#I wrote them to be real because it's a very real issue and one I hold dear to my heart!

[eowyntheavenger]

I’m so happy! The publication took my article—AND THEN POSTED IT ON THE FRONT PAGE! :)

[moonlitlex]

ok. final thoughts on doctor who season 14 (2024) (because maybe if i say all of this i will finally stop thinking about how much i hate this season)

short version: i'm this season's biggest hater. if this season has a million haters im one of them. if this season has 1000 haters i'm still one of them. if this season has one hater it's me. if this season has no haters it means i have left this world. if the world is against this season i am with the world

long & nuanced version (under the cut)

i'm just really, really, really disappointed. i've always said that good writing can redeem any project, and it kind of feels like they just took it in the exact opposite direction this time. there's so much that went wrong and like 99% of it is down to the writing. i did a rant on my youtube channel (which i'm not gonna link here because i want to keep these accounts separate) and it was like an hour long so i'm not gonna go into detail but i'll just go over my main issues with this season

fifteen lacks depth. i think he's a very generic doctor lacking his own eccentricities. after the first season the doctor usually has quite a distinct personality, but i don't think we got that with fifteen. just compare the kind of characterization fifteen has at this point to like... eleven in his first season. he was a lot more fleshed out. we got to see multiple facets of his personality. it seems like they tried this with fifteen but everything we got to see ended up being really surface level. the susan thing just kind of happens. the rogue thing just kind of happens. he faces racism and he's just kind of incredulous and then the episode ends. it's not explored. the show just moves on to the next thing and we don't get to see how he deals with it.

ruby lacks depth. similarly, i think ruby is a very generic companion. she's a young woman from present day london which isn't in and of itself a bad thing but it's not backed up by much. like, what do we actually know about ruby? she's adopted? she was left on a church doorstep by her biomom? she loves her mom but is still disappointed she can't find her bio parents? these are all plot relevant things. what do we know about her outside of the stuff that is necessary for the plot? job? friends? life before the doctor? there are a few tiny glimpses, but not enough to make her a developed character.

fifteen and ruby's relationship is boring. they never fight. they never disagree. they never argue. they're never angry with each other. they never challenge each other on anything. they're shown to have this amazing best-friend rapport but it's never developed or fleshed out. it just kind of happens. one second they're meeting and the next second they're bffs who never disagree about anything and are always on the same page. it's just not an interesting dynamic.

i found ten and donna to be a very compelling dynamic but that's because they actually have a real friendship and have to deal with conflict and challenges and disagreements. times when the doctor and companion challenge each other are interesting. this is a feature of some really beloved doctor who stories for a reason. dalek wouldn't be so well loved if rose just agreed with nine the entire time. the conflict makes the story more compelling. meanwhile ruby can't even muster an ounce of discontentment with fifteen for the entire season.

season finale payoffs were not compelling and are in my opinion a result of prioritizing shock and surprise and social media buzz at time of release over telling an interesting story.

sutekh is not automatically a compelling villain and the way that arc is written is so... bland. he appears and kills everyone and the next episode they just hit the reset button. fine, doctor who has done this before, but there was interesting character writing back then to distract you from the baffling story decisions.

the season 3 finale had flying jesus ten but it also had interesting character dynamics. this one had sutekh defeated in the most confusing way possible (if he got his power from the time vortex why is it killing him now....) but there's barely anything going on in the character department. it's rtd so i expected hamfisted deus ex machinas, but i didn't expect the lack of care on the character front.

the susan thing was just... it came out of nowhere, didn't really make much sense, and then it immediately disappeared. the doctor thinking it's his susan was just confusing for me and it didn't land. like why would susan.... do that? why would she be basically following him around the universe by weaving herself into the scenery everywhere he landed? this is never even addressed. they just get the tardis anagram and he immediately jumps to it being his susan and you're not really sure why he's so convinced and it's never really explained.

ruby's mom being a normal woman literally just doesn't make any sense. it's never explained. "we thought she was really important" doesn't just do all the inexplicable things. why and how is ruby able to make it snow if her mom is just a normal person? why does the song in his soul scare maestro so much? why is sutekh of all people unable to figure out who her mother is? the reveal is played as a criticism of the audience for building up ruby's mom to be this huge mystery, but it wasn't the audience doing this - it was the writers. these are the clues they laid out and they're never explained. "doctor who is more fantastical now" also doesn't make any sense. fantasy has rules too. you can't just do whatever you want. the world still has to be internally consistent. the reveal by itself is a nice moment but it's just disappointing that they decided to laugh at the audience for taking their show seriously.

i've seen a lot of people compare ruby's mom thing with clara's impossible girl thing. i would like to point out 2 differences that make clara's impossible girl arc superior. first - clara's impossible girl arc never tries to weasel its way out of the mystery. the point is that who clara is is more important than the mystery surrounding her. ruby's mom mystery tries to erase the mystery entirely. second - clara's impossible girl arc is resolved the way it is because of clara. clara is a person who takes an action because of who she is. it shows courage and selflessness and care for her friend. ruby's mom mystery is solved by ruby and the doctor finding a database where they can match ruby's dna to her mom's. it doesn't say anything about her character. her character is irrelevant to the resolution.

i've also seen it compared to the hybrid thing from season 9, but with the hybrid there was never anything unexplainable happening in the first place so "it was just the characters obsessing about it all along" makes sense because it literally is just the characters bringing up the hybrid all the time.

the individual episodes are not... good. here are my opinions on each of them

church on ruby road - ok introduction, weird pacing, the goblin song was just tonally off compared to the rest of the episode

space babies - genuinely makes the doctor seem like a sadistic asshole at times like he keeps laughing at the literal babies for being scared of the monster and this is played for laughs (???), boogeyman reveal thing literally came out of nowhere there was no setup and it made no sense and was never really explained, a lot of tonal whiplash in this episode, poor exposition choices at the start

devils chord - maestro was a fun performance but nothing else about this episode is interesting, there are no beatles, the 4th wall breaks are tonally inconsistent with the rest of the season

boom - ruby gets sidelined but making ncuti act without being able to move any of his body slaps as a concept and while it was too on the nose, the thematic messaging aspects of this episode are coherent and don't talk down to the audience, some side characters get to be relevant to the story and moderately developed (mundy, splice, the dad), splice's actor was far too old to be delivering those lines and it didn't land well, the dad ai defeating the ambulance ai was a bit too much but was in line with the power of love and faith theme so i'm conflicted on how i feel about that

73 yards - did nothing right. there are a few minutes of good welsh folk horror at the start before that aspect of the story is undermined by those people in the pub. ruby gets no character development. the horror atmosphere is abandoned at the start and the horror concept is abandoned entirely partway through the story in favour of the political stuff with roger ap gwilliam, which is kind of resolved in a really anticlimactic scene which doesn't matter anyway because everything just gets undone at the end of the episode. there are no answers.

it's not a good horror story because 90% of it isn't horror. it's not a good political drama because nothing happens. it's not a good character study because we don't get to know anything about ruby's character. i genuinely think rtd has forgotten the kind of stuff he's written because he called this the best thing he's ever written and it's literally not even in the top 10 doctor who episodes he's ever written. like midnight is right there. the waters of mars is RIGHT THERE. this episode is all setup and no payoff.

also - i might just be autistic, but the "can i pay with my phone" joke doesn't land because not everyone can actually accept digital payments yet! it's like... an extremely normal question to ask. i literally ask all the time unless i see an "apple pay accepted" sign because sometimes the answer is "no, we only take cash or card". i know it was supposed to be something about how ruby thinks she's in the past or welsh people getting wrongly stereotyped for being backward but maybe rtd should've come up with a line that would actually be offensive and not just a completely normal thing to ask in 2024.

dot and bubble - this is probably my most controversial take. i hate this episode. i think it's a poorly written bad episode. and furthermore i think only people who are disconnected from all discussion around racism think it's got genuinely good commentary. for MOST of this episode, it's a "kids be on they damn phones" thing. like, genuinely. lindy can't even WALK without her phone. there's nothing in the episode to tip us as the audience off to the idea that the dots hate them because they're racist. everything in the episode is pointing at "the dots hate them because they're stupid as fuck because they're always on that damn phone".

lindy at first seems like a flawed but sympathetic character, and this could genuinely have worked with the racism commentary. if it's about them being racist cause they're sooooooo fucking stupid, maybe don't have lindy be an irredeemable extremely racist character who kills someone. maybe she's repeating all the rhetoric she's heard her entire life without ever thinking about it. maybe trying to convince her racist friends to give the doctor a chance gets her socially isolated. maybe it's about echo chambers and social bubbles. maybe lindy as an individual has no malicious intent either way but she still behaves in a racist way and still ends up siding with the racists because they're her friends and she wants to fit in and be part of the in group and trying to not be racist because the doctor seemed kinda nice got her socially ostracized so she perpetuates racism regardless. but none of this is what happens. this is a reading you can get out of it if you're really dedicated to reading into a story written by a guy who doesn't give a shit about racism.

lindy and all her friends are stupid and bad and racist and the doctor is still desperate to save them for some fucking reason and he doesn't even get to SAY anything to them, he just laughs incredulously and that's his entire reaction. the commentary in this episode is baby's first lesson on racism. it's a message of "racism is bad and stupid" tacked onto an episode with a message of "being on your phone is bad and stupid".

it's shallow. it has nothing to say. it's very clearly a story about racism written by a white man who has never had to even think about racism. the entire writer's room for this season was white as well. rtd didn't even think he should maybe consider giving the racism episode to a black writer. he just wrote a full episode where the message is "racism is bad you guys" and patted himself on the back for his social commentary. i think it's embarrassing that people praise this episode for opening their eyes to racism in the real world and helping them understand it better. literally all that tells me is they've been closing their eyes and covering their ears every time a person of colour talks about racism. like black fans have literally been talking about racism in doctor who for decades and clearly none of you listened to any of them because you're here watching an episode with an "omg racism is bad guys" message going "wow, i never though about it like that!" that's because you're an asshole.

