#I was debating whether to use Girlycard or “Lolicard” like in the original jp but the former is more popular in the eng speaking fandom

[sacchiri]

[Hellsing] Female Fans' Round-Table Discussion

A 6-page interview from the 2012 Hellsing Official Guidebook, featuring five grown-ass women chatting about Hellsing in a casual discussion format and translated into English for the first time ever by yours truly.

Honestly this was way more entertaining to read than I thought it would be. It’s also really funny seeing this super-casual discussion printed in the book right alongside Hirano's—-oh who am i kidding, this is 10x more professional and less deranged than whatever goes on in Hirano’s interviews.

Anyway, without further ado...

Does Hellsing have little to no female fans? Nay! Assembled before you are five women with an undying love for the series. Let’s see their passion for this work show itself as they butt heads!

Is the female fanbase just hiding itself or what?

Moderator: Now then, everyone, let’s start off with introductions.

Ms. T: I am Ms. T. I’ve been walking the path of an otaku since middle school, and it’s already been ● years since then. How do I put this, all of you seem like fairly normal people…

Everyone: Oh no—rest assured we are all otaku as well. (laughter)

Ms T: Oh, really? (laughs) Anyway, I’ve continued to love manga for all this time. Thank you for having me.

Ms J: I’m Ms J. I was already at a decent age when Hellsing began serialization, but to create something so enticing—as expected of Hirano-sensei! (laughs). This is the kind of manga I’d better buy and collect, I thought.

Ms A: Out of today’s gathering, I’m probably the one who became an otaku at the oldest age. (laughs) My friend told me, “Hellsing is a manga that really crazy people read”, so at first I couldn’t get around to starting it. But around the time volume 8 came out, I binge-read it, and it was so interesting that I couldn’t help but get obsessed.

Ms R: I’m probably the youngster in this group. By the time Hellsing started serialization, I was just entering middle school. [T/N: That makes her 27 at the time of this interview.]

Of course we didn’t really have the term "edgy-teen syndrome" back then, but around me the manga was definitely gaining popularity in that edgy teen fashion. One of my best friends was obsessed with Hellsing and I’d borrow it after they finished reading it, and I got addicted too.

Moderator: I’m under the impression that the female readership for Hellsing is overwhelmingly small, but…

Ms J: Nah, I think they’re just hiding. I mean, it’s not like you’d talk about Hellsing to someone in passing. You wouldn’t suddenly say, “Y’know, Alucard is…”

Everyone: True. (laughs)

Ms J: There isn’t much opportunity to bring it up, or perhaps you could say it’s a hard topic to bring up to the general public.

Ms A: Like how you can’t have a pork-and-rice bowl first thing in the morning or something.

Ms J: Yeah, like that. Actually, among my circle of female otaku friends, everyone has read Hellsing.

Ms T: Among manga fans, Kouta Hirano is well-understood.

Ms J: Any fan of manga who doesn’t know Kouta Hirano is a faker!

Ms T: Disregarding whether you’ve properly sat down and read his works or not, I feel like it’s impossible for a manga enthusiast to not have at least heard of Hirano-sensei. But we are talking about manga fans in general, and the range of tastes is so broad. If someone were to say to me “I’m a fan of Kouta Hirano”, only then would I be like, “Oh, so I can talk comfortably with this person”.

Moderator: It’s a good litmus test to use. (laughs)

Ms A: It’s only when you broach the topic of Kouta Hirano that you can finally talk about Hellsing. You can’t go straight from “So I hear you like manga” to “So, about Hellsing…”, lol.

Ms J: If you met someone for the first time and you go “So I heard you like manga? What about Hellsing?” that’s like coming straight for their throat with a knife. (laughs)

Moderator: Even as a gauge to see how much of an otaku your opponent is, it’s a bit too much to try and break the ice with Hellsing.

The wonders of dialogue

Ms J: Speaking of the good points of Hellsing, I think it’s that it doesn’t get overly preachy. You can see this starting from Cross Fire, but you really get the sense that everyone’s equally crazy here.

Ms A: I can see that. No one is on the side of justice. Like the Major, he’s a nasty little guy. The type of guy who would casually twist off an ant’s legs or something like that.

Ms J: That Major, his beta male levels are literally off the charts.

