#I was really into Fullmetal Alchemist in middle school when I first started using this user name | Explore Tumblr posts and blogs

paralumansakalyetrese · 3 years ago

Text

Of Clovis, Lelouch, and Killing Siblings: An Overly Critical Analysis

NOTE: THIS IS AN ADVANCE NOTICE THAT YOU ARE ABOUT TO READ A PIECE ON MURDER, MENTAL HEALTH AND OTHER TRAUMATIC THEMES. READER’S DISCRETION IS ADVISED.

Code Geass remains one of my top anime series of all time (second only to Fullmetal Alchemist Brotherhood). I first saw it back when I was still in gradeschool (2010), and I can still recall my incredibly malleable pubescent mind being blown to metaphorical tiny bits. Whatever I saw at that time, the characterization, the writing, the premise, (I can’t remember) really agreed to my appetite after having just finished consuming 37 episodes of Death Note in a span of two school nights. Now, a decade later, I decided to revisit the series and boy oh boy. It’s still as hair-raising as I remembered it to be. But now with the mind of (*cough) an adult with four years of serious college publication experience under her belt (I GOT PAID. YOU KNOW IT’S SERIOUS WHEN THERE’S MONEY INVOLVED), one diploma for a Bachelor’s degree, and two years in medical school, I came to appreciate the tiniest details that I may have missed during my first view of the series. One of which is the death of Clovis la Britannia, 3rd prince of the Holy Britannian Empire. It was a pivotal point in the story, but not in the way I had initially thought it to be . Yep. His death did cause Cornelia and Euphemia to transfer to Area 11 and for Jeremiah to start his purist rally, but those are not the best part about it.

SPOILERS ALERT! Fasten your seatbelts because things are about to get technical and overly critical.

Re;view: The day a demon was born was also the day a prince died. Viewers loved Lelouch vi Britannia and his flair for the dramatics. This is evident in the fact that he was voted the most popular male anime character in the Anime Grand Prix THREE TIMES. (How about you? How many times were you voted most popular? Kidding. Why am I hurting myself?) His main selling points are his genius-level intellect, good looks, good background, and machiavellianism going off the charts. We all love it when our heroes go all manipulative and cunning, and Lelouch is an absolute Slytherin. Looking back, I was eating it up like woah after watching L and Light Yagami double-double-cross each other in Death Note. It was the era of edgy heroes. But unlike Light, fans loved Lelouch- this is interesting because they are practically reflections of one another. (That’s not the point of this word vomit; I will write more on that in the future though.) Code Geass R1 started off with a very bold scene after the customary montage. The writers made an interesting choice with the chess battle between Lelouch and the noble. This effectively gave us a headshot of our main character: Lelouch Lamperouge. Student. Genius. Gambler. Maker of miracles. (Yes, the last one is intentional. Please laugh.) It was established early on that this Lelouch boy is different from all the other students you’ve encountered in the past. (Who would’ve thought Code Geass dipped into the Wu Xia pocket of tricks before it got popular ammaright? Errr... No. Actually this is more appropriately referenced to the Chunibyuu culture, but humor me in this one.) We were also given a glimpse of Clovis, then viceroy of Area 11. But the way he was eased into the series was more lackluster than the introduction of Lelouch. It’s quite an irony because Clovis’s first appearance is him giving a passionate televised speech about a truck of (cough) poison gas (cough) being stolen by the Eleven terrorists from the Britannian government. The scene panned out to reveal him giving the said speech in the middle of a party. At this moment, of course, I got the sense that Clovis was written as just another corrupt government official. But if you look at the script or storyboard sequence, you can see that this alone does not make a very compelling case for his death later on. He’s also Xenophobic and elitist, by the way. The episode proceeded with Lelouch briefing us to the world of Japan/Area 11 post-Britannian invasion. We see this bizarre alternate universe unfold right before us one petal at a time. This is a particularly great choice for the narrative, because the writers did a good job revealing to us how our protaginist sees his own world: Is he optimistic? Is he a committed critic? Etc. Etc. Fast forward to episode 3, where Lelouch killed Clovis, we weren’t really given a view of Lelouch shooting the prince into the head. If you think of it long and hard, this comes out peculiar. Code Geass is not one to shy away from depicting its characters shooting themselves at the command of His Highness, Lelouch vi Britannia, to “DIE.” But, why is it that we weren’t given the satisfaction of seeing Clovis’s lifeless body? Instead, we were treated with a screen blank.

No Joffrey Baratheon moment. Why was there no crime scene shot? The answer lies on the context of how the scene was closed. Lelouch vomited right after the screen blank, hence ending his remembrance of what happened to Clovis. Before shooting Clovis, he said, “You cannot change the world without getting your hands dirty.” Let me break this to you one by one. A. Lelouch has PTSD Vomiting in anime (and other pop media) is a common act presented right after killing someone. Medically speaking, it is actually a symptomatic presentation of Post-Traumatic Stress Disorder (PTSD). According to a paper by Michopoulos, et al. (2019), they found out from a cohort investigation that peri-traumatic nausea- or vomiting around the time of the accident- is a prospective predictor of PTSD symptom development. The list of potential traumatic events is quite long, but killing one of your brothers definitely made the list. We can also see in the series that everytime Lelouch remembers Clovis’s death, he gets this urge to vomit. Does it mean that our favorite anime character has PTSD or- at the very least- is slowly developing one? It could be. One very common misconception about Lelouch is that he is either a psychopath or a sociopath. But there has never been an indicator of him being one or the other. A true psychopath is someone who cannot feel remorse even after commiting a crime, but usually this person would have the presence of mind to evade capture and lead a normal everyday life. Whilst a true sociopath is someone who exhibits erratic and rage-prone behavior (mha-em.org). With Lelouch experiencing acceptable periods of highs or lows and having the capacity to plan extensively to achieve his goals, he is therefore disqualified from the criteria of both psychopathy and sociopathy. Furthermore, having a metaphorical “blank memory” in literature also meant that the event is something that’s far too scarring for the character to want to remember. Now, Code Geass is an anime that tells a story using a shifting point of view. This means that we can see what each character thinks during a specific situation so long as it is relevant to the narrative. For me, the blank screen effectively emphasized that Lelouch was traumatized from killing his own brother. But he already killed a group of Britannian soldiers earlier, why is there more weight emphasized on the former than the latter. Is this because they’re brothers? To resolve this, let me borrow a beloved quote from Joker in the Dark Knight, “Do you want to know why I use a knife? Guns are too quick. You can’t savor all the... little emotions. In... you see, in their last moments, people show you who they really are. So in a way, I know your friends better than you ever did. Would you like to know which of them were cowards?”

In Lelouch’s situation, the guns would be his geass and the knife would be the gun he used on Clovis. (Quite confusing but bear with me on this one.) Somehow, shooting Clovis himself made the situation more real than the detached death sentences (pun intended) he gave out using his geass. This puts meaning on his statement before shooting Clovis, and hence brings us to the next point- which could be the other implication of the blank screen. B. “You cannot change the world without getting your hands dirty,” is the true moment Lelouch the demon was born. If Clovis's death became Lelouch's true point of no return, it is only fitting to use a clean transition from it. The blank screen could be akin to awakening from a long slumber wherein he is nothing but another face in the crowd. But if you can recall, Lelouch has already given his long protagonist speech way before episode 3. It happened at the end of episode 1. So how did I arrive at the conclusion that the true birth of the demon happened after he murdered Clovis? Why is it the true point of no return? When Lelouch commanded the Britannian soldiers to kill themselves on episode 1, we were treated with an interesting facial expression. (Another interesting thing I've noticed; try playing this scene side by side with R2 episode 1's sequence of C.C. triggering the return of his memories.) It lasted approximately 20 seconds on screen. The expression itself is not just a single emotion, rather it is a series of emotions and thoughts. As if he does not know what to feel, culminating with- finally- our beloved smirk of triumph and realization. Here's my resolution: What if everything that transpired from that moment to the moment he killed Clovis, was just a showcase of his naivete. What if he hadn't trully realized that his life was about to change? Still one would feel compelled to ask, "Didn't he just command the Britannian soldiers to kill themselves? And didn't he just witness C.C. die? Plus, didn't we witness with him the massacre of Elevens in Shinjuku (which included babies by the way)?" I have already given a potential answer to the first. As for the second and third, it would do well to remember that Lelouch came from Britannia where the ultimate law is survival of the fittest (or so we are lead to believe from Charles's impassioned speeches). Using other people is the norm there. Additionally, we do know that Lelouch actually witnessed the murder of his own mother, plus Britannia invading Japan. He has already been desensitized to death and violence at some degree. But it is probably accurate to assume that he had not killed anyone prior to Clovis. Hence, justifying how pivotal it was for his character. He had effectively detached himself from the deaths he had caused, but not from the death of Clovis. Because quoting him, he "got his hands dirty".

So in summary, Clovis's death was valuable not only as a stepping stone to bringing Cornelia and Euphemia into the scene. It is valuable because it actually highlighted Lelouch as a weak human and then re-introduced him as an empowered "demon".

#anime analysis #anime psychological analysis #anime literary analysis #anime scene breakdown #code geass r1 #code geass #code geass literary analysis #code geass psychological analysis #lelouch lamperouge #lelouch vi britannia #clovis la britannia #lelouch vi britannia analysis #lelouch killed clovis #the day day a new demon was born #anime

40 notes · View notes

itsclydebitches · 4 years ago

Text

YYH Recaps: Episode 1, Surprised to be Dead

Hello, all you hypothetical readers! It's a beautiful spring day and I have a free afternoon ahead of me, so what better time to start another massive project while I guilty stuff my other WIPs deep into the depths of my hard drive? Yeah. Iffy life choices aside, someone mentioned a few weeks back that they'd love for me to recap a show I have more positive things to say about than negative (RIP RWBY) and ever since Netflix announced that their live-action adaptation of Yu Yu Hakusho is in the works, I've been itching for a re-watch of the anime. With the RWBY hiatus underway, it seemed like the perfect time to fulfill both desires.

Before we begin though, I'd like to touch on a few things that are going to influence this project.

First, YYH is near and dear to my heart. Written by Yoshihiro Togashi in the early 1990s and later adapted for an American audience by Funimation, I had the pleasure of experiencing this story five different ways: as a serialized tale in Shonen Jump, a binge read when I had the money to buy the manga, tiny snippets of the anime on Adult Swim late at night — don't tell my parents ;) — as an after-school treat on Toonami, and then years later as a re-watch when I introduced it to a friend (who, in turn, blessed me by having us watch Fullmetal Alchemist next). I used to keep a Hiei bookmark in everything I was reading, the spirit gun made it into our witch-wolf-space adventures on the playground (middle school was wild), and there was a long period of my life where I tried very hard to teach myself to stand with my hands behind my back, precisely as Genkai does. Spoiler alert: I failed. So to say I love the series is... a little bit of an understatement. I bring this up simply as a way of demonstrating that there's more than a bit of nostalgia attached to YYH for me and that will inevitably cloud my reading of it. How can it not? So that's just something to keep in mind as I work through a series that, like any having hit its 30th birthday, has its outdated, flawed, and other questionable aspects.

Second, but very much connected to the first point, is that these are pretty casual recaps. I summarize and extrapolate, focusing primarily on plot and dialogue (but with the occasional cinematography aspect tossed in). I'm not conducting research on the cultural history here — something that will come up at least once in this episode — I'm not arguing an overarching thesis, and I've never been someone who focuses on the author/production/trivia of a series. I'm here for the story as the story is presented to the viewer. If you've read my RWBY Recaps, this will function precisely the same way, with the only difference being I'm engaging with a finished text as opposed to an ongoing one, so there’s a lot less, “Maybe ___ will happen” theorizing going on.

Third, I obviously recommend that you watch the show yourself (you can find it on YouTube!), but you don't have to know the series to follow along. As these massive paragraphs attest, I tend to be both detailed and verbose, so we'll be covering every major plot point — and most of the smaller ones too.

Finally, I'm working from the dub. I know, I know, the horror. But it's what I grew up on and, honestly, I think it's superior to the sub. YYH's dubbing is in a class all its own and to this day there are very few shows that compare to it. Trust me, it's a good call.

That's enough of the boring chit-chat though. Let's get started!

Our very first episode "Surprised to be Dead" opens on a crowded street. We see lots of traffic, people going about their business, and a pedestrian crossing sign that, crucially, turns red. This is our normality and, like in every genre story, you need to break that normality at some point so that the protagonists can go on their fantastical/supernatural/science fiction journey. YYH eases us into things by first breaking the normality of an everyday afternoon: there's a screech of tires, quick shots of a man pushing a child out of the way of an oncoming car, and then his back is hitting the windshield. We begin this story with a horrible — but otherwise mundane — car crash.

Now, these flashes alone have a fair bit to unpack. Despite later getting a brief shot of the man's scared face right before he's hit, the moment's focus is really on the child. He's the one foregrounded in the initial, slow-mo shot. He's the one who appears in color while the man is kept in shadow. This isn't just a hit, it's a rescue. The camera is also careful to follow the soccer ball this kid was playing with (more on that later in the episode), with it flying through the air as the man is hit and bouncing to a stop in the street, acting as the dramatic finish. It's childhood! It's innocence! It's play on a sunny afternoon! And it's all gone wrong.

This moment is chaotic and even a bit confusing. Not in the sense of what's happening — that is quite obviously a guy being hit by a car — but who the victims are, how precisely this came about, or even why we're meant to care about this beyond a generic capacity to feel for other human (fictional) beings... that's all removed. And it works. As the crash takes place, the camera pans across the stunned crowd and we, the viewer, become a part of that crowd. They don't know what precisely is going on either. We're all just horrified onlookers as a sudden tragedy takes place. We're all watching the same show.

So everyone realizes this guy has been hit. People are staring in shock and someone calls for an ambulance. We see the driver fall to his knees in the street, distraught, shakily saying, "I didn't mean to..." It's a very serious and emotional scene that —

— is immediately tempered by this guy waking up, complete with a cute 'pop!' sound effect when he opens his eyes.

This is YYH's brand, this Very Serious Circumstances skillfully interwoven with casual indifference/comedy. It's admittedly far from a unique brand, but it's an excellent choice given that this is the same attitude that will drive 99% of our protagonist's interaction with the world.

Speaking of said protagonist, our guy wakes up, opens his eyes, and realizes that he's floating. There's a great, disorientating shot from his perspective where everything is upside down, causing him to nearly fall out of the air. Well would you look at that, he's as confused as we are. It's our audience surrogate!

A narrator says, "And so it all begins. This boy's name is Yusuke, he's fourteen years old, and he's supposed to be the hero of this story. But oddly enough, he's dead."

Game of Thrones might have made it popular, but YYH did it better.

(Yeah, yeah, I know one death kick-starts the journey and the other is a shocking twist. Just let me have this.)

Now, it's a weird introduction, right? At least at the end. The announcement that change has occurred, a name, an age... that all checks out. But "supposed to be the hero"? What the hell is that “supposed to” mean? Our narrator gives us the easy, surface answer: "But oddly enough, he's dead." We're capitalizing here on the audience's expectation that death ends a character's journey and though they may have been a hero previously, they can no longer be one moving forward. That function within the story has passed. So it's this intriguing question of, "What kind of hero do you have when that hero is dead from the start?" but as we'll see soon, there's an additional meaning here of, "How can Yusuke be the hero?" As this premiere sets up, Yusuke doesn't act like the hero is “supposed to” act.

Until he saved this kid.

But right now he's just confused: "Okay, this is weird. Stupid weird."

Two EMTs arrive on the scene and are hilariously useless. You know how in any medical drama a doctor will stop CPR after a couple of seconds because obviously you're not going to spend half the episode on realism? Well, that's this only a thousand times worse. One guy just looks at the kid and announces he's fine except for some bumps and bruises. Meanwhile, the kid is sobbing.

"Well, at least one of them is," replies the other EMT, because I guess he can tell Yusuke is beyond hope without taking a pulse or anything? "I hate cleanup," he complains as they load his body onto a stretcher because that's? An empathetic response to have??

Honestly this scene is wild.

Yusuke is understandably upset that he's, you know, dead and all. He starts hounding the EMTs who, unable to hear him, just go about their business of taking the kid and his body to the hospital. "You think you can just do whatever you want because you have that stupid uniform on? You can't just write me off. Listen to me!" and Yusuke tries to punch one of the EMTs in the head, resulting in him floating right through.

What a great way to introduce your protagonist's personality. We see here that when things go wrong Yusuke's default emotion is anger and it starts creeping in even before he thinks the others are ignoring him: "Stupid weird." He has problems with authority — "You think you can just do whatever you want because you have that stupid uniform on?" — is used to others listening when he gets angry — "You can't just write me off!" — and is poised to use violence at the slightest provocation. Yusuke is a guy who, right now at least, is ready to punch first and ask questions later.