"wow i didn't even notice that everyone in this episode is white!" that's because that's not out of the ordinary for doctor who. or for television in general. this isn't revolutionary commentary. it's an indictment of the season 14 writer's room that they thought they could write this episode without even taking a look around their own writer's room and thinking "huh, everyone here is white too. maybe we should try to change that." this show has been predominantly white for MOST of its history. i'm a huge critic of the chibnall era but at least that guy hired poc to write for the show. at least the bad racism commentary in rosa (which was, to remind you, "the future racist is wrong. racism is bad. also the entire civil rights movement was basically a happy accident") was written by a black woman. at least the weird british empire glorifying shit in the partition episode was written by an indian man (to be clear, stuff written by poc also deserves to be criticized. my point is just that at least chibnall had the basic common sense to hire people who knew more than him to write these stories). rtd didn't even consider this. not even a cowriter.

it's just embarrassing to watch white fans falling over themselves analyzing how this episode is soooo deep when it's simply not. racism isn't silly goofy stupid. it's dangerous. it gets people killed every day. it's even more ridiculous that the racism is addressed in the future episode but not anywhere else! fifteen goes to 60s england and... nothing. he goes to 1800s england and nothing. sure, future people are racist. whatever. are we seriously sanitizing the real, actual, real life racist past of britain? and then patting ourselves on the back for it? and ricky september being considered not racist? like, reading a book doesn't suddenly make you not racist. racist people aren't necessarily idiots. plenty of highly educated people are racist. making ricky explicitly racist while also a clearly smart character would have added nuance to this episode, but rtd didn't do that. watching a black man beg and plead with rich racist white kids to please let him save their lives is just... ridiculous.

there are countless (and i do mean countless) works by actual people of colour that discuss racism in a far more nuanced way. that go beyond "racism is bad and racist people are stupid". there are specifically black british shows you can watch that actually address racism and have real commentary on it outside of what you would expect a toddler who has just learnt about prejudice to say. shows that aren't about coddling while people. watch shows made by and for people who aren't white. read books written by and for people who aren't white. and don't just watch and read this stuff to "educate yourself" on other people's experiences. watch it because it's art. because it's entertaining or funny or interesting or dramatic, just like stories that are about white people are allowed to be. and stop praising an episode with a racism is bad message for being good racism commentary. seriously. we already know racism is bad. this is embarrassing for you.

dot and bubble was a "kids be on they damn phones episode" with "racism is so bad guys" tacked onto it and white fans fell over themselves explaining how it opened their eyes and it was so deep and meaningful and powerful and it was none of those things. it was bland and shallow and honestly really boring they spend WAY too long hitting us over the head with how the kids are so stupid cause they're on their damn phones. you should be embarrassed. if this episode was the first thing that made me realize racism exists and is bad you couldn't waterboard that out of me. grow up.

rogue - rogue was an underdeveloped jack harkness ripoff, there's no development of the relationship between him and the doctor, ruby got nothing to do, the proposal came out of nowhere, the chuldurs were an interesting concept but they literally didn't even do any of the larping they were there for apart from the one who was lady emily. murder is not a prominent part of bridgerton or similar regency era romances that they were supposedly there to cosplay

legend of ruby sunday - this episode is literally 99% exposition. like i'm not joking. there's exposition and exposition and exposition for the whole episode and at the end sutekh appears and kills everyone. also "i will kill everyone" is like. not a compelling motivation. doctor who is full of guys who want to kill everyone. there's nothing making sutekh particularly scary or compelling apart from the fact that he thanos snapped the whole universe and that's also not particularly scary or compelling because he spares the main characters AND because you know they're gonna hit the comic book reset button next episode. sutekh being attached to the tardis since pyramids of mars is unconvincing personally (it would've made more sense if it was since wild blue yonder)

empire of death - ??????? ruby's mom is just a normal woman. they leash sutekh like a dog and drag him through the time vortex which kills him for some reason and also hits reset on his kill switch for the whole universe and that just fixes everything. ruby calls her biomom her real mom instead of carla which just really rubbed me the wrong way. she exits the tardis to stay with her family and it's... fine. you never see why ruby and the doctor were attached to each other so them saying goodbye doesn't hit home. nothing happens and then suddenly everything happens. the fact that the reveal is unconvincing makes the whole thing worse.

conclusion: i think rtd ran out of ideas for doctor who. i think he shouldn't have come back. i think the 60th specials were season 4 fanfiction. i think they should've given the showrunner position to a different writer entirely. i think 8 episodes is far too short for a doctor who season (flux being an exception because it was one ongoing story). i think the bigger budget and better production value can't save a show with poor writing. i think gatwa and gibson are acting their hearts out and i wish they had better material because i really like both of them in these roles. i'm also kind of sick of murray gold's music at this point. he won't let emotional moments just sit and it's really annoying how every time anything happens there's a swell of music. i think rtd should give up on racism commentary and just hire someone else who can do it justice if he really wants it to be in his show. i think rtd should shift focus back to the characters and their interpersonal relationships because that's what he's good at and his plot resolutions have always been underwhelming deus ex machinas. i think they should give this show more episodes. i think they should change the broadcasting times to be a better slot in the uk and the episode should go up on streaming at the same time or after it airs. this season has little glimpses of potential (some of boom, first few minutes of 73 yards, episode concepts in general are quite interesting, more fantasy in doctor who is a fun concept) but squanders all of it with flat characters. i started dreading watching the next episode after a while because i kept hoping it would be good and then i would hate it.

but i still care too much about doctor who to not watch the show so i guess i'll be here this time next year picking season 15 apart. woo.

[docholligay]

Do you think authors sometimes don't realize how their, uh, interests creep into their writing? I'm talking about stuff like Robert Jordan's obvious femdom kink, or Anne Rice's preoccupation with inc*st and p*dophilia. Did their editors ever gently ask them if they've ever actually read what they've written?

Firstly, a reminder: This is not tiktok and we just say the words incest and pedophilia here.

Secondly, I don't know if I would call them 'interests' so much as fixations or even concerns. There are monstrous things that people think about, and I think writing is a place to engage with those monstrous things. It doesn't bother me that people engage with those things. I exist somewhere within the whump scale, and I would hope no one would think less of me just because sooner or later I like to rough a good character up a bit, you know? It's fun to torture characters, as a treat!

But, anyway, assuming this question isn't, "Do writers know they're gross when I think they are gross" which I'm going to take the kind road and assume it isn't, but is instead, "Do you think authors are aware of the things they constantly come back to?"

Sometimes. It can be jarring to read your own writing and realize that there are things you CLEARLY are preoccupied with. (mm, I like that word more than concerns). There are things you think about over and over, your run your mind over them and they keep working their way back in. I think this is true of most authors, when you read enough of them. Where you almost want to ask, "So...what's up with that?" or sometimes I read enough of someone's work that I have a PRETTY good idea what's up with that.

I've never read Robert Jordan and I don't intend to start (I think it would bore me this is not a moral stance) and I've really never read Rice's erotica. In erotica especially I think you have all the right in the world to get fucking weird about it! But so, when I was young I read the whole Vampire Chronicles series. I don't remember it perfectly, but there's plenty in it to reveal VERY plainly that Anne Rice has issues with God but deeply believes in God, and Anne Rice has a preoccupation with the idea of what should stay dead, and what it means to become. So, when i found out her daughter died at the age of six, before Rice wrote all of this, and she grew up very very Catholic' I said, 'yeah, that fucking checks out'.

Was Rice herself aware of how those things formed her writing? I think at a certain point probably yes. The character of Claudia is in every way too on the nose for her not to have SOME idea unless she was REAL REAL dense about her own inner workings. But, sometimes I know where something I write about comes from, that doesn't mean I'm interested in sharing it with the class. I would never ever fucking say, 'The reasons I seem to write so much of x as y is that z happened to me years ago' ahaha FUCK THAT NOISE. NYET. RIDE ON, COWBOY.

But I've known some people in fandom works who clearly have something going on and don't seem to realize it. Or they're very good at hiding it. Based on the people I'm talking about I would say it's more a lack of self-knowledge, and I don't even mean that unkindly. I have, in many ways, taken myself down to the studs and rebuilt it all, so I unfortunately am very aware of why I do and write the things I do most of the time. It's extremely annoying not to be able to blame something. I imagine it must be very freeing. But it ain't me, babe.

Anyway, a lot of words to say: Maybe! But that might not stop them from writing it, it might be a useful thing for them to engage with, and you can always just not read it.

Also, we don't censor words here.

[spacelazarwolf]

apparently a bunch of ppl on social media are trying to call for a boycott of rick riordan because of this statement in a blog post:

Becky and I are just back from a busy weekend with events at the Boston Book Festival and New York Comic-Con.

Before I get into that, however, some words to acknowledge the ongoing horrors in Israel and Gaza. As many of you may know, I am no longer on social media. My accounts post only updates on my books and related projects. I do not read posts, reply to posts, or share my thoughts about world events on those forums. That doesn’t mean I don’t have strong feelings and reactions. It means I am offline as completely as possible, except for the occasional blog post like this one.

I will say this: Over the last eighteen years, I have received many fan letters from young readers, both Israeli and Palestinian, who often told me that my books helped them escape the fear, grief and anxiety they were dealing with at the time. Some had lost family members to violence. Some were writing while in the distance they could hear explosions, gunfire, and the launching of rockets. They used my books as a way to escape into another world, where the monsters were fictional, and where demigods usually saved the day. While I am always glad that my books can help young readers find joy during difficult times, my heart breaks every time I hear about the things they have to deal with. I am grief-stricken by the horrific events now unfolding, especially because I know that they are part of a long historic pattern that has been robbing too many children of their childhood and perpetuating hatred for far too long.

I am also quite aware that when anyone, myself included, tries to speak about this issue, the reader is waiting to pounce, thinking, “Yes, but whose side are you on?” That is exactly the wrong question. If there are two sides to this issue, those sides are not Palestinian/Israeli or Muslim/Jewish. The two sides are humanitarian and dehumanizing. Dehumanizing has a long evil history. It is appealing and easy to buy into, because humans are tribal animals. We are hardwired to think in terms of ‘us’ versus ‘them.’ We are the real humans, the good guys, the ones with God on our side. Those other people are evil monsters who don’t deserve empathy. Hate mongers have thrived on dehumanizing for as long as there have been humans. It provides them with a purpose, a way to rally support, power, and scapegoats. It is easy to point to atrocities committed by our enemies, while justifying or minimizing the atrocities committed by ourselves or our allies.

Humanitarianism is a much harder sell. It requires us to empathize, to see other groups of people as equally deserving of dignity and quality of life. It requires not always putting ourselves and our needs first. But in the long run, humanitarianism is our only hope. If violence could end violence, if we could put an end to “those other people” once and for all, human history would read very differently than it does.

So yes, I am appalled by the Hamas attacks on Israeli civilians. I am appalled by the suffering of Palestinian civilians in Gaza. Both things can be true. Both things must be true. My thoughts are with all the people who have died, who have lost loved ones, who have had their worlds and their lives shattered, especially the children. More death and violence will not break this cycle, which has been going on for generations. There is no military solution. Even since I first wrote the post, only twenty-four hours ago, the Israeli government’s brutal retaliation against the entire population of Gaza has reached genocidal proportions. This is not only an atrocity. It is folly. Answering misery with misery only creates more fertile ground for extremism, dehumanizing the “other side,” letting hate mongers thrive, stay in power, and reduce us all to our most monstrous impulses. The only real solution is treating each other like equally worthy human beings, and negotiating a peace that allows all parties a chance to live in security and dignity, with hopes for a future that does not include bombs and rockets and gunfire. This means security and support for Israel, yes. It also means a secure Palestine which is allowed to get the international aid and recognition it needs to build a viable state.

Do I think that will happen? Unfortunately, no. Humans are simply too selfish, too ready to blame “the other” for all their problems, too ready to dehumanize, though I also believe, perhaps paradoxically, that most people just want to live their lives in peace and have a chance for their children to have a brighter future. The problem is when we don’t allow other people to have those same hopes and dreams — when it becomes a false choice of us versus them.

What can I do? I will continue to write books that I hope will give young readers some joy. I will resist the urge to demonize entire groups of people. I will call for less violence, not more violence. And when asked whose side I am on, I will tell you I am on the side of humanitarianism.

So with that said, I return to the world of books . . .

honestly, if you have a problem with this statement, it’s probably because he’s talking about you. this is exactly what legitimate activists (as in not just random westerners who share social media posts but on-the-ground activists who are doing real work) have been saying for decades. and i think all this really speaks to just how disconnected a lot of westerners who claim to be pro palestinian are from those activists.

if you can’t read a statement that says “i am on the side of humanitarianism and less violence” without immediately jumping to cancel them, you are the problem being discussed in the above statement.

