#I was picturing this exact Elizabeth scene from Pirates of the Caribbean
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Writing Vergil's part on the Halloween special and Vergil's s/o flexing his title every now and then like
Seriously if my partner was king of hell I wouldn't shut up about it, you guys have to forgive me
#polaris speaks#writing shenanigans#just wanted to leave this sort of little update here#I'm on the proofreading part of posting#but hey I'll be posting it TODAY#I'm actually going to start working on it as soon as I finish this post#but seriously every time his s/o goes like 'KING OF HELL' on that fic#I was picturing this exact Elizabeth scene from Pirates of the Caribbean#have that in mind and you're all good to go xD
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Til the light goes out (and after) - part 1
Writing date: I started in October ‘20, got scared by the amount of personal issues I put into “the reader” and procrastinated. I eventually finished in January ‘21, lol.
Genre: Angst, I guess? But not too badly, it’s fine.
Warnings: Insecurity (to everyone reading this, you are worthy!!)
Word count: 3.6k words
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"I remember when I reached the age of 25 and I had this jarring quarter-life crisis. I felt like I wasn't at all where I wanted to be: I wanted to be deeply in love and almost married to my soulmate. (...) I also wanted to be a publishing author. Yet I was single, and had never put a book together, even after writing hundreds of poems, journal entries, and essays in my life. I felt like I was just wasting my time, and that felt terrifying. That was three years ago. I look back at that time in my early to mid twenties so differently now. I see many beautiful poems written. Deep conversations with cherished friends. Night walks, early morning walks. Dinners with my family and birthdays, going around the table saying what we love about each other. (...) None of it was wasted. It was beautiful, and the life I had lived was so meaningful and precious. I wish I could go back, and tell myself that, so the younger me could appreciate each moment, rather than comparing where she was to where she wanted to be."
~Katherine Cimorelli Straneva
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"I think Miss Swann over there should have the role."
Your hands stopped their movements to free you from your pirate costume, and you looked up. Your entire group of colleagues was staring at you, expectantly.
You see, you worked at a theme park, and it was just about the most amazing job ever. Every holiday period, it opened its gates, ready to shower people of all ages in everything magical. You were part of the actors crew, which basically meant that you acted out entire stories at fixed intervals and filled the rest of your time with walking around the theme park in costumes, doing small acts on your way. Often you ended up improvising, dancing with your guests, and of course posing for pictures. If you could, you would live in the theme park. Really, there was just something so entrancing about the atmosphere there, the music coming out of the lanterns beside all the roads, the roller coasters, the beautifully decorated buildings. A big part of the magic was because of the work you and your crew put into your characters and its stories though, you shouldn't underestimate that, which was exactly the reason you weren't too keen on taking the lead role in your next story. The pressure to create the biggest part of the magic was something you didn't know you could handle.
"I'm...not too sure about that. Ariel always plays the lead role, why shouldn't she now? I've never even done a lead role."
'Ariel' was one of your colleagues you were probably the closest with. She was funny, kind, and seemingly good at everything she did, acting included. Her real name wasn't Ariel, but you never called each other by your real names. It was like a tradition within your crew to call everyone by the name of the character they were currently playing. Seeing as she had had the lead role in your newest play, a crossover between Pirates of the Caribbean and The Little Mermaid, her name had been Ariel for the past two weeks, and yours had been Elizabeth.
Your friend wriggled herself out of her tail, her eyes still on you. A smirk was playing around her mouth, and your stomach gave a swirl. She had actually meant it when she proposed to give you the lead role.
"Because, dear Elizabeth, you wrote the play, and you did so beautifully! Your talent is ridiculous, and I think the entire thing is going to come across as much more honest if you play the biggest part in your own story. Isn't that logical?"
The other members of your crew nodded in agreement, and while you couldn't help but smile at their faith in you, the nerves in your stomach grew. You started to untie the laces of your pirate boots as you voiced your concerns.
"I'm not too sure about that. It's a love story, remember?"
The grinning on Ariel's face turned into a warm smile, but her eyes showed determination, and at that point you knew that you had lost this particular battle.
"I remember, and I also remember that you're the biggest romantic out of all of us. Come on, we all know you're going to be fantastic."
Another colleague of yours spoke up, telling you that he'd been in awe of the script you'd written, and another joined, claiming she'd even cried a little at the end. Your doubts slowly folded themselves back up again.