As Yusuke floats back up into the air and the ambulance drives away, he finally cools down enough to try and think his way out of this. "It's not like this is the first time you've been in a jam,” he thinks. Yusuke recalls that yeah, something was different about today...

...he actually went to school.

Catch me laughing that this idiot boy equates the weirdness of him dying with going to school. Good lord.

Anyway, this jumpstarts our flashback. We open on a generic, anime middle school (that always feels like a high school to me) where the principal is calling for Yusuke through the loud speaker. Oooo someone’s in trouble! We follow a young girl up to the rooftop and she gets a classic hair-blowing-in-the-wind moment to establish that she's our love interest. Meet Keiko Yukimura.

Keiko finds Yusuke hanging out and immediately starts lecturing him for trying to chew gum and refusing to wear the boys' uniform. "Oh, give me a break, Keiko. I look better in green." Note that it's here we learn her name and it's an easy, casual way to introduce it. I bring this up because Yusuke's introduction via our narrator is very much... not that. It's an on your nose statement about his name, age, and importance to the story, and if you're just starting the show in 2021, it might come across as a rather armature move. Like something out of a kid's show, perhaps. Yet here we see that this was a deliberate choice, considering that YYH is capable of introducing character information naturally when it wants to.

This moment also tells us that Yusuke cares a great deal about his image. More on that in a bit. Because Keiko isn't finished her list of grievances yet, going on to say that his attendance record has hurt their entire class, hurt her as class representative, and if he keeps going down this path he won't even graduate middle school. "Sometimes I think you don't care about anyone but yourself and then you don't even do that right!"

They're legit complaints. Too bad Yusuke is busy looking up Keiko's skirt.

Yeeeeah. Sadly, this is common for anime, particularly a 90s anime like YYH. Even presumably more progressive series like My Hero Academia feature characters like Mineta, whose entire personality is being a pervert, and the creation of abilities that "require" kids/young women to be scantily clad. See: Yaoyorozu. YYH is no different in this regard, with various forms of sexual harassment functioning as a shorthand for how much Yusuke secretly likes Keiko. "Boys will be boys," right? Obviously not.

Like so many others series, the creators get away with it because they’re framing it as a bad thing. It's totally fine because look, Keiko slaps him! This is teaching the viewer how wrong this behavior is. Never mind that this is clearly an established habit between them, that Yusuke laughs off Keiko's discomfort, and that the whole scene is meant to be funny for the viewer. That's the real purpose here; it’s not a PSA on harassment.

That, and to establish the long-suffering love Keiko has for Yusuke in turn, largely stemming from a life-long friendship. "Dumb boy! He hasn't grown up a bit since he was four years old." We see that Keiko's early interactions with Yusuke have given her insight that others lack. As she heads down from the roof she runs into two girls hiding around the corner, too scared to come out lest "the great Urameshi" set his sights on them. Isn't Keiko terrified of what he might do to her? "Or worse, what others might say of it?" Like any classic high school middle school setting, one's reputation is king. Yusuke cares about how others see him — maintaining that tough boy attitude — and the girls care more about what the rest of the school might think of Keiko's interactions with him than the presumed harm Yusuke could do to her. They heard he can summon 2,000 men with just a whistle and that he "kills for fun!" But that means nothing in the face of people talking about you. Despite being one of the most popular girls in school, Keiko is the outsider here via her disinterest in what other people think.

The animation changes here, giving us a good look at how the girls picture Yusuke: tough, scowling, surrounded by shadows, and backed by an entire army.

In contrast, we've already seen what Yusuke is really like.

Keiko laughs the image off too. Yusuke is more like a "lamb" than a killer and besides, he couldn't order around two people, let alone two hundred. "He doesn't have many friends."

"That's not what I heard," says one of the girls.

"Yeah," goes the other. "I think we would know."

Again, rumors rule here, with whispers in the hall considered more reliable than someone who interacts with Yusuke on a daily basis. Keiko doesn’t have a hope of changing their minds.

Oh, as a side note, I love that they gave Keiko Miyazaki-esque hair. It's very emotive.

Yusuke escapes outside where the principal is still calling for him to report to his office. He overhears a conversation around the corner and we cut to two boys, one of which is showing a wallet off to the other. He explains that some bully tried to rough him up, but he said he was Urameshi's cousin and the bully took off, dropping his wallet in the process. The guy's friend is impressed, but what is he going to do if Yusuke ever finds out he lied? Not to worry, he says, that "blockhead" would probably think it's true even if he did somehow hear.

Yusuke, obviously, does hear about this and he, also obviously, does not believe this guy is his cousin. He looms ominously and they scurry up against a wall, terrified and offering him the wallet as an apology.

"You think I want your money?" Yusuke yells.

YYH is, in many respects, a rather simple story, but I appreciate the hints of complexity in these otherwise straightforward interactions. It's not that this guy used Yusuke's name to steal a wallet, he used it as a form of protection against another bully — a far more sympathetic motivation. It's not that Yusuke's fearsome reputation has resulted in any genuine respect because once people think they're safe they reveal how little they think of his intelligence — he's a "blockhead." And Yusuke, though intimidating and violent, is not your average, schoolyard bully. He doesn't care about money, only the insult and the damage this guy using his name might have done to his reputation. There's a little more nuance here than you might otherwise expect.

Also, note how dark the boys' standard uniforms are and how much they blend into the rest of the world. Yusuke, as our protagonist, stands out in his bright clothing. He was right, he does look better in green!

So he's ready to clobber this kid when one of the teachers arrive: Mr. Iwamoto.

Iwamoto demands to know what's going on, but the boys are too terrified to rat Yusuke out. Noticing the wallet on the ground, he assumes that Yusuke was after their money, something that greatly offends him: "Whatever!" Iwamoto goes on to say that, "No good weeds like you should have been plucked a long time ago," making it clear that he considers Yusuke a hopeless case. The positive aspects that Keiko sees, as well as the complexity the viewer sees — to say nothing of his introduction of saving a kid — aren’t considered here.

Notably, Iwamoto exists in part to show us what Yusuke could become. Not a teacher (he's obviously not attending school enough for that!), but a cynical man who is cruel for cruelty's sake. Yusuke is already barreling down that path, ignoring Keiko's advice, terrorizing other students, trying to punch EMTs, etc. If his life (or afterlife...) hadn't changed through that accident, this is the kind of person Yusuke might have grown up to be, and we can see that clearly in the visual parallels between them. Dark haired men dressed in green who scowl with ease and toss out cutting insults. Yusuke is staring his future in the face.

For now he walks off with a final shot, "You shouldn't talk. It makes you sound stupid." This time Yusuke makes it to the school's entrance and tries to enjoy his second attempt at chewing gum, but someone hits him in the back of the head.

"Okay, somebody's DEAD — ah. Sorry, old man."

"That's Mr. Takenaka to you."

Our principal has finally left the office and hunted down Yusuke for himself! Putting this interaction immediately after the one with Iwamoto allows the viewer to compare them. Yusuke might be irreverent towards his principal, but it's clear there's still some kind of respect between them. Yusuke only starts threatening because he doesn’t realize who hit him and once he does realize it's Takenaka, he immediately apologizes. That "old man" comes across as a teasing insult and Yusuke allows himself to be briefly dragged back towards school, rather than throwing a now classic punch. In turn, Takenaka cares enough about Yusuke to try and keep him on the straight and narrow. He utilizes Yusuke's preferred language — violence — but in a casual way, nonthreatening way: slight hit to the back of his head, noogie, pulling him along by the ear.

It's the sort of physicality we're used to seeing in media between a parent and child who are outwardly antagonistic, but actually share a deep bond. Takenaka is also careful to frame their return to his office as a "discussion," not a punishment, and offers Yusuke tea along with the conversation. Whereas Iwamoto considers Yusuke to be a "weed" that should have been plucked from their school long ago, Takenaka is determined to help Yusuke bloom.

If we're continuing the flower metaphor :D

Yusuke isn't in the mood to play along though. He gets away by using a fake ear, startling Takenaka when it unexpectedly pulls free. Yusuke escapes the school grounds and Takenaka, suffering a back twinge from his fall, can't chase after him. Poor guy. I understand that pain lol.

Yusuke heads home where we're introduced to his mother, Atsuko. Most notable in her first shot is the soft lighting that highlights her looks. We're not told how old she is here, but I believe she's around 28 — and she looks it, if not younger. Given that Yusuke is 14, that means Atsuko was a mom at his age. This is a quick and subtle way to tell us about Yusuke's home life. There are more overt details in this scene — it's at least lunchtime and Atsuko hasn't left her bed yet, she demands that Yusuke make her coffee instead of greeting him, it's all meant to imply (before we actually see) that she's an alcoholic — but her age is another way to highlight the broken household here. There's no partner in sight and she clearly had Yusuke as a teenager. He hasn't had a strong parental figure to take care of him. If anything, Yusuke is taking care of Atsuko here.

"Oh great, mother of the year!" basically sums things up.

Atsuko wants to know why Yusuke isn't in school and he says that everyone is pissing him off today, particularly with their preaching. "Dear, if you hate preaching so much you should live on your own... but you can't do that, can you?" Alongside a rough upbringing, Yusuke is suffering from the common problem of being trapped in a dead-end life. He hates his school, his town, and coming home to find his mom hungover. Yusuke has no prospects and, outside of one principal, no one who is actively working to help him find some. Even the little things he hates, like being preached to, are unavoidable because if you want to live on your own, that requires money. Good luck pulling that off as a middle schooler whose only skill is street fighting!

Yusuke walks off in a huff, literally shouting in a street about what a bad day he's having (and hilariously scaring off pedestrians in the process). His shout brings trouble though. A couple guys appear to ambush him, their boss close behind. The music increases the tension, Yusuke's expression is serious, and we even get a Dutch angle thrown into the mix.

For any who don't know, the Dutch angle is a popular film technique to establish that something is wrong. There's tension in the scene, something uneasy is at play, and the world is now literally off center. It's perhaps most famously used in Do The Right Thing to establish the friction between an Italian-American pizzeria and the predominantly African American neighborhood it's based in.

But it's also used a great deal in horror as a way to say: yup, shit just got real. Scary real.

This Dutch angle introduces a character you may not appreciate at first, but absolutely should: Kazuma Kuwabara.

He's initially the comic relief and that's clear in his introduction. Within seconds we move from that intimidating arrival to, well, seeing him. To be clear, I've got nothing against redheads with big chins, but compared to Yusuke's design, Kuwabara is meant to be the funny looking one. His threat level plummets the moment we get a look at his face, especially in a series that will occasionally use looks as a (supposed) measure of intelligence.

Also, Kuwabara is dressed in light blue so, like Yusuke, we know he's important!

Any assumptions that his appearance isn’t meant to imply a goofy, embarrassing personality are put to rest when Kuwabara starts rambling about how they last time they fought Yusuke just got a cheap shot in and he'll definitely win this time. Yeah, he won't. Yusuke is thrilled by this diversion though and we get a shot of him looking almost as creepy as Keiko's friends think he is. Whatever else might be said about Yusuke, he is absolutely a monster in a fight.

Which we see here. If anyone picked up the series without knowing this was a fighting anime, they'll realize it now. Yusuke's choreography is stylized to show off his skill: he disappears with a 'whoosh' and dark lines to suggest inhuman speed,

attacking Kuwabara with a knee to the face, utilizes flying kicks, lands perfect, precision punches, and ends it all with the toe-tip landing we've come to expect of all powerful fighters. Kuwabara never even got a hit in.

Happy as a clam now, Yusuke wanders off whistling and Kuwabara's friends are left to pick up the pieces. AKA, his likely broken bones. I love that they're legit friends though and not just nameless goons for the sake of giving Kuwabara a small gang (though their names won't come up until later). "That makes 0 wins an 156 loses!" one of them cries, trying to get Kuwabara to stop ending up in the hospital, probably. We establish that Kuwabara is The Most Dramatic Ever when he pulls his broken body into a seated position, shouting, "No! I almost had him that time!"

Then he passes out.

Kuwabara, honey, you obviously did not almost have him, but god bless you for the outlook. The most optimistic thing on this Earth is a well-loved Golden Retriever, but Kuwabara comes in at a very close second.

With his dream to one day beat Yusuke in combat established, we cut to Yusuke wandering the street where the episode opened. "Okay, I'm remembering" he says in a voiceover. "After that I met the kid."

The soccer ball reappears as it rolls to a stop at Yusuke's feet. He grabs it and immediately starts yelling at the kid. Horrible protagonist, right? Well, Yusuke is trying to instill in him the danger of using this street as a playground, a worry the viewer already knows is 100% justified. “Listen, kid, that’s dangerous! There are cars going by that will splatter you into the pavement!” It's one of those quick moments where we get to enjoy Yusuke's duality: he's someone who is nearly making a toddler cry, but for rather understandable reasons. He's got the right idea, but needs to go about it in a more mature manner.

Which is precisely what he attempts to do. Sort of. Yusuke changes gears, though whether it's a more "mature" route is certainly up for debate lol. He tries entertaining the kid instead, raising and lowering the soccer ball to reveal goofy faces.

When these fail to impress, Yusuke goes full out by stuffing the ball into his pants, pushing his nose up with a pair of chopsticks he got from god knows where, and generally just putting on a display.

So Yusuke cares very deeply about his reputation... but only when it comes to those who are an established part of his life. Keiko, Mr. Takenaka, and the other kids at school all need to maintain a particular image of Yusuke, one that he's carefully cultivated. But random pedestrians on the street? Who cares about them? Let them talk.

This shows us that Yusuke does indeed have priorities over his own, selfish goals. Namely, the happiness of some kid is more important to him than looking "cool" for a bunch of strangers. Lots of characters with Yusuke's surface attitude would sneer at the idea of degrading themselves for — their words — some brat. But Yusuke, as we constantly see, actually does have that heart of gold. “Well, if all else fails I can still make kids happy.”

Although... I'm not sure what to make of his display itself. I have the distinct sense that there's something prejudiced here that I'm not able to fully articulate, what with the chopsticks, slanted eyes, bald head, and the like, though to be entirely frank I don't have enough knowledge of Japan's history to say precisely what it might be. Or, really, whether it exists at all. Just something to chew on.

What I am sure about though is the importance of having the child label Yusuke as monster — "Yeah, monster! — but in a delighted manner. Yusuke is indeed some kind a monster, someone who disappoints adults and terrifies his classmates, a demon fighter on the streets too, but here that identity is reworked into something positive.

Having successful secured a laugh, Yusuke tells the kid — calmly this time — to go play elsewhere. The toddler stares up at him with the blank expression only kids can manage.

Well, kids and whatever headspace I'm in after writing these metas.

To absolutely no one's surprise except Yusuke's, the kid does not go elsewhere. Instead, he continues kicking the ball down the street, causing Yusuke to exclaim, “Dammit, what’s the use? The kid can get smashed by a car for all I care!” Liar, liar.

The picture becomes desaturated as the kid kicks the ball and it flies into the street, time slowing down to show it landing precisely in the middle of the road. Yusuke again yells for him to stay put, but when has a toddler ever listened? He begins to walk into the road as our driver arrives, speeding, swerving, and paying more attention to the girl at his side than what's in front of him.

This time, we see the accident from the front with both Yusuke and the kid presented equally.

There's a cut to black and when we return we're in the present, Yusuke floating above the policemen now investigating the scene. “So that’s it? I’m roadkill?” As Yusuke realizes he's dead, specifically that he's a ghost, a voice goes,

"Bingo! Bingo! You win the prize!"

A woman has appeared who is quite obviously othered by the standards of the episode so far. Unlike the greens, blues, and browns of the series' modern clothes, she's dressed in hot pink kimono with blue hair to match. She's also, you know, floating on an oar.

“I didn’t expect you to figure it out so quickly," she says, referring to Yusuke's revelation that he's dead. Apparently, those who meet unexpected and/or violent ends tend to take some time coming to terms with their demise. It's a nice acknowledgment of Yusuke's intelligence in an interaction that's otherwise... not great for his self-esteem.

Meaning, this woman is about to drag him lol.

She introduces herself as Botan, pilot of the River Styx and guider of souls to the afterlife. You might also know her as the Grim Reaper.