[dunmeshistash]

How do you feel about Milsiril? Like what do you think of her interactions between the canaries, her goals, her intentions and morality? I keep seeing people with mixed feelings about her, some saying she's just toxic or morally grey or doing bad but with good intentions or that she's just a mentally ill and literally so much more, also with the comic about Otta calling Milsiril love for her children/Kabru as just love for a pet, I always saw people take it at face value and say yes, Milsiril did love them more as pets instead of children, did she take up raising/adopting non-elf children because she felt like none of them could ridicule her like the elves did because they didn't know what an elf was supposed to be like (and also because they were children) or did she inherently view them as less? I mean the canaries and I'm pretty sure almost all of the cast in dungeon meshi have some sort perspective on different races especially because how they were taught about them, i just think it was interesting to finally see someone interpret it as Otta just misinterpreting Milsiril, I'm just really interested in her, i think shes neat, sorry for the rant!

Ooh, well to preface this, I hadn't really realized Milsiril was such a controversial character before my last post, I kinda live under a rock. She's really not a character I had given much thought besides what I wrote there before it, but I can do my best to express what I have thought since, with sources for it. I'm not sure what order to go thru so I'll just go by manga appearances and then extras, this will probably be quite a long post

This is the first time she shows up in the manga (ch55) Kabru is wondering about what future they might have if the elves take them into custody because of the ancient magic, he thinks about Milsiril as a get out of jail card, and mentions "There's a chance they would make us become permanent resident of the elven lands." with the image of Milsiril holding him. I don't think that means she would be the one to not let them leave, since this would probably be an legal issue, and the fact Milsiril lives away from other Elves. It does set up that Milsiril is quite overprotective tho, with Kabru's reaction to her teary hug. (rest is under a cut)

The next time she shows up is in ch61 right after Kabru falls down the dungeon along with Mithrun, he faints and has this flashback

She's being her overbearing self treating Kabru's small injury as if its something you need to be in bed for, hand feeding him like he's a toddler, and when he insists he wants to learn how to fight and be strong like her, she hugs him revealing to us for the first time her arm scars, she's cleary in distress too, so you wonder "what has happened to her?"

It continues in the next pages, as she tells him to stay there, where it's safe and there's cake, and describes the bad things he might encounter. Until he tells her he will go with or without her help

Honestly this is a Kabru we don't see often, this is the version of him that is usually in thought bubbles, he's blowing out in frustation over being smothered and demanding straight up what he wants, instead of trying to manipulate Milsiril, very blunt for him. Milsiril seems to flip a switch into battle mode, when she decides to train him for real.

I really thought this was funny, the visual of these cuddly toys and this Mom that was being so soft just a second ago completely flipping into something menacing is very amusing to me. She says "I'll give you an exhaustive, thorough training in how to use a sword... until you finally decide that you're ready to give up." although it sounds cruel, it seems she really trained him as best she could to make sure he would survive the dungeon. If he couldn't take the training with her there was no way he would be able to take on the dungeon, but he could, so much so that he managed to make her let him go. I can see this being seen as her trying to prevent him from going but to me it seems more like some tough love from a traumatized war veteran in this case.

The last thoughts he has is admitting his Mom was right, "Not only were there plenty of traps, monsters, and malice... but there were times when I felt so hungry and cold that I couldn't stand it."

And he concludes with "I never once thought that I wanted to go back there. That room where I could eat all the cake that I wanted..." While I can understand the interpretation that he means he would rather go thru all this than go back, perhaps cause he hated it there, I think it's rather a statement to how committed he is to defeating the dungeon, the visuals show him in rubble vs him in a soft big bed, the rough reality he fought to be able to face and the comfyness of what his life could be. Plus is mirroring exactly what Milsiril said to him. Admitting she was right about the bad things but that he won't give up for the safe easy life he had.

After that visuals of Milsiril are used while Kabru tries to sus out Mithrun but she shows up again in Mithrun's backstory.

Here she's straight up called Gloomy, which wasn't really the version of her we saw so far, gotta remember this is also how Mithrun saw her and that she was called gloomy as a way of bullying. Kabru mostly cuts off her part in the story until the end, when she's the one to find Mithrun after he was eaten by the demon

She doesn't really care much for Mithrun as we see in some extras, and she was ready to mercy kill him, but she is also the one to spare his life. This could be seen as her thinking he can still be of use, and it's how it sounds with how Kabru tells the story, but I do think this was also a merciful act, Mithrun was in rehabilitation for 20 years after being saved, by the time he was actually useful for anything Milsiril had already left the canaries and adopted Kabru.

Now for extras... About Mithrun/The Canaries, Milsiril was cleary someone that hated the people around her. This is her extra in the Adventurer's Bible

Milsiril seems to be the type that hates "popular kids" so to say, her description says she was bullied by other elves for being so introverted so I believe she holds a grudge against people like Mithrun that seem to have succeeded where she failed. But realizing he was a twisted person like her seemed to make her feel more sympathetic towards him, that's why I think she really did act with mercy when she saves Mithrun, he's now someone she sees as similar to her, she sees he also suffered like her

Her decription also mentions she left the canaries specifically because she was disgusted with how the Utaya situation was dealt with. Yet it seems like she came back to help Mithrun with his rehabilitation once she quits.

There's an interpretation to be made that she did this only to get "revenge" on the demon since she just saw the destruction of Utaya, and that she's using him. On the other hand maybe she wants to help him find a motivation to live, she's no longer a canary and she has time to actually help him now. I don't know which one is the truth but it's not obviously something self-serving if you ask me. Especially in the context that right before this scene Milsiril admits she wishes they could have talked before.

My interpretation of her relationship with the canaries and other elves is that she's someone depressed that was mistreat for her 'quirky' side, the dolls are clearly one of the ways she used to cope with anxiety/depression but it only caused her to be bullied by her own kin, she's the daughter of an important family and it's shown in other extras, including one about Mithrun, that nobles often send out the kids they don't want around to become canaries. It's an easy way to get rid of someone undesirable and I think it was the case for Milsiril. (Pattadol even assumes her parents love her less than her sisters for sending her to join the canaries).

No wonder than that now that she's finally free from the canaries she chose to seek her own happiness away from the society she felt she could never fit into, she clearly likes to take care of children too, I think it's mean to assume she only likes them because she feels superior to them when there's no indication that this is the case.

And I don't think it's a coincidence she's so overprotective of Kabru after Utaya, it's literally the tragedy that was the breaking point for her, and he's a surviving small child from that tragedy, Milsiril cares about Kabru and wanted him to have a comfortable safe life after everything he went thru...

This ended up getting way too long so I'll make second part tomorrow about the rest of the extras and Kabru, and some other things I've seen said about Milsiril, but to answer the questions...

I don't think she treats her children as pets, Otta is just salty she was called out for dating like Leo Dicaprio.

Every single dungeon meshi character can be called morally grey because they all have flaws that in our world can be considered unforgivable, but they don't live in our world. To me Milsiril is doing her best in the context she lives in.

Who even is neurotypical in dungeon meshi, Milsiril is yet another flavour of a neurodivergent traumatized character among so many.

I believe she thought of the other canaries, especially Mithrun, as the same type of people that were cruel to her, probably because some of them really were, but that she generalized it to the point she thinks of all of them as bad by default. You can only get hurt so many times before you assume everyone will hurt you.

Part 2

[nostalgebraist]

In other uncanny-valley AI voice news...

Google has this new thing called "NotebookLM," which allows you to upload any document, click a button, and then a few minutes later receive an entire AI-generated podcast episode (!) about the document. The generation seems to occur somewhat faster than real-time.

(This is currently offered for free as a demo, all you need is a Google account.)

These podcast episodes are... they're not, uh, good. In fact, they're terrible – so cringe-y and inane that I find them painful to listen to.

But – unlike with the "AI-generated content" of even the very recent past – the problem with this stuff isn't that it's unrealistic. It's perfectly realistic. The podcasters sound like real people! Everything they say is perfectly coherent! It's just coherently ... bad.

It's a perfect imitation of superficial, formulaic, cringe-y media commentary podcasts. The content isn't good, but it's a type of bad content that exists, and the AI mimics it expertly.

The badness is authentic. The dumb shit they say is exactly the sort of dumb shit that humans would say on this sort of podcast, and they say it with the exact sorts of inflections that people would use when saying that dumb shit on that sort of podcast, and... and everything.

(Advanced Voice Mode feels a lot like this too. And – much as with Advanced Voice Mode – if Google can do this, then they can presumably do lots of things that are more interesting and artistically impressive.

But even if no one especially likes this kind of slop, it's highly inoffensive – palatable to everyone, not likely to confuse anyone or piss anyone off – and so it's what we get, for now, while these companies are still cautiously testing the waters.)

----

Anyway.

The first thing I tried was my novel Almost Nowhere, as a PDF file.

This seemed to throw the whole "NotebookLM" system for a loop, to some extent because it's a confusing book (even to humans), but also to some extent because it's very long.

I saw several different "NotebookLM" features spit out different attempts to summarize/describe it that seemed to be working off of different subsets of the text.

In the case of the generated podcast, the podcasters appear to have only "seen" the first 8 (?) chapters.

And their discussion of those early chapters is... like I said, pretty bad. They get some basic things wrong, and the commentary is painfully basic even when it's not actually inaccurate. But it's still uncanny that something like this is possible.

(Spoilers for the first ~8 chapters of Almost Nowhere)

The second thing I tried was my previous novel, The Northern Caves.

The Northern Caves is a much shorter book, and there were no length-related issues this time.

It's also a book that uses a found-media format and includes a fictitious podcast transcript.

And, possibly because of this, NotebookLM "decided" to generate a podcast that treated the story and characters as though they existed in the real world – effectively, creating fanfiction as opposed to commentary!

(Spoilers for The Northern Caves.)

----

Related links:

I tried OpenAI's Advanced Voice Mode ChatGPT feature and wrote a post about my experiences

I asked NotebookLM to make a podcast about my Advanced Voice Mode post, with surreal results

Tumblr user ralfmaximus takes this to the limit, creating NotebookLM podcast about the very post you're reading now

[rirabeko]

Some of Baji's mischaracterization that gives me the ICK

It's 2024 and there are people out there who still can't understand Baji's character and mischaracterize him heavily, mostly because of the Bajifuyu ship.

DISCLAIMER: You can ship whoever you want. I'm just tired of seeing my favourite character constantly being mischaracterized because of toxic shippers. Also I'm not a shipper myself, I do not romanticize any of the relationships I mention below.

The biggest issue with Baji's character is the fact that Bajifuyu shippers (and sometimes just the fandom in general) constantly ignore Kazutora's role in Baji's life, meanwhile Kazutora made a huge impact on Baji's character. You can clearly see it not just in the anime or in the manga, but in the spin-off too.

Baji and Kazutora were that duo, they were a literal separated team within Toman. They met naturally, become friends instantly and spent most of their time together (many times without Toman). It's accepted by the fandom, that Kazutora's first real friend was Baji, but also Baji's first close friend was Kazutora.

Obviously Mikey and Baji were close as kids, but after Baji moved to a different place they weren't that close. I bet this is the reason why Baji didn't know about Shinichiro's bike shop, since when they met regularly Baji was a little kid and Shinichiro was a teenager without a bike shop. It also shows that Mikey and Baji aren't that close, they are more like childhood buddies than close friends.

I can talk about this for hours but now I only wrote it as a small disclaimer, before I get into my points, so let's go.

