#I used to be an audio engineer and most of the stuff I edited n worked on were closer to a minute than farther from it for atmosphere stuff
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housederiva · 13 days ago
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So I’m pulling audio from the Veilguard’s background noise (as I am prone to do) and it’s wild to me how short some of these sound loops are
Wind and birds especially have a loop of less than 10 seconds in a lot of locations which isn’t a bad thing or something I think people care about I just think it’s odd
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lifesuite · 3 years ago
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stormdancer · 6 years ago
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★☆★Guild Wars 2 Asks!★☆★
Retumblr’d from @guildwuff2 who got it from somebody, from somebody, from...
But I tweaked it slightly, fixing the misspelling of favorite. And answered them all because I felt like it. 
1. When did you start playing? In the closed Beta.
2. What was your first characters race/class (profession)? I went through all the races & classes in Beta, but saved the Charr for release, because I knew that’s what I wanted to play. My first ‘real’ character was a Charr Ranger. She remains my favorite, but I think I have more hours on my Charr Engineer.
3. How many characters do you have? Seven.
4. Whats your favorite race? Charr!
5. Whats your least favorite race? Human
6. What do you prefer PvE or PVP? PvE
7. Have you spent IRL money on the gem shop? Yep. I’d spend more if they had more RP-friendly stuff. 
8. Whats your favorite zone? It varies a lot. Amnoon is such a RP-friendly city, and that whole zone works nicely.
9. Whats your favorite city? The Black Citadel. Amnoon’s a close second.
10. Whats your favorite PVP map? I don’t PvP enough to have one. I liked the old WvWvW maps.
11. Whats a piece of gear you always transmute because you love the look of it so much? Pretty much anything that looks practical and realistic. They’re in short supply.
12. How many achievement points do you have? Uh... I have NFC. Maybe I’ll check later & edit.
13. Is it okay to ask to RP with you? Absolutely! 
14. Is your guild open to new members? Shard: Not really, we’ve reached a stable number. AUX: Pretty much always.
15. Have you ever been really angry at the game? why? More than a few times. The Skipping Stones JP made me ragequit a few times. 
16. Do you enjoy jumping puzzles? Yep! I’ve done every one of them in the game, on my Charr. Including the WvW one back when it was really heavily contested, and the old Lion’s Arch ones when they were freakin’ hard.
17. Whats your best guild wars experience? My wonderful RP guild. Seriously. So many wonderful adventures and stories there.
18. Do you have a favorite character from the lore? Probably Rytlock. But I adore Taimi.
19. Is there a class you like the idea of but the gameplay doesn’t match up for you? Elementalists. I just suck at playing them.
20. How far have you made it in SAB (Super Adventure Box) if you had the chance to play it? Maybe halfway through lvl1? It’s fun, I like it, but... 
21. Favorite weapon skin? Didn’t we do this back at 11? Uhm. Probably the drippy Orrian sword. If my rangers could use the sniper rifle (WHICH THEY SHOULD), it’d be that.
22. Do you have a legendary? Which one or ones? Nope. That’s too much like work.
23. Whats your favorite legendary? Uh... the one with the ravens? I guess? Because ravens.
24. Is there a race you hate with a passion? Not really. 
25. What class do you hate to face in PVP? I don’t PvP enough to care. Maybe thieves. 
26. Are there any players you look up to? Yup!
27. First memorable friend you made through guild wars? Soho. <3  There’s been several since then, but Soho was first.
28. Do you play with sound on or off? I *want* to play with it on, because it’s so good, but GW2 crashes on me a lot, and the audio seems to be part of it, so I leave it off.
29. Do you stream GW2? If so where can I watch you? Nope.
30. Are you obsessed with in game fashion? No. Most of it looks absurd, and most of my characters wear Medium. It’s a struggle to find decent looking realistic Medium armor. See #11. If we could mix-n-match town clothes again, I would be. See #40.
31. Do you have a favorite dye? Not really. Probably the ones I don’t have yet. :P
32. Whats the best glider skin in your opinion? I like the feathered wings a lot, it goes w/ the backpack.
33. Have you ever had to block someone? My block list is long. 
34. Weirdest map chat experience? *shrug* There’s been a lot of them, but none stand out at the moment.
35. Do you have 100% map completion on any of your characters? Yep, 2 of them. Working on a 3rd.
36. What type of player are you? Hardcore, Casual, Semi-hardcore, Barely online. None of the above. I’m a roleplayer. I’m on for probably 10-15 hours a week.
37. What are the top three tips you would give someone just starting to play? a) Do not rush to 80! Relax and just play. Every zone everywhere has fun to offer, at every level.  b) Linger, after completing events. There are often follow-through events, or even just entertaining NPC dialog. c) Explore. Look everywhere. Get map completion, but don’t do it by bunny-jumping from point to point. The game is rich with cool stuff that most people sprint past.