(Hey, RWBY fans: I originally wrote that as Grimm Reaper 🤦‍♀️)

It's an claim Yusuke takes issue with because 1. Botan is too pretty to be the Grim Reaper and 2. If she was really some god of death she'd be taking this much more seriously, not laughing and saying, "Bingo!" For the audience this does two things. First, it acknowledges our own expectations and validates them. Yusuke's world isn't so far removed from our own that he takes Botan's looks and personality at face value, he also expected a skeleton with a scythe. So don't worry, all the weird stuff in this series is weird to our protagonist too. They'll be explanations. Or, even if there’s not, you’re not wrong for being surprised.

Second, it sets up the very common theme in YYH of undermining those common assumptions again and again and again. We've already seen it with Yusuke, wherein characters who look and act a certain way are, supposedly, destined to be that person and nothing more. Yusuke is meant to be just a "weed," a dumb, violent, angry loser who goes nowhere in life... but we already know he's more than that. Botan is supposed to be scary and serious, but she says nah, I want to be cute and bubbly instead. No character in YYH embodies who they're "supposed" to be when you look past those surface characterizations. They play the part of archetypes — and do keep certain parts of their expected personalities — but they're also far more well-rounded than that. Which yeah, is something most people expect from any story nowadays, but YYH is particularly adept at making you think you're watching Simple Show A only to turn around and surprise you with More Complex Show B.

It's great, trust me.

So Yusuke is pissed that Botan isn't adhering to those expectations, in the same way that he works hard to validate others expectations of him. He doesn't know how to deal with someone challenging his world view yet. Rather than angering Botan though, she just nods and says that this response makes sense for him. “Rather than being scared, or surprised, you yell a lot and tell me I don’t know what I’m talking about." Taking out a notebook, she quickly summarizes everything we learned in the flashback — minus Yusuke's complexities: he's fourteen, in middle school, is ill-tempered, violent, hates authority, and is a horrible student.

Typically, Yusuke responds by getting angry and trying to snatch the booklet out of her hands, only for Botan to pull it out of his reach, laughing. The tables have turned! Rather than being surrounded by people who cower at Yusuke's imposed authority, he now finds himself faced with someone who laughs at his transparent attempts to take control of the situation.

Calming down, Yusuke wants to know if the kid he saved is really alright and Botan offers to let him see for himself. That offer produces Yusuke's first, genuine smile.

They fly to the hospital where a doctor is in the process of giving the kid a clean bill of health, his mother crying with relief.

That's enough for Yusuke. “Alright, Botan, I’ve got no regrets, so you can take me to hell or wherever it is I’m going.”

That tells you all you need to know about Yusuke's self-worth, despite his bad boy attitude. His life is a dead-end as far as he can see and most of those around him haven't done anything to dissuade him of that idea. He says he doesn't care if the kid lives or dies, but then instinctively saves him. Post his death, Yusuke doesn't have anything he considers a regret, or anything he'd like to do before he leaves, like saying goodbye to a loved one. Oh, he's also pretty sure he's going to hell and has resigned himself to that without a fight.

Uplifting!

Botan just laughs though, saying that she's actually here to offer Yusuke an "ordeal" that could bring him back to life. See, he wasn't supposed to die today — let alone die saving a kid — and frankly they don't know what to do with him. It's another neat summary of what we've already learned: Yusuke is a far more complicated case than the afterlife assumed and now, when push comes to shove, deciding whether he belongs in heaven or hell is... muddled.

There's a fantastic story there about the problems with an afterlife that reduces a person's entire life to a few surface characteristics recorded in a book, refusing to acknowledge the context of their situation, or their capacity for change. “Run someone with your credentials a thousand times and they never would have saved a kid like that." Except, of course, Yusuke did save him, so those "credentials" are suspect, to say the least. However, YYH is not a story that explores these issues. Instead, I recommend you watch this!

Rather than being upset at the afterlife's low opinion of him (because let's be real, Yusuke shares it), he latches onto a little detail Botan let slip. If he wasn't supposed to die today... then was the kid?

Mmm... no. Actually, without the chaos of Yusuke jumping into the road, the driver would have swerved at the last second and the kid would have not only lived, but actually come out with one less scrape.

So Yusuke is obviously upset by this news! I would be too!! Holy shit, hang onto the "it's the thought that counts" message with everything you've got.

Also, don't think too much about the fact that the afterlife apparently knows exactly what will happen to people, down to how many cuts they accumulate in an accident. Also, don't think too much about where the afterlife foreseeing the crash begins and the unexpectedness of Yusuke interfering ends. That way lies madness. This will never come up again, so just let it go.

Sorry, 2013 me hijacked the post for a second.

As said, Yusuke is understandably upset by this revelation and as he fumes I'm reminded that this series likes to pull some amazing expressions.

Botan reiterates that it's all fine because Yusuke can come back to life. Weren't you listening? He should feel honored, in fact, considering that an offer like this only arrives every 100 years or so. Well, that explains why all of humanity isn't grappling with people coming back to life on the daily. One person every generation isn't going to cause much of a stir.

However, instead of jumping at the chance Yusuke announces that Botan is just like the teachers at school: she doesn't know what she's talking about. “You said yourself my life was kind of pathetic, right?” he says, going on to explain that everyone will be happier now that he's dead. His school won't have to deal with his behavior, Keiko won't have to nag him, and his mom will be able to party whenever she wants. It's a win-win for everyone involved.

Hmm, this feels familiar.

Don't worry, Yusuke doesn't need to experience a whole alternate reality to get the message.

“I’m sorry you feel that way at such an early age," Botan says and she is sorry, because despite her teasing nature that's a legitimately horrifying thing to believe. Yusuke won't budge though and after a little back-and-forth Botan leaves, telling Yusuke he should think it over while visiting his wake. She'll come back once he decides what to do.

“Do you have worms in your ears, lady? I did decide!” but Botan is long gone.

We cut to that night where Yusuke has indeed decided to attend his own wake. Maybe because of Botan's advice, maybe because he's just morbidly curious. We’re not given insight into the decision.

Atsuko is a mess, to put it mildly, not dressed for the occasion and sitting slumped against the way, staring vacantly as the guests offer their condolences. Yusuke is surprised by the fact that his entire class is here, but quickly writes them off when he sees two of the boys laughing. I'm on the fence about this detail, which I'll unpack in just a second.

First though, Yusuke sees Keiko exiting the house, inconsolable in her grief. She collapses on the ground with her two friends trying to offer comfort, despite the fact that they had nothing good to say about Yusuke himself. Good on them.

Before he can think too long on this though, Yusuke is distracted by Kuwabara's arrival. Unlike Keiko's crying, he expresses his grief through yelling. Specifically, yelling at Yusuke. For dying. For daring to "run away." His own friends are physically holding him back as he charges into the wake, screaming, “Who am I gonna fight now, huh? Who am I gonna fight?" It's not really about the fighting, of course. At least, not the fighting alone. "You’re supposed to be here for me," Kuwabara finishes, the punch he's thrown at Yusuke's photo going limp and catching his first tear.

You know, for all the goofy expressions, this show really is gorgeous. Just wait until we get to the fight animations.

Kuwabara's reaction is why I hesitate to write off the classmates like Yusuke has. Granted, we have no reason to believe that they care for him as Kuwabara does — they're nameless background characters defined only by their terror of "the great Urameshi" — but it's still a split second taken out of context. We don't know what they were laughing at, or if laughing is a part of their grief. God knows I personally laugh at the most inappropriate moments. If you tell me someone has just died there is a very good chance I will laugh awkwardly as I try to process that. It’s just a reflex. All of which I bring up not because these side characters are important, but because Yusuke's perception of his own worth is. The point of each of these moments is to show that those around him have always cared for him, even if Yusuke didn't notice. It's nice to think that extends to his classmates too. The variety likewise exists to show us how people grieve differently, with Kuwabara's friends not understanding that this is how he's working through the trauma: “This place is for mourning!” He is mourning, even if his way of mourning isn't as socially acceptable as Keiko's. So if screaming and throwing punches is valid, crying is valid, staring stoically in a drunk stupor is valid... why not laughter too?

Not likely, perhaps, but possible.

As an additional possibility to chew on, watching this premier again, it struck me how more emotional Kuwabara's scene is compared to Keiko's. Don't get me wrong, crying and calling Yusuke’s name gets the point across, but it's two seconds of generic grief compared to a much longer scene rife with intensity. When Kuwabara arrives the music swells and everyone is forced to pay attention to him. His grief is loud, violent, and given symbolism with his fist and the photo. There's more effort put into his reaction, frankly, so it wouldn't surprise me if fans started shipping them after this. That grief combined with an "enemies to lovers" possibility is a pretty potent mix. To be clear, Yusuke/Keiko is the (oh so obvious) canonical endgame and in the fandom Yusuke/Kuwabara can't compare to another slash ship that will turn up later, but this is a good example of how writers can craft some Very Gay Scenes without realizing it. When you have the girl crying prettily for a second and the guy absolutely losing his mind over Yusuke's death, questioning his purpose now, his support network, and then collapsing in grief... don't be surprised if your audience goes, "Oh hey, maybe they'd be a good couple instead."

But I digress.

The only people who are unquestioningly happy about Yusuke's passing are Mr. Iwamoto and his co-conspirator, Mr. Akashi. You know Akashi is another bad guy because he has bucked teeth and "ugliness" is an easy way to code for evilness. YYH is not immune to those mistakes :/

These two are really something else though, standing in the middle of a wake and claiming it's “too bad that car wasn’t big enough for them too," referring to Kuwabara and his friends. Wow! What stellar members of the academic community. Iwamoto goes on to say that Yusuke dying at least accomplished something good. Not, mind you, saving the life of a child, but rather looking good for their school's reputation. Akashi agrees, but says it's likely Yusuke only accidentally saved him while trying to steal the kid's lunch money. Remember, that accusation of theft is the one thing Yusuke has said outright that he does not do.

He's pissed listening to all this — wouldn't you be? — but knows by now he can't do anything about it. In another fantastic shot, Yusuke hovers his hand over Iwamoto's shoulder, desperate to grab him, when Takenaka's arrives there instead.

“What do you suppose is more disgraceful? That boy showing his misery, or your insensitive and idiotic words!”

HELL YEAH. You tell 'em, Mr. Takenaka.

Yusuke gets his third shock of the night at this passionate defense. Takenaka leaves the teachers to go pay his respects, but admits to Yusuke's picture that he just can't speak well of him. He was surprised to hear that Yusuke gave up his life for another and it's a fact that he acted selfishly. Though he doesn't say it in as many words, Takenaka explains that he's not grieving because Yusuke was a good person, but because it's so clear to him that he might have been. “Why didn’t you stay? You could have made something great out of yourself.”

Normally, "Why didn't you stay?" is just something for the living to grapple with, as the dead obviously don't have any say in what happens to them. But Yusuke does. It's here that the lighting grows soft again and Yusuke considers Takenaka's words. Keiko and Kuwabara grieve for who he was, but Takenaka grieves for who Yusuke could have been — someone that might still exist if Yusuke decides to undergo this ordeal.

Atsuko adds fuel to the emotional fire, breaking down and hiding her face in her knees.

Finally, the kid Yusuke saved arrives with his mother. Because yes, Yusuke saved him in every way that matters, considering no one else knows — or will know — that he'd have lived anyway. I like that the show doesn't allow that knowledge to undermine the emotion of their arrival, or what Yusuke’s act meant to them.

The mom tells her son to pay his respects and the kid thanks Yusuke for saving him, and for "making faces." He clearly doesn't get what's going on here. This is confirmed as the two leave and he asks his mom if he can play with Yusuke again tomorrow. “I know some people sounded angry at him, but he’s really nice!"

They're probably just crying because they want to play with him too, he thinks, which just makes his mom join in. Everyone is crying in this club tonight.

Those words are the cincher for Yusuke and with a brief montage of all the grief he's witnessed, he makes his decision.

We cut to later that night where Yusuke floats above the city, admiring the moon. Botan reappears and he asks, “Have you ever not known about something that seemed obvious to everyone else?” Yes, everyone has experienced that at one point or another. She asks if he's made his decision and Yusuke agrees to try and come back to life.

Emotional revelations out of the way, we're allowed another tone shift as Botan yells with joy, speeding off and causing Yusuke to grab hold of the end of her oar, lest he be left behind. Cranky as always, he demands to know where they're going. "To the spirit world, of course!" They're off to see someone who can explain the ordeal and give Yusuke the tool needed to complete it. Just hang on and enjoy the ride.

Thus ends our very first episode! Ah, the nostalgia. This is part one of a four arc series, with the anime cutting out a lot of the filler stories found at the start of the manga — a smart decision, I think. They primarily do the work of teaching Yusuke what he learned at the wake, so if you can accomplish that as quickly as the adaptation did, all the better. Especially since Yusuke needs to grow a great deal beyond the basic understanding that people might, sort of care for him, and that work will occur primarily through a job he's going to take on. The series isn't really about his death and it's not about an attempt to come back either — it's about what happens once you get that second chance. So this is the setup, but it's important setup all the same.

No need to skip ahead though. I've blathered enough for one recap. I hope you enjoyed and I'll see you when the writing gods next bless me with energy! 💜

#YYH #Yu Yu Hakusho #YYH recaps #mymetas

45 notes · View notes

deadlyglacier · 3 years ago

Text

20 Questions tag~

I was tagged by @mythicamagic thank you senpai~<3

How many works do you have on AO3?

40 right now, plus 1 that is still hidden because of the SOFA Exchange event. (I’m still a lil fish.)

What’s your total AO3 word count?

486,920! That’s so amazing to me!

How many fandoms have you written for and what are they?

InuYasha - A Feudal Fairytale (18)

FullMetal Alchemist (18)

Mass Effect Trilogy (3)

Let’s Play (Webtoon) (1)

Kingdom Hearts (1) But I hope to write for many more fandoms in the future! I have ideas for fics for Castlevania, Skyrim, Fallout 4, Last of Us Part II, and more!

What are your top 5 fics by kudos?

#1. Stardust FemShep/Garrus, Mass Effect Trilogy, Rated Explicit. A retelling of the Shepard/Vakarian love story, with lots (and LOTS) of sexiness, from Garrus' point of view. Starts from before the Omega-4 and will end sometime after the end of ME3. Trying to stay as true to the game as possible, while adding some things happening off camera and a new ending.

#2. Flamingo Sess/Kag, Inuyasha, Rated Explicit Kagome's method of beating the summer heat attracts a certain demon lord...

#3. Hawk Sess/Kag, Inuyasha, Rated Explicit Kagome and Sesshomaru discover they have a mutual attraction for each other after a battle and a slight comedic incident brings them together. At first their relationship seems entirely sexual, but eventually evolves into something real. What will this romance mean for Naraku? Or even the future? *TRIGGER WARNING FOR CHAPTER 6! MAJOR VIOLENCE AND TRAGEDY* Very, very loosely based on "A Mere Digression" by elle6778

#4. Daisy Sam/Charles, Let’s Play, Rated Mature Sam wakes up somewhere unfamiliar with a splitting headache with no memory of the night before. Takes place right after the S2 finale. First chapter was my prediction for what would happen next, and then three other “wishful thinking” chapters happened, lol.

#5. Chemistry Ed/Winry, FullMetal Alchemist, Rated Mature A look at how the relationship between Ed and Winry developed after Brotherhood ended. Cute, sweet, funny, and hot (eventually—y'all that know me know I gotta have some NSFW in there).

Do you respond to comments, why or why not?

I try to respond to everyone, especially when a fic of mine has just been posted, but sometimes I just forget. If I haven’t responded to your comment, please know it’s just because I’m a big dumb and forgot! I love getting comments, and I reread them all the time! I just feel like there’s a time limit to when I can respond to them--if I let too much go by, it’s awkward if I reply. Gah, but that’s just me getting in my own head, I guess. I’ll do better!

What’s the fic you’ve written with the angstiest ending?

Oof, definitely Psychology, a fic I wrote for RoyEdOTPoly this year. The prompt I got was dark, and I didn’t see any way around an angsty ending. Read at your own risk!

What’s the fic you’ve written with the happiest ending?

Well, aside from the last fic, I try to write happy endings for all my fics! But, if I have to name names, I’m torn between Zoology (another FullMetal Alchemist fic, RoyEd, for RoyEdOTPoly this year) and Stardust (my Mass Effect fic, which is long, but so worth it, in my opinion). Both are very fluffy in the end!

Do you write crossovers? If so what is the craziest one you’ve written?