Everyone: (bursts into laughter)

Ms J: Actually, something that caught my interest about the setting is that only virgins can become vampires. In the first place, I don’t think European vampire lore makes that kind of distinction.

Ms T: Father Anderson is probably a virgin, since he has religious reasons for celibacy. Though it might depend on religious sect. I wonder if there’s a meaning behind this concept of chastity?

Ms J: The idea of chastity is valued in the Hellsing universe as well.

Ms A: Right, since if you aren’t a virgin you become a ghoul, and then it’s game over and there’s nothing you can do about it.

Ms R: Speaking of which, Integra’s a virgin, too.

Ms T: Integra being a virgin is an important part of the story.

Ms J: In my personal opinion, the best couple is definitely Alucard and Integra.

Ms R and Ms A: I was going to say the same!

Ms T: Integra and Alucard call each other “Count”, don’t they? You know, in a previous life it’s possible that Integra was a man. Perhaps Alucard is seeing the Count Hellsing of the past through Integra. Thinking about that possibility makes a girl’s heart flutter. Not to mention Integra’s appearance leans towards that of a man— Ah, it’s just so peak! [T/N: I'm not being facetious, 盛り literally means peak]

Ms A: Those who want to read a male/female romance can enjoy doing so, and for people who like BL, there are plenty of elements that can be enjoyed as BL also. I feel like the reason you can enjoy both things is because the relationships that are depicted are not constrained purely to sexual love.

Ms J: For those who like to read into the BL aspect, there are lots of fight scenes that can’t be ignored, can they? Particularly in the endgame. Like Girlycard and Young Walter, that was...really something.

Moderator: That part was just unfair! I mean, after getting captured by Millennium and going M.I.A., all that anticipation was building and building, and for Walter to be reintroduced like that!

Ms J: When I got to that part I was like, “Man, Hirano-sensei really did his best to keep all that stuff pent-up for so long". For both Walter and Girlycard, I mean.

Moderator: Speaking of Girlycard, I get the feeling that the idea for her was in place since the early stages of story development.

Ms J: I wonder about that… on the other hand it seems like it was a very spontaneous decision. (laughs)

Ms A: Even if the story developments feel spontaneous, I feel like the characters' settings are polished to a high degree from the beginning. Even though a new character suddenly appears out of nowhere, you end up following along without feeling a sense of discomfort. In Hirano-sensei's mind, I'm sure that each character is cultivated with an equal amount of attention. After that it's just a matter of deciding what situations the character will appear in.

Ms J: Each character is excellently molded to their place in the story. Even though normally it should be very challenging to create characters that would fit in this sort of world. (laughs) From the moment of their introduction, they are already dyed in Hirano's unique brand, and you can tell that Hirano understands them well.

Ms R: After all, characters from his past works before Hellsing make appearances in the manga, so you get the feeling that these are ideas that have been stewing in his head for a long time.

Moderator: And within Hellsing too, these characters grow and develop. Like Maxwell—he started out as a mere brat, but then he went full tryhard mode and developed that cunning and pretentious side to him.

Everyone: (leans forward) Yeah, that's right!!

Ms J: —And he had that past with Anderson, didn't he? I was like "Hold on a sec, a flashback scene now, are you kidding me"? Even though I knew that a flashback is basically a death flag, I couldn't help but love it. (laughs)

Ms A: At the final moment, Maxwell called Anderson "Sensei", a reversal of their dynamic thus far. Up until then there were hints of foreshadowing, but nothing definite. But with that single word you could feel the adoration Maxwell had felt for Anderson when he was a child... It's amazing how potent that line was. The timing of delivery was excellent, too.

Ms R: Up until that point Maxwell was portrayed as nothing more than a snob, but the truth is there were reasons why he became that way.

Ms T: Hirano-sensei is very skilled at depicting relationships between men.

The beauty of composition

Ms A: In Hellsing, there aren't any characters that go too far beyond the range of normal anatomy.

Even with regards to enemies and such, there aren't any massively gargantuan or bulky characters. Everyone is more or less normal. And yet, there is so much impact in the poses that it leaves you with a strong impression. Those standout panels just radiate style—so much so that anyone with an eye for art will be impressed by them, I think.