38. Best memory in guild wars? It’s a long story.
39. Do you stick to one character mostly or are you an altoholic? Somewhere between. I have about 3 characters I play with any regularity.
40. What bothers you the most about the game if anything? Plenty. I *hate* that they turned ‘street clothes’ into outfits - we used to be able to mix & match and I want that back! I hate the new Lion’s Arch. I hate that the Living World isn’t anymore. I’m aggravated that /em still has like 3x the range of /say.
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airadam · 4 years ago
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Episode 144 : Multiples Of Twelve
"It ain't f-ing sensible."
- Strategy
I ended up completely changing the selection this month when, taking the lead from a few tracks I was considering, I decided to go with an all-downtempo selection - a continuous unbroken mix once the first lyric hits. That said, there's a serious mix of genres so you get a bunch of variety inside the hour-long show! Get yourself plugged in...
RIP to the legendary Chi Modu - the man responsible for some of the most iconic images in the culture.
Twitter : @airadam13
Twitch : @airadam13
Playlist/Notes
Duett : Video
An extremely short track to open things, just for the flavour! Duett, is a UK synthwave artist (only one person, despite the name) who has released some amazing records channeling that electronic 80s vibe. This one is drawn from the "O U T L I N E S" mini-album from last year - all tracks that were done in a day each - and is a bite-size motif that you could imagine as the sonic logo for a film company or TV station from the VHS era.
Meyhem Lauren ft. Hologram & Big Body Bes : Lexus In The Lobby
I was originally saving this for a future mix, but even though it would have fit perfectly thematically, it's so much slower than pretty much everything else that it may not have ultimately made the cut. This is an absolute gem from the original "Glass" EP, with Harry Fraud on production building an absolute vibe with a quality sample that may be familiar to German listeners and some heavy 808 action. Meyhem Lauren is of course the best MC on the cut but Hologram on the first verse definitely kicks a memorable opening quatrain!
Mikhail Chekalin : As If It Was Not From Here
Going super left-field early for this instrumental bed! Chekalin was a radically-innovative composer from Russia who was not embraced by the Soviet government - they felt his work was too "Western" and while his music was heard by some plugged-in people in the outside world, he wasn't able to tour internationally or release his music outside the USSR. Thankfully for music lovers, times have changed and the "ГАР001: Михаил Чекалин «Экзальтированная Колыбельная 1979 – 1987»" collection (don't even think about asking me to pronounce that) is now available on Bandcamp, and is a great collection of his electronic work - his own take on what could be done with the synths of the time. His sound is a worthy companion to the other greats who were also experimenting at the time, from Jan Hammer to Jean Michel Jarre.
TY ft. Rootz & Deborah Jordan : Eyes Open
It's been a year this month since TY passed and I was glad to find one of his tracks fitting into this pace perfectly, one from his excellent final LP "A Work Of Heart". He was always an excellent MC from the first to the last, and he does himself proud here, spitting thoughtful lyrics with a rapid sharp flow. OG Rootz (formerly Durrty Goodz) is a solid complement, and Deborah Jordan adds a vocal decoration that puts the whole self-produced track over the top. I do like the unexpected switch to French for the hook later in the song too, just *chef's kiss*.
Bumpy Knuckles : Step Up
If you're a real Hip-Hop geek, the highlight on this track might just be the brilliant cuts by DJ Rukas on the hook, not only sharp but incorporating a very clever manipulation of a line from the stone-cold classic "Top Billin'" by Audio Two. Bumpy Knuckles goes in with a quasi-double-time flow in typically rugged fashion over the production of BeatBanga, who gets his only Discogs credit in fine style. You can find this on the "Konexion" album, which is well worth having.
Flatbush Zombies : Laker Paper
It might not be the most conscious track in the world, but it does have the exact type of sonic energy to fit into this spot! Despite the production style (courtesy of Erick Arc Elliott) and the track title, the clue is in the name - this is a trio from Brooklyn who released this cut on their debut mixtape "D.R.U.G.S". They don't try to dazzle with a quick flow on this beat, they stick to their style and settle into it at its native speed.
Samantha James : Come Through
Even for those who might not be into a record like this most of the time, I thought that bassline and the underlying lazy drum break might draw you in! This track was one of the highlights of the 2007 "Rise" LP from LA-based Samantha James. If you like a varied electronic music album, it's one you should check out - a little house, a little broken beat, some singer-songwriter vibes, a showcase for a singer comfortable with working with different production types.
Jake One : Evelen Gravest
We bridge the first and second mixes with a beat from the man Jake One, taken from his free gospel-themed "#PrayerHandsEmoji" beat tape. It'd be worth a purchase, but for zero dinero it's a must-have!