Argh... I don’t really like crossovers, to be honest. I actively avoid them when looking for fics to read. But that doesn’t mean I haven’t thought of writing them myself. (I’m a total hypocrite, I know.) I had an idea for an Inuyasha x The Sims fic, years ago, that I never did anything with. The premise was basically Inuyasha and Kagome would get trapped in the game somehow (via the jewel or magic or something), and they’d be controlled by Souta, Kagome’s friends, Hojo--all sorts of different people who think the fact that Kagome and Inuyasha are in the game is just some kind of silly mod. I probably won’t write it, so if anyone is interested in that crazy idea, have at it! You have my blessing. <3 I also have a crazy crossover idea for what I call an “Ultimate OT3″ of mine that I’ve mentioned to my friends, but I haven’t actually written down yet: Sesshomaru/Alucard/Sebastian Michaelis. So be on the lookout for that!

Have you ever received hate on a fic?

I wouldn’t call it “hate” so much as “mansplaining,” but I have gotten a couple of comments that made my eyebrow twitch on Stardust--both on AO3 and FFN. Just dudes (and I’m fairly certain they were dudes, just from their tone) trying to explain why a certain plot twist wouldn’t work, or tell me how to save Sidonis in the actual game (which I already knew, that person just didn’t read what I wrote). I’ve also gotten a comment on one of my more controversial fics, Hippology, on FFN, where the person asked me if I thought my summary was K-Rated (which, admittedly, it does need to be for the site, and mine wasn’t--because of a single word). I changed it and messaged them saying it was fixed. Going to that commenter’s profile, however, proved to be fairly enlightening... They’re nuts. They have another profile, too. Read at your own risk. Yikes. There’s also a team of people on FFN who make it their life’s mission to report stories with rule violations. I’ve gotten a comment from one of them as well. These people are not mods, they just like to pretend they are--one of them even made their name look official! “CU Administration,” gtfo dude. I also recently got one of my fics removed from FFN. It wasn’t even one of my sexiest ones! They put me in timeout for 48 hours, and when I was finally able to publish something new on the site again, I posted Hippology (my centaur smut), and it’s still up as I type this. (Wonder how long it’ll take them to notice?) And since the fic that got taken down was a SessKag fic, I’m thinking it might have been a petty SessRinner who reported it to the “authorities” of FFN, because another friend of mine got hers taken down not long after mine, and it was also SessKag. Just my tinfoil theory, anyway!

Do you write smut? If so what kind?

Yes, yes, yes. It’s practically all I write. I do all sorts of smut, from romantic, sensual stuff, to specific kinks, to monsterfucking--all that good stuff. Can’t change me~<3

Have you ever had a fic stolen?

God, I hope not!

Have you ever had a fic translated?

I don’t think so. No one has asked me if they can translate one, anyway.

Have you ever co-written a fic before?

Not yet! I’m open to the idea, and I’ve had little discussions with my fic-writing buddies about it, but nothing’s come out of it just yet. Keep your eyes peeled!

What’s your all-time favorite ship?

Oh, now come on! I can’t pick just one! But I’ll give you a top 3 (in no particular order, because they change places a lot, depending on how obsessed I am with them at the moment). Inuyasha: Sess/Kag FullMetal Alchemist: Roy/Ed Mass Effect: Garrus/FemShep

What’s a WIP that you want to finish but don’t think you ever will?

I have a couple of stories that I deleted from my original FFN account that I’d like to re-write and re-post on AO3, but I don’t think I’ll ever get around to it. There were a couple of Inu/Kag fics I had in-progress, and then a Koug/Kag fic. I recently rewrote and reposted my SessKag fic from years ago, Hawk, on FFN, AO3, and Dokuga! So maybe all hope isn’t lost. I’m even writing a sequel for Hawk! All the stories I have in-progress right now I plan on finishing. At some point, lol.

What are your writing strengths?

Dialogue, without a doubt. It’s my favorite thing to write, aside from smut, of course--which is another strength of mine.

What are your writing weaknesses?

Descriptions, ugh. I try to do them well, but I always feel like they get stale. So I keep them somewhat vague, because in my mind, I think readers will fill in the gaps themselves whether you describe something immaculately or not--they’ll see what they want to see, and that is totally fine in my book! Or maybe I’m just making excuses, lol. I’ll only describe something in a lot of detail if I want the reader to focus on that--usually an outfit, accessory, or weapon--otherwise, I leave it up to their imagination (I don’t want manipulate it too much, I suppose).

What are your thoughts on writing dialogue in other languages in a fic?

Wildly unnecessary unless that author speaks the language as well, or if certain words already exist in the fandom’s translations (ex. “youkai,” “alkahestry,” etc).

What was the first fandom you wrote for?

Inuyasha, and the fic(s) I wrote in the beginning were terrible. I want to burn all traces of them off the face of the earth. I was in middle school. I was young and stupid.

What’s your favorite fic you’ve written?

I gotta go with Stardust. It’s the longest fic I’ve ever completed at more than 160k words. I was so immensely proud when I typed “The End,” and I was able to say to myself “I did it.”

I tag: @glassesmcfancyhair @willowsrain

#SessKag #RoyEd #SamCharles #Shakarian #Inuyasha #FullMetal Alchemist #Let's Play #Mass Effect #fanfiction #writers supporting writers #q and a #I don't know what else to put so here

11 notes · View notes

liquidstar · 4 years ago

Note

I'd love to hear some of your recommendations! And I'm good without any content warnings, but since you're posting this for all your followers to see probably best to add them

Alright sure! I’ll be general then and since you’re just starting out this will sort of be bringing up a lot of really popular ones, the really good ones where the general consensus is “you gotta see this!”, but I’ll also try to give ones from different genres so you have a variety of things to pick from, so this isn’t really a list of personal favorites but I’ll throw in a couple of those too lol, but generally think of this as a handy beginners guide with just a little personal bias.

I wrote a lot so I'm gonna put them under the cut here.

Fullmetal Alchemist

Fullmetal Alchemist is a franchise that’s considered a must-watch, it takes place in a world where alchemy is a borderline magical power, but is considered scientific in-universe and follows scientific laws, namely the law of equivalent exchange. Something can’t be made from nothing, to gain something of equal value must be lost. The story follows the story of two brothers, Edward and Alphonse Elric, who at the ages of 10 and 11 committed alchemy’s one and only unforgivable sin, human transmutation, in an attempt to bring their mother back to life. As a result, one brother lost his arm and leg and the other lost his entire body, leaving his soul bound to a suit of armor. However the brothers are resolute to regain their original bodies, and the older brother, Edward, joins the State Alchemists, a branch of the military, to try to gain access to research materials to help them achieve their goal. But was that really such a good idea?

Fullmetal Alchemist can be a bit confusing to get into due to the fact that there are two series: Fullmetal Alchemist (2003) and Fullmetal Alchemist: Brotherhood (2009). The latter is a reboot with a different story that follows the original manga. They both have the same beginning, but diverge paths and tell very different stories. My recommendation for how to watch this show is: Watch 2003 first, and Brotherhood second. Everyone has a different opinion about which is better, but everyone agrees that 2003 has better backstory but a contrived ending, and Brotherhood has a rushed beginning (Because it works off the assumption that you’ve seen 2003) with a great and fulfilling ending. If you can’t do both I say just watch Brotherhood because it will leave you more satisfied and you don’t have to watch 03 to get into it.

For both series the biggest trigger warnings are: Parental death, child death, pet death, war, genocide, dismemberment, religious themes, and miscarriage. For brotherhood specifically: on-screen suicide, and for 2003 specifically: rape (not on-screen) and pregnancy from it. The 2003 series is also a lot darker than Brotherhood which has a more optimistic tone, so that’s worth noting too.

Soul Eater

A show I think is incredibly fun, and a good one for an October watch if you wanna save it. It takes place in a world where certain people have the ability to transform into weapons, and they team up with other people who become their meisters. The characters often travel around, but the main setting is Death City, a fictional city in Nevada based off of Las Vegas but with a huge Halloweentown vibe, and a school right at the top of it called the Death Weapon Meister Academy (DWMA) where a bunch of kids that turn into weapons learn how to hunt down witches and kishins (Beings that consume human souls). The school, of course, is run by the grim reaper, Lord Death himself.

Our main characters for the series are a group of 7 students. Our protagonist Maka Albarn and her weapon partner Soul “Eater” Evans, a scythe. A loud mouth assassin named Black✰Star and his weapon partner Tsubaki, who has many weapon forms. And the son of the grim reaper, Death The Kid, and his two weapon partners Liz and Patty Thompson, who are twin pistols. There are also a bunch of really lively colorful background characters and antagonists, and the cast of the show being as insane as it is really makes it, on top of the great atmosphere and of course the plot, which just builds more and more as the series progresses. Also Crona is there and we all love Crona.

Trigger warnings for this show include: Child abuse (Mental and physical), manipulation, snakes and spiders (The motifs of two major villains), some very surreal moments that can verge on unreality. Also, in the dub and most subs: misgendering of a canonically trans character. Crona is a character who is non-binary, but the dub and subs use gendered pronouns for them due to general ignorance about neutral pronouns in 2008, though this isn’t the fault of the original series and falls on the translators hands.

Also it’s important to note: that the first 3 episodes are prologues and they take themselves less seriously, there’s more fanservice in them than there is in the rest of the series (Except for Blair she stays the fanservice character :pensive:)

Zombieland Saga

Idol anime is really prevalent as a genre, the most popular being Love Live, but my personal favorite is Zombieland Saga. It’s an idol anime, but it’s also a comedy about zombie girls who become idols. It sounds ridiculous but there’s an insane amount of heart in it regardless, it wasn’t a show I expected to get emotional at but I did! It also made me laugh a lot too. The series itself can serve as a bit of a subversion on what idols are, not just because they’re literally zombies, but because of who the characters are.

Sakura Minamoto is a character who starts off as a more typical idol, a peppy pure girl, as the series continues her struggle with depression gets highlighted. Saki Nikaido serves as her initial foil, a delinquent girl with a criminal record who subvers the idea of pure perfect idols. Ai Mizuno, a former idol who has since undergone severe trauma (The way she died). Junko Konno who has ideals that seem very different on what idols “should” be due to the time period she died. Lily Hoshikawa, an explicitly transgender idol. Yugiri nolastname, a former high ranking courtesan, subvering the pure image of an idol by being a sex worker. And Tae Yamada, a completely nonverbal idol who’s still treated with the same amount of importance as the rest of the team. The premise here really is just that these girls don’t fit the incredibly rigid mold of what idols should be and yet they still all deserve love and they gain a fanbase by being their earnest selves.

Trigger warnings for this series aren’t incredibly severe but since they’re zombies there’s still talks about death and they way they died (Including motorcycle/car accidents, plane crashes, getting struck by lightning, and a heart attack), there’s also comedic dismemberment, as in their arms just sort of pop on and off and stuff like that. The most notable thing is the deadnaming of Lily, the trans idol, by her father, but it doesn’t appear to be malicious in any way.

Note: this series is in the middle of it’s second season right now, if you want to wait until it’s over it should be 12 episodes long and just aired it’s 3rd, so about 9 more weeks.

Death Note

This is also absolutely another series that gets recommended to people right off the bat, and for good reason, this show is an intricate game of chess between a serial killer and a detective trying to catch him, and it’s incredibly easy to get super invested in the suspense of what happens next. The story begins when a shinigami, a god of death, drops his “Death Note” into the human world out of pure boredom. A Death Note is simply a notebook where if you write someone's name in it… They die! And who better to pick up such a powerful object than Light Yagami, a prodigy praised for his genius and academy accomplishments as well as his charm and popularity, and with a very strong but juvenile black-and-white sense of justice, likely due to being raised by a cop.

So naturally Light begins his power trip as soon as he finds the notebook, he intends to “fix” the world by cleansing it of all the bad people, but truly he intends to become the world’s new god. Or the “God of the new world” as he puts it. But there’s one thing standing in his way, a detective resolute on catching him with the codename L. The series entire crux is a game of cat and mouse between these two, as they try to outsmart each other and the murders continue, Light loses more and more of his humanity, L becomes more resolute on catching him. There are more twists and turns than a cheetah race, and it’s honestly pretty addictive to see what happens next.

Trigger warnings here obviously include a lot of death and murder, including suicide, but in some cases it’s a forced suicide at Light’s hands. Also abuse, as Light loses his humanity he isn’t above manipulating and discarding people who love him. And one instance of near-rape on screen fairly early on, but the purpitrator dies before it happens and the victim escapes.

K-On!

Slice-of-life is an incredibly popular genre, and K-On! is the quintessential example of it. It’s a series that not everyone will like, because not a lot truly happens, and it can be overly saccharine or “moe” for a lot of people, and that’s fine. But I personally think that despite not a lot happening, the story has genuine substance, more than you may gather at first glance. It’s true that not much in the way of big plot really happens, it’s mostly life events, that’s why it's a slice-of-life. But it’s not about nothing. The real theme of the show is the fleeting nature of youth. It’s about how important the friendships you form at that time are, how they’ll stick with you for a lifetime, and how everything comes to an end. It’s sweetness even becomes a little bittersweet because you knew their after school tea time would end come graduation, and as they realize this it breaks their hearts a little, but they continue on, because they’re still After School Tea Time!

The series itself is simply about 5 girls in a band, Yui Hirasawa on lead guitar, Mio Akiyama on the bass, Ritsu Tainaka on the Drums, Tsumugi Kotobuki on the Keyboard, and Azusa Nakano on Rhythm Guitar (Who shows up later). They’re in a club at school called the light music club where they waste a lot of their time just drinking tea and eating cake, but they’re having fun and that’s what counts! The series has a lot of really great direction and expressive animation despite the fact that a lot of it is just sitting around and talking, it’s incredibly visually interesting so you don’t get bored.

I honestly don’t think there are any big trigger warnings I can give for this series, maybe that Sawa-chan can be a little too forceful when she wants to dress up the girls in cute outfits sometimes but it’s usually not presented as too creepy especially after season 1 where they tone it down due to straying from the manga.

Mob Psycho 100

This series is an absolute love letter to the art of animation as a whole, the artstyle itself may not seem like much to look at but the animation is some of the most expressive, fluid, creative, and vibrant out there right now, it’s the type of series that you can tell was made with a real passion for its medium and it’s story. It’s protagonist is Shigeo Kageyama, nicknamed “Mob”, a term that literally means “Background character”. Mob is a middle school kid and an incredibly powerful psychic, like, insanely overpowered, but he’s currently working part time for a shady conman, Reigen Arataka. Though it may seem as if Reigen is just using Mob for his powers, their bond is actually a very sweet one and you can tell they care for each other, it’s a very important one at the heart of the series.

The core themes of the series itself are what really make it shine, it’s message is stated as clearly as possible in the opening songs, “your life is your own” and “if everyone is not special, maybe you can be what you want to be”. Put simply, you’re the protagonist of your own life, but the other important message of the series is that all the supposed background characters are just as important. The friends you make, the connections you have with other people and the way they impact you, they’re what make you strong. No one is born special, everyone is just a normal person, and everyone deserves kindness. It’s a series that I recommend incredibly strongly for just how powerfully it portrays this message.

Trigger warnings for this series include kidnapping, possession, a scene with a “man in a dress” joke, and a racist design for a background character. Also (spoilers) a scene where it seems like a child was murdered and a scene where it seems like Mob’s entire family was murdered.

Kaguya-Sama: Love Is War!

Hey, speaking of amazing animation, Kaguya-Sama is a romantic comedy series centered around the premise of two incredibly arrogant people falling in love. Kaguya Shinomiya and Miyuki Shirogane are the vice president and president of the student council at the prestigious Shuchi'in Academy, they eventually develop feelings for each other but they’re both simultaneously too proud and too insecure to admit it, so the real crux of the series is the 3D chess they play with each other to try and get the other to confess first. Along with the scatterbrained secretary, Chika Fujiawara, the treasurer in desperate need of Prozac Yu Ishigami, the cast is incredibly fun and they all fit into the comedy great. Every single little game of “do you like me?” that they play is written like the most intense thing in the world, the insane animation absolutely adds to it, making it seem almost like a psychological thriller, the comedy comes from the absurdity of just how much they hyperbolize it.

It’s not pure comedy though, due to a lot of the series being set up around mindgames, the characters are actually fairly psychologically complex with a lot of genuine development stemming from their childhood to explain why they are the way they are. The series may be about mindgames, but the actual narrative frames them as a juvenile way to go about relationships, a way to try to protect yourself from getting hurt because you’re afraid to trust. The entire core theme is that communication in relationships of any kind is the most important thing and you cant replace it with clever little tricks, so the main pair only ever make actual progress when they’re actually upfront with each other. Even if it’s scary to be that vulnerable with someone, especially if you’ve been hurt in the past like they have, the relationships you build off of mutual trust and openness will be worth the risk, and they can help heal you. And one of the things I love about the series is that this doesn’t just apply to the main pair, but it places equal emphasis on the importance of friendship. All the characters' relationships with each other are unique and interesting and they all develop the same way, with trust and openness, and they become better because of each other.

