
He wasn't sure what that meant, but there was something that felt suspiciously like hope tingling in his stomach, hope that you weren't as fragile anymore and hope that it meant you wouldn't die.
When Diana had told Ben that her husband had died, he saw the pain in her eyes when she said it, saw her relieving the memory, and for some reason as soon as she said that he was dead, the first thing Ben thought about was you. Ben hadn't considered his inability to age as much in the past, hadn't cared about outliving anyone before. Seeing Countess as an older woman had made him more aware of it. Looking at the woman who he once thought he loved, had showed him what that was like. Not that he had a problem with daring older women, Ben always thought that women really did get better with age, but it was what came next that Ben wasn't fond of.
And for some reason thinking that one day he'd wake up and see the marks of age on your face or one day he'd wake up and he wouldn't be able to annoy you or hear you yell at him made his chest tight.
Ben takes another hit of his blunt. The longer he sat there the more then unnatural feeling stirred in the pit of his stomach, thrumming through his veins, the feeling that he was trying to avoid. He thought that the joint would calm him down, but he found himself jumping at every creak and footstep in the apartment building, perking up each time and hoping that it was you coming home.
He didn't know where you were. You hadn't answered any of his texts or calls and Ben was ashamed at how many times that he had tried to call you.
Get a fucking grip. He'd thought to himself when he typed out another text message to send you, stopping himself from sending it.
But he'd been so desperate to hear from you that he'd actually gone to talk to Annie who seemed upset that she couldn't get ahold of you either. When Hughie and Annie had seen how upset Ben had been, Hughie had laid his hand on Ben's arm and told him not to worry. Ben had yelled at him that he "wasn't fucking worried and to mind his own business" and had shaken off Hughie's comforting hand before stomping out of the shared apartment.
No one else seemed to be as concerned about finding you. Butcher, MM, and Frenchie were all deeply involved in trying to figure out the cover-up for what happened outside the plant shop. By some miracle no one had caught a picture of your face, but there was little they could do about Darren's body that had been strewn across the street. Annie was having to deal with the repercussions at work, trying to handle what the news was calling a "super villain threat."
Personally, Ben thought that since they froze Homelander, the Seven looked weak and Ben believed that the superhero team that represented America shouldn't look weak. Of course before Ben had also thought that they looked like a bunch of pussies and again felt himself sink deeper into the couch when he thought about what his supposed son had become.
He shakes off the feelings he has about it and his thoughts turn back inevitably to you.
Ben wasn't used to thinking about someone as much as he thought of you, but each time he settled back into the apartment and you weren't there he was hyperaware of how quiet it was.
Maybe I should call Diana. She might know where she is.
As soon as Ben thinks that, his phone begins to ring, but Ben doesn't bother to look at who it is before he answers it. 
"Hello?" Ben huffs out a breath of smoke that hangs in the air in front of his face, catching in the bluish light coming from the television.
"What the hell do you think you're doing?" The voice on the other side of the line yells at him.
"Di?"
"Yes it's me. Who did you think it was? Santa Clause?" Your grandmother snarks.
"Why are you calling me and why the fuck are you so mad? What did I do?" Ben answers slightly annoyed.
As much as you got under his skin, your grandmother had been the same way. He actually thought that it was amusing that even before he figured out that she was your grandmother that he had often compared you to her in his mind. You had the same mannerisms, the same defiant and stubborn attitude that drove Ben up the wall, and you were just as beautiful as she was.
Ben was okay with admitting that he was attracted to you. To him that felt normal, it was the other feelings that he was conflicted about, the ones that he'd never felt before stirring in his chest that made him feel "too emotional" and "woman-like."
Truthfully, Ben was sure that if your grandmother had given him a shot that maybe he would have felt that way about her too. She was the only person that Ben actually trusted in the 80's, the only person that was brave enough to call him out on all his shit. You did that now. But he liked her husband also, so Ben was content with letting her go. He liked how happy that Henry, your grandfather, had made her. He knew that she wasn't happy as a supe and seeing her so happy and in love made Ben feel something that was close to happiness.
And it was seeing the way the two of them were together made Ben wonder if what he had with Countess was the same thing. Because he did have feelings about her that were different, but each time he went to visit Diana and saw your father playing on her lap he felt that there was something missing in his life.
It was the same way that he thought something was missing when you weren't in the apartment, but Ben hadn't realized that yet.
"Because I don't understand what the hell you're doing!" Diana replies and Ben honestly doesn't know why she's angry with him.
"About what?"
"My granddaughter."
Ben sits up the blunt in his fingertips forgotten. "Is she there with you?"
"Yes." Her voice softens for a moment.
Ben relaxes and leans back onto the couch, sighing in relief. "Good.  That's good." Relief swelled in his chest when he thought about you staying with her, safe.
That's what she meant when she said that she wanted to go home. Home is with her grandmother. Ben stopped the next thought before he could go there.
The thought that home wasn't with him.
Ben was trying not to think about that or think about you hating him. He didn't think you did, well, didn't think you did anymore. At first it really was touch and go, but now he was almost eighty percent sure after you'd told him more than once that you weren't afraid of him and didn’t hate him that you sometimes wanted him around.
"No, not good."
"What do you mean? Is she okay?" Ben's grip on the phone tightens so hard that he's sure that he hears the screen cracking.
"No."
"What happened?" Ben's voice is a growl, the feelings of relief evaporating as soon as they had begun to bloom in his chest. He mentally calculated how long it would take him to get to you.
"Her entire life fucking fell apart and where are you? Not here!"
Oh. Ben relaxed a little bit.
"I don't need to be there." He says on an exhale of smoke.
"Yes you do!" Diana presses.
"No, I don't. She a big girl she doesn't need me there, she's-" Ben takes a puff from the joint.
“If you were any denser you’d be a Bundt cake Benjamin!” She says exasperated.
"What the fuck are you talking about doll? I am not-"
“Let me guess." She interrupts and Ben can imagine her tapping her foot. He hated when she did that. "You’re moping around smoking a blunt on the couch probably with a glass of something that you're hoping to numb whatever the hell it is you're feeling."
Ben's eyes shift to the bottle of whiskey on the coffee table that he hadn't touched in a few minutes.
“I’m not fucking moping and stop spying on me!” He snaps back at Diana.
He hated how well she knew him. She was his best friend in the 80's through all the shit, she had seen him at his worst and at his best too many times to count.
“I don’t have to use my powers to know what you’re doing. I know you Ben.”
"Sorry to disappoint you sweetheart.” Ben grits his teeth, temper flaring hot. “But if you know me as well as you fucking say you do then you then you know that this is-“
“You avoiding your feelings by acting aloof and brooding like a fucked up version of Mr. Darcy.” She interrupts.
She certainly hasn't changed.
“I am not avoiding-“
“She needs you here Ben.” Diana stamps her foot, the same way you do when Ben pisses you off, and Ben can hear it.
“She doesn’t need me! She said that she wanted to go home, that she didn’t want to be here with me! I tried to-“ Ben shouts back standing up. It was the exact thing that he'd been thinking for the past twenty four hours, that you didn’t need him and that you didn't want to be any where near him.
That last thought made an uncomfortable sensation prickle in his gut when he thought it, because all it did was remind him of how you acted when the two of you first met, when you didn't want him to live with you and tried your darndest to make him go away.
He didn’t want to and he wasn't sure why that was.
“Try harder.” Diana interrupts him again and frankly it was pissing him off.
Ben clenches his jaw. “I think that you’ve confused me with someone else baby.”
“Don’t you 'baby' me Benjamin! We both know that you’re doing what you always do when things get hard for you.”
“And what’s that?”
“You pretend not to care and shut out everyone who tries to care for you. Not to mention you drown yourself in drugs, booze, and women.”
“She doesn’t care about me!” He spits.
“She does!” Diana snaps back. “And believe it or not she needs you here and she wants you here.”
"But-"
"Ben please." It was the first time that he'd heard Diana sound softer and almost pleading since the conversation started. "Don't do this to her. She's worth more than Countess and all those other women you've fallen into bed with."
"Do you really think I don't know that?" He roars. The answer surprises himself. "Do you think I don't know that she's different?"
Wait what?
"If you know that, then why aren't you here?"
He hesitates.
Everything you said to him the night of the party comes roaring back. You looking beautiful in a dress that made his throat tight, and you telling him that you just wanted to be friends and that you understood that he wasn't the type of guy to have relationships. He didn't understand why it stung a bit when you said that, but it had.
Ben thinks about the week that the two of you spent together after Diana went home, when he tried his best to take care of you, distract you from everything that happened with his movies, and would sit with you and try to make you laugh. He'd never wanted to take care of someone before.
