#I’ve seen all these anime except idol project and alien nine

[lesboymetaknight]

I decided to gather up some of my favorite anime art styles for funsies, and tried to order them from oldest to newsest. I’ll be listing them in order in the tags, incase anyone is curious which anime they are from. Here they are:

Ranma 1/2 art style in the anime changes pretty drastically. Tbh I prefer how the characters look in season 1 - 5 vs the later seasons. Specifically I like when the characters have bigger eyes, but still have a dog nose, like in this image I used. I would have put Urusei Yatsura, but I thought I’d just say that Rumiko Takahashi’s art in general is one of my favorite art styles, and most anime adaptations of her works would be here too..

I put the Ocarina of Time manga here, but I do mean all the TLoZ mangas by Akira Himekawa. Heck her art in general is beautiful!

There’s definitely other art styles out there too, but these usually come to my mind. Doing this made me realize that I like early 2000s anime art styles more than I realized.

[starwarsnonsense]

Top 10 Most Anticipated Films of 2020

Now I’ve got my embarrassingly late ‘Best of 2019′ list out of the way, I can finally proceed to the list that’s probably more exciting - my most anticipated films of 2020!

This list excludes films that have already been screened at festivals (otherwise, stuff like Saint Maud would be here). It’s also somewhat analogous to groping about for a light switch in the dark - these lists very rarely accurately predict my ultimate favourites for the year, so it’s more of a fun speculative exercise. Hopefully this puts some intriguing-looking films on your radar for the year ahead! 

1. Dune (dir. Denis Villeneuve)

Plot: The story of Paul Atreides (Timothée Chalamet), a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people.

Why be excited? The reasons to be excited about Dune should be pretty self-evident - it’s directed by one of the greatest filmmakers working today (Villeneuve’s Incendies and Blade Runner 2049 are all-timers for me), and is based on one of the best science-fiction novels ever written. The cast -  Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Javier Bardem, Charlotte Rampling, and more - is absolutely stacked with talent. There’s every reason to believe that this will be something special, and I couldn’t be more pleased that Villeneuve is the man responsible for filling that Star Wars-shaped hole in the December release schedule.

2. Annette (dir. Leos Carax)

Plot: A stand-up comedian (Adam Driver), and his opera singer wife (Marion Cotillard), have a two-year-old daughter with a surprising gift.

Why be excited? You may not have heard of him, but Leos Carax is one of the most exciting directors working - he only makes around one film a decade, but the films he does make tend to be very special. I’ve only seen one film of his - Lovers on the Bridge - but that was filled with such ecstatic romance and wondrous visuals that it made me tremendously excited for Annette. Annette is a top-to-bottom musical with songs by American duo Sparks (if you know them for anything, it will be ‘This Town Ain’t Big Enough for the Both of Us’), and said songs will be delivered by Adam Driver and Marion Cotillard. It goes without saying that both actors are extremely talented performers with great voices (see Driver in Marriage Story and Cotillard in Nine for evidence), and I’m looking forward to seeing how they demonstrate their talents here.

3. Last Night in Solo (dir. Edgar Wright)

Plot: A young girl (Thomasin McKenzie), passionate in fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer (Anya Taylor-Joy). But 1960s London is not what it seems, and time seems to fall apart with shady consequences.

Why be excited? I’m not the biggest Edgar Wright fan, but I admire him greatly and the premise of Last Night in Soho is like cat-nip to me. Speaking to Empire, Wright explained the story as follows: “I’m taking a premise whereby you have a character who, in a sort of abstract way, gets to travel in time. And the reality of the decade is maybe not what she imagines. It has an element of ‘be careful what you wish for’.” I’m a sucker for a good, old-fashioned high concept, especially when said films play with genre and really challenge the viewer. The two female leads - Thomasin McKenzie (JoJo Rabbit, Leave No Trace) and Anya Taylor-Joy (The Witch, Emma) - are among the very best young actors working today, and the supporting cast features absolute legends such as Diana Rigg and Terence Stamp. Whether it’s successful or not, this film feels like a genuinely original prospect and I’m eager to see how it turns out.

4. The Green Knight (dir. David Lowery)

Plot: A fantasy re-telling of the medieval tale of Sir Gawain and the Green Knight.

Why be excited? There has been a sad lack of films based on mythology in recent years - or, to be more accurate, there has been a sad lack of films that attempt to honour what the myths were actually trying to convey. The stunning trailer for Green Knight promises a film that genuinely engages with its source material, and is just as interested in the psychological truths of the tale as the spectacle of its fantastical scenarios. Dev Patel is an extremely talented actor coming off another great movie in The Personal History of David Copperfield, and the supporting cast (Alicia Vikander!) appear to be fully committed to their parts. I’m excited to see a true myth on the big screen again, and David Lowery (A Ghost Story, The Old Man & The Gun) can be trusted to give an old tale a new sense of vitality. 