Despite being generally a comedy, a lot of the characters deal with some really heavy things too so trigger warning for: child abuse (not on-screen), child abandonment (again not on screen), anxiety and panic attacks, suicidal ideation- initionally played off as a joke but it becomes very obvious the character in question is legitimately suicidal and in the manga he nearly attempts it but is stopped, this plotpoint will most likely be in the anime at some point as it’s also not complete.

Your Lie In April

Alright I gave you a funny show now I’m going to make you cry. In fact it’s hard for me to type this synopsis because I’m an absolute crybaby and thinking about this show gets me, but I think it’s absolutely worth checking out because it’s a very beautiful sadness. Your Lie In April is a series that follows the stress and trauma young musical prodigies face in their lives, as well as the people around them, and it’s a series about the beauty of music and art, and just how much it affects people. The music in the show is absolutely gorgeous, the way that they convey emotion through it is so beautiful and intricate that it just sticks with you. You feel the music, and you understand.

I’m actually going to give the trigger warnings right now instead of at the end because in order to explain the plot I’ll have to talk about them so tw for: Child abuse (phsyical and mental, on-screen), terminal illness, death, in depth depictions of PTSD, vomiting, panic attacks, the works.

The series follows Kousei Arima, a formal piano prodigy who hasn’t performed since the death of his mother two years ago. Kousei's mother was terminally ill, but she was also incredibly abusive. Kousei has incredibly complex feelings about his mother because of this. The trauma she instilled in him is severe, but because he was a child, he still is a child, and he loved his mom a lot, as any child would, and he didn’t want her to die and he blames himself for not being good enough. He wanted to make her happy, and the only way he knew how to do that was to play the piano. So he played and played and practiced until he was perfect, they called him the human metronome. But he would still get severely punished for being anything less than perfect. He had lost all the passion he once had, and after his mother died it was the final nail in the coffin, his trauma manifests now in a way that makes him unable to play. But all that changes one day in April when he meets a violinist named Kaori Miyazono, a girl full of life and passion for music, she’s someone who according to Kousei “Exists in springtime.” and she’s going to help him play again and refined that love for music whether he wants to or not! Teen drama happens of course, but there are much bigger roadblocks ahead.

Assassination Classroom

This series is thankfully generally more lighthearted… Most of the time at least. The premise is pretty simple, but incredibly ridiculous. An incredibly powerful octopus-like creature is the teacher of a classroom of middle school students tasked with the assignment of assassinating him in order to save the world. The series starts off very slice-of-life as it focuses on introducing the very large cast of characters inside of Class E, also known as the “end class”, but it quickly gains traction and gets a lot more intense as time goes on.

The octopus creature in question, Korosensei, is actually a very kind and genuinely good teacher to all his students. The real crux of the series is that it’s sort of a critique on the educational system, the students in the end class are there because they’ve been ostracized from the rest of the campus, far away in the mountains, to be made examples of. Why? Because they’re students that are considered worthless, instead of getting help they’re only pushed back further down in the system and left to struggle within it fruitlessly. They’re given up on, despite being children with so much potential, because they don’t fit a very rigid mold. That’s what Korosensei wants to help them with, and they’re able to grow as people together. As the series progresses you feel such a great sense of unity for the class, they’re like a family, they stick together and it’s very heartwarming. And watching them work as a team of assassins is so fun!

However the series can get heavy at times too, it doesn’t stray from heavier subject matter at all and i found myself incredibly shocked by it a few times, so trigger warning for: Child abuse (on-screen and off), both at the hands of a parent and a teacher and in one case a parent who is also the principal, misgendering of a character, sometimes as a “joke” but other times played dead serious at the hands of his mother, child death- specifically suicide, a successful one as well as 3 assassination attempts that doubled as suicide attempts by the main 3 characters (weird parallel they all got there huh)

Puella Magi Madoka Magica

Honestly this is a series that is good to go in blind for if you need to tws, it’s a deconstruction of the magical girl genre, but if you don’t want to know more than that you can stop reading here. If you want to know more, it’s a series that starts off very light-hearted and in tune with typical magical girl conventions at first, however by episode 3 it’s made painfully clear that these girls are being led to sign up into something they shouldn’t. It’s heavy, though not incredibly so, but it’s also a lot to explain in a summary. Madoka magica is… It’s Faust with magical girls.

I’ll explain as much as I can without giving too much away. The story begins when Madoka Kaname and her friend Sayaka Miki encounter a creature who calls itself Kyubey, who says it can grant a wish of theirs and in exchange they have to become magical girls and fight witches. Both the girls are hesitant, but Sayaka wants to wish for her childhood friend’s injuries to be cured so he can play violin again, while Madoka is content as she is and can’t think of a wish. Luckily they have a mentor, a magical girl named Mami Tomoe who helps introduce them to everything. However something is stopping Madoka from becoming a magical girl, a mysterious new student who is also one herself, Homura Akemi, is resolute on keeping Madoka from becoming a magical girl by all means possible, for reasons Madoka doesn’t understand. Things get even more complicated when a rival magical girl shows up, Kyoko Sakura, who becomes Sayaka’s new rival. As things get more heated between those two they discover a terrible secret about the nature of magical girls, and what they truly signed up for.

Spoilers ahead but trigger warning for: Child death, parental death (backstory only), decapitation (off-screen), needles, incredibly surreal imagery inside the witch’s labyrinths that may feel unreal, mind control, suicide, depression and despair expressed by young characters. Also don't bother with Magia Record

The Disastrous Life Of Saiki K.

Alright something lighthearted now, there are a lot of comedy anime I enjoy, a lot of series that have made me laugh, but none has made me bust a gut like this series has, it’s absolutely hilarious. It follows the life of a boy named Saiki Kusuo who has psychic powers. His powers are incredibly overpowered, and he absolutely hates them, in his eyes they cause him nothing but trouble. There’s not much in the way of a plot to describe, because there isn’t any, the series is comprised of 5 minute segments surrounding Saiki and an incredibly vast and colorful cast of characters that are just all completely insane, many serve as parodies as types of anime tropes because the series as a whole is very self aware and doesn’t shy from breaking the fourth wall a lot, but the characters surrounding Saiki are what make his life… Disastrous.

Like I said there’s not really a plot to describe but like FMA people may get confused with this one, there are 3 seasons but one of them is titled “The Disastrous Life Of Saiki K: Reawakened” as is a continuation of the first two with just 6 episodes in it. Also for some reason only the second season isn’t dubbed so if you’re planning on watching it that way you’d have to either stop or switch to subs for season 2

The only major tw I can give here is an ongoing joke about a character being into his sister, he’s treated as disgusting for it of course because he’s a parody of that trope but that doesn’t make it any less uncomfortable, luckily he doesn’t show up much.

Little Witch Academia

Little Witch Academia is a series I personally just adore, it takes place in a world where witches are common and well-known among the people, but the era of witches is over and magic is dying out. However that doesn’t mean passion of magic doesn’t exist, the protagonist is a young girl named Atsuko Kagari, or Akko for short. She’s resolute on being just like her icon, a witch known as Shiny Chariot, as she attends the same magic school: Luna Nova! Unfortunately Akko isn’t exactly a magical prodigy, in fact she can’t even fly a broom, but that’s not gonna stop her, nothing will. Just like Chariot said, believing in yourself is your magic.

Once at school Akko gets into all types of crazy shenanigans with her with her two roommates, Lotte Yanson and Sucy Manbavaran, and occasionally her rival, Diana Cavendish. Akko still struggles a lot in school, in fact her inability with magic is pretty explicitly handled as a metaphor for a learning disability, and though this makes it harder for her she’s still resolute. Though the series is generally episodic, a concrete plot starts to form by the second core. Along with the help of her guidance counselor, Professor Ursula, Akko learns that she needs to unlock 7 “words” to bring magic back to the world, each time she learns a new one it comes with an important lesson to her and ultimately relates back to each of the core themes of the series

The series is pretty lighthearted so the biggest trigger warning I can give is one for bullying, two characters in particular tend to target Akko for not being a good witch and it can really sting to watch. Other than that none come to mind

#if you want stuff out of a more specific genre i can give a list of those too but this is like. general

16 notes · View notes

prezs · 3 years ago

Text

i was tagged by @of-the-noseworthy-clan to post my 10 favorite female characters from 10 different fandoms! thank you!! i had a lot of fun! i hope you don’t mind i made a new post to avoid clutter! :,) these are loosely ranked, but can be swapped around depending on the day and what i’m into at the moment. anyways, here we go!

1. White (Pokemon Special): An old favorite of mine. White will always have a spot on this list; she’s why my URL is prezs! Even before White learned how to battle, I always thought she was the best, having the responsibility of BW Agency president and all. I love her ability to plan, lead, and most importantly, self reflect. She has a lovely character arc in BW, and it was great to see her in action in B2W2! I could go on, but I’ll spare you guys.

2. Symmetra / Satya Vaswani (Overwatch): As someone who used to main her and genuinely adores her lore, it would be amiss to leave Symmetra off this list. The amount of death threats I’ve received playing her only made me love her more! I have a strong fondness for misled, good natured characters in bad organizations. Absolutely adored the latest short story with her and Zenyatta. Really hope to see more of her in Overwatch 2!

3. Heather Row (Drawn to Life): Another old favorite of mine! Raposa or human, Heather has some of my favorite character designs. They’re so simple but impactful. I also really like how Two Realms built upon The Next Chapter’s ending. I felt her character progressed in a very logical and fitting manner. Despite having been through so much, she’s still kind, loving, and tries to see the good in people - but has a temper and takes no shit. If we ever get a fourth Drawn to Life game, I’d love to see even more of her!

4. Cait (Fallout 4): My favorite female companion from Fallout 4 by far. I always make sure to travel with her and max out her affinity. I think she’s one of the better written companions in Fallout 4 too. She has a lot of great interactions, and the character development that occurs alongside her friendship with the Sole Survivor is really, really touching. I always think about that one affinity conversation of hers where she’s just so happy to finally have a real friend who’s proud of her.

5. Riza Hawkeye (Fullmetal Alchemist): Miss Riza... I remember back when I first read Fullmetal Alchemist, I used to skim past any chapters that didn’t have her! Hawkeye genuinely sculpted my tastes when it comes to characters, to the point of it being noticeable. Loyal, capable, and with heavy guilt from the war, she is such an interesting character and I genuinely adore her dynamic with Mustang. It’s been years and I still find myself thinking about them.

6. Rayla (The Dragon Prince): Rayla! I was originally torn between choosing her or General Amaya, but after weighing how much of an impact these characters actually had on me by like, Season 3′s finale, I gotta go with Rayla. I don’t really talk about The Dragon Prince much outside of new seasons, but I really do love it. And I absolutely love Rayla. Her design, personality, and backstory are just so much fun and I really like seeing her character develop.

7. Christine Royce (Fallout: New Vegas): Oh boy, oh boy. My favorite Fallout: New Vegas companion. She’s tied pretty closely with Arcade, and is usually the character I think of when someone mentions FNV. Dead Money is, by far, my favorite DLC from this game, and I really enjoyed the Courier’s interactions with Christine. It was a really unique set up and I found Christine’s backstory sad but fascinating!

8. Katara (Avatar: The Last Airbender): Katara’s been one of my favorites, for like, ever. No joke, there’s a picture of me from middle school wearing a Katara costume for Halloween. She definitely set the groundwork for a lot of my favorite characters (with a few being on this very list)! I feel like if I started on the reasons why I like her, we’d be here forever, so I’ll just say I love her concept and character arc a lot.

9. Chell (Portal): Chell doesn’t really talk, so much of my love for her comes from her design and the plot of Portal and Portal 2 itself. I don’t really have much to say outside of loving her determination and thinking she’s really pretty. She was my first exposure to having a designated female protagonist for a video game as well.

10. Zelda (The Legend of Zelda, specifically Skyward Sword or Spirit Tracks Zelda): Worth noting that I have not played Breath of the Wild yet, so I might add that Zelda to this list one day too. I really loved both of these Zeldas. They both seemed to be so full of life and personality, especially the Spirit Tracks Zelda. I loved having her as a companion for that game; she was just so fun!

i’m supposed to tag 10 people, but i’m so bad at thinking of ppl bc i don’t want to be annoying HDHJGDJH if you wanna do this, PLEASE do and tag me!! i wanna see you talk about your favs! : )

#personal #tag meme #thank you so much again for the tag kieran!!!!!#i had a lot of fun and really enjoyed reading your list of favs too ;v; <3

6 notes · View notes

fluffykitty1999-blog · 3 years ago

Text

Burned Chapter 16

Roy sat at the small desk with his ballot and pen, looking at the choices carefully.

"You said Susans wants to increase school funding and make the train schedule rigid. Trevors wants to restructure taxes and better waste disposal. And Xavier...?"

"Wants to slash the police budget to 'keep the cost of living down'." Ed frowned, looking unhappy at the notion. "I was actually headed towards the theater yesterday to see if I could catch the end of the debates when I found the newest victim."

"Right." Roy paused for a moment, thinking, before marking the box for Susans and standing, casting his ballot in the box and leaving, Ed quick behind him.

"So- how long until the election results come out?"

"Tomorrow morning. The voting closes at nine, and they'll be up until the wee hours of the morning counting votes. The morning papers will definitely be running the results."

"Huh. Neat." Ed stuffed both hands in his coat pockets as they kept walking along.

"Why the sudden interest in politics, anyways? You never really cared about rank." Roy admitted.

Ed shrugged. "I don't care for politics. But you do. You want to be Furher someday. And it's not a bad idea- having a basic understanding of the politics surrounding you can help you make a good decision and avoid getting stabbed in the back."

"So you've actually been paying attention to some of this stuff then?"

"That and any report I can get my hands on about this serial killer. People say things to me- people nobody listen to. The frustrated farmers, the miners in the dead end towns in the middle of nowhere- a lot of powerful people don't pay attention. But I do. I try to catalog it all away so I know the best decision to make. And who I can count on to back my interests in a crisis. Even the politicians let things slip to me, because they think I'm just a kid."

"Really, like what?"

"I... that promotion that was happening? Where Colonel Lincoln was made Brigadier General in west city?"

Roy stopped walking and his eyes hardened. He'd been more qualified for that position, but he hadn't even been considered.

"I knew you weren't going to get it." Ed said lamely.

Roy caught the boy by the shoulder to stop him walking and spun him around. "How?"

"I was at a bar in west city, chasing a lead on the stone. I ran into some drunk local- was trying to find the mineral broker's shop. But all the guy kept bragging about was how his brother was going to be brigadier general in 3 weeks. Cheated his way to the top."

"Why didn't you tell me?" Roy's features were stern, and he was pissed.

"Because... it was just going to frustrate you. There was nothing you could've done-"

"You don't know that! If you'd have told me, maybe I could've done something to out-compete him. You're my subordinate, you're supposed to report those things to me!"

"There's no way you could've beaten him-"

"And how do you know that, Ed?" Roy seethed.

Edward stepped closer to Roy, his eyes steely and voice sharp and barely above a whisper. "Because you wouldn't have let Lieutenant General Atkins fuck you. Lincoln did. I know you want to make it to the top. But I've been under your command long enough to know you wouldn't sacrifice your principles for it."

Roy's fists unclenched, and he found himself dumbfounded. "You're sure it's not a rumor? Just some drunk guy rambling?"

"No. It's not. I checked the current assignments when I got back- Lincoln and Atkins had been sent to a remote post near Drachma for reconnaissance together. Apparently they'd made an... arrangement... while they were there. Sex for rank. I wasn't sure if it was true, but when news of the promotion came about I knew it was..."

Roy sighed, running his fingers through his hair. "And why didn't you tell me this?"

"Because... you'd have gotten mad at me. Like you just did." Ed looked defensive and slightly angry as he glared at Roy, before his eyes found the ground. "Besides, it happens all the time. People try and trade... favors... for rank."

"No, Ed, they don't. Not in my office."

"I know you don't..." Ed bit his lip, kicking a stone with his boot.

Why wouldn't Ed meet his eyes? Realization hit Roy like a spark exploding into flame, and his eyes widened.

"Who? Who propositioned you, Ed?"

"You're gonna get mad again. It's nothing, can we just drop it?" there was a note of pleading in Ed's voice, and Roy frowned.

He took a deep breath and sighed. "No, Ed, we can't. Because you're a child and I got you into the military, and it's my duty to protect you."

"What are you gonna do, anyways? Anything you do will get swept under the rug, you're gonna throw away your whole career for one stupid kid?"