Kano : Ps & Qs
Coming out of East Ham, London, this is one of the early breakthrough grime tracks from a pioneer of the scene. This 2004 debut 12" release was a bit hit on the underground and helped Kano build momentum into the release of his "Home Sweet Home" album. DaVinche's big bombastic beat is an iconic one - a perfect underscoring for Kano, and can still mash up a dance even today.
DJ Quik ft. Hi-C and James DeBarge : Ev'ryday
One of my favourite cuts from Quik's 2002 "Under Tha Influence" LP (which, being a relentless perfectionist, he probably hated the minute he finished it). At the time there really wasn't much, if anything, out that sounded like this, and it was interesting to hear a musician and engineer of his skill level bring that to that double-time style. That stuttering bass and the skipping drum pattern work together brilliantly, and James DeBarge coming through with that hook might just be the vocal highlight.
Strategy : LengBreak
Time flies, and it's already been ten years since the release of the "Pre-Season Training" mixtape from Salford's Strategy, who continued to build his skills in fine style. "Bleep Test" and "Kill 'Em" were the standout tracks for me, and this one kind of passed me - maybe it was my personal taste in beats, maybe it was that I just didn't smoke! I gave it another listen this month and very much deserves a proper airing. One question for those of you who partake - all these years later, how do those prices sound? 🙂
Tobe Nwigwe ft. Royce Da 5'9" and Black Thought : Father Figure
Easily one of the best and most unique MCs to emerge in years, you'll have heard Tobe on this podcast a few times before and his collective have continued to impress and to elevate their profile. This killer is from last year's "Cincoriginals" album, and it's a meeting of heavyweight MCs. The fact that Tobe holds his own against both Royce and Thought, who is widely regarded as the MC's MC, while maintaining his own style, shows that he deserves all the praise he's been getting and more. Nell on production, as always, with the heavy low end for your system.
9th Wonder : Black Album Rejects, Track 15
One more of the instrumentals that 9th Wonder brought to Jay-Z for "The Black Album" that was ditched in favour of the brand-new "Threats" beat that launched him into the consciousness of many. The "rejects" were still dope as anything though.
Children of Zeus : No Love Song
Brand new Zeus! If you know what's good for you you'll be going to place a pre-order for the upcoming "Balance" album, but we've got this as an appetiser for now. Beat Butcha provides the laid-back soulful groove on which Tyler and Konny emphatically don't give you the love song that most other artists would given the same production. If you've been following this podcast, you would have first heard CoZ in the SoundCloud days, and it's been amazing to see this Manchester crew continue to produce great music - and the rest of the world catch up!
Corinne Bailey Rae : Walk On
Representing the city of Leeds lovely, Corinne Bailey Rae is a fine musician who brings the quality every time out. Her third LP, "The Heart Speaks In Whispers", was a worthy follow up to "The Sea", and saw her pairing with Steve Brown on production. This starts with a jazz club reserve and builds from there as she offers inspiration to keep on pushing through difficult circumstances - a message certainly relevant to the current time.
Rae & Christian ft. Lisa Shaw : Should Have Known
I'd somehow forgetten I even had this one! Lisa Shaw is best known for her deep house career, but her sublime voice is a versatile one and she's also on some soulful/downtempo stuff like this Manchester production from the Grand Central Records founding duo. The "Central Heating 2" compilation might be worth owning for this alone.
Zero 7 : Spinning
We finish a coincidentally all-UK segment with a track that didn't make the cut for the original UK release of the "Simple Things" album (twenty years ago!), but I believe was on the US version (plus the recent special edition release) as well as on the B-side of the "I Have Seen" 12". Sophie Barker takes the vocal reins, and it's a beautiful song.
L'indécis x sad toï : Dog Days
For the final instrumental break, we go to the Chillhop label, which specialises in releasing this kind of material - in this case, on the "Chillhop Essentials - Fall 2018" compilation. This track is an all-French connection, with sad toï (sic) alongside Grenoble's L'indécis for a relaxed and partly-acoustic beat that suits a lazy summer day just as much as the autumn.
Scritti Politti : Brushed With Oil, Dusted With Powder
"The day began to decline" - I think many of us can relate to that feeling! One more UK track to close the episode, and this is the one that I think will divide listeners the most. Personally, I love this. It's one of those tunes where no-one seems to agree on the exact meaning of the lyrics, but when Green sings "...some keys they found there"...well, that could be read multiple ways! This was a great close to the "Anomie & Bonhomie" album, with a long instrumental outro to cool us all the way out at the very end of the episode.
Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!
Check out this episode!
