#I’m sorry you’re the director?
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f1ct1onwh0re · 2 years ago
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When bad things happen to characters we like, it’s a good thing we as fans and fandoms just completely neglect canon storylines
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brotherfrog · 8 months ago
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even though I am leaving the industry I got a lot to say about public perception of morticians/undertakers. usually the response I get when I tell ppl what I do is “that’s weird” and if there’s a piece of media (usually horror) set in a mortuary/funeral home the discussion around it is always ewwww gross dead bodies these ppl are WEIRD for working here. and it’s like man. the ppl working in this industry are SO passionate about ensuring the dignity and care of dead bodies - the most vulnerable people ever bc they literally cannot do anything if any kind of abuse happens. and yes I say people bc to the ppl working in these environments, they ARE people, not just bodies or objects. they’re loved ones, and we consider it an immense privilege to be trusted by families to look after their loved one. it’s a hard job, physically and emotionally, and sometimes thankless. but when you’re actually faced with grief, you’ll be so grateful for a mortician/undertaker that cares and is passionate about their craft, I promise you
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johndonneswife · 2 years ago
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rockingbytheseaside · 4 months ago
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Hi! I wanted to say I absolutely adore your art and headcannons! I wanted to ask if you would be interested in making a headcannon for our lovely harbingers where there is someone trying to sabotage their relationship with the reader like for example the person is saying that the reader is cheating or is saying mean things about the harbingers and that they have ,,proof" it is if course a lie. Don't force yourself to do anything you don't want to tho!
(Absolutely genius idea! Sorry to keep you waiting! I’m a slow writer…)
✦ When others try to sabotage your relationship with them
Pierro, Capitano, Dottore, Scaramouche, Pantalone, Childe
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(tw: general mentions of violence and blood. sfw) 
Being intimate with a powerful Fatui Harbinger provides the illusory dream of having riches, power, and status. Some watch you with hushed murmurs as you accompany your beloved with linked arms, looking all elegant beside him. Perhaps some people cannot comprehend how such a ruthless Fatuus can even court someone like you. Others simply cannot comprehend that status and money is not a key factor in your relationship.
✧ To crossfire with Pierro is to go against every single Fatui Harbinger. The Director is known far and wide as a man of cold words and power beyond the seven nations. All valuable intel and actions are reported to him first and foremost, as even the top Harbingers bow before him. You, on the other hand, were not meant to bow before him. The Jester shall never let you lower your head, because it is he who shall stoop to worship you. 
However recently, a certain rumor reached his ears. His spies related to him info that certain Fatui soldiers, some lowly commoners at the bottom of the ranks, are spreading uncouth jabs about you and Pierro. Intel states that these fools think you infiltrated the Fatui and The Director’s inner circle by some intimate provocation and seduction; that you’re in it for the money and status.
Pierro’s gloved hands gripped the papers. Nevertheless, his expression is placid as always. 
Thus, the culprit now sat in Pierro’s office, trembling as the room oozed with murderous silence. The Jester never raised his voice, nor did he question the man who “joked” about you. The fellow kept spitting apologies, begging for mercy. He knew it was futile to lie or waste the Director's patience.
And the Jester? It took everything in his power not to get his gloved hands bloodied. To hear someone accuse you - his most cherished, as a shallow harlot? Consequences shall be faced. Calming his boiling turmoil, Pierro continued to conduct himself professionally:
He made sure the man and his entire generation met their oblivion. 
With the recruitment of his best spies, he ascertained that the culprit’s disappearance was not felt by a single soul, his entire family gone, and all traces of spread rumors eradicated. Above all, it was orchestrated so that you would remain unaware that anyone dared to tarnish your reputation.
You carried on with your life, blissfully unaware and undisturbed. Even now, you came in knocking on his office, asking: “Long day at work, honey? I can bring you some tea or coffee if you want.”
The Jester's smile returned, throwing away some crumbled documents into the trash can - “A tea break would be excellent, my divine.”
If it’s blood that needs to be spilled to protect you and his private affairs, then Pierro won’t think twice. 
✧ For Il Capitano, the way of the blade speaks more for its wielder than words. If you wish to prove your stance, you better be prepared to face the First Fatui Harbinger, as his might will test you in a relentless duel of strength. So what do you think happened when Capitano overheard someone calling you “weak”? That his beloved does not deserve an ounce of his attention, because you are a meek being compared to the Harbinger? 
His hand instantly found its place on the hilt of his claymore. He left no room for negotiation or doubt. He marched straight towards the culprit, unsheathed his weapon, and pointed the sharp point of his blade straight at the person.
“If you are so confident to spit such insolence about them, then you must be equally confident with your strength. Let your blade speak.”
The poor fool tried to defend himself with excuses. But his mocking meant nothing to the Captain’s weapon. Before you know it, there is an ongoing duel initiated by Il Capitano. The witnesses know that whoever is on the receiving end of his wrath has no chance of surviving. Not when a single swing of his weapon causes craters on the ground.
The man was about to collapse, accepting his violent demise. But just as Capitano was about to unleash his final lesson, your voice rang out amongst the crowd.
“Hey! Cease this commotion at once!” - you stepped up, your expression stern as you stood in front of your beloved. In a rare moment of vulnerability, the Captain’s already stoic body language shifted. His claymore was sheathed back to its place.
“My beloved, you shouldn’t have seen this…”
“And yet I did. It would’ve reached my ears anyway. What did I say about temperamental duels, Capitano? Morons are not worth it.” 
“He called you weak. I cannot allow it.”
For a minute, Capitano kept his head hung low in reverence. You stood with your arms on your hips, scolding him. Was it not for your intervention, that person who vocally mocked you would’ve been lying dead now. Instead, you spared the offender, and the man was allowed to flee in humiliation. 
The conflict was eradicated, and Capitano's imposing demeanor showed he didn't regret his actions. Considering how even Capitano bowed to your words, the accuser realized - you are not weak. Because if there was one person who made the First Harbinger go motionless then it was you. 
✧ Today was a good day for Il Dottore, but you weren't sure why. He was a tad clingy, his steps laced with a sense of giddiness. Giving you extra squeezes while hugging, smothering you with longer kisses on the cheek. Even as you sat idly in his lab, you watched him as he worked on some paperwork with a grin.
Thus you questioned him, lazily strolling around his lab and observing the countless tools or vials. But he waved off his excitement, tapping his pencil over some papers - “Nothing of major importance, but I did have something interesting happen recently.”
You raised an eyebrow, beckoning him to continue.
“An idiot made a pathetic attempt at spreading rumors about us.” - You stopped in your tracks, going still as you held some miscellaneous container with what seemed to be tissue samples. The Harbinger continued: “Some fool spoke behind your back; stating that anyone who is close with a heretical scholar is bound to be equally insane. They thought that if their words didn't reach you, then it's of no consequence.”
Your expression fell somber with each word Dottore spoke. He said it with such profound avidity, that his voice demonstrated threatening intent behind them. So he continued. “But you know me, dear. Nothing goes past me. Vile nicknames are nothing new to me. My work is not for the faint of heart, and those pesky cretins enjoy concealing their fear with profane titles. And they can call me whatever they want. However, I won't allow them to call you names. Not because of my work.”
You averted your gaze sadly onto the samples of veins and organs in vials. You pretended to inspect them, but your sorrow was more prominent. You suspected Dottore already did something, hence his unusual giddiness today. Thus, you inquired in a soft whisper - “So… what did you do?”
“I handled it, naturally.”
“...You did? What happened? To the person who said such things, I mean.”
“What happened? Dear, you're holding them in your hands right now.” - Il Dottore beamed, pointing at the vials of organs you held. 
✧ Today, Scaramouche was eerily silent. You were accompanying him during one of his work expeditions, aiding him with certain formalities regarding his Fatui subordinates. The 6th had soldiers working under him, and although he did not care for their training, he did not tolerate any incompetent weaklings.
Therefore, you decided to lend a hand. You helped conduct a training program for his underlings, making sure all standards were met. It’s not the first time you did so, since The Puppeteer often placed you as the second in command whenever he was absent. And the Fatui soldiers did not conceal their thrill - it’s like you were their favorite substitute teacher who was more cheerful and forgiving than their superior.
Either way, Scaramouche saw that the mission was going smoothly. But soon, lightning would strike. A certain Fatuus, an agent in training, was getting too charmful with you. It was during the usual training assigned by you, and this person was focusing more on his conversation with you than his training:
Telling you how you are a remarkably skilled person. How it’s a marvel to see someone so delightful as you working alongside the Balladeer. How you shouldn’t waste your time with someone as aggravating as Lord Harbinger Scaramouche. He’s even leaning closer towards you.
You smiled uncomfortably, your attempts at polite disagreement did not work with this agent. Yet now you felt the static in the air, and that’s when you realized - Your beloved heard all of it.
On this usual, unassuming morning, Scaramouche walked silently and struck a man with lightning. All eyes turned towards the commotion as you stood behind the Harbinger. His fists were clenched, sparks of electro crackling from them.
He may have been silent the whole day, but don’t mistake his silence for impassivity.
“Next time, know your place,” - he seethed, standing over the person who endeavored to sweet talk you. He permitted his subordinates too much leeway, now they dare charm you with empty flirts. Scaramouche would’ve stomped that man’s head if he wanted, but he wouldn’t create such a grotesque scene in your presence. Instead, he turned away, held your hand, and pulled you away.
He gave you a day off, his mind already conjuring plans to deal with his underlings later. At least he scoffed out an apology. Not for what he did; he does not lament that. Just a small ‘sorry’ for giving you a quick fright. The lightning strike was very loud, after all. 
✧ Pantalone often gets invited to luxurious meetings or extravagant galas. Any party that is attended by the richest man in Teyvat is a guarantee to make high-society elites turn heads. However, considering your prolonged relationship with your darling Pantalone, you know he secretly despises these social gatherings. Therefore, he takes you with him. Dressed in your finest, Pantalone proudly shows you off to the pompous aristocrats.
People would watch enviously, thinking to themselves: The Regrator’s sweetheart, spoiled by his riches. Your attire is as glorious as his expensive suit. His arm is tenderly linked with yours, always offering you his hand like a true gentleman whenever you two walk. Even as he conversed with various business partners, he always had to make sure his hand was around your waist or your hand.
This dotting behavior made certain ladies of Snezhnaya jealous. They could see you were not a noble-born, nor were you used to the attention during such gatherings. You just timidly accompanied him, and Pantalone kept rambling about you and your benign achievements. Childish, really. You’re probably someone who just ran after and clung to the Harbinger until he relented to keep you. Therefore, a group of ladies initiated the conversation: 
“It’s a pleasure to meet a man such as yourself, Lord Harbinger.” and “Why, a man of your status is probably seeking some interesting company. Oh? You are with someone? My, my, I did not notice them.” or “Surely you desire connections worthy of your status, sir.”
Pantalone had mastered the art of courteous smiling, yet even his act was about to crack. He noticed the way these ladies tried to stand too close to him, pretend you were not in the picture, or even passively mock you. Their insolence stenches, and noticing your silent discomfort caused his heart to sting. But he had a plan.
“Why yes, you are right,” - Pantalone smiled with his charming looks “I do value my time, and it’s important to not waste it on shallow conversationalists. Oh, but it’s such a shame that the people in front of us are just that. Isn’t that right, sweetheart?”
Pantalone turned to you, his arms encircling your waist while speaking such backhanded comments with triumphant smiles. The ladies’ smiles fell instantly, and you tried everything to avert your gaze. “Um, Pantalone? Maybe we shouldn’t-”
“Shouldn’t bore ourselves with such lowly individuals? Hmm, I agree. There isn’t much to do here anyway, only the greedy will seek something in this superficial gathering. Oh well, let’s go so I can take you to dance, dear.” - Pantalone concluded in his usual enamoring tone “Ladies, if you would excuse yourself.”
In this world, the 9th of the Fatui Harbinger doesn’t excuse himself - others do. Therefore, he took you away, scoffing and checking up on you with hushed whispers. Pantalone was offended. Why do they assume it was you who desperately sought out the rich Harbinger? Little do they know it was Pantalone who used to run and seek your attention just to be yours. Honestly, they’re discrediting his neediness for you. 
✧ Should anyone meddle with Tartaglia’s personal life, they are picking up a brawl. Someone dares to flirt with you? His fists are ready. Someone said something unwelcoming about you? Anything in the vicinity can be used as a weapon. Someone endangers his relationship? Their life is now in danger.
Of course, you’re the one who consistently yanked him out of these fights. Usually, it’s nothing serious, as when you scold your boyfriend for such reckless behavior it ends with his heartfelt words and apologetic chuckles. He finds solace in embracing you from behind, gently enfolding his arms around your shoulders, reassuring himself that all is well.
However, Tartagia is still a Harbinger. Away from home, he’d personally search for intel on the culprit who dares to offend your relationship. Names, records, locations, anything to keep tabs on those who think they can drag his family into bloodshedding matters. Tracking is of no issue, after all, when he was still a young rookie, training as a Fatui agent was just the first step.
Once he determines the offender, he’ll pay a discreet visit to them. And this time, without you dragging him away from fights, there is no place for mercy or jests.
At night, Childe returned home, cheerful as the sight of you getting ready for bed welcomes him. Yet in the dim lights, you’d gasp and approach him with concern, catching traces of smeared blood on his face or hands.
Ajax would just smile; he didn’t need to explain. Instead, he would quietly approach you from behind and envelop his arms around your shoulders in quiet stillness.
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ghostfacd · 1 year ago
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YOU CAN LET GO NOW ! | TOM BLYTH
PAIRING. tom blyth x fem!actress!reader
SUMMARY. in which tom blyth can’t let go of your hand after an intense argument scene in your film
installment of this au | your character and Tom’s lines in the film are written in italics
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“Action!”
Tom and you have probably been on your tenth cut by now, the scene was an argument between yours and his character, Balleona and Coriolanus. It was fierce and intense, filled with lots of angry yelling and a few tears.
Needless to say, your director was on both of your asses to make sure you got everything down perfectly, from the lines and hand movements to the crocodile tears.
“You can’t just expect everything to be okay Coriolanus!” You yell exasperated. You look up at Tom, who was currently looking down at you with a cold gaze. “You decided to cheat! You decide to risk your entire career for Lucy Gray, now you go sit with the consequences!”
Tom slams his hand on the table nearby, making you flinch back. “I had to! I did it for us! All of it! The rat poison—the scarf—I did everything for us! And now you repay me by yelling at me like a child?!”
You push Tom back with an accusing finger, eyes lingering with hurt. “You’re acting like a child Coriolanus Snow! I told you that my family has enough money, enough for you to go to university. But you just had to ruin the entire system, didn’t you? Is it Lucy Gray? The disgusting filth from District 12? Is she influencing you?”
Tom places his hand on your chin, grabbing it harshly, making you let out a whine.
“You don’t speak about her like that, do you understand?” Tom tightens his grip, making your hands come up to try to get out of his grasp. “Do you understand?!” He yells, causing you to close your eyes tightly.
“Let me go, you’re hurting me.” You say, “Coryo, let go, you’re hurting me.”
Tom’s eyes suddenly switched from anger to softness, and he lets go of his hold on your face. “I’m sorry sweetheart. I’m sorry.”
He brings you into a hug, letting you bury your head into his chest. “You know I didn’t mean it right? You know you’re more important to me than Lucy Gray—that’s why I did all of this. It was for you.”
You nod, letting out a few tears. Tom breaks the hug to hold your hand, his other one coming up to wipe them away.
“And.. cut!”
Tom stops wiping the tears that have fallen down to your cheeks, sighing in relief when the director says that they don’t have to redo the scene again.
However, he’s still holding tightly on your hand, nodding slowly at each of the words that come out from the director’s mouth.
“You okay?” You whisper to him.
“Hm? Yeah, no, I’m fine.” He reassures you, smiling down at your figure. “I’m a bit thirsty. Water?”
You smile and nod, letting him walk you two over to the water dispenser. He’s still holding firmly onto your hand, something that doesn’t go unnoticed by your co stars, Rachel and Josh.
“Geez Blyth, do you always have such a possessive hold on our dear Y/N here?” Rachel jokes, smiling teasingly at you two.
You roll your eyes, looking up at your boyfriend. He doesn’t seem to hear Rachel’s words, instead, focusing on getting the two of you water.
“Do you want some Rachel? Josh?”
“I’m good,” Rachel replies, “and Josh is too. We were gonna head out to this smoothie place for our lunch break.”
“Ah.” With his free hand, Tom pulls you closer to him until you’re practically leaning against him. “Well have fun you two.”
Rachel and Josh say their thanks, but before they leave, Rachel slips by you, whispering “he’s stuck to you like glue, isn’t he?” in your ear.
You try to hold in your smile, butterflies filling your stomach. Despite shooting the scene 15 minutes ago, Tom was still holding onto your hand as if you were his lifeline.
“Hey babe,” you say, which automatically makes all the gears in Tom’s hand focus their attention on you.
“Hm?”
“How come you’re still holding onto my hand?”
He seems to be surprised at your words, glancing down briefly at your intertwined fingers.
“Oh, I didn’t realize.” He says, shrugging.
“Yeah,” you tease him. “Obsessed with me aren’t you?”
He rolls his eyes, but nods in agreement. “Just a habit I guess. I felt really bad for yelling at you so much in the scene and grabbing your face. I’d never do that in real life.”
You let out a laugh, making Tom furrow his eyebrows in confusion.
“Aww Tom,” you say, leaning into his chest with your head. “I know you would never do that in real life baby. It’s just acting.”
“I know,” he sighs. “I just hate arguing with you, whether it’s acting or not. Coriolanus is a loser for not realizing what he has, you know.”
Now that made you laugh even louder, “yeah, but Tom Blyth is a sweetheart.” You tippy toe to reach his nose, placing a small kiss on the bridge of it. “I love you.”
“I love you too.”
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sexlapis · 1 year ago
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[◉°] … NANAMI KENTO & Y/N BEING A COUPLE FOR 10 MINUTES STRAIGHT… 429k views
⁺ 🧃  ♡ ₊﹒ ⌣
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꩜: actor!nanami x actress!reader
⤷ a short compilation of y/n & nanami moments!
sfw, fluff, accidental kisses, ooc nanami kinda
. art credits to @/osusiudon on twitter
masterlists
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*
౨ৎ first clip
“whereee is nanamiiii?” you whine, filming yourself as you walk around the set, trying to find your favourite cast member. you walk through a door. “nanamiii-oh there he is..”
you look surprised and then you tell the camera, “shhhh..nanami is asleep..”
you tiptoe towards where he lays passed out on a couch with his costume goggles right beside him. you turn the camera around to face nanami, his mouth agape as little snores passed through.
“awwww.. he looks so cute..”
you put the camera close to his face, making nanami look funny. “haha..i’m so keeping this-”
nanami snorts suddenly and shifts in a rapid movement, shocking you and making you drop your phone on his poor face.
“ahh!” you cry. fumbling ensues before you get your camera upright again, pointing it at a now awake, disappointed looking nanami, sitting up on the couch as he stares at you blankly. his hair is messy, tie askew and his eyes tired.
“sorry nanami…did i wake you??”
“…”
“…”
nanami sighs and rubs his eyes. “i don’t know _____. did you barge in here, record me and drop your phone on my face?”
“…oops?”
nanami stares at you some more and then you pat his head in apology.
“sorry, nanamin…”
he sighs again. “why are you like this…”
౨ৎ second clip
the paparazzi secretly filmed you and nanami exiting a store (which they had followed you both to). now of course, fans criticised said paparazzi, but after seeing the video themselves…they couldn’t be all that sad about it.
you and nanami walk out of the automatic doors, arms linked and nanami carries the shopping bag.
you’re eating your little treat, strolling with nanami to the sidewalk when he points to your shoes, noticing that your laces are undone.
he speaks and you just shrug, continuing to eat, uncaring of your unlaced shoes that are a hazard.
nanami has you hold the grocery bag temporarily and then kneels down and ties your laces securely, all the while you chew on your food and smile down at him.
he stands up and takes the bag from you to carry once more. you inaudibly talk before linking arms with him again and resting your head on his shoulder while you both walk away.
౨ৎ third clip
the director yells cut and you are immediately running towards nanami and throwing your arms around his shirtless waist, careful to avoid the very intricate, realistic body paint covering half of his body.
“nanami! please don’t dieeeee!” you cry, looking up at him, “who’s going to be my emotional support actor?”
nanami huffs and pats your back, “_____…i won’t disappear..i’ll still be on the set…”
“it’s not the same!” you grumble into his chest. “it’s like you died for real!”
“no it’s not. i’ll visit everyday until this series ends.”
“really?” you look up at him, eyes glossy, “you better not be lying. promise?”
“yes, i promise.” he sighs fondly.
“okay..”
still hugging him, you turn to look at the camera and blatantly check out his shredded torso and thick, strong arms. nanami just stands there, confused.
you rest your head on one of his pecs, looking at the camera and smiling. “i get to do this everyday, you know.”
nanami scoffs and shakes his head at you. you are unbelievable.
౨ৎ fourth clip
you and the a few members of the cast of jujutsu kaisen had agreed to play a game of “silent library”for charity and nanami had agreed to play too, which shocked both the cast and the fans considering nanami rarely participated in games like this.
nanami has struck luck so far but it runs out on the sixth round.
the cards are handed out and suspense rises when you all quickly flip them over.
you groan out loud before slapping a hand over your mouth when you see that you’ve received the death card.
looking around, you notice that nanami and gojo also share the same card, and you point at them confused, while the members who are safe sigh in relief and thank god.
nanami closes his eyes and gojo slumps in his chair dramatically, making a weak noise in his mouth. you snort. you’re quickly hushed.
the name of the game is presented, “suck and blow”, and poorly stifled chuckles ring around the room. you rub your eyes, already dreading what’s about to come.
gojo eyes you, making a come hither motion with his long finger and swear at him silently. nanami is silent and looks between the two of you blankly.
the aim of the game? all three players must pass plastic card between them with only their lips.
your head falls onto the table, gojo is grinning and nanami is, as always, sighing.
the three of you sit on stools, with yourself insisting on being in the middle.
“i could’ve sworn i’ve had a dream just like this…” gojo whispers and nanami is leaning all the way around to smack the back of his head. gojo gasps and utahime scolds at him to shut his mouth.
the plastic card is given to gojo and the timer begins. he sucks it to his lips, cheeks hollow and he looked very stupid. gojo grabs your head and presses the card to your lips, making it seem like you are both kissing. you grunt and begin smacking the side of his face. suppressed laughter can be heard around you as you forcefully pull away from gojo.
you purse your lips, holding the plastic card on them as best as you can and turning to face nanami. he leans in, ready to get this over with.
it happened so fast.
nanami’s face is close to yours as you move to transfer the plastic card to his lips..and then the card falls.
it falls and you’re kissing nanami for half a second.
you gasp and pull back, embarrassed and covering your face.
you hear a squeal, a loud gasp and shocked laughter as you drown in shame. nanami sits there, fiddling, not knowing what to do with his hands and his face is clearly pink.
gojo teases you both to no end and the timer is already up.
it’s safe to say you all lost that round.
౨ৎ fifth clip
nanami is forced to go on a talk show (as he claims his manager made him do it ).
his responses are perfect and polite - nanami clearly has some sort of media training or an upper class background of some sort. it’s like nothing could catch him off guard whatsoever.
nanami is talking and then, the host interrupts. “are you and _____ dating?”
the audience chuckles and nanami is caught off guard. “wh-what?” nanami breathes out, a blush rising from his neck to his cheeks. “what?”
“are you and _____ dating?”
“no…” nanami clears his throat, gulping, “no of course not…”
“what do you mean “of course not?” do you not like _____?”