"The story belongs in this place, just like the lead role belongs to you, Elizabeth."
The words were spoken by the most timid guy in your crew. He never talked in your plays but provided the music in them, and even though he was terrific at adding that extra touch of magic to your stories, he never contributed to conversations about their content. You thought he just didn't really mind, as long as he could play his music. If he was willing to speak out loud about it, it must mean you really were meant to follow your crew's judgement.
You smiled, a blush blossoming on your cheeks, and you knew your eyes twinkled when you finally gave in.
"I'll do it."
_______________________________________
"Hey!"
You plopped down next to the music guy in your group, feeling extra cheerful today. You would start rehearsing the piece you had written today, and now that you'd been able to get over the initial insecurities you'd had, you felt really excited about this first rehearsal.
"Good morning, Jade."
You grinned at your brand new name, rummaging through your bag. Tossing aside a water bottle and some elastic bands, you found what you were looking for. Your eyes scanned over the words, making sure you had taken the right document out of the stack you had brought with you, before stretching out your arm in the direction of the music guy. He looked in your direction questioningly. Your grin turned into a warm, although somewhat insecure smile.
"If you're okay with it, your name is Sam from now on."
He read your script in silence, a small smile appearing on his face.
"Who says I can even act?"
"Who said I was able to play the lead role of my own story?"
He threw his head back in laughter, and you watched, surprised you were able to get such an exuberant reaction out of him.
Your alarm chose that exact moment to go off, the bright letters "START REHEARSAL" instantly reforming the knot in your stomach. You frowned at yourself. Weren't you over it by now? It was time to start the whole thing and you were still nervous, for God's sake.
"Hey, you'll be fine. Even better, you get to kiss the guy everyone wants to marry. You should relax more, maybe you can enjoy acting again then."
You tore your eyes away from your phone and onto Sam's face. His comment didn't help at all, and your face must have shown it, because his eyes went from warm to panicked, and your guilt punched the knot of nerves in your stomach. What a mess you'd made of all of this, already. You managed to send a tired smile in his direction, trying to salvage as much as you could from whatever it had been that had made him open up to you a bit.
"Thanks for trying to calm me, really it means a lot. I think I'll calm down once this rehearsal is over though. Are you ready? You're in the scene I want to start the rehearsal with."
He nodded again, awkwardly showing you the flute he was holding, and followed you to the middle of the room where you beckoned everyone to come join you so you could start.
Taking one last deep breath, you started.
"Hi everyone! As you know, we're starting our rehearsals for my story today. If everything went well, you've all received the script for the character you're playing. I actually wanted to start with one of the last scenes,..."
Everyone nodded at you encouragingly throughout your little speech, and as you realised that these were all your friends who genuinely cared about you, you felt the knot in your stomach slowly untie itself.
The first scene you rehearsed was actually the ultimate confrontation between the good and the bad in your story. Your friend Ariel, whose name was now Ruby, played the villain in your story, and you played Jade, the lead character. This scene basically consisted of the fight between Ruby and the main character's love interest, Dante. The story situated itself in the medieval times. Dante had come to Ruby's tower to rescue Jade, who he believed was kidnapped by Ruby, but upon arriving, he - and the park's visitors - would discover that Jade wasn't actually kidnapped and Ruby had made it all up. Then, Jade would realise everything just in time to go up to Ruby's tower as well and rescue Dante, instead of the other way around. What could you say? You'd always been a feminist at heart. Dante was played by a great friend of yours, and you'd actually written this piece thinking he could play the male love interest, while Ariel would play the female lead role, but things had, evidently, taken a turn. The two of them had been friends way longer than you'd been friends with any of them, and even though the three of you were really close, you couldn't help but marvel at the chemistry the two of them had, something you and Dante would very much lack, or at least that's what your insecurities made you believe.
However, you didn't want to rewrite the entire thing just so you wouldn't have to play each other's love interest, and you had showed the script, including the initial cast, to everyone anyway, so it wasn't really something you could get out of without a whole lot of awkwardness.
The rehearsal started off well enough. Ruby was, as you'd expected, really, a brilliant villain, and apart from some minor corrections from you, everyone executed the script exactly the way you had in mind. You were starting to believe in this.
