You have to recognize your capacity for harm. You cannot omit the harm you've done to others to remain "good." Anybody can be a bigot. Anyone can be an abuser. Anyone can harm anyone at any time even those who have been harmed themselves. The world is not made up of victims and villains only, this is life, not a Saturday morning cartoon and you are a human being who can or maybe even has hurt others and you HAVE to acknowledge that to learn to be better.
some say the goat will end in fire
some say in ice
from what I've read on the Wikipedia page of past Goat-destroying efforts,
I'm pretty sure none of us were reckoning on absolute swarms of hungry birds
but birds are also great
and will suffice
It's always "Hades isn't bad or cruel, his deeds are just metaphors of the inevitable death" or "Hades kidnapping Persephone represent the premature death".
But when the argument "Zeus has numerous affairs and many children because he represent the fertile rain" is brought up, all nuance is suddenly out of the window and Zeus is just a womanizer who can't keep it in his pants.
me getting lost in past posts and pictures instead of doing shit in the present
but if we learn from the past it's time well spent, so, just have to change my ways completely and turn it into productive reflection and research instead of doe-eyed romanticizing <3 EASY!
What I love most about Gandalf big naturals is how much it eases my chest dysphoria. I can sleep without a shirt on now because of Gandalf Big Naturals. Knowing that the artist made the original image while recovering from top surgery and said the image was like a final parting gift from their boobs makes me feel even better about the image's effect on me. Men with big naturals makes me feel much more good about my body than those old posts on here that were like "trans men! Some men have pecs!!! So don't feel dysphoric <3". It's much more meaningful to see a hairy, bearded man with a huge H cup rack not letting his tits get in the way of his masculinity.
Most of all, Gandalf Big Naturals helped me love my body the way it is instead of hating something that's a part of me. Of course I still want top surgery but the fact that I can live with my own big naturals until then without wanting to guillotine them off is really important.
at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
This baby remained under the rubble for six hours. Read it again. By some miracle, he survived and he was rescued. But his mother who was holding him didn't. He looks like he's in shock, you can see tears coming out of his eyes but no expression or any sound to indicate his pain.
I have been informed that you guys are getting part 4 of episode 7 tomorrow, which means we are FINALLY going to get the official romanization of Revaan's name, somebody please tell me because I need to know what it is.
like, yes, it's probably just Revan/Levan, but look, I'm sitting here with my finger over the button of all these Laverne and Shirley jokes and just waiting for the opportunity to deploy them --