“what? of course i like-” nanami cuts himself off with a deep sigh and the crowd laughs at his embarrassment and fluster. “_____…_____ is a lovely woman, she’s a respected colleague, a valued friend, she’s-”
“well since you like her so much, let’s bring her out!” the host flings his arm out in the direction of the entrance stairway, “give a warm welcome to _____!”
“?”
the crowd is screaming as you walk in, waving at them with a warm smile on your face and sit next to nanami.
nanami looks at you, face red. “i-”
“don’t let him stop you.” you say, referring to the host’s interruption and the cheers erupting from the sea of people. “keep talking about me!”
nanami sighs. “shit…”
౨ৎ sixth clip
you’re being interviewed on the red carpet by a boisterous, joyful middle aged lady who asks you many questions, one of them being, “fuck, marry, kill”.
“okay fuck, marry, kill with getou suguru, nanami kento and gojo sa-”
“easy,” you cut in, not even hearing the rest of the question, “fuck getou, marry nanami and kill gojo. easiest question i’ve had so far!”
on the other end of the carpet, nanami is being asked the same questions except with actresses, one of them being you.
“fuck marry kill - utahime iori, _____ or shoko ieiri?!”
“marry _____, fuck utahime and kill shoko. goodnight.” he abruptly walks away, not even waiting for the interviewer to respond and leaves them flabbergasted.
*
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a/n: feel like i rambled a lot in this one..oh well. also i’m not accepting requests for actor!nanami right now🤗🩷
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soaps-mohawk · 9 months ago
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Cherry Red, Crimson Blood
Chapter 5: What I Want
Summary: You begin your training with Ghost, but not everything goes as smoothly as you'd hoped. At least you're learning how to want things, and that it won't kill you if you ask for them.
Pairing: Poly 141 x reader, some Ghost x Soap
Warnings: NSFW, 18+, oral sex, Alpha/Beta/Omega dynamics, Alternate Universe, a/b/o typical classism and sexism, military inaccuracies, suggestive content, language, brief violence, reader has a breakdown
A/N: I know I was supposed to rest, but I couldn't help myself. I just had to get this one done. I was feeling it. We're finally getting into the good stuff here. Things will kind of pick up after this part, so I'm really looking forward for that.
MASTERLIST | <- Previous | Next ->
(Gif pulled from google)
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You tug nervously at your sleeve, feeling exactly as you did when you had to sit in the director’s office at The Institute. Only, you never got in trouble there. You had never been summoned because you misbehaved. You made it a point not to get into trouble, avoiding it at all costs. 
You’ve been here just over a week and you’ve already messed up. 
Price is staring at you across his desk, leaning on his elbows as his blue eyes bore into you. You’re not staring at Price, you think. No, you’ve come face to face with The Captain. He’s angry, though you can’t be entirely sure. You’ve never seen him truly angry. You’re waiting on the reprimanding, the punishment, for him to tell you they’re sending you back because you’re too much trouble. 
“I want you to tell me exactly what happened.”
You flinch at his voice, half expecting him to start shouting but he sounds almost calm. There’s a strain to his voice, like he’s restraining himself. He’s doing it for your sake, you think. 
“Ghost and I were walking back from the mess when one of the alphas called out to me. He...he asked if I was going to go spread my legs for ‘that freak’ and he said he could offer me a better time.” You swallow thickly, Price’s shoulders tensing just slightly. “I don’t know what happened...I just suddenly felt so angry and it’s like I lost control of myself and I went up to him and he asked if I was gonna take him up on his offer and that he’d like to bend me over and stare at my sweet ass all night...and then I hit him, sir.” 
“Good.” 
You look up at Price in surprise at his answer, your eyes widening a bit. “S-sorry, sir?” 
“I have little tolerance for alphas that think it’s alright to speak crudely to omegas, especially those they were explicitly told to let be. You saved me a lot of paperwork today. Simon would have done a lot worse had you not gotten to him first.” He moves the papers on his desk aside, holding out his hand. “Let me see.” 
You stare at his hand for a moment before you realize he’s talking about your hand. You push your sleeve up, putting your hand in his. Your knuckles have swollen a bit and bruised, tender to the touch as he runs his thumb over them. 
“Simon told me you asked him to teach you to fight.” He says, closing his fingers around your hand. 
“Well, not so much fight, sir.” You say, staring at your hands. “Maybe just how to throw a decent punch.” 
“I’d say the one you threw today was at least half-decent. Corporal Allen is sporting quite the bruise on his face.” The corner of his lips lift in a smile. “You won’t have to worry about him anymore. He’ll be properly dealt with and they’ll all be receiving a lecture on proper base etiquette.” 
“So...am I in trouble, sir?” You ask, pulling your hand back slowly as he releases it. 
“No, you were simply defending yourself after Corporal Allen made a pass at you. Just don’t make it a habit of going around punching alphas.” He smiles. 
“I’ll try not to, sir.” You say, relieved that you weren’t about to get punished for your mistake. 
“Go on.” He nods towards the door. “I’m sure the boys are waiting for you.” 
“Thank you, sir.” You say, standing up from your chair, heading towards the door. 
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Price leans back in his chair as the door closes, the sweet scent of caramel and strawberries still permeating his office. He breathes it in for a moment before pulling out his phone, scrolling through the contacts. 
“You’ll be delighted to hear our girl punched an alpha in the face today.” He says once the other line picks up. 
“She did what?” Laswell asks, genuine surprise in her tone. 
“One of the Corporals made a pass at her, and she left quite the bruise on his cheek. She’s turning into quite the spitfire.” 
“I told you she would fit right in. Underneath all that institute-taught BS there’s quite the personality. How is she settling in?” 
“She’s softening up to the betas already. Still a bit fidgety, but she’s found a way to get Simon to warm up to her.” 
“Oh? How so?” 
“She asked him to teach her to fight.” Price grins. 
Laswell chuckles. “I told you she’s smart. Just make sure he’s gentle with her.” 
“Don't worry, I reminded him to go easy on her. I think it will be good for both of them. Some forced proximity will be good for Simon and she’ll get to learn a few things that could be helpful.” 
“So long as she doesn’t go around trying to fight more alphas.” 
“She’s already promised not to. The Corporal got off easy. I can only imagine what Simon might have done to him.” 
“I’m glad to hear things are going well, John. I worry about her sometimes, but I know you boys will take good care of her.” 
“We’re doing our best.” 
“If you ever need anything, you know you can call.” 
“I know. I’ll keep you updated as her heat gets closer.” 
“Good. I’d hate to have to file that paperwork.” 
Price grimaces. “I know. I hope you don’t have to.” 
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You’re tying your shoes as the knock sounds on the door. You’re not sure how they manage to do it, always seeming to catch you at the perfect moment. You’re glad Kate thought to get you some more active-wear type clothing, though perhaps she expected you’d be getting involved in their training or at least start a bit of your own once you arrived, just as she had thought to get you outdoorsy clothes too. 
You open the door, staring up at the hulking form of Ghost. 
“Come on.” He grunts, turning on his heel to walk down the hallway. 
You quickly close your door, hurrying after him. Not much has changed since your request for him to train you, though you didn’t really expect it to. Not at first, at least. You still have to prove yourself to him. Simply existing and getting involved in their lives would not be enough. 
He escorts you to the gym, a building you haven’t been in yet. There’s a few soldiers milling around, most of them in the weight room. There’s a pool across from the weight room, for more than just swimming, you think. Your father had talked about his own water survival training. You can only imagine the kind of water training they go through. 
Ghost leads you towards the back of the gym, unlocking a door near the exit. It’s set up not unlike a dojo, mats on the floor and punching bags and other training equipment along the walls. Ghost empties his pockets, setting his things on a bench before removing his sweatshirt. 
You can’t help but stare, only ever having seen him in long sleeves. His muscles bulge beneath his t-shirt, the first bit of skin revealed to you besides his neck, chin, and hands. Your eyes are drawn to his arms, taking in the sheer size of them. 
Tattoos. 
He has a sleeve of tattoos on his left arm. You have a desire to look at them closer, to trace each one but you wouldn’t dare. Not right now. You pull off your own sweatshirt, folding it and setting it on the bench, leaving you in just a t-shirt and your leggings. 
You fail in your attempt not to stare as he walks towards the center of the mat in his t-shirt and sweatpants, swallowing nervously. He turns to face you, motioning for you to approach with two of his fingers. Your face warms as you hurry onto the mat, coming to stand in front of him. 
“Let me see.” He says, holding out his hand. 
You stare at it for a moment before your brain catches up, and you put your right hand into his. You ignore the feeling of his fingers wrapping around your hand, lifting it so he can inspect your still bruised knuckles. 
“We’ll start with dodging.” He says, releasing your hand, taking a step back. “Let me see your stance.” 
You part your feet a little, bringing your fists up to your face. His shoulders shake in a quiet huff of a laugh as he stares at you. 
“You need to stagger your stance more.” He says, circling you. “Otherwise,” Hands push you from behind, and you nearly avoid face planting into the floor. “You’re too easy to knock over. The last thing you want is the fight to end up on the floor. You won’t be getting back up if you let your opponent overpower you that much. Again.” He motions to you. 
You set up your stance again, widening your feet just a bit. 
“Good.” He says, moving to stand in front of you. “These protect your face.” He says, hands wrapping around your wrists, raising your hands just a bit. “You get hit in the face...” 
“I won’t be getting back up.” You finish for him. 
You know most fights end up with both opponents on the ground. You’d watched your brothers wrestle and play fight enough to know that. You’re not here to learn how to win a fight, only how to protect yourself enough until you can find space to run. 
You barely have time to stumble back as his fist swings at you, nearly losing your footing. “Hey! You could warn me first.” 
“You think someone attacking you is going to warn you?” He asks. 
He has a point. 
“Use your legs.” He says as you set yourself up again. “Move side to side if you can instead of ducking under the punch, but if you have to, don’t let your eyes leave your opponent.” 
You see this punch coming, ducking to your right to avoid getting hit. 
“Good.” He says, repeating the motion with his left hand. “Stay focused.” 
You continue with the same motion a few times, already starting to feel a bit fatigued. Running is one thing, but strength is another. Most omegas aren’t naturally strong, nor are they inclined to increase their strength. That’s what alphas and their packs are for. It’s not unheard of, though, for omegas to increase their physical strength. Perhaps you’ll need to consider looking into doing that as well. 
Ghost takes a step back, letting you rest for a moment. You’re breathing heavily, though he’s hardly looking fatigued at all. He’s used to this, you remind yourself. He probably throws more punches in a day in the field than he’s thrown at you so far in 30 minutes. 
“Now, let’s make it a bit more realistic.” He says, a low rumble at the edge of his voice. 
A wave of scent hits you, your brain nearly short-circuiting. Fear pulses through you, ozone burning your nostrils. You stumble backwards, landing on your back on the mat. You’re breathing heavily, every cell in your body screaming at you to run or submit. 
“That’s...that’s n-not fair!” You say, your hands trembling from the adrenaline coursing through you. 
“Any alpha you fight is going to use every natural advantage they have over you.” Ghost says, stalking towards you. You can practically see it, the purebred alpha within him coming through. “You need to learn to protect yourself against them.” 
“That's...that’s not possible.” You say, the edge of a whine detectable in your tone. 
He kneels down over you, crowding into your space despite the souring of your scent. It doesn’t even seem to phase him as he forces you flat on your back, his hands coming to rest on either side of your head. You stare up at him, every fiber of your being screaming at you to bare your throat, submit, give in. 
Don’t back down. 
Don’t back down. 
You push past the fear, the instincts screaming at you as you drive your knee up into his stomach. He lets out a grunt but it doesn’t phase him, his hand wrapping around your leg, using his sheer strength to flip you onto your stomach under him. He presses against you, body folding over yours. You resist the urge, the instinct to press back into him, to be a good omega. 
“If an alpha gets you onto the floor...” He says, warm breath fanning your ear through his mask. “You won’t want to get back up.” 
His face presses against your neck as he inhales deeply before he pushes himself up, grabbing the back of your shirt and hauling you to your feet as well. You’re shaking, your heart thumping in your chest. Your head feels fuzzy, your brain buzzing a bit. Your omega is confused, poised to strike but she’s not sure against who. Ghost isn’t a threat, and you know that, but he had just proved how easily he could be. Any of them could be, with a simple scent change and their sheer strength. 
“Again.” He says, getting into a fighting stance. 
“You can’t expect me to fight after that.” You say, your voice breathless. 
“If you’re in a real fight, you won’t have much of a choice.” He says, the rumble still audible around his own voice. 
He’s right. If someone is attacking you, it’s likely going to be to kill, or to try and take you from them. Your omega shifts uncomfortably as you raise your shaking hands to guard your face. You continue to dodge punches, hitting the ground more and more as you continue to get tired. You’re going to be sore, still feeling your hike through the woods a bit. 
The door opens, giving you a moment to breathe. Soap enters, a grin on his face. 
“Ah, the wee lass is still breathin’.” He says, leaning against the wall. “Came tae make sure ye hadnae killed ‘er.” 
You can practically hear Ghost roll his eyes, his back turned to you as he says something to Soap. You can’t hear what it is, the ringing in your ears too loud. Your omega is still worked up, still poised to strike, more so now in your exhausted state. You push yourself off the floor, not having a moment to think things through before you’re throwing yourself at Ghost’s back. 
He turns before you hit him, catching you and flipping you onto your back on the mat. You hit hard, the breath forced from your lungs at the impact.
“Christ, Simon!” Soap shouts, hurrying to your side. “Ye tryin’ tae break her, ye numpty?” 
“Don’t do that again.” Ghost growls at you, stomping over to grab his things before leaving the room. 
“Easy, hen.” Soap soothes you as you gasp for air, his hand gently rubbing your shoulder. “Be over before ye know it.” 
Slowly the paralysis of your diaphragm begins to lessen, your stomach still aching but the air comes easier now. You squeeze your eyes shut, trying to fight the tears. You’ve messed it up. One day and you’ve already done more damage than you would have had you not asked him to teach you to fight. 
“Don’ worry, hen. He’s just worked up, that's all.” Soap says, brushing a damp strand of hair from your forehead. 
“It’s his fault.” You murmur. 
“Maybe, but yer scent...surprised you didn’t notice, hen.” Soap wiggles his brows. 
Your face warms. You hadn’t noticed the uptick of muskiness in the room, the heady scent of arousal before now.
It’s not yours. 
“Me?” You ask, letting Soap help you into a seated position. 
Soap smirks. “It wasnae me that tented his breeks this time.” 
Your face warms even more, your body feeling like it might explode. 
“Come on, hen.” He says, slipping his hands under your arms to lift you to your feet. “There’s still time tae shower before breakfast.” 
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“I can assume you know why you were called in here sooner than our normal weekly meeting time.” Dr. Keller says as you sit in her office. 
“Because I punched Corporal Allen.” You say with a wince. 
Dr. Keller nods. “Indeed. I just want to make sure you’re feeling alright, after that. Getting into an altercation with an alpha can be tough.” 
“I don’t think I’d call it an altercation.” You say quietly. 
“Maybe not,” She says, shuffling her papers. “But standing up to an alpha can be daunting.” 
“I wasn’t alone.” You shrug. “Ghost was there.” 
“I saw both yours and Lieutenant Riley’s account of what happened. I’m wondering, would you have confronted him if you were alone?” 
Her question makes you think for a moment. Would you have stopped? Would you have confronted him, much less punched him if you were alone, or even with one of the others? No, you likely would have ignored him and kept walking like you did with Gaz. You’d likely have gone straight to your room and cried a little out of embarrassment and disgust. 
“No, ma’am.” You say quietly. “I don’t think so.” 
Dr. Keller nods. “You’re aware of Lieutenant Riley’s status.” 
You nod, a frown pulling at your brows. How did she figure it out? “Yes, ma’am.” 
“I know because I have access to their medical records.” Dr. Keller says. “It’s required for statuses to be present in medical records since purebreds have to be treated differently, just as alphas, betas, and omegas have to be treated differently.” 
You do know that. You know that an injured alpha can get defensive if they feel cornered. You know omegas can die from stress if they’re not taken care of correctly. You know betas can get overwhelmed by large groups of injured people all in the same place without proper training to filter out the scents of agony and suffering. 
“I think you reacted to his scent.” Dr. Keller continues. “You mentioned feeling a sudden rush of uncontrollable anger. Do you remember smelling anything at that moment?” 
You nod. “Ozone.” 
She nods, the pieces beginning to come together in your own head. “I’m sure you’ve figured out how different purebred alpha’s are and how much more potent their scents are. Your own status makes you more susceptible to their scents and the changes in them. You were reacting to the change in his scent. Your omega sensed a threat, and took over for a moment to defend you. It’s a natural response in omegas towards those they see as protectors, or even packmates.” 
Your eyes widen a bit at her words. Ghost is technically your packmate. He’s an alpha in your pack, but you’ve never considered that you see him as anything but. He has defended you, and he had defended you not long before your altercation with Corporal Allen. Had your omega begun to cling to him out of a sheer need for protection after something like what happened in the mess? 
You would like Ghost to see you as more than just an omega in his pack, more than just Price’s omega. You know he’d never claim you, but you’d at least like to get onto friendly terms with him. Soap said it had taken proving himself before Ghost started to accept him. You’re hoping your time spent learning how to fight helps you prove yourself, that you’re not a threat or even a risk. That maybe you can be an acceptable omega for his pack. 
“Aside from this incident, how are you settling in? How are things going with your new pack?” 
“Fine, I guess.” You shrug, starting to pick at your sleeve again. “Ghost is teaching me to defend myself.”
“Oh? Does this have something to do with what happened with Corporal Allen? Or is there a different reason?” Dr. Keller asks. 
“I mean, partially that but also, Ghost, he’s...hard to get along with.” You grimace. “I know that in relationships, a good way to bond with people is to get into their hobbies so you have something in common. Ghost...ghost speaks in violence and I think it would help ease some of my fears if I can at least defend myself.” 
“I think this is a great idea. It allows for some bonding time between the two of you, and it can also be beneficial to ease your anxiety a bit. As long as you’re being careful and you don’t get hurt.” She says, giving you a pointed look. 
You think back to Ghost flipping you onto your back on the mat, narrowly missing getting hit, how he’d pinned you down using his own scent against you. “He’s being careful.” You say, clearing your throat. “Price would put him through the ringer if something happened. Even just as an accident.” 
“How are things going with Price?” She asks, writing something down. 
You shrug. “Fine. He involved me in some training this past weekend. We hiked out to a watchtower and the others tried to follow my scent. We got to spend some time together while we waited.” 
“Have you done much of that? Spending time together?” She asks. 
You shake your head. “Not really. He’s...busy. A lot.” 
“You should start making an effort to get to know him more.” Dr. Keller says. “It’ll make it easier once your heat hits if you’re familiar with him. Have you knelt for him yet?” 
You shake your head again, not wanting to answer out loud. 
“Why not?” She asks. 
“He still hasn’t asked me to.” You murmur. 
“Do you know why omegas kneel for their alphas?” She asks. 
You nod. “It’s good for our brains and bodies. It helps relax us and soothes our omega, makes it easier to process stressful events and can prevent stress related diseases later in life.” 
Dr. Keller nods. “Correct. It’s an important first step in building that bond between an alpha and an omega, when it’s done correctly.” 
Bad alphas can use kneeling to control omegas, put them in certain mindsets, make them more subservient. You know this, you’d heard stories from your fellow omegas after watching their parents. That’s not kneeling. You never had the heart to tell them it was so much worse. 
“Do you want to kneel for him?” She asks you. 
That word again. 
You do want to kneel for him. You’ve wanted to since this past Saturday in the watchtower. You’ve felt that urge, that drive to drop to your knees beside him and let yourself go, let him carry everything you’ve been feeling over the last week. 
You nod slowly, ripping one of the strings off your sleeve. You’re fighting the tears, fighting the emotions welling up inside you. You can feel them building, pushing against your stomach and your chest, threatening to burst right out of your skin and leave you nothing but an empty carcass. You’re breathing has picked up, shaking a bit as you inhale deeply. 
“Why haven’t you asked?” Dr. Keller asks, her brows furrowing as she stares at you. 
“I don’t know how!” The words tear from your lips, almost echoing as they bounce off the walls like projectiles. You haven’t so much as raised your voice in years, much less to a person of authority, but you can’t stop. The dam has been breached. “Everyone keeps asking me what I want, but I don’t know how to want!” Tears cascade down your cheeks, your breaths coming in sharp gasps. You cover your face with your hands, muffling your sobs. “I’m not supposed to want.” 
“Hey,” Dr. Keller’s voice is soft as she kneels in front of you, her hands trying to gently pry yours away from your face. “Who told you that?” 
“That’s what we’re taught!” You hiccup, letting her pull your hands from your face. The tears are still falling, lips trembling as you sob. “We’re supposed to be good omegas. Obedient and serve our alphas. We don’t want anything, we’re only supposed to give.” 
“Well that’s a load of bullshit if I’ve ever heard it.” 
Dr. Keller’s words shock you into reality, your sobs halting with a sharp inhale. You stare at her, the tears still spilling from your eyes. Your hands are closed into fists, your sore knuckles aching from the strain. 
“You’re an omega. It’s in your nature to want, to need. You can’t help your alpha if your own needs aren’t being met first. It’s okay to need things, to want things. Are there things you want?” 
“Softer blankets. Fluffier pillows. A nightlight. Something to put on my walls. Strawberry scented body wash. Some goddamn authentic Mexican food.” 
Dr. Keller chuckles lightly. “I can agree with you on that last one.” She squeezes your arms gently. “You’re allowed to ask for things. You’re not a soldier, and even they are allowed to have things of their own, comfort items, with them. It doesn’t have to be material things either that you ask for. I’m sure your pack would find a way to bend over backwards if you asked them.” 
She’s right. The book says omegas can hold great power over the members of their packs if they try. A mix of playing their instincts and the right behavior and temperament can have betas and alphas wrapped around your finger. The idea of having such control over four powerful men makes your head spin. 
“I want Soap to kiss me.” You blurt out, your face warming as you hastily wipe at your tears to hide. 
“Oh?” Dr. Keller’s eyebrows raise as she looks at you. “This is a new development.” 
“We...we almost did...a couple days ago.” You say, burying your face in your hands. “But I stopped it because I thought maybe Price...but then he said he didn’t care...” 
Dr. Keller gently wraps her hands around your wrists, lowering your hands. “It’s okay to want that, and it’s okay to want to kneel for Price. I bet he’d be delighted if you asked him. I bet he was waiting because he didn't think you were ready for it yet.”  
The calming beta scent washes over you, Dr. Keller projecting it to try and help you calm down. Your tears have stopped, your breathing starting to slow as the gentle almond scent goes straight to your brain. 
“I’d like us to still meet for our regularly scheduled appointment this week, but I’m giving you an assignment to complete between then and now.” Dr. Keller says. “I want you to ask one of the members of your pack for one thing that you want. You can pick what it is, and who you ask, but I want to hear about it when I see you later this week, understood?” 
You push back the nerves twisting in your stomach. “Yes, ma’am.” 
“Good.” She pushes herself up to stand. “You can stay here as long as you want. Just let me know when you’re ready to go back to the barracks. Take your time. You are my only patient.” 
She grabs the paperwork off the couch before moving to her desk. You watch her for a moment before letting your eyes wander. You wipe at your face, your cheeks feeling puffy from your tears. You’re glad she’s giving you time to relax. The last thing you needed was to run into a member of your pack like this. 
That’s not a conversation you want to have right now. 
You take deep breaths, letting the beta scent permeating the air calm you down. You sink down further into the chair, letting it surround you. It’s soft, the cushions pressing around you like a hug. You wonder how she managed to get it in the hard, “function-above-all” world of the military. You wonder how she got most things in her office, or maybe if she’d brought them with her. 
It was likely Kate’s doing, you think. The office space was made for an omega, set up to be as comforting as possible. Though, you don't doubt Dr. Keller would have argued her case for having these things fearlessly if she had to. 