I am sick of it when:

they call Baji stupid (he literally outsmarted Kisaki, being smart not equals only book smart)

people headcanon him as a mean, aggressive, abusive bf (he is canonly no.1 best lover and he literally died because he has a heart of gold, let this bs go pls)

they can't understand the reason behind his suicide and make it a ship war (ICK)

people can't accept the fact Baji loves his friends differently, and not everyone is his bestie (it doesn't mean he does not love them, or prefers someone over the other but love can be different towards different people and it's absolutely normal!)

they make his character all about Bajifuyu (he is an individual, stop bringing up Chifuyu EVERYTIME when it comes to Baji. His character is much more than a guy in a dominant-submissive fanmade yaoi ship people like dragging him into!)

they make Chifuyu the good, perfect friend while constantly dragging Baji down and made him the bad guy in their relationship (I could write a whole essay just about this being a bullshit)

when they romanticize Bajifuyu (Baji canonly sees Chifuyu as a younger brother figure said by Baji's mom, but there are people out there who still believes unironically that they are in love... WHY?)

they ignore that Baji is very caring and affectionate not just towards Chifuyu, he is like this because these are his own personality traits. He behaves like this with everyone who's close to him. (Mikey, Kazutora, Ryuusei and just Toman in general)

people say Chifuyu was the only one who understood Baji's feelings and aims (the literal reason Baji died was because no one really understood his goals and behaviour, not even Chifuyu)

they romanticize Chifuyu's obsessiveness towards Baji (if Chifuyu was a girl, he would be cancelled for this behaviour immediately, but the double standard won again)

people make his death an opportunity to romanticize Bajifuyu (biggest ICK)

they say Baji is only distant with Chifuyu beacuse he is a tsundere (there are so many situations when Chifuyu truly annoys Baji, e.g. he said it many times that Chifuyu's infatuation really disturbs him and asked Chifuyu to stop)

Bajifuyu shippers ignore and hate Kazutora just because he disturbs their ship

they say Baji was a bad influence to Kazutora (Kazutora hung out with gangs even before he met Baji, he was already a part of the underworld. the reason Kazutora turned out that way was his abusive father and his horrible childhood in general. Baji literally saved him, and he could finally be himself around Baji without any judgement or harassment)

they ignore or even DENY Bajitora's bond because of Bajifuyu

they accept Bajifuyu, Kazufuyu or even the Bajitrio but HATE Bajitora (the biggest bullshit ever)

they can't recognise the fanservice of Bajifuyu and calls them canon because of the clear fanservice acts

people think Bajitora is one sided (more Baji sided) meanwhile Tora loves Baji more than his own life and shows it many times how much he loves Baji and how much Baji means to him

they accept that Chifuyu never changed his hairstyle after Baji made it for him (and obviously they romanticize it) but they are hating because Kazutora looked exactly like Baji in bad toman timeline

people ignore Bajitora and always forgets that they are very close to each other in every timeline. the new panels Wakui drew were also about Kazutora putting Chifuyu to his place after Chifuyu completly ignored Tora and disturbed his time with his best friend. (we all know Kazutora is very possessive with Baji for obvious reasons and does not tolerate being disrespected by someone)

The list could go on and on but these are the main problems I still see in this fandom when it comes to Baji's character.

I'm tired of seeing this amazingly well-written character turns into a boring, abusive, mean guy by the fandom who is only an abuser in a toxic fanmade yaoi ship.

SIDE NOTE:

To all the people who dislike him/call him mean and aggressive because he beat Chifuyu up:

This anime is based on a manga which takes place in the early 2000's gangster world in Japan. He is the captain of the 1st division, he is the leader, and his role is not just to be the strongest in the division but also to manage his team, bc this is also what a leader does. If someone is disrespectful, breaks the rules and shows a bad example to the others he has to punish them. In this world this is how things go. This won't make him a bad person, or an aggressive jerk. Baji can be very calm and collected when it comes to leading his division. He is a very good leader, who takes care of his teammates, so no surprise he is really loved by his division. 

Also when he beat Chifuyu up before joining Valhalla: he hated himself for doing that. But he had to, he had no other choice. And Chifuyu had every right to stand up against Baji and tell him he's not doing it. But since Chifuyu never questions Baji's decisions as the captain of the first division he agreed with this one too, and also because he wanted to help him. Chifuyu knew exactly what he was doing when he let Baji doing this to him, and he went along with it. Stop bringing this up everytime and use it against Baji.

[byoldervine]

Writing Tips - Beating Perfectionism

1. Recognising writing perfectionism. It’s not usually as literal as “This isn’t 100% perfect and so it is the worst thing ever”, in my experience it usually sneaks up more subtly. Things like where you should probably be continuing on but if you don’t figure out how to word this paragraph better it’s just going to bug you the whole time, or where you’re growing demotivated because you don’t know how to describe the scene 100% exactly as you can imagine it in your head, or things along those lines where your desire to be exact can get in the way of progression. In isolated scenarios this is natural, but if it’s regularly and notably impacting your progress then there’s a more pressing issue

2. Write now, edit later. Easier said than done, which always infuriated me until I worked out how it translates into practice; you need to recognise what the purpose of this stage of the writing process is and when editing will hinder you more than help you. Anything up to and including your first draft is purely done for structural and creative purposes, and trying to impose perfection on a creative process will naturally stifle said creativity. Creativity demands the freedom of imperfection

3. Perfection is stagnant. We all know that we have to give our characters flaws and challenges to overcome since, otherwise, there’s no room for growth or conflict or plot, and it ends up being boring and predictable at best - and it’s just the same as your writing. Say you wrote the absolute perfect book; the perfect plot, the perfect characters, the perfect arcs, the perfect ending, etc etc. It’s an overnight bestseller and you’re discussed as a literary great for all time. Everyone, even those outside of your target demographic, call it the perfect book. Not only would that first require you to turn the perfect book into something objective, which is impossible, but it would also mean that you would either never write again, because you can never do better than your perfect book, or you’ll always write the exact same thing in the exact same way to ensure constant perfection. It’s repetitive, it’s boring, and all in all it’s just fearful behaviour meant to protect you from criticism that you aren’t used to, rather than allowing yourself to get acclimated to less than purely positive feedback

4. Faulty comparisons. Comparing your writing to that of a published author’s is great from an analytical perspective, but it can easily just become a case of “Their work is so much better, mine sucks, I’ll never be as good as them or as good as any ‘real’ writer”. You need to remember that you’re comparing a completely finished draft, which likely underwent at least three major edits and could have even had upwards of ten, to wherever it is you’re at. A surprising number of people compare their *first* draft to a finished product, which is insanity when you think of it that way; it seems so obvious from this perspective why your first attempt isn’t as good as their tenth. You also end up comparing your ability to describe the images in your head to their ability to craft a new image in your head; I guarantee you that the image the author came up with isn’t the one their readers have, and they’re kicking themselves for not being able to get it exactly as they themselves imagine it. Only the author knows what image they’re working off of; the readers don’t, and they can imagine their own variation which is just as amazing

5. Up close and too personal. Expanding on the last point, just in general it’s harder to describe something in coherent words than it is to process it when someone else prompts you to do so. You end up frustrated and going over it a gazillion times, even to the point where words don’t even look like words anymore. You’ve got this perfect vision of how the whole story is supposed to go, and when you very understandably can’t flawlessly translate every single minute detail to your satisfaction, it’s demotivating. You’re emotionally attached to this perfect version that can’t ever be fully articulated through any other medium. But on the other hand, when consuming other media that you didn’t have a hand in creating, you’re viewing it with perfectly fresh eyes; you have no ‘perfect ideal’ of how everything is supposed to look and feel and be, so the images the final product conjures up become that idealised version - its no wonder why it always feels like every writer except you can pull off their visions when your writing is the only one you have such rigorous preconceived notions of

6. That’s entertainment. Of course writing can be stressful and draining and frustrating and all other sorts of nasty things, but if overall you can’t say that you ultimately enjoy it, you’re not writing for the right reasons. You’ll never take true pride in your work if it only brings you misery. Take a step back, figure out what you can do to make things more fun for you - or at least less like a chore - and work from there

7. Write for yourself. One of the things that most gets to me when writing is “If this was found and read by someone I know, how would that feel?”, which has lead me on multiple occasions to backtrack and try to be less cringe or less weird or less preachy or whatever else. It’s harder to share your work with people you know whose opinions you care about and whose impressions of you have the potential of shifting based on this - sharing it to strangers whose opinions ultimately don’t matter and who you’ll never have to interact with again is somehow a lot less scary because their judgements won’t stick. But allowing the imaginary opinions of others to dictate not even your finished project, but your unmoderated creative process in general? Nobody is going to see this without your say so; this is not the time to be fussing over how others may perceive your writing. The only opinion that matters at this stage is your own

8. Redirection. Instead of focusing on quality, focusing on quantity has helped me to improve my perfectionism issues; it doesn’t matter if I write twenty paragraphs of complete BS so long as I’ve written twenty paragraphs or something that may or may not be useful later. I can still let myself feel accomplished regardless of quality, and if I later have to throw out whole chapters, so be it

9. That’s a problem for future me. A lot of people have no idea how to edit, or what to look for when they do so, so having a clear idea of what you want to edit by the time the editing session comes around is gonna be a game-changer once you’re supposed to be editing. Save the clear work for when you’re allocating time for it and you’ll have a much easier and more focused start to the editing process. It’ll be more motivating than staring blankly at the intimidating word count, at least

10. The application of applications. If all else fails and you’re still going back to edit what you’ve just wrote in some struggle for the perfect writing, there are apps and websites that you can use that physically prevent you from editing your work until you’re done with it. If nothing else, maybe it can help train you away from major edits as you go

[somedayillbepeterpan]

I have gone down this rabbit hole now and I'm afraid I'm never getting out. I hope I give justice to this. And sorry if this is long.

I've seen a lot of the Colin and Marina vs. Colin and Penelope analyses in here and I want to raise this parallel as to how the Butterfly ball was such a powerful move for both Penelope and Colin. We all have our issues with how they handled Pen and Colin finding their way back to each other but let me add this perspective and hope it helps us understand how real they handled the issue of LW and pushed the character development for them both.

The scene on the left is from S01e06 (Swish) and the right is S03e08 (Into the Light)

S1 scene - Violet is still in her dressing gown, obviously distraught having just read something from LW. She hears someone come down and finds Colin.

S3 scene - Violet is dressed for the morning and her face looks a combination of surprise and confusion after reading a letter. She turns around when she hears someone coming down the stairs.

In both scenes, we see Colin coming down the stairs.

S1 - we only see Colin's back. We're in suspense on what emotional state he is in but we do know that he's on his way to elope with Marina.

In S3 - we see Colin's face immediately looking determined and ready. We see Violet calling his name quite urgently.

S1 - Colin sees his mother's face looking like a combination of disappointment and anger. He asks what's happening. She doesn't say anything but just looks at Colin with a sadness that only a mother can give.

S3 - Violet pointedly says that she received a letter from Colin's wife (I love this line so much) that sounds awfully like "I need you to explain what's happening right now."

S1 - Violet hands Colin LW without saying anything and just looks so so so sad. Colin is shocked to his core because we learn that LW (Pen) exposes Marina's pregnancy and that she has been pregnant from the beginning of the season.

S3 - Colin determinedly faces his mother telling her that they had better sit. And I'm guessing that Colin tells her everything.

Where am I going with this? (Gosh, doing an analysis is hard 😂)

The first time Colin fell in love (thought he fell in love), he was blindsided. But I believe the pain he felt at that time was made deeper because his family had to save him from the situation (Anthony explaining that his actions in the scandal will affect his sisters' prospects as well). To think that it was his mother who first learned of the situation added salt to the wound because we all know that he is a mama's boy and that the one person he dislikes letting down is his mother.

The second (and last time) Colin falls in love, he once again feels betrayed. But he's fallen in love so deeply that he can't imagine his life without Pen. The struggle he goes through in understanding his emotions was very hard to watch and it's because the issue goes beyond his and Pen's relationship. It extends to his family.