That was, until the very end of the play, in which Jade and Dante would get all cute because of the whole we-just-survived-a-villain-attack-and-thought-we'd-lost-each-other situation. You thought you'd mentally prepared yourself, really, you had, but apparently it hadn't been enough. The awkward tension was palpable, your own movements, usually so fluent, were now stiff, your rigid body seemingly forgetting how your limbs worked. No one said anything about it, but you felt it and you know the others did too.
And you tried to pull out of that awkward moment, tried to chase your insecurities away, you really did, but they seemed to cling to you, and the longer it lasted, the worse your mood became. When you almost fell off of the stage because you'd instinctively set a step backwards when Dante had tried to pull you into his arms, you knew you couldn't continue like this.
Hastily, you grabbed your jacket, quickly telling everyone you would have a 15-minute break and that they'd done a good job, before hurriedly walking out of the building, and into the cold.
_______________________________________
The wind quickened your tears, and you angrily wiped them away before they could hit your neck, mad at yourself for allowing them to fall down. You knew you'd had to get back inside your rehearsal room eventually, and while everyone had a good image of what you were doing, you weren't looking forward to letting them see the evidence.
Most of all though, you felt vulnerable. Vulnerable because you had failed, and because everyone had witnessed you doing it. Vulnerable because your biggest insecurities had just come true.
"Hey, what is up with you?"
You looked up, watching as Ruby flopped herself down on the bench you were sitting on, turning herself so she was completely facing you. She wore an expression of confusion, and worry.
You let go of your eye contact, your eyes drilling holes in the soil beneath your feet. You owed her the truth. In fact, you owed your entire crew the truth. Being completely honest with yourself, you knew that was the only way this play would end up being a success. You took a deep breath.
"I'm just....not equipped to play Dante's love interest."
You couldn't look at her, too ashamed, but her voice conveyed honest surprise, which, in turn, made you surprised. Didn't she realise how obvious it all was?
"What are you talking about? You were fine until you had to reunite with Dante, and if you didn't like physical contact or if you were extremely hesitant for anything romantic, I'd agree with you and say you should probably focus on roles you are very good at, but you, you're a hopeless romantic at heart, and you like physical contact. Why is it so difficult then? I'm not making fun of you, I genuinely don't understand."
You scoffed, too caught up in your own head, annoyed at her lack of understanding.
"How can you not? I've never had a boyfriend, and that explains everything. Don't you see? It's not that I don't want to play a character that's in love, and I'm sure that if I managed to calm down I'd even enjoy it, but whenever I come close to Dante I feel like "forever single" is practically inked on my forehead."
You had, by now, managed to look at your friend, your annoyance chasing away a bit of the previous insecurity and shame. Her face morphed into a look of understanding, and you didn't know if that made you feel better of worse.
"I know it's a bit intimidating to play Dante's love interest, and I know that, like, everyone wants to date him, or at least gushes about how good-looking he is, but that doesn't mean that you can't play his love interest. Stop thinking you're too ugly to be around beautiful people."
If you hadn't been feeling so terrible, you might have literally facepalmed. Maybe you should've seen this coming, but Dante being known as the Adonis of your group really was the least of your worries.
"Wait...what? No, this has nothing to do with him being attractive, you know he and I are only friends. In fact, I think you would be great as his girlfriend, I would totally ship that. Anyway, what I'm trying to say is that he's just a friend and it's not about playing his love interest, it's about playing someone's love interest in general. I just...what if it looks completely stupid? I know it looked stupid now. I can imagine all these cute things in my head, but then when I have to execute them, the only thing I can think about is that no one wants to do this with me in real life, and that just...I don't know. You all one by one find the love of your lives, or at least good partners you're happy and in love with, and it...it just makes me wonder if I'll ever be good enough to have that myself, as well."
"Oh, honey..."
You felt Ruby's arm wrap around you, her hand stroking your back, and you eyes filled themselves with tears again. She wasn't a physical person and therefore didn't like touching people, but she did now for you because she knew that you were. The tears started falling again.