"I didn't say that." Roy took a breath, steadying himself. His heart pounded and he felt shaky. "More then likely, Ed, I won't be able to do anything. Right now. But I want to know because you are my subordinate, and it's my duty to protect you. And even if I can't do anything about it now, I want to know the name, so that I can put them at the top of my shit list when I have the rank to make their life hell. I'm not going to do anything stupid- but I'd like to know what happened."

Ed's eyes darted around the room. They were in a mostly empty hallway- the voting poll closed soon. "Not here." he said finally.

Alphonse was upstairs reading, out of earshot.

Ed sat morosely at the kitchen table, and Roy angrily put on the kettle, slamming it on the burner with more force than necessary.

What was most unnerving was that Ed still wouldn't meet his eyes, staring at the table like it was the most interesting thing in the room.

He opened the cupboard, pulling out their two favorite mugs, parking them on the counter and splashing a little milk into the bottom of both cups, before squeezing a generous amount of honey into the other cup- Ed's cup. Ed always seemed happier after he'd drank tea that was very sweet. He hung two teabags over the rim of each cup.

The kettle started to sing, and Roy plucked it from the stove, filling both cups before taking them both by the handle, walking over to the table and sliding the forest green mug across the table to Ed, and nursing his own yellow mug close to him as he sat down.

"Well?" Roy cocked an eyebrow.

Ed glanced up at him, before he was staring into his mug. It was rare that the Fullmetal alchemist was without words, and it settled like a block of ice in Roy's gut.

"Did they do more than talk? Ed, did they hurt you?"

"No! I... let me drink my damn tea. I'm trying to figure out how to explain it." Ed groused, frustrated, before he was taking a minuscule sip of scalding tea.

Roy waited one moment, two... The silence made him anxious. But he needed to be patient with Ed, couldn't push the boy.

"Remember when Major General Cole came up to visit from South City?" Ed said finally.

Roy frowned. "That was 8 months ago. You'd just passed the state alchemy exam." Ed had just turned 13. He remembered because Hawkeye had insisted they share a cake in the office with the boy the day before the visit. Ed had seemed surprised but please, and thanked her for the cake. He'd devoured his piece happily, and licked all the frosting from his fork. Ed really did like sweet things. Ed had been quiet for the next few days, but Roy had assumed it was because he was sad Al couldn't have a birthday like a normal kid as well...

"Yeah. Well I was in the washroom that day, and I was... using the urinal..." it was hard for Ed to keep the blush from his cheeks. "And this guy walked in. And he went behind me into a stall, and I thought, no big deal, he's gotta go too."

"And when I was washing my hands, I felt a hand on my shoulder. And I turned around and this guy is staring at me. And I saw the bars on his chest- I didn't even know what rank he was, just that he was higher than you- and I tried to salute him because I was nervous, but my hands were all soap, and it was just a mess. I got soap in my eyes."

Roy suppressed the urge to smile. While the mental image was funny, if he'd laughed Ed would've thought he was laughing at him, and been more embarrassed. And there was nothing funny about this situation.

"He told me to relax. Said he was Major General Cole from South city and he wanted to know if I was the Fullmetal Alchemist. So I said yeah, and he said he'd heard I was a prodigy. He said that with how far I'd moved up the ranks already- I was a major- he said if I transferred to under his command, he'd make me a Lieutenant Colonel in 3 months. If I worked for it. And I thought that was really cool, to be the same rank as Hughes, but then I noticed he was getting closer to me and so I stepped back."

"He reached up and touched my braid. Said I'd have to put in work to make it happen though. Spend late nights at the office with him so he could show me what I needed to know. That was when I started feeling kinda weird... Then he told me I looked like a girl. And that a face like mine would be appreciated in his office.

"I told him I wasn't interested. He asked whose command I was under and I said Mustang, and I lied and told him you'd be mad because I was supposed to be back with an urgent report. I know I lied but I was scared and I didn't like him and so I turned and left. I knew he might try something if I was alone, but he thought you were expecting me, so he didn't."

"And you didn't tell me any of this." Roy was disappointed- both that Ed was too scared to tell him, and that he'd been put in that position in the first place.

"I didn't want to make waves. I'd only just got my state alchemist watch, and I figured it wasn't important. I didn't want enemies."

"You didn't trust me and my team to protect you?"

"No, I did, I just... It wasn't important at the time, alright? I had bigger things on my mind. I mean, yeah, it was weird, but I had to start looking for the stone with Al, so I put it aside because I had work to do. Even now, I just try to stay clear of officers from South City."

Roy sighed. "I wished you'd told me sooner."

"Yeah, I should have... What are you gonna do to him? Major General Cole, I mean?"

"I'm not going to do anything. I'm going to mention it to Hawkeye. And she's going to watch his every move until he files a report late or misses some paperwork or drops the ball. And then an anonymous report will get put in and he'll get in trouble. He's gotta drop the ball sometime. And if he doesn't- well, when I'm fuhrer, he'll clean latrines for the rest of his damn life."

"Right. That's good." Ed sipped his tea, looking slightly relieved. It was almost 10, now, and Ed looked at the clock, acutely aware of the time. "Any news from Hughes on the investigation?"

"No." Mustang sat up a little straighter, acutely aware. "And you're not sneaking out to try and catch the killer tonight either, understand?"

"Hey I was just asking." Ed put both hands up, defensive. He took a long pull of warm tea and yawned. "I'm tired, anyways. Hughes can handle it. I was just gonna do some reading and go to bed. Oh..." Ed paused, looking up at Roy hesitantly.

"Yes?"

"Can... can we get a newspaper tomorrow morning? I want to know who won the election." Ed was almost shy about asking, and Roy smiled.

"Yeah. Yeah, we can get a newspaper tomorrow."

"Cool. I hope Susans wins. I hate waiting for trains." Ed punctuated the statement with a yawn, taking his half-full mug and standing, heading upstairs.

"'Night."

"Goodnight, Edward.".

If Roy knew Edward well enough, the boy would be asleep soon after he finished his tea. That was one of the little things about Edward he hadn't known until the boy had moved in with him. That the boy was much more relaxed and easy to send to bed after he'd had warm tea with a considerable amount of honey in it.

Edward climbed the stairs and was about to head to his room when he noticed a candle burning in the study. He paused, mug in hand, before he was ducking inside. There, on the desk, was a worn journal opened to a page. There was an alchemic array he hadn't seen before sketched in the middle of the page, and for a moment, his fatigue was forgotten, replaced by curiosity.

The handwriting was old and spidery, hard to read and definitely not Roy's. But the array looked familiar. It looked- it almost looked like the array on Roy's gloves.

Ed paused, looking down at the book in awe. It was a manual on flame alchemy- something rare and hard to understand. Something he'd been able to think about, but never perform.

He wasn't sure he should be looking at it. But now that it was in front of him, it was hard to tear his eyes away... There was no such thing as forbidden, was there? Not when he'd already committed the ultimate taboo of human transmutation. Besides, if flame alchemy could help him reach his goal...

Ed swallowed down his racing heart. Since when was he afraid? He'd never been afraid to break rules before. He picked up the book, pocketing it, blowing out the candle and ducking into his own room, lighting his own candle and starting to pour over the book.

When he heard mustang start to climb the stairs, he quickly blew out his candle and ducked beneath the covers, hiding the book beneath the sheets and feigning sleep. He heard Mustang pause at his door, checking he was asleep, before he continued on down the hall, to his own room. Once Ed was sure he was gone, he struck another match, re-lit his candle, and continued reading, pulling a notebook from the nightstand and starting to take notes.

Flame alchemy was the most complicated thing he'd read of, let alone attempted, since human transmutation.

What’s this? A button to donate currency to the caffinated liquid fund? O.o https://ko-fi.com/fluffykitty12

#fma fanfiction #FMA #burned #burns #injury #accident #Edwhumph #edward elric whumph #parentalroy #parental roy #roy mustang #ed whump #whumph #whump #angst #hurt ed #comfort #hurt #hurt/comfort

4 notes · View notes

steve0discusses · 4 years ago

Text

The Live Action Fullmetal Alchemist Movie Part 6: Let’s Kill Hughes

Hey guys, I’ve been having some issues with the blog not...updating my drafts. So in case you’re wondering, that’s where I disappeared to. Give a round of applause to the support team for finding a solution until it gets fixed but as of right now I’m on like a private window with my extensions turned off and writing this from both tumblr and a LibreOffice document. Hello ads, nice to see you back.

Last we left off, we were a hop and skip away to lab 5. In the anime, this was a sequence where there was a bunch of fighting with suits of armor, and they kept that in this movie, but...not the people you think would be fighting are going to be fighting.

Listen I’m not like super knowledgeable about the world of Matte painting, but I like that they’ve unintentionally made this world building where whoever is in charge of making these red bricks basically owns everyone’s nuts. Everything is made out of the same red bricks. Like I know this is a show about homunculi ruling the world but I feel like the red brick guy is hellllllla more egregious. Freakin Monsanto over here.

I assume they had a 3d model and was like “we can just keep using it” and damn, they sure did. And inside of this brick building is, unsurprisingly a lot more red brick (although I think this is partially, if not entirely, an actual real life set.)

This next part is...such a lesson in pacing. Not necessarily a lesson to follow, but definitely a lesson to learn from maybe their non-example.

(watch Hughes die under the cut)

And what’s interesting is that there were a lot of good lines in this upcoming segment. There were a lot of good moments—bu there’s just so many. Maybe too many. You gotta prune your script occasionally, it’s like a tomato plant.

Like I’ve been doing a stress garden to cope with quarantine and Covid and 3+ months of life endangering wildfires, and I learned that you gotta prune the sucker vines off your tomatoes, although sucker vines can also make tomatoes. It sucks to do because I love tomatoes, and I want as many tomatoes as possible, but when you prune the plant, you get bigger better tomatoes that are more worthwhile than the suckers that can infect your plant and make it really sick.

Sorry that made me sound like 5000 years old with that gardening analogy. If you need me to solve your small town murder mysteries, I’m ready.

So it’s like...kind of tragic that it came together as kind of nonsensical when you can tell that it’s so close to being something better.

Like we have some reason up to this point to believe that Ed would have a freak out here...but like...a sobbing on the floor screaming at the walls type of freak out? Was there enough time devoted to this blow up, or did he walk into this room and immediately start screaming? Because he sure did walk immediately into this room and start screeching like a broken bird.

Like last recap, which was about 2 minutes ago in screentime, was this fun and quirky montage with Hughes. Now we’re sobbing into this rusty factory.

And I know what’s going on because I’ve seen the anime, but if you haven’t seen it—would this emotional break down make any sense? We were told by Dr Marcoh, “check out lab 5,” but we were only going to this factory on kind of a wish and a prayer. I really wonder if people who don’t know this show could follow past this point.

And then while we’re still adjusting to “yo, Ed just took it from a 2 to a 10 like immediately” Al is like “Hey I noticed no one is paying attention to me, and I have to lay a wicked fart:”

and then both brother’s just have a freak out. Gotta all be freaking out in this random ass Unity asset that was probably also used for some college grad’s first battle royale.

Pacing is just everything. And what’s SO HARD about Full Metal Alchemist is that there really is a lot of content to cover, there’s a lot of emotions to go through, and when you only have about 7 minutes to cover what was about 3-4 episodes, if I remember correctly, it’s kind of a zany mess.

And if you were going into this movie hoping they wouldn’t illustrate Al as a large idiot baby, then you share the sentiments of most people who saw this movie. Al is like...kind of reduced to a whiny big baby and is...not cute. Like Al is low key kind of menacing throughout this movie, not just because he has this CGI armor thing going on, but also because Al is...so impressionable and unhinged.

Something that I didn’t appreciate enough when I watched the anime was just how important Barry the Chopper was for Al’s logical character development.

Yo...These bangs…

...I’ve realized that every show I recap here just has the worst hair styles. I honestly never thought much about hair at all until I watched like 200 hours of Yugioh and all of this movie and also 6 seasons of Once Upon a Time which featured some LOOKS (but only recapped like 3 episodes, sorry if I got some of y’all excited. That was when we had no reason to cap everything because the capping community for Once was very alive and very exciting.)

By hitting him with a wrench (Al does not feel pain, ps, so he doesn’t need to be hunched over like this) Winry reminds Al that Ed would not risk his life for a fake brother (which may be a line from the anime or the manga but I don’t remember) and crying just...a lot.

Like it felt as if she had to shoot all of this out of order. Same with Ed’s freak out here. Movie’s aren’t really shot in succession and it’s up to the director to make it feel coherent and logical...this felt scattered, like the actors really didn’t know what was happening in the scenes leading up to it so they just cranked it to 11.

And then I guess Ed was either so insulted that Al punched him or was so upset that Al made Winry cry (again, this movie really tries to sell the EdxWinry ship and from me that’s a really big compliment), that Ed just started laying punches to extend a fight scene that was kind over before it started.

But symbolically there is a lot nice things going on here, Ed only uses his fleshy hand so he bleeds all over Al, hurting himself as much he’s hurting his brother. Implying more than just this fight, but suggesting that their whole journey of trying to find this sorcerer’s stone is just going to hurt both of them in their quest to save the other.

And then Al says something along the line of “it hurts!” to infer that he’s got this broken heart which is when they both finally just freakin stop.

Such a shame the pacing, which was a mix of too quick, and too many tomatoes, kind of made it hella blindsiding.

Again this was so many episodes of FMA and they stuffed it into so few minutes, it’s wild.

Especially since Ed is like...he’s cast as an adult! He’s an adult! At no point in the movie so far have they called him a kid, and they’re not pretending that he is one. But like...he acts like such a child because in the original, he was one. And, while this movie steps so far away from the source material, if should have committed and either stepped completely away or committed completely. Of course “should” is one of those things where we’ll just never know. A wish into the ether of hindsight being 20/20.

But lets get to the thing that you all came here for. This is where this movie gets BONKERS:

So Hughes actually draws out a pentagram between the different places in Armestrias, including Ishvaal, leading us to think that he’s figured out the whole dealio of turning the country into an alchemy circle. But, for some reason only helps him find the real lab 5.

It didn’t...that’s a different thing.

And it has been a long time since I’ve seen the ending of this movie—and maybe it was so offhand that I forgot if they actually do bring up turning the country into an alchemy circle--watch me eat my words, it could happen—but yo, we are finally killing Hughes—but we’re over halfway through this movie. And you may wonder...so uh...what...then what could possibly happen? There’s too much anime left!

Now I’m glad they kept this scene really close to the anime, although I haven’t watched the anime in a hot minute. It’s kind of an iconic scene so you don’t forget.

Like I do genuinely enjoy the campy parts where they were bringing up some of my favorite nostalgia of the original.

and then when you are like “ah, this is exactly the same as the anime. I can relax and watch as all my expectations are fully realized.” This twist happens.

YAH.

It’s a change!

So in the anime we had a really fun arc where we were trying to save Lieutenant Ross for being framed for killing Hughes. It’s probably my favorite part of Full Metal Alchemist, actually, it was so clever and a really thrilling chase. It was also like...half of season one.

Anyway, they cut it. They reduced half a season into 7 minutes. I know that, because each of these recaps is about 15 minutes of the movie.

You may look at this recap and be like “wait...this all happened in 15 minutes??” because yeah, this all happened in 15 minutes.

The same squad of people we see in every single scene of soldiers comes up to arrest Ed, which is weird, because I thought this band of soldiers was the military under Cl. Mustang’s command so like…shouldn’t they be arresting themselves? Mustang was over the command of more than 2 people. If we are suspicious of Mustang’s buddies then everyone in this movie would be in trouble.

And that’s when I realized that these guys were just unnamed soldiers and not a part of Mustang’s band. They only had like this many extras and just hoped we wouldn’t keep track of who is who, but I KNOW I’ve seen these guys this whole time. There are only like 6 people in this army. I see you movie magic—I see what you’re trying to do.

Anyway, Ed gets thrown into an old timey opera house that occasionally gets to be used for Middle School graduations. Or maybe also a mortuary where they charge you for funerals.

Like I know it’s supposed to be the capital building but like...this looks so weird when it’s live action. I remember the anime had this kinda feel to it but in live action it’s like…

...this is a weird ass capital building…Why do they have curtains like a Granny Holiday Inn in Reno, Nevada?

Thankfully, Hawkeye is here to explain to Ed what just happened because we, the movie viewers, were kind of surprised by that plot twist.

Like there were many ways you can condense half a season into 15 minutes, and I dunno if I would have just changed the murderer. It is a solution you can do. You can just point blame on Mustang and skip that whole Ross segment but like….

…then why write the movie?