Colin's hero complex goes beyond feeling worthy of Pen's love but also worthy of the Bridgerton name. We see it several times in S3 when he mentions it in his confrontation with Portia (" I advise you not to sully our Bridgerton name...") and when Pen tells him that Cressida discovered her secret ("It will besmirch our Bridgerton name. The entire family").

The whole sequence in the study is now more significant because of what Pen addresses in their conversation-- Colin's family ("Your family... the one you so kindly shared with me, they are too good").

Pen's "sacrifice" ("But I can no longer conceal the biggest piece of information I have. My identity."), I believe, was to save the Bridgerton family (once again) and she asks Colin to stand by her as she formulates and executes this plan.

It was very important that Pen wrote a letter to Violet directly and that Colin was there right after she's read it to explain everything. From this point on, they were a team. From this point on, Colin moves in parallel with Pen instead of against it. Colin finally sees that version of Pen that she's always been even while she was LW-- the person who was always determined to save his family just as much as he does.

From this point on, their goals were aligned.

10 rewatches after, I finally see how Colin found his way back to Pen. It wasn't very obvious to me how he got over the feelings of betrayal after he discovered Pen was LW. Of course, him reading the letters help but the events leading up to the Butterfly ball, helped him see her as both Pen and Lady Whistledown and the overflowing pride we see on his face was heart-melting to watch.

From this point on, they finally see each other eye to eye. From this point on, they finally accept this version of each other.

If you got to the end, thanks for reading my humble musings.

*Editing to add this: The Butterfly Ball deep dive series

[tobiasdrake]

Fun Fact: Even in space, ACAB.

Let's talk about Jaco: The Galactic Patrolman, a somewhat more obscure manga compared to Dragon Ball that Akira Toriyama wrote in its setting.

For the most part, this is a short and fairly simple story. It's primarily a character drama, with the developing relationship between Jaco and the scientist Omori as its central focus.

The manga is surprisingly vague about its connections to Dragon Ball for nearly all of its length, until its final chapter. Jaco is here on Earth to thwart some vague threat sent to the planet from a world of hostile aliens. It's only at the end of the manga that we learn he's talking about Goku.

Galactic Patrol detected an Attack Ball leaving Planet Vegeta and making its way to Earth, so they sent Jaco to... assess the situation and then make a decision about whether or not to do anything.

In his defense, the Saiyans are the most powerful race in the universe. I can understand why he doesn't want to fuck with a full-grown Saiyan warrior. Nobody wants to fuck with a full-grown Saiyan warrior. The most that the finest police force in the universe can do against Saiyans is to try and nip them in the bud when they're babies.

It's interesting that Galactic Patrol doesn't have Scouter technology. I wonder if that proprietary? Frieza might have a patent.

But at the same time, I don't want to be too sympathetic to Jaco because. Well. He sucks.

Galactic Patrol sucks. That's kind of the bit. Jaco is a self-absorbed little shit, utterly devoid of empathy or compassion for the people he polices. He's stranded on Earth right now because he wasn't watching the road while driving.

Jaco's a prick, but what little we learn about Galactic Patrol as a whole doesn't make them sound much better.

This one time Jaco accidentally pressed the Extinction Bomb when he wasn't supposed to and wiped out a planet. Hoo boy, was his boss mad! Gave him a real talking to before giving him another Extinction Bomb and putting him back on patrol.

Universe isn't going to police itself, y'know. Someone's gotta be out there very occasionally trying to stop those real estate genocides.

For his part, Jaco's in it for the aesthetic. He likes the image of being a cop, and he spends his time practicing looking cool for when he presumably dispenses justice upon the criminal element.

But his interactions with the common people are filled with condescension and menace.

Like I said, this is the bit. Jaco is a self-important thug with a badge, with the initial conflict stemming as much from trying to keep him from doing something awful to the community under his jurisdiction as from trying to solve his problem.

Ostensibly here to protect Earth from the impending arrival of a Saiyan threat, he is as much a threat to this community as the invader he's here to assess. Without Omori there to guide him, he'd be killing people left and right.

He fits in pretty well with the cast of Dragon Ball, many of whom at least begin their tenure with a degree of amorality to them. Omori himself is a bitter misanthrope ironically thrust into the position of having to convince Jaco not to kill people.

And then there's the manga's biggest Dragon Ball connection: The introduction of Tights.

Any reader who's been picking up on the Dragon Ball-ness of this universe will know immediately where Tights came from. Her name pun gives the game away. Just like how the final chapter clarifies Jaco's target as the young Goku, we get to see the familiar faces of Tights's family as well.

Bulma basically solves the entire plot singlehandedly.

Even as a little kid, the universe's greatest heretic remains unparalleled in the field of game-breaking super-intelligence. Bulma OP do not nerf.

Again, this speaks to how little of the manga is actually about the plot. If this were a story-driven manga, having a character from another manga show up in the final issue and solve the plot in the span of two pages would be pretty disappointing. But since the plot is just an excuse to make these characters interact with one another, it doesn't really matter.

We aren't here for the story; We're here for the relationship between Jaco, Omori, and Tights. With that in mind, Baby Bulma waddling up and going "I fixed the spaceship; Are you stupid or something?" is hysterical.

For her part, Tights lives up to her family legacy of being super-brilliant.

She graduated from college at 16. She's a genius like the rest of the family. What she's not is interested in science and technology. Possibly as a justification for why we've never heard of her before, Tights goes against the mold for her family.

She honestly seems like something of a free spirit. She lives in East City when we meet her, famously the city that Nappa wiped off the map, while Capsule Corp and Bulma's family are out in West City. Rather than a scientist, she works as a body double for a famous pop idol.

As a publicity stunt, they're going to launch an idol into space. Tights's job is to impersonate the idol so she can die in the inevitable disaster instead. She is bizarrely chill with being paid a huge sum of money to get stupidly killed. Much like Bulma, Tights has a terrible sense of self-preservation and is willing to take on incredible risk for the sake of achieving a personal goal.

Tights is the best character in the manga. An aspiring sci-fi novelist who agreed to probably die in space for the sake of the experience. This family gives zero fucks.

And then there's Omori himself.

Despite its title, Omori is basically the main character of this manga. He's the one whose life situation is most heavily scrutinized. This is his status quo that Jaco and Tights enter. Similarly, Omori is the character who undergoes personal transformation as his experiences with Jaco and Tights help him find hope in connections with other people again.

The three characters click really well together. So well, in fact, that Dragon Ball would end up recycling the setup of Super Alien/Crotchety Old Man/Spunky Young Woman for one of the best dynamics they ever wrote.

This is not a copy/paste; Cheelai, Leemo, and Broly are all distinctly separate characters. but you can still feel the barebones aesthetic of Tights, Omori, and Jaco in their dynamic.

So. Yeah. Overall, for what it is, it's a cute little short story about a group of characters just living lives in the world of Dragon Ball. It's the kind of thing that the franchise needs more of, and still does to this day: An opportunity to flesh out the universe a little but also just to let us live in it through the eyes of someone else.

[earlycuntsets]

"DEATH COMES RIPPING" - SPOOKY ISSUE

'THE BLACK PARADE, THE TRIUMPHANT NEW ALBUM BY MY CHEMICAL ROMANCE MAY HAVE A TRAGIC STORYLINE, BUT IT'S NOTHING COMPARED WITH WHAT THE BANDMATES ENDURED TO BRING THE DISC TO LIGHT

PHOTOS BY JON WIEDERHORN PHOTOS BY JUSTIN BORUCKI

STANDING ON A BALCONY nine floors above the teeming streets of New York, Gerard Way overlooks the city in which My Chemical Romance began assembling their ambitious new album, The Black Parade. The newly peroxide- blond frontman takes a deep drag from a cigarette and exhales with a sigh. He knows he shouldn't smoke, but it's his only remaining vice.

"If I hadn't been sober, I think The Black Parade surely would have killed me," says Gerard, who climbed on the wagon in 2004. "We were going insane the whole time, and I had to cling to my sobriety to stay even a little lucid. The album became like this beast that was consuming us."

Following up a release as successful as 2004's Three Cheers for Sweet Revenge, which sold 1.4 million copies in the U.S. alone, is never an easy task. And the various scares the band experienced as they worked on the new record-drummer Bob Bryar had a near-fatal staph infection, Gerard seriously injured his foot, and some restless spirits at the studio where they recorded kept them all on edge-did not help matters. And neither

did MCR's decision to make The Black Parade (Reprise) a concept disc. Together, Gerard and his bandmates-Bryar, guitarists Frank lero and Ray Toro, and bassist Mikey Way (Gerard's younger brother)-decided to craft a record about a dying young man who is visited by a cast of strange characters that help him examine his short life.

But diving into the conceptual deep end proved well worth the hassle. The Black Parade is not only MCR's most realized offering; it's also one of the most eclectic, enjoyable rock records of the year. One listen to tracks

like "House of Wolves," "The Sharpest Lives," and "Dead!" makes it clear that My Chemical Romance can still rip a good metallic punk tune. But the bandmates are now equally influenced by epic albums like Pink Floyd's The Wall, David Bowie's The Rise & Fall of Ziggy Stardust and the Spiders From Mars, and Queen's A Night at the Opera.

"A lot of bands from the scene we came from try to strip down their music to 'keep it real," Gerard notes. "But the real you is what you've always had inside you and what you strive to be. So when we started compiling the material we had written, we were like, You know what? This has to be a huge, theatrical record."

MY CHEMICAL ROMANCE started working on ideas for The Black Parade in the back of the bus while on 2005's Warped Tour, after which they flew to New York and rented a rehearsal space for two months. And that's when things started to get weird.

"I was living in Queens, and I had to commute on the subway every day," Gerard says. "I was suddenly very scared and paranoid. I felt more like an outsider than I ever had, and I had no confidence, which is bad when you're trying to work on a record. And I had no anonymity because there were a lot of teenagers on the train." In reaction to the young fans he encountered on the underground,

Gerard wrote "Teenagers," a T. Rex-style romp with the chorus line, "Teenagers scare the living shit out of me." "The song came directly from commuting when school let out and being so terrified of them," the singer says. "I was like, Wait a minute. These are the same people that listen to our band. Why am I scared? And I realized it was because they're scared, too. Teenagers are made to feel like they can only solve their problems with violence. They lash out at each other in a really volatile way." After several months experiencing the joys of mass transit, MCR had completed only a handful of songs and felt like a change of scenery (and climate) might do them some good. "I couldn't keep working in New York," says Gerard. "We wanted isolation."

id: Gerard leads the way to what will likely be the band's second platinum record

So the group relocated to Paramour Mansion, outside of L.A. Nestled high in the hills, the deluxe estate overlooks the trendy Silver Lake area and boasts spacious rooms, a gorgeous pool, lush gardens, a state-of-the-art recording facility-and a few special guests.

"The place is definitely haunted," Gerard says. "Doors would slam, and the faucets would turn on. You'd get a bath drawn for you of freezing-cold water in your room, and you wouldn't know why." As unnerving as its mischievous spirits could be, the Paramour was also inspiring, and contributed to the haunting vibe of songs like "The End" and "This Is How I Disappear." More important, it led Gerard to come up with the bleak, surreal concept for the record. "I would have these night terrors, where it would feel like someone was choking me, and my heart would stop and I would stop breathing," he says. "I would wake up in the middle of the night and write these notes to myself, and one of them read, 'We are all just a black parade.' So I started thinking about how this band is kind of a black parade, like a funeral-procession rock thing. And I used that idea to piece together this story about the idea that when you die, death comes for you however you want." Gerard molded his concept into a narrative about a character he dubbed the Patient, whose strongest memory from childhood is of his father taking him to the city to see a parade. Two songs into the album, he dies, and the black parade comes for him.

