#I was the original ‘Taylor Swift hit a dude with her car’

[gods-favorite-autistic]

Shoutout to my mom for having so much confidence in me to the point where she basically accused me of plagiarism in 6th grade because the writing in my poems I wrote for an assignment was “too good”

[resmarted]

here i am again, smashing the crystal vases and good china, ravaging the beautiful dining room and chucking antiques across the room. i want to be done here, i want to be done here! i want to move on, but to what? i can’t remember how to even be a person, i can’t find the light and this tunnel is so dark and endless, we don’t even have headlights to guide us. i came here to bring you on a date in the stylings of nineties classic it takes two starring kirstie alley and the olsens, except instead of mka we are switching them out for young taylor swifts, that’s right two of them, which is all i could think about the entire time i rewatched it again. so here goes nothing, we open on a street corner in philly because this is our version and the ahhccents are gonna be mewr sewth philly than ahhhnything. taylor swift number one, let’s call her taytay the scrappy orphan that has self-professed lousy english like aintcha gonna wanna git ewta here before they catcha? nobody even blinks and in pigtails and a worn out backwards baseball cap on her head, this ten year old who is probably played by an eight year old swift bc coming from a fellow tall person we just sprout from the crib it’s nuts, i’ve always looked older than i was from being tall. so eight year old swift is playing ten year old scrappy orphan taytay who is always chewing gum and has a baseball bat as kirstie alley (YOU.) look out the window and yell at her like, cmahhn tay! you got an appt with the butkis’ and i told u not to get that dress dirty! and tiny taylor chewing gum is like awww cuhmuhhhhhn doi-anne! just lemme knahck this one outta the pawrk first! that’s not the line it’s something else referencing the fact that they’re playing in the middle of the street of their inner city neighborhood. she is the pretty white girl of the orphanage so it makes no sense she hasn’t been adopted but is of course the star athlete of the kids and favorite of the social worker you-kirstie alley. she is accosted by kids and called a reject and lil taytay’s all why i awwwghta! she’s making her best >:| face, and pop goes the weasel she hits the ball and probably breaks a window or something and as she runs to the cab the kids are like, the butkis ppl are creeps that collect kids! and taytay is tayrrified before threatening the other kids with her fists in the air as the cab drives away. cut to a close up of a nineties cellphone and private plane landing, and taylor number two is wearing a practical pantsuit in beige and just won another piano competition, and she overpronounces all of her t’s at the end of her words. let’s call her fancita. yes i’m serious, i’m already so tired and bored of this story, it was way more exciting after rewatching the other night. whatever this story is just a remix of the parent trap anyway and that’s why we have two baby swifts and don’t ask me why, don’t ask me why i’ve taken you this far down the rabbithole but let’s just keep going until we find each other. so fancita is an aristocratic princess that plays tennis and i don’t know, i’m just trying to get to the part where they are like omg let’s get this social worker and rich man who has a cell phone company before that’s even a thing, and while orphan taytay is in danger of becoming the next adopted butkis - which in this version is just straight up trafficking ring i mean come on, they were pedos and it was heavily insinuated in the movie, but basically she’s in danger of being adopted into an abusive hellhole and fancitay is like hey girl hey! when her butler arrives to pick her up from her private jet. the nineties always portrayed wealth with these long ridiculous limos and british butler limo drivers, which as we now all know rich people are just driven in cars w tinted windows and the only people riding in limos are seniors in high school, but i digress. she meets her new soon-to-be stepmother, also played by taylor swift, present day style. she’s all, when i was your age i had already been through three stepmothers, you’ll be in a tibetan boarding school as soon as the wedding is over tomorrow! for this she is in her satanic red high priestess dress from lwymmd, golden snake rings at all. actually let’s just say at some point she’s bathing in diamonds as well, i mean there are many versions of her current snake-embraced image that we can use for this but that’s not the point, it is that im not even in love with grown taylor swift! i am just trying to fill the void of my dead wife who loved children and built a camp conveniently across from the literal castle we live in. i haven’t been there since, pushes back hair like sigh, since she died ten years ago right after fancitay was born. i’m all, cell phones, i hate the damn things. back when i invested in them everyone thought it was just something out of star trek and now i’m a lonely billionaire marrying snake taylor in a haze of confusion and thinking that’s what i should do, fancita needs a mother after all. you’re a tough talking protective mama bear that wants to adopt orphan taytay but you’re just a social worker and what? the butkis’ already had the paperwork go through to adopt her?? i come to find you after a failed horse meetup planted by the taylor twins to apologize for leaving you to get yelled at by steptaylor, and you’re like look keep your fancy cell phone company lifestyle and keep it moving, bucko! in the movie they get into a food fight but i’m not trying to go that deep, but basically we fight until you, an enraged four foot two version of kirstie alley okay you’re actually just a tiny goth and i’m a clumsy ogre, that part never