Ms T: The paneling is relatively simple, but the composition sense of each panel is amazing.

Ms R: I love the stuff like Rip Van's silhouette. The balance between her and the musket is super cool. Even though something that size in real life would be impractical to shoot, it looks so cool that it's like, "Who cares!"

Ms A: Fight scenes that should have a lot of movement are instead surprisingly depicted with still frame shots, and they have a beauty to them reminiscent of paintings. It makes me want to stare at the same handful of panels for a long time. Calling it aesthetic beauty might be a bit of an exaggeration, but...

Ms T: Not an exaggeration at all, I think there is a lot of aesthetic beauty. For me, when I look at Hirano-sensei's artwork, I'm reminded of ukiyo-e paintings. And in the movement, I sense a bit of kabuki theater.

Moderator: Each panel is created with beauty in every nook and cranny, so as to work as a standalone illustration.

Ms R: The way shadow and blood is depicted is so good, isn't it? It really makes full use of the monochrome medium.

Ms A: When I was reading the scene in volume 8 when Cromwell Level 0 is released and soldiers are unleashed in hordes, it reminded me of a medieval copperplate engraving. The plot developments in that moment were so interesting, and the density of the illustrations so rich, that simply staring at them was enjoyable.

Ms T: It really draws you in, doesn't it? In other manga that have very detailed art styles, the realism makes it feel similar to a liveaction movie. But Hirano's works are 100% "manga", I would say. In that sense, none of it is realistic at all. But that's why it's possible to achieve poses and compositions that are impossible with photography, and that's why he can portray things I didn't even know I would want to see.

The position of women in Hellsing

Moderator: To all of you, was there a scene where you were like, "This scene right here is where I became obsessed"?

Ms J: So this is my personal taste, but I liked the setup of the handsome lady Master and the handsome male Servant. I like butlers, too. So once those three conditions were satisfied, I was like, "This is a good manga". The part where I was like "This is a really good manga" was when Anderson was introduced. At first, I was thinking this would be a story where Alucard dotes upon Seras and raises her up as a vampire, but then we were introduced to a Catholic priest from the same religion, yet who aims to defeat the protagonists...

Ms A: You can't deny the impact of Anderson. The only thing he wants to do is "exterminate vampires". While characters in Hellsing may undergo sudden changes, they never waver. They race from their introduction to their final chapter with just as much momentum as when they were first introduced. Not only is it satisfying to read, you won't be disappointed. As long as your favorite character appears, you can focus all your attentions on them, and before you know it you'll have binge-read to the last chapter. (laughs)

Ms T: For me, the scene when Integra discovers Alucard in the basement, and Alucard was revived with her blood is when I became hooked. While it is an expected development for vampire stories, that part of the story was very beautiful. And afterwards, I loved the tender portrayal of Seras's growth. Among ero-guro media, there are many works that portray women in a demeaning manner, but Hellsing is not one of them.

Ms A: In Hellsing, there is no distinction in the roles that are assigned to men and women.

Ms J: Indeed, women fight and stand on the front lines. And it feels natural.

Ms R: To tell the truth, when I first started reading Hellsing, I thought Integra was a man. And, for some reason it felt overly pandering [T/N: I assume she means pandering to fujoshi] and I just couldn't get into it. But then I realized Integra was a woman, and I was like "Oh, so it's a female/male master-servant relationship! I'm sorry for making such a weird assumption!" (laughs) I feel like it's important that Integra is a woman.

Ms T: In volume 1 there were moments where Integra was told incredulously, "You're a woman?", but in those moments I always felt that, ironically, being called a "woman" was what made her so much more cool. In Hellsing, you get the feeling that all characters are loved by the creator regardless of being male or female, enemy or ally. There are many standout characters among the villains, for example.

Ms J: Each character showcases their individuality in their fighting style as well.

Ms A: I love that Rip Van is this scrawny girl with long limbs, who wields an old-fashioned musket—it gives off a really fantastic impression. The fact that a girl is given that kind of position, without it feeling offensive. When men draw female characters there tends to be a bit of double standards going on, or it can feel cloying or annoying depending on the scenario, but I don't feel that in Hellsing.

Ms J: Far from being annoying, the depictions of women feel unique and cool in their own way.