Not to mention he kind of liked the way you laughed. He wouldn’t admit that to anyone, but each time you did, it made him want to laugh too. That had never happened to him before. But he wanted to make you laugh to forget everything that happened with Elijah. His fist clenches when he thinks of exactly what Elijah tried to do to you and it makes him feel so mad that he feels close to spontaneously combusting. Ben might not be the best role model when it came to women, but he couldn’t imagine the type of man who would force himself on someone else.
It had made him angry when he thought that you were suggesting that he would try something when he first moved in, because he wasn't that type of man.
Ben was trying to be better for you. He wasn't admitting that, but he really was trying to be better. He didn't understand why. You'd told him countless times that you didn’t want to be with him, that you wanted to be with someone else like Jake.
Ben frowns when he thinks about the man he'd pulled from the rubble of the shop. And again thinks to himself that you should be with someone different, someone who was a supe and could understand you. Ben had seen how difficult it was for Diana when she was keeping her supe life a secret from your grandfather and he didn't want you to have to do that with someone.
"Because I'm not-" Ben begins to say, but he holds his tongue. It was too honest, too raw, too unlike him to admit this to anyone.
Because I'm not this guy. Because I'm not the one she wants. Because I'm not some knight on a white horse. Because she's everything right with the world and I'm just a fucking asshole who sleeps on her couch.
"Ben." Diana breathes and he can practically hear her pinching the bridge of her nose. "In all the years I've known you, you've never done what you did for her with anyone else. You carried her out of that warehouse, you stayed with her in the hospital even after she woke up, you took care of her when she came home, you protected her from Darren. You can't ignore all those things."
"I'm not ignoring them. She's my friend." The word sours in his mouth as he says it. "And she would have done the same thing for me." He knew it was true.
She's a good person and she wouldn't let me chase her away if any of that shit happened to me and I told her to leave me alone.
"Yes she would. Because she cares about you." Diana sighs.
"She doesn't."
"Why don't you believe me?"
"Because she's told me what she wants!" Ben shouts so loudly he can feel the room shaking. "She wants to be friends-“
"Because she doesn't think that you want a relationship you nitwit!"
"I don't." Ben spits the words before he can stop them, but as he does something tightens at the base of his throat.
"How is it that it's been forty fucking years and you're still able to dance on the grave of my last nerve?"
Ben chuckles. "I missed you too sweetheart."
She sighs into the phone again making it crackle in Ben's ear. "She needs you.” Diana repeats. “And I think you need her too.”
His temper was flaring again, the thoughts that his father pressed into him surging up before he can stop the words. “I don’t need anyone. I’m Sol-“
“If you say that you’re Soldier Boy, I’m going to reach through this phone and slap you silly.” She snaps. “And you do need her, but you’re still just too stubborn to admit it.”
“I-“
“Ben I know that everything that happened with Countess was fucked up, but my granddaughter she-“ Diana pauses before she changes the thought.  “You say that you know she’s different, but right now you’re treating her the same way you treat all those other women.”
“I’m not-“
“My granddaughter has decided you’re important to her and once that’s happened it’s hard to make her let go. You saw the way she was with Darren and that guy was a manipulative asshole. Imagine what she thinks of you.”
“I-“
“Stop making excuses!”
“You didn’t even hear what I was going to say!” Ben shouts.
“And I don’t need to! Think what you want Ben but if you’d stop acting so stubborn and so ridiculously blind to what’s right in front of you. I promise that what comes next is worth the risk.”
“Don’t go all fucking mystical on me doll.”
“And don’t go all macho- no feelings asshole on me! So stop being so damn stubborn, get on a plane and get your ass here.” She retorts. “Don’t fuck this up Benjamin because if you do I’ll fuck you up.”
The line goes dead.
Ben sat there for a minute in the silence still holding the phone up to his ear, listening to what your grandmother said to him ring around in his head for a second.
No one ever spoke to him that way. In fact, Ben had never allowed anyone to speak to him the way that she did, well, not until you came along. You reminded him so much of her that it was astounding and he wasn't going to admit that maybe it's why he liked being around you so much.
Ben frowns at what Diana said, thinking about the unusual feelings that were swirling in the pit of his stomach. He felt wrong and the feelings were odd for him. He hadn't felt anything remotely like this ever in his life, not even for Countess.
And although Ben refused to be afraid of anything, the feelings he was having scared him. He didn’t understand and he wasn't sure that he wanted to. He wasn't sure that he wanted to see where this ended up. He felt like he was in too deep.
As much as he wanted to go to you like Diana ordered him to, he wasn't sure that he should. Something was holding him back, digging it's heels in and refusing to budge.
But why do I feel like-
His phone rings and he doesn't look at the caller ID when he picks up, expecting it to be Diana again, yelling at him.
"Di I-"
But it's not Diana.
"Hello Ben. It's nice to hear your voice again." The familiar voice says, sounding calm and collected.
"What the fuck do you want?" Ben snarls.
 "I thought it was time the two of us had a chat.”
Tumblr media
A/N: At this point Diana is really just trying to give both Ben and the reader the kick in the pants they need. And yes I know another cliffhanger, but you know you love it. 🤭😉 We are quickly reaching the end of this series, but that means the confession scene is coming and I am so excited about it!!
As always thank you so much for reading! Reblogs, likes, and comments are not required, but are always appreciated. I love hearing what y'all think! If you'd like to be added to the taglist for this series let me know. 😊
Taglist:
@roseblue373 @mrsjenniferwinchester @corruptedcruiser @winchesterwild78 @the-super-who-locked-wizard
@criminalyetminimal @52ndstreeet @bitchykittenconnoisseur @anna6307
@faephoria @possiblyafangirl @jqtaro @quietlybitchy @tinydancer40
@roger-that-cap @megara0224 @miskwaadesiwag @rainyeggvoidpurse
@soldiergrimes @tiffsbagels @podiumackles
@ifyouwerethemoon @ririshkin @peachhiz @fitxgrld @sukunassfinger
@xx-spooky-little-vampire-xx @ej13928 @deans-spinster-witch @kr804573 @modiddys-blog
@acciosherlockholmes @minas-fantasies @fireskyy
@n-o-p-e-never @nesnejwritings @am0rem @tpwkcalli @momggn
@fitxgrld @whimsicalcherry @ladysparkles78
@spxideyver @zepskies @impala67stellawinchester
@reidtomewinchester @samanthadegaro @glossy01 @nikimisery
@tunnelvisionlove @incandxscents @winchester-stark @samahanta
@melonmochi
@kamisobsessed @whichwitchwanda @karolina-12110905 @jcollins03-blog
@pixviee @filmologetica @yvonneeeee @c1nnamong1rl29 @kmc1989
@livya99 @cherrygirl444
160 notes · View notes
yazzwrites6962 · 2 days ago
Text
Lonely ♡ L Lawliet
˚ʚ♡ɞ˚ L Lawliet x Fem!Reader ˚ʚ♡ɞ˚
Tumblr media
Author's Note: UNEDITED! Established relationship between L and the reader. This is the first smut I have ever written, so pleaseeeeee be patient with me. I'm just a baby writer (I'm over 18. Don't take this literally). If you find any more warnings I should list, please let me know! I don't own any characters or images!
Genre: Smut/Fluff
Summary: It's lonely being the wife of the greatest detective in the world, especially when he's not the best at showing affection. However, something seems different about him today.
Word Count: 2533
Warnings: Sexual content, themes of loneliness, slight angst, OOC L, Fem! oral receiving, penetration, unprotected intercourse, light breeding kink, praise, begging, daddy kink, creampie.
-ˋˏ✄┈┈┈┈
You knew what you were getting yourself into when you married him. You knew there would be many nights when he wouldn't come home. You knew there were some compromises you would have to make. Still, it took its toll on you over the years.
It felt like he married you out of convenience. You met young, and you fell so deeply in love with L the moment you saw him. Maybe it was his wit, or the deep charming look in his eyes. All your friends teased your obvious, painful crush on him. You didn't care. Your heart was set from the moment you met him.
The day he approached you and asked you to marry him was the happiest day of your life. You readily agreed without a second thought. You didn't pause to question why he asked. You didn't ponder about the fact you had only a handful of interactions.
"After much observation, I had determined that you will make an exceptional spouse." That's what L always told you when you would ask why. It was true. On the rare occasion that your husband was home, he had a nice meal waiting for him. He had a clean home and a made bed. It was a practical relationship.
He gave you affection, of course, but it always seemed like a chore to him. There were only a handful of times the two of you had been intimate. He never fully seemed to give himself to you, and the loneliness began to weigh you down.
A quick buzz sounded from your phone. You pull yourself off the couch, stretching a bit before checking the notification. It was a text from your husband. He was on his way home, after a week of being caught up in his work and sleeping at the office again. Despite all your conflicting feelings, butterflies fill your stomach. You love your husband. That has never changed.