"During the rest of the story, he meets this entity of death and all these characters, like Mama, who represents anyone who's ever lost their son in a war," Gerard explains. "It's almost like these Canterbury Tales, where he goes along on this journey, and at the end he decides whether he wants to live or die." With the concept in place, My Chem made the songs as sweeping and theatrical as Gerard's lyrics. They accomplished this, in part, by combing through their own eclectic record collections and pulling choice elements that would set them even further apart from other melodic punk bands.

The first two minutes of "Welcome to the Black Parade" stemmed from Gerard's love for Broadway musicals, the horns in "Dead!" came from Mikey's interest in Blur and Britpop, and the jaunty feel of "Mama" was informed by Tom Waits and Nick Cave. But the most poignant moment on the record, "Cancer," was (unlike its morbid moniker) something of a pleasant surprise. "I was very upset about something in my personal life, and that's when that song came out," Gerard says. "It was really spontaneous, and it was recorded pretty much live with Rob [Cavallo, the record's producer] on the piano and me in the vocal booth. Then we added layers of drums, which gave it a certain urgency. It's the song I'm most proud of because it was the most pure emotion we've ever captured, and it gets such an immediate response. You can't shake what the song is about."

As the CD approached completion, some members of the band began to show signs of nervous exhaustion. The group was scheduled to fly to England to play the Reading Festival, and as the date grew near, Toro, who has a fear of flying, got noticeably agitated. Then, after the band tracked "Welcome to the Black Parade," which was originally called "The Five of Us Are Dying," the guitarist lost it.

"I thought I had this premonition," Toro explains. "I was flipping through the TV channels, and on the news. there would be something about a plane crash, and every time I woke up in the morning, the clock would say 9:11. I was playing Tomb Raider the night before the flight, and on the level I ended up at, there was this whole flashback to a plane crash. So right before the flight I was like, 'That's it. I'm not flying."

Despite his misgivings, Toro boarded the plane, and when My Chemical Romance returned to L.A. (all of them still very much alive, thank you very much), The Black Parade was completed without further incident. Listening back to the record, the band members were in awe of what they had achieved and eager to share it with their fans. "There was a real confidence that came to us," Gerard explains. "Having survived it, we felt like we were changed forever. I feel different as a performer now, and I think we really finally discovered who we were as a band." But just because MCR were done with the record didn't mean that it was done with them. About a month later, the band was shooting a video for "Famous Last Words" with director Samuel Bayer (Garbage, Smashing Pumpkins) on a set featuring walls of flame, when-seized by the moment-lero grabbed Gerard's throat from behind and wrestled him to the ground. The singer rolled one way; his foot went the other. "It bent completely backwards, and I heard a crack and felt this agonizing pain," Gerard recalls. "I tore all the ligaments in my foot, but I got up and continued to perform." "I didn't know what I was doing," says lero, shaking his head. "I wasn't trying to hurt him. I felt awful. I still do." Gerard's injury was serious, and he still walks with a cane, but it paled in comparison to what happened to Bryar. At the end of the shoot, the pyro was so intense, the drummer could feel his leg burning, but he stuck it out for the rest of the song. By then, he had a nasty third-degree burn. And the misfortune didn't stop there. Bryar didn't take his antibiotics regularly, and he failed to keep the wound clean. By the time the band got back from a brief tour of Japan, the burn was severely infected. Then Bryar's face swelled up and, after doing the MTV Video Music Awards preshow telecast and a special club show, stumbled into a hospital emergency room in intense pain. "I thought I'd be there for 10 minutes, but as soon as they saw me, they got all serious and gave me an IV and said they had to do a CAT scan," recalls Bryar."They did all these blood tests and kept me there for 14 hours." Doctors discovered that Bryar's leg infection had spread to his blood and caused an abscess in his face that was creeping dangerously close to his brain. If it had been left untreated for another two days, he could have died. "The whole thing was such a nightmare," Bryar says. "This doctor stuck my cheek with a needle about six inches long and the width of an IV tube. Then he went in and out of the inside of my mouth with the needle about 10 times. Fortunately, the treatment worked, and Bryar left the hospital three days later. With tragedy averted, My Chem are now focusing on touring for The Black Parade. They'll be in Europe for most of November, and when they get back at the end of year, they'll start rehearsing for a U.S. arena tour that starts in February. "We want to put on a full show with props and staging like The Wall," Gerard says. And MCR plan to keep the Patient alive long after they're done touring for the CD. "I would love to see the story turned into a play or a musical, and it could easily be a movie," enthuses Gerard. "Making this record, we cut ourselves open every day, pulled out every organ, and lay them on a table so it would be something we're completely happy with. We want The Black Parade to exist for a long time." "The whole hole thing nightmare. This doctor stuck my cheek with a needle about six inches long and the width of an IV tube." -BOB BRYAR

"I felt more like an outsider than I ever had, and I had no confidence, which is bad when you're trying work on a record."

-GERARD WAY

12/2006 revolver - mcrhollywood on flickr

[rottenomelet]

yandere jjk thoughts

warning:: nsfw! i’m eighteen and you should be too! hints of kidnapping, non-con, and coercion. nothing is ever really explicitly stated but - still.

a/n: there’s no real rhyme or reason behind this - winter is just my favorite time to snuggle up and read about crazy ppl. also i wrote this in lowercase originally so u see a spot i missed, no u didnt. u can leave requests for different characters if u wanna

Gojo Satoru

In no world could I ever imagine Gojo Satoru treating you like a real human being.

He is the strongest. There is no one who could destroy him. He can see all. And the issue isn’t just that he’s the best, it’s that he’s been told that since the day he opened his bright eyes. He has a big ego and it’s justified because there is no one better than him.

And sure he’ll indulge you. He'll laugh at your jokes and console you when you cry. But in the back of his mind, in every kiss to your forehead, in every smile, there will always be a domineering aspect. Because he knows that you are insignificant in the grand scheme of the world. you are only important because he deemed you worth something.

You’re not quite a toy or a pet to him. You’re more like - an indoor plant to him. Something that needs nurturing from his caring hands, watering and sunlight granted to you by him. You adapt and grow according to his needs and his conditions. But at the same time, you are to be cherished. never handled too roughly, case you begin to wilt. You don’t have to do much but sit and be nurtured and be pretty while he gives you whatever he deems necessary for your survival.

It fascinates him, really, how simple your little life is. How much you don’t know and never will know because as a flower, all you need to understand is that water and sunlight and love are given to you before you’ll even realize that you need it.

But you still have a job to be pretty and sometimes that’s sitting on the bed, still, as he observes you or bouncing on his cock. It just depends on the day.

Geto Suguru

Suguru is a calm man, a quiet man. He makes decisions based on logic. He is not exactly one for emotional outbursts, and even at his angriest, he rarely raises his voice.

But you.

A little non-sorcerer that can’t even see curses somehow made him look twice. Little unimportant you constantly runs through his mind. What you’re doing, what you’ve eaten, what places you’ve gone to. Who you’ve talked to, who your friends are. Your hobbies, your interests. Your lips and your eyes and that special something between your legs.

Just thinking about you, even innocently, makes him harden. It’s uncomfortable, it’s infuriating, it’s maddening.

He thought, surely someone in your family was a sorcerer, a powerful one at that. But no, your family is normal. You are, genetically, as average as they come.

He doesn’t treat you softly at first, doesn’t have a mind to. You’re a filthy little nothing, after all. When he fucks, he fucks without care. Suguru treats you like a doll, not made of porcelain but made of cloth, one he can throw around and still be in decent condition. He keeps a hand pressed to your mouth, to keep your voice down. A blindfold around your eyes so he doesn’t have to look into them. Your hands are bound behind your back so you don't touch him even by accident. Flat on your stomach, unable to see or feel or say anything is how you find yourself every time. He doesn’t even come inside of you, the only thing you’re grateful for.

It’s scary, how roughly he treats you. But it’s downright terrifying when he begins to lay softer hands upon you, begins to kiss instead of bite, caress instead of pinch.

Nanami Kento

He is a very traditional and stern man.

You are, silly, to him. stumbling and bumping and in general, unsure of yourself and what to do. But he sees potential. Even when you’ve tripped over thin air or broken something by accident, there’s a certain grace to your movements. A grace he wants to harvest and invest in.

And while he wants to give you direction, he also doesn’t have the patience or time to teach you like he wants. So, it’s best to ‘learn on the job’ when it comes to Kento.

Learn how to cook his favorite meals and bake the sweets he loves just right. When he’s okay with speaking and when he needs quiet. Remembering to kiss him goodbye every morning and remove his coat for him every night.

Learn how to suck his cock right - which vein is most sensitive, when to suckle and gag and slurp, what noises to make, and remember to always always swallow. He hates messes after all.

Learn his favorite positions. The lingerie sets he like best. How loudly he wants you to be. Accept his cum in your tummy with a smile.

It’s not hard - please him and you will be rewarded. Rewarded with pleasure, with time outside, with gentle hands.

And if you stumble or forget, he will easily remind you of your job.

Mahito

You’re his personal entertainment. You’re an experiment.

Mahito is incredibly laid-back, even lazy to an extent. He lets you roam and explore and fall. He doesn’t care what you do as long as you stay within the four walls he’s placed you in.

It's hard to understand him. For a curse, he’s always laughing, finding almost child-like joy in the most odd things. Whether that’s watching an animal documentary or wondering if a human’s neck can extend like the turtles on TV.

One thing you do know is that he likes games and he likes playing with you. The only problem is you don’t when the game starts and ends, the rules or even if you’re playing right. Oftentimes, you find yourself playing a game that you don’t know the rules of and Mahito has named himself the gamekeeper.

He usually starts by asking a question. Something simple like “What time did you wake up?” or “What did you eat today?”. You find out the hard way that no matter what you say, you’re always wrong.

Say you woke up at ten? Then you’ll find yourself pressing into the mattress, drooling on your pillow as he drills you, punishing you for waking so late in the day. You had a slice of cake earlier? Then don’t be surprised when you’re in the kitchen licking icing off his cock as punishment for an unhealthy lunch.

Itadori Yuuji

He's the jock that gave you a chance. That made you feel special and pretty and popular.

He's sweet. He gives you his hoodie when you’re cold. He drives you home after school. Buys you lunch when you can’t afford it. Takes you on nice dates.

He wants you sitting front row at all his games, wearing his varsity jacket so everyone knows you’re his girl. He twirls you and kisses you in front of the whole school when he wins, the whole thing right of a cheesy rom-com.

But, surely, you didn’t think he was doing all that for free? No, he wants compensation. He deserves a reward for treating you so sweetly. It's only fair.

It doesn’t matter if you’re ‘not ready’. No, no, you’re just nervous, sweetheart. But he’ll be gentle with you so calm down. Yeah, calm down when he slides a hand up your skirt on a date to the movies. Be quiet when he asks you for head in the janitor’s closet between classes. And don’t make a fuss when he slips his cock inside of you, raw, even though you begged him to use a condom.

‘Rubbers hurt,’ he says. ‘It feels better raw’,’ he pleads. ‘Don’t worry - I'll pull out.,’ he promises.

And you better be understanding when he comes inside of you. Afterall, he’ll buy you a plan b.

Choso

Whatever you do, do not stress this man.

He’s going through enough as is. The last thing he needs from you is any attitude or ungratefulness. Even an upset face will have you with your knees pushed beside your head and Choso making you scream, all while watching you with that same tired expression.

Choso is the oldest of ten siblings. He is used to dealing with bratty behavior. He handles your tantrums with grace - once you’ve finished throwing things and screaming, he’ll only ask if you're finished. And then he will be upon you.