Ms A: You're right. Traditionally, female characters are accompaniments to the hero, aren't they? But Integra takes the lead, and while Seras is supported by those around her, she moves according to her own choices. Even among the female villains, they are given important roles that they carry out to the end, so you can read while feeling a sense of satisfaction.

Points you would recommend to other women

Ms T: Doesn't the series in general have a sort of sensuality?

Ms J: It does. As it gets nearer and nearer to the endgame, even the fight scenes show more tenderness. It's like a "They love each other, therefore they trade blows" vibe that feels erotic.

Ms R: When Alucard returned to London in volume 8, it felt pretty romantic.

Ms T: On the other hand, the explanations about weapon specs that pop up everywhere seem very male-oriented. I guess this is what you call the author's hobby.

Ms J: Speaking of the author's hobby, I feel like the fact that Walter is an old man is one of them. If you think about it purely in terms of reader appeal, there should have been no problem if Walter was young from the beginning. I get the impression that he was like, "If you're going to add a butler, it better be an old geezer". Ahh—the more I reread, the more I feel like I discover new things.

Moderator: There is plenty more we weren't able to talk about, but to close us off, please appeal to the women who haven't read Hellsing yet as to why they should read the series.

Ms A: The female characters are so full of life, so why not give it a try mainly for the female characters?

Ms T: You can read it together with your boyfriend! There are lots of battles and weapons that guys would like, and there's no nasty relationship drama, so it might actually be a big hit among couples.

Ms J: "Look at Integra and Alucard, honey, they're just like us!" or something? (laughs)

Ms R: When you think of vampire media, you might be inclined to imagine something campy and whimsical. But even though there's a lot of absurdism at play, the world is based on real historical facts. So I want to recommend it broadly, even to those that don't normally enjoy fantasy.

Ms T: I feel like Hellsing is like a very strong liquor. At first you might feel that the taste is overwhelming, but once you get used to it, it becomes delicious.

Ms J: Please go in with zero expectations and give it a read.

Moderator: Thank you all for your time today!

--------------------------------------------------------

Link to the raw scans (which are not mine). Feel free to spread and repost my translation to other sites.

[ajstudio]

Thank you for translating this interview. Reading it was a treat.

[Hellsing] Female Fans' Round-Table Discussion

A 6-page interview from the 2012 Hellsing Official Guidebook, featuring five grown-ass women chatting about Hellsing in a casual discussion format and translated into English for the first time ever by yours truly.

Honestly this was way more entertaining to read than I thought it would be. It’s also really funny seeing this super-casual discussion printed in the book right alongside Hirano's—-oh who am i kidding, this is 10x more professional and less deranged than whatever goes on in Hirano’s interviews.

Anyway, without further ado...

Does Hellsing have little to no female fans? Nay! Assembled before you are five women with an undying love for the series. Let’s see their passion for this work show itself as they butt heads!

Is the female fanbase just hiding itself or what?

Moderator: Now then, everyone, let’s start off with introductions.

Ms. T: I am Ms. T. I’ve been walking the path of an otaku since middle school, and it’s already been ● years since then. How do I put this, all of you seem like fairly normal people…

Everyone: Oh no--rest assured we are all otaku as well. (laughter)

Ms T: Oh, really? (laughs) Anyway, I’ve continued to love manga for all this time. Thank you for having me.

Ms J: I’m Ms J. I was already at a decent age when Hellsing began serialization, but to create something so enticing-- as expected of Hirano-sensei! (laughs). This is the kind of manga I’d better buy and collect, I thought.

Ms A: Out of today’s gathering, I’m probably the one who became an otaku at the oldest age. (laughs) My friend told me, “Hellsing is a manga that really crazy people read”, so at first I couldn’t get around to starting it. But around the time volume 8 came out, I binge-read it, and it was so interesting that I couldn’t help but get obsessed.

Ms R: I’m probably the youngster in this group. By the time Hellsing started serialization, I was just entering middle school. [T/N: That makes her 27 at the time of this interview.]

Of course we didn’t really have the term "edgy-teen syndrome" back then, but around me the manga was definitely gaining popularity in that edgy teen fashion. One of my best friends was obsessed with Hellsing and I’d borrow it after they finished reading it, and I got addicted too.