You stay in her office for a while, listening to the clacking of her keyboard as the soothing beta scent washes over you. Your eyes are still burning a bit as you force yourself out of the chair, out of the soft comfort you could spend days wrapped in. 
“I’m ready to go now.” You say quietly. 
“Okay.” Dr. Keller says, finishing what she was typing before she stands, grabbing her keys. 
She locks the office behind you before you leave the medical center, pulling up your hood to protect you from the drizzling rain. You’re growing used to the perpetually grey skies and sudden rainstorms. 
Dr. Keller squeezes your arm gently as you stop at the door to the barracks. “Remember what I told you. I’ll see you in a few days, alright?” 
You nod. “Thank you.” 
She smiles softly. “You did good today. I am proud of you.” 
You slip into the door of the barracks as she makes her way back to the medical center, your shoes squeaking on the tile floors. You head back to your room, the silence in the barracks telling you they’re not back yet. 
You kick off your shoes, pulling your damp sweatshirt off as you sit on the edge of your bed. You stare at your ruined sleeve, the seam split to the edge of the cuff now. You got the sweatshirt from one of your fellow omegas at the institute, and you’ve worn it almost every day since. It’s turned a bit raggedy, and your picking at it hasn’t helped any. 
Ask for one thing that you want. 
It would be easy to ask for a new sweatshirt. You’re sure if you asked Gaz, he’d give you the one right off his back. Everything you can think to ask for, they’d have to buy. If you asked Soap, he’d likely commandeer the closest vehicle and drive straight to town and buy you one in every color, even if he didn’t have permission to. 
You could ask for something that’s not material. 
Warmth floods your face as you think about it. How would you even ask? You can’t just ask directly. You could, but you might die of embarrassment if anyone heard you. There’s nothing to really be embarrassed about, but you can’t help it. It’s a bold thing to ask for, and you’re not sure you’re feeling quite so bold today. 
You chew on your lip as the barrack door opens, their voices echoing down the hallway as they return from their morning training. They pass by your door, their own doors opening and closing. You get up, moving to stand in front of your own door, holding your breath. You could just step out, knock on his door and ask. He’s probably changing, though. You’d never get the words out if he thought it was one of the others and opened it half dressed. 
You have to do it, though, before you lose your nerve. If you don’t do it now, you’ll never do it and you’ll have to tell Dr. Keller that you failed. You’re allowed to want things. It’s your nature to want things. It’s human nature to want things. There’s nothing wrong with having needs and wants. 
You can want this. 
You repeat it over and over as you slowly open your door, letting it close behind you. You smell the air, finding the trail of his scent. It disappears down the hall and around the corner towards the rec room. Your legs feel shaky as you follow it, your stomach twisting anxiously. You can want this. It’s okay to want this. 
You turn the corner, finding him coming out of the rec room. He grins at you, eyes sparkling. 
You want this. 
“Hey, lass, was just lookin’ for ye. Are ye ready for lunch-” 
His words cut off as you grab his face, standing on your toes to press your lips against his. He makes a surprised sound against your lips, his body tensing. It’s quick, only a couple seconds before you’re releasing him, taking a big step back. Your eyes are wide with shock, almost as wide as his. His lips are parted in surprise still, his shoulders tensed. 
“Sorry.” You blurt out, your nerves only heightened. What if he hadn’t wanted it? “Sorry, I just...I wanted to do it and I wanted you to do it that day, but I’ve never had a real kiss before and I thought maybe Price would want to...but then he said he didn’t care-” 
Your words cut off as he grips your chin, lifting your face so you’re looking at him. The tension has melted from his shoulders, the surprise gone from his face. His eyes are soft as they stare down at you, his thumb brushing your lower lip. 
“I didnae know it was yer first kiss.” He says softly. “I wouldnae pushed it so far if I did.” 
“It wasn’t technically my first kiss, I kissed another omega at the institute but I don’t really count it cause I did it for her.” You shrug. “I’ve regretted pulling away since that day and Dr. Keller said I should start learning to want things and she gave me the assignment of asking for one thing that I want before I see her again at the end of the week and I could have just asked for something simple but-” 
Your words are cut off as he leans down, pressing his lips to yours again. It’s soft and sweet, his hand sliding from your chin to the back of your head, holding you against him. Your fingers grip his shirt, and you lift yourself onto your toes to press back against him as his lips move against yours. 
His forehead presses against yours as he pulls away, your breaths mingling as you continue to hold each other. “Gaz will be upset he missed out.” He says quietly, lips tugging up in a smile as he squeezes your waist. 
“He can kiss me later.” You say, pressing a quick kiss to his lips once more before pulling away. “After lunch.” 
Soap chuckles quietly, slipping his hand into yours. “After lunch.” 
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You hesitate outside the door, shifting nervously on your feet. You could turn around and go back to bed, pretend like you hadn’t spent an hour convincing yourself to walk down here, like you haven’t been thinking about this all afternoon. You had already completed your assignment for the week. You’d kissed Soap, done something you wanted. You’ve fulfilled that desire, and it didn’t kill you. You hadn’t dropped dead afterward. If the others noticed, they didn’t say anything. 
This isn’t a want. 
You knock softly on the door, half tempted to turn and run and hide under your covers until you inevitably have to get up tomorrow. 
“Come in.” 
Your hand hesitates on the door handle for just a moment before you’re turning it, stepping into the office. He doesn’t look surprised to see you, though you suppose if nothing else, he had smelled you standing outside. The thought makes your cheeks warm in embarrassment. How long has he known you were standing out there? 
“What can I do for you, sweetheart?” He asks, setting down his pen. 
You shuffle nervously, clasping your hands in front of you. “I-I was wondering...I..um...” You take a deep breath. “I was wondering if I could kneel for you.” 
You bite your lip as he stares at you, the words having come out fast, almost meshing into one long string of nonsense. His eyes darken just a bit, his scent thickening in the air. 
“You want to kneel for me, sweetheart?” He asks, his voice low and rough. 
You nod, shifting your weight again. “Yes, sir.” 
“Grab a pillow.” He nods to the couch. “I won’t have you hurting yourself.” 
You grab one of the pillows from the couch, wondering how often he’s slept in his office. How many nights he’s spent awake, pouring over files, his mind working too hard for him to find any rest. You set the pillow on the floor before kneeling down next to him, facing his desk. You shift until you’re comfortable, sitting back on your feet. You let out a long breath as your eyes slipped closed, your fingers twitching anxiously in your lap. 
Price’s hand is gentle as it comes to rest on the top of your head. You relax into his touch as he strokes your hair, working his way down towards your neck. You force your mind to relax, easing away the desire to tense your shoulders, to draw them up around your ears. It’s pure natural instinct, one that will fade the more you practice, the more you bond with him. The more you trust him. 
“Ready?” He asks, his voice sounding far away despite the fact you’re right next to him. 
“Yes, sir.” You murmur, pressing your head into his hand. 
His hand slips lower, curling around the back of your neck. You inhale sharply as he finally makes contact with the sensitive area. His hand is warm, the tension slowly easing from your body as he presses his thumb lightly into the side of your neck. The back of your brain begins to buzz, your mind slowly filling with static. You relax even further, your head bowing just slightly as you feel the weight of the last three months lifting off your shoulders. 
All the emotions, all the fear, all the unknowns suddenly feel far away. All the apprehension and the anxiety are soothed to nothing as he holds you, the hand on your neck a firm reminder that you’re not alone in this anymore. You have an alpha now, a strong alpha that you can trust in, that will carry it all for you. 
You don’t need to be stressed or afraid anymore. A warmth begins blossoming within you, spreading from your core out to your fingers and toes. You feel a bit dazed, but not in a bad way. You’re not afraid of the feeling, not with your alpha’s hand around the back of your neck keeping you safe. 
You’re not sure how much time passes, how long you kneel there. It could be five minutes, it could be two hours. Price continues to go over his paperwork, his other hand steady on the back of your neck. It’s not until he’s done that he carefully pushes his seat back, kneeling on the floor next to you. He releases your neck, catching your body as it slumps over, drawing you against his chest. 
“Easy, sweet girl.” He murmurs, pressing your face into his neck. 
You’re shaking a bit, brain still dazed and flying as you breathe in his scent. Earthy, trees, petrichor. The warm muskiness of a content alpha. You made him smell like that. You invoked that scent. 
“Feeling alright?” He murmurs into your hair, gently stroking your side as you begin to come back into your body. 
You hum in affirmation, wrapping your arms around his neck. You haven’t been this close to him yet, not since the scenting and that was more of a formal closeness, a required closeness. This is because you want it. 
“Don’t let me go.” You murmur into his neck, clinging to him tightly. 
His arms tighten around you for a moment before he slips them under you, lifting you into his arms easily. He pushes himself from the floor, moving to sit on the couch with you on his lap. You let yourself go lax in his hold again, feeling calmer and more relaxed than you have in months. You feel safe in his arms, not that he would have let anything happen to you before. 
You’ve always been safe, you think as you let your eyes drift closed again. 
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The water is hot as it runs down his back, contrasting the cool tile against his forehead. His eyes are closed, breaths slow and steady through his nose. He can’t get that damn scent of vanilla and sweet, sweet omega arousal out of his head. He drives his fist into the wall with a growl, cursing the blood rushing south. 
He can’t forget the way you felt under him, pinned so easily and helpless beneath him. He hates the way his cock twitches at the thought of the pout on your lips as he’d swung at you, narrowly missing you too many times. The way you tried to jump him. 
He lets out another frustrated growl, slamming his forehead into the tile. A hand presses against his bare back and he turns on his heel, hand wrapping around Johnny’s throat, slamming him back against the shower wall. 
Jesus Christ, he’s going to kill the mutt one of these days. 
“Easy, Lt.” Johnny rasps, not fazed at all by the alpha’s actions. His eyes flicker lower, to the hard cock standing at attention. “Bit worked up, eh?” 
He lets Johnny go with a growl, stepping back under the water, turning it all the way to the right until it’s nearly freezing. He almost groans in frustration as the water shuts off completely, his eyes cracking open as Johnny’s hand trails up his chest. 
“Easy, big guy. Let me help ye.” 
Simon moves until his back is pressed against the tiles, eyes not leaving Johnny’s sapphire ones as the beta slowly kneels in front of him. Johnny’s hands trace over his hips, outlining scars both old and new. Johnny’s fingers finally reach his cock, wrapping around the thick length. Simon sighs in quiet relief as Johnny slowly pumps his length, their gazes still locked. 
Simon stares down at Johnny through his blonde lashes as Johnny leans forward, dragging his tongue along his head. A low growl rumbles through his chest as the beta circles his tongue around his head, smearing precum on his chin. He’s painfully hard now, breaking his gaze as his head tilts back, eyes fluttering closed. 
His fingers sink into Johnny’s mohawk as the beta takes his cock in his mouth. He breathes through his nose, relaxing his throat as Simon’s cock sinks deeper and deeper, Johnny’s hands closing around his hips to hold himself steady. Simon grips his hair tightly as he begins to move, bobbing his head along his length, his tongue pressing against the bottom of his cock. 
Simon squeezes his eyes closed as an image comes to mind, a smaller hand fondling his balls. His hand wraps around the base of his cock as he imagines soft lips on his tip, Johnny’s tongue tracing the parts of him that you can’t fit yet as you take him in your mouth. The sweet whines that would be pulled from you as he choked you on his thick length, Johnny whispering sweet encouragements to you. 
He can picture the two of you, you and Johnny with your tongues entwined, his cum stringing between your lips. 
He growls, yanking Johnny off his cock and pinning him to the tile wall. Johnny’s lips are parted as he breathes heavily, eyes blown with lust as he stares up at his alpha. Simon’s hand tugs at his hair, tilting his head back to bear his throat. Johnny lets out a quiet moan as he sinks his teeth into the delicate skin, leaving a mark he’ll wear proudly for a few days. 
“Turn around and bend over.” He growls to the beta, his cock still hard and throbbing. 
“Sir, yes sir.” Johnny says, smirking wickedly as he slowly turns to face the wall. 
Fucking christ, Simon groans. They’re going to be the death of him. 
You’re going to be the death of him. 
NEXT ->
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Taglist, part 1:
@bobaprint @ashy-kit @anunintentionalwriter @mockerycrow @hayleybarnesx @protokosmonaut @fruitymoonbeams-blog @blue-blue0 @hindi-si-ikay @hanellokey @thatonepupkai @redwites @kattiieee @141trash @ghostlythots @lothiriel9 @dillybuggg @beebeechaos @konigsmissedbeltloop @kaoyamamegami @thychuvaluswife @idkkkkkkk8363 @wallwriterstuff @bisky-business @smile-child-13 @anomiatartle @dangerkittenclaws @bless-my-demons @mystic60 @evolutionarry @red-hydra @lunaetiicsaystuff @cadotoast @linaangel @rancid-wasp @codsunshine @thriving-n-jiving @slayerx147 @ferns-fics @spicyspicyliving @cityoffallencrows @puppyel @ttsbaby01 @heeheehoohoohahahihi @sleepyoriana @ihatethinkingofnames10 @cassiecasluciluce @darling006
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honeydewandcake · 3 months ago
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“Shrimpo, you’re pathetic”
This was based on the note found in Shrimpo’s room! I have so many theories and speculations on everything in his room it’s actually making me go crazy
Read more if you want to listen to my insane ramblings!! ↓
So I have so many things to talk about —
Firstly, the punching bags and holes in the walls. Shrimpo’s hatred towards everyone is always usually verbally, but in his room there’s proof that it’s physically too. This leads me to believe a lot of things:
— Shrimpo is somewhat strong, at least strong enough to break through the walls.
— Shrimpo tries to at least control his anger. He could easily beat someone but he limits himself by only being a verbal bully. He must relieve all his more aggressive emotions in private in his room.
— The wardrobe in his room is partially blocking holes he presumably made. This could either mean that he is embarrassed or he’s trying to hide it to avoid getting in trouble.
Overall, it’s clear that Shrimpo’s anger is a lot more than people might have expected
Secondly, the papers. There’s plenty of other toons that also have crumpled paper in their rooms but to me Shrimpo is the most interesting. Shrimpo is definitely not the type who writes, but the note and trash says otherwise. A few things I immediately think of is:
— Shrimpo can write, but everything he writes is always deemed “not good enough” by him and thrown away.
— Shrimpo is either willingly writing things or being forced to write by others (possibly as a required thing by directors and such).
— The note on his desk can tell a lot about him. The fact that he only writes about the things he hates is expected, but the way it continues is more interesting. He repeatedly writes “hate” over and over and it gets bigger. To me, this looks like Shrimpo having a mental breakdown. It’s not uncommon for someone who’s venting out their frustrations to repeat a phrase or word, but the fact that it gets bigger makes me think Shrimpo is writing it more desperately. He could have been writing to relieve stress but it only made him more frustrated, causing a slippery slope into a terrible episode. If this was in writing and not text, I expect his note to be sloppier than it seems.
— Shrimpo’s discarded paper can mean anything, but the thing I immediately think of is ideas or failed writing. Someone in a server I’m in brought up the idea that the reason why Shrimpo has only posters of himself in his room is because he’s reminding himself of all his flaws. Maybe his writing helps him cope with that or he’s trying to come up with ideas of how to be better.
Shrimpo’s room also has many knocked over furniture. He has multiple desks, traffic cones, trash cans, and a coat hanger.
— This supports my theory that Shrimpo is a lot more aggressive in private. He knocks over furniture out of frustration, imagine someone flipping a table because they got upset at something.
— Shrimpo’s room could have been a storage room. It seems to be more bland (could just be Shrimpo not liking decorating) and it has a lot of useless things. Really, the only thing that makes sense for a room is the desk, wardrobe, and bed.
— A confusing thing to me is the airhorns in his room. Shrimpo could be using these or they just came with the room. If he did use them, it would probably be on other toons as a “screw you” signal.
Sorry I talked so much, usually I don’t like doing this but I needed to yap for a good 5 minutes about my favorite toon. I love you Shrimpo!! No one could make me dislike you!! I will make many, many more theories for you. . . .
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felassan · 5 months ago
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June 14th 2024 Developer Q&A (from the official BioWare Discord) - Complete transcript
Under a cut due to length.
Update: This post has now been updated into a word-for-word transcript.
[Link to video recording of Q&A] | [Link to equivalent post for second Q&A (August 30th)] | [Link to video recording for second Q&A]
Update: This post has now been updated into a word-for-word transcript.
If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here. This blog post is linked in the description under the video. ( ˶´ ᵕ `˶ )
Corinne Busche, John Epler, Matt Rhodes and Community Manager Katey were the devs that were there.
----
Katey: Hello!
John: Hello.
Katey: Beautiful, your mic sounds beautiful. How's everybody doing?
John: Excellent. I, just as a headsup, I have some folks doing some service, in the next room so, if I, if you hear background noise, that's what that is.
Katey: No worries at all. Well I hope that everybody who's been waiting in here is really excited, because I'm super excited. I'm Katey. I'm the Community Manager. If you don't already know, you can usually see my name at the top of this Discord server. But I'm joined here with some awesome guests that I'll let introduce themselves. Let's start with Corinne.
Corinne: Can you hear me okay?
John: Yep.
Katey: Yep, we can hear you beautifully.
Corinne: Great, perfect. I'm Corinne Busche, Game Director of Dragon Age: The Veilguard.
John: Awesome. I'm John Epler, Creative Director of Dragon Age: The Veilguard.
Corinne: John!
John: Hello.
Katey: And then we've also got Matt Rhodes, who may be struggling to find the unmute button which is at the bottom left.
Corinne: Our, our resident artist-poet, Matt Rhodes.
Katey: I could unmute him, actually, I don't know if I can unmute him, but if he needs help, he can message me on the side.
John: The joys of being a giant nerd is I spend a lot of time on Discord anyway, so.
Corinne: Well there you go, right?
Katey: Fair enough. Alright, well, we have a ton of questions to answer. We probably won't be able to get to all of them today. You all have sent in so many really really great answers, sorry, questions for us to answer. And if we don't get to them today, we're hoping to be able to do things like this in the future. So without further ado, I'll get started. First question's a bit of a soft ball, I feel. If you could belong to any of the main factions shown in the game, which would you choose?
Corinne: I mean, listen Katey, you say softball, but like, this is hard! I’m gonna cheat, and I’m gonna give you two. So for fashion, the Antivan Crows, all day long. Their threads, you’re gonna love it. For vibes, though, like the ones that capture my vibe, Mourn Watch. Gimme those necromancers.
John: Those are good answers. I have, I have one for fashion, and also for, just general faction I’d like to be a part of. Veil Jumpers. Who doesn’t like a nice walk in the forest, y’know? Even if that forest is filled with horrifying monsters and terrifying anomalies, but yeah.
Katey: I love that. I know that Matt has a few technical issues – oh, he’s unmuted. There we go. Or maybe not. That’s okay, I think we can move on.
John: The Fade has taken Matt.
Corinne: That’s right, that’s right.
Katey: Yes. One quick thing, if you check your settings, the cog-wheel in the bottom left, make sure that your voice, like, your audio is all good. If you’re still hearing the music, feel free to maybe, force-quit Discord and rejoin by just joining the stage directly. And mute the music before you come in. Okay. I can move on to the next question for now. I’ve seen, so this question was from Acra. I’ve seen a lot of talk about only having two companions in your party instead of three for this game. What is the reasoning behind this and will we still get the same companion conversations and banter as seen in the previous Dragon Age games?
Corinne: Ooh, this is such a good question. Thankyou, whoever submitted this one. Yeah, I’ll guess I’ll start and then I’ll turn it over to John Epler. So, first of all, as you saw in the gameplay reveal, this is a much more intimate experience. We’ve pulled the camera in. For those that aren’t aware, the reason why is we want you to feel like you actually are in this world, right? Like, you’re walking these city streets of Minrathous, you’re looking up, seeing the buildings all around you, you’re a part of this place. So it’s much more intimate, and we believe as the narrative unfolds this creates a lot more immersion. Now, how that relates to companions is in doing this, we went back and forth on it a lot, but we actually found, with this perspective, having two companions, really allows them more visibility and presence. We’ve talked about the incredible depth and focus we’ve put on fleshing out these companions, they’re very fully-realized. So here, you really get to see them more clearly, you get to see them shine. When you see Lace Harding jump into the air and unleash a volley of arrows, you can only really get that because of that more intimate view. So I love the spotlight that’s been put on them. But, I think, in addition to the banter, one of the things that people are wondering about is, okay, but what about gameplay? So again, this has come about from our testing, working with the internal team, also our lovely Council of players. We just found that when you’re playing in the combat system, when you’re planning your strategies, two really felt like the right number to manage. So keep in mind, Rook has a lot of different types of actions, Abilities, individual attacks that are more fully fleshed-out than ever before. Timing and positioning matter a lot. So this really felt like the right balance to have. The number of inputs and actions we’re asking you as a player to take, including directing your companions, is higher than ever before. And I will also say, I engage with the companions, like I actively control what they’re doing more than I ever have before in any of the other three games. But John, I’ll toss it over to you for the banter. That’s kind of like the, we got a two-for-one there.
John: Yeah, yeah.
Corinne: I think that’s a, a great question.
John: So - it’s a great question, yeah. I mean honestly, I don’t think you could actually stop the writers from writing banter. I will say for myself, it’s, it’s one of the more light but fun things to do. You get to write little stories, little arcs between different characters. And I mean, The Veilguard is no different. Banter is still absolutely core part of it. You know, we’ve got global banter, you know, the general stuff that you get in all spaces, as well as mission-specific stuff. But, yeah, it’s definitely still a big thing. I think it’s, if anything it’s the most we’ve, we’ve ever done for pairings of companions. Beyond that we’ve also made sure, and I mean I’ve been on Dragon Age for a while, and I know there’s been issues, you know, things like, okay, well I don’t wanna miss this banter. So we’ve even added stuff like some interruptible and resumable banter as well, just to make sure that, because again, it’s a core part of the experience. Everyone loves hearing these companions talk to each other, everyone loves hearing these little stories and relationships develop over the course of the game and, as mentioned before, companions are the heart of this experience and banter is a big part of that, so, you still have it, it’s, if anything, like I said, you could not stop the writers from doing it even if we tried, so.
Corinne: That’s right, that’s right. Well, John, you know, listening to you speak, one thing that comes to mind, maybe people are wondering, with two companions in the field do I get less interaction between, that, like do I get to see my companions interacting in a broader group more often.
John: Oh -
Corinne: And, the way you’ll gather them around the kitchen table, there’s just so many of those moments where they’re all interacting with each other.
John: Well, I think –
Corinne: Those are some of my favorite parts.
John: Yeah, and I think, yeah, and actually that’s a, a good call, because I think the other side of it is, we’re not talking too much about your home or anything, but, we also want to make sure that they feel like they have a relationships and a life outside of just, the times you take a certain pair of companions out on the field. So we made sure that, they have those interactions there as well.
Katey: Love that. Let’s see. Um, Matt, are we, are we all set, are we good? Yes? No? Okay. I can continue and we can come back to some of your questions. Alright. So that, I loved the answers to those. How customizable is the backstory of Rook? Will we get to determine their past in the Character Creator? And that was asked by Briar.
John: Yeah, so. Absolutely. So, one of, each, Rook has six different backgrounds that you can choose from. Each of them is tied to one of the major factions in The Veilguard and each one sets out who Rook was before they recruited, were recruited by Varric, and. Well that sets out the broad events. As you go through the game, as you’re gonna have conversations, either with members of your faction, other characters, you can define, not just what those events were, but what they meant to you, what was your motivation, what was the kind of person you are as you build up Rook, because again, we wanna make sure that roleplaying is at the heart of this experience. And taking Rook, giving them, again, giving them background to ground them in the world but then letting you decide what that means and what that says about you is also a big part of it, so. And again, there are six different factions in this game, two which, anyone who’s played Dragon Age for a while will remember. You’ve got the Grey Wardens. You’ve got the Antivan Crows. We also have, in addition to that, we have four new ones, because we’re in northern Thedas. We have the Veil Jumpers. We have the Mourn Watch. We have the Shadow Dragons, and we have the Lords of Fortune, so. Again, a lot of different options, a lot of different background, and a lot of opportunities to really define what your, who your Rook was, and who they are now, so.