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friiday-thirteenth · 4 years ago
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okay, so
astronomer- this involves using physics n math to learn abt how things in space work
paleontologist - there's a lot of researching and publishing things to do with the things u find tho
museum technician/conservator- they can work with artifacts and stuff to do with the mythology of ancient civilizations
anthropologist/archeologist - they study human culture n stuff, so mythology plays a big part in figuring out beliefs and motivations of ancient people
historian - they look at history, and can specialize in specific fields, such as mythology
audio engineer - creates/mixes/reproduces sound for video games and the like
animator - u need a bachelor's degree in art, computer graphics or something similar for thongs like that though
graphic designer - creating visual concepts n stuff for magazines, websites etc.
horticulture- there are a lot of jobs in this field, like landscape architect, groundskeeper, florist etc.
veterinary technician- you'd work under a veterinarian and assist them in things + do diagnostic/routine things around the clinic
veterinary assistant- involves less science-heavy education then the technician, but u still do things involving working with animals
music teacher- you'd teach kids abt music, whether privately or through a school
recording engineer - recording, editing, mixing songs for artists
music historian - studying the history of music
librarian- you can specialize in poetry libraries, but most modern libraries do have a variety of people come through and do poetry readings, poetry appreciation classes etc.
linguist - studying the science of language
uhhh yeah here are some things I hope they were helpful <3
things I'm interested in:
space
dinosaurs
mythology
video games
ARGs (Alternate Reality Games)
animation
illustration
plants
animals
horror
music
poetry
languages
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evanvanness · 4 years ago
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Annotated edition for the June 14, 2020, Week in Ethereum News
It was a bit of a slow week on the Ethereum front.  Last week’s glut of layer2 was a bit lighter this week.
The Eth2 multi-client testnet was quite stable and they’re going to be spinning up a new one (mildly different spec, so new testnet).  Prysmatic has their own testnet and they launched a new one
If you’re a dev, then you probably already know about how ethers v5 is out, though the blog post is still forthcoming.
$COMP mining is happening now.  See below.
Finally, Bank Frick is offering customers the option to use USDC instead of SWIFT for cheaper and faster transfers.  A glimpse of the future.
Also, this newsletter now has a jobs section!  The ads certainly aren’t cheap, but it beats paying $20,000 to a headhunter. I’ve had the idea for a long time, but generally thought I’d have a recruiting side business.  But ultimately job listings feels more natural for me than being a recruiter.  
Here’s the most clicked for the week:
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Hasu tweeted to his audience of mostly bitcoiners, “Elastic blocksize caps and congestion control systems could become an important building block in securing Bitcoin post block subsidy.”  That’s an interesting argument, but can anyone even imagine it happening though?  Can’t see Blockstream ever agreeing to it, so at best a bitcoin fork could put it in. 
Every week I mention a few higher level articles for Eth holders:
Analysis of EIP1559 (fee market change) from Hasu and Georgios Konstantopoulos
A framework to compare and evaluate layer2 solutions
These aren’t that high level this week, but there’s only 2 of them, so you can sacrifice quantity for quality.  
In the long run, for "crypto” to be successful at any meaningful societal level, most things will happen at layer2, so you might want to have an idea about the tradeoffs in layer2 system.  Matter Labs helpfully provided a framework and comparison chart.
As for 1559, it’s a big change and requires a lot of thought and testing - might get included in the hard fork at the end of the year, but it might not.  
Eth1
Analysis of EIP1559 (fee market change) from Hasu and Georgios Konstantopoulos
Latest core devs call. Notes from Tim Beiko: STATICCALL likely to be repriced to 40 gas, account abstraction prototype, option 2 for EIP2565, discussion of eth2 deposit proxy contract, YOLO ephemeral testnet issues
Geth v1.9.15 includes implementations of Berlin fork EIPs
Not much to say here that wasn’t already said
Eth2
Latest what’s new in Eth2, Witti multi-client testnet quite stable, next testnet in a week called Altona
Latest Eth2 call. Notes from Ben, discussion of validator key hygiene
Prysmatic successfully launched their Onyx testnet. An updated guide to staking on Onyx
Lighthouse client update – getting to the final spec, discv5 rewrite for CPU optimization, tiny RAM use
Updating and generating Kate witnesses in amortized sqrt(n) time
An explainer for phase zero of eth2
IvanOnTech’s eth2 explainer
Protecting withdrawal keys
Most of this has no further elaboration necessary, but I love how this section slips in “updating and generating Kate witnesses in amortized sqrt(n) time” right next to high level eth2 explainers.  Basically, that’s a mathy way fo explain Verkle Trees, which might replace Merkle trees if they can solve a bunch more problems.
Layer2
A framework to compare and evaluate layer2 solutions
Formally verifying state channels with TLA+
Volition: hybrid onchain/offchain data decision by users at the transaction level from StarkWare
Arguably the state channels verification post was more appropriate in the stuff for devs section.
Probably the best summary of the Volition post is their own graphic.
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Volition is an interesting attempt to change the “offchain vs onchain data” paradigm.  Basically, they’ll let users decide for each transaction whether they want to put the data onchain. 
This newsletter is made possible by Trail of Bits!