changes. you push me with all your might, not necessary trying to push me into the river but it happens and i’m all, oh my god i feel like a kid again! this must be love! okay but seriously, that part’s the realest. i do feel like a kid again, and this must be love, mustn’t it? what will our tiny taylors tell us? we don’t know what it is or why, but it makes sense because we feel it, i can feel you. even when you say to your fellow social worker friend (played by your bandmate and beloved drummer) guys like that only date girls with food names like candy or muffin or cookie, and princess taylor disguised as orphan taylor turns around from her archery practice, greatly offended and snapping back, his dead wife was a teacher that loved kids and built this camp and she wasn’t a food her name was kathy with a k played by kourtney in a brief shot of her glamorously in a casket but dripping in jewels and hands delicately crossed over her chest. whatever, goth kourtney fantasies are not the point ok i know that. you look at princess taylor disguised as pauper taylor and are like well excuse me jeez, you don’t gotta bully me over it. sigh so then the state comes for her and accidentally send my daughter to some terrifying child sex ring that nightmares are made of and turned into dateline episodes, and this one is no less horrifying. orphan taylor shows the butler various scars and marks and bruises to show that she’s a fraudulent child that happens to just be another cute blonde that adults didn’t look closely enough at and notice bc they aren’t actually twins in this story, they’re just strangers that look alike. which honestly is prob when they first really started making the olsens insane irl like, pitting them against each other by pointing out fraternal differences and how one was the cute one the other was just the sister oh, don’t even get me started, dear. steptaylor comes home with ultra long extensions like repunzel after sneaky orphan taylor put gum in her hair. the original she gets it all cut off and suddenly her loss of beauty is signified by a short haircut which is so dumb and we just can’t agree with something so stupid, so in this she comes back with thousands of dollars worth of hair that isn’t hers just to prove her worth and appeal, which honestly is much sadder than a short sassy do any day. we get to the home of the butkis’ but no one answers and a neighbor who in the actual movie looks exactly like mike, like no shit just put a bass on him and it’s like every dude in a band probably but him specifically - unless i hallucinated it, the point is! he originally says oh that guy works those kids into the ground at the factory all day, or something like that, but in this version maybe he just shudders bc everyone just gets the pervy vibe from this butkis guy. the door gets kicked in as they are just about to initiate her into the butkis cult of abuse, and i don’t know i think it just ends with like, kirstie alley and the dad kissing? like they don’t get married or anything i don’t think. which leaves so many questions open like, if they do end up getting married, will the taylors become friends? will fancita resent taytay for taking up space and attention away? or will she be so grateful for good mother that everything will be fine and normal and fall into place? it seems like they’re all destined to end up on doctor phil. i mean, what happens when this bonehead (me) doesn’t continue to invest properly and his dumb luck cell phone business inevitably plummets because by the late nineties they’re a dime a dozen and each one is a sinking ship. what happens when they go bankrupt and all have to be poor, will they stay together? will princess taylor be like this is all your fault you’re bad luck with your poor people vibes! bc she can’t understand the crashing economy and how this is just what happens to people, one day you can be rich and the next totally broke, and it’s not really anyone’s fault. are you going to still love me even though i am horrible at saving money is what i’m asking? like, can you just quietly move money around in my accounts for me and put stuff in my savings when i’m not looking? because if i see literally any extra change i’m going to be like time to go eat giant cheeseburgers and drink ourselves into a coma! i got a groupon for a hotel stay in florida, let’s road trip! i know what your biggest concern is besides money and it’s because i know you like the back of my head (not at all), but the answer is no, steptaylor drowns in a sea of snakes at some point because i don’t have time for a decent end for her. i feel like it should be more feminist, like maybe she gets a job slinging mary kay and in the process realizes not only is she a boss at making her own income but that she doesn’t even need the amount of makeup she had been using before. she has like her own spiritual journey in the background somewhere far, far away from us and our super exclusive love, as well as our twin daughters taylor one and taylor two. i have completely forgotten their names by now but i’m just here to see if you even still love me. well? do you??? i’m just trying to prepare you for when i’m like, starting every other sentence with “you know when my wife died…” at really inappropriate times like, to a cashier in the checkout line or just in bed when we are having a romantic evening that i was bound to spoil in one way or another, so it may as well be with dead wife talk. you will probably just laugh and attempt to smother me with a pillow for being so, so embarrassing. i miss you i love you i hate you i don’t know you. i want you. do i ever even say anything else anymore? i mean it is halloween season so technically i don’t have to be original, right? you are the only ghost i could ever truly love, and that’s saying a lot seeing as how i arrived to this world haunted. pls tho, don’t ever stop being my best boo.

