#I thought you were an adult??

[kelocitta]

Anthro Au Survivor drafts feat. too much worldbuilding because I cant just put pants on a slugcat like a normal person & my godawful handwriting

The Survivor (Their full, scavenger-given name includes the 'The') was separated from their family while traveling between colonies and stranded in the dangerous unpopulated wilds. Against all odds they managed to survive (and wander) far longer than they should have been able, but rather than reconnecting with their (or another) slugcat family, they instead made contact with one of the many wandering scavenger troops- But unfortunately not one that had ever met a slugcat nor had any idea what to make of a stranded one. Regardless the group gave it their best, ended up committing to the role of slugparents, and The Survivor and their troop still consider themselves close family long after Survivor finally reconnected with their sibling. (They're a bit of a mess though, understandably)

[lucky-fy]

Please enjoy :)

Two more with spoilers below

[animentality]

while I try to be compassionate to teens online, because I know they're just kids and they're still learning, and even if they don't learn today, they will probably learn some day, I gotta say this... sometimes...

even I wasn't that fucking stupid as a teen.

I never sent anon hate (still fucking haven't, by the way, y'all are so inferior to me if you have), I didn't spend my fucking time on 4chan or reddit being an incel or flirting with neo Nazism, I never doxxed anyone or encouraged other people to harass or threaten people I didn't like.

I didn't bully people for drawing Steven universe art I didn't like, I never tried canceling people or making up fake rumors about how xkitguy was a pedophile, I didn't go around accusing people of being pedophiles with no evidence.

I never harassed creators online or sent death threats because someone doesn't like my favorite character and I actually unsubscribed and forever ignored content creators I found out were fucking pedophiles rather than doubling down.

Some of y'all are just dumb and mean and it has a little to do with your age, but also has to do with you being an asshole.

being a teen is not a catch all excuse.

you're not fucking 6.

you do know right from wrong at the ripe old age of 17.

you can be a piece of shit as a teen, and I can judge you despite being an adult, because I know I wasn't like that when I was a teen.

and even if I was, I can still say, knock it off.

you bullying little shits.

[damniteggs]

I was today years old when my intern tried to kill me via puncturing a charged battery pack.

[blueskittlesart]

at a certain point i think we need to acknowledge that art is very rarely created accidentally. if you can see a theme in a work than that theme was, more likely than not, at least somewhat intentional on behalf of the creator. you don't put a piece of yourself out into the world without thinking about what it means at least a little bit.

[klanced]

this is why i never read voltron fanfic 💀

[poorly-drawn-mdzs]

This is the start of something new

[First] Prev <–-> Next

[aquanutart]

She is offering water to any lost travelers! However, it's so hot that the water has become tea, so she's adjusted accordingly!

[miaoqing]

every now and then i remember that shen jiu was like 33? ish ? by the time SY transmigrated and i just. have to sit down for a moment. a GROWN ASS MAN beefing with an 11-year old. absolutely jobless behaviour

[sp00pygal]

Phandom: obviously there's child endangerment at the Fenton household, so let's write/draw content about Danny getting X ghostly parent

Me: but uh - hey guys, what about jazz?

Phandom: who?

Me: *long sigh* Danny's older sister

Phandom: oh her! Lol, she's 16, practically an adult! She's fiiiine :)

[little-mouse-adventures]

@orangerosebush's post here, with my comment and @fowlblue's tags today got me thinking.

Artemis Senior has been teaching his son matters of business from a young age. Not only was Artemis, at 11 years old, discussing stocks with his father, but Fowl Senior had been imparting his wisdom onto his son for years by that point, discussing the ever-increasing value of gold with him before tucking him into bed. Even outside of pure monetary value, Sr. had tried to go legitimate with his business dealings, leading Artemis to have a few legal ventures of his own.

We also see very early on in the books that Artemis has been regularly using Butler as a resource for his plots: bouncing ideas off him was apparently a fairly common tactic when he was scheming.