Obviously, they had to make the movie, it had already been funded, people were really excited about the idea, and I do not envy the people that had to hack and slash with the Full Metal Alchemist script, but it is interesting what they decided was important to the original content, and what was unimportant. All that stuff that showed how Mustang was brilliant and two steps ahead of everyone else? Unimportant. All that stuff we had that showed how Mustang cares a lot about protecting other people and also cares about Ed and Al? Unimportant.

It really changes the dynamic, and it’s kind of fascinating to go into this cold because it’s been like...a year for me since I’ve watched it...and just see how different everything is without all those supporting characters that when I watched the anime I just assumed were mostly useless (Though fun). Turns out they all had a pretty significant part of making me care about Ed, about Mustang, about Al, about all my main characters.

FMA is very character driven, and this movie is mostly just...plot driven. There’s kind of a great debate in literature about plot driven vs character driven. Movies and TV tend to be very plot driven, because they are very expensive to make, so they follow pre-formatted plot beats like “Save the Cat” or “The Heroes Journey” and other ones (there’s several to choose from).

They’ve made a fine science out of at what point a TV show should introduce the main, at what point they should suffer doubt, at what point they should shun their hero’s journey, etc etc. They know it down to the page number of the scripts they are writing. I know this, because it’s readily available on the internet and people fight about it all the time. This is why a show may suffer developing a character—because they just don’t have time and they just don’t have the resources to do something out of the box. Movies doubly so, because every minute of film can cost thousands of dollars.

What’s interesting about this is that FMA, the original FMA, does follow these beats. It was a manga sold by a huge publisher so it had to follow those beats. But, it has managed to do it while still being character driven. Yo, that’s so hard to do. This story was already written to be hyper condensed and structured when it was made into a Manga, and then it was condensed again for an anime, and then it was condensed yet again for this movie. It’s like a game of telephone, and at one end you have a very character driven story, and then at the other, it’s just totally plot.

Like it’s just a really huge risk to take. This was really, really risky.

PS did you miss Shou? Did you think we’d be done with Shou Tucker? No. Because this movie is gonna end at some point and rather than introduce other people...we’re just gonna stick with Shou and only have one miniboss.

(It has a freakin radiator in it?)

So then this next part happens and it’s low key hilarious.

The whole time.

Mustang and Hawkeye knew what lab 5 was this entire time but Ed just never asked for some reason despite working with those two for what is inferred to be YEARS since his childhood.

Hey PS, did you miss that brick building? Because it’s back.

Anyway, Mustang decides to take this underground where we can recycle the tech crew posing as extras that we used in the shot above us. Would not be surprised if a few of these are someone’s husband or wife on set.

Usually when I watch a movie I don’t get this feeling so much. But this movie...the latter half is like...EMPTY.

...this is going to be all movies made during Covid, I just realized…

Mustang is stopped by an angry Lieutenant Ross, and then we get this series of events.

And when you’re like “...Sorry?” Mustang’s like “I can make it weirder.”

And he just, without any warning or anything, lights Lieutenant Ross on fire. Multiple times, and it’s pretty intense and everyone who’s holding a gun just watches it happen is like…

...well I guess it’s too late to just shoot the guy...

…and like do you seriously not carry around a fire extinguisher when you are trying to manhunt Mustang? This is the one guy you want to wear fireproof clothes around. You have the technology. You at least have the technology for buckets of water. Like no one want to throw a blanket on her?

Just want to...watch? I guess?

Mustang just looks like a nut from this series of events instead of a genius--which is what I think they were originally going for. The pacing does that, youknow? Pacing.

And, out of the corpse pile stands Envy.

Envy has a pretty good look, I appreciated his whole look and that unlike the anime where you only find out Envy is a guy because someone told you on a forum somewhere and you were like “wait WHAT?” the movie is live action so you won’t make that mistake and embarrass yourself online.

Ed has only ever seen Lust once, and she walked in from off screen, stabbed a guy, and walked off. He’s just like...having a time because he’s done zero research into homunculi, and really, at no point in this movie are we going to give him time to figure it out.

Also, there’s this shot where Lust and Gluttony just walk in from behind them in the tunnel and it’s like…

….so no one noticed these two just hanging out back there?

It’s so freakin funny. This movie is gold. I love it.

Now If you just got here, this is a link to read all these recaps in chrono order:

https://steve0discusses.tumblr.com/tagged/fma/chrono

Have a good one, and stay safe! 2021 has been...weird nuts...and it’s still January somehow??? Weird times. Overall, please stay safe, it’s weird out there.

Also, if you’re like “I don’t remember this scene actually” here’s the original Hughes dies scene that inspired the movie (since the movie definitely was like “we’re only going inspired for this one nerds, get mad”)--some shots were inspired cut for cut.

youtube

And obvi this is on Youtube so it’ll probably get taken down eventually, but that’s why it’s flipped.

#FMA #FMA movie #FMA live action movie #recap #Fullmetal alchemist #hughes #roy mustang #ed elric #al elric #winry #I've had to write these tags twice now because tumblr won't SAVE MY DRAFTS #photo recap

7 notes · View notes

weirdponytail · 4 years ago

Text

I promised pics of the books at the Ket Cave and thus I deliver

There’s a few pics so you can read the titles so if you dont wanna see these I’ve added this handy ‘read more’ for you.

ONWARD!

I’m working on the setup. And yes that light is blinding.

This is just the lower shelf. I’ve decided to keep my Eragon coloring book pages, Peace and Sirenity binder and folder, and all my paints, pencils, art stuff, etc down here.

Main shelf!

Eragon and Eldest, OFC. I’ve not read Prisoner B-3087 yet, I just got it yesterday. Next is Escape from Camp 14, a biography from a defector from NK who grew up in the ‘three generation’ secret prison camps (this isn’t a long past thing, it’s relatively recent). After that is another new book from yesterday, How to Build a Dinosaur because who wouldn’t want that book? Also I’m lacking paleo and geo books. My Side of the Mountain is always worth some rereading imo, it’s a good book.

Now on to the stranger stuff. The Woman with a Worm in Her Head is a book about some of the more whacky infectious disease and parasites and stories about them. The Hot Zone, while completely exaggerating Ebola a disgusting amount, did boost my interest in infectious disease to a level that led me to enrolling as a microbio student when I first started uni before I switched to Geology.

I’d admit, I bought Pandemic ages ago. It was written in the years following the first SARS outbreak, when everyone was terrified of a combination of another SARS outbreak (oh look what we have now!) and post-9/11 bioterrorism fears. I’ve never really been able to finish it, due to being disgusted by the stereotyping at some points, but I figure i should choke through it due to the current situation.

Next is Spillover. 10/10, ALWAYS recommend Spillover, read it (or at least the first two sections or so) BEFORE you read The Hot Zone. It’s gotten more press due to the current pandemic which is good but means it’s kinda hard to find now.

Hey, Fullmetal Alchemist!

The Desserts Cookbook. Mama Cat gave this to me.

What if? is hillarous and super informative. If it helps, the front is a picture of a TRex being lowered into a Sarlacc pit. A guy answers all the crazy questions like ‘what if you collected ALL the elements of the periodic table one by one and placed them in a periodic table?’ (the answer is lots of terrible things) or ‘what if you threw a baseball at the speed of light?’ etc etc. I really recommend this one.

Jurassic Park and The Lost World. Because I’m a motherfluffin’ paleontology student, ofc I needed to read them! I’m actually in the middle of The Lost World right now but had to put it on hold.

The Ends of the World. Extinction events. They’re like crack to me.

Heheheh. Calvin and Hobbs: Yukon Ho! You gotta have some of that in a new place.

Alright, on to the next shelf!

This is the reference shelf. The two books on the far left are Dr Halsey’s ‘journal’ that came with the limited/extra special edition of Halo Reach. I actually bought it off ebay for a ridiculous amount of money that I wont specify, but it was worth it for all the cool notes on SPARTAN-II augmentations (which I frequently use as baseline reference for Modern Inheritance Cycle elves). The second book is The Book of Runes. Because I’ve always had it with me and it always ends up being useful somehow.

Starting from the bottom of the left stack we haaaaave:

A Guide to Nuclear Power Technology: A Resource for Decision Making. Ironically published two years before the Chernobyl disaster. I’ve read the first three chapters. Having a general understanding is a personal choice.

The A to Z of INfectious Diseases. I mentioned I was going into infectious disease before, right? I’ve read that from front to back and wrote some notes on the 2014 Ebola epidemic. I should probably write an entry on Covid at some point too.

Surviving the Wilds of Florida. Quick and handy reference!

That last one is a book about the crafts of Florida’s indigenous peoples. Nice little book.

Second stack, starting from the bottom again!

Gray’s Anatomy. And no, it’s not the compilation of all episode transcripts, that’s the real, dense deal right there. You gotta know what you could be breaking if you’re writing torture and injuries in fanfiction....

Genki 1 and 2. Still trying to keep up with my summer studies.

A Reader’s Guide to R.A. Salvatore’s The Legend of Drizzt. This was given to me by a woman who tutored/babysat me in middle school. She introduced me to LoD, and thus my first introduction to the world of DnD (though i didn’t realize it at the time), and is why I always chose Undercommon as an extra language in DnD. Fantastic series, beautiful art.

That turned book is actually a custom printed book someone made of me through middle and high school and gave as a gift at graduation.

Woop Woop, Eragon coloring book!!

A Practical Guide to Dragons. I think this might be tied in to one of the older DnD editions. It’s still a fun book with lots of different dragons in shapes, sizes and colors.

And that’s it! :D

#adventures of ket #the ket cave #ket's tastes #Ket reads #the future ket cave #lots of infectious disease books #old habits die hard i won't lie

2 notes · View notes

thehollowprince · 5 years ago

Note

Top 5 TV shows?

Okay, so I've thought long and hard about this and finally narrowed it down to five shows. And before we list them, to anyone who reads this, yes I am aware of the problems that these shows have, but I love them anyway.

In no particular order, here they are...

1. The Magicians

I fell in love with this show when I first saw the pilot way back in December of 2015. This was a show that spoke to me on a deep personal level. The characters were me, they were people I knew, they used pop culture references that I got and acted in ways that my generation has adapted to in light of (gestures vaguely) all of this.

And that's not even getting into the world of this show (and the book series that inspired it). The magic is grounded and almost tangible. There are times that I feel under the right circumstances (ba dum tsh), that I could do one of them. No wand waving or vaguely latin words. And the magic comes in all sorts of shapes and sizes and disciplines.

Its great.

Sure, there have been some bumps in the road along this ride, but I've made some great friends in this fandom fbat I wouldn't trade for anything.

2. Teen Wolf

I fully admit, the whole reason I started watching this show was the fact that I saw some stills of Tyler Posey as Scott McCall with his shirt off. Look, I'm not proud of it, but I'm a simple man with simple pleasures. Sue me.

But as it turns out, the show wasn't half bad. Not at all like the comedy that I thought it was going to be. A show that dealt with not only werewolves (an oddity in such vampire-infested times), but all sorts of other shapeshifting creatures from various mythologies and folklores. Sure, they missed the mark once or twice (*cough*skinwalkwers*cough*) but all in all I thought they did a really good job.

Also, this is one of the incredibly few shows that I've ever watched that I loved the main character. I usually either only tolerate them or can't stand them, but Scott McCall was a great character and a good friend, in an era of too much sarcasm.

3. Penny Dreadful

This show was criminally overlooked and underrated!

This has got to be one of the best shows I've ever seen, and that's not even factoring in my feelings on the plot. The whole show (all three - incredibly short - seasons) felt like watching a Victorian novel come to life. And I think that's where it lost so many people. PD wasn't like all of these other shows in this particular genre, with over the top action sequences and metaphysical powers like telekinesis and setting fire with your mind. This show was very internal, very introspective. There was a lot of dialogue and the story was character-driven rather than driven by the plot or action itself.

It was ahead of it's time. Here's hoping that the spinoff show, Penny Dreadful: City of Angels gets a better reception.

4. Buffy the Vampire Slayer

Yes, I am aware of Joss Whedon's less than stellar reputation, but I will take my love for this show to the grave. This was the first show I actually started paying attention to and watching with any kind of regularity (minus the Power Rangers, of course) and I wouldn't trade it. This show got me through so much growing up, even though I'm sure I started watching it when I was too young to understand what was going on.

Also, Willow's journey helped me with my own self-realization when it came to my own sexuality.

5. Fullmetal Alchemist: Brotherhood

I love this anime. It's one of the few I've actually watched and one of the only of those few that I've ever rewatched. I highly recommend it to anyone who hadn't seen it because its amazing. And a lot more adult than you would think for an animated show, but it tackles a lot of really important issues while utilizing a middle-age "science" that is often left by the wayside on modern adaptations of anything occult or supernatural related; that being alchemy. They include things like homunculi and chimeras and even the fabled Philosopher's Stone.

And unlike a lot of animes, or even shows, there is an actual ending to this story that wraps up everything our heroes have gone through.

Bonus: Toy Boy - I'm including this because this is the show I just binged on Netflix. I thoroughly enjoyed it for just being a good, entertaining show. It's like a Magic Mike murder mystery, in Spanish. I loved it.

Bonus Bonus, because that's how I roll - I highly recommend Diary of a Future President on Disney+. I know people have issue with Gina Rodriguez, but its a great little show about a Cuban-American family and the issues that arise from being in middle-school. The kids actually look like kids, the mom actually acts like a mom, there's a nice storyline with the older brother realizing he might not be straight. And it's only ten episodes. You could finish the whole thing in five hours or less.

And there's my list.

#ask and ye shall recieve #top 5 tv shows #teen wolf #the magicians #buffy the vampire slayer #penny dreadful #penny dreadful: city of angels #fullmetal alchemist: brotherhood #diary of a future president #toy boy #toy boy netflix

25 notes · View notes

eskalations · 4 years ago

Link

The First Lady didn't mention that the man looked even more distinguished now that he had started collecting a few signs of age around his temples and his ears. She figured it was better left unsaid, since the proof of her current attraction to her husband was blatantly staring them in the face in the form of her swelling belly.

A series of oneshots documenting the life and times of the Amestrian First Family.

A/N: Sorry it took so long, but here's another chapter! This one was probably the hardest to write, but it's kind of necessary to the context of the story. I'm thinking the birth scene will be next, so place your bets on the baby's gender (although I already know what it's going to be, it's still fun to see some guesses!).

Thanks for reading!

Riza was well into her seventh month of pregnancy when things began looking up for her little family.

Elizabeth was now having an easier time in school. Unfortunately, after many weeks of tears and faked illnesses, Roy and Riza had made the decision to switch Elizabeth out of her original homeroom "class" in favor of one with a new teacher. They had hated to do it, since she had already made friends, but it seemed the preferable option over all the tears they had been experiencing as the month continued on.

Luckily, the "class" Elizabeth had been switched into was on a similar schedule to the one she had been in before. At playtime, all the kids got to convene in one area, so the young girl was able to see the friends she had made during her first month. Not only that, but she had made many new friends as time went on and as her personality began to shine through under a teacher who held no bias towards her.

Not only were things going well for Elizabeth, but for Roy as well. His talks with Aerugo had been successful and a trade route had been secured after many grueling meetings between the Fuhrer and the Head of State for the Aerugian government. Grumman had also had a hand in the conversations, but since the Fuhrer had taken on the responsibility of foreign policy, the project had mostly been headed by Roy.

Once the Aerugian trade route was confirmed, the Fuhrer had immediately begun to reach out to Xing to secure yet another trade route across the desert and into the neighboring country. This route would go straight through the desert and specifically cater to the north of the country – which was one of its poorer regions. Roy had long ago discovered that his mother had hailed from the northern region of Xing and had made it his personal mission to try and help the community of poorer citizens that were housed up there.

With the Xing talks now moving forward, Roy and Riza had the pleasure of housing one Amestrian- born, Xingese Ambassador in their home.

Alphonse Elric had arrived three days prior to attend the initial meetings in regards to the trade talks. At this stage of the project, only he and a few other ambassadors were required for the task of drawing up the documentation. In one month's time, the goal was to have everything ready for Emperor Ling Yao to sign upon his bi-yearly trip to Central.

Having married Princess May Chang, Alphonse now stood as one of the Emperor's most trusted advisors. The young man, who was not so young anymore, had been named the Amestrian-Xing Ambassador and had been appointed as an advisor to the Emperor. Since his wife was usually needed in her home country – due to her role as head of the Alkahestry Research Program – the blonde usually traveled to Amestris on his own.

Though he never allowed the separation to affect his good humor, Riza could tell from the dark circles under his eyes, that he was missing his home and his family dearly. The only good thing that came out of his trips to Central, were the "mandatory" visits he made to Resembool on his way back home.

