#I’ve never really been too fond of the purple-yellow combo

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Lithuania brings yellow fever to Rotterdam 2021

...okay...

...I feel the rhythm...

*swoosh*

...something’s going on here...

*another swoosh*

The music flows through my ve-e-e-ve-veins𝒔𝒔𝒔𝒔𝒔𝒔𝒔

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IT’S TAKING OVER MEEEEEE

oh NO IVETA WTF ARE YOU DOING HERE IN LITHUANIA REVIEW GO HOME

ARTIST & ENTRY INFO

‘Bout the fucking time I am gonna talk about our bois, eh?

The Roop formed somewhere in around 2009, back when the lead singer Vaidotas Valiukevičius probably felt like he needed to be in a band, after many years of twists and turns of being a solo pop sensation and then it all ceasing a year prior. In 2009 he did get to cross paths with the drummer Robertas and the guitarist Mantas, one of them not being very fond of working with a former pop sensation but eventually giving into it. They had a small start, kinda went nowhere, but in the end they did start get some gigs at some point, and the gigs were small. For a band existing for so long and needing recognition, something eventually happened and they ended up on the Eurovizijos 2018 with “Yes, I Do”, which is more closer to the band’s older repertoire, because of course, they hadn’t hit big with their new sound just yet.

And when I first heard it, I was mindblown how good and stylish did it sound??? Yeah, somehow, I would never have had this sort of expectation in my life that I would’ve been mesmerized by a band I’ve never heard of (but I’ve heard of its lead singer and his past career but haven’t thought of him in years), but it’s just nowadays the thing that happens to me, when artists I don’t have many expectations for by name just slay my existence. (Major paragraphs about one such act coming up on my last review before the 2021 final)

What clicked with me is that song has the undertones about overcoming depression, because Vaidotas was diagnosed with one a year earlier, and it’s coming from Lithuania of all countries... Lithuania, the fucking country that’s number 1 or at the very least top 5 in suicides in handful of categories. And I would’ve loved to see us send such anthem of hope and light for those in need of it, but alas... we preferred love story and husband on stage (who broke up with her anyway sometime later because mutual reasons idek). Not that I’m mad, but it left me miffed and clamouring for The Roop to one day make their big Eurovision break.

And they did! 2 years later we saw the group re-emerge in the new Lithuanian NF’s format, Pabandom iš naujo 2020, with a song that’s different to their usual back-then style, the sleek and quirky dance hit “On Fire”. All was swell and we were actually doing well in the odds and were many people’s faves, but once again, for The Roop it was not meant to reach their dream of reaching out to more audiences, for that Eurovision that they were going to was cancelled, but the panini didn’t stop them, and they still ended up becoming one of the biggest current Lithuanian acts, still getting gigs during the panorama and all that, and awarded for all they had to be awarded for in the Lithuanian Grammy’s equivalent M.A.M.A. This indeed was just the beginning for them. Oh right and they also won the German Eurovision event thingy in place of the real one. And got a silver plastic miniature of the Eurovision trophy. Life is fine.

Then they got a record deal with Warner Music Baltics, went to Finland to do some music work with another Warner branch, and that’s just a part of how “Discoteque”, their entry, was born. It’s a dancy upbeat song, and its lyrics are all about the freedom to dance alone. Nothing to do about quarantine eventhough the “alone”ness suggest otherwise, lol.

REVIEW

I was craving this moment ever since. Though, I kinda thought that the “Discoteque” title was weird on the first glance at the participants/entries list, and not because of it being written without an h. It’s because... The Roop? Going funky? Throwback-esque? After the modernity that “On Fire” was?? hmmm k show what you got mwah mwah xx

And then when it released, it hit me very unexpectedly. Like. Okay. This sounds weird. Very bass-driven, in a way. It has an opening monologue, and a clicking chorus with a KILLER INSTRUMENTAL SECTION???? The one where it makes their hands go crazy when it goes on???

There’s just so much that was put into “Discoteque” that makes it stand out. They even explained certain parts of their song in the music video’s description, like, the extremely syllabic staccato chorus harkens back to the Lithuanian folklore days the way the melody is sung, the bridge made up of odd beatbox noises is meant to symbolize the first human music to ever exist (possibly from mouth sounds), and there’s also this out of key tinkly tune on the bridge that I can’t help but note everytime I listen. As well as I like noting that moment when his voice glitches out in the intro before the verse, and the hi-hats clapping 4 times before the second verse stars. I just love me some little details.

The lyrics are somewhat simplistic, with still some grammar gripes (never heard a soul say “wounded soul” without indicating if it’s “a” or “my” wounded soul???), but at least somewhat better and less cliche than rhyming “fire” with “desire” WHO DOES THAT. But props to The Roop for simply just making people not mind that lyric (at least at large) and now we ended up with an OGAE voting winning song / contender with the “fire / desire” rhyme thrown in there. Mad respect lol. (Yeah and also not a huge fan of the “body’s shaking” line, I guess that’s just me that hates certain words/word combos or think they’re just too weird in context. Apologies)

No but for real, they have crafted and put down a LOT of details in this song, and not just it, but also the choreography (according to them, all inspired by their childhood) and the video (same inspirations as for the choreography), and the whole vibe, and the outfits, and the color scheme (predominantly yellow with purple backdrop and also checkered visuals)... every single thing was crafted out to perfection and I fucking adore it, and I couldn’t have wanted any other way. The MOVES are in THAT specific order they want, although hard to memorize in sequence though, no matter how many times the Roop taught us to dance like them. Also this finger fucker dance move which I still cannot practice without realizing mine are jerky:

No wonder you got them pointing at you, mister, shit’s hard to practice!