Both Artemis Senior and Butler are interested in (or at least, not opposed to) educating Artemis on the ways of their lifestyle(s). It would be Artemis Senior who would have taught his son the value of banks and safety deposit boxes and hidden safes but it was Butler who was actively working with Artemis to rob those safety deposit boxes.

In the same vein of breaking-and-entering, TLC also gives us the fun little moment where Butler hands Artemis his own lockpicks, to get into the workings of the bomb.

With one line we learn that Artemis knows how to pick locks, but does not have his own set of lockpicks. Butler, on the other hand, has both the tools and knowledge how to use them. Partnered with a brief mention in TTP of some the specific trades of those previously employed by Artemis Senior (including such things as crime lords, insider traders, and cat burglars), we can extrapolate that Artemis Senior would generally hire someone to pick a lock for him, rather than do so himself.

It's pretty logical to conclude then that Artemis learned big-picture management from his father, and day-to-day skillsets from his bodyguard.

Essentially, Artemis Senior taught Artemis how to run a criminal empire. Butler taught Artemis how to be a criminal.

[gutfaced]

so anyway when anyone holds the belief that the career kids were evil and were natural born killers you are equally dehumanizing them like the systems of training they were put in. you are adultifying children who were brainwashed and forced to learn the ways of slaughter for sake of glory. we could talk about their parallels to war also, but the main thing here are these are children taught that in order to appease their district they must kill ruthlessly and without second regard for anyone else in th equation. their win and their path of success only, even if in the end they're still cannon fodder like all other victors. like how many time does it have to be said that the careers are VICTIMS. not villains like they're portrayed as by the narrative.

[lucky-fy]

made it gayer

[fictionadventurer]

I'm fascinated by the ways in which the things a creator is good at making don't necessarily line up with the kind of art that they respect or even enjoy.

This has haunted me ever since I saw a Youtube video about the downfall of The Band Perry, a country band that I had liked until their music got weird and they kind of fell off the face of the earth. Well, it turns out that they tried to reinvent their image and their style of music several times before the band finally fell apart. When they started, they had this weird Southern Gothic homeschooler style that really worked for them and was reasonably popular, but then they tried to switch to a cooler type of pop music--a style they supposedly admired and enjoyed--and it just did not work at all. They failed because they chased what they wanted to make instead of sticking with the style that they were good at.

It's a tension that's present in all creative work. At one point does "going outside the box" go too far? Can one be happy making good work even if it's not the kind of stuff they like or admire? Are the techniques and styles that are most appealing to us appealing because they're things that we can't create ourselves? As in, our minds don't work that way, so seeing these things from other creators is exciting, but the fact that our minds don't work that way is exactly why we can't imitate those things. Where's the line between creative integrity--pushing yourself to make better things--and pride--wanting to make something more prestigious and impressive instead of humbly making the type of art you're best suited to make? Can one even clearly see what they're best at making, and appreciate the good that's there rather than chasing after styles and techniques that seem better? There are no solid answers, which is why I'm going to be endlessly thinking about this.

[saccharinerose]

In a conversation the topic of childhood comes up and the human part of the Fontaine cast (Wrio, Clorinde, Navia) is hit by 3 consecutive mental sucker punches when Furina, Neuvilllette and Sigewinne all reveal one after another that they have Never Been Children

[uncanny-tranny]

I went to a local yarn store for the first time, and while I was there, somebody was talking about getting a beginner's knitting kit, and she inquired about when lessons were, and when she was told that they'd be happy to sit down with her and teach her, she was so delighted. She talked about how excited she was and how much she wanted to learn to knit, and it just... it made me fall in love with humanity. It was this pure, unadulterated happiness coming from somebody and it was so genuine and kind, and I couldn't help but smile.

I guess all of this is to say... every moment, there are tiny little joys like this all over the world, and it makes this life worth living. I hope you witness and feel joy this simple, this pure.