#I think they sound best with Ron back at the keyboard but Lil' Beethoven live was all about that damn fine visual art ❤️‍🔥

[thenwethrowitonthefire]

Hiii i'm sorry if i'm intruding on the conversation by asking this question but i'd love to hear your take on ride 'em cowboy! :] I love that song (as i do all of lil beethoven, haha) and i'm really interested in what you have to say about it (i love going through your answers to these sparks asks by the way, and i definitely relate to the feeling of wanting to write entire essays about particular songs)

Hi friend! 😁 Wow it's such a treat that people have been enjoying reading this stuff! Thanks for the ask! (And thanks Sparks-anon, you started this! I hope you will enjoy this answer as well.)

Okay. RIDE 'EM COWBOY. They had NO REASON* to go this hard with this song. (*They had every reason - this is Sparks and this is Lil' Beethoven.)

What I think cuts so hard with this song is that the majority of the song is comprised of constantly flipping the switch from praise to disdain, from favour to rejection, from inclusion to exclusion - it's a total fall from grace, it's someone flopping completely, losing it all. Every phrase crafted to hit as hard as it can, but in a slightly different way every time, cutting deeper with every line. Starting relatively simple and straightforward with the lines "They laughed with me, then laughed at me", then building with every new line, and later in the song getting more metaphorical and it's even outright violent. (Ron *really* knows how to heighten how emotionally brutal certain experiences are and knows how to cut deep into that. A true master of words.)

…And then the song says, fuck that!! This will not be my defeat! “Ride ‘em cowboy, ride ‘em//I got thrown again//Ride ‘em cowboy, ride ‘em//Get back on again”

There's many ways one could perceive those lines. It can be a “keep going despite it all”, “keep going to spite them all”, a simple “try again”, and even “just go on with your life and let them talk”, or whatever else someone needs to hear to keep them going. (Heck, if someone were to say “ride 'em cowboy” means "fuck the haters", or "fuck it - we ball", I'd call that valid, too.)

A part of this song that struck me immediately early on in my Sparks journey was “From great to good// From good to fair//To barely pass//Stay after class”. I hadn't been out of highschool that long at that point and I'd been a “gifted student” who in the end was really depressed and barely passed. I hadn't really recovered yet from how defeated that had left me feeling. So these lines were immediately my new friends. And since then my love for this song has only deepened more and more over time. I've stomped into my uni building with Ride ‘Em Cowboy blasting on my headphones countless times, on the good days and the bad. It honestly was really good at helping me deal with the pressure of having been one of four non-males in a male dominated field, often being underestimated or expected to prove myself.

“It's not your day//It's not your week//It's not your month//It's not your year” Lyric status: SICK ✧⁠\⁠(⁠>⁠o⁠<⁠)⁠ﾉ⁠✧

I don't live that life anymore, but obviously there are always times in life when this song is applicable all over again. One could see it as a ruthless acknowledgement of the fickleness of people's favour and opinions (also people's opinions of themselves, I might add), and the fickleness of perceived success. And it's a strong reminder to not fall victim to it.

Instrumentally it's absolutely striking and it's such a powerhouse of a song, you don't need to be currently living it to keep loving the hell out of it. Something that I find really cool about this song as well is that when there's words, abbreviations, sayings, or references in it that you're unfamiliar with (as was the case for me as a non-American non-native English speaker) or if you don't know French (my highschool French was enough for this one and I'm a huge fan of “From open door//To merde, alors”), it doesn't make you miss out on the meaning, but you can look all that stuff up and get hit in the face by this song all over again and with extra force.

I only looked up all the abbreviations I was not familiar with earlier this year, and I got to say… “BMOC//Then MIA”, Big Man On Campus, then Missing In Action. Dangit Ron. *Chef's kiss*

…But still, the line to potentially win it all?

"Olé, then gored"