5. The French Dispatch (dir. Wes Anderson)

Plot: The staff of a European publication decides to publish a memorial edition highlighting the three best stories from the last decade: an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.

Why be excited? It’s a Wes Anderson movie! Of course I’m excited! In all seriousness, the trailer was all I needed to get hyped about this. It’s clearly Anderson’s quintessential style, but it also shows flashes of some very bold and striking compositions (yes, I’m thinking of Chalamet on the back of that motorcycle) that you wouldn’t necessarily think of in relation to him. I’m intrigued by the prospect of there being stories nested within a story, which feels like the perfect choice for the structure of a film about a newspaper. The cast features all of Anderson’s old favourites (Swinton! Murray! McDormand!), as well as some exciting new additions (Timothée Chalamet, Elisabeth Moss, Christoph Waltz, among others) that feel so well-suited to his style it’s surprising they haven’t worked together before. Bring on all those immaculately composed shots and exquisite colour palettes.

6. Tenet (dir. Christopher Nolan)

Plot: Unknown. The project is described as an action epic revolving around international espionage.

Why be excited? I hate to sound repetitive, but ... it’s a Christopher Nolan movie. That alone is enough to be hyped about this. Details of the plot are vague for now, but the teaser suggests the sort of intelligent, high-concept film-making we’ve come to expect from Nolan. John David Washington - who impressed in BlacKkKlansman - is a great choice for the lead, and I also love that Tenet will feature Robert Pattinson and Elizabeth Debicki (among my favourite actors) in prominent roles. There’s not much else to say given how little we know about this, but suffice to say I’ll be there on day one!

7. Wonder Woman 1984 (dir. Patty Jenkins)

Plot: Wonder Woman (Gal Gadot) comes into conflict with the Soviet Union during the Cold War in the 1980s and finds a formidable foe by the name of the Cheetah (Kristen Wiig).

Why be excited? The original Wonder Woman was an absolute delight, and I couldn’t be more pleased that Patty Jenkins is back to continue Diana’s story. The decision to pick up with Diana in the 1980s is most intriguing (and paves the way for all kinds of exciting choices when it comes to the music and the fashions), especially since it looks like the film is actually going to explore the implications of being an immortal being in a mortal world. 

8. Raya and the Last Dragon (dir. Paul Briggs and Dean Wellins)

Plot: A lone warrior from the fantasy kingdom of Kumandra teams up with a crew of misfits in her quest to find the Last Dragon and bring light and unity back to their world.

Why be excited? The animation scene in 2020 looks kind of ... blah at the moment, with the notable exception of Raya and the Last Dragon. The setting was described by the film’s producer as  "a reimagined Earth inhabited by an ancient civilization that venerated the mythical dragons for their power and their wisdom”, and that alone is enough to fire up my imagination. Off the back of Moana and the Frozen films (which I all unabashedly love), I trust Disney Animation to instil this with plenty of colour and verve.

9. I’m Thinking of Ending Things (dir. Charlie Kaufman)

Plot: An unexpected detour turns a couple’s road trip into a terrifying journey through their fragile psyches.

Why be excited? Directed by Charlie Kaufman (writer of Eternal Sunshine of the Spotless Mind), I’m Thinking of Ending Things is based on a prize-winning novel. However, despite the pedigree the main reason I’m looking forward to this is Jessie Buckley. Buckley gave a star-making performance in Beast a few years ago, and has since proven herself an actor of immense talent and skill (see Wild Rose for proof of what a powerhouse she is). I’m excited to see her career continue to go from strength to strength, and I’m Thinking of Ending Things seems poised to be a great showcase for her.

10. The Last Duel (dir. Ridley Scott)

Plot: King Charles VI declares that Knight Jean de Carrouges (Matt Damon) settle his dispute with his squire (Adam Driver) by challenging him to a duel.

Why be excited? Ridley Scott is a bit of a mixed bag for me, and has never come close to reaching the heights of Alien and Blade Runner with his recent work. Nonetheless, against my better judgement I can’t help but be excited by the prospect of a medieval epic with Scott at the helm. The acting talent attached to The Last Duel is top-notch, and I’m particularly fond of Jodie Comer (of Killing Eve fame) and Adam Driver (do you really need me to say more?). There’s a very real danger of the highly sensitive plot (the ‘dispute’ at the heart of the story concerns an accusation of rape, the truth of which is to be determined with a duel) being mishandled by Scott, but the involvement of screenwriter Nicole Holofcener gives me some hope. This could turn out to be a misfire, but my hope is that it will, at the very least, be interesting.