"I mean, I knew you were ready to have a boyfriend, or like, to commit to someone and be in love with them, but I didn't know you were so insecure about not being in a relationship, and now I wish I'd realised that earlier. But you have to realise that while you're insecure now because you think no one is going to want you, you're going to be insecure about not deserving a boyfriend when you have one. Trust me, the insecurities don't go away, they just change. I guess what I'm trying to say is... don't wait for that moment that you're someone's girlfriend, the insecurities aren't going to magically disappear then. Now's the time to work on them. And, this shouldn't matter, but for the record: I fully believe that you are very worthy of being someone's girlfriend, and when the right person comes along, you'll give your all, because that's who you are, and it'll go a lot better than most of the relationships you wish to have yourself now. For now though, just have fun. You get to kiss Dante and make lots of bratty girls jealous!"
You chuckled at her attempt to cheer you up. You were really grateful for her. The two of you were complete opposites, and her radiance sometimes made you insecure, but right now, with her words, you believed yourself a worthy person again, and that meant more than you could express.
"That's what Sam said, too."
Ruby's eyebrows went up at lightning speed, her eyes wide.
"Wait, he talks? And he told you you'd be a good girlfriend?"
You rolled your eyes, but also noted how you had to fight the blush off of your cheeks.
"No, dummie, he told me I'd be able to kiss the guy - and I quote - everyone wants to marry. I guess he's not wrong, a lot of female visitors do seem to want to faint whenever he includes them in improvs."
Your friend chuckled, and, her laugh being so infectious, you chuckled along with her. Then, when you didn't expect it, she jumped off of the bench, beckoning you to follow her. As she entered the rehearsal room, she yelled that you'd come with her, and as the rest of the group started cheering, you realised that that had been a good choice.
_______________________________________
"Dante, hold on, I'm coming!"
A few of your younger spectators started whispering excitedly as you stepped into view, quickly climbing a long, round staircase to get to platform on which Dante and Ruby were battling. You were busy concentrating on tripping and falling off of the stairs. That had happened once during your rehearsals, and if you hadn't still been in the lower half of the stairs and if Sam hadn't discarded his flute to catch you, you probably wouldn't have been able to play Jade. While that scenario would've actually sounded appealing a few weeks ago, you had to admit now that you loved playing the lead role in this play.
You threw yourself in the battle, pulling just about the bluntest sword out of its holder around your waist, and clashing with Ruby's. Needless to say, Ruby was no match for you and Dante together, and with a dramatic last breath of air - and a smirk only you and Dante could see from so high up - she fell backwards, tumbling down. This part had actually taken quite some organisational talent. Right in front of the platform you were battling on, there was the staircase, while there was some kind of wall behind the platform. Ruby always fell down behind the wall, where multiple thick layers of soft material made her fall softly and unharmed. The visitors, however, only saw her tumbling down the platform, which made for a very dramatic effect. Of course, Ruby, out of all people, loved it the most.
While the enthusiastic applause intensified, you and Dante fell into each other's arms. You separated a bit, and patiently waited as Dante pulled a lock of your hair behind your ear, something that was in the script. Then, he leaned down slightly, pulling you in for a small, but cute kiss. This wasn't your first time enacting the play, and so you'd gotten used to kissing Dante, and even though you both really didn't have romantic feelings for each other and this was only just a play, you found that the enthusiasm during that kiss from both the kids and adults who were watching, had cured a lot of your insecurities over time.
Hand in hand, you walked down the stairs. Beneath you, the crowd started cheering again, and Dante squeezed your hand, smiling at you. You knew he was congratulating you for once again bringing the play to a successful end. Every time the two of you walked down those stairs, he did it, and every time, you were really grateful.
Once down, your entire crew formed a line, taking each others hands to make a collective bow. You were already holding Dante's, and reached with your other hand to Ruby, but to your surprise, Ruby completely dodged it and went to stand next to Dante on his other side. You were about to grin, your hopes at getting them together once more reviving, before Ruby looked at you and sent you a wink. You were puzzled for a second, until you felt your fingers being intertwined with someone else's, a warm, and, let's be honest, a bit of a clammy hand. Normally, your entire crew held hands with closer fingers, kind of a palm-to-palm thing, so this was a surprise. You were quick to turn your head, and looked straight into Sam's warm eyes. He flashed you a shy smile, and congratulated you on your performance. You smiled back, bowing down with the rest of your crew.
When you got home tonight, you wouldn't slip off your smile along with your costume, for you finally understood that you were just as worthy of a fairytale as all the princesses, goddesses and fairies you had played along the way.