Moderator: I’m under the impression that the female readership for Hellsing is overwhelmingly small, but…

Ms J: Nah, I think they’re just hiding. I mean, it’s not like you’d talk about Hellsing to someone in passing. You wouldn’t suddenly say, “Y’know, Alucard is…”

Everyone: True. (laughs)

Ms J: There isn’t much opportunity to bring it up, or perhaps you could say it’s a hard topic to bring up to the general public.

Ms A: Like how you can’t have a pork-and-rice bowl first thing in the morning or something.

Ms J: Yeah, like that. Actually, among my circle of female otaku friends, everyone has read Hellsing.

Ms T: Among manga fans, Kouta Hirano is well-understood.

Ms J: Any fan of manga who doesn’t know Kouta Hirano is a faker!

Ms T: Disregarding whether you’ve properly sat down and read his works or not, I feel like it’s impossible for a manga enthusiast to not have at least heard of Hirano-sensei. But we are talking about manga fans in general, and the range of tastes is so broad. If someone were to say to me “I’m a fan of Kouta Hirano”, only then I would be like, “Oh, so I can talk comfortably with this person”.

Moderator: It’s a good litmus test to use. (laughs)

Ms A: It’s only when you broach the topic of Kouta Hirano that you can finally talk about Hellsing. You can’t go straight from “So I hear you like manga” to “So, about Hellsing…”, lol.

Ms J: If you met someone for the first time and you go “So I heard you like manga? What about Hellsing?” that’s like coming straight for their throat with a knife. (laughs)

Moderator: Even as a gauge to see how much of an otaku your opponent is, it’s a bit too much to try and break the ice with Hellsing.

The wonders of dialogue

Ms J: Speaking of the good points of Hellsing, I think it’s that it doesn’t get overly preachy. You can see this starting from Cross Fire, but you really get the sense that everyone’s equally crazy here.

Ms A: I can see that. No one is on the side of justice. Like the Major, he’s a nasty little guy. The type of guy who would casually twist off an ant’s legs or something like that.

Ms J: That Major, his beta male levels are literally off the charts.

Everyone: (bursts into laughter)

Ms J: Actually, something that caught my interest about the setting is that only virgins can become vampires. In the first place, I don’t think European vampire lore makes that kind of distinction.

Ms T: Father Anderson is probably a virgin, since he has religious reasons for celibacy. Though it might depend on religious sect. I wonder if there’s a meaning behind this concept of chastity?

Ms J: The idea of chastity is valued in the Hellsing universe as well.

Ms A: Right, since if you aren’t a virgin you become a ghoul, and then it’s game over and there’s nothing you can do about it.

Ms R: Speaking of which, Integra’s a virgin, too.

Ms T: Integra being a virgin is an important part of the story.

Ms J: In my personal opinion, the best couple is definitely Alucard and Integra.

Ms R and Ms A: I was going to say the same!

Ms T: Integra and Alucard call each other “Count”, don’t they? You know, in a previous life it’s possible that Integra was a man. Perhaps Alucard is seeing the Count Hellsing of the past through Integra. Thinking about that possibility makes a girl’s heart flutter. Not to mention Integra’s appearance leans towards that of a man— Ah, it’s just so peak! [T/N: I'm not being facetious, 盛り literally means peak]

Ms A: Those who want to read a male/female romance can enjoy doing so, and for people who like BL, there are plenty of elements that can be enjoyed as BL also. I feel like the reason you can enjoy both things is because the relationships that are depicted are not constrained purely to sexual love.

Ms J: For those who like to read into the BL aspect, there are lots of fight scenes that can’t be ignored, can they? Particularly in the endgame. Like Girlycard and Young Walter, that was...really something.

Moderator: That part was just unfair! I mean, after getting captured by Millennium and going M.I.A., all that anticipation was building and building, and for Walter to be reintroduced like that!

Ms J: When I got to that part I was like, “Man, Hirano-sensei really did his best to keep all that stuff pent-up for so long". For both Walter and Girlycard, I mean.

Moderator: Speaking of Girlycard, I get the feeling that the idea for her was in place since the early stages of story development.