But, beyond punishment, he is caring and quiet. He prefers it when you speak, likes it when you prattle on about your day or your favorite show. He likes it when you’re happy.

[whyse7vn]

RFWF -

[ ot7 x reader ]

RM’s NUTS

8 participants - 8 online

———————————

jimin: right freak wrong freak

that’s what you should of called ur album joon

jk: rfwf

hobi: ok but who gonna match MY freak

tae: who wanna go band for band

jin: let’s go shower for shower

you first

tae: STOP SAYING THIS

yoongi: lollll

tae: girlfriend tell them i don’t smell fr

namjoon: all of you shut up

jk: rfwf

jimin: who matching joons freak

jin: a JAIL CELL i hope

hobi: cool but i asked first

does no one care about my freak 😔?

y/n: i care

jk: ME TOO ME TOO

hobi: thanks guys >.<

tae: talking about freak this riding that what happened to the namjoon who hugged trees and read books

jk: that’s really bad because how can he show love to the trees by hugging them giving them false security and hope to then go an cut them down to make books

tae: wait ur spitting rn

jk: not true that’s nasty i’ve said this before

namjoon: i have never hugged a tree

or cut one down

jin: cuz you’re too busy writing about riding

you disgust me

yoongi: good pussy

namjoon: can we not please

tae: joon when you said HE a pro rider what did you mean by that?

y/n: happy pride month!!!

jk: who is pride

hobi: joon was talking about tae

tae: WHY WOULD THE PRO RIDER BE ME??

I AM NOT OF RGB DECENT

jimin: didn’t you kiss jungkook

hobi: Lgb

tae: i take NO L’s

hobi: cuz you take DICK

y/n: LMAO

yoongi: tae the biggest dick rider to walk this earth

hobi: yoongi gets it

tae: HOW AM I A DICK RIDER???

hobi: if we think about this logically you dick riding y/n 24/7

tae: OK WHAT

SO ARE YOU THEN????

I WOULD ACTUALLY ARGUE THAT YOONGI DICK RIDES HER THE MOST

jin: tea

yoongi: shut up

jin: ok sorry

tae #1 dick rider

jk: i’m confused

jimin: i vote joons talking about tae

y/n: same

jk: still confused i thought y/n was girl

jin: jk close second but tae takes it

hobi: real

tae: wtf????

hobi: freak of all freaks!!

tae: ok whatever

fine

don’t care

jimin: you accepted that very easily

y/n: my little dick rider 😘

jk: me too please

tae: i mean as long as it’s y/ns dick i’ll fuck around and cream on that shit too like

no shame

y/n: there is something severely wrong with you

jin: wow

yoongi left “RM’s NUTS”

hobi: he takes everything too far

jimin: like

jk: ok i don’t know if i want to be a dick rider anymore

i don’t want to cream

namjoon: jungkook stop talking we are moving on

namjoon added yoongi to “RM’s NUTS”

tae: don’t act like you all wouldn’t cream on her shit too

yoongi left “RM’s NUTS”

namjoon: tae stop talking now

tae: whatever

jk: rfwf

hobi: definitely surpassed my freak

namjoon: y/n

y/n added yoongi to “RM’s NUTS”

yoongi: why

y/n: stay with the family yoongi

hobi: family 💜

jimin: we practice incest here

jk: insect

namjoon: really…

jimin: just saying she literally called us family and you just wrote a song about her riding you

jk: i thought it was about tae

tae: jungkook did it first

jk: i did NOT ride joon

namjoon: guys

jk: I DIDN’T @Y/N I DIDN’T

jimin: she did LMAO

tae: nuts wishes it was seven

namjoon: shut up

hobi: family 💜

yoongi: fuck ur family

jimin: i know a girl that does

y/n: are you mad i don’t fuck you or something???

jimin: LMAO

you wish

jin: WOAHHH

jk: nct wish

hobi: come on family let’s not 💜💜

y/n: trouble with taemin again sighs this is getting old jimin

jimin: don’t talk about taemin

y/n: don’t talk about who i fuck

namjoon: ok guys chill out

tae: hold on ur all typing so fast ohmygod

y/n: tell HIM to chill

jimin: just saying you are most definitely the root of like 95% of our issues as a group

hobi: my root came 2005

wait

jimin wtf??

namjoon: jimin take that back

yoongi: are you crazy??

jk: jimin that’s mean

jin: and unfair

tae: ???????????????

jimin: she fucks you guys knowing there are feelings involved and then acts like everything is normal when you’re all at each others throats

hobi: we would be at each others throats regardless of feelings or whatever

that’s just our dynamic no??

tae: throat talk kinda rgb guys

hobi: L

tae: don’t call me a loser the hell??

also wtf is jimin talking about

jimin: tell me i’m wrong

yoongi: you’re wrong.

jin: you need to back the fuck up jimin it takes two people to have sex you know idk why ur putting this all on her

jimin: i’m just saying

jk: maybe you should stop saying

yoongi: definitely

namjoon: ok seriously everyone needs to shut the fuck up right now this isn’t something we should be talking about now or over text

jimin: yeah you’re right because we SHOULD of had this conversation ages ago

namjoon: you’re pissing me off jimin and this doesn’t actually involve you stop talking

jimin: yeah and maybe that’s the fucking problem namjoon

namjoon: what are you trying to say right now?

jimin: nothing bye.

tae: are we fr fighting

jimin left “RM’s NUTS”

tae: ok we are fr fighting

why did no one tell me we were fr fighting

hobi: can you not read

tae: ok there were a lot of words on screen going very fast may i add and i can only take in what i can take in

y/n: so you took in the word throat

tae: don’t speak to me right now

jin: anways y/n ignore jimin he’s clearly going through something right now

don’t let what he said get to you we’ve talked about this ok?

namjoon: you have?

sorry not important yeah

what jin said

y/n: i know

jimin didn’t upset me it’s fine

yoongi: it’s okay if you were to be upset tho

like later

or something

y/n: yoongi

yoongi: sorry

y/n: i appreciate you

all of you but i’m honestly fine

i’m more concerned about jimin rn

that wasn’t like him

he clearly had something say and he’s normally one to speak his mind fully not just leave half way

jk: yeah :/

namjoon: i’ll talk to him

hobi: no i think i should

no offence or anything joon

just trust me on this one

namjoon: oh

ok

that’s cool yeah

let me know when you do

hobi: thank you

i will

jk: we were on our biggest no fighting streak

this sucks

hobi: i thinks that’s part of why he’s upset

yoongi: 🤨?

hobi: anyways i’ll talk to him

let you guys know

namjoon: cool so uh

jin: did you just type “so uh”

tae: namjoon personally i love it

so…uh

*puts hand behind head bashfully smiles*

hobi: johnny so uh

get it

like johnny suh

y/n: smash

namjoon: nice guy

jk: hobi pls don’t mention the enemy rn

hobi: didn’t you mention nct wish earlier??

what is the harm in mentioning johnny ://

jk: hobi he’s tall

like really tall

hobi: ok??

jin: remember when hobi punched jaehyun lmao

hobi: no moving on

yoongi: i would also smash johnny suh’s head in

tae: YOONGI WANNA SMASH A MANNNN

A BOYYY

MALE HE WANTS TO SMASH A DUDEEEE

RBG BOY RGB BOY

hobi: for the last time it’s lgbt fucking idiot

y/n: homophobia in june is crazy

tae: i’m just saying how it is

yoongi wanna smash johnny spread the word

yoongi: how about you kill yourself

tae: how about no

spread the word

like yoongi spreads his legs for johnny

jk: he’s 6’2 btw

y/n: why do you know that

tae: bet the height difference turns yoongi on real bad

namjoon: okay stop

jk: joon you say stop a lot and nobody stops most of the time so why do you continue to say stop when it is uneffectuve

namjoon: don’t talk to me

jk: oh :c

jin: namjoons stop worked like 2 times today so this is actually a win for joon

tae: yeah the first 2 times in 74 years

hobi: LMAO

jk: i thought joon was 34

namjoon: i’m not even 30 yet

hobi: LOOLLLLLL

namjoon: stop laughing at me

shouldn’t you be talking to jimin rn

hobi: i said i would talk to jimin meaning i would talk to him in the near future further meaning not right now because i don’t want to be verbally assaulted and or blocked

gotta let him cool down you know how he is

namjoon: yeah okay makes sense

cool

going to bed

keep me posted on jimin

hobi: of course

namjoon: gn all

y/n: night joonie ^3^

jk: gn!!!!!!!!!!!!!!!!

hobi: night

tae: it’s like 6 tf

jin: it’s 11:45 pm

tae: ok clock wtf

i said it’s like 6 not that it’s actually 6

jin: next time i see you i’m punching you in the face

goodnight namjoon

tae: WOAH??? GUYS ARE YOU SEEING THIS RN????

yoongi: thumbs up emoji

tae: jin just threatened me can we all care rn

jk: i care

tae: you care about the turtles right to freedom of speech

jk: they should be able to speak

tae: you’re a care WHORE

you care for everything

you’re care is worthless overused and slutted out

jk: but it’s still care 😢

tae: used and abused care

jk: 😥😢😭

tae: @y/n do you care

y/n: no

yoongi why did you type out ur emoji

yoongi: couldn’t be asked to look for the emoji in the thing

hobi: wait that’s so real fire emoji praying hands emoji dance emoji

yoongi: thumbs up emoji

jk: how do i unwhoreify my care guys

tae: @hobi do you care

hobi: i am done communicating with you today

tae: @yoongi do you care

yoongi: middle finger emoji

—

#nopeacealllove

tags: @piw6n @92jinnies @birdie-vhs @earth2ela @hob3loveofmylife @jujubiism @bloopkook @ratchetpizza1 @myntalks @arloo00 @watamotee33 @y2kcy3brz @taiwan0618 @freyadanvers @gguksbeloved @raetf @bbsantc @winuvs @medicinemybish @bxnnyhime @seokmyballs @baetukki @zyaaaszn @thelilbutifulthings @jazminethecreator @meowgiz @jmnscutie @threeopossumsinacoat @cynicalyoongs @lightningpussy54 @eunthv @gigiiiiislife @lowkeykin @iammeandmeisiam @socksfirstalways @knjlvr06 @lailaisarmy @thvkives @xstfudaisyx @xxxanimangxxx @solstice34 @ml8dy @hoeforseoks @futuristicenemychaos @featjunranghae @jksgirlfrl

[fallstaticexit]

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AN: TW this post contains a homophobic slur.

Transcript under the cut

Professor Munch: Everyone, this is Nancy. She’s one of my favorite students. I am so glad she can join us this evening to observe our weekly GSA meeting.

Nancy: And what is a GSA?

Morgan: It stands for Gay–Straight Alliance. It’s just a safe space for queer kids to hang out and talk about real world issues.

Knox: Yeah, we go out and do stuff off campus. It’s pretty tight.

Nancy: Queer? So...this is a club for homosexuals?

Darling: [sucks teeth]

Knox: [chuckles nervously] I mean, sure I guess? Me and Morgan are bisexual. That means we dig the fellas and the ladies, heh.

Professor Munch: What’s important is that this space is for everyone, from all walks of life. We support each other here, no matter who you love. We keep each other safe. That’s why I invited you to sit in on our session. I figured you could use a friend or two-

Nancy: Ugh! Oh my God? You think I’m- I’m not like that, ok!?

Nancy: I am not a homosexual! What the hell made you think I’d want to be apart of something like this?

Professor Munch: No, dear- I’m not implying you’re like anything! This club welcomes all people. I thought you could use the support. Why, your brother started the very first GSA at this school-

Nancy: Oh, don’t you fucking dare! My brother wasn’t some depraved pervert and I’m not a d****!