Katey: Amazing. Will crafting return? If yes, has it been improved over the system in Inquisition? Asked by Some Dude.
Matt: Testing.
Katey: Oh hey Matt!
Corinne: “Some Dude”, is that, I’m gonna assume “Some Dude” is a username. Great question.
Katey: Yes.
Corinne: Welcome Matt, the lovely Matt Rhodes.
Matt: Testing, testing.
Corinne: Welcome, welcome, hello. Alright, so, will crafting return? You can absolutely improve and customize your gear, yes, that is a big part of RPG progression, so yes you can improve and customize it. I will say, though, it’s different this time around, and it does get into spoiler territory, so I, I’m gonna be a little bit cagey about it, but there might be a mysterious entity that assists you with that that’ll be an important part of the narrative.
Katey: So mysterious.
Corinne: Oooh!
Katey: Matt, I’m gonna actually go back to our first question so that you can answer, so everyone knows.
Matt: Thank you.
Katey: What faction, what faction you would choose if you could choose one for yourself?
Matt: Absolutely, oh, for me it’s definitely the Lords of Fortune. I’ve had a chance to try out a bunch of them, but I think I’ve finally settled on them. And it’s largely just because pirate-barbarian is just such a great combination of elements, so. Treasure-hunting plus beaches and palm trees and all that stuff, it’s a, it’s a really good mix, so that’s kinda my default.
Katey: I think I’m with you there, for sure. How about this one - this one was definitely asked probably amongst the most in Discord. Axolotl asks, can we kiss or romance Manfred the skeleton?
Matt: Uh, I, I would say, not that skeleton, but we’re not saying no skeletons.
Katey: I love that answer.
Corinne: This is my favorite answer so far.
Katey: Alright, so I’m gonna get back on track here. Alright. What, what were some of the development considerations that you had to take into account to ensure that this new game flows and functions with prior games, and Dragon Age Keep, if Keep is being utilized?
Corinne: Ooh, that’s a good one too. So, first of all, I would, I would point everyone to, we did an interview with IGN that goes into some of the details there, so, like, if you want a deeper dive on it, check out that article. But just to summarize, we have taken a different approach on how you import your decisions this time around. It’s now actually been fully-integrated into the Character Creator, and kinda serves a dual purpose, to be honest. I, I playfully, it’s not called this in-game, but I playfully think of it as ‘Last Time On Dragon Age’.
Katey: I love that.
Corinne: Right? Now, when I talk about its dual purpose, it’s been ten years since the last Dragon Age game released, so it serves as a refresher on critical events as well as allowing you to re-make those decisions that are critical to you. The thing I love about it is, it’s very highly visual, it uses the familiar tarot card aesthetic, so it’s actually really visual and playful experience as you go through it. It is very much important to us that it’s built into the client, though. You can play this game entirely offline. No connection. You don’t have to link to your EA accounts, like that’s been a really big request. So, the refresher plus make those decisions in-client, I think we’re all pretty happy about that. I don’t wanna spoil anything by revealing what decisions you can import, like, look, y’all don’t want the spoilers, but I will say, it’s been a really interesting creative intersection for us, because on the one hand, this is a whole new adventure. You’re in northern Thedas, these locations that you’ve literally never been to before. So that affects some of what will matter and what we’re not using this time around, as far as decisions. But obviously there’s some very, very clear connections to existing characters. It’s no secret that the Inquisitor, our dear Inky, is gonna show up, so, that’s, that’s a factor.
Katey: Peachy asks, will this next game be an open-world game, or is it just contained to Tevinter?
John: Yeah, that’s a great question. So, you are in northern Thedas, but the game only begins in Minrathous, it doesn’t stay there. I’m, I think one of the most exciting things for me, honestly, and again, to Corinne’s earlier point about spoilers, I don’t wanna get into too much spoiler detail, but getting to go to, and work with the art team, work with the narrative, work with the design team to build out these locations that we’ve talked about. Places that characters have referred to as where they’ve come from, places that characters, obviously, in previous games, have hailed from, has been absolutely exciting. So, it’s, you do start in Tevinter, you do start in Minrathous, but again, that’s not the entire game by any stretch. So yeah.
Corinne: Yeah, and the first half of it is, is it an open-world game? We’ve gone back to what we believe delivers the best, most curated –
John: Mhm.
Corinne: - intense narratives. So, this is a hand-crafted experience, it’s mission-based. Now, these locations can open up. You can go back, solve mysteries, do some really great side-content. Not fetch-quests, not grind-quests, some really great side content.
John: Mhm.
Corinne: But, I wanna be clear. It’s, it’s a really curated, hand-crafted experience.
John: And just to, just to bounce off of that very quickly. The most important thing for us, to what Corinne was saying about hand-crafted, obviously we’ve talked about how, you know, narrative, story, characters, are the most, are critical to us, and this has allowed us to build these experiences in a way that emphasize that, extremely long, while still, again, tying into the story threads and the story beats, so.
Katey: Awesome. TastefulToxel wants to know - will the companions have unique specializations like Dragon Age II, or will it be the same ones we will have access to as the player in like DA: Origins, or Inquisition?
Corinne: Oh, cool. Hey TastefulToxel. Yeah, so, cool question. I think the best way for me to describe this is that, yes, our companions will have Abilities that are truly unique to them. But also, the companions do fall into the archetypes of mage, rogue, and warrior. Like, for instance, you might be surprised to hear, because she has a bow, but Bellara is, in fact, a mage, and I, I love that. So, some of the Abilities, the bulk of the Abilities of the companions are based on their own unique personality. Like, Neve is the only mage that is an Ice Mage, so you get distinct Abilities for her. But, because she’s a mage, she does have access to Abilities that all the mages share, like Time Slow. So we really like the balance there. It’s like a good mix of representing their archetype, their class, and also their distinct specialization or personality, whatever you wanna call it.
John: Yeah, actually, I would actually say the word ‘personality’ is a really great one because that’s, again, each of these characters exists, each of these characters have a history, have a story of how they became who they were, and part of that was finding that intersection between narrative and gameplay, and making sure that, again, we, we serve the needs of gameplay but also allow these characters to breathe and exist as their own people, not just in conversation, but out of conversations, as well.
Corinne: I would also say as part of that core mage kit, healing spells are there, so any of your mages, you wanna make ‘em a healer, do that.
Katey: Lunasoul Darkmoon asks, will The Veilguard have tactical combat still?
Corinne: Ooh, such a good one, such a good one. Okay. Yes! Combat gets quite tactical, like, obviously this is an evolution of the combat system, and I talked about immersion, wanting you, to put you in the world, like you’re actually living and existing in it, but it is very tactical. And, I will say, we have a robust difficulty system. The tactics are increasingly important the higher difficulty level you go. So like, look, if you’re showing up for a highly tactical experience, I would crank that difficulty level in particular. But I wanna make clear, I’m, super, I wanna make sure I’m super clear in my answer. You saw the gameplay reveal. Our pause-time tactical mode is not overhead. It stays close to Rook. It does allow you to cycle between targets, both in and out of combat, there’s a reason for that. As the game progresses, and you didn’t see this in that opening hour of the game, but it’ll display strategic information on the enemies, so like, what are their vulnerabilities, what are their elemental weaknesses, their enhancements, what are they resistant to? So your type of Abilities, learning into elemental gameplay, matters a lot. I’d also say, this is a long answer, it’s such a good question – tactical decision-making also takes the form, I would say this is front and center, of coordinating your Ability usage between Rook and your companions to create synergies, or really devastating – we call them – detonation combos. So, let me give you a couple of examples, because it can be a little hard to visualize, so hopefully this helps. So one of the tactics that I personally enjoy in my own builds, I just recently played as a Veil Ranger, I love it, it’s one of my favorites. If I’m fighting Fade-touched enemies in Arlathan, I like to use Bellara’s Galvanized Tear to pull enemies together, it’s like a gravity well. You then Slow Time with Neve and, Slow Time affects the world around you, but it does not affect you, so you clump them up, you Slow Time, and then with Rook, I come in and do, like a devastating AOE or damage over time spell or Ability, and it’s even better if it’s a lightning-based Ability, because the Fade-touched in Arlathan are vulnerable to that. So there’s so many layers of coordination and strategy and tactics. Now we did talk about the devastating, like, detonation combos, honestly, that’s probably one of my favorite features, because that’s when you’re really leaning into explicit teamwork between your companions and Rook, or, the companions together. So when I, when I build out my team and I’m going into a mission, I try to ensure that I have at least a couple of possible synergies, detonation combo synergies within my team. Might be between Harding and Neve, or it might be between Neve and me, or it might be both. So here, I would go into battle, I’d pause time, open the Ability Wheel, get information on the enemy, and the Wheel will actually tell me that there is a synergy combo, you might have seen a screenshot that says “combo available”. It will remind you of those synergies between companions. You can queue both of those Abilities up at the same time, go, close out of the pause-time menu, they’ll both execute, both Abilities will happen, then the detonation AOE happens, applies debuffs to all the enemies in a radius of it, it’s so satisfying, it’s so satisfying, I can’t wait for y’all to see it. But the interesting thing is that too is a tactical choice. I’m choosing to use my companions to do that, and that means, in that moment, I’m not using them to heal me, or to give me that defense bonus, or to knock an enemy off a ledge, so it’s about the opportunity cost. I, I could spend the rest of the session talking about this, I, apologies for being long-winded, but this is just one of my favorite parts of, of the game.
Katey: That was a great answer. Can you choose Rook’s pronouns? If yes, being, is being non-binary an option? And also, how detailed is Character Creation?
Corinne: Hell yeah you can select your pronouns! Absolutely. You can actually select both your pronouns and your gender, because those are related concepts, but they’re not actually the exact same thing, so. It’s really cool. Yeah, you can be non-binary. We have they/them, she/her, he/him. Yes, emphatic yes. How detailed is the Character Creator? Oh my goodness, y’all. Like. Very! I don’t wanna give away too much just yet, but it’s very, very deep. It has been revealed, it’s out there in a couple of articles, about the focus on hair, the focus on skin-tones that are done respectfully, full-body customization, hell yeah, we love to see it. But we’re, we’re gonna, we’re gonna come back, we’re gonna show you a lot more on Character Creator, but we wanna make sure we have the time and space to, to do that.
Katey: Will there be a Photo Mode in-game?
Corinne: So that is something we’re actively looking into. We know there’s a tonne of interest, so stay tuned on that one. But we are very much looking into it.
Matt: I can add to that, is a feature that is, that, we like, we like the idea of, and, and, it’s not just player-facing but internally, it’s a really helpful thing for us as we’re, as we’re building things out to have that so it’s, it’s, we’ll let ya know.
Corinne: Yes, yeah, absolutely. We, we are as geeked on that possibility as you all are.
Katey: A lot of people were asking about Abilities. This one is from Clemmy. Abilities, I don’t think I saw this answered yet, but are we going to be limited in how many Abilities we can pick from the Wheel?
Corinne: Ah! Yes, yes, yes. So, Ability Wheel does have a capacity. You have to choose which three Abilities you wanna bring for Rook, which three for one of your companions, and which three for another companion. And what I, what I like about this is there is, kind of, an emergent gameplay depending on who you and your companions are coming into the mission with. Now the reason for that is, it actually creates really interesting balance of strategizing, having to do that strategy about your kit, your combat kit, before the mission. And then the tactical decisions once you’re in the field in combat, deciding what to do. But, I do wanna clear one thing up, because, while there are three Ability slots for Rook, there’s so much more than that. Other actions that you can perform directly from the Wheel include, you’ll have an Ultimate Ability, associated with your class or your specialization, so there’s variance there. There’s a type of items that you’ll get that function like Abilities, they’re typically like buffs and enhancements in form of Runes. So you’ll control that for Rook and/or the team from the Wheel. You may have also seen that you can direct which targets your companions will focus on, but what you might not know is that a lot of the companion gear really synergizes with that directing your companions. When you issue those commands, that too will proc based on the gear they have equipped. Really interesting and strategic effects. They can be more Ability-like, more, like, procced effects, there’s just so much from the Wheel, that once you get in and see everything working together, becomes more and more apparent.
Katey: We have another question from TastefulToxel which is, will Fireball and Cone of Cold be back as skills, or as spells in Dragon Age: The Veilguard?
Corinne: Ohh, I love, all these combat questions, really good. So Fireball and Cone of Cold aren’t specifically back, however, their successors are. Frost Nova and Meteor. So these serve the exact same combat role and function as those other Abilities. I would also say, it gives ‘em quite the glow-up, so. Meteor in particular, like, so satisfying nuking a group of darkspawn with a well-placed Meteor, it’s really wonderful.
Katey: What accessibility features are available? I would love to know if there’s an arachnophobia mode. Will there be mod support?
Corinne: Oh my goodness, arachnophobia. I am wicked afraid of spiders too, my partner always laughs at me. I’m just terrified of them. That said, that’s one we’re going to save for a little bit closer to launch before we’ll go into full details about accessibility features. But I do wanna assure you, we’ve spent a lot of time thinking about this topic so you can play the game in a way that really works for you. I’m, I’m excited to share that with you when the time is right.
Katey: So this one is from a username named Cookie. How long is the time-skip from Inquisition to The Veilguard? I know we’ll probably get more info on this, but I’m so curious.
John: Yeah, so, anyone who’s paid attention to Dragon Age, and I can say as somebody who’s been on Dragon Age since Origins, timelines are always a little iffy. They change, and they morph over development as we see how long events taking. But, for The Veilguard, we were actually pretty consistent from the start. It’s been about ten years since the events of Trespasser. As you may or may not have noticed, Varric’s become a little bit of a silver fox. I know, I’ve heard, seen, I’ve seen a lot of comments on that on social media, but, yeah, ten years. Solas’ ritual is taken time to set up and you’re kinda coming in at the end of that hunt, so.
Katey: Siddy is asking the hardest-hitting question which is, is Solas still bald?
Matt: Yeah. I mean, if you’ve watched the gameplay thing, we can all confirm, yes, Solas is still bald, Solas is still Solas. We’ve, we’ve, I really, I really like how Solas has turned out this time around. I will say, here’s a comment on this specific question that’s gonna sound like a non-sequitur, but, once you get a chance to play it a little bit more, maybe you’ll see it. In Thedas, ancient elves, they go bald when they’re like millennia old, so. Solas wasn’t always bald. So if you were to end up, end up seeing what Solas looked like in the past, things might be a little different. You’ll have –
John: - Now, now that said, I’m sure some of you are wondering what happened to Solas’ wig from Tevinter Nights. I’m sure he still has it somewhere, so.
Katey: He’s just taking care of it elsewhere.
John: He’s just taking care, it’s, it’s his most important possession.
Corinne: The Pride there, huh?
Katey: I have another one for Matt. This is, will we be able to, will we be able to change companions’ appearances and outfits, or are they fixed, similar to Dragon Age II?
Matt: Yeah we, Dragon Age II was, we loved how the followers turned out in that but it was, it was sad given, given our constraints that we had to keep them with just one, one basic outfit. So we really tried to make some space for them this time around. So they’re, they still have, kind’ve iconic color palettes and things like that, but they do have a wider range of appearances that you can, that you can find for them. Some, some are just cool, but then there are some that are tied directly to their, to their narrative and just kinda what’s happening in their life.
Katey: Another one for ya, which is, will we be seeing or visiting Kal-Sharok? It’s, and, Tyrant says that they’ve been obsessed with it forever.
Matt: Yeah, me too. I, I will say, what’s, what’s been really cool, so in previous games, we’ve kind’ve alluded to this before. It was a lot of fun to hint at the locations that were off the map, the mysterious places that you weren’t gonna go, you weren’t going. And so you could just bring in some props or some characters, a piece of art, things like that, and you know, even Tevinter was only vaguely hinted at and then we would just add drips and bits and pieces, so that stuff was really fun. In The Veilguard, we’re actually getting to visit, most, like a whole lot of those locations that had only been hinted at for real, so you actually do run around Tevinter and a bunch of the other locations that we’ve revealed. But this also means, like, we’re not completely filling out the map, and so that there are actually new things that we can start hinting at, that we can start drip-feeding, and so, it’s, it’s kind’ve fun. I’d say, yeah, for what we can show of Kal-Sharok, and, and other locations, it’s just, there’s, there’s more to do.
Katey: Awesome. MrFightmonster118 asks, will the dialogue wheel slash options be similar to Inquisition and Mass Effect: Andromeda in the sense that it’s more tone-based?
John: Yeah, so, we have a number of different types of wheels in our game. All the dialogue wheels are based off the same principle. Anyone who’s played a Dragon Age game remembers what they look like. In Dragon Age: The Veilguard we have tone wheels which are, you know, again, roleplaying your character, picking consistent tone. We also have emotion wheels where you can pick specific emotional reactions. And choice wheels which are, I don’t have a strong emotional or tone tie here but I do want to make a choice based on what I do. Investigates obviously return as well, but. We do want players to understand as much as possible what it is they’re going to be picking, and understand, and again, choice and consequence is fun, we wanna make sure the choice is clear, even if, again, one of the best parts about consequence is making sure that’s not entirely clear, so.
Katey: How extensive are Rook’s decision trees for dialogue going to be with the companions and also with NPCs throughout the game?
John: Huge. I mean, again, it’s a Dragon Age game, we wanna make sure you have choices, we wanna make sure you can choose both your roleplaying but also choose outcomes of conversations, choose how events unfold, so, I mean, again, it’s a Dragon Age game, we wanna make sure that we also react to decisions you’ve made, so. For example, you may be talking to a follower who is an elf, and if you yourself are an elf, obviously you’re gonna have a different perspective on events than someone who’s not an elf. Sometimes that means different conversation options, sometimes that’s going to mean entirely deep dialogue trees, as well as based off decisions you’ve made throughout the game so, again, making sure that the game feels like it’s noticing what you’re doing is a huge part of how we’ve written out the dialogue wheel, or dialogue trees, in this game.
Corinne: Blueberry has a question for Corinne. It was mentioned that there will be, that we will be able to romance who we like. Does that mean that all companions are romanceable by all player characters regardless of race or gender, as it has been in the past?
Corinne: Yeah, yeah. So, we have talked about this in some of the interviews, I’ve seen a few articles about it, so I’d recommend everyone check out those articles. But let me just give you a quick overview. Each of the seven companions have full romance arcs and they are romanceable by all genders, absolutely. But something that’s really important to, to us on the team, so I wanna make sure that we clarify and just double-down on, that doesn’t mean playersexual. And if anyone’s unaware of what we mean by that, it doesn’t mean that they can form or twist their identities to who you the player are, like they, they won’t suddenly have a preference for men or women based on what you’re playing, right? Instead, they have their own fully fleshed-out identities, they are true and authentic to that. So in this game, they are all pansexual, with their own histories of romance. Sometimes you’ll hear about preferences, or things of that nature. And what I really love is, if you don’t pursue a romance with them, they’ll actually build their own romances with each other. So, in one of the interviews I talked about Lace Harding and Taash getting together. I give that example because honestly, it’s one of my favorites. I’m gonna put a question back to the community, though. I’ve heard we’re going with “Laash” for that ship-name? You tell me, like, what is that ship-name?
Katey: That one just rolls off the tongue, I feel like that works. This next question is from FallenArtesia. What are the markings on the faces of the elven Warden and Veil hopper?
Matt: So there’s a, quite a few, probably, I think, easily more than we’ve done before, tattoos from various, various cultures. We’re bringing the vallaslin back, of course. But there’s, yeah, ton of different options, especially when we’re, again, going into all these new regions. Each, each area has its own kind’ve visual language for that. But yeah, we are bringing the vallaslin back and then a couple of the characters have them, but we’ve kind’ve customized them a little bit, they’re a bit more specific to their personality.
Katey: And this is a question for all of you. What are you, what are you as a developer most proud of about the game, and what are you most excited for players to experience when it’s out?
John: Ooh, that’s a good question.
Corinne: Isn’t it?
John: Corinne, you wanna go first?
Corinne: Yeah, sure. Gosh. So I suspect for most of us, myself included, it is really gonna be the depth and authenticity of the companions, journeying along with them on their arcs, learning about their hardships, what they care about, being by their side, that, that authenticity is just so good. They all feel like my dear friends. But, I have to say, the closest runner-up for me, has to be the Character Creator, has to be. That Character Creator, the makeup options, the range of sliders. I’m a qunari fan, so even just the, the way you customize the horns and combine that with the really great-looking hair. Character Creator has to be my, my, like very close runner up.
Matt: Oh yeah. For me, I would say, as far as, what, what I can say I’m most proud of on this one, the, I can speak for the art team. We worked incredibly hard to make the story more visible than ever. Games are a visual medium, but, you know, it’s, sometimes it’s easier to do things in text format or written in a Codex somewhere or alluded to off-screen. But we really leaned in to trying to make sure that every design, prop, character, environment, the VFX we’re choosing, everything, all, all these choices, were putting the story on-screen so that you can really see it unfold. And I think, having worked on all of the Dragon Age games, I would say Veilguard represents one of the best attempts at that we’ve made yet.
John: I’m gonna cheat, because I’m going last and I get to do that when I go last, and kinda combine both Corinne’s and Matt’s answer. Honestly, the companions are, for me, the absolute highlight of, just, being able to work across all the disciplines, building characters who look and sound and behave in very specific and characterful ways. These are the deepest companion arcs we’ve ever done. Not just on Dragon Age, but at BioWare in general. Each, each companion has their own story arc, you can go through decisions you can make, they really do take center-stage, and I think, as you play through with them you see the care and love that the team has put into each and every one. I mean there’s, there’s moments in each arc that make you cry, make you angry, make you excited and, and the way that they integrate into the story as a whole is just, for me, something that’s been really fun. Finding ways to bring these characters together, finding ways to make this, this narrative, this story of, you know, you need to put together a team and stop the end of the world, it’s just been absolutely exciting and thrilling. And again, you see the team’s love in every single piece of it. As for what I’m most excited? For me, I’ve been, I mean Dragon Age has been part of my career, part of my life for literally the last decade and a half. I’ve worked on it since Origins and there’s something about The Veilguard that feels like a amazing mix of, novelty but also familiarity. It’s like coming home in a way that I think is going to be very exciting for people who are existing Dragon Age players, but there’s also so much here that’s just new and exciting for people, new players and old players alike. And going to parts of the word, seeing things we’ve never seen before, and just getting to take this amazing world, this amazing series and expand on it and build on it in ways that have just been, honestly, an absolute thrill, the best part of my career. And I’ve been in games for seventeen years now, this has been the absolute highlight for me, so. That’s what I’m excited about.
Corinne: John, that was, that was such a good answer, and I just, I just wanna “yes, and -” that. It, I so completely agree with you. There’ve been times in the companion arcs where even, knowing exactly what’s going to happen, we work on the game, with some of these decisions, I, I’ve had to set down the controller, let out a heavy sigh and go “oh my god, what am I gonna do here?” Yeah, the depth of them is wonderful. And, I do wanna say, I, I’d be, I wanna put this out there, when we talked about as a developer, what are we most proud of, can we just give a big shout-out to the dev team? I am so proud of them. This team has poured their heart and soul into this.
John: Absolutely.
Corinne: Anyone from BioWare who’s listening in, thank you so much, y’all are just the best.
John: Hear, hear.