Ms J: I wonder about that… on the other hand it seems like it was a very spontaneous decision. (laughs)

Ms A: Even if the story developments feel spontaneous, I feel like the characters' settings are polished to a high degree from the beginning. Even though a new character suddenly appears out of nowhere, you end up following along without feeling a sense of discomfort. In Hirano-sensei's mind, I'm sure that each character is cultivated with an equal amount of attention. After that it's just a matter of deciding what situations the character will appear in.

Ms J: Each character is excellently molded to their place in the story. Even though normally it should be very challenging to create characters that would fit in this sort of world. (laughs) From the moment of their introduction, they are already dyed in Hirano's unique brand, and you can tell that Hirano understands them well.

Ms R: After all, characters from his past works before Hellsing make appearances in the manga, so you get the feeling that these are ideas that have been stewing in his head for a long time.

Moderator: And within Hellsing too, these characters grow and develop. Like Maxwell--he started out as a mere brat, but then he went full tryhard mode and developed that cunning and pretentious side to him.

Everyone: (leans forward) Yeah, that's right!!

Ms J: --And he had that past with Anderson, didn't he? I was like "Hold on a sec, a flashback scene now, are you kidding me"? Even though I knew that a flashback is basically a death flag, I couldn't help but love it. (laughs)

Ms A: At the final moment, Maxwell called Anderson "Sensei", a reversal of their dynamic thus far. Up until then there were hints of foreshadowing, but nothing definite. But with that single word you could feel the adoration Maxwell had felt for Anderson when he was a child... It's amazing how potent that line was. The timing of delivery was excellent, too.

Ms R: Up until that point Maxwell was portrayed as nothing more than a snob, but the truth is there were reasons why he became that way.

Ms T: Hirano-sensei is very skilled at depicting relationships between men.

The beauty of composition

Ms A: In Hellsing, there aren't any characters that go too far beyond the range of normal anatomy.

Even with regards to enemies and such, there aren't any massively gargantuan or bulky characters. Everyone is more or less normal. And yet, there is so much impact in the poses that it leaves you with a strong impression. Those standout panels just radiate style-- so much so that anyone with an eye for art will be impressed by them, I think.

Ms T: The paneling is relatively simple, but the composition sense of each panel is amazing.

Ms R: I love the stuff like Rip Van's silhouette. The balance between her and the musket is super cool. Even though something that size in real life would be impractical to shoot, it looks so cool that it's like, "Who cares!"

Ms A: Fight scenes that should have a lot of movement are instead surprisingly depicted with still frame shots, and they have a beauty to them reminiscent of paintings. It makes me want to stare at the same handful of panels for a long time. Calling it aesthetic beauty might be a bit of an exaggeration, but...

Ms T: Not an exaggeration at all, I think there is a lot of aesthetic beauty. For me, when I look at Hirano-sensei's artwork, I'm reminded of ukiyo-e paintings. And in the movement, I sense a bit of kabuki theater.

Moderator: Each panel is created with beauty in every nook and cranny, so as to work as a standalone illustration.

Ms R: The way shadow and blood is depicted is so good, isn't it? It really makes full use of the monochrome medium.

Ms A: When I was reading the scene in volume 8 when Cromwell Level 0 is released and soldiers are unleashed in hordes, it reminded me of a medieval copperplate engraving. The plot developments in that moment were so interesting, and the density of the illustrations so rich, that simply staring at them was enjoyable.

Ms T: It really draws you in, doesn't it? In other manga that have very detailed art styles, the realism makes it feel similar to a liveaction movie. But Hirano's works are 100% "manga", I would say. In that sense, none of it is realistic at all. But that's why it's possible to achieve poses and compositions that are impossible with photography, and that's why he can portray things I didn't even know I would want to see.

The position of women in Hellsing

Moderator: To all of you, was there a scene where you were like, "This scene right here is where I became obsessed"?

Ms J: So this is my personal taste, but I liked the setup of the handsome lady Master and the handsome male Servant. I like butlers, too. So once those three conditions were satisfied, I was like, "This is a good manga". The part where I was like "This is a really good manga" was when Anderson was introduced. At first, I was thinking this would be a story where Alucard dotes upon Seras and raises her up as a vampire, but then we were introduced to a Catholic priest from the same religion, yet who aims to defeat the protagonists...