You rush yourself to the kitchen. Early in your marriage, you'd managed to learn how to make his favorite desserts. You began to slave away over the counters, wanting to give your best effort. L was rarely ever home, so when he was, you gave it your all.
You hear the front door open. He's home much faster than you had anticipated. The desserts you were working on are still baking. You hadn't had time to get ready. Your hair was a mess, your clothes covered in creams and flour, and no makeup. You see L round the corner into the kitchen before his eyes land on you.
"Welcome home, Sweetheart." You say with a chuckle. "You came so much quicker than I thought you would. I haven't had time to finish my cooking or clean myself up."
L is silent, his gaze fixed on you. You grow nervous, fearing his disapproval. He seems tense or frustrated. You have trouble telling what's going on in his mind. He nearly never opens up about his feelings to you.
"Is everything alright? You seem... quiet." You comment, wiping your hands and approaching your husband. "Is everything going alright at work?"
"I want to have intercourse," Your eyes widen as L finally speaks. There were not the words you were expecting to hear. Not even a greeting. Straight to the point. "With you, of course."
"W-Well, no duh with me! I'd sure hope so!" You choke out, growing embarrassed. "What's this about? You seem off, Sweetheart. What's going on?"
"I love you." L says suddenly. He had only said this once before, on your wedding day, and you hardly believed that. It only felt as though it was part of his vows. You were always the more affectionate one, expressing your love without expecting any response.
"I... I love you too." You mutter, shocked by this sudden declaration. "W-What's going on, L. Seriously. If something is wrong, I need to know. I want to help."
"I know you do. You always have." L gives you a rare smirk, awkwardly wrapping his arms around you. Hugs were given on occasion, but this felt different. You could hear his heart beating out of his chest as you lay your head against him. "You have always been my greatest ally, Y/N. I realize that my appreciation for you goes unspoken more often than not. I would like to have intercourse, as a display of my gratitude and affection for you."
You look up at him, scanning his expression. It's comforting to feel his embrace. It's something you rarely get to experience. Yet, you feel this must be too good to be true.
"Darling, you don't have to do anything like that for me to know that you appreciate me, or that you care." Although, in the past year, you truly haven't felt appreciated or loved. You've felt more like a maid than anything.
"Y/N, I want you." He says, in a tone that sounds like a nearly frustrated whine. It's a sound you have never heard before. Still, everything indicates that he is speaking the truth.
He hesitates for a moment before leaning down to meet you face to face. His hands reach to your chin, tilting your head slightly. It's almost as if he's inspecting your face. Just as you are about to ask what he is doing, his lips land on yours.
Your husband was never fond of kissing. He was disgusted by the idea of sharing saliva. Yet, here you were, squeaking in surprise as his tongue forced his way into your mouth. You relax into the kiss. It's soft, and passionate. Your heartbeat practically echoes throughout the room as your excitement increases.
His hands find their way to your waist. He rubs circles on your skin and toys with the fabric of your shirt. You lean into him, your hands roaming his surprisingly toned chest. When you first married, he was much scrawnier than he is now. The thought of your wedding fills your heart with joy.
It was a small ceremony. Private. Very few people knew. Still, you felt as though you were the luckiest girl in the world. When those doors finally opened and L laid his eyes on you, you could've sworn you saw him tear up.
"You are arousing." He whispers in your ear, snapping you out of your pleasant memories. His hands snake under your shirt and gently trace your bare skin. "Even such minimal contact with you can cause a physical reaction."
You look down to see the outline of a very large bulge through L's sweatpants. His arms wrap at your hips, picking you up off the ground. Your legs instinctively wrap around his waist. His erection prods against you. He carries you to your bedroom, gently placing you onto the bed. His dominance and affection are unusual, but very much welcome.
"Do I have your consent to remove your clothes and proceed with intercourse?" You chuckle at his formality. You've known him so long. He's seen every part of you. Yet, something still makes your cheeks flush with embarrassment.
"Yes, Lawliet. You do." With that, his hands swiftly move to your pants, sliding them off your hips, down your thighs, and finally off your body entirely. He kneels against the side of the bed, peppering kisses on your skin.
Beforehand, intimacy felt somewhat cold and distant. He had always kept your enjoyment in mind, but had never shown so much affection as he had been showing now.
You feel your arousal pooling as his kisses make their way higher and higher, his thumb teasing at the waistline of your panties. He hooks his index finger around them, slowly pulling them down.
"My, someone is eager." He jokes, his hands positioning your thighs over his shoulders. "Open wide for me, Princess." Simply the sound of his husky voice calling you an affectionate pet name would've made your heart race. What makes your heart nearly explode was the feeling of his tongue swiping a line up your wet core. You let out a shaky breath as he continues, lapping up your arousal.
At first, he is slow and delicate. This is something you had never done before. L was never a fan of foreplay. He enjoyed getting straight to the point. However, as small whimpers and moans escaped your throat, his intensity increased. He grew desperate to hear more, devouring you like an animal. Your thighs squeezed around his head, but this did not stop him. His tongue continued to make your mind go cloudy. Soon, you felt your climax approaching.
"L-Lawliet!" You whimper, moans cascading from your mouth like a waterfall. "I can't take much more!" Your hands, which once gripped the bedsheets, travel to your husband's unruly hair. You tug it lightly, causing him to grunt. His nails dig into your waist as he continues.
Soon, you find yourself releasing on his face with a loud moan. He licks up your liquids and you squeak as his tongue passes back over your most sensitive parts.
Your husband stands, his chest heaving as he undresses. Any remaining garments of yours are shed quickly as well. The moment feels so intimate, and vulnerable. You reach towards the nightstand. With how infrequently you and your husband would have intercourse, you find it somewhat pointless to consistently take birth control. Instead, your primary contraceptive was now condoms. However, L's hand stops you at your wrist.
"I want to have a child. Would this be acceptable to you?" He asks, gently, his eyes never leaving yours. This feels like such a sudden development. L had never expressed interest in having a family before. However, this was something you had been hoping for since the beginning. Tears of joy fill your eyes as you nod. "May I have your verbal confirmation?"
"Of course, my Love." You say quickly, as if the opportunity will pass you by. "I'd want nothing more, but where is this coming from?" Your husband smiles as he leans over your frame, his arms on either side of you.
"I have found myself thinking of you more and more often. The idea of protecting and providing for you has always been in my mind. Yet, in the past few weeks, I have been craving your warmth under the pressure of my current case." L says softly. You listen intently. He has rarely ever opened up about his feelings. Especially not about your relationship. "I do not mean physical warmth in this context. Although, that is something I have missed. I am referring to your overwhelming domesticity and optimism. You are comforting."
"I find you comforting too." Your hand cups his cheek. He nods, happy with your response as he lifts your right leg ever so slightly, positioning himself at your entrance. You look down, spotting his throbbing cock, pre-cum leaking from the tip. You didn't think it possible to become more aroused than you already were, but here you felt your heart race faster and your face grow warmer. He teases you, rubbing himself against your wetness. "Please, Baby." You groan, earning a hitch in breath from L.
He pushes himself in slowly, feeling your warm walls squeeze around his as he bottoms out. He exhales a shaky breath, his nails clawing at the sheets and his eyes squeezed shut. He fears that if he opens his eyes and sees you beneath him, he wouldn't last.
"You take me so well." His voice is low, and he finally opens his eyes. He has given you a few moments to adjust, and he begins to pump in and out of you.
His thrusts are slow and loving at first as he praises you, peppering you with kisses. As your moans and whimpers grow louder, his thrusts pick up in speed, like he's feeding off your pleasure. The sounds of wet slapping skin fill the room, accompanied with L's occasional labored breaths and grunts. Your legs are wrapped around his hips, and your nails scratch into his back. You can tell your husband is getting closer to his climax, as his thrusts become more animalistic and sloppier.
"That's my good girl." He growls as your walls tighten; you're getting closer to your release as well. You whimper, his name slipping from your lips. This only seems to send him further into depravity, as he lets out a loud groan and a hand grabs at your ass.
"I-I'm so close-" You whimper as your husband presses into your sweet spot over and over again. His pace slows down, his eyes laced with desire.
"Beg for it. Beg to cum for me, or I will stop." You don't dare test or tease him. You know that he absolutely has the self-control to stop right then and there. Your legs tighten around his hips.
"No! Please! Don't stop, L. Please, I need this so bad. Please, let me cum. You make me feel so good Daddy." Though you had never called him this before, it seemed to unlock something within him. His thrusts become faster than you can handle, and your orgasm begins to wash over you. "A-Ah! Please! Right there!"
"Fuck." He whispers, lowering his head beside yours. You can hear his subtle cursing and growls right in your ear. Your mind fogs as you reach your climax, biting down on his shoulder as you cum on his cock. "G-Gonna cum-" He does so soon after, emptying himself out inside you with a couple extra thrusts.