[amazingviralinfo]

Wests life and music have combined into an ongoing piece of performance art one that appears unsustainable at this pitch

In an era when the likes of Beyoncé can release perfectly formed records without warning, the saga of Kanye Wests seventh album has been comically messy. He first announced it a year ago, under the name So Help Me God, but postponed its release by several months while renaming it Swish, Waves and, finally, The Life of Pablo.

In the weeks prior to its grandiloquent live-streamed launch at Madison Square Garden on Thursday an album playback featuring celebrity guests and an army of black models debuting Wests latest Yeezy fashion line he posted a series of perplexingly self-destructive tweets on topics including his ex-girlfriend Amber Rose and Bill Cosby. Even for a man who clearly subscribes to Oscar Wildes dictum, There is only thing in the world worse than being talked about, and that is not being talked about, it was a bizarre display.

West, 38, is arguably the most important pop artist of his era and certainly the most compelling, for good or ill. He speaks, and indeed acts, in superlatives. In recent years he has described himself, not always entirely seriously, as the greatest living rock star on the planet, the new Steve Jobs, a potential US president and, simply, the nucleus. Inevitably, he inspires extreme reactions.

When he was booked for last years Glastonbury festival, more than 130,000 people signed a petition calling for an insult to music fans all over the world to be dropped. The vehemence of such attacks on an apologetically outspoken black man doubtless had a racist dimension but that alone does not explain why the rapper is such a uniquely polarising figure.

West was brought up to achieve great things. Born in Atlanta, Georgia, but raised in Chicago by his mother, Donda, an academic, he was given the name Kanye meaning only one Omari wise man and she taught him above all to love himself. In her memoir Raising Kanye, Donda wrote that West inherited from his father Ray, a former member of the Black Panther party, little patience for what he thinks is unjust. Wests kindergarten teacher said to Donda: Kanye certainly doesnt have any problem with self-esteem, does he?

That dude was focused since he was a shorty because he knew what he wanted to do and he had a mother who supported the shit out of him, his friend and fellow rapper GLC once told Complex magazine.

Kanye West in 2004. Photograph: Frank Micelotta/Getty Images

After enrolling at art college in 1997, West dropped out to pursue production work for the likes of Jay Z, with a signature sound based on accelerated soul samples, and then fought doggedly to be taken seriously as a rapper.

I realised that he was going to make it happen and he didnt mind being an asshole, Damon Dash, Jay Zs partner in Roc-A-Fella Records, told Complex. If you dont mind being an asshole, youre not going to lose. He wasnt scared, he had gall. A decade later, West told the New York Times: I knew I was going to make it this far; I knew that this was going to happen.

In October 2002, West was involved in a car crash that shattered his jaw and changed his life. He was convinced that God had saved his life and that he needed to write more profound lyrics. He described this epiphany in his 2003 single Through the Wire: a superheros origin story in which he emerges from a life-threatening accident stronger than ever. I knew I was dealing with a different human being after the accident, his managerGee Roberson told Complex. From that day forth, it was game on.

Unlike his mentor Jay Z, the middle-class West couldnt draw on a violent, hardscrabble youth for credibility so he had to create his own drama, trumpeting his talent and ambition to a degree that was unusual even by hip-hops self-aggrandising standards.

Im the closest that hip-hop is getting to God, he told journalists at an album playback in 2005. Talking to the Guardian afterwards, he described his florid braggadocio as both a form of self-motivation and a theatrical performance. Its like Im walking on this tightrope. Its like, damn, what if he falls? And if I do make it, its like, damn, he made it! But either way youre saying damn. Everybody else is just walking on the ground.

West backed up his rhetoric by constantly redefining what hip-hop could be. The College Dropout (2004) bridged the gulf between mainstream rappers and socially conscious underground MCs. The lavish Late Registration (2005) was co-produced by thefilm score composer Jon Brion. The Daft Punk-sampling, Nietzsche-quoting hit Stronger, from Graduation (2007), began hip-hops lucrative liaison with EDM. Most of its current stars, including Drake and Kendrick Lamar, walked through doors that West opened.

West is a tireless enthusiast with constantly expanding tastes and an ear for whats next. He has been adept at choosing collaborators, from big names such as Rihanna and Daft Punk to up-and-comers such as Arca and Kid Cudi, and taking inspiration from fashion, cinema, architecture and visual art. He is a famous perfectionist who claimed to have mixed his single Stronger 75 times before he was satisfied.

Logic would seemingly state that an album with so many people working on it would sound disjointed, but what Kanye manages to do is get the best out of everyone working towards one sound, the producer Evian Christ told Pitchfork in 2013. You cant really overstate how difficult it is to do that.