Ms A: You can't deny the impact of Anderson. The only thing he wants to do is "exterminate vampires". While characters in Hellsing may undergo sudden changes, they never waver. They race from their introduction to their final chapter with just as much momentum as when they were first introduced. Not only is it satisfying to read, you won't be disappointed. As long as your favorite character appears, you can focus all your attentions on them, and before you know it you'll have binge-read to the last chapter. (laughs)

Ms T: For me, the scene when Integra discovers Alucard in the basement, and Alucard was revived with her blood is when I became hooked. While it is an expected development for vampire stories, that part of the story was very beautiful. And afterwards, I loved the tender portrayal of Seras's growth. Among ero-guro media, there are many works that portray women in a demeaning manner, but Hellsing is not one of them.

Ms A: In Hellsing, there is no distinction in the roles that are assigned to men and women.

Ms J: Indeed, women fight and stand on the front lines. And it feels natural.

Ms R: To tell the truth, when I first started reading Hellsing, I thought Integra was a man. And, for some reason it felt overly pandering [T/N: I assume she means pandering to fujoshi] and I just couldn't get into it. But then I realized Integra was a woman, and I was like "Oh, so it's a female/male master-servant relationship! I'm sorry for making such a weird assumption!" (laughs) I feel like it's important that Integra is a woman.

Ms T: In volume 1 there were moments where Integra was told incredulously, "You're a woman?", but in those moments I always felt that, ironically, being called a "woman" was what made her so much more cool. In Hellsing, you get the feeling that all characters are loved by the creator regardless of being male or female, enemy or ally. There are many standout characters among the villains, for example.

Ms J: Each character showcases their individuality in their fighting style as well.

Ms A: I love that Rip Van is this scrawny girl with long limbs, who wields an old-fashioned musket-- it gives off a really fantastic impression. The fact that a girl is given that kind of position, without it feeling offensive. When men draw female characters there tends to be a bit of double standards going on, or it can feel cloying or annoying depending on the scenario, but I don't feel that in Hellsing.

Ms J: Far from being annoying, the depictions of women feel unique and cool in their own way.

Ms A: You're right. Traditionally, female characters are accompaniments to the hero, aren't they? But Integra takes the lead, and while Seras is supported by those around her, she moves according to her own choices. Even among the female villains, they are given important roles that they carry out to the end, so you can read while feeling a sense of satisfaction.

Points you would recommend to other women

Ms T: Doesn't the series in general have a sort of sensuality?

Ms J: It does. As it gets nearer and nearer to the endgame, even the fight scenes show more tenderness. It's like a "They love each other, therefore they trade blows" vibe that feels erotic.

Ms R: When Alucard returned to London in volume 8, it felt pretty romantic.

Ms T: On the other hand, the explanations about weapon specs that pop up everywhere seem very male-oriented. I guess this is what you call the author's hobby.

Ms J: Speaking of the author's hobby, I feel like the fact that Walter is an old man is one of them. If you think about it purely in terms of reader appeal, there should have been no problem if Walter was young from the beginning. I get the impression that he was like, "If you're going to add a butler, it better be an old geezer". Ahh-- the more I reread, the more I feel like I discover new things.

Moderator: There is plenty more we weren't able to talk about, but to close us off, please appeal to the women who haven't read Hellsing yet as to why they should read the series.

Ms A: The female characters are so full of life, so why not give it a try mainly for the female characters?

Ms T: You can read it together with your boyfriend! There are lots of battles and weapons that guys would like, and there's no nasty relationship drama, so it might actually be a big hit among couples.

Ms J: "Look at Integra and Alucard, honey, they're just like us!" or something? (laughs)

Ms R: When you think of vampire media, you might be inclined to imagine something campy and whimsical. But even though there's a lot of absurdism at play, the world is based on real historical facts. So I want to recommend it broadly, even to those that don't normally enjoy fantasy.

Ms T: I feel like Hellsing is like a very strong liquor. At first you might feel that the taste is overwhelming, but once you get used to it, it becomes delicious.

Ms J: Please go in with zero expectations and give it a read.

Moderator: Thank you all for your time today!

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Link to the raw scans (which are not mine). Feel free to spread and repost my translation to other sites.