#I'm a Barbie girl pianist

[admiral-arelami]

HE'S BACK 🎹🎶

I know I'm about 3 weeks too late, but the "I'm a Barbie Girl" pianist is BACK, y'all. This one is just so clever, so well done!!

[raphexim]

Literally the only Gosling film I'd ever seen before Barbie was Remember the Titans like 25 years ago.

Jesus that makes me feel old. I am. Christ.

(it's only 23 years? That's... not better)

Working my way through belatedly so imma just use this post to keep track of thoughts and feelings

The Gray Man: fucking loved it so much??? Murder weapon turned unwilling father figure??? Sad grumpy dads are my one trope to rule them all, particularly when bound with found family. I'd wanna play checkers with Six. Like the characters were super compelling to me, the way they showed development and how everything felt character driven to me? And there were such good unspoken implications that also expanded on these characters without burdening the storytelling. AND the lack of gore!!!! This was a super violent movie and it only got a PG-13 because you literally don't need to show that shit on a screen. Bless

The Nice Guys: I expected to be aced out by the whole porno thing, but it was more nudity with implications than *the do* and I guess that didn't cross the line for me. And honestly pretty mild at that. The plot has holes. So many holes. Russell Crowe's accent was distracting. And crazily, I didn't really care about any of that, because the characters and their dynamics and chemistry were just chef's kiss. I love Holland? And I love that he is a disaster. I would not like him in person. There is a little gore at the end, but if you consider physics, it's not realistic at all (crazy how you can convey a visual without having to emotionally scar your audience, who knew???). This is the only one I have re-watched so far, and now have the book so that I can consume my comfort in multiple forms.

La La Land: idk. The music was good. Ryan walks some kind of way. I was VERY impressed with his piano skills. (I was raised by a pianist, so I have to notice that stuff, which makes me sound pretentious I'm so sorry). Idk what happened. I have no idea what the message was, or if there even was one. It seemed like it was trying to have one?? But like "you can either fall in love, follow your dreams, or be successful, but only two out of three. And if you get rid of one, you're guaranteed to get the others." Idk. Very meh, probably won't watch again except for specifically the piano playing.

Lars and the Real Girl: tbh my only context for this movie was an episode of Pushing Daisies where a delusional guy used his doll to murder someone, so. I did not have high expectations. Also had no idea RG had anything to do with it. *And* my tolerance level for secondhand embarrassment is on the fucking floor so I expected to have to turn it off. I didn't. Fuck. This movie was so wholesome???? The treatment of a mental illness was so supportive and positive??? (Except for the touch thing, that was... Let people not want to be touched!)

The Notebook: hi, I hated the Notebook. I don't get the hype, I don't know why people treat it like the ultimate romance. Man coerces a girl into a date by threatening to kill himself, she retaliates by publicly humiliating him. They scream at each other a lot. Poor communication. Obsessive behavior?? Literally so creepy??? Anyway they're terrible for each other and it's an unhealthy relationship. Ryan with brown eyes. Only rewatching if it's to roast and drink.

Half Nelson: made me uncomfy, but that was the point, right? It's a white savior movie but it's about being a white savior movie. The racial subtext of a white guy stepping in inappropriately and what the fallout of that is; stack on the nuance of addiction, male entitlement. How powerful of a moment for Drey to ask "will I end up like my brother" and Dan being the one to make her so. (Also the performance by Shareeka Epps? Spellbinding.) The writer who became a teacher and then never got around to writing? Real. So was the fact that nothing happened professionally after he did what he did to his coworker. Very pre-Me Too. Anthony Mackey was both the most charismatic and, somehow, most responsible character in the entire thing. My only actual beef is the camera work. This last bit is petty - they finally gave me a RG character with a cat, and the cat dies (but, very single white bachelor to name him Dave omg.)

Crazy, Stupid Love: uhhhhh the children involved in this were... this wasn't good. There could have been good lessons for them (the son with consent maybe??) (*not* depicting a teenage girl giving suggestive photos to a child???) but there weren't. There were good aspects in the story, don't get me wrong: exploring relationships, trying to find your identity outside of just 'who you're married to'. I get it. Everything that wasn't actively trying to teach a lesson was funny. The parts that were meant to be heartfelt, did not age well and also probably weren't great to begin with. Maybe that's the male gaze idk. I wanted more of Jacob and Cal's actual relationship, because what was being suggested between the lines was way more interesting to me than the actual plot. Jacob with the family/bonding with Cal's kids completely off-screen, are you kidding me? Cal being a really weird, awkward stand-in for Jacob's father? Jacob accidentally being written demi-romantic and having a crisis about it? I'd love someone to remake this movie. Preferably women-directed. [But I am obsessed with the second Jacob heard David's name and had zero hesitation, just ring off 'we doin this'. He's a real one.]

Can you tell I have feelings about overuse of sex and gore? Esp how it's been the last few years? Ugh. Like I want to watch Drive bc it sounds like it's supposed to be an ✨iconic✨ role for him but I get squicked out by chunks/organs and stuff and I have no idea how graphic it is. Can we go back to shit being implied, off screen, or at least artistic again???

I'm not tagging this, it's for me lmao