Because the Mustangs knew that these trips were hard on Al, they always allowed him to stay in their home – something he was eternally grateful for. The honest man had shared with Riza once that just getting to interact with Elizabeth, who was the same age as Al's only daughter, made the distance a little more bearable.

That was why – as Riza prepared dinner for her small family and guest – Al preferred to spend his time with Elizabeth rather than sit in the kitchen with her and Roy. Neither felt slighted in the least though as they heard Elizabeth's sweet laughter echo through the door from the backyard.

Roy smiled at the sound, glancing sideways at Riza as he chopped the onions for stew. "He's certainly good with her."

"He always is," Riza answered, stirring the pot on top of the stove. She turned the knob to set the stew at a simmer before leaning against the counter. "It shouldn't surprise you. He has a daughter himself now. He's not a child anymore."

Roy groaned, using the knife to slide the onion bits to the side. "Don't remind me. I feel old enough already. It still blows my mind that Ed and Al have children."

"Ed has children that are older than ours, Roy."

The Fuhrer gave her a look, much less threatening in his shirt sleeves and casual pants than he usually was in his military blues. "Why do you have to bring that up too? I think you just gave me a few more grey hairs."

Riza chuckled at that, rubbing a hand across her stomach, the callouses of her fingers pulling on the fabric of her apron. "Once this one comes along, I'm sure you'll have more than a few to worry about."

Roy raised his brows at the mention of the baby, but continued to work on the task at hand. "If this one is anything like Elizabeth, we'll be fine."

"Just because you said that, this one is going to be as wild as Edward Elric."

The man gave her a glare. "Don't jinx it."

At the sight of her husband's displeasure, Riza had to laugh. "There are much worse people in this world that our child could take after."

Roy was about to fire back with a witty retort, when his wife's slight intake of breath had him pausing in his actions. Riza now had her eyes squeezed shut and was rubbing an area just below her ribs.

"What's wrong?" He asked, putting down the knife and joining her by the sink. The woman waved him off dismissively, continuing to rub across the skin of her stomach.

"The baby has been active today." She finally voiced, breathing slowly as the sharp pain subsided. Sometimes it felt as though her child was playing the piano with the inside of her ribs. "I think he's mad that we're talking about him and he wanted some input."

Roy, ever worried for her well-being, didn't comment immediately. Instead he took her hand and led her to the small breakfast table that sat near the open door of the backyard. Once she was seated – though she protested that this was ridiculous and she was absolutely fine standing on her own two feet – Roy realized what she had just said.

"He?" The man asked, allowing his hand to join her's. As though the baby knew that they were being talked about, a small foot – or arm – collided with the skin of his palm. "So now you're thinking it's a boy?"

"I don't know." Riza answered honestly, her fingers intertwining with Roy's over the fabric of her apron. "I'm not sure this time around. I thought Elizabeth was a boy and then she ended up being a girl. I'm going to be happy either way, as long as they're healthy."

Roy smiled at her words. "You and I can agree on that."

The room was quiet for a few moments, the only sound in the air between them being that of the stew bubbling on the stove and the airy laughter of Elizabeth and Alphonse wafting through the door. Roy cleared his throat, hating to break the silence, but knowing it was about time that they spoke about what they had both been avoiding.

"I think it's about time you started your bed rest."

Riza sighed, slouching in her wooden chair. Roy could tell by the way she puffed air up towards her bangs that she was annoyed by his statement. He mentally prepared himself for a battle of wills as she mulled over his words.

However, she surprised him.

"I know."

Roy's heart stopped.

Had she just agreed with him? Without a fight, too?

Riza almost laughed at the shock written across his features, his dark eyes wide with surprise.

"This pregnancy is a little different than my first." Riza reached a hand out to smooth back his hair, the strands having fallen over his forehead after a long day at work and time spent over a pot full of stew. "The doctor already mentioned that she would prefer I start my bed rest early this time around. I'm planning on finishing out the week before I start working from home."

Roy continued to stare at her with his mouth opened wide. Finally, once he was able to find the words, he closed it tight before giving her a withering look. "You really had to make me say it before you were going to tell me?"

"I was planning on telling you after dinner." Riza insisted, while loosening the ties of her apron at the middle of her back. Roy walked around her chair to assist her. "It's not my fault that you chose to say it now."

"Sure," Roy said, doubtfully. He swept her long, blonde hair to the side and lifted the apron over her head. "You know that also means you won't get to pick Elizabeth up from school anymore."

Riza pouted at that. The Fuhrer was not used to seeing this more petulant side of his wife – however, she had showcased it more during the time of her pregnancy. "I don't think that's necessary."

"Bed rest is bed rest," Roy insisted, walking over to the hooks on the wall and depositing his wife's apron on to the middle wrung – right next to the little brown jacket that Elizabeth always seemed to favor. Turning back to Riza, he was not surprised to see the look of willful determination on her face. "Riza, you know as well as I do that, at this stage in your pregnancy, you need to be taking it easy. They already consider you high risk, let's not make this any more dangerous than it has to be."

"I know," Riza insisted, sinking back into her chair once more. Seated before him, in a floral print maternity dress, she looked the absolute picture of maternal perfection. The only thing that marred the scene was the scowl that was currently painted across her features. "You don't have to tell me, Roy. I just don't think it's necessary to bar me from everything."

"We'll figure something out." The man reasoned, hearing the defense in his wife's tone. He was certainly in no mood to argue with her. "Let's just get through this week – anyways, how's the planning for the secondary school in the Nosh district going?"

Roy knew she had been working hard on her next phase of plans for the poorer district of Central, so Riza readily took the bait and began to speak of the headway they had made in the construction of the school.

While Roy stirred the pot on the stove, adding the onions to the mixture, he listened as Riza described the employment process they had recently begun.

She was in the middle of telling him about the interview she had hosted earlier on in the day, when a small cry was heard from outside with the comforting tone of Alphonse following soon after. Both Roy and Riza recognized Elizabeth's strangled cry and we're about to head out the door when Alphonse and Elizabeth made their way into the kitchen.

Alphonse hadn't changed much over the years, despite his more obvious signs of aging. His hair was still a golden blonde, with eyes of much the same color. The only major difference now on his face, were the faint lines that signaled the passage of time and the gaining of wisdom. Even his wardrobe hadn't changed much, besides the addition of Xingese garb that he chose to wear whenever attending formal events.

Today, in the familiar company of the Mustangs, he had chosen to wear his classic brown sweater vest and shirt sleeves – with the arms rolled up to the elbows and dirt sprinkled across the otherwise pristine fabric. Riza knew those stains had to be the product of her frazzled daughter, who followed behind him in her white dress, covered in mud.

Before Riza could scold Elizabeth for getting her nice clothes dirty, she noticed that Alphonse was holding something small in the palms of his hands. From her spot across the table, she couldn't see what it was, but Elizabeth was quick to dampen their suspense.

"Daddy! Daddy!" She shouted frantically, running up to the man and tugging on his shirt, muddy hands leaving trails of dirt on the front of the starched cloth. "We need paint! We need paint!"

"It doesn't need to be paint, Elizabeth." Alphonse said gently, as he crouched down to the ground and set the small bundle on the floor. "I just need something to draw with. I don't think my chalk will work on tile."

Riza, seated once more, leaned forward in her chair to see what Al had brought into the kitchen.

Laying on floor was a small dove – slightly gray in color with a beak as dark as night. The creature looked to still be alive, despite its prone state on the ground – however, one of its wings seemed to be slightly bent at an unnatural angle. Riza suddenly realized why Elizabeth was so frantic and why Al was going to need something to draw with. He was going to perform Alkahestry on it.

"I found it in the garden." Elizabeth spoke hurriedly, as Roy opened several drawers to try and find something that Al could use. She followed her father around the kitchen like a shadow, tugging at his pant leg while sharing her story. Her big dark eyes filled with tears and her voice began to shake. "Uncle Al said he could save it with his Alkahestry, but we need – we need – something to write with."

The poor girl was almost out of breath by the end of her tale, her bottom lip wobbling as she gave her father's pant leg another desperate tug. "Hurry, Daddy!"

"Lizzie," Roy tried to placate her as he opened the cabinets where they kept their sauces and pulled out a jar. He placed one hand on the top of her head as he passed the jar over to Al where he sat on the floor. "You need to calm down. The bird's going to be okay."

"Everything's going to be fine." Al reassured her from his spot crouched over the bird. He stuck his finger into the sauce and began to draw a purification circle beside it. "The only thing that's not going to be fine is this sauce."

At the apologetic glance the man sent her, Riza had to laugh. "It's fine, Alphonse. I don't like garlic sauce anyways."

Elizabeth watched as Al drew the circle, careful to get the lines right. The sauce wasn't as thick as paint would have been, so it took some extra effort to get the symbol just right. Elizabeth slipped out from under her father's palm and crouched down beside her self-proclaimed honorary "uncle".

Having heard from Roy himself that Elizabeth was taking an interest in Alkahestry, Al smiled up at her as she watched his actions. "You've seen people perform Alkahestry before, right?"

Elizabeth nodded her head vigorously, her eyes never straying from the movement of his hands. "Uh huh – they used it on mommy."

Al completed the circle, drawing out a bit more sauce to color in some of the lighter portions of it. "They use it in hospitals now to help heal. Your Aunt May was one of the people that helped pioneer it."

"Aunt May?" Elizabeth asked, her head tilting to the side as she regarded her blonde companion. "Is she your wife?"

"Yep!" Al responded cheerfully, wiping his hands on the towel Riza passed him. After his hands were clean, he gently picked up the bird and placed it in the center of the circle. "She's the one who taught me about Alkahestry."

A pensive look took over Elizabeth's features as she watched the man inhale deep, before clapping his hands. On the floor before them, a blue glow radiated from the sauce and a jolt ran through the body of the dove. Within seconds, the glow was gone, and the bird's wing was back to proper form.

Al gestured for Riza to open the window that lay behind her chair. Once the window was open, the man picked up the small creature and carried it over to the branches that sat outside the window. Gratefully, the bird jumped from his palm and into the tree, it's past injury forgotten as it took flight to find the rest of its family.

The whole process caused smiles to break out on both Roy and Riza's features. Alphonse had always been a gentle soul, even when he had been nothing more than a soul bound to armor. With his hands on his hips and a smile on his face, he stared out the window and watched as the bird took off, admiring his handy work. He truly was a saint.

"Aunt May's the one that saved my mommy, right?"

The adults in the room turned back towards Elizabeth. She hadn't moved from her spot next to the now slightly broken purification circle. She had her legs drawn under her and was running her finger along the outside of the symbol, trying to commit it to memory. Her voice had taken on a far-off quality, as though she were trying to remember the story her mother had told her during her time in the hospital.

Al glanced at Riza, his eyes asking if it was okay for him to proceed. The woman nodded, rubbing circles over her belly as the baby kicked from within her. Apparently, all the excitement had gotten them riled up once more. Roy went to stand behind his wife, also sending Alphonse an encouraging look as he placed his hands on her shoulders.

"That's right." Al gave the young girl a gentle smile as he crouched beside her once more. He watched as she continued to follow the lines of the circle with her eyes, the wheels in her head visibly turning. The sight had Al grinning widely. "Aunt May healed your Mommy's neck when the bad guys got her."

Elizabeth nodded, remembering the jagged, white scar that lay on the skin of her mother's neck. When she had been in the hospital, her mother had pointed it out to her. Instead of focusing on the injury that had produced the scar, Riza had chosen to share the story of who had healed it, given her daughter's sudden interest in Alkahestry.

"Princess May Chang used Alkahestry to save me." She had said quietly, running a finger over the line that marred the skin of her neck. Sat on the hospital bed beside her, Elizabeth had mimicked her mother's actions. "If it hadn't been for her, I would have never had the chance to meet you."

"Wow," Elizabeth sighed, scratching at the now dried sauce on the tile. Riza cringed as she watched the gunk get stuck under her daughter's fingernails. "Aunt May is awesome."

"She sure is." Al agreed – a soft smile appearing on his features. Roy and Riza couldn't help but notice the slight pain in the deep topaz coloring of his eyes. They could see he was missing his wife, dearly. "Maybe one day she'll be able to teach you like she did me."

Elizabeth's eyes lit up, her gaze drifting back to her parents.

Riza fought back the sigh that attempted to escape her lips. Roy simply turned to the pot on the stove, turning off the burner and readying it for serving on the counter.

Neither of them had decided whether they were going to allow their daughter to study any form of alchemy yet. They were happy she had found an interest in Alkahesty – however, allowing her to practice it was still something they were not completely sold on. They wanted her to be happy – however, knowing the way people in her family tended to become obsessed with different forms of alchemy, they were more than a little hesitant to fully resign themselves to that future yet.

But, like Riza had to keep reminding herself, it was completely possible her daughter would grow out of this interest, just as she had with puzzles by the time she reached four. Her and Roy had never thought they would be able to get their daughter to stop obsessing over puzzles, but that too had passed.

Shaking her head, Riza chose to live in the moment.

Dinner was an upbeat affair – as it always was with Alphonse sitting at their table. As the sun sunk below the horizon, Elizabeth spoke of her day and told her "uncle" all about the new friends she had made at school. In return, Al had told her more about her Aunt May and the projects she was working on back in Xing. According to him, the woman was trying to open a few more hospitals to service the poorer districts in the capitol city.

Elizabeth kept repeating how she wanted to get to meet her Aunt May, which Al had to laugh at, since the young girl had met his wife only two years prior, when she had been much too young to remember. Al promised that the next time he came to Central, he would try and convince his wife to tag along and bring his daughter, Lily, along with her too. This had Elizabeth squealing in absolute delight.

Eventually, Elizabeth was sent to wash up and the adults were left in the kitchen. Al volunteered to help Roy with the dishes, since both men seemed to be keen on the idea of keeping Riza in her seat. With her ankles as swollen as they were, the woman couldn't find it in herself to argue.

Roy gave her a look over his shoulder as he and Al worked in tandem to wash and dry the dishes. She smiled in response, not even needing to hear his question, in order to know what he wanted to ask.

"Hey Alphonse?"

"Yes?"

"Riza and I were wondering…."

Once Elizabeth had been put to sleep and it was time to turn down for the night, the Fuhrer and his wife made their way to the master bedroom. Elizabeth had required two stories that night instead of her usual one and this time, she insisted on hearing the story of how her "Aunt May" had saved her mommy again. Roy had to become quite creative with the details to keep it all from scaring her, but he thought he had done a pretty good job of it by the end.

After showers were had and robes donned, Roy and Riza found themselves laid out on their bed, with the single lamp in the room still shining brightly as they readied themselves for bed. Just as they had been doing for a month now, the two adults took this time to speak privately with each other, and spend time admiring the movements of their still unborn child.

It was while Roy had his head laid in Riza's lap, his ear pressed up against the swollen curve of her belly, that he finally voiced what he had been thinking about for the past few hours.

"I'm surprised Alphonse was okay with our decision."

Riza ran a hand through Roy's dark hair, her fingers scratching lightly at his scalp. At the sensation, the man couldn't help but release a sigh, his warm breath sinking into the fabric of her light robe. They remained quiet for a moment, both lost in their own thoughts.

"I'm not."

"Really?"

"Yes." Riza leaned back against the headboard, her hand moving to rub a spot under her ribs. Now that she was sitting, the baby had decided to become more active. "In Xing, it's a sign of respect. It doesn't surprise me that he would see it as such and I believe May will see it the same way."

"What if later on they want to use it though…"

"I don't think Al could ever convince May to let him do that." Riza laughed quietly, aware that their daughter was sleeping down the hall. "I think within their own family it would be a bit more complicated to do something like this."

Roy shrugged his shoulders slightly, the action rubbing against the bone of her pelvis. "I guess you're right. We should still call her and ask."

"I will. However, I'm pretty I know what her answer will be."

Roy sunk deeper into her lap, pushing his ear against the skin of her belly. As if sensing their father's presence, the baby kicked at the spot. Riza couldn't fight her own smile as she watched Roy's eyes light up with glee. It was like falling in love with him all over again when they went through times like these. She had felt the same way during her pregnancy with Elizabeth.

"You know." Riza reminded him, gently stroking his hair once more. "May isn't the only person we need to talk to."

Roy nodded, the movement causing the stubble of his cheek to catch on the fabric of her nightgown. "I know. We'll talk to her about it, as well."

"I think he would be honored."

Roy smiled at that, closing his eyes as he listened to the quiet movements of their child.

"I think so too."

#royai #roy mustang #riza hawkeye #fma #fullmetal alchemist #royai fanfiction #royai fanfic #royai fic #fma fic #fma fanfic #fma fanfiction #my fanfiction

9 notes · View notes