He takes a moment to catch his breath before collapsing onto the bed beside you. The glimmer of sweat on his bare chest is truly a sight to see. Somehow, his hair managed to get even messier than it usually is. You giggle, happy to see your husband in such a vulnerable state.
"I hope you found this satisfactory." He turns to you, his eyes shining with affection and adoration. You turn on your side, laying your head on his chest as he wraps his arms around you.
"What's gotten into you?" You ask, tracing doodles on his body with your finger. He hums, thinking of a proper way to answer your question. "You're very affectionate today."
"There are a pair of individuals I have been observing for a time. They go by the names of Light Yagami and Misa Amane. Miss Amane is quite affectionate with Mr. Yagami. However, I notice that he often will not return this sentiment. She is left unsatisfied and desperate for any crumb of attention from Light." L turns to you, brushing a few strands of hair out of your face. "I do not desire to do the same to you. I do love you, Y/N. Since the day I met you. I would like to have a family with you. I would like to be more present. I want you to feel the love I have for you."
You smile, hugging his tightly. You try to hold the tears in your eyes. You've always been relatively confident that he cared for you and loved you. He just shows his affection a little differently. Yet, his concern for your happiness filled a loneliness you'd refused to acknowledge for a long time.
"I love you too."
55 notes · View notes
geekgirl101 · 2 days ago
Text
More 8x06 thoughts. Still processing
I've been trying to express my feelings about 8x06 on paper, and there's still so much swirling in my head. So apologies if this is too long and ranty.
The GA isn't happy for a lot of reasons. One was that Tommy did fit with the 118, he was friends with Eddie and Chim. Two: they were happy Buck was in a relationship, and it seemed like (at least in season 7) that he was finally off the hamster wheel. And they like Eddie and Buck's friendship and don't want to see them together. After all the BS takes I've seen from you-know-whos, I can't say I disagree at all.
It's like neither Buck nor the writers have learned anything from past love interests. Tommy is the one with the most potential because of how well he fits, and he clearly has a lot of abandonment issues. Hey, so does Buck. That could have been a great point to explore.
I don't think Buck needs to sleep around to explore himself. But I do think Buck never fully processed anything.
It's wild that Buck and Tommy dated for six months and NEVER had any real conversations about exes? Tommy does strike me as the kind of person who keeps people at arm's length, who maybe doesn't say much about his past unless he has to. He could have also held back because he was letting Buck set the pace. I know Tommy isn't a main character. But they could have done so much more with this and with him. Hopefully its not the end.
The show also did nothing to show Buck's growth in a relationship, aside from the fact that he kissed a boy and liked it.
8x01 showed us that Buck was competent, professional, and mature, and stupidly I was hoping that would extend to his relationship too.
I think Buck has to figure out what he wants out of a relationship, I hope we see more of Buck talking to Josh or Hen and then he and Tommy work on making a relationship that's lasting, honest, and full of love (if we're grudging up Abby, we can continue the red string here and make that nod too)
What also bothers me is they took 3 episodes to build Buck and Tommy and show us that they have chemistry and that Tommy shows up for Buck, they had two more moments where it was clear they were getting to know each other and were solid in season 7.
And then it took them 1 episode to tear it all down without ever showing Buck showing up for Tommy. They were supposed to be getting to know each other. But six months in, it's like they didn't even know each other at all... or actually. It's like Buck didn't know Tommy at all.
I find it frustrating that we got to see so little of them, and most of it was Tommy doing things for Buck, showing up for Buck, complementing Buck, and taking care of Buck. A relationship has to be a two-way street. You show up for me, I show up for you.
And I'm glad Tommy showed up for Buck. Buck deserves love. But so does Tommy. Tommy was clearly looking for love, IDk if he was looking for a family or anything long term. Maybe he was dealing with a bad breakup and Buck was adorable, and he thought, maybe this could be a thing for now, but he ended up falling for him, clearly, and panicked. But I think on some level he was looking for someone to show up for him too, even when things got hard. And maybe this is foreshadowing. I hope it is. But I refuse to get my hopes up about it, or about Buck's love life ever again.
32 notes · View notes
itsmyfandomandilikeit · 23 hours ago
Text
Ok I have gone through all available evidence and I have a prediction.
Look I'm ngl I am watching Arcane for Cait and Vi. I love the show overall but this ship is what I'm most here for, especially after I spent the last 3 years under the assumption that Mel was dead. Glad she isn't. Point is, I really want CaitVi/Violyn/Piltover's Finest to be handled well, and I pay a disproportionate amount of attention to what happens with these two.
After watching the first arc of season 2 the other day, I was trying really hard to ignore the ending to episode 3. I didn't like that Cait hit Vi in the stomach and abandoned her in a pit after being all classist at her, but I thought, this is Arcane. Arcane is the greatest fucking thing I've ever seen, of course they're gonna find a way to make this work. But that made me think of it as a puzzle. How could they possibly make this work?
Option one, Cait sucks now and she and Vi don't get back together. I don't think this makes sense, because of the brand. CaitVi is a popular ship that just about everybody likes. A huge amount of the hype for this season before the trailers came out was building up assurances that don't worry, CaitVi is happening and it's not gonna be ambiguous. Take this teaser from like two weeks after season 1 ended, a couple of Valentine's Day icons, and one million tweets from Amanda Overton. Why the fuck would they make this season be about Cait and Vi not working out? It simply doesn't make logical sense.
Ok, so we're starting from the assumption that Cait and Vi have a happy ending that makes people feel like they should be together, and continue to want to play as them in the games and buy merchandise. That means they either explicitly get back together, or it's so implied there isn't much of a difference. My money is on zero ambiguity. Vi is the main character and Cait is maybe #3 or #4. Ambiguity about their ending would just look like a weak writing choice and they didn't know what they're doing. The Arcane writers don't tend to go for wishy washy.
But here's the problem. Domestic violence is bad. It's about the fastest way to guarantee the majority of your audience doesn't think two characters should be together. It would take a herculean effort on Cait's part to make up for that and honestly I still wouldn't believe it. To me, there isn't any kind of act of service that makes up for hitting your partner. Not even ensuring the independence of the nation of Zaun. Add on top of that the over the top hurtful comments about Vi's blood and class. It makes her look very much like, deep down, she thinks of Vi as beneath her. If she meant those things, a relationship between them is impossible. (Not to mention how many teenaged girls I know are watching this, and I don't want them to think it's ever okay to be treated like that, even in a fantasy series.)
So my prediction is this. The only way to make a relationship between Cait and Vi viable again is to render those comments and the sentiment they carry meaningless. How do the writers do that? Imo it turns out later that Cait intentionally came up with cruel things to say to cut Vi loose. She realized that Vi would never be able to kill Jinx, and this new explosion will make the situation aboveground even worse, and Vi still won't be able to contribute to the hunt after this. Vi has no future as an enforcer against Jinx and will probably get treated like dogshit as a Zaunite, so Cait is "breaking her heart to save her", as Tvtropes would say. In Cait's mind, it's better if she's left down here in Zaun.
What evidence do I have for this? It fits Cait's characterization as a genius who thinks quickly and several steps ahead. It fits the tiny animation details we zero in on of her stiffening her trembling lips and furled eyebrows. It un-ruins the most popular canon relationship in League. It allows act 1 to end on massive shock value but roll it back later to show that Cait actually does love Vi, enough to let her go for her own good.
I'm not arguing this is the best possible solution but it's the one I think they're going to go with. Amanda Overton and some others have repeatedly said that CaitVi fans will be happy with the ending to Arcane. Everything about the show(the opening, Netflix Brazil's Twitter account, the story) points to them being the show's OTP except for this one scene. I think Cait intentionally cut Vi out of her life by pretending to be much crueler than she wanted to be, to protect her and, likely, as a form of self destruction.
24 notes · View notes
nachosncheezies · 3 months ago
Text
In defense of late-canon x files (including the revivals)
I was thinking about this poll after I commented on it, and I kinda want to be brave and say more.
Short answer to the poll's question before I go any further: If you're a new fan and a sensitive sort who thinks you'll struggle with your blorbos Really Going Through It and you really need a happy ending, I suggest you stop at the end of season 8. Do not pass go, do not look at spoilers. Disregard this post entirely, close the internet, and go look at something that makes you happy. (Also fuck every part of society that characterizes sensitivity as inherently weak and bad and some kind of personal failing, you are valid.)
That said, "quality" as a concept is entirely subjective, and the question of whether or not there's a decline in quality for any story is wholly subjective, too. In the case of x files? I'm not convinced there is a decline. I am going to be upfront that I haven't yet watched past season 8, though I am almost completely spoiled on events after that - and the reason I haven't watched yet is not because of how I know events are going to unfold, but simply because I don't want it to end!!! Ohh, the tension between "I CAN'T WAIT!!!" and "Nooo don't be over D:"
When I first came to txf fandom on tumblr and gradually became spoiled about what happens in late canon though, I was often left uncomfortable and tbh kinda queasy about it. As I said in my comment on the poll, the hate for especially the revival and IWTB, or to a lesser extent even seasons 8 & 9, is very well documented. But! There are other takes to be found here on tumblr if you figure out where to look, and my feelings have changed!