Katey: I absolutely love that. I knew that question was going to have some of my best, some of my favorite answers, and it delivered, so thank you three. This one’s a fun one. Why does Varric have dark hair now? I feel like John mentioned this a little bit earlier, but.
John: Just for [inaudible].
Matt: He’s been, he’s been adventuring for a while now. His hair is, is more gray, but he’s been in very dark scenes so far, so. We’ll see him in some more contexts.
Katey: In this question, we actually took from Tumblr, because there were a few really good ones in our ask box. Will the Inquisitor be appearing in the flesh, or are we just choosing their major Dragon Age: Inquisition decisions?
Corinne: Alright! Yeah, yes! They will. The Inky does appear. We know how attached y’all are to the Inquisitor, I’ve seen the love for your OC. Yes, the Inquisitor shows up. Now, we, we’d already confirmed that in a few places, so, let me just say, you can also customize them, includes some of our new customization options, yeah, they’re gonna show up and they’re gonna be your Inquisitor.
John: And I think, I think beyond that, I mean, the story of Solas and the story of the Inquisitor, obviously are tied, they’re tied together as much as any story, so. It would have been strange for us not to bring them in for this one. They have, they’re gonna be a part of the story, so.
Katey: Will there be any planned DLC? Just curious, as I always love the DLCs. Oh, and transmog armor. This one came from Lavell.
Corinne: Oh, heck yeah, good question. So, right now, our focus is entirely on the quality of the game. Like, it’s so important at this stage for us to be all-in, all attention on, just, finishing this game and delivering on the quality, the promise of it. So honestly, like, that’s all I can really say about it. We’re 100% focused on this being the most complete game we can make it. I will say, kind’ve related to that though, and I just wanna underscore this, I wanna emphasize it. There’s not gonna be any microtransactions, there’s not gonna be any battle passes, you don’t have to connect online, our focus is making this the most complete singleplayer game we possibly can. Now, this was kind’ve a two-for question, I love when we do that. Will there be transmog? Hell yeah. I’m the kind’ve player that, that believes fashion is the real end-game. Yeah, there’s a transmog system, absolutely, it’s sick.
Katey: And then this next question is from Scott. I was asking if any of the characters will be explicitly asexual, or on the ace spectrum?
Corinne: So good. Such a good question. So, look, I’m just, I’m gonna be really forthcoming with y’all and a little bit vulnerable here. I’m ace, I’m a gray-ace, I don’t mind sharing that, I’m kind’ve public with it. I will say though, that none of our companions this time around are explicitly ace. When we look at the characters, their motivations, who they are, we always assess, like is, is this the right time? This time it wasn’t. But what I will say for everyone on the ace spectrum out there, I would love to represent an ace relationship sometime in the future when it feels like the most authentic fit for a companion, when we can do it best. Oh, and I do see some questions, you know, some questions, what do we mean by ace? Asexuality. We often refer to it as the ace spectrum.
Katey: Can mage Rook do blood magic? Will blood magic be a skill tree separate from regular magic?
Corinne: Okay. Um, this gets a little spoilery, so let me just say, Rook has some pretty good reasons to avoid blood magic. Rook is not gonna want to be interested in that. But I will say, the mage skill tree is packed with all kinds of spells, traits and perks to give you a ton of flexibility in your magic. Gonna go off-script just a little bit, because –
John: Oh no.
Corinne: I’ve seen, like, can you tell us about the specializations for mage? I’m not gonna tell you the deets, but there is a necromancer one, there is an elemental one, and there is one that’s actually more of like a combat mage, it’s my favorite.
Katey: Can we name the griffon? We also have a griffon emoji now in this Discord server.
John: Excellent. So, someone on your, in your party, again, spoilers, may have already named the griffon, but, don’t worry, Assan is a very good boy, so.
Corinne: All these griffon emojis are, y’all are killing me.
Katey: Yeah, I love that, griffons in the chat. Let's see. Will we have a camp/home/headquarters that we’ll be able to customize?
Matt: Well this time around, in Inquisition you had Skyhold. In this case you have a headquarters called the Lighthouse. More to be seen on that. But, it’s, it, narratively it, it serves kind’ve a different purpose but also the same purpose. As far as customization goes, there are elements of it that change over time, and some things that you can adjust. I, I don’t know how much we’re really going into that at the moment.
Katey: This one is –
Matt: But yeah, I would say, it’s like, there’s some, it, one thing I like about it is it definitely does start to feel very much like a home over time.
Katey: Sorry for almost cutting you off there Matt. We have another very hard-hitting question, if I'm, if I do say so myself.
John: I love this one.
Katey: We need to - Same. We need to know, does pasta and noodles exist in Thedas? Thank you.
Matt: Well, and I’ll take it as a chance just to geek out about worldbuilding, because, again, we’re, The Veilguard for us is a really kinda dream opportunity to go to places that we’ve only ever heard reference to, or we’ve seen hints at. And so, in going through the worldbuilding process and trying to, trying to build these places out, not just as neat things from the IP but also as, you know, if you’ve, if you've read about this stuff, if you’ve been following along, you’ve got your own version of it in your head. You’ve imagined what it might be like, you’re, and probably hoping for something spectacular. And our brains are always far better at creating this stuff than any game developer, any artist, or anyone can really do justice to, so you really have to swing for the fences to make something very satisfying and exciting. You know, is, that can be everything as big as architecture and landscape and biomes and ecosystems, but it does get into things like art and culture, costume design, and also food, and this time around we did, you know, that was one of the many things that we, that we did, looking to, just to try to catch the character and the feel of a place to make it feel believable and lived in, so. That’s my really long answer for, yeah, I’m sure, I've, at least one place does have pasta.
Katey: I loved that. This next question is from Spectre Karro. Are we getting a mabari?
John: Ooh, that’s a good question. I will say, you’re spending most of the game in the north of Thedas. Mabari are not nearly as big of a thing up there, so. In this particular instance, no, you will not get a mabari, sadly.
Katey: Honestly, I should’ve pulled this one up to where we answered the first question about the griffon, but, can we pet the griffon?
Matt: You, I’m really sorry to have to be the one to tell you – nah, I’m kidding, yes you can. But it’s not even just petting the griffon. I’ve, this isn’t a spoiler, I think you can actually, I’ve actually hugged the griffon, so, that feels like, even there, a step up. Yeah.
John: There’s lots of opportunities to interact with the griffon.
Corinne: Can we see, can we see Assan in chat if we wanna see him in the Lighthouse hanging out?
Katey: Assan in chat everybody.
Corinne: Assan in chat, alright!
Katey: I love it.
Corinne: Okay, y’all this was so important to the team too. Like, this is the team’s like, just such huge support for this feature, so props to them.
Katey: This one is from Coriander. Will we get to see any of the Character Creator before the game releases?
Corinne: Yes, yes you will. We’ve got a, you’ve probably seen, we’re laying out a roadmap for, you know, what we’re gonna show and when we’re gonna talk about, so, yes you will see it as we get a little bit closer to launch.
Katey: And then we’ve got this question which is, will we be able to play as a qunari, dwarf, elf, or human?
Corinne: Hell yeah, hell yeah you will. All four, and all four have that full-body customization. I already talked a little bit about, I mean listen, I’ve always loved the qunari. I will say in Dragon Age: Inquisition it was hard to get a good-looking qunari hairstyle, so yes you can play as them, you can customize them, the horn options are rad, the hair options are rad. And also, I guess related to this, your lineage gives you a lot of really unique dialogue options, so that’s a really lovely aspect of choosing your lineage as well.
John: Yeah, I would, so to actually just to bounce off that, to an earlier question about backgrounds, each lineage, there, depending on the lineage you choose and the background you choose there are some specifics call-outs to, for example, if it’s the Mourn Watch, the Mourn Watch being a faction from Nevarra of mages, you play as a dwarf, obviously your experience in that faction is going to be different than, say, a human or an elf, so. There are also specific call-outs tailored to those combinations and, with again, giving, the intention of giving each lineage their own little flavor as to how they're, they fit into that faction as a whole.
Katey: Okay, John, I’ve got a question from someone named Joe for you. Where is Barkspawn and is he okay?
John: That’s a Great question. Barkspawn is safely gnawing on a bone next to a fireplace somewhere in Ferelden, don’t worry, he’s fine. You may question, ask yourself, but John, it’s been so long, in which I say, mabari live exactly as long as they need to.
Corinne: Getting into the deep-cut questions now.
John: Deep-cut questions, yeah.
Katey: Yeah. We are really speedin’ through these. Let’s see. Will Rook have a set of default name?
John: Yeah so, Rook’s last name is defined based on their faction, again, we wanted to tie that into your backstory, but also, there’s a, that’s a name generator that can give you a selection of first names. Obviously if you want to make your own first name, that’s definitely something we support as well. If you’re somebody who maybe has a little bit more difficulty coming up with a name, so for example you name every single character “Bob” because that’s the only name you can think of, we also give that opportunity for that generation, so.
Katey: I definitely always have trouble coming up with what I wanna name my characters, so that’s great. This next question is, when will the voice acting cast be announced?
John: So, we worked with a lot of very talented actors on this one. I am super excited to talk about the voice acting cast. We’ll be talking a bit more over the summer, we’re not quite ready to announce names yet.
Katey: And I think we have a similar answer to this next question, which was, will there be a Collector’s Edition? When can I pre-order?
John: Yeah, same answer, we have, we’ll talk more about the different editions of the game soon.
Katey: Are there any special musical guests writing the sound-track? Will tavern songs return.
Corinne: Oh my goodness, yeah. There are tavern songs. And huge credit to the audio team and performance teams because they’re pretty great. There’s one in a little tavern in Minrathous called The Swan, and the song you hear there might just, it might be, it’s up there, it might just be my favorite of the tavern songs.
Katey: Let’s see, are there any – ope, I have just asked that one. What are the required PC specs?
John: Much like the other two, we will have more information on required PC specs soon.
Katey: Saph from the Discord server noticed that two, Dragon Age II’s main theme from the soundtrack brought back much of the iconic thematic material of Origins’ main theme, but I heard less of it in Inquisition’s. Can we expect The Veilguard’s main theme to recall more or less of that original thematic material than Inquisition?
John: So we’re not, we’re not quite ready to talk about music yet in specifics, but in broad strokes I can say the process for us is always the same. Working with the composer, working, figuring out themes, figuring out what kinds of elements we want to keep, tying specific elements to, maybe specific characters. It’s a really in-depth process and a really collaborative process. We have some fantastic audio people on our team that have done an amazing work, amazing job, working with composers, and, with the team as a whole to make sure that, again, we said earlier about cohesiveness. Making sure that the music feels like a cohesive part of the experience.
Katey: And this one, I see is also for John, but I think anyone can answer this. When writing the overall story of this game, what themes did you want to have as the prominent focus?
John: I mean again, it’s interesting, so it’s interesting, because when we were writing these games, and this has been true on every Dragon Age I’ve been part of, what you start with and where you end up aren’t always necessarily the same. Sometimes you start writing out a theme, you realize actually it’s more interesting if we attack from this angle, or maybe if we twist it a little bit. I will say for Dragon Age: The Veilguard, from the beginning one of the biggest themes has been regret. How regret’s shaped peoples’ lives, how people deal with their regrets, how people maybe move past their regrets and, each of the characters, you know, the stories as a whole, have elements of this tied throughout. We really wanted to have that thematic, that cohesiveness to the game’s story and the game’s writing so.
Katey: And I know that, you know, we’ve, we've kind’ve already answered this a few times, but can we play as dwarves and does the world react to your race and backstory? Probably be good to just directly answer that one.
John: Yes you can play as a dwarf. Yes the world does react to your race and backstory. And, again, you’ll have unique dialogues or unique conversation options based on that, on that backstory and as well as that race.
Corinne: I’ll give you a little nugget here, because I saw it scrolling through real quickly. Do you have beards, like. So when I think about can I play as dwarves I think about, do we have glorious fantastic beards? Hell yeah, we do.
John: Yeah, I can say, as somebody who plays a lot of games with character creator, the beards on, I don’t know what magic the character art team did for the beards, but they feel like a beard should feel like, it’s great. They look awesome.
Corinne: Just saw somebody say “it’s beard time”, I love it. It’s beard time!
Katey: Will our heroes and companions leave us if we go against their wishes?
Corinne: Oh my good – do y’all just love pain? Do you want us to make you cry? If you go against their wishes, if you make decisions they don’t like, I will tell you, you can piss them off, you can, they might not agree with you and they, they will take some time away. That said, this is the biggest threat to Thedas we’ve ever seen, so they’re, they are always gonna be willing to show up to defend Thedas but, yeah, you can piss them off and they’ll leave for a minute. As it relates to them showing up to defend Thedas, well yeah, they will, unless…
John: No spoilers Corinne!
Corinne: Aughhh, I’ll leave it there, I’ll leave it there.
John: No spoilers.
Corinne: Okay, alright, alright. But they want it!
John: Yep.
Matt: Don’t try to stop me, Smee!
Katey: This one’s a fun one about some inspirations for the game. Dracanmo would like to know if any songs, books, movies or anything have had inspired any of the writing for the characters?
John: I mean, honestly, the thing about art is, art is always a synthesis of your own experiences both in the real world but also the art you consume, the art you pay attention to. I don’t think that any characters have what I would describe as, this character was a direct reference or direct inspiration but, I mean, yeah, they’re all inspired by the things that we do, the things, both, again, in the real world, and also in the media we consume. And you’re gonna see elements of characters that, yeah, the things that we’ve enjoyed, the things that’ve shaped us, show up in these characters. I think, for me, it’s, it comes down to, and I, I, writing is a deeply, can be a deeply personal experience, so even if you don’t intend for it to be the case, things, parts of you are going to show up in your character, I think that’s true for all the characters in The Veilguard. And, you know, sometimes it’s, exploring, exploring the, y’know, things that, about yourself that you may like or may not like, and it’s also about exploring things about characters that you like or don’t like, so. That’s kinda my long-winded way of saying yes, it’s impossible to not have that happen when you’re creating art. But I wouldn’t say that there’s one where you can say, oh this is this character, this is this character.
Katey: What was the thinking process behind making Harding a companion this time around? Was she always going to be one or did it evolve into one because she was such a lovable character?
John: Ohh, yeah. So Harding, I mean. When we released Inquisition, it was impossible not to see the love that people had for our murderous girl next door dwarf. She’s always been a fan favorite obviously, but I think beyond that, it’s something that there, that Harding’s writer wanted to explore. There was more of a story to tell there, more perspective, and beyond that, Harding obviously has a strong connection to Solas, and to the, to Varric, and to the events of the past ten years, so. I wouldn’t say it’s always been, but I’d say Harding’s probably one of the first ones we settled on as like, yes, this is a character we want and the writer had a story that they wanted to tell with her, so, it just made sense.
Matt: You know, I think actually, to piggyback on that, that’s something I hadn’t really even thought about that much, but, and it’s not a huge part of her character, but, she tends to be one of the people that have the most insight into he was.
John: Yeah, that’s exactly it, that’s exactly, and yeah, that’s a great way of looking at it too. It also provides you with a little bit of that, that perspective. For players who’ve been around, you know, who played with previous Dragon Age games, but also for new ones, who was Solas? What kind of character was, was he?
Matt: Yeah.
John: Yeah, it’s a great, it’s a great, using characters to provide windows onto the world is honestly one of my favorite things.
Matt: And, and when I say was, I just mean, in Inquisition.
John: Yes, that’s, that’s exactly it, yes. Thank you for correcting that.
Matt: Yeah.
Katey: And what approach are you taking to quest and world design in The Veilguard?
John: I think for us it just comes down to relevance and narrative heft. We want to make sure that each quest provides either a perspective on the world or perspective on the characters, or feels immediately and obviously relevant to what you’re, what you’re doing here. You’re here to save the world and, again, at the end of the day, one of the things that we heard, we heard loud and clear, was some feedback about how relevant, or in this, in our case, not relevant, previous quests have felt, so for Veilguard, we really wanted to make sure that these quests felt like something that you, somebody faced with the end of the world would believe was necessary and important. So, again, there’s quests of all sorts and sizes, but all of them share that same feeling of, this is the kind of thing that The Veilguard would do. This is the kind’ve thing that my hero would do, especially faced with the end of the world.
Corinne: Yeah, that’s, that’s really good John. That’s so right. I would just, again, double-down on how hand-crafted all the quests are, and whether, whether you’re doing, like, the main story, or you’re journeying with your companions, or you’re out exploring and you encounter a mystery. Everything’s handcrafted, intentional. We spent a lot of time listening to what y’all said, and of course everyone has slightly different tastes, but, you know, you’re not gonna be gathering shards in the Hinterlands. Everything is built with intention, and, you know, a dev there lovingly handcrafting the experience.
Katey: Are there any locations in the game that can only be accessed by making specific story choices?
John: So I don’t wanna get too much into spoilers here because this does start getting into spoiler detail, but I will say that locations can fundamentally change based on decisions you make. Some of the parts of the world that you go to, you can have, the decision, the choices you make have an impact on how these spaces exist and develop, so, yeah, and again, don’t wanna too many into, into story spoilers, but, your decisions do impact how the world shows up.
Katey: And will we be able to control our companions in combat through tactical mode, or if the PC, or player character, gets KO’d, like in previous games?
Corinne: Right, so. If Rook gets KO’d, your player character gets knocked out, this time around it is time to re-load your save, or better yet, the companions have really interesting progression, you can spec them out to be able to revive you, but that’s, that’s if you’ve invested in their own progression and what they can do. And that said, I, I mentioned this earlier but I, I personally spend more time in the nature of this combat system when everything comes together, interacting and directing the companions than I have in any of the other games, so, like, like that, that interactivity between them, once you play it you’ll see how, just engaged the team is.
Katey: A user named It’s Sarah said, my real most important Dragon Age question is, will Solas still occasionally or dramatically speak in iambic pentameter?
John: You know, I was, I actually spent a little bit of time trying to figure out if I wanted to answer this question in iambic pentameter and then I very quickly gave up. Massive kudos to Patrick who, who always writes Solas so well. Again, Solas is a returning character, it’s the same Solas you know and love, or hate, depending on who you are. Same writer, so, I think, this has been, the answer is, well of, yeah, it’s Solas.
Katey: Will our decision of who in particular was left behind in the Fade be important?
John: So, while that decision does not show up, that – sorry, let me, restart. Not for The Veilguard. That decision doesn’t show up here. Now, that said, that doesn’t mean that’s that’s not a decision that will ever be important in the future, so. Again, not for this one, though.
Matt: I’m glad to hear you say that, John, because one of my favorite stories was Bob getting stuck in the web in reboot and it just feels like -
John: That’s a, that’s a deep cut!
Corinne: Very, that’s a deep cut.
John: Holy smokes.
Corinne: My goodness.
John: The sound of my childhood.
Katey: Will we have mounts again? If so, any hints to what types we’ll have?
Matt: So no, no, mounts, excuse me. Mounts were, they were, they addressed a need in Inquisition that we don’t have in Veilguard, and you’ll see why, when you get to play.
Katey: LightningStar asks, how is the side quest design? Will they be mostly story-based, or will there be a lot of radiant quests or resources or Power, like in Inquisition?
John: We talked about it a little bit earlier, but, no, they are all hand-crafted and story-focused. Again, narrative, the companions, not just the companions but the characters in the world as a whole are so much at the core of The Veilguard that, anything other than hand-crafted quests just felt like it would be a disservice to the game we were building.
Corinne: Yeah. And maybe, we can clarify as well, because, like Power was such a divisive mechanic in Inquisition. There’s no mechanic like that that blocks your progression until you fill a bar, right, like that’s just not a thing in this. You have the autonomy to engage in these, these quests as you like. There’s no, like, y'know, grind-out gates before you can progress.
John: That’s right, yeah. Again, we wanna make sure that, again, that doing this content feels as natural and part of the logical flow of the story as possible.
Katey: So, it looks like we only have time for three more questions, so I’m going to get through those. With this next one, is from someone named Jason. Will there be a similar system to the War Table missions?
Corinne: Ooh, interesting. So, we haven’t talked much about the player’s base, the Lighthouse. And we’re gonna save that for a beat, but what I will say is that the Lighthouse, your headquarters so to speak, it has its own unique purposes and functions this time. So that’s an area that we’ll, we’ll leave for you when we talk more about the Lighthouse, and then when you have a chance to hop in, you’ll be able to see what those unique purposes and functions are.
Katey: If there is dual-wield for warriors, will it rely on dexterity or strength?
Corinne: Ah, okay, yeah, yeah. So we did wanna bring dual-wielding back. It is part of the rogue kit this time. So warriors are really focused on mighty two-handed weapons, can’t wait til you see, when you swing and connect with those weapons, there’s, there’s a real heft to it. And then of course sword and shield, so. We’re leaving the dual-wielding to the rogues, but you, you can see just, the amount of hits you can get in in rapid succession dual-wielding as a rogue is really satisfying.
Katey: And the last question that we’re able to get to today, is, what have been some of the challenges and advantages of working on a single, on a single game for so many years? How did you sustain the work in yourselves and the process?
John: That is a fantastic question. I will say for myself, I’ve often joked, and I don’t know how much of a joke it actually is, that when this game is out and I suddenly don’t have to keep all these pieces of game and lore and story and everything straight in my head, I’m suddenly gonna be able to speak Latin or something because there’s gonna be a ton of brainpower freed up. But for me it’s just, you know, it's, the thing that keeps me sustained is just knowing the game that we’re building is the right one. Knowing that the beats are coming together, and knowing just how much people care about this franchise, care about these games, and how excited people are going to be when they get to see the fantastic work that the team has, has been doing. And that really is, I can say, I’ve been on this project since the start, and even today, I see things on a daily basis, I’m like holy – smokes, sorry, I almost swore, I can’t believe what the team is doing, I can’t believe the, how good this looks, I can’t believe. Because it’s a huge game. There’s pieces that I, I don’t see every piece of the game every day so, I get pleasantly surprised on a daily basis and that, I will say, you know, confession, sometimes if I’m having a particularly long day, I’ll spend about an hour late at night just watching cutscenes coming in, watching the work coming together and just, sitting back and being like, holy smokes, I cannot wait for someone who hasn’t seen this every day for so long as I have to experience this and just be blown away by the work, so.
Corinne: It's, it’s been very real, hasn’t it? And, and I will just say, speaking on behalf of the dev team, everyone’s working so hard, they’re putting so much passion, so much of themselves into it. Like this is a franchise they truly love, and seeing your support, cheering us on, it’s just meant a lot to them, so, let me just say thank you to all of you.
Katey: And I wanna say thank you to you three for taking the time to do this. I know that it matters a lot to the community to be able to, you know, get some time with you guys and, you know, make sure that some of their dying questions are, are answered, so thank you so much for taking the time out of your day to do this. For anyone who’s still listening I promise that I’m that I’m working on a way for these questions to be immortalized somewhere. Stay tuned for that so that you don’t have to worry about this, just, you know, disappearing into the ether. So, stay tuned, thank you all for your time. Anything else we wanna say before we jump off?
Matt: Thanks everyone.
John: Thank you. Yeah, I’m super excited to show more of this and, yeah, this is gonna be, hopefully this is the first of many of these opportunities to talk to you all directly. Again, it’s been a while, and getting to talk about this game has been absolutely exciting. I know for myself, as well for the rest of the team, so thank you all.
Corinne: Just thank you, it’s, the Dragon Age community, how much it means to you, how much it means to us, it’s just wonderful to see you all so invested and excited to come here and talk to us. Thank you again, truly.
Katey: We'll hopefully do something like this again soon. Okay, cool, have a great day everybody! Talk soon!
John: Bye y’all!
Matt: Bye.
[source: The dev BioWare Discord Q&A on June 14th]
Update: If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here.