Darling: [jumps up, chair scrapes hardwood floor] What the fuck did you just say? You can’t come up in calling people that shit!

Nancy: I-I didn’t! All I’m saying is that I’m not like that! I’m not like you-

Darling: Not like who? Not like a d?****?

Darling: What the fuck is your problem? Munch, who is this bitch?

Professor Munch: Easy, Dee. Calm down-

Darling: Don’t fucking tell me to calm down! You let some straight white girl walk in here and say something we heard screamed at us our whole fucking life! Say it again! I dare you!

Professor Munch: That’s enough! Please! Let me handle this.

Nancy: [between sobs] M’sorry...m’so sorry...

Professor Munch: [sighs] Just, take some time to think about this, Nancy. Look inward.

Nancy Narrates: [Look inward] x3

Nancy: If it’s ok...I’d like to apologize.

Professor Munch: Everyone? Is it alright if Nancy speaks?

Morgan: I don’t mind.

Darling: [sighs] Whatever man.

Nancy: [exhales] When I first heard that word, I was 11 years old. My mother found letters I wrote to my pen pal. She mailed a photo of herself from her birthday party, she wore this really pretty yellow dress with little blue flowers on them.

Nancy: Yellow is my favorite color, so I said she was as pretty as a sunflower. My mother tore up the letter and made me rewrite it. She looked me right in the eyes and said, ‘do you want someone to read this and think you’re a-’

Nancy: She said it again when was 14, a girl from my ballet troupe was only brushing my hair. She pulled me from the class. She said it again two years ago, when she found out that I fell in love with-

Nancy: I know that word hurts because it’s been said to hurt me even though I’m not... It doesn’t matter if I’m not, I shouldn’t have said it. It was a horrible thing to do. I am so incredibly sorry.

Professor Munch: Thank you for sharing your story. This is what GSA is about. Coming together, creating a community, and creating safe spaces. Dee, is there anything you want to say to Nancy? Anything you’d like to speak on or about how you feel?

Darling: Nah...

Nancy Narrates: [I knew that an apology alone wouldn't suffice to mend the situation. When it came to friendships, I didn’t know how to genuinely make amends, but as a Landgraab, I knew that I could leverage my wealth and status to create a meaningful impact]

Morgan: You got us the biggest hall on campus?! Nancy, this is sick as fuck!

Professor Munch: [laughs] I’ll have to agree with Morgan for lack of a better word. This is sick as heck! I don’t know where to begin to thank you for this gift.

Nancy: It’s the least I could do. Now you can stop meeting in that tiny corner in the commons.

Darling: Charity work for your little sorority, huh? What’s with you, yo?

Nancy: What do you mean?

Darling: You’re so rich, you just buy your way through shit?

Nancy: It’s how I was raised.

Darling: I can’t figure you out.

Nancy: I promise, I’m not a bad person.

Darling: We’re not like everyone else on campus. We’ll show you something real. You gotta be real with us too.

Nancy Narrates: [I found myself wanting to do exactly that—to show them the real me, whoever she was]

Siobhan: I’m planning a party for the Thetas Friday night. Perfect opportunity for you to bond with your sisters.

Nancy: I’m a little busy Friday night...maybe next time?

Siobhan: Being apart of a sorority is more than just the cute merch and bragging rights. We’re involved with the community and with this campus. As a pledge, I do expect you to commit to these things.

Nancy: I know and I will. I just need to take care of something.

Siobhan: [sighs] Don’t let me down, sister.

[the group murmurs excitedly]

Professor Munch: You did all this, Nancy?

Nancy: I hope it’s ok I’m here. I figured you could break in your new room with a movie night. Everything is already taken care of, and I bought a ton of movies ranging from comedy to horror and everything in between. They’re all yours to keep! Same with the popcorn machine. I know I’m using money again to impress you but... I guess I’m still trying to figure out what it means to be real. Anyway, I hope you enjoy it all.

Morgan: Yeah, not so fast. Stick around, watch a movie with us!

Nancy: Are you sure?

Knox: Of course we’re sure, squirt.

[alexawynters]

Mommy Knows Best - w.m x r blurb

Summary: Wanda convincing R to let her to all the thinking for her

Warnings: Ehhh... allusions to manipulation, kidnapping, stalking.

A/N: So ahhh... I wrote this in 15 minutes while at work in a part of the office I very much didn't want to be in. This isn't connected to anything. I don't intend on expanding this bc I have no spoons and the plot bunnies won't settle on anything definitively. But if anybody wants to take a crack at it, pleeeeaaase do! Just like.. link me so I can read it because I am thirsty. Also all of this was typed up on my phone so sorry for any typos, or formatting issues. I left my laptop at home today like a dumbass..

Wanda's hand cradled your face with a gentle yet possessive grip. "I knew that you needed me the moment I laid eyes on you in that coffee shop."

Your eyes widened at the older woman's confession. Out of all the times you had met up with Wanda, it had never been at a coffee shop. Her implication that she had been watching you sent a bolt of fear down your spine.

"Such a sweet little thing, so easily flustered." She appraised you with a keen eye, searching for any hint that you might try to run. "You were just trying to substitute the milk in your coffee order, yet you couldn't even do that without nearly breaking out into tears. Poor thing. You just needed your Mommy to do all your difficult thinking for you, huh?"

The older woman's voice had taken on an almost saccharine quality, while simultaneously dripping with condescension. You couldn't have explained it if you tried, but something about her tone, her words, turned your head all fuzzy.

Alarm bells that should have been clanging loudly were but a distant detail in your peripheral, not worthy of your attention when the alternative was listening to Wanda's honeyed voice. You should be concerned. A normal person would be leaving this crazy woman as fast as their legs could carry them. Yet instead, you practically meted into Wanda's touch, almost craving it.

The witch gave a subtle smirk at the way your eyes glossed over when she talked down to you. This was going to be even easier than Wanda had thought. She might not even need to use her magic if you were already this responsive to her. Frankly, Wanda was delighted.

"Use your words, kotenok. I know you're just a dumb baby, and words are hard, but when Mommy asks you a question, I expect an answer."

Her grip turned firm, border lining on painful. Glassy eyes snapped open.

"Y-yes, Mommy. I just needed you to do all the thinking for me."

Your face flushed bright red as you spoke the words, but you couldn't bring yourself to take them back. Now that they had been released into the universe, the words rang true for you. They simply felt... right. Your trusting gaze met Wanda's domineering one, seeking any sign of her approval.

The older woman gave a salacious grin, very much reminiscent of a cat who caught the canary. "There's my good girl," she cooed, caressing the apple of your cheek with her thumb.

Lulled into a false sense of safety and security, you tilted your head. Leaning into her touch, you were practically simpering from her praise and touch. Why had you ever been concerned, you wondered? This was Wanda. She would always take care of you. She would never even dream of harming you. If only you knew the extent of the very real danger you were in, you might have tried to run. Not that you would have gotten far, but Wanda might have enjoyed the thrill of the chase.

Nevertheless, she had you right where she wanted you and why make it unpleasant when you were so... willing? The witch reveled in how pliant you were. Like putty in her hands, ready to be shaped and molded into the perfect plaything for her.

"Now kotenok," she said softly. "Why don't you go get changed into something comfortable and we can watch movies? I took the liberty of bringing over some of your clothes from your apartment as you won't be staying there anymore."

The former Avenger patted your cheek gently, sending you off on your way. It was only a few feet you had made before hesitating, turning to look at the older woman.

"Mommy...." You tried the title, and it rolled off your tongue surprisingly easily. "Why. won't I be staying at my apartment anymore? I'm still paying rent on it for another seven months." Uncertainty rolled off of you in waves.

Wanda bit the inside of her cheek, reigning her temper in. She needed to be understanding, but firm with you if she planned to get you completely under her thumb without scaring you off.

"You let Mommy worry about all of that. Those are big girl thoughts, and you wanted Mommy to do all the thinking for you, isn't that right?" Her voice was filled with exaggerated patience and condescension.

Part of you wanted to push the question. If you weren't going to be staying at your flat anymore then Wanda must mean for you to stay with her. Unfortunately, you couldn't afford rent in both places, so if you needed to sublet your flat, the sooner you knew for sure, the better. Not once did you question how, when, or why the redhead had picked up your clothes, being so focused about this rent situation.

Still, as you caught Wanda's steadily hardening gaze due to your lack of immediate cooperation, you could have sworn you almost saw a subtle flash of scarlet in her eyes. Opting not to upset the woman you were quickly falling for, you promptly turned on your heel, intent on doing as she had asked.

Unbeknownst to you, Wanda Maximoff was observing your trailing form with a razor-sharp gaze. She felt triumphant, everything was going according to plan, and you were honestly making it too easy on her. Soon you would belong to her, and by the time you realized, it would be too late.

A/N 2: What are we thinking? Bin it? Try to write it from the beginning? Or maybe keep going and only have the beginning appear in flashback format? I know I need to update Scarlet Whispers and I'm gonna, I swear! Just... effort. lol

[bethanydelleman]

To be frank, I find the introvert/extrovert discourse online insane and completely ridiculous. People will fight to the death about if a character, Elizabeth Bennet, is an introvert or an extrovert, and people: they are opposites. If I/E aren't easy to tell apart for a main character of a novel, the categories are meaningless. But then oddly, considering that no one can tell I/E apart, extroverts are also some weird totally different species from introverts.

But Elizabeth Bennet is an extrovert and checks every single extrovert box and the reasons real internet people keep giving that she isn't are bonkers:

She takes solitary walks. I have some crazy news for you, extroverts can walk. I, a certified extrovert, take solitary walks nearly every day because I have a dog, whom I adopted knowing I would take her on these walks. It's shocking I know; I don't even die of loneliness at all! Consider for a moment that Elizabeth Bennet spends all day surrounded by four sisters and a very talkative mom, not surprising she takes walks alone occasionally. You'll also notice that she does invite her sisters along most of the time.

She reads. More shocking news: extroverts can read. Some of them read a lot. You know enjoying being around other people doesn't exclude reading. In fact, in the Regency you could even read aloud as a group activity! That is something we see in the novel. And Elizabeth also puts down her book when she finds a conversation more interesting.

She processes issues internally. That is not her preference, she likes to talk it out with Jane. When she's leaving Hunsford, Elizabeth is desperate to finally talk with Jane about all the crazy stuff that has happened to her, but she is forced to conceal a good deal of it because it's about Jane. She can't discuss Darcy with the Gardiners because his proposal is a secret, but she is eager to talk about the Lydia thing and learn her uncle's opinion. Also, extroverts are fully capable of processing internally, because again, not a different species.

She has trouble talking/feels awkward after the second proposal. Who wouldn't be awkward? Do people honestly think extroverts never feel awkward??? Not even when they love a guy that they verbally destroyed a few months ago? Not even during a confession of love? We uh... do. We get awkward too. In fact, sometimes when an extrovert talks rapidly, they are trying to talk their way out of an awkward situation. I have to work myself up to making phone calls.

Anyway, it drives me totally up the wall. Elizabeth Bennet is an extrovert, she thrives around people. Both end couples, Jane & Charles and Elizabeth & Darcy, are introvert/extrovert pairings, which is fun. If you want an introverted heroine, Jane Austen wrote five of them and they are all excellent: Elinor Dashwood, Marianne Dashwood, Fanny Price, Jane Bennet, and Anne Elliot. Catherine Morland, Emma Woodhouse, and Lady Susan round out the extroverts. It's awesome that Austen had such range in heroines.