The thing is, I have yet to find myself in any fandom where there isn't a vocal subset of fans who dislike the story after a certain point. I am not joking when I say that no one hates the things they love as passionately as sci-fi and fantasy fans. In my experience, it often hinges on the extent to which a viewer has strong notions on where they would like the characters to end up. In particular with series where shipping is a dominant component for the bulk of a fandom, I have almost universally found that there comes some turning point in the story where "let them be happy you cowards" is the dominant view, and things that compromise the attainment of a degree of romantic stability and/or domesticity are, to many fans, annoying at best and despicable at worst. But! As one tagset on the linked poll said:
Tumblr media
and I think for any fandom, that last tag especially is so so so important. (I think that's harder for people watching a weekly series live, bc you have so much time to analyze and speculate and dream before the next breadcrumb drops, but I digress.)
So why am I saying this and how do I apply it to x files? Well, I eventually found that there are also a subset of fans who find redeeming things right up to the very end and actually quite like the whole thing! The things that I had seen people rage and ventpost so much about honestly never quite sounded to me as "out of character" or "untrue to the story" etc as those same ventposts made them sound. And I've discovered I'm not the only one who felt that way. Do I love that the spooky squad had to go through all of those things? No, those poor guys D: Life is hard and they have been through so much trauma. But do those events and their choices make sense to me in light of everything that came before? Yes! And I honestly can't wait to see them fight to overcome those things, breaking, healing, always learning, always growing, always getting better.
So if you're wondering "where does it go wrong"... well, I'm a completionist, as many people who've answered that post are, but also my personal opinion is that I don't think it does go wrong. If you're new and interested in exploring why I've gone from "vaguely queasy" to "excited" about the whole thing, or want to maybe balance out the impressions you're getting about the later seasons before deciding whether or not you want to see the whole thing, I'll put a few blog names in the comments.
Final admission: even once I started feeling a little more confident in the possibility that "actually ok maybe I'm not crazy, maybe this all kind of is in character and does make sense", there was one big plot point that I was NOT looking forward to and I thought I would never be comfortable about. In hindsight, I think my discomfort came from the negative responses being SO seemingly universal that I hadn't stopped to let myself truly consider other possible interpretations on that point. (I mean my initial instinct when I first read about it was, why are we mad about this?? CSM is literally the most unreliable narrator in history???? it's obviously fake news?????? this must be either a fever dream someone's having or it's a misdirection ploy against whatever shadowy forces might still be lurking?????????????? but for whatever reason I guess I had halfway written that off.) Happily, just last month there's a new post-s11 novel out, and although reviews for the book as a whole are mixed, it seems to have laid the groundwork for resolving that plot issue in a way I think most fans would be broadly happy with. If you're interested in being spoiled about that and seeing how, I recommend searching #perihelion on @agent-troi who liveblogged reading it with receipts, scroll back chronological-style to the first post on the subject and see how it unfolded. (And never forget that Dana Katherine Scully is the queen of denial as a coping mechanism lol)
Everyone's mileage will vary. Each person can feel however they want! But for anyone new, I wanted you to know that the very many ventposts you might be seeing are not all there is to this show or its fandom. Some of us love it despite - or even because of - all the things that went "wrong". I think we just don't talk about it as much.
#i don't talk about it much because tbh it can get *fraught*. and i've had that in other fandoms too.#i added and deleted so many qualifiers from this post over it lmao#people are passionate about fandom which is great! as a concept#but it sucks feeling like most people hate the thing you love or that - however diplomatically it's phrased - you should hate it too#or that folks think maybe you *would* be mad if you just looked at it a certain (sometimes seemingly cast as the 'correct') way#basically it's insane that half the time when i see people standing up and praising the revival i'm like 'damn bruh. you brave'#and feeling that way is partly a me thing. but i've seen posts that also lead me to believe it's not JUST a me thing yaknow?#i always wonder whether the 'vocal subset' in any given fandom who hate a thing are really the majority that they appear to be#or if they just appear to be the majority because they've needed to be vocal about it as a sort of internet support group thing lol#which fair enough i mean anyone's entitled to be disappointed or have feelings#for me? i don't think i can remember ever being mad about a series i liked#i'm just here for the vibes man i very rarely have fixed notions#i say to the writers: go ahead and surprise me. i'll make sense of pretty much anything they throw at me#i also think about a dd quote i saw ages ago that as an actor you (paraphrased): can't say 'the character would not do that'#...because if it's in the script then by definition they *did* do that. it's right there on the page.#and that's kind of me as a fan too.#p.s. i fucking love season 8 i love angst and holy shit it delivers. the new characters are fantastic the journey is *chef's kiss* and#yes i consider certain temperamental even assholeish behavior to also be *chef's kiss* there's so much trauma so much reason for it#it's be-yoo-ti-ful 💕 season 8 my beloved 😍#anyway watch it all watch none do what you want. just know that there are people who would cuddle the whole damn thing from start to finish#like a floppy wet lil raggedy ann doll if only they COULD#x files#the x files#txf revival#txf thoughts#i love you floppy wet raggedy ann doll
61 notes · View notes
monstermoviedean · 15 days ago
Text
season 15 is BAD bad. not even fun bad or so bad it's good. it's just fucking bad. and do not tell me it was because of covid
23 notes · View notes
lunarharp · 9 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
"Found out" set in kind of a made-up chapter where the girls are in trouble, or something.
#witch hat tag#orufrey#i hate having a strong cinematic image in your mind for months..working hours on it..& at the end looking you have to be like “Sure. :/"#i'm especially unsatisfied with the beginning and the end and how i can't get eyebrows to work as i want#but i dont care any more... this is probably the comic that has given me the most trouble ever i just dont care#i barely even care whatsoever if anyone even sees this..Ugh..but at least i can move on to the next era now#i'm just annoyed i cant get out good enough my image of qifrey flinching bc he thinks oru will hit him but then he is not hit#i feel like sensei will do something along these lines. i want to see what she will do.#there are also other variations i have in my mind. i just want to know#i just don't want it to happen with qifrey on his deathbed or something. but it possibly will. I DONT EVEN KNOW.#i have another very cinematic image in my mind for something sort of along those lines which i will do soon. it never ends...#btw after this is probably my fics. yeah.... i think it has to be my fics. jasmine sort of goes along these lines#i need that space for dialogue. look - i'm a writer. this is HARD for me. so i am really glad i had the space and freedom of words#to process all the feelings. but i tried to get something out in a quick visual space too. <- me defending myself to myself at cai court#anyway going along the lines of 'Jasmine' - they talk this out and argue and cry and oru pushes the hat at him and tells him#why not just erase every memory i have of you then. That would be easier for us all wouldn't it?#they kiss and sob and kiss and lie outside in the flowers for many hours in that one. and then there's 'Deep End' where it turns out#way way way way more time and words is needed for this actually and that's upsetting for everyone.#the destruction of the hat is certainly another path to take. Can you make this work without that hat going up in flames?#something you have always had and have been clinging to will have to be destroyed. You have to lose something now. This is the crux qifrey#I CANT GET IT OUT IN ONE COMIC!!! I CANT DRAW IT OUT!!!! I NEEDED THOSE FICS!!!! PRAISE WORDS!!!! whatever im going to have dinner now
55 notes · View notes
butmakeitgayblog · 2 months ago
Note
i love your take of clexa in meet me in moonlight, under old willow tree. Would you ever consider writing a multi chapter fix-it canon divergent fic?
I don't know if I could do it justice 😳 I'm still not even entirely confident in how I did on the oneshot, though make no mistake I appreciate every single bit of encouragement and kind words! Canon is just such a tricky thing, and they're so so specific in their mannerisms and dynamics. And everyone has their own personal interpretation of everything.
I just... I honestly think it'd let you guys down if I ever tried for like a full length fic vs a oneshot or drabble 😕
7 notes · View notes
o-uncle-newt · 4 months ago
Text
I read Possession by AS Byatt after people told me "if you liked Gaudy Night you'll like this" and WELL.
Warning- spoilers for both books abound below!
So it sounded great- as a lapsed academic (though not in the field of literature by any means) there's a part of me that loves reading about academia because it's full of such obsessive people, and this book seemed to be exactly that and so I was excited.