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socialkid · 3 months ago
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Imagine…
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You’re a well known actress, and your name is pretty big. Like Zendaya big. And your fiancé Katsuki Bakugou is your pro hero boyfriend. Perfect couple right? No literally you are. He goes with you to all your interviews, tapes all of your auditions, and manages to get on your set AT LEAST one time.
Well recently you got casted in a show about an zombie outbreak. You play a main yet supporting character named Halle, a 19 year old girl who is apparently the only survivor left of her family.
Lucky for you the producer highly respects your boyfriend, and he’s allowed to watch you on set whenever. He sits in a chair the directors provide for him every time you film.
He usually supports you and he’ll peak at you from his phone a couple times, but it’s nothing he’s never not seen before.
Now when Bakugou’s passing by his staff’s cubicles and work area in his angency, and he keeps hearing them discuss about ‘Dead of Night’ (your new show) he’s genuinely intrigued.
Apparently the show’s gon viral. And everyone is talking about it. “Yeah, you haven’t seen it yet? I swear you live under a rock.” pro hero Charge Bolt told him. I mean technically he has watched it, he watched you film it! But now that he realizes, he can’t even spell out the plot.
So one day when Bakugou finds the time, he plops down on your sofa and clicks on your series.
Safe to say he might be intrigued…
Now when he watches he’s locked in. Snacks and all, and if he blinks he’s rewinding. It’s all he watches, he’s so interested in the show and can be considered a piece of the show’s fandom.
Now when you’re filming the show, Katsuki shows up a whole lot less. When the directors yell cut and your eyes pan to his empty chair. Katsuki gives you every excuse under the sun as to why he didn’t show up a certain day. You figured maybe he just got bored watching you film and didn’t know how to tell you, so you shrugged it off. You had no clue he was heavily avoiding spoilers. You didn’t even know he watched your show.
So a couple years pass and your show gets renewed for it’s third season. Unfortunately this season, Halle meets her fate. You recorded your last scene for the show, episode 10. Not a dry eye from the media.
The day your character’s death airs is a tragic day for your fans. Especially Bakugou. Mid way through the show as he slurps his spicy ramen his jaw is floored when your character passes. Noodles immediately discarded back into the cup.
So when you get back home and your boyfriend is quietly laying down on the sofa, watching a corny kids cartoon, you’re lost. “Hey Kats.” You say hanging your coat on the rack as you entered. He only replied with a mumble, something along the lines of “hey how was filmineejdirk”. The room was dim, the shades were drawn, and your boyfriend showed no signs of getting up. Was he depressed or something?
You quietly sat down next to him, glancing at the colorful show in front of him. “Katssss…what’s wrong?” You finally asked. No response. Then he slowly shifted upwards, now sitting up to face you. “Halle died.” He responded. He actually looked fustrated.
You were actually shook, you weren’t even aware that your boyfriend was one of the shows viewers. It sort of made up for him not being at your interviews and filming days.
“I’m sorry baby, but I mean I’m still here.” You said, now opening your arms out to embrace him. He took the opportunity, and pulled you into his arms, leaning back onto the sofa once again.
“I know,” he muttered into your neck, tickling your skin, “Yer not Halle though.”
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cryptfile · 3 months ago
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✶ nuclear seasons, [ soldier boy x reader ]
summary — he was friend’s with your mom. friend is a understatement cause when he appears in the middle of the night looking for revenge in your little apartment in the suburbs, you know he’s far from being nice.
warnings — +18 minors dni, smut, dead dove do not eat, we have a last name (also a mother!), kind of porn without plot? but not really cause it HAS one okay, we call it 50/50, fem!reader using she/her pronouns, p in v, masturbation ( m! receiving but blink and you miss it), dirty talk, age gap, choking, degradation, spitting (i'm sorry), fingering, mentions of injury, cancer (not you tho), tons of tension.
side notes — i’m never experiencing the post ovulation clarity lmao, that being said english is not my first language so sorry for any mistakes, also i’m a whore for jensen ackles, and i stand for what i like proudly. // 5k+
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Nightshade is a hero.
You're proud of your mother since you were pretty young. The hero that fought against Vought to death during the time Payback was active, America’s Troublemaker that you only knew as Stella Nightshade, a blonde woman that talked with the death during her golden years.
Maybe it’s your mother the one that pushed you to fight crime, to pursue the bad guys and look out for the victims that can’t stand for themselves, so even when you don’t inherit much from Stella’s gifts, you joined the CIA as soon as you can so you can do something that matters.
You’re the best in your class, work your ass off to be taken serious, to be more than the look of disappointment you receive when people ask, once again, if you have any powers like your mother and you have to admit — In pure shame, that you didn’t born as a superhero but a baby who cried loudly when is too hungry.
But as years pass you make a name for yourself, one that even if differs from Stella’s job has the same noble reasons behind. You also realize you were too naive growing up, believing in heroes that don’t deserve to be called that way.
The country has made a mistake on making superhumans so openly, and it’s clear that got out of control now, backfiring as they got so much power it’s almost impossible to take accountant of any of them.
You’ve worked along Grace Mallory from the shadows, and even when Stella would not be so proud of you for helping get his kind out of the streets, the justice is enough to feed you and keep you warm on a cold night.
You like it that way. You know Grace has a team for it, a legal army of supe-haters as you called them, yet, you prefer to stay in the dark, not let your personal life get involved cause one slip and you can lose it all— Even when you don’t have nothing at all. You like to have an outside life from work, it’s the sane thing to have, so when the CIA Deputy Director asks you about joining the infamous Boys, you politely decline assuring the woman you’ve been more helpful from the outside.
What would Stella Nightshade would say? Now that you’ve grown older and you don’t look at her the same way you used to when you encounter her files and read about your mother. You know she has done wrong, yet with the years, you don't imagine Soldier Boy himself was going to seek for revenge first thing he does when he wakes up, his plan including your mother even when she was long time dead before he even appeared in the picture.
That night especially you let your guard down. It's been a rough couple of weeks back in work, so when the night comes you're a victim of the stress, victim of your bosses and the people that surrounded you. You pour a glass of wine for yourself, light a cigarette even when you haven't smoked in years, and turn on the TV to see something else rather than the face of Homelander in every single channel you've been tuning lately.
It's a weapon. When you leave for a warm shower and start filling the bathtub, you're not aware of what that night was really going to be for you. Oblivious as you stand naked in the middle of the bathroom, holding the glass of wine between your fingers before entering the warm current that relaxed your muscles.
It seems tension is your worst enemy, makes your muscles feel like stone as you got in the water, the cigarette that hangs from your dry lips splashing with tiny droplets of perfumed water as the silence filled the air. It's what you needed, at least ten minutes with your brain shutting off completely, the pleasure you haven't experienced in forever by being so compromised with work.
It's a much-needed break. The smoke that leaves the room by the almost-closed window, the taste of wine still lingering in your lips as you sip another taste of the crimson liquor you love. You don't happen to notice when he's breaking in your apartment, silent and deadly as you were protected by a door closed and a white curtain.
You don't happen to hear him too. The music coming our from your phone is loud enough to silence the knocks on your door at first before breaking the wood, you're too deep in the still water that smelled like roses and vanilla, to even pay attention to what was going on outside the warmth of the four walls that surrounded you.
There's vapor coming out of the water and you find comfort in closing your eyes, in letting the blow of the smoke travel through your throat before suspending itself in the air, flowing as you drank.
In your defense, you haven't been like that in ages.
It's been a long time since you last fill the tub and have a relaxing session with yourself, so it makes sense you are enjoying it a little bit too much, too much cause when the invader is making a lot of noise when stepping into your property, you still enjoy the taste of the alcohol on your lips.
The ashes fall to the ceramic floor outside the tub and you should blame the CIA to make you so tense to the point it leads you to more problems than you ever had. In the dark room of your apartment, it's Soldier Boy the one who's going through any drawer he comes across, the ones closed, the ones hidden, any slit he can find, any clue that can trace your mother back to his personal vendetta.
He's oblivious to Stella's death and her daughter, so when the former superhero hears the noise in the bathroom he's fully convinced it's your mother the one who's behind that door, that she's the one who's going to tell him the truth, if she also sold him to the russians as well in the process.
He's decided also on killing her. She must need it after all that time getting older, closer to death more than ever.
Of course it's an unpleasant surprise when you can see the bathroom door opening when you're sure you left the front door closed and lock with at least two bolts to prevent anyone from getting inside, it makes you jump in the spot, quickly covering yourself from the new stranger that enters your bathroom.
"Stella?" he asks, it's the last room that the hero needs to check for himself.
You spot the green fabric of his suit immediately as you pressed your chest against the cold surface of the tub, and when the invader notices you're naked, he doesn't look away as any person with a hint of respect would do, but instead, continue on checking you out as you try to cover yourself in the water tinted in a nonexistent transparent color red.
You can feel his gaze as soon as you recognize him too, as you happen to notice that face from your mother's pictures, the propaganda in the TV when he did almost every commercial back when you were a kid. It's a shock, and dressed in his damn suit, you don't know why an old superhero is there standing beneath the yellowish bulbs of the light your bathroom happens to have.
Your cheeks adopt this pink color as you panic, grabbing the cup of wine to throw the liquid in the floor, breaking it against the marble walls just to shatter the glass in pieces, a weapon of defense as you lifted up against him.
"You're not Stella."
Soldier Boy looks amused: it's funny that you think you'd be able to kill him with shattered glass, yet he lets you keep thinking that way when he's enjoying the view.
Is he to blame? He just got out from this giant cooking oven back with the communists and he hasn't got his way with a lady since what seems are centuries, so when he spots you in the tub he simply cannot contain himself from peaking around. You should be in what? Not more than your 20's? Soft-looking skin that asked to be marked with his hands, by the force of his lips crashing in your flesh.
The thought is compelling, you're looking all feisty with the glass in your hand, threatening him and speaking something Soldier Boy cannot catch at first — Shit, he doesn't even notice the blood in your hand that's dripping all over your small rug in the floor, the power women like yourself seemed to have now and weirdly enough, a huge turn on.
"Get the fuck out!" you scream in an authority voice, the same you use back at work when you're mad, when you're usually holding a gun in defense more than a piece of broken glass "Stella is not fucking here!"
It takes a few more words to actually get him out of there, and as he closes the door behind him you finally stand to grab a towel covering from the currents of wind, trying, really hard, to think about anything else more that the fact that Soldier Boy has entered your house and your bathroom in the worst moment, far from what you were last updated with.
To be honest, it almost gave you a heart attack, leaving the bathroom to find your home torn apart, the drawers open and all the papers you've meticulously kept in place being all over the place as Ben stands awkwardly holding a shield in the middle of your living room.
"Fucking hell" you're cursing under your breath as you gathered some important things you cannot leave on the floor even when you're still wet from the shower, expelling this nice aroma that mixed the roses and the vanilla together with your personal scent — Weirdly enough, a fucking show to the hero that's already rock-hard from the peak he had of you from before.
You don't really notice it at first, too busy being mad as you let the papers you gathered on top of the table. You lose the shame you got left as the wet drops of the shower leave a trace in the floor — And as usual, you clearly don't notice it, but Ben does when the water is running down your back, and you're barking something about calling someone called Grace, holding onto a white tower with your dear life.
"Where is Stella Nightshade, sweetheart?" he speaks out loud cause he don't understand anything you say, really fighting to be nice with you like it would give him an opportunity to get under your skin.
"My mother's dead," you stand there without knowing what to say after. You know he and your mother were close, but you don't imagine he was going to actually go find her teammate when he recently woke up in a different country. "She died years ago dude, i'm sorry."
The information gathers in his head as you take a clean oversized shirt from the laundry basket covering with it as you throw the towel to the floor, Red Hot Chili Peppers it says, but he thinks it's a place in Italy more than a band like he isn't troubled already by the fact you were Stella's daughter, the person who thought was her only friend back in the time now dead.
"Does anyone know you're here?" your mind is drifting back to work again as you wondered if anyone knew he was going to break into your apartment and choose not to send any help — "Ben."
You've read his file. Hell, to be honest you've read every single file in Payback, so it's no surprise you know his name, but to the hero, it seems to be amusing when you call him by his real name, his mind fueled in a different direction as he notices you're not wearing any underwear beneath the shirt you're choosing to wear, one whose fabric's barely covering your tights.
"What do you mean dead?" he asks, furrowing his brows "It's not been so long."
"She got cancer three years ago" you explain with a sad tone, even when you disagree with Stella, it pains you to remember what sickness made out of her, consuming her from the inside at a cruel pace.
"Motherfucker," he states clearly angry, and you cannot help but look at him with a weird face, searching for the phone you left in the sofa to call any-fucking-body in the office that could send a damn army to get you: Didn't the Boys have everything under control? That's what you're told anyway, then why the fuck is the subject of matter cursing in your little messy apartment? — "Bitch just got away with it before I could do anything, isn't it? What a fucking shame."
"Pardon me?" it catches you by surprise at first, but it hits you soon after. Soldier Boy is not there to say hello to your mother or ask for her help, but instead, he's there to get revenge and actually kill Stella by his own matters.
Fuck. Of course is something new, something that makes you feel cold all sudden, your wet hair making you visible shake as you became aware of his plans.
"You know them. You know the people from the lab" it's more of a fact than a question, letting the words feel salty in his own mouth. "The ones that let me get away."
He's quickly to gather the pieces too, not as dumb as you think he is as the puzzle is finally coming up together in his head, and it's all it takes for him to take a step closer to you, cutting that space you've created since you kicked him out of the bathroom — He's angry now.
The red globe on his hand is now holding you by the throat, applying enough pressure to cut the air flow going to your lungs almost completely, his fingertips warm against your bare skin as he holds you in front of his figure, pushing you against the cold wall.
You usually would enjoy such activities, yet in the context you are trapped in right now, you began to choke, your own hands trying to push his grip back even when he’s too strong, not even flinching when you’re squirming, gasping for some air as your face became red, tears gathering in your eyes as he let you breathe for a couple of seconds when he senses you’re too close to black out.
“Talk little Nightshade” he says in a low voice. “Or else i’m breaking your pretty neck.”
“I work for the CIA!” You explain quickly as your breathing became more labored by the seconds. “Not for the people who let you out! I promise!”
He’s going to kill you. You can see the determination in his eyes, that predator look he happens to have.
What you don’t know, somehow, is that he’s going fucking insane. Your smell coming up to his nose to make him shiver, the sight of you in an oversized shirt that barely covers your shape is more than enough to push his buttons, to make him forgot about any killing he was allegedly so concentrated in fulfill, the sight of you almost crying messing with his brain.
Little Nightshade is a fucking tease.
His eyes follow your expression, the hand that gripped your neck and choke you harshly now pressing enough to only suppress the air flow in a more enjoyable way, the tension quickly shifting from dying to pleasure all over again as he kept you in place so easily.
It’s impossible to move, to do anything more than be pressed against a cold wall. Your mother has once again lied to you and you notice the relationship she painted with Soldier Boy was more of a movie in her head than reality itself. Makes you gulp in response when you stare at his expression, the face of a trained killer as you knew, fucking knew, a bit more of force in your neck and it would snap without any difficulty.
“I don’t work with them” you assure once again, maybe it’s your survivor skills hitting when you repeat it in a low voice, catching on your breath when he lets go allowing you to fill your lungs with air just enough before pressing that very spot again, the one that actually turns you on. “Fuck’s sake.”
Is that how you end? On your lame apartment?
The next is a weird thing, cause in the blink of an eye he’s close to your face planting his own body next to yours and you’re shivering at the feeling, his armor pressed against your chest as he left the shield he was holding on the floor.
The metal is pressed against your skin covered by the thin cotton of Red Hot Chili Peppers shirt, and he is so close, so close you froze there, no longer fighting his tight grip but mesmerized by his damn face, the same you watched on TV when you were a kid, the handsome man you happen to severely crush on in secret, just because you don’t want Stella to know or she will give you a long talk about how he is her age.
But he is, handsome as fuck, and now being so close to his face you can say it with all confidence. His beard is shaved perfectly and he smells incredibly good even for someone who has spent time locked away without any kind of hygiene, his green suit protecting him from the cold air that was getting through the opened window.
“Who are you?” he asks, scanning your face with a curious look as he wanted to know what expression you would have when you know why he's there in the first place — “What do you know about Stella Nightshade, your mother, selling me out?”
Fuck. So that's why he's there. You know she did it. And it's impossible for you to lie when he's making you so nervous, away from any weapon, any form of defense as you left the glass in the bathroom sink when you notice large gash on your hand, and your silence makes nothing more than leave him fuming. If he was angry before, he now reaches a higher level as his grip turns more violent now that he knows you know what he meant, why he's there claiming to talk with your death mother out of nothing.
"Call her then. Use your powers" he demands dryly, and you're shaking at this point cause it's more shame added to the long pile, the bathroom already being a humiliation by itself. "Fucking call her."
You squirm beneath his grabbing, when he's pushing you harder against the concrete wall and you can just feel him from under the suit, hard cock pressing against your belly, green in your vision as he towers over you. He knows what he's doing, and even when you try to be disgusted by it, you find yourself enjoying his closeness, how he's pinning you with no effort at all, hands on your throat while he demanded an answer.
"I can't call her" you admit in a low voice, cheeks now red as the embarrassment crept upon your face — "I don't have my mother's power."
Soldier Boy seems to not believe you for a mere second, after that you can feel the blade of the knife pressing against your skin, a threat that now becomes more real as you can feel the cold metal stomach. One swift movement and you'd be stabbed without a second thought.
It's sick how much you enjoy it when you are squirming against him, goosebumps in the zone he threats to destroy.
A force pull his lips upwards in a smile, unable to pay attention to nothing else but the sound you made without even realizing it. "You like that, huh little Nightshade?"
It seems to be a joke for him, bitting your inner cheek to prevent you from saying something stupid, from letting out a moan in response to all the sudden desire.
Despite all conditions you stay silent, holding his gaze like it's a game you're not going to lose. He didn't respond either, trapped in a second that seemed longer than the usual when time stopped around you, eyes looking like he can surpass the old fabric of the white shirt you choose to wear.
It's the tension what makes you mad. You're so into getting people like him, that your ego is bruised now that you notice you are actually attracted to all of that, to the way he's pressing you against the concrete, how all falls into place when he's pushing himself against you, invading any private space you could require.
He's kissing you soon after. Ben crumbles against the tension as the hand on your throat demands a kiss now, pulling you closer to his face without any warning nor concern as he crash his lips against yours in a rough kiss. You try to push him away in response even when you don't want to; see, it's hard to even admit you have interest in Soldier Boy in any other way more than the professional, but when he's bitting your lower lip you're letting your defense down: When is the last time you've been kissed like that?
You remind yourself you're tired from work, that the CIA has done nothing for you more than fuck your over and over even to this point, losing sight of one of the most important heroes of the word, and it's making you encourage to let go just for a mere hour.
"Lookin' so good takin' a bath" he says, and the sound of his deep voice is enough to send an electric wave through your spine, like he’s talking to himself as the hand on your hip is now tracing the curves of your body, taunting you from over the shirt he now learns to love. His beard is now scraping against your skin and you can feel his lips going down, tracing an invisible path to the crook of your neck as his hand is no longer choking you.
Jesus. Was that even happening or was that your imagination? Did you feel asleep on the bathtub? Maybe it’s a reflection as you are close to drowning, your brain doing that happy thoughts shit. You’re tilting your head to the side just to give him more space to work with and you’re just letting it be, enjoying how he’s sucking and nibling on your skin to leave a red mark behind, all teeth and no fucking control as he uses a good amount of force to make you moan in the process, the pain enough to remember who’s really on charge.
Ben forgets about asking any more questions, he’s too busy when his hand are taking decisions by themselves as they slide under your shirt, body still cold from the bath you just took, water still drying in your flesh when he’s like he usually is — An invader.
His hands are big and they’re capable of holding your whole tummy as he caress the soft skin that seems to expel a warm sensation, how it leaves goosebumps in any place he touches. You remember you’re basically at his mercy now that his hands roam with all liberty under your shirt, the look he gave you in the bathroom mistaken you for Stella, his eyes looking at any exposed skin he could look at.
“What the fuck,” you try to say under your breath, to keep on this facade you have of a composed person, one that won’t give in to be manhandled “What the fuck do you think you are you doing?”
“Well, i’m not seeing any complains” The blade cuts through the cotton leaving a large hole you know you won’t be able to sew after yet he’s right: There are no complains, nothing but eager that makes him go further as the seconds passed “In fact, can see that you’re pretty much enjoying it, Doll.”
You hate the nickname, that old man way of speaking when he’s squeezing one of your breasts with more force you can even handle, cursing at how easy it seems to be for him, how he wants to see you simply destroyed.
“You’re loving this isn’t?” he ask all sudden, studying you with his hazel eyes — “You love being a good whore f’me? My little Nightshade.”
He’s hard under the suit, covered in a green material you don’t know how to call as your hand searches for him, crave for him, convincing that it's what you must do as you trace the invisible lines his muscles made.
Soldier Boy’s messy, much like an animal when he’s groaning beneath your touch, his own body seeking for yours as your fingers grew bolder, demanding for a deeper contact — “Careful there sweetheart, i’m still fresh out of the oven. May be a little rusty."
You laugh at his words cause you know what he means, yet your hands work by themselves as you barely even touch him from over the suit, the hard feeling of his cock against your palm, hips buckling against your hand seconds after seeking for you, eyes shut for a couple of seconds.
“M’being careful” you say, catching yourself stealing a look at his reaction, taking your time on pleasuring him , gulping as he experiences the torture of your touch “Taking it slow for an old man.”
“Old man, huh? Now you're talking” He teases, and the sound of his laugh just fucks you up. Maybe it has to be with the fact he’s placing two fingers in front of your lips while looking at you, swollen pink lips he’s so fixated for a second, or it’s because he is, indeed, way older than you are — “Spit.”
It’s not a command, but it sounds like one as you’re unable to disobey, quickly spitting in his hand as you can visibly see the traces of saliva leaving a wet residue in your chin, one Ben looks at it for a good amount of time: How is something like saliva is so damn erotic? He doesn’t know it, but it’s enough to send him into a spiral.
He’s strong you think, cause he’s a superhero. He’s Soldier Boy by any meaning, so it’s not a big effort to hold you in his arms and lift you in the air as you let out a gasp of surprise, spanking your ass as one of his hands separates your legs for him, holding one up as you stand in the other.
“Relax, 'got you, doll” he says, your back against the wall as he kept a bruising grip in your hip, holding you in place so you don’t have to keep your balance — “Fuck you smell so damn good.”
The roses and vanilla aroma lingers on your skin as you finally understand what he's doing now, his hand close to your cunt as he taunts you, torturing you like you did so eagerly before, his personal pet as his digits get lost in your entrance now, your folds spilled with juice he can physically feel in his fingertips, your arousal's so nice against the palm of his hand he cannot help but kiss you, a feverish desire taking over his actions, the lewd sound his fingers made when he finally pushes his digits inside of you, velvety walls welcoming him as they seemed to squeeze him already — He has made such a good job on turning you on, it’s impossible to not react when he’s finally touching you, pumping into you in a constant pace.
“Jesus fucking Christ,” he says, the look on your face is enough to make his cock twitch in his pants in response, imagination running wild as he thinks about that very same feeling in a much deeper way, how you’d look now stretched out, crying just like you did when he choked you asking for information — “Such a nice cunt, so wet f’me.”
He's looking at you, holding the image in his mind forever: Pink pussy displayed for him, white t-shirt rising over your chest, lifting your leg over his arm as his muscles flexed by the force he's using to fuck you deliberately, your lips parted as you ask for more in between erratic moans as his fingers curved inside you so he can hit that nice place he can reach with no effort at all, that one spot thats makes you moan louder.
"Ah-fuck" you let out. Ben's all about touching you for what it seems an eternity, thumb grazing against your clit when he's plainly torturing you, testing how much patience you have left now that he has full control of you.