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Contract upgrades are not as safe as you think. Trail of Bits has catalogued 17 different ways that upgrades can go wrong, and built tools that help validate upgrades before you run them. Use Crytic to keep your contracts safe from these flaws.
Stuff for developers
ethers v5 is on npm, though RicMoo is still updating documentation
web3js v1.2.9 – better transaction submission tracking
Brownie and React starter tutorial
Querying your eth2 validator balance with Infura
Async event-driven app architecture with EthVigil
17 checks to make upgradeable contracts safer with Crytic
Diamond Setter manager for your Diamond Standard upradeable contracts
If you’re starting a new project, use ethers.   
Other than that, stuff mostly speaks for itself I think.
Ecosystem
Transaction pool analyzer tool
Deanonymization using transaction time and gas price analysis. Use good privacy hygiene and this isn’t a problem
3 transactions with massive transaction fees (1, 2, 3). First 2 paid over 10k ETH each for a transaction fee. Lots of speculation about who screwed up and how.
Trueblocks: how accurate is Etherscan?
Zengo’s tx pool analyzer is very neat.
I don’t want to get into the speculation about what’s going on with those crazy transaction fees.  Looks like some kind of bug to me; what’s odd is that they haven’t caught it.  
Ethermine decided that after 4 days without having heard from them, that they were going to distribute it to their miners.  It’s always been a nice part of Ethereum that pool operators have generally returned these mistake fees, so Ethermine got a bit of flak.  But as a mining pool operator, you don’t want to be in the position of custodying large amounts of money for indeterminate time periods.  
Now that a pool operator has distributed a large fee, you have to wonder whether that puts them in a competitive position versus other mining pools.  
Immediately after publishing, I saw that security firm PeckShield claims to have identified the victim:
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Enterprise
Baseline protocol explained
Baselining business process across Microsoft Dynamics and Google Sheets video 
DAOs and Standards
TheLAO is extending Moloch v2 with Raid Guild’s Minion (programmatic proxy) framework for non-accredited investor baby DAOs
DAOs: governance as a service
EIP2711: Separate gas payer from msg.sender
EIP2718: Typed Transaction Envelope
It’s been interesting to see a lot of groups pick the Moloch codebase up and adapt it.  If I understand it correctly, Minion is a proxy that will let the DAO vote and adopt any bit of code.  Very neat, and will make the Moloch family of DAOs even more powerful.  
Application layer
Unstoppable Domains launches blogs on the dweb using 3Box and IPFS. Etherscan launches BlockScan, a dweb search engine
Use Balancer pools as swing trading
a Foundation Markets technical primer, automated market makers for artists
Austrian post office returns with CryptoStamps v2
LexDAO’s personal token factory with dispute resolution via their DAO vote
Opyn now has call options
TokenSets upgraded with better rebalancing for less slippage (ahem: higher returns!)
PodsFinance: Money legos with options, lock aUSDC as collateral when selling American put options. Live on testnet
Between the publication of Week in Eth News and this annotated edition, COMP started distributing its token.
In a word: 🚀
Lots of people are now mining for COMP, because the market cap exploded up to a billion (it’s come down a bit at time of screenshot)
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So people are putting their assets into Compound to get the (now quite valuable) COMP token.   This screenshot from DeFiPulse shows the ETH locked has migrated to Compound
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You can check how much you’d get of the $COMP token through various actions.   If you start mining, be careful with your leverage!
On retrospect, I could have written much of this about Balancer last week, though it was a bit different because the Balancer token does not yet exist. $COMP exists and is on Uniswap (and presumably Balancer soon as well, though Balancer uses Coingecko data for their token distribution, which is why I suppose no one has added it at the moment)
Tokens/Business/Regulation
Bank Frick lets customers replace SWIFT with USDC for faster processing
ConsenSys starts KYC/AML compliance service
Ontario Securities Commission report on Quadriga: Gerald Cotten lost 143m trading
Tim Swanson: 40 crypto controversies to look into
Dove Mountain Data – crypto venture investor directory and their deals
Opolis live – HR/benefits solution for the US
The oddest thing about the ConsenSys compliance service is the paranoid conspiracies.  It’s worth remembering that half the people got into “crypto” because, like a Rorschach test, many Bitcoiners can see conspiracy in anything.
These compliance services are a fact of life.  You may not like them, but with ConsenSys increasingly an enterprise-focused company, it makes sense that they have their own compliance offering, especially since they had Alethio already built.
Speaking of regulatory bodies, the Ontario Securities Commission found that Gerald Cotten lost AT LEAST 143m, the vast majority of which was lost on his own exchange. How bad at trading do you have to be to see all the data of what people are doing on your exchange AND STILL LOSE MONEY?
General
Crypto data breaches so far in 2020
Crosstalk: Cross side channel attack on Intel CPUs; can exploit SGX
SGAxe: Cacheout attack targeting SGX
Lamphone: measure light bulb variations from up to 80 ft away to record audio conversations
Gavin Andresen: Ethereum can scale Bitcoin
Checkout the job listings below!