Then I read it, and on the one hand, my first thought was "all these people are dull as heck, the only sane modern-day one is Val, and at the end of the day the historical stuff is just two people having an affair, who cares." My second thought was "there's just enough stuff here that makes me think that maybe the author knows that all of this is stupid, like the fact that Val is obviously one of the few sane ones here." But the ending made me doubt even that. Essentially, and I say this even as that lapsed academic, the author could not convince me to care about the important things at stake here, and as a result couldn't get me to care about the people who only seemed to care about those things.
I didn't care about Ash and LaMotte- they came across as two people high on their own supply who had a tawdry affair. (And each of them is the less interesting person, as a person, than their official partner!) As a result of not caring about them, I couldn't POSSIBLY care about Roland, Maud, and the rest of their crew, because their only functions were to be possessed by, and weirdly possessive of, these two entirely unworthy individuals, whose in-universe historical and literary significance Byatt couldn't convince me of, and to use that possession as a mirror for their own very lame romance. Beyond that they're utterly uninteresting, and there isn't even meant to BE much beyond that so it's not that surprising.
Anyway, I didn't like this book much, but it still made me think a lot. And there's a way in which a certain kind of person might say "well if it made you think then that's surely a sign of some positive quality" and... maybe? I don't know. I didn't hate all of it, and some parts were interesting, and I do have a whole separate list of things about the book that bug me including a breakdown of some of the book's (perceived by me) themes that I particularly disliked lol. Perhaps I'll post it another time. So I guess you can say it spurred me to thought, but loads of things that I don't like do that, and the only positive thing that that draws from me is that they're not downright dull.
The thing is, after finishing the book I was immediately struck by that "if you like Gaudy Night..." element, because it has a situation that felt weirdly similar (if for totally different reasons)- a young scholar stealing a letter from a library/archive. The circumstances are different- in Gaudy Night, the scholar does it to hide its existence so as not to contradict his thesis, and in Possession, the scholar does it so as to explore the document further, though still secretly- but there are still some interesting parallels vis a vis class. Possession goes into the class thing more than Gaudy Night does, but neither book goes much into it- the scholar is lower-class and someone who has scraped their way to their position, and is encumbered by a female partner of lower social and academic standing, and in the end they are juxtaposed against scholars who come from an elevated class and who have more money and opportunity. In Gaudy Night, Arthur Robinson is judged by the likes of Lord Peter Wimsey and a college full of women who don't have to do anything but think, teach, write, and grade papers; in Possession, Roland has to convince a bunch of academics of standing and resources to take a chance on him (and while this is more about money than class, he's the main one who's like "maybe it's good if Lady Bailey gets her wheelchair"). Byatt elides over this at the end by having him magically become in demand and on his way to achieving his academic goals, but I think in both books, the class element really could have taken on more significance in the text.
(I'd add as well that Byatt pits the upper-class and moneyed Maud, who of course is doing things for "the right reasons," vs the evil American businessman who clearly... doesn't care about Ash enough? Despite how much he clearly and obviously cares about Ash? The book was way more interesting when he seemed like a valid rival to the British team, who only thought that they deserved the letters more because of their obsession, rather than how it turned out at the end where the American dude is an actual cartoon villain. What made him genuinely less worthy besides having money without class, and of course having the bad taste to be American? What makes one scholar's possession more justified? Sayers was never this unsubtle.)
So that made me think more about Possession vs Gaudy Night, and the thing is, there are actual living people in Gaudy Night! Say what you will about the unworldliness of the academics at Shrewsbury, but you get a very keen view of their personalities by the end, even as they are (by necessity given the rules of their world) subsumed by academia, or subsume themselves in it. And the people who do fall in love are REALLY in love, and you understand why...
And somehow a book from 1935 feels far more interrogative of the possession (or lack thereof) found in love and romance, and just about the place of women in academia and relationships overall, than one from the late 80s. In Gaudy Night, Harriet accepts Peter once she has determined that despite their power differential (brought on by class, money, history, and to a degree gender) he will not threaten her personhood, because he has proven himself to her. In Possession, Maud accepts Roland because she has the power (money, class, position, even height) and so Roland actually cannot threaten her- and yet still that final scene is about her being taken by him, basically to prove some kind of a point. In contrast, in Busman's Honeymoon, the euphemistic sex scenes are about Peter trying to please Harriet.
When I say it's to prove a point, I'm paraphrasing Byatt, incidentally- who said: "And in the case of Maud I had made it very inhibiting. She was a woman inhibited both by beauty (which actually isn't very good for very beautiful women because they feel it isn't really them people love) and she was also inhibited by Feminism, because she had all sorts of theories that perhaps she would be a more noble kind of woman if she was a lesbian. And so she was a bit stuck. And Roland was timid because I am naturally good at timid men. It's the kind of men I happen to like. He's a timid thinking man, so of course it took him the whole book." I mean... yikes, but also that explains a lot. Maud can only bring herself to be with a man who is weak/effeminate (?) enough to justify whatever weird psyche Byatt has imagined up for her, but still she needs to get over her inhibitions and under him because... reasons. I don't know.
(Height is also interesting here as a point of contrast- Byatt makes Maud taller than Roland to make a point about how on the one hand she retains the power but on the other hand there is now even more of her that has to surrender. Peter and Harriet are the same medium height and wear the same size gown.)
I think the thing that most stuns me is how regressive Possession feels when it comes to gender politics on relationships than Gaudy Night does. I'd need a whole other post to talk about this, but the theme of Possession seems to me to be "relationships that produce things (whether art or children) are worth more than ones that don't." Roland is better with Maud than with Val because Val is a second rate scholar who drags him down (while supporting him financially) and Ash is better with LaMotte than with Ellen because LaMotte didn't only inspire his writing (Ellen's contributions are described only in the negative "didn't impede"), she gave him the child that Ellen refused to. Incidentally, in both cases it's the man pursuing a relationship that will give HIM something... But, to paraphrase Peter in Busman's Honeymoon, one wouldn't want to regard relationships in that agricultural light. Gaudy Night is about how two people can produce great things without each other but choose to be with each other for their own, and each other's, happiness. They aren't each less apart, and as I noted in a prior post, they don't need to solve cases together or conjoin their work in order for their relationship to be worth something. It is worth it for them to be together because it encourages some kind of inner balance within them and between them, as people. They enjoy collaborating but that is by no means the basis of their love (and, incidentally, I think that a lot of, if not most, detective series romances fail this basic test of "would they have fallen in love if they were accountants who met on a dating app." Peter and Harriet definitely would have- would, say, Albert Campion and Amanda Fitton have? I do NOT think so).
And here's the thing- another reason why Byatt's quote above is so off-putting is that it makes it clear that not only in the text but on a meta level, the purpose of the relationships is to prove a Point. I found Roland and Maud to have zero chemistry, and honestly I was expecting them to get together 3/4 of the way through and split up at the end when it turned out they had nothing in common- it seemed like that kind of book. I was kind of stunned when they only got together at the end in an "it's meant to be" way because nothing about it seemed meant to be. They were stuck together by that one thing and they each apparently needed the relationship for some kind of self-actualization or historical rhyming or other. (Whatever I say about Ash and LaMotte... at least they seemed to like each other!)
Peter and Harriet... they get together because they love each other. Do they change over the course of Gaudy Night, and over the course of the other books they share together? Of course they do. But if it makes sense, I'll put it this way- Harriet doesn't accept Peter's proposal as proof that she got over her hangups, Harriet gets over her hangups so that she can accept Peter's proposal. Her hangups only matter because they were keeping her from this particular kind of happiness- she was a fully actualized person even with them. She is a person who does things for human reasons so that she can build a mutually happy life with the person she loves, not a little plot mannequin being moved around in order to tell the author's desired Message. People can say what they want about Gaudy Night and its flaws, but despite the intricacies of its construction, nobody can call the characters' actions and motivations anything but brutally human.
Whether within their universes or on a meta level, the books have SUCH different things to say about the value and nature of love, the place of and purpose of sex, the place of art and intellectual accomplishment in relationships, all of the above in the context of femininity… and I can't help but feel that each time, Gaudy Night wins the contest. It's possible I'm missing something major about Possession, and maybe sometime I'll post the rest of my notes about the things I disliked and people can tell me what I'm wrong about- but if nothing else it made me appreciate Gaudy Night even more, so for that I'm grateful.