"Don't cum," he demands, your heartbeats are louder by the seconds as he lifts you slightly, lips attacking your neck before the words escape from his mouth "Need you to come undone in my cock first."
He's leaving marks, marks you don't remember how to hide but don't bother you at all, touching you as he pleases you, taking all the time in the world cause it seems like the night belongs to him — Getting started as you shake your head in an improvised yes.
Yes. The thought is pure electricity, the sudden need to please him as you shake your head once again.
“Please Ben,” you don’t recognize what you’ve become now. “Please let me cum in your cock.”
"Go on doll, put on a show f'me" the supe says with a grin you cannot resist. "Bend and show me that lovely ass."
It’s all it takes. His fingers are now away from you, but you’re now facing the wall as you obey, bending until your cheek is pressed against the concrete and you can hear how he’s now unzipping his pants, the green fabric of his suit now to the side.
You look at him from over your shoulder, bitting the your lower lip as you check him out, his slightly curved dick pointing upwards, precum already leaking out.
“Like what you’re seeing or what?”
“Yeah, but there’s no fucking way.”
You’re feeding on his ego now, but you can’t help it when his size is far from what you consider it’s common — “Common’ doll. You can hadle it.”
You gulp in response cause you know you’re more than eager to try, just the sight of his own hand holding his lenght as he strokes himself making you drool in response. Fuck. It transforms in a need now. When he positions himself beneath you and he’s spitting down to that very place where he’s pushing against your hole, saliva coating his cock before just letting the tip inside.
Lubricated, he pushes a bit more and it feels just damn right. Even when it begans to hurt as he’s thick enough to force himself inside you.
Benjamin knows you’re in pain so he waits a second before shoving his cock inside one more time. You need some time as he stretches you out, clenching your teeth while he works.
"You're doing it s'good" he praises, hand massaging your back as he prevents himself from fucking you at his liking, “Takin' me like a champ."
"God" you let out a sharp moan moments after, crying when you felt the pain more than anything else — "Can't-"
"No doll" he hums as he pulls slightly more. “You can do this” he forces himself in until he's finally balls deep inside your cunt, letting you adjust to his size as he can feel fucking everything. Your blood flow, your velvety walls that squeeze him unused to someone as big as he was, your face distorted in what seems an intense mix of pain and pure, devastating pleasure — "Atta girl."
Strikes like lighting.
Soldier Boy's bitting your shoulder-blade as he waits, waits for it to switch into pleasure, to become intoxicating to the point you cannot longer remember your own name.
"Please move," you ask sooner than he thinks, and when he moves, you can feel it in your belly, melting your fucking brain as he repeated the process again, burying his cock as deep as he could go without any previous warning — "Ah, just like that, please-"
"Do you like how my cock is stretching you out now?" Ben's voice is way deeper than what usually is as he laughs, grunting behind you as one of his hands reach a fistful of your hair, grabbing it with force to pull your head backwards "Good girl, keep huggin' my cock."
You're drunk on the feeling, on the vibrations his voice sends every time he's saying something dirty for you, when he laughs victim of the pleasure.
"Gonna' keep you as my personal slut," he thinks out loud, pushing you against the wall every time he fucks you, using his other hand to spread one of your ass cheeks to the side so he can hit it harder. "Use you as my fucking pet so I can cum on your pretty face whenever I want."
He's moaning, your body’s sweaty as he pulls your hair without caring, not concentrated on the pain it produces as his hips continue on collide against you.
"Would you like that, little Nightshade?" he asks then in a low voice, his thumb pressing against your asshole as he fucks you harder now that you're used to his size. "Could get used to this pretty cunt. Promise to keep my cock whore nice and full."
It doesn't take long. Soldier Boy's moans are now filling the room as his pace becomes faster, slurred words between his erratic breathing when the hand on your hair comes up to finally grab you by the neck, like he can read your mind cause it's exactly what you need to get there, to experience by first hand a set of crashing waves that were getting more and more intense on your stomach.
You're close to the edge. He can smell it in the air when the sound of your skin slapping against his is loud enough to be all you can hear, mixing with the lovely moans you produce when he’s pounding into you with no mercy, fingers pressing the side of your neck with enough force you’re running out of breathe.
It’s messy, violent and you love it, love how he’s ruining you all sudden, fucking you up from the inside, making your vision turning dizzy in response. You’re immersed in the haze he’s driven you into before admiting:
“God i’m so fucking close.”
“Cum on my cock,” it sounds like he’s begging you to do it, fingers finding their way to your swollen clit to move against the sensitive flesh “Come on doll, leave me full of you.”
He’s making you move now, hands now controlling your hips as you take him as his liking, mere seconds until you’re finally crumbling, violently shaking as you finally reach your peak. He keeps on fucking you through your high, long enough so he’s pulling out all of sudden, stroking his lenght over you as his cum finally lands on your back leaving you convered with his load.
Fucking hell.
When you’re coming down from your orgasm shame seems to hit you hard, however for Ben is not enough when he’s kneeling on the floor, eyes on the mess his cock made out of you.
“Wanna go again, little Nightshade?” he asks curiously, and the question makes you laugh in response, forgetting about formalities and the trouble it meant you were intimate with Soldier Boy out of all the supes in the world.
“Hm,” you seem to think about it for a second, his breathing close to your wet pussy as he’s still wearing his clothes in contrast of you being so exposed — “But you’re keeping the suit on.”
He don’t have any complains when he’s the one pressing his face against your wet folds.
Funny thing is now when you’re forced to join the Boys days after that very encounter — A bad joke when you’re now babysitting Soldier Boy himself.
“Been missing you s’much little Nightshade” he admits after a couple of minutes alone in the filthy motel “Thinking about how cute you are, how you felt taking my cock so nicely in your living room.”
“Fuck off, Ben.”
“We’ll be quick” he promises “That stupid assholes back there wont even notice.”
You seem to think about it for a second before lifting your middle finger in response — “I said fuck off, Ben.”
For now, it’s enough for him that you’re thinking about it.
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libraryraccoon · 1 year ago
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Yuu and reader but
But reader is forgettable.
Imagine Reader who arrived in Twisted Wonderland with Yuu, they got along very well together and with Grim, but Yuu and Grim end up abandoning Reader, creating their group of friends that we all know. Reader tries to approach them, become friends with them, but without success.
And then Reader finds himself alone, and everyone acts as if he doesn't exist. So much so that Reader questions his existence and becomes very quiet.
The ghosts realize this and spend time with Reader, and Reader considers them his only true friends. I'm pretty sure Reader would have tried to kill himself to become a ghost and join the ghosts gang but would have failed.
Reader would have stopped going to class, some teachers (Trein and Crewel) would have noticed and talked to him about it.
Reader walks around campus at all hours without anyone noticing him (he would have already been dancing in class and singing loudly and out of tune and no one would have noticed).
In the end, Reader is left alone for so long, talking to no one except the ghosts, that he forgets his name (the ghosts call him "Little Ghost").
And at book 5, he meets Chenya. And this is how it happens :
“What do you do alone ?” Chenya asked.
"Wait... Are you talking to me ?" Reader asked sitting in a tree, looking left and right before looking at Chenya.
"Yeah ? There's no one else around." the cat remarked amusedly.
"Oh- sorry I'm not used to people seeing me !" Reader said with a smile on his face, excited that someone alive was talking to him.
"Huh ? Why ?" Chenya asked, frowning in confusion.
“Well, people still act like I’m not there, like I don’t exist.” Reader explained. “Exept ghosts, you’re the first to talk to me in months !”
“oh…” Chenya looked worried. “And what’s your name ?”
"Oh I'm-huh..." Reader said before frowning.
“Well, hello ‘huh’, I’m Chenya.” Chenya said trying to lighten the mood.
“Nah, nah.. I don’t remember my name.” Reader said sounding scared, his breathing quickening.
“huh ?”
"What's my name? What's my name? Who am I? I forgot? I forgot..."
"Hey, calm down, you'll remember.." Chenya tried to calmly reassure.
"No- no ! You're not supposed to notice me or talk to me ! Go with more important people, people who remember their names, who they are !" (Reader having an existential crisis <3)
In the end, Chenya manages to calm Reader down, and he calls him "Little Ghost" (like ghosts) until they find his name.
After that, Chenya will talk about that as his friends at the RSA (like Neige), and they would do all for create a new identity at Reader and after that they will take him with them at the RSA (The RSA director was the one that have the idea of the new identity).
Sam friends of the other side won't stop crying about "The child that have forget his name", making Sam confused (they never answer at his questions about him).
And Trein would be the one finding out that Reader have left three days later.
If nobody write that, I will write it myself.
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allurilove · 6 months ago
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Yan!Prodigy x Rival you
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Rated 18 + — mature short content !
Includes: enemies to lovers?— not really he falls in love pretty quick, first time kissing, stalking, admitting his feelings, he gets excited by the tiniest sight of skin, he’s delusional, gender neutral reader.
*I played violin for a couple of years, but my knowledge is a bit dusty and it’s been awhile 😬 And sorry for not posting! I’ve been busy with studying for the SAT! He is referred to as “your enemy” and this is purely fictional writing!*
Synopsis: He’s been on the top of his game for years. He’s known as the most talented violinist, and his ability to play has brought people to tears. All until you came along and threatened his legacy.
He was upset and furious that a nobody like you could win the spot of the first chair. You were now the center of attention, and not him. He wanted to break you down.
But… why did he find himself yearning for you?
He’s been practicing for years. He spent his whole life dedicating to the art of music. His fingers have been numb before, his wrist hurt, and he’s been staring at music sheets for so long— that everything looked like notes to him.
He’s been the first chair. He climbed his way to the top, he earned his reputation, and everyone admires him.
So, a little and measly talent like you shouldn’t have been in his spot. He had to audition for that seat—just like everyone else— but he knew that the directors loved him the moment he stepped on the stage.
He created masterpiece after masterpiece, and he’s a well sought out man.
He heard murmurs and whispers as he sat down behind you. He could feel everyone look at you with fascination, and admiration. He scowled and his grip on the neck of the violin was tight. He imagined ripping you out of the chair, or shoving his bow down your throat.
He had a steely gaze as you turned around to look at the person who had been glaring daggers at you. You smile at him, feeling a bit bad that you’re a newbie who took his usual position.
Why was his heart beating?
“Dont look at me.” The man scowled at you. His face slowly turning pink, and he looked away as you turned to face him again.
For the first time ever, he was distracted. As the show began he could hear his mistakes. He felt his hand shake, and he accidentally pressed down too hard on the string- causing an eerie squeaking noise. He looked up to see what you were doing and you are confident, each note of yours is perfect, and you were clearly the better choice. His eyes slowly widened as he became hypnotized by the way you moved, and the way your hand was so nimble.
“…fuck.” He was falling in love. That has never happened to him before. His body is filled with warmth, his heart fluttered, and he felt like he could float on the wave of happiness. For the first time ever— he felt alive.
The person next to him gently kicked at his chair, and he snapped out of it. He looked back at the sheet, and he realized he lost his place. His eyes and ears frantically tried to figure out where they were.
The show was a nightmare. He got chewed out for the very first time, and he hung his head low. He made multiple mistakes, made a mockery of the whole orchestra, and organization. He apologized to everyone, and he seethed at how people thought he was slipping.
You were the only one to approach him. Your enemy threw his jacket on, ready to leave, but he paused when he saw you.
“Hey… I’m sorry-“
He raised a hand to stop you. “It’s not your fault.” He said curtly, and he grabbed his instrument case. He brushed past you, and quickly made it out of the building. He had to stop and take a breather- leaning on the wall as he felt red cheeks. He always felt a rush of adrenaline and excitement when you came close to him.
That’s when the stalking began. I mean it was a total accident, and he didn’t mean to find your apartment… he just happened to know it was yours, because of the way the melodic sound came from the window. He was across the street, and he was able to see you sway, and play with such emotion. He stood there for what felt like years, and he started to film you.
He would rewatch them at night in his bed. A huge smile on his face as he was able to relive that moment. Before he knew it… he kissed the screen.
He came to practice early in the morning. Your enemy had to keep up a cool facade, and he ignored your little “hello” to him. He sat in his chair, feeling a bit bitter, but he knew it was well deserved. You’re a good violin player, and he was coming to terms with it. He sighed as he brought his instrument out of the case, he took out his tuner, and he started to tune his instrument. He fiddled with the fine tuners, and eventually adjusting the pegs when that didn’t work.
The whole entire time… he glanced at you. His heart swelled up as he saw you take off your jacket, and he gulped as he saw your shoulders.
Ohhh god.
He slightly groaned as his pants felt tighter.
He heard the peg creak, his fingers mindlessly kept turning and turning. He gasped as the string he was trying to tune snapped, he felt it hit his cheek, and out of surprise he dropped his violin.
He was so embarrassed as you helped him get an ice pack. You two were in the tiny hallway, an ice pack in your hand. Instead of handing it to him, you placed it on his cheek for him. You made him feel better, told a little joke about what happened and he let out a chuckle.
He saw you smile and step closer to him. Was this seriously happening? He immediately kissed you back as you pressed against him, one arm around your waist and the other on the back of your head. You tasted wonderful.
He started to moan out your name, your hand now down his pants, and he arched his back. His hands then gripped at the brick wall, his hips jerked with the movement, and he felt his orgasm coming pretty close.
He felt you pull down his pants and boxers, and you got down onto your knees, and your tongue stuck out to lick his length.
“God, I love you—“ He pants, his stomach tightening as his arousal grew.
“Hello?”
Hello?
His eyes came back to focus on your hand waving in his face. He gulped as he took a step back. You were confused as to what happened, you tried to speak to him, but it looked like he was lost in his thoughts. His face was flushed and he was murmuring incoherent things.
The man quickly snatched the ice pack and he panicked— his dick twitching— and he ran away from you.
Allure: It’s a pretty short fic, unedited, and i wrote this on my break 😭 yandere x zombie part three should be coming soon.
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pucksandpower · 6 months ago
Text
Used to be Mine
Oscar Piastri x Reader
Arthur Leclerc x ex!Reader
Summary: Oscar stole everything from Arthur … his hopes, his dreams, his family name, and you
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Arthur slumps in the hard chair across from Jock Clear’s desk, the Ferrari Driver Academy director’s words echoing in his mind. “I’m very sorry Arthur, but we’ve decided not to renew your contract for next season. You’ll be released from the program at the end of this year.”
Arthur feels like he’s been punched in the gut. This can’t be happening. He’s poured his heart and soul into racing for Ferrari’s junior program for years. His dream has always been to follow in his older brother Charles’ footsteps and race for the Scuderia in Formula 1.
“But … why?” Arthur manages to choke out. “I know my results this season haven’t been that great but fifteenth in the F2 standings-”
Clear shakes his head solemnly. “Your pace and racecraft simply haven’t developed at the rate we need to see to justify keeping you in the program, Arthur. I know how hard you’ve worked, but there are other young talents coming up behind you showing greater potential.”
The word “potential” hits Arthur like a dagger. Ever since he was a kid, that’s what he’s heard over and over — unfavorable comparisons to Charles’ unlimited potential. He always knew his big brother was special behind the wheel, but he’d clung to the hope that he could make it to F1 through sheer hard work and determination if not raw talent.
Clearly that hope was misguided. Arthur feels the sting of failure wash over him.
“I … I understand,” he forces out, struggling not to break down in tears right there. “Thank you for the opportunity.”
He stands up shakily, the room spinning. He needs to get out of here.
The drive back to his family’s home in Monaco is a blur. Arthur’s mind races, years of sacrifice and struggle swirling in his head. Endless days and nights on the simulator. Grueling hours in the gym, pushing his body to its limits. Tormenting himself over endless data traces, looking for even a tenth of a second to gain an edge.
All for nothing. The harsh truth is he’ll never be good enough. No matter how hard he tries, the Leclerc name will always belong to Charles. Arthur will be forever known as his little brother, the one who couldn’t quite cut it.
He slams his fist against the steering wheel, angry tears now streaming down his face. Why did he ever think he could do this? Why didn’t he just pursue something, anything else with his life? He’s wasted years chasing an impossible dream, and now he has nothing to show for it.
His phone rings, almost slipping out of his trembling hands before he can answer. It’s you.
“Y/N ...” Arthur chokes out, trying and failing to hold back his sobs.
“Arthur? Oh my god, what’s wrong?” You ask, panic in your voice even through the tinny speaker. Of course you can sense something is desperately wrong. You’ve always been there for him, the one person who truly understands what he’s been going through.
Arthur can barely get the words out between ragged breaths. “The … the FDA ... they’re releasing me ... it’s over ...”
There’s stunned silence on the other end of the line.
“Arthur, I ...” You trail off, at an uncharacteristic loss for words. You know how much this has meant to him. How much of himself he’s given to this endeavor. “I’m coming over right now, okay? Don’t do anything stupid. I’ll be there in ten minutes.”
You hang up before Arthur can respond. He’s not sure if that’s a good thing or not. Part of him wants to wallow in despair alone. But mostly he’s grateful you’re coming. He’s not sure he can handle this by himself right now.
Sure enough, you burst through the front door only a few minutes later. Arthur has collapsed on the couch, head in his hands as the tears continue to flow.
“Oh Arthur ...” You sit down beside him, wrapping an arm around his shoulders and pulling him into an embrace. He turns and buries his face in your shoulder, no longer trying to hold anything back as ragged sobs wrack his body.
You just hold him, making soft hushing sounds and stroking his hair. You’ve seen him distraught before — after tough losses or crashes. But never quite like this. This is the cry of someone whose dreams have been shattered.
Finally, after what feels like an eternity, Arthur’s sobs begin to subside into hitching breaths. You grab a tissue box from the end table and hand it to him.
“Thank you,” he mumbles, blowing his nose loudly. “I’m so sorry, Y/N. I just … I don’t know what to do. What am I going to do now?”
You take his hand and give it a squeeze. “First, you’re going to breathe. This isn’t the end of the world, I promise. We’ll get through this.”
Arthur lets out a shaky exhale, trying to calm himself. You always have been the level-headed one. He leans back against the couch cushions, keeping your hand grasped tightly in his.
“I really thought I could make it, you know?” He says quietly. “I’ve given everything to this stupid dream ever since I was a kid. But I’ll never be good enough, will I? Not like Charles.”
You open your mouth to protest, but Arthur barrels on, unable to contain years of self-doubt and insecurity any longer.
“Don’t try to argue. We both know it’s true. Charles was always the special one. The one with the generational talent. I was just … there. Doing my best to keep up, but always a step behind no matter how hard I worked.”
You shake your head vehemently. “Arthur, that’s not true at all. You’re an incredible driver. Your work ethic and determination are-”
“Meaningless without the talent,” Arthur interrupts bitterly. “That’s all that matters in the end. And I don’t have it, not like Charles does. I’m just … normal. Ordinary. That’s why Ferrari has moved on.”
You move closer, taking Arthur’s face in your hands so he has to look you in the eye. “You listen to me, Arthur Leclerc. You are anything but ordinary, understand? You’ve accomplished more by the age of 23 than most people could dream of in their entire lives. Making it all the way to F2 and the Ferrari Driver Academy is incredible, no matter what happens next.”
Arthur tries to turn away, but you keep his gaze locked, your voice rising in intensity. “If you were ordinary, you wouldn’t have been able to push yourself so hard for so long. Ordinary people would have given up a long time ago. It’s your extraordinary drive and passion that have taken you this far.”
Tears are welling up in your eyes now. You can’t stand to see him diminishing himself like this.
“Besides,” you add, managing a small smile. “I may be biased, but I’ve always thought you were the most extraordinarily kind, caring, and hilarious person I know. That’s a kind of specialness in itself, you know.”
Arthur lets out a choked laugh, wiping at his eyes again. Leave it to you to know just what to say to raise his spirits, even a little. “You always have been weirdly good at these pep talks.”
“Well, someone has to keep your head from getting too big,” you quip back with a grin.
Arthur mock-gasps in feigned offense. “Why, you little ...”
He lunges at you, starting to mercilessly tickle your sides. You squeal with laughter, trying in vain to fight back as you quickly devolve into a giggling, flailing mess of limbs.
You’ve been reduced to teary hiccups when Arthur finally relents, allowing you both to catch your breath. He throws an arm around your shoulders, pulling you close.
“You’re the best,” he murmurs softly. “I don’t know what I’d do without you.”
You rest your head against his shoulder contentedly. “Let’s just take things one day at a time for now, okay? We’ll figure out what’s next together, like we always have.”
Arthur nods, feeling a deep sense of gratitude and love for his girlfriend. No matter what curveballs life has thrown your way, you’ve always supported and uplifted each other. He knows that won’t change, even if his racing dreams don’t pan out.
“Together,” he echoes, giving your hand one more tight squeeze. Whatever the future holds, he can get through it with you by his side.
Maybe his path won’t lead to Formula 1 after all. Arthur feels a pang of sadness and disappointment at that realization. But as long as he has his family — has you — to lean on, he knows he’ll be okay. That love and support is what has always truly mattered most, not chasing some impossible dream.
“You know, we should see if Charles wants to come over later,” Arthur says, the hint of a smile playing at the corners of his mouth. “I haven’t roasted his abysmal fashion sense in way too long.”
You burst out laughing at that. Only Arthur could find his way back to laughing and joking so soon after having his world turned upside down. It’s just one of the many things you admire about him.
“Oh my god, yes please,” you reply once you’ve caught your breath. “His outfit at the last race was literally a crime against humanity. Someone needs to intervene before he traumatizes us all again.”
The two of you spend the next little while cheerfully trading escalating insults about his big brother’s admittedly questionable clothing choices. The mood has lightened considerably, at least for now.
Arthur knows the sting of his failure will return, the questions about what he should do next weighing heavily. But you’ll be there for those hard moments too, just like always. As long as he has you — his best friend, his other half — he can face any challenge life throws his way.
The uncertain road ahead is daunting. But Arthur meets it with determination burning in his eyes. If he couldn’t make it as a Formula 1 driver, he’ll simply have to find a new dream to chase. A new mountain to climb. Whatever it is, he knows you’ll be alongside him every step of the way.
***
Six Months Later
The roar of the engines fades as the cars return to the pits after qualifying. Arthur can’t tear his eyes away from the timing screens:
1. C. LECLERC
2. O. PIASTRI
A Leclerc front row lockout at their home race. Except one of them isn’t really a Leclerc at all.
“Nice one, Piastri-Leclerc!” One of the McLaren mechanics calls out as Oscar climbs from his car.
Arthur’s gut twists.
Oscar just grins and plays along. “Thanks, it’s all in the family name!”
A few of the Ferrari mechanics chuckle at that as Charles emerges from his own car, beaming. He pulls Oscar into a hug. “A Leclerc one-two in Monaco, who would have thought?”
“There’s just something about being a local,” Oscar laughs. “Thank you for giving me yet another home race.”
You appear then, throwing your arms around Oscar with a squeal. “My two favorite Leclercssss!”
Arthur has to look away, his face burning. He knows he has no right to be jealous. Oscar is one of his best friends. And you … you made your choice a long time ago.
“Arthur?” Fred Vasseur appears at his side. “You okay?”
Arthur forces a smile. “Yeah, all good. Just … focused.”
“No need to be so tense,” Fred squeezes his shoulder. “You did a great job in the sim this week. That data helped Charles and Carlos a ton.”
“Glad I could help,” Arthur says automatically.
But his gaze is drawn back to where you’re still hugging Oscar tightly. You look so happy, so carefree. It wasn’t that long ago that your smiles were for him.
“You know,” Fred says conversationally. “I’m getting a lot of questions about what you’ll decide to do next. Every time you’re in that sim or out on track-”
“I’m fine being test driver,” Arthur interrupts, maybe a little too brusque. “Really, I am.”
Fred studies him for a beat. “If you’re sure. Just saying, the doors are opening ...”