I saw a tweet a few weeks ago about how SGX exists so that security researchers can write papers about how they broke the “secure enclave.”  
That Lamphone attack is something else though.  I remain skeptical that this is something that can ever really be used, sounds a bit more like Van Eck phreaking than it does an attack likely to be pulled off in the wild.
Job Listings
Reflexer Labs (RAI): smart contract dev lead, fullstack JS dev, python/devops lead
Aave: Solidity Rockstar? let’s build the future of DeFi together [email protected]
Nomic Labs (Buidler): join our dev experience & tooling engineering team!
Chainlink: Lead Test Engineer and Senior Software Security Engineer
0x is hiring full-stack, back-end, front-end engineers + 1 data scientist
OpenZeppelin is hiring! To apply, visit: https://openzeppelin.com/jobs
Celer Network: Android developer
Trail of Bits is looking for masters of low-level security. Apply here.
Want your job listing here? $250 per line (~75 character limit including spaces), payable in ETH/DAI/USDC to evan.ethereum.eth. Questions? thecryptonewspodcast -at-gmail
Housekeeping
Follow me on Twitter @evan_van_ness to get the annotated edition of this newsletter on Monday or Tuesday. Plus I tweet most of what makes it into the newsletter.
Did you get forwarded this newsletter?  Sign up to receive it weekly
Permalink: https://weekinethereumnews.com/week-in-ethereum-news-june-14-2020/
Dates of Note
Upcoming dates of note (new/changes in bold):
June 15 – Gitcoin CLR matching grants begins
June 16 – deadline to apply for Gitcoin’s Kernel incubator
June 17 – Stateless Ethereum call
June 29 – Swarm first public event
Aug 2 – ENS grace period begins to end
Oct 2-Oct 30 – EthOnline hackathon
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doomedandstoned · 7 years ago
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Strike The Sun: An Interview with Miami’s SHROUD EATER
~By Billy Goate~
~Pictures by Wicked Ways Photography~
This piece has been a long time coming. SHROUD EATER has been a powerful force in doom metal for damn near a decade. Their sound crackles with electricity, with a rumbling low-end that has caused a ripple in the underground and vocals that soar triumphantly above the rubbled landscape. It's inexplicable that we haven't covered them in these pages before. Chalk it up to a scene that has just mushroomed exponentially in size since Doomed & Stoned blasted off in 2013. I came within feet of seeing them at Psycho Las Vegas a few years back, but by that time in the festival I was so exhausted I overslept. So it was high time we gave the Miami trio of Jean Saiz (guitars, vox), Jan Valentine (bass, backing vocals), and Davin Sosa (drums) some love. This has been an eventful year for the band, seeing the realization of their second full-length, 'Strike The Sun (2017 - STB Records), and then having the unenviable experience of seeing this self-same sun "stricken" by a certain hurricane called Irma just a month later. The band was kind enough to oblige me an interview in the days following, including an in-depth, track-by-track walkthrough of their Doom Charting new record.
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The new record is a behemoth. Are you finding your approach to writing as a band has changed significantly since the early days? What's your creative process like now?
Jan: First off, thanks for digging the new record! Now, as far as the writing process goes, it’s definitely changed due to changes in dynamics within the band depending on who we’re writing with. I feel that with Davin in the band we are all more involved as a unit. Normally, a riff idea blooms, one of us writes lyrics, things just come together and if it feels right we run with it. Sometimes Jean, being the main song writer, has a solid idea to work off of. Currently, the process has a pretty organic flow.
Most young bands would find it hard to envision five years together and hear you are inching ever closer to 10. I'm curious, how your relationships with one another evolved over the years. Assuming you've always been tight. Would you say being in a long-term band relationship is more or less like being in a marriage? Weird question, I know.
Jan: I personally refer to a band relationship as being very much like a marriage, so not a weird question at all. Jean and I have been together 15 years, have been in this band for about a decade now and have been playing with Davin for a little over two years. Personalities, creative interests, sense of humor, compromise, communication, similar goals -- all among the many things that need to jive in order to make a relationship work. If any of these aspects don’t mesh or there’s no connection it’s very difficult to come together creatively. Writing is very much an intimate experience whereas performing can easily be compared to letting it all hang out so to speak. When shit works, it just does.
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What do you all do when you're not creating and performing music?
Jan: Jean is a graphic designer by day and works on commissioned artwork by night. She also runs her cassette label, Primitive Violence. She’s worked on some really killer releases including our limited edition cassette packages for Strike the Sun. Davin is a skilled sushi chef and can also whip up a mean hot sauce. He’s a video game enthusiast and is really good with horses. I’m a full-time photographer, animal lover, dabble in incense-making, and a B-movie buff. I enjoy collecting shitty movies and forcing friends to watch them.