#possession#as byatt#gaudy night#dorothy l sayers#lord peter wimsey#harriet vane#i'm not tagging all the characters from possession bc i don't actually really remember their full names and i'm too lazy to look them up#I also saw recs for possession for “if you like jonathan strange and mr norrell” and “if you like jfsp s9”#for jonathan strange and mr norrell i actually have several Thoughts#and am happy to share if asked#but i'm perplexed by the jfsp comparison#though a reading of ellen ash as asexual vs uncle newt would be...interesting#i guess it's based on romances contrasted through time?#also- i've seen people claim that possession is satire#to which i say#BS!!!!#the way that book is written either literally every word of it is satire and none of it is meant to be taken seriously#or it's serious as gospel#the only bits where some parts felt like they might be meant to be “satirical” in relation to other parts#came across more as caricature than anything else#cough cough lesbian feminist american professor... i mean jeez#which reminds me#any future writing i do about why i disliked possession#will have to include my take on that thing some women writers do where they're really WEIRD about how they write women#(sexually but in a way that they THINK is clinical to the point of objectivity)#while barely even describing what the men look like#and not having the women be physically attracted to them#another contrast point with sayers actually#who is perfectly prepared to have harriet be physically attracted to peter
9 notes · View notes
giantkillerjack · 6 months ago
Note
ur post about queerbaiting and the dismissal of people in fandom to critical analysis is so incredibly true thank you. i feel like marcille's writing in the anime has been super misogynistic a lot of the time and every time i bring this up all anyone wants to say is "well maybe this isn't for you! and you shouldn't watch the show!" like. i don't think this is about taste lmao, i am analyzing the text in front of me and coming to conclusions about the craft of it.
[This is in reference to this post]
YES!!! THANK YOU!!!!!
It is so so frustrating!!!!
It's like being at a restaurant and being served a bunch of delicious appetizers, but then one of the bread appetizers is literally just a plate of crumbs; and then when you're like, "Hey, uhh, why are we being served literal crumbs?", a bunch of the other folks eating at the restaurant are like,
"WELL HOW ABOUT YOU JUST DON'T EAT HERE THEN??!? YOU MUST NOT BE THAT HUNGRY, SO JUST FIND ANOTHER RESTAURANT AND DON'T EAT WITH US!!"
And maybe they say it politely, but "Aw, sorry, maybe this restaurant just isn't for you 💖" is just trading out an aggressive dismissive tone for a patronizing dismissive tone. It's the same message.
And it's like! I was honestly happy to move on from the crumbs once my complaint was acknowledged because the meal overall is still delicious, but then all these folks got SUPER WEIRD AND DEFENSIVE ABOUT IT, so now I find myself double-checking all the other dishes -- and, actually, you know what those eggs DO look a Iittle misogynistic undercooked!!!!
#original#queerbaiting#dunmeshi#dungeon meshi#falin x marcille#marcille x falin#marcille donato#delicious in dungeon#dungeon meshi marcille#listen i like marcille but u r right she is basically there to be a wet blanket a LOT of the time and that is a sexist trope#i think the bar is super super low for female characters in adventure anime and the lack of constant ogling maybe makes the female#characters feel better written than they are. i mean falin basically has no personality. she's got an innocent heart but that's nothing.#and i think these conversations are worth having bc no piece of media is perfect and this is how we learn to do better#also like. I've seen media criticisms that make me go 'oh you straight up should reserve commentary bc you#haven't watched the show and you're wrong' or 'i see what you're saying but you are simply incorrect' but like#i don't think I'd tell someone to just NOT watch Hazbin Hotel bc they have a bad take - and certainly not bc they have accurately#pinpointed a real flaw about the show (of which there are more than a few but frankly not what became the biggest subject of Disc Horse)#Angel is actually an amazing character & i think people mistook a criticism on the way abuse is glamourized as actually glamourizing abuse#like his song about abuse is called Poison and he's trapped in an abusive performance contract - bringing to mind Britney Spears#i think it is a wildly triggering and painful scene but i think a lot of people took the pain it gave them to mean it was bad art#but tbh they are still allowed to eat at the table if they so choose!!!#sorry i got sidetracked - as an abuse survivor Angel just matters a lot to me. i have a couple serious criticisms of vivziepop's work but#Angel is very much not one of them#also in regards to the actual subject of this post i think the most audacity of the responses i got was the one that said#that by complaining about queerbaiting I was 'de-incentivizing writers to write any interaction b/t women that could look even a little gay#and I'm just like. good. I hope they stop writing entirely. if the takeaway from 'please don't sell me bread and then serve me crumbs' is#'WELL NOW I JUST WON'T BAKE ANY BREAD PRODUCT' then that person is a bad chef. they should find a different job.#or at least do a whole lot of work on themselves. but either way i wouldn't be too broken up to know i won't be getting any food from them.#'just leave then' is so obviously a gut reaction defense mechanism & it implies media criticism should only be for things you don't like
11 notes · View notes
Note
megumi 🤝🏽 yuuji
dying even if it’s only for a good minute only to be brought back to life bc fate realizes if they died for real then they would need to find someone else to fuck over. those two are like fates favorite barbie dolls.
apologies if this post is going to seem all over the place, just bear with me. i don’t even know if you’re going to see this BUT it’s okay bc i need to get this out my system 😭.
starting off — god, imagine the chaos that will ensue when megumi tells nobara & yuuji about his very tragic history with the zenins. but like he wouldn’t even tell them straight up, he’ll just make a little deadpan joke (my sarcastic, sassy son) & the others would look at him like : ??? wtf do you mean by that sea urchin head???
like imagine itafushikugi going shopping for like traditional japanese clothes for a little festival or some shit (megumi was dragged by his spikes to come along) & nobara is having the time of her life finding outfits for her & the boys. like it got to the point where she’s dressing them herself & she shows megumi an outfit that looked similar to the robe he was forced to wear bc of the zenin (it’s obviously not the same) & megumi just refuses to wear a robe with similar color patterns to the zenin robe.
megumi: that looks like the outfit the zenin forced me to wear. i wonder what happened to it, cause the last thing i know, i got blood all over it. so as the second member of the zenin hate club, im not wearing that….
megumi: wait that blue one looks decent. i’m going to try it on.
nobara:
yuuji:
nobara: …did he really leave without giving us the “ getting blood on a zenin’s robe” story?
imagine maki complaining about naoya in front of the first years, & maki just brings up naoya’s onesided beef with megumi & her stories of how naoya was so petty back in his childhood made him remember who tf naoya is (megs have selective memory, it’s okay)
megumi: ugh, he was so annoying. i remember when he came to my middle school back when gojo was busy dealing with the aftermath of his evil ex boyfriend evil plan & he basically kidnapped me. i was stuck in a car with that man for 40 minutes..you would hate him nobara.
maki: yeah you would hate him nobara.
yuuji: i’m sorry he kidnapped you??? why did you say that so casually?
nobara: fuck that. megumi is a disney princess, we know this already. BUT we’re just gonna gloss over gojo had an evil boyfriend?
& imagine when megumi finally tells his friends about the zenin clan was when yuuji just came back from the dead & they were asking how tf that’s possible. & somewhere in that conversation megumi just let it slip that his heart stopped beating once & itakugi looks at him in silence:
megumi: yeah the zenin clan basically forced me to exorcise some curses & complete a ritual to get a snake — that snake fucking bit me. it was my least favorite. but yeah i basically died. then yuuta brought me back. then i was blind for a good minute.
nobara, yuuji, & even sukuna:
megumi: it was a terrible time for me. gojo was even more clingier & protective. it got to a point where he started treating me like i was 6 again… reading me bedtime stories, singing me lullabies & describing the pictures in the stories since i was…yknow blind.
cue itakugi & even sukuna wanting to burn down the zenin but ofc they can’t do that…so they settle for pulling pranks on the members & traumatizing them ofc.
IM ALSO imagining how funny it would be for yuuji to be jealous of yuuta. like bro is basically living yuuji’s fantasy world. i’m giggling at the idea of yuuji fighting for his life to be either megumi favorite or nanami’s favorite.
you also opened my eye to the potential of maki & tsumiki… like i also like to imagine that in a happier world, they would understand each other on such a deep level. but they would also find parts of the other that they wished they had. but on a happier note i like to imagine that megumi would suffer whenever it was brought up that his aunt is basically dating his step sister. like maki would be a menace to megumi. every little thing he do? maki is texting tsumiki in a corner.
maki watching itafushi cook together in the kitchen: i can’t believe megumi has a boyfriend. it’s so cute that he thinks that he can hide this from me. lemme go snitch to tsumiki.
maki listening to megumi describe his fight with sukuna, a cursed spirit who apparently has a stripping problem: oh my god. megumi is truly yuuta’s boy. they both got cursed spirits obsessed with them…i need to tell tsumiki.
maki to megumi after witnessing his suicidal tendencies: don’t make me tell tsumiki.
i honestly love your story. the way you added so much more to megumi childhood is beautiful. it just make soooo much sense. but also your characterization of gojo is so precious to me. i’m waiting for gojo to go apeshit on the zenin. i’m also giggling in anticipation at gojo finding out about yuuta attachment to megumi. i like to imagine him to be kind of worried about it actually, bc that’s not fucking healthy. but i imagine him getting used to it since megumi will have a protector in the form of yuuta & his power of love.
i’m also curious to see mai’s role in this story since.