#crushxreader#crush x reader#love#themepark#colleagues to lovers#crush#imagines#oneshots#acting#actor!reader#music#musician!crush#theatre#oneshot#xreader
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Dating Disney: The Little Mermaid
So when I started, Dating Disney, it was with the intention to pin down the fashion validity of Disney’s leading men, but when I started looking at Eric, I found that he’s wearing very hard to pin down clothes. A simple shirt, some pants, boots, and possibly a cummerbund? Or a sash? It’s really unclear. So rather than that, I decided to use clues in the movie to pin down a general historical time frame and location for Disney Movies, and I’m not really going in any order. I stand by Sleeping Beauty being set in mid to late 14th century Italy, but from here on out, I’ll be focused more on history and the movie, using context clues to set a time frame.
Story Origins
Den Lille Havfrue or The Little Mermaid, was written in 1836 and published in 1837 by Hans Christian Andersen, a Danish writer. It was written initially as a discreet love letter to Edvard Collin who had won his fancy. Edvard had gotten himself engaged to then 13-year-old Henriette Tybjerg 3 years earlier in 1833. The story is a highly symbolic depiction of Andersen’s feelings, as Edvard represents the handsome prince, Henriette is the kind foreign princess taking the love of his life, and Andersen is the suffering hero who endures great heartache to be near the one he loves, and is effectively voiceless, unable to speak his true feelings due to the time when he was living in. Henriette was actually so worried that he’d make a scene and declare his love for Edvard at their wedding that they “accidentally” gave him the wrong day, and he missed the ceremony. Thus, Andersen wrote the little mermaid disguised as a wedding gift, which Edvard had little interest in and which Andersen later decided to publish. I won’t do this for all of the stories, mind you, but this one had a very interesting history behind it.
Clothing
The first costume doesn’t appear in the actual movie, but is used occasionally as part of the Disney Prince line-up attire that Eric sports. In this image, he’s sporting a waistcoat, cravat, and tailcoats, all indicative of 19th century men’s fashion. In particular, this look rose to popularity in the 1840s and stayed popular through to the 1850s. Eric’s wedding suit and the engagement suit are both military jackets that include epaulets on the wedding suit. These are in fact naval admiral jackets, as seen in the below picture.
All of these fashion elements emerged during and following the Napoleonic Wars (1803-1815). Most of the men except Eric have buckles on their shoes. Although we might associate the image more with the 18th century and the American revolution or pilgrims, buckled shoes were still a common sight in the 19th century that it’s not out of place or unreasonable for them to worn in this film.
The widely hated pink dress (and quite unfairly I think) that Ariel wears to dinner seems to fit with 1850s fashion although the large sleeves were apparently designed to resemble 1980′s prom dresses. The blue dress Ariel wears for the date is entirely era inappropriate (especially since her ankles are visible during the Victorian Era), and neither hers nor Vanessa’s corset dresses are fitting for their time period. It should be noted that the visible different skirts was not a trend of the 1800s, and this was the closest example I could find, and even then appears to be an outlier in what’s been recorded of 1850′s fashions. Now, it’s possible that this dress could be old and was just lying around, so even Ariel’s dress is not necessarily proof of a finalized decade, since she could simply be wearing an out of fashion gown.
Technology
The Tobacco pipe that Scuttle calls a Snarfblat, seems to resemble a Calabash type tobacco pipe, first invented in 1898, at least according to one source I found. The Calabash is widely recognized for its saxophone shape, and is closely associated with Sherlock Holmes imagery. There are other types called Bent or Billiard pipes that may have existed earlier, but I couldn’t find when those kinds of tobacco pipes would have been invented.
Eric’s Ship seems to resemble a Galleon, mostly in the bent U shape of the ship and the bulky stern. An evolution of the Portuguese Carrack ships of the 15th century, these Spanish ships were invented initially as armed cargo ships, but were also used as warships. In the early 19th century, they were drafted as auxiliary war vessels, dominating naval warfare for most of the Age of Sailing. Although Eric’s ship is not quite a Galleon, given that his ship as a more noticeably protruding cabin on the ship’s stern, it still maintains the unique U-shape of the vessel.
The type of carriage we see when Eric gives Ariel a tour of his kingdom seems to resemble the Phaeton carriage. Both are four-wheeled carriages with a fold-up back and a swooping decal on the front of the vehicle. Shown to the right is an image of Queen Victoria as a child with her mother in a Phaeton. I don’t have an exact year as the link no longer works with the British Museum of History, but Queen Victoria was born in 1819, and she looks fairly young, so I might posit that this might date anywhere from 1822-1834? But I’m legitimately guessing. The point is, this type of carriage would have existed at this time and later.