The team principal moves off then, leaving Arthur alone with his swirling emotions. He can’t get swept up in maybes about his future. Not when his past is standing right there, laughing at some joke Oscar made.
You’d think after all this time, the sight of you wouldn’t affect him so much. You broke his heart so thoroughly when you ended things, he didn’t think there were any pieces left to shatter. But here he is, a mess of jealousy and longing, just because you gave Oscar a hug.
“Arthur! There you are!”
He turns at the sound of your voice. You’re hurrying towards him, Oscar and Charles trailing behind with indulgent smiles.
“We’re going to get some dinner if you want to join?” You ask brightly.
He has to swallow hard before he can speak past the lump in his throat. “I … don’t think that’s a good idea.”
“Of course it is!” You grab his arm, utterly oblivious to his discomfort. “We’re all friends here, right?”
“Some of you were a bit more than friends once upon a time,” Charles points out with a wicked grin.
You shove him playfully. “Oh shut up!”
Arthur feels like he’s being stabbed in the heart. Your break up turned his life upside down. Hearing you joke about it so casually now is excruciating.
“Seriously, Arthur,” Oscar cuts in. “Come celebrate with us. We promise not to get too crazy.”
“I don’t think that’s a good idea,” Arthur tries again, harsher this time.
You frown, tilting your head in confusion. “Why not? I thought we were all past the whole ex thing?”
“I am,” he lies through gritted teeth. “I just … have some stuff to work on for the race tomorrow.”
“Oh come on,” you wheedle, giving him that smile that used to make him melt. “Take a break! Live a little!”
Arthur can’t take much more of this. He needs to get out of here before he says something he’ll regret. Or worse, does something stupid like pull you into his arms and kiss you senseless.
“Seriously you guys, I’ve got work,” he says, forcing himself to take a step back from you. “I’ll … catch up with you later, okay?”
He doesn’t wait for a response, just turns on his heel and stalks away. He can’t bear to see the hurt, confused look on your face.
Why did he think this would be okay? That he could spend day after day around you and it wouldn’t still hurt? Every smile, every laugh, every touch you bestow on Charles and Oscar is like a white hot poker in his chest.
He thought he was over you. He really did. It’s been months since you ended things, months since you shattered what was left of his heart into a million pieces.
He’d been so shocked, so heartbroken, that all he could do was sit there numbly as you walked out of his apartment. When he finally found his voice, hours had passed, and you were long gone.
“But I love you,” he’d whispered into the empty room.
He’d been so sure you felt the same. That what you had was forever. But you made your choice, as simple as that. Arthur never came first.
And now, half a year later, here he is. Living out some twisted version of his dream … but only just. A test driver for Ferrari instead of a race driver like he always imagined. Like Charles, who had achieved everything they both wanted.
Arthur leans back against the wall of the cool, dark room he’s found himself in. It feels like the pain of your rejection is never going to stop haunting him. Like no matter how much time passes, it will never be enough to make up for losing you.
He squeezes his eyes shut, trying and failing to block out the memory of your face, your smile, your laugh. All the moments of pure joy you two had shared. The dreams you’d whispered to each other late at night, tangled in the sheets.
Is this his lot in life from now on? To watch you move on, all smiles and teasing jokes with Oscar and Charles? To see everyone welcoming Oscar into the family while Arthur is shut out in the cold?
He’s startled from his spiraling thoughts by a knock at the door. “Arthur? You in there?”
It’s Charles. Arthur flinches, swiping a hand over his eyes.
“Yeah, I’m here,” he calls back, grateful that his voice doesn’t shake.
There’s a pause. “Can I come in?”
Arthur considers sending his brother away. He’s in no state for a heart-to-heart right now.
But he can’t bring himself to refuse Charles. Not when they’ve been through so much together, from the karting tracks of their childhood to the highest levels of motorsport.
“Yeah, okay.”
The door opens and Charles slips inside. He stops short when he sees Arthur, brow furrowing in concern.
“Hey … you okay?”
Arthur can’t even find it in himself to fake it. He just shakes his head mutely.
“Is this about Y/N?” Charles asks gently.
And just like that, the dam breaks. Arthur squeezes his eyes shut again, but he can’t stop the tears from spilling over.
“I thought I was over her. I really did,” he chokes out. “But seeing her with Oscar … celebrating like that ...”
Strong arms wrap around him then, pulling him into a hug. Arthur goes boneless, sagging against his older brother as the sobs take over.
“Shh, I’ve got you,” Charles murmurs. “Let it out.”
Arthur does. He cries and cries, shoulders shaking, as months of pent-up heartache pour out of him. Charles just holds him through it, rubbing soothing circles across his back.
“I’m s-sorry,” Arthur finally gasps out. “I’m being so stupid ...”
“You’re not stupid,” Charles says firmly. “Love isn’t stupid, Arthur. Especially your first real heartbreak. That shit hurts like hell.”
Arthur lets out a watery chuckle, finally pulling back and swiping at his eyes. “How do you always know exactly what to say?”
“Well, I am the wise older brother,” Charles grins. Then he sobers, studying Arthur carefully. “Seriously though … you know Y/N loved you, right? What you two had was real.”
“I know.” Arthur shakes his head. “Doesn’t make it any easier seeing her move on so quickly.”
“She’s not over you either,” Charles says gently. “That’s why she keeps trying so hard to act like everything is normal between you two.”
Arthur scoffs. “Could’ve fooled me with all the cuddling up to Oscar out there.”
“Oh come on, you know that’s just a joke,” Charles says with a roll of his eyes. “Oscar is like family to us, same as you. That’s all it is.”
“Yeah? Well it didn’t look that way to me.”
“Arthur ...” Charles puts a hand on his shoulder. “I think you need to have an actual conversation with Y/N. Clear the air once and for all. This lingering stuff is only going to keep eating you up inside.”
“What if she really has moved on?” The thought is like a vise around Arthur’s heart. “What if she tells me she’s dating Oscar for real or something?”
“Then at least you’ll know,” Charles says simply. “It will hurt, yeah. But not knowing, constantly wondering … that’s so much worse. Trust me.”
Arthur is quiet for a long moment, turning Charles’ words over in his mind. Maybe his brother is right. Maybe it’s time to rip off the bandaid once and for all.
He nods slowly. “Okay. I’ll ... I’ll talk to her.”
“Good.” Charles pulls him in for another hug. “No matter what happens, you’ve got me, okay? We Leclercs need to stick together.”
Arthur manages a small smile at that, feeling just a bit lighter. “Yeah. We do.”
As he follows Charles out of the room, he catches sight of you across the paddock, laughing at something Oscar said. A familiar ache blooms in his chest.
But this time, he doesn’t run from it. This time, he’s going to face it head on. His heart may end up in even more pieces … or maybe, just maybe, it will finally start to mend.
Either way, at least he’ll know. No more lingering what ifs. Just the truth, whatever it may be.
He takes a deep, steadying breath, then starts making his way towards you.
***
Arthur’s steps falter as he rounds the corner of the McLaren garage. There you are with Oscar, bodies intertwined, lips locked in a heated kiss.
It feels like all the air has been sucked from Arthur’s lungs. He can’t breathe, can’t think. He just … freezes, rooted to the spot, watching in numb horror as the two of you make out shamelessly right there in the open.
This can’t be happening. It has to be some kind of twisted nightmare. But no matter how hard he blinks, the scene before him doesn’t change.
You and Oscar are really kissing. Properly sucking face like loved-up teenagers, hands roaming over each other greedily. Oscar has you backed up against the garage wall, bodies pressed flush together from chest to thigh.
Arthur feels like he’s going to be sick.
Finally, mercifully, you two break apart, foreheads pressed together as you both gasp for air. Arthur should look away, he knows he should, but he can’t seem to make himself move.
“So much for keeping it professional in the paddock, huh?” You murmur, voice husky.
Oscar lets out a breathless chuckle. “Who cares about professional? Not when I’ve got you all to myself for once.”
He leans in to kiss you again, but you put a hand on his chest, stopping him. “We should find somewhere more private if we’re gonna keep this up.”
“My driver’s room?” Oscar suggests, already palming at the small of your back.
You shiver, pushing up onto your tiptoes to brush your lips against his jaw. “Lead the way, Piastri-Leclerc.”
And just like that, you’re gone, disappearing into the depths of the McLaren garage, hands roaming and giggling like lovesick fools. Arthur watches until the door swings shut behind you, cutting off that haunting sound of your laughter.
Then he’s moving without conscious thought, staggering back around the corner and out of sight. His back hits the cool concrete wall with a thud, but he barely notices. Barely notices anything except the ragged, gasping breaths being torn from his lungs.
He doubles over, hands braced on his knees as he struggles not to vomit right there in the paddock. It feels like someone has driven a white hot poker straight through his chest. Like his heart is being crushed into a million pieces all over again.
Oscar and you … together? Actually dating? How … how could you do this to him? To yourself? Everything you two had built together, every future dream you had shared … tossed aside so easily?
Tears burn at the corners of Arthur’s eyes. He wants to scream, to punch a wall, to unleash the searing agony and fury ripping through him. But he can’t make a sound, throat locked up tight with unshed emotion.
He should have known, really. Should have seen this coming. It’s not like you and Oscar were hiding your connection. The loving looks, the inside jokes, that easy intimacy and affection … Arthur had just been too blinded by jealousy and heartbreak to see it.
But to find out like this? To literally walk in on you two wrapped around each other? It’s a whole new level of pain, lancing through him over and over. He’s always imagined that you would have the decency to at least tell him first if you moved on with someone new.
Unless this has been going on for a while already, hidden from him in plain sight. Every laugh, every hug, every teasing comment … was that all a lie to cover up your dirty secret with Oscar?
Arthur’s stomach churns violently again at the thought. He swallows hard, fighting back the nausea. He can’t lose it here, can’t draw any attention to himself. He needs to get it together, block out the image of you and Oscar swapping spit.
Easier said than done when his brain keeps unhelpfully replaying the way Oscar’s hands were roaming over you, groping at you like you belonged to him. And that laugh … god, that beautiful, carefree laughter that Arthur would know anywhere. A sound that used to make his heart soar whenever it was aimed at him.
Now it’s like a knife in his gut to hear you giggling that way with Oscar, no doubt blissed out after a hot and heavy make out session. Arthur’s jaw tightens, a muscle ticking furiously. He would give anything not to have walked in on that, not to have that sound burnt into his brain forever.
At least now he knows the truth. The humiliating, gut-wrenching truth that you’ve well and truly moved on from him. And with Oscar of all people, like the ultimate slap in the face.
What kind of cruel joke is this? Arthur wonders, still fighting to steady his ragged breaths. He loses the girl he wanted to spend forever with … only to have one of his mates swoop in and take her from him?
It’s not just you that Oscar has stolen either, Arthur realizes with a sickening jolt. It’s everything. With you on his arm, Oscar is welcomed into the family, called a Leclerc at their home race. Arthur’s own last name, treated like some kind of lighthearted joke while the real thing is ripped away from him.
Oscar even gets Monaco as a home race, just like the actual Leclercs who grew up here. All because of some dumb joke about Charles adopting him. Arthur had laughed along with it at the time, never imagining the underhanded truth.
Oscar Piastri has wormed his way into having everything Arthur wanted more than anything. The career, the family, the girl … all of it, just handed to him on a silver platter.
White hot fury flares in Arthur’s chest, momentarily burning through the heartbreak. How dare Oscar do this to him? How dare he make a mockery out of Arthur’s dreams, out of everything the name Leclerc stands for?
Arthur barely registers that he’s moving until his fist connects with the concrete wall with a sickening crunch. He lashes out again and again, pummeling the unforgiving surface over and over until-
“Arthur! Hey, whoa!”
Suddenly there are hands on him, strong and insistent. Arthur starts, accidentally slamming his abused knuckles into a firm chest as Charles appears, grabbing hold of his shoulders.
“Easy, easy! What the hell are you doing?” Charles meets his gaze, eyes wide with concern.
Arthur blinks dazedly, pain finally registering from his torn up, bleeding knuckles. “I … I didn’t ...”
“What happened?” Charles presses, lowering his voice when Arthur winces. “Did you get into it with someone? Talk to me, please.”
Arthur opens his mouth, fully intending to tell Charles everything. About walking in on your incriminating embrace with Oscar. About the way it felt like his entire world shattered all over again. How Oscar has stolen every single thing that should have been Arthur’s by birthright.
But when he tries to vocalize the words, to unleash the storm of emotions battering him from the inside out … nothing comes out. His throat remains locked up tight, breath wheezing harshly.
Charles is watching him, eyebrows knitted with worry. “You’re really freaking me out here. What’s going on?”
Arthur squeezes his eyes shut, shaking his head helplessly. He feels like he’s drowning, lost in a whirlpool of jealousy and despair that’s slowly suffocating him.
When he opens his eyes again, Charles is still waiting, patient and steady as always. Something in his brother’s calm, anchoring presence helps Arthur regain just a little bit of control. Enough to grit out a few words.
“Oscar. And Y/N.”
That’s all he can manage. But judging by the dawning comprehension on Charles’ face, it’s enough. The older Leclerc lets out a slow breath, gaze turning sympathetic.
“You saw them together,” he says, not a question.
Arthur nods jerkily, jaw locked.
For a long moment, Charles is silent. Taking it all in, no doubt. Then … “I’m so sorry, Arthur.”
Arthur’s breath hitches harshly before he can stop it.
“Hey, hey.” Charles pulls him into a tight hug, tucking Arthur’s head under his chin. “It’s gonna be okay. I’ve got you, little brother.”
Arthur stiffens for just a second before melting into the embrace, squeezing his eyes shut once more. He takes a shuddery breath against Charles’ shirt, then another, just trying to hold himself together.
“I’m here,” Charles murmurs, rubbing his back soothingly. “We’ll get through this together, yeah?”
Arthur doesn’t trust himself to speak, so he just nods against Charles’ shoulder. He clings to his brother like a lifeline, grateful beyond words that Charles is here to anchor him when it feels like his world is crumbling all over again.
He has no idea how long they stay like that, locked in that tight embrace. Long enough for the sharp edges of Arthur’s anguish to dull, at least a little. Long enough for his ragged breaths to even out into something closer to normal.
Finally, Charles gives him one last squeeze before gently pulling back, keeping a firm grip on Arthur’s shoulders.
“Come on, let’s get you cleaned up,” he says, eyeing Arthur’s bloodied knuckles with a wince.
Arthur follows his gaze, grimacing at the sight. “Shit, I ...”
“It’s okay,” Charles says quickly, sliding an arm around Arthur’s back. “I’ve got you.”
He guides Arthur through the paddock, shielding him from view with his body. Arthur is grateful for the discretion — the last thing he needs right now is prying eyes and questions about his meltdown.
They make it back to the cool shadows of the Ferrari motorhome without incident. Charles sweeps them into one of the private rooms, locking the door securely behind them.
“There, just us,” he says, squeezing Arthur’s arm reassuringly. “Why don’t you sit down and tell me what happened?”
Arthur sinks down onto the worn sofa, feeling numb and drained. He stares at his mangled hands as Charles darts away, returning a moment later with a first aid kit and a damp cloth.
“This might sting,” Charles warns, taking Arthur’s hands with surprising gentleness.
Arthur barely flinches as his brother starts cleaning away the blood and grit from his torn skin. He’s retreated deep inside his own head, memories from that hellish scene on an endless loop.
You and Oscar, tangled together so intimately. The way you looked at each other, breathless with desire. The easy intimacy and obvious hunger in every heated caress.
Arthur squeezes his eyes shut, but it does nothing to block it out. He’s never going to be able to unsee that, he realizes with a sick lurch. It’s seared into his brain forever, a brand new source of unrelenting torment.
“Arthur?” Charles’ soft voice cuts through his spiraling thoughts. “What happened? Talk to me.”
Arthur blows out a shaky breath, forcing himself to meet his brother’s concerned gaze.
“I went to find Y/N,” he starts in a dull rasp. “To … to get some closure, I guess. Finally rip off the bandaid like you said.”
Charles nods in understanding, staying quiet to let Arthur continue at his own pace.
“But when I turned the corner of the McLaren garage ...” Arthur’s throat works convulsively, the memory surging back in vivid technicolor. “They were there. Making out like a couple of horny teenagers.”
He falls silent again, the words cutting off as a wave of fresh agony washes over him. God, the visual is never going to stop haunting him, is it?
“Oh, Arthur ...” Charles murmurs, squeezing his hands gently. “I’m so sorry.”
Arthur lets out a bitter huff. “Sorry? Don’t be sorry for me, Charles. Be sorry for yourself.”
Charles frowns in confusion. “What are you talking about?”
“Oscar,” Arthur grits out, white-hot anger flaring once more. “He stole her from me, sure. But he also stole our name. He gets to be a Leclerc now, a mockery of our home streets. Just because you stupidly joked about adopting him.”
He surges to his feet, unable to stay still with all this wrath and hurt burning through him.
“Everything that was supposed to be mine, Charles!” He shouts, prowling the room like a caged animal. “The career, the family, the girl … Oscar has taken it all! With a few laughs and some dumb jokes!”
“Arthur, that’s not fair ...” Charles tries, but Arthur barrels right over him.
“No? Well how about this — let’s see how funny those jokes are when Oscar decides he actually wants to be Charles Leclerc!” Arthur snarls. “He’ll take your career next, you watch! Take away everything that makes you special, everything that’s yours by right!”
“Arthur.” Charles is on his feet now, reaching out to grip Arthur’s shoulders firmly. “Listen to me. You need to calm down, okay? Oscar isn’t trying to take anything from us. He’s our friend!”
“How can you say that?” Arthur demands, anguish cracking through the rage. “Don’t you see what he’s done? What he’s taking from me?”
He’s breathing hard now, vision swimming as tears of mingled fury and heartbreak prick at his eyes.
“That was supposed to be my future, Charles,” he rasps. “Y/N and I … we had plans. Dreams of a life together.”
Arthur swipes angrily at the tear that escapes, blurring his vision. “Oscar doesn’t get to take that from me. He doesn’t get to make it all a mocking joke.”
“Arthur ...” Charles looks stricken now, shaking his head slowly. He pulls Arthur into another fierce hug, tucking the younger man’s head under his chin.
“I’m so sorry,” Charles murmurs, voice thick with emotion. “I’m so sorry he hurt you like this. You don’t deserve that … any of it.”
Arthur lets out a choked sob against his brother’s shirt, all of the fight abruptly draining from him. He’s just … tired. Wrung out and hollow, aching down to his very core.
“This wasn’t how it was supposed to go, Charles,” he whispers brokenly. “Oscar was my friend … how could he do this to me?”
Charles doesn’t seem to have any answers. He just holds Arthur tighter, rocking them gently from side to side as Arthur finally gives in to his emotions. He buries his face in Charles’ shoulder and weeps — for his shattered dreams, his shredded heart, and a future that now feels impossibly out of reach.
As the sobs gradually subside, a final bitter thought takes root in Arthur’s mind. If Oscar is going to steal away the girl Arthur loves, the family he was born into, and the future he had mapped out for himself ... then Arthur hopes to god the Monaco curse falls on Oscar just as harshly as it ever has for a Leclerc.
Maybe then Oscar will finally understand just how much he’s taken from Arthur. How many dreams and pieces of Arthur's very identity he’s carelessly crushed in his quest to make himself a Leclerc on everything but paper.
Arthur’s tears have dried, leaving his cheeks chafed and eyes swollen. But the hollow ache in his chest remains, throbbing in time with his ragged breaths. He stays huddled against Charles, taking what little solace he can from his brother’s presence.
It’s all he has left now. Oscar has snatched away everything else that ever mattered to Arthur. His future, his past, his home ... all of it, gone in a spiral of heated kisses and breathless laughter.
If the cost of having it all is the Monaco curse bearing down on him, then so be it. Arthur finds himself almost hoping Oscar gets everything he so greedily took, the consequences be damned. Maybe then, just maybe, he’ll finally understand an ounce of the anguish and heartbreak he’s inflicted on Arthur.
It’s a dark, vindictive thought, one that makes Arthur's gut twist with shame. But he’d too drained, too devastated to truly care. He just presses closer to Charles, craving the simple comfort of family as reality crushes him from all sides.
His dreams, his heart, his identity ... all stolen by a former friend turned ultimate betrayer. If the Monaco curse is all Arthur has left to cling to, then so be it.
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livvyofthelake · 2 years ago
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darcy pride and prejudice and zombies is james the vault???
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venusandsaturnsrings · 1 month ago
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you sighed heavily, zoning out on some of the elaborate wallpaper in front of you as your friend chattered on enthusiastically at your side.
last week, they had burst into your workplace with an expression so anxious you had thought something was seriously wrong. they went on to elaborate that famous director mr. reca was on penacony and having a surprise casting call and, as a member of the iris family, they just needed to go and audition but the idea of standing in front of such a well known face in the cinema world had them more panicked than they’d ever been before. whining endlessly about how they were so very nervous but couldn’t possibly miss such an opportunity, you easily picked up what exactly they wanted; you to go with them. sighing you offered your companionship partially as a good friend and partially to make the other workers stop glaring daggers, you finally chased them out the door as they promised to meet you at the studio on the weekend.
now in a long line of other actors and actresses hoping to finally get a breakthrough part, the number pinned hastily to your chest was starting to irritate you on top of not wanting to be here in the first place. agreeing so quickly was looking more like a mistake as you were realizing you had no experience or anything prepared and you’d soon be standing in front of a man who’d scrutinize your every move; a real nightmare in the dream.
it took a surprisingly short amount of time for your friend to be whisked away into the audition room with its heavy soundproof doors and you had to stand alone coming to terms with how much of a fool you’d look like. a brief thought of running flitted through your brain as you nervously tapped your foot but before any commitment to bolting could arise, you were ushered in.
the room was elegant but felt unbelievably sterile with the marble floors and delicate chandelier. behind a large wooden table stacked with folders, notes, and expensive looking pens was the man you dreaded explaining this predicament to. with piercing eyes and a predatory smile, mr. reca seemed unnervingly interested in what you’d go on to show him; nothing, unfortunately. you took your place in the centre of the room and awkwardly cleared your throat before dumping a word vomit of an apology and explanation filled with ‘i can’t act for shit,’ and ‘i’m sorry for wasting your time.’ he nodded with a low hum and seemed almost sympathetic as he tapped a finger against his lips while thinking.
“you’re here now and your… appearance… seemed perfectly suited to a personal project of mine i can’t seem to get out of my head,” his smile was unnerving in a way, “humour me and try out a couple poses at the least. such a role would come with magnificent compensation.” not the response you expected but you figured he was owed something for such a fumble. upon your agreement he had you shift into numerous positions that made your face flush with embarrassment but mr. reca seemed beyond pleased if his praise meant anything.
“magnificent. please, i’d love to have you star in a this minor film of mine. such a project will only take a few afternoons and i’ll make sure it’s worth your time.”
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it’s the next week when you’re at his home. he welcomes you with a neat suffocating hug and offers numerous snacks and drinks as a show of good will. it’s quite charming until he takes you to where he’s set up for the first scenes.
the room is dim, lit by ambient lighting only and silk ribbons drape across the room. in the middle is a bed covered in luxurious sheets and soft blankets with a table on each side holding a variety of lewd toys; your face is warm. mr. reca cheerfully points to every object explaining the purpose and how it’ll be used after fiddling with all the different locks on the door to successfully trap you in. suddenly you feel sweaty and your chest is tight as you shiver uncontrollably. his personal film was an adult film. he dangles the previously signed contract over your head with a promise to publicly humiliate you if you don’t, “strip and put on these pieces,” a lacy pair of panties and a bra that hides nothing. he’s throwing a pair of stockings at your chest as well before making some adjustments on his camera. with no choice, you change and pray that this will be over soon but the sinking feeling in your gut says otherwise when you see he’s undressing as well.
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