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This is your second full-length in 6 years. How is it different for you putting out an LP versus and EP? Does it basically just come down to the number of songs you have on hand? What's special about this LP for you?
Davin: Wasn't here for the whole six, but it's pretty much just that. There's definitely an urge to make the songs on an LP flow better together, while an EP can be presented as a “grab bag” of songs. Aside from being my first longer release with the band, what makes this one special for me is how Jan and Jean pretty much let me do things my way (the dumb, hard way) on the recording front. It was a crazy learning experience, and I’m grateful for the opportunity to have put us all through hell and back.
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The sound on 'Strike The Sun' is exquisite. I feel surrounded by fuzz, so thick you could slice it with a knife and gobble it whole! Take us inside the studio and share, if you will, what it took to capture just the right tone and tenor you wanted. For instance, what gear did you/do you find essential to get the sound you want?
Davin: Thank ya! We captured the raw DI signals for guitar and bass in the comfort of our respective homes, and took those dry tracks with us to HiFive Audio in Deland, Florida to be re-amped through the gals’ rigs. This allowed the boys at HiFive to really dial in a great tone without worrying about the strength of our performances. As far as gear goes, Jean’s sound hinges largely on the Black Forest, Pharaoh, and Quantum Mystic pedals, all by Black Arts Toneworks, running full-stack out of a Verellen Skyhammer and Matamp GT 120. Jan also sports a Black Forest alongside the Revelation Superbass, all out of a Fender Super Bassman. Vocals were done at home with me in a similar fashion to the guitar ‘n bass, with drum tracking also taking place at HiFive. All lovingly mixed by Sanford Parker!
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Did anything change between the practice room and the recording studio in regard to the songs to more fully realize your creative vision?
Davin: Small things like licks and fills. In a more substantial way, vocal parts got a little more detailed, and a couple songs got the synth treatment. I think the mantra was to not add anything engaging enough to the point where it's absence in a live setting would be noticeable.
You've worked with various producers over the years, but seem to have found your sweet spot with doing the recording yourself. Tell us about the difference it makes having Davin Sosa in the engineer's seat.
Jean: Having someone who is in the band handle the engineering and recording is great for us, because it assures that we have someone who really cares about and will go the extra mile on what they’re working on. He has an exceptional attention to detail, knows the songs from all angles, and he really loves the process of recording; I think that shows in everything we’ve put out since he’s joined us and I feel very fortunate in that respect.
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Ok, let's get to the fun stuff. Take us through 'Strike The Sun' and guide us into this landscape of fire, flesh, dreams, and disaster. Is there an interlocking character to the songs we're hearing? Perhaps you can walk us track-by-track through the album, if you like.
Jean: Fire, flesh, dreams and disaster is a perfect summary! There are many references to not being of one flesh or skin, creating a certain sense of unstoppable will power, death, destruction and the lot. So let’s go on that track-by-track stroll:
Smokeless Fire
Strike the Sun by Shroud Eater
This ambient track, in my mind’s eye, sets the tone and landscape, if you will, for the songs that follow. It conjures a barren, desert-like landscape, with a looming maliciousness. The idea of a smokeless fire is one where the fire is pure, molten energy; to me it is the idea of building up our personal will-power into an unstoppable life-force. The last of the lyrics read: “Offer me sanctity from life's agony of desire” -- meaning, to cut the fat from life and live pure and full of purpose, even if that purpose is assassination and death, as is later revealed.
Iron Mountain
Strike the Sun by Shroud Eater
This is one of my favorites songs. I love the long, lumbering riff that opens it and lyrically it follows along the path that Smokeless Fire laid out. In this song, it is the beginning of the quest to find that which was lost, but first you must climb, you must struggle, and you cannot be thrown down or distracted from this climb and journey.
Awaken Assassin
Strike the Sun by Shroud Eater
This is a song Janette wrote, but in the scheme of the album, I see it as the unspoken character has found that which was being searched for, and now begins the work of death and destruction in earnest. The lines I contributed to the song (“Hash smoke open eyes, black toke now you arise, black smoke seeks your demise”) have to do with historical accounts of a sect of assassins in the 11th century led by an “Old Man of the Mountain” that would perform critical strikes of espionage and murder to kill key enemy figures -- but first, the Old Man would have the acolytes fucked up on hashish to instill total loyalty and devotion to the cause.
Another Skin
Strike the Sun by Shroud Eater
This is an instrumental track that was actually one of our older songs that fit into the narrative of Strike the Sun. There’s a lot of different riffs to this song that lend to the idea of wearing different forms or skins; constant change, constant evolution - where every possibility is within you, should you want to access it and bring it to light to achieve whatever goal. The sample we have towards the end is taken from the lectures of Joseph Campbell. In these samples he says, “You are not this body, you are not this ego, you are to think of this as something merely put on to be thrown away again.”