When we see the town square of Eric’s kingdom, we see a clocktower and gas lamps. While I couldn’t find an exact year of when clock towers became a common thing, the clock that houses Big Ben in Elizabeth Tower was built in 1844, so that’s a least a clue as to when a much smaller clock might have been commonplace. Gas lamps as a public source of illumination began in 1809, as commemorated by a political cartoon of onlookers marveling at the new wonder.
Geography & Climate
Hurricanes - when the sea storm hits, the sailors declare that the storm is a hurricane. Initially, I assumed the movie was still set in Europe, and I looked up and found that there have in fact been instances of hurricanes hitting the western countries of Europe. However, the palm trees kind of debunked that theory.
Yes, you are in fact seeing palm trees. Growing naturally. In the place Eric calls his kingdom. So we are definitely not in Europe. This is further backed by the fact that a hurricane hit only two or so days ago, and hurricane season tends to be in autumn, while the foliage in Eric’s kingdom is a vibrant summer green. This has lead me to the assumption that Eric’s “kingdom” is a colony in either Florida or more likely, one of the Caribbean islands. Which would most likely mean that Eric is a Spanish prince. This is backed up by the simple fact that the general aesthetic of not only the castle, but the kingdom has a very Spanish look to it. But I’m not really at all well-versed enough in architecture to elaborate other than “it looks kinda Spanish to me”. He could be the son of the Spanish king and ruling this local area due to its economic importance and could possibly have a warship to fight off pirates. Eric might also not be the first in line for the throne, thus this is why he’s so far from home and without any parents around. He came to the new world to rule a smaller slice of his kingdom since he’d probably never be king of Spain. And yes, I did find that there are marshlands in the Caribbean, so Eric and Ariel can still go for their boat ride through the bayou.
There’s also a portrait of Phillip and Aurora in Eric’s dining hall, which means he’s probably related to them. Considering they’re Italian and he’s Spanish, it’s extremely likely. It’s not super relevant, but it’s a neat easter egg. Or if it’s not Phillip and Aurora, it could be Eric’s parents, and it just looks a lot like Phillip and Aurora, which could still be a clue that they’re related. Although the painting is rather recent, not like a 14th century tapestry, so it’s probably either a painting of his parents, or Aurora and Phillip are a big deal in Eric’s family, resulting in them getting a more modern portrait made of them.
Verdict
All around, I would have to say that the movie is set on one of the Caribbean islands under Spanish colonialism in around the mid 19th century. Although the pipe might be from a later decade, it’s such a minor detail, and so late in the century that if anything it’s an outlier in the data. Most of the facts tend to point more toward the early and middle of the 19th century, which is why I lean more toward the early-to-mid 1850s as the era of choice for this film. What this means for the world at large is that both America and France have denounced their monarchs. Victoria took the English throne in 1837 and has been ruling for about 20 years. Charles Darwin’s Origin of the Species sparks outrage among the public at the notion of being a monkey’s nephew. Furthermore, it pretty much dissolves the Little Mermaid from being connected to the Frozen/Tangled conspiracy at all, as Ariel is all the way over in the New World, while Arendale is half-way across the world. It’s possible that the ship could have been commandeered by pirates who sailed the ship to the Caribbean where it was sank, but that’s adding extra steps and filling in blanks to try and force the theory to work. So there you have it, Ariel married a Spanish prince who was a full on navy admiral living in colonial Caribbean islands in the 1850s. Honestly, I’m just as surprised as you are. I would not have logically pegged the Caribbean for the setting of the film. But, that’s where the evidence points.
SETTING: A Spanish Colony in the Caribbean
KINGDOM: The Spanish Empire (1492 -1975)
PERIOD: 1850s (Victorian Era)
LANGUAGE: Spanish
#dating disney#little mermaid#disney#ariel#eric#sebastian#ursula#history#19th century#hans christian andersen#princess ariel#disney princess#disney princesses#spain#colonialism#spanish#caribbean#prince eric#disney prince#disney eric#the little mermaid#disney frozen#frozen#tangled#disney tangled#fashion#clothing
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