West is also an unpredictable lyricist who is equally capable of self-aware jokes, crass, misogynist punchlines and eloquent examinations of race and class. Early in his career, he spoke out against homophobia in hip-hop and blurted out George Bush doesnt care about black people during a telethon for victims of Hurricane Katrina, although he has only sporadically engaged with politics since. He is often at his best when he is being inappropriate. (Five years later, Bush called the incident the all-time low of his presidency.)

Wests behaviour changed dramatically after Donda Wests death in November 2007, from heart disease. He rarely talks about the loss but last year told Q that he blamed himself: If I had never moved to LA shed be alive. West became a more haunted and guarded figure, returning to music with 808s & Heartbreak (2008), a brave, introspective album that featured more Auto-Tuned singing than rapping and paved the way for Drake and The Weeknd.

Kanye West takes the microphone from Taylor Swift as she accepts her award during the MTV VMAs in 2009. Photograph: Jason DeCrow/Associated Press

The loss of his mother invited sympathy but the next turning point in Wests life inspired fury and derision. In 2009, he interrupted Taylor Swifts acceptance speech at the MTV Video Music Awards, bringing to the boil a long-simmering backlash. (West ungallantly references the incident on his new song Famous.) He retreated to his bunker if Hawaii can be called a bunker and made his decadent epic My Beautiful Dark Twisted Fantasy (2010) with a legion of collaborators including Nicki Minaj, Bon Iver and Elton John. He later described it as a long backhanded apology.

In recent years, Wests ambition has become both grander and more diffuse. During interviews and concerts to promote Yeezus (2013), an audaciously abrasive electro-punk primal scream that he called a protest to music, he delivered long, furious monologues about his struggle to break into the fashion industry.

He increasingly seems more interested in clothes than in music Right now, over 70% of my focus is on apparel, he told Paper magazine and much more besides. He has compared himself to such world-changing figures as Picasso and Walt Disney, befriended the tech stargazer Elon Musk, and talked about his ambition to inspire an army of risk-taking cultural soldiers. You can see the growth from Im gonna be this great artist to I wanna do something that ignites a fire in peoples souls, he told Q.

However much credit West gets, it is never enough. In a 2013 interview he compared his critics to the eight-grade basketball coach who would not include him in the team even though he hit every shot. The next year, he made the team. West is driven by the desire to prove his doubters wrong, and fired up by his previous ability to do so.

While most high-profile artists accept that they cannot please everybody, West craves approval from establishment institutions that he appears to hate, from the Grammy awards to European fashion houses, as a point of principle. I dont care about the Grammys, he told the New York Times. I just would like for the statistics to be more accurate.

It is unclear what will happen when West can no longer hit every shot. The singles he released last year, including collaborations with Paul McCartney, were coolly received. His Glastonbury performance promised to be either a triumph or a disaster but, most reviewers agreed, fell somewhere in-between. Pitchforks Jayson Greene wrote: He is responsible for the current zeitgeist, but listening to his slightly confused new material, you get the distinct sense that hes struggling to find his current footing in it.

Reading Wests recent tweets, it is impossible to work out exactly what he is trying to achieve. He is clearly a more volatile and erratic character than he used to be. Marriage and fatherhood are often stabilising influences but marrying Kim Kardashian in 2014 has pitched West into a tabloid world with an endless appetite for gossip. It is unlikely that he could retreat from the spotlight, as he did in 2009, even if he wanted to.

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Kanye West releases album and fashion collection at Madison Square Garden

His life and music have combined into an ongoing piece of performance art which is unsustainable at this pitch. No artist can remain the nucleus of pop culture indefinitely. One day, this extraordinarily successful figure will face the new challenge of learning to cope with no longer being the man everyone is talking about.

Potted profile

Born: Kanye Omari West, on 8 June 1977 in Atlanta, Georgia

Career: Began producing music for local Chicago rappers in his teens and landed his first high-profile job in 1999. Launched his solo career with The College Dropout in 2004. Has released six platinum albums, won 21 Grammy awards, designed several clothing lines, and featured twice on the Time 100 list of the most influential people in the world. Runs the record label Good Music and the creative content company Donda.

High point: Bouncing back with his magnum opus My Beautiful Dark Twisted Fantasy in 2010 after his snafu at the Video Music Awards temporarily derailed his career: even Barack Obama called him a jackass. In December 2014, Pitchfork named it the best album of the decade so far.

Low point: The death of his mother in 2007, soon followed by his split from fiancee Alexis Phifer.

What he says: I will die for the art, for what I believe in, and the art aint always going to be polite.

What they say: Hes a brilliant madman. He cant help himself. Like, he doesnt have the same filters other people have. He has to blurt things out hes always saying inappropriate stuff. But he also has brilliant ideas, if you can get him to pay attention long enough Madonna.