Dream Flesh
Strike the Sun by Shroud Eater
It may seem like a surprise but I really love writing and playing sparse, quiet, droney songs - but I have a rule where I rarely share them with anyone; they are my little secrets. Well, "Dream Flesh" is one such tune, but again, fit into the scheme of the record and made a perfect start to the Side B. The lyrics repeat: “A wound that never heals, A skin that never feels” -- again alluding to not being tied to one form or skin.
It Walks Among
Strike the Sun by Shroud Eater
This is an older one, and a favorite to play live to close out our set (live show spoiler!). This song is inspired by John Carpenter’s The Thing (1982), and when we play it live we preface it with a sample from the “Tape Recorder” scene, where MacReady is logging the intensifying paranoia vibe of the outpost. The words, “Nobody trusts each other now...and we’re all very tired,” echo out before we begin the song. The song itself has a weird pacing to it that I really enjoy. It starts off rather slow and sparse, and builds up into a wall of sound before backtracking to a very quiet and delicate part, so to speak. Lyrically we do pick up some of the dialogue in the “blood test” scene of the movie, but it does lend itself to our narrative of the changing/imitating/not of one flesh overarching assassin-character. The lines “Cleave to mortal flesh and break solid bone, becoming paranoid and trusting in no one” echo the sense of isolation, spiritual blackness, faltering on the path mentioned in earlier songs, and embracing the darkness to come to full potential.
Unseen Hand
Strike the Sun by Shroud Eater
In contrast to the previous track, this song is full of focused will and vitriol from the start. This is the most upbeat and fast-paced song on the record, and serves as a nice jolt of adrenaline. We switch between a few different time signatures on this one, and lyrically this definitely has a renewed sense of purpose and mission. The song closes out with a desperate mantra: “To Fail is to Die,” which leads our narrative perfectly onto the last track.
Futile Exile
Strike the Sun by Shroud Eater
This is my favorite song on the record, and holds a good amount of meaning to me. The loose story of the record comes to a gnarly conclusion, as this song is focused on the hunt for and destruction of this particular person or thing -- they are trying to escape their fate and their past, and hope in doing so person/beast that is pursuing them loses interest or fails. But there is no escape; it will be destroyed, it will be found, as the last lines ring out: “You can’t hide, I will always find you.”
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Photo: STB Records
Loving Gordon Grady's album art. What's going on there? Are the figures representative of you three in any way or reflective of the album's content?
Jean: I fell in love with Grady’s art many moons ago and thought the ghostly wraiths he conjures up were a great representation of the vibe we were going for. We really didn’t know what he was going to come up with for us but I absolutely love the finished piece. The figures don’t necessarily correlate to us or the album, although several friends have joked that Jan and I are the two figures and Davin is the puppy in the middle.
Davin: The first thing he sent us ended up being perfect, so there wasn't much room for tying it into themes explored on the album. I do think the ambiguity of the two figures and dog lends to a lot of people seeing them as representative of us. Fine with me, though. I like dogs!
youtube
Film by Frank Huang
A lot has happened since the release of your album. You went on tour, is that right?
Jean: We did have a tour, we were very excited about the tour since it would be in support of the new record, and then the tour was cut short right at the mid-way mark due to a hurricane that was threatening (and indeed hit) South Florida and our homes. The tour started off pretty rockin’, with our first show at The Jinx in Savannah playing a benefit for “Friends of Statts.” It was a stacked bill that included Royal Thunder and Black Tusk, and we had a terrific time. We rolled through Winston-Salem, North Carolina at Test Pattern the next day and played with our progressively minded pals Irata, then onto Baltimore the following day to a very cool Metal Monday show with doomy friends in Corpse Light.
By this point in the tour, I should mention, I was receiving about 50 frantic text messages about Hurricane Irma and her projected path of destruction, so between driving, lugging gear, playing shows, etc., the necessity to make a decision about whether we would have to cancel the tour and drive back home was looming very heavily. Tuesday morning we watched one final weather report, and the projected path for the storm was literally a fucking bullseye over Miami. At the time, this was a major storm system with winds reaching up to 180 mph. FYI, a Category 5 hurricane is capped off with sustained winds of 150 mph. So at that point, the call was made: we would travel north to New York City, play our show at Saint Vitus, and then drive like mad back home to have time to secure provisions, prepare our homes, family, and pets for impact.
The Saint Vitus show exceeded expectations, as we played with some very cool bands like Begotten and Eternal Black, met JJ from the Obelisk, as well as Steve “the man himself” from STB Records, and saw our close friends who had moved from Florida to New York. Even though we had to drive 19 hours to get back home, we had that final rad memory to fuel us into the night/day drives.
And the happy ending: We did get home in time to secure everything, and although we all suffered some damage to our properties, we are safe, alive and finally have power back!
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threedillusionmusic · 6 years ago
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