And the music video trajectory, oh the music video trajectory (that is still not uploaded on Eurovision’s Youtube channel for some reason. Has it got anything to do with Warner?). Okay, it starts with an “On Fire” callback, with the band leaving to their dressing room, and Vaidotas is by the mirror with his white turtleneck, while a riff begins and he just starts feeling the peculiarity and reveals his yellow suit, and everyone goes for a dance, firstly just with all of the crew that is back from last year (the three Roop members + dancers Marijanas and Miglė), then with a bunch of people in stylish bowl wigs, and then they go back to the dressing room for one final mirror selfie.

my absolute favourite moment is this though. ahh yeah go ahead and feel yaselves

Though I gotta ask, was this move really inspired by Arvydas Sabonis or did Arvydas Sabonis influence The Bangles to walk like an Egyptian first?

It’s yet another quirky song from them, in a somewhat less conventional but at the same time more conventional way. Might have taken me a little time to get invested in it a a bit more, but if it’s an instant success with audiences, I can’t fault them for it, absolutely.

Approval factor: Absolutely. I wanted them for a long time, I am not disappointed. Follow-up factor: Both songs from The Roop are amazing, and also, LRT trusted in them to participate in the next selection once it will be held, and so they did give in, and LRT appointed them an automatic spot in the NF final (which they haven’t done since 2008), and they won fairly and squarely with an unimaginably big amount of televotes lol. We love our Roops. So the follow-up is just as good as the previous entry, which I still sometimes do prefer and think it would’ve stood a bigger chance to win unlike “Discoteque”, but we’ll see, we’ll see. Qualification factor: lol this is like the surest we’ve been about our qualification in years. Now I don’t wanna last-minute jinx it or anything, but we do have a slick performance and a song that’s somewhat of a clicker at first listen, so yeah, there’s your reasons why we pretty much shouldn’t fail, even if as semi openers. (And mind you, the openers to Eurovision in the 2020s, at least the actually happening Eurovision! Sorry Sweden 2020, The Mamas at least started the 2020s for Melodifestivalen xx)

NF CORNER

Now, just because The Roop were the clear standouts of an otherwise so-so NF, doesn’t mean there hasn’t been any decent songs. Like for instance:

• Gebrasy - Where’d You Wanna Go? I’ve actually been slightly rooting for this guy ever since he didn’t go by his stage name yet and sang a song co-penned by Michael Schulte (yes, THAT Michael Schulte, apparently) in 2018, and now it’s just astonishing about the amount of recognition he received with his fairly competent pop ballad piece (if it wouldn’t have done a Jurijus this year) about what sounds like a road accident. Many people said that if The Roop weren’t in this year, he would’ve won easily, but if not for The Roop, who knows how else would’ve the lineup sounded?

• Gabrielius Vagelis - My Guy Sounds like a love song to a guy, is actually about your own personal cheerleader that you can call “my guy”, I guess... simple synthpop piece performed by a competent and yet also very underrated by the televotes every single year he’s competed in singer, with his constant fashion choices additionally bringing him down a slight notch. Also would be a nice future ESC candidate, who knows when though, because Gebrasy is the main focus first, I guess.

And a few other songs I kinda liked, but I don’t wanna go too much in detail about each.

NF CORNER (NON-COMPETITIVE)

Organization-wise, we gotta say that we’re getting towards a pretty neat and tidy organized NF ever since Pabandom iš naujo format had even started. Sure, there were some withdrawal dramas from before the lineup (one of them being Evelina Sašenko who represented Lithuania 10 years ago already), and also the pressure of The Roop ending up as automatic finalists, and making some competitors feel like their tries are not worth it when there’s an obvious elephant in the room? But otherwise, not much notable has happened.

Except interval acts. Some good fucking food. Each and every time. Lithuania’s refined talentry jumped out constantly. My faves were Sisters On Wire though.

Maybe they could bring the chilled out pop rock sound that The Roop tried to carry out in 2018? Who knows.

Also this guy called Voldemars Petersons sang his entry in multiple different styles, trying to give versatile genre roulette artists a run for their money. Good for him I guess

Also, manly tears on live TV

ANY LAST WORDS?

The Roop knows just how proud the nation Lithuania is of them tonight. If I know them right, they’ll stay cool, calm and collected before the show and manage to give out their best to bring Lithuania a certified final placing, and possibly a good final finish. I am grateful for them ever having had an opportunity to showcase themselves, and I will forever look back on “Discoteque” as one of the best we’ve ever sent.

SĖKMĖS LIETUVA!!! SĖKMĖS THE ROOP!!! LET’S DISCOTEQUE WOOOOOOOOOO 💛🖖💜