*sighs in disappointment at gege writing choices*
since she had a crush on megumi…yeah. but imma just interpret that as she wants to be his family. it keeps me sane
i also wanted to ask if there’s a chance that you would write a megumi POV of what happened in the zenin clan? ofc i would understand if you wouldn’t since it leaves a much more ominous feeling to the events. plus yuuta running commentary is a good mix of angst & humor so ofc i understand.
Yuuji: man fushiguro almost checks the boxes for a Disney princess. except he was never kidnapped or enslaved
Megumi, sold to the Zenin clan, who later kidnapped him: *sweating*
Nobara and Yuuji would be the co-vice presidents of the "fuck the Zenin clan" club if they knew what happened. They would be the presidents but yuuta and maki are already in a death match for the position and they're trying to avoid the bloodshed. they are not allowed to be treasurer because neither of them know how money works.
megumi is unaware that a formal club has been formed.
Megumi is suffering SO HARD in any world where maki and tsumiki are together. they won't stop ganging up on him when it comes to his love life and general wellbeing and holding hands where he has to see it. maki lectures him about his suicidal tendencies in the field, holds up one finger, calls tsumiki, and lets her pick up where she left off. maki tries to talk to him about relationships one (1) time and he tries to drown himself.
see i'm pretty open to writing a megumi POV but it, like most of my stories, falls in this nebulous category of "if i have the time." like, i've thought about writing megumi's pov before, there's a lot of stuff that happened that exists as like, background knowledge for me that will never make it through yuuta's pov because it doesn't make sense for yuuta to find out about it. It would be very tonally different, but if i did write it, it would be a different work entirely and i'd be making sea glass gardens into a series.
i'm eternally tempted by the siren call of making my works into a series. If i did it with sea glass gardens, i would want to add a one shot of Megumi's pov during the time leading up to sea glass gardens and a short multi-chapter of the gojo, nanami, shoko teen parenting trio. If I have the time, it will exist; if i don't, it won't.
#ironically the one thing that WOULD endear yuuta to yuuji is finding out about all of this#yuuji would instantly love him for all he did for Their Boy. it's the only way i see megumi actually fessing up to what happened#i think megumi's just someone who's really private and uncomfortable with people knowing a lot about him and he would try to hide this from#itakugi for as long as he could. it probably eats at him that the second years all saw him like this. i think he just hates feeling vulnera#megumi gives him the /extremely/ abridged version of events to get yuuji and nobara to chill about yuuta and how he acts (yuuji is convince#that there's no one who could be that perfect nobara keeps looking for homosexual explanations) and they instantly veer hard into finding#out everything there is to know about the zenin and how to hurt them and also yuuta's like. beloved in their eyes. megumi is their boy.#they love their boy. yuuta saved their boy. ergo they love yuuta now. it's simple math.#tonal shift is a huge sort of struggle with me as a writer just because i change my styles with every narrator#which is why it's kind of hard to flip between works if the tone is too different. i was trying to juggle sea glass gardens and toy rosarie#and i was just internally screaming b/c yuuta and jack could NOT be more different with narration styles and i was like 'fuckkkkkkkkk'#with yuuta i structure sentences with a lot of 'space' in them. i don't have a better word for it i'm not actually trained in writing so#it's all just whatever shit i made up along the way i have no officially terms. anyway. Yuuta's sentences are structured to have this sort#of detached distance between the actual message and the start of the sentence. So we end up with a lot of sentences that start w/ structure#like “yuuta thinks” and Yuuta feels“ b/c I think of yuuta as a very detached person because of how he lived. it's a survival mechanism.#a lot of the meat of what he feels has to come in almost absentmindedly. So you end up with Yuuta's suicide scene and losing the knife and#him having a line like “He swears he never meant any of the bad things he did” and the fact that he thinks his own survival is a bad thing#/he's/ to blame for is almost backdoor'd in as a given premise. it's assumed. it's not even the point of the sentence. he's been living wit#jack murdock meanwhile is an intensively retrospective character that's meant to make you almost feel claustrophobic from how “close” his#narration style is. a lot of the actual message is conveyed through imagined scenarios and emotional recollection. he's a character steeped#in regret who has been torturing himself with it for years. yuuta's survival mechanism is isolation but jacks been yearning to get back wha#he lost for so long and dreaming of it that he's steeped in really vivid internal imaginings.#with jack you have multipage lamentations remembering his son buying cereal with him but yuuta drops the fact that his parents stopped#loving him at some point and it's not even the most important thing in the sentence. it's included as a qualifier because yuuta has accepte#so much of the bad things that happened to him when he shouldn't have whereas jack hasn't accepted ANYTHING that happened.#Yuuta uses a lot of very clean cut grammatically correct narration and jacks is riddled with a bunch of “ain't's” and grammatical errors.#he has an accent for lack of a better term. so you end up w/ two characters who convey information in different ways prioritize different#info in their sentences use different sentence structures etc. so megumi would have a /very different/ style and tone from yuutas that woul#sort of shape any fic that came through him because all of my fics are primarily shaped through the narrator's voice. it's also why I set#kind of hard lines about whether a fic can have any narrator or just specific narrators b/c it determines the whole tone.
10 notes · View notes
omarwolaeth · 4 months ago
Text
Might be strange sounding, but the card reveals/banlists always come in 2 different perspectives for me, irrelevant of which banlist I'm playing under; because I write fics, I have to contend with the banlist at times (a majority of the time it's based on the sort of half-tcg, half-ocg Master Duel banlist with Anime Specific Additions.)
So when new cards come out I have to judge them not only by what I can figure out from their effects and traits (combined with what's currently meta, and if there's anything that wants to play the new cards, whilst being mindful of banlist differences), I also have the joy of internally discussing the value of a deck when its in a fictional setting.
I don't think anyone normally thinks about if a deck's theme is strong enough to tie a character to it, let alone if a deck's theme is too strong and tying a character to it is like Akihiko Sanada's obsession with protein in anything that isn't mainline persona (Like the Q games.)
Also makes engines less appealing.
#marwospeaking#Mikan plays Xyz-based Harpies. Manon plays Ashened. and Risa plays Memento trying to pretend its not a fusion deck#are these good decks? maybe only Memento. Do they fit the characters? surprisingly yes#Mikan's kind of like. pretty to look at. but not fun to interact with in any way. Manon wants to set her cell on fire (out of frustration)#and Risa's memory is so spotty she has zero idea who she is besides very basic details like her name (and how to play Memento main deck)#If you asked me to build someone who plays Despia. I could. If you asked me to build someone who plays Snake Eye. I could not.#Primoredial? sure! White Woods? maybe! Raizeol? ...sure. great archetype for engineers/mechanics?#Goblin Biker? Sure! Sky Striker? ehhh maybe? Fiendsmith? No. Yubel? ... only they play themself I'm fairly certain#These aren't really inspiring decks (the current meta ones I mean) in a way you'd really want for a character deck#(Kashtira wasn't either. admittedly)#They're small collections of cards that play half their deck as staples. what the hell kind of character can you build from that??#Before anyone asks. Mimighoul I could absolutely make a character for (in the same vein as Flip Turner). same with poor Tistina#Fiendsmith's theme is obviously strong. Its just one of Those kinds of decks where either everything else is powercrept. or it feels..#.. too small of a deck to do anything interesting with going pure with a few techs for the character#(some characters don't play pure. but when they do; those decks get combined support. Ojama Armed Dragon for example)#(Odd-eyes Performapal Magician and Onomats are the two others I can think of that do this. Yusei's pile does not count)#Another issue is when you have a set victor for a duel. but one character has a deck that's a calibre above what the victor will be using..#.. like Trickstar vs Cyberse Pile (might be multiple calibres). It becomes either not very fun or a very ass-pull looking victory#worse if it's a plot point duel with a lot of weight. even worse when it's too early on for 'oh they've grown as a duellist'#I'm rambling. anyway point is Secret Card Analysis Type: Fic Writer That Writes Duels
1 note · View note
fanvoidkeith · 1 year ago
Text
i hate not relating to writeblr (writer/author tumblr) because i want to talk about writing stuff but so many writers are like. organized. and they count how many words they write, and they actually regularly write, and. like.
i write in a whirlwind, and i don't track my words, and i barely finish anything, and i'm a mess, and i take a lot of breaks from writing because my brain is a mess, and i just
s t r u g g l e
5 notes · View notes
autumnrory · 2 years ago
Text
i absolutely get where that “all your fave fics were written by middle aged women” post is coming from wrt how women are treated in fandom as they age but like having followed a lot of the writers i was reading stories by back in the day ik for a fact that at the time most of my faves were written by ppl who were like 25 - 35 at the time lmao
14 notes · View notes
meliohy · 2 years ago
Text
Anyone knows a discord server with not too many people where people talk about their OCs or original